#i love all the characters tbh

[poolsidescientist]

I enjoyed the Fallout TV show, it was fun and well-made and I look forward to watching more of the show if they make it. However, I have one fear for season 2 and that is that they'll treat Max the way Finn from Star Wars was treated.

[palarien]

sketched this out at jury duty actually

[chloesimaginationthings]

The FNAF Mikes talk about their extended family..

[bisexualcroissant]

i love that neil is canonically 5’3. like it’s easy to forget that he is also pretty small because of how much freaking aura this kid has in every room he walks into. i always forget that he’s literally like. he’s a short king. andrew’s known as the “tiny” goalkeeper but neil isn’t that much taller. yet he has insane presence so you kind of don’t even notice most of the time. and i love that he leans into things like his speed, his endurance, his agility when playing exy in line with this, as opposed to strength/size. it makes me love him even more.

[mongeese]

she's middle aged. she's a serial killer. she insults a god to its face. she's a failed sacrifice. she's aromantic. she's a poor little meow meow. she's unkillable. she's so tired. she's god's favorite and she desperately wishes she wasn't. she's mean. she cares about people more than anything but doesn't want to be around them. she loves pancakes. i didn't say a name but she popped into your head didn't she?

[zvezdacito]

*dear theodosia audio*

Look at my son

Pride is not the word I'm looking for

[spkyart]

Watching YYH for the first time is a fantastic experience

[daeyumi]

🌜🎭🎊Dawn of a New Day 🎊🎭🌞

[2022]

[astronomodome]

Could you do an eldritch pearlescentmoon or a fae pearlescentmoon, please? :3

how about a little of both? :3

[dayas]

This post contains spoilers for Wicked (2024) and the Broadway musical!

A word on Cynthia Erivo’s performance as Elphaba in Wicked: Phenomenal.

In regards to the critique that she plays her too timidly: in my opinion, she plays her exactly as she is meant to be played. Watching Elphaba navigate Shiz University was so clearly a parallel to how Black women have to operate in Predominantly White spaces. Every single time her powers went out of whack, she was labeled as dangerous, and at the end, the Wizard and Madame Morrible immediately painted her out to be monstrous, vicious, and angry. Seeing her poster produced a visceral reaction in me — not because it was terrifying, but because it reminded me of those old fashioned racist posters 💀 which! Isn’t a bad thing, I think it speaks to the larger message of making Elphaba out to be the Wicked Witch, despite her only crimes at that point (that we know about) being attempted Animal Liberation and further Civil Rights movements. To me, watching Elphaba at Shiz was watching another Black woman try to fit in despite knowing she will never truly be like those around her, and to not draw any more of their ire and to not fly off the handle and be labeled as ‘angry’ or further outcast. When she sings I’m Not That Girl, it hits harder having been in that position and truly understanding what it means to not be desired or considered pretty or beautiful by anyone around you while your friends are. Honestly, it adds more in my opinion. I think Cynthia Erivo’s performance carried an excellent nuance that speaks specifically to Black women and our experiences. While it is perfectly okay to have a differing opinion, it would be a major disservice to overlook that very intentional lens painted by the film. As many have noted, having Elphaba be played by a Black woman adds so much depth to the character. It also shifts and adjusts how she presents herself when her Broadway and Book counterpart may be considered bolder (which begets a whole other essay on White Women, oppression Olympics politics, and needing elements of Whiteness to appear in oppressive narratives for the sake of ‘relatability’ despite them coming off, in my opinion, more disingenuous than not). All of this to say: Elphaba is still fierce in her own right. She stands up for herself, sets her own terms, but she does so within the realm of what is socially acceptable for a reason. I’m gonna need y’all to think a little more critically ❤️

[iamhereinthebg]

Old doodles and shitposts of the Clock keepers because I miss them everyday

[chloesimaginationthings]

Oooo I love the way you draw Jeff he's cute <333

I hope I did Jeff justice.. gotta love tired men

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[tapeworrmart]

Protective barrier ☣️

[hawkinslibrary]

Stranger Things 4 Chapter Nine: The Piggyback | 4.09

[moxie-girl]

*some exceptions may apply