#i like the story within the story

[peachblossomdrama]

Has anyone ever told you that your eyes shine like stars?

Battle of the Writers ep 3

[poorly-drawn-mdzs]

I know those eyes.

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[luckyyharms]

if anyone complains about no agathario I'm going to punch them in the face LOOK AT LILIA LOOK AT HER. SHE'S FINALLY FOUND PEACE WITH HERSELF ANDBHER POWERS. SHE HAS A COVEN. LOOK AT HER

(further rant in tags)

[historicity-was-already-taken]

To any Palestinian folks who have sent me requests for aid: I’m so sorry—there are active scammers going around posing as folks in Gaza, and I don’t know how to figure out which ones are real and which ones are scams.

En lieu of those. I’d like to direct you all towards NGOs which I know are not scams

[feelo-fick]

i thought the reason was obvious..??

but you dont seem to get the implication so i guess ill just keep talking and you can listen if you want to

—

that one meme but its them :] sort of a sequel to this

[coockie8]

This is gonna sound cold, but as a creator, if there is any type of ship you are so uncomfortable with that you would demand your fans not ship specific characters of yours due to that, then straight up do not release your creations to the public.

Again, I know this is gonna seem cold, but you do not have control over how other people are going to interpret or engage with your creations, and if there exists an interpretation or form of engagement you loathe so much you would demand people never do that with your characters, then keep your creations to yourself.

There are 8 billion people on the planet, which means the potential for approximately 8 billion different interpretations and forms of engagement. It is impossible for you to like, or even just be comfortable with, every single one of those, and it is crucial that you make your peace with the fact people are going to be interacting with your stories in ways you don't approve of if you're going to be publishing. Because again, this is going to happen, you can't control it, and you will drive yourself insane trying.

[anistarrose]

to me, the most fascinating (and utterly unintentional) feature of TAZ Balance's narrative structure is the way that on the first listen, Tres Horny Boys are the audience surrogates because they, much like us, have no idea what the fuck is going on, but on all subsequent relistens, then Lucretia, and sometimes Barry, and arguably especially Lup in the umbrella become the new audience stand-ins, because just like us, they are, in fact, painfully aware of what the fuck is going on :)

[yardsards]

laios when his party needed more members:

[jacobglaser]

Now, in the darkness, at the very heart of the world, the drums of war thunder once again. And Azeroth, at last, awakens. The Worldsoul, so long denied me, shall be mine.

→ World of Warcraft: The War Within

[communistkenobi]

It’s so funny when liberals lecture communists about not knowing how anything works, that we need to grow up and face the real world etc, while publicly demonstrating that their political imagination is so deeply impoverished that they genuinely believe the only thing the leader of the most powerful country on the planet in all of human history can do is block a slightly more fascist guy from taking his place every four years

[baravaggio]

Nana x "Where is My Place in the World? Early Shōjo Manga Portrayals of Lesbianism" by Fujimoto Yukari (tr. Lucy Fraser)

[poorly-drawn-mdzs]

Cruel and Unusual Punishments (the PSA episode).

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[withthewindinherfootsteps]

I sometimes see the opinion that MXTX took the clichéd tropes she'd critiqued in Scum Villain, and played them straight in MDZS. But though a lot of them appear in MDZS, I'd argue that none are actually played straight at all!

The main point of MDZS's tropes is subversion. Yes, WWX has a 'tragic backstory', even an arguably overused one (orphaned by his parents at a young age, forced to live on the streets with nobody to rely on, etc) – but how things differ in how it's used. Tragic backstories are normally used to build sympathy for a character, to make us care and get invested in them. But... we're never actually shown any of those street days, we're never shown and never dwell upon how much he suffered during them. They're only really mentioned in passing and whenever dogs come up! If the goal was to make us feel bad for WWX, this would be very ineffective writing. But what's actually important here isn't that WWX went through tragedies – it's how he doesn't let the tragedies he went through define him. He doesn't dwell on them, the narrative doesn't dwell on them, it's never used to earn sympathy points... because what defines WWX is his choices and how he chooses to act, not a backstory completely out of his control. What gets us invested in him is his personality and the character writing of MXTX, not tragic events used as a substitute for identity.

And this trope treatment fits extremely well with WWX's personality itself – he's someone who 'forgets the pain as soon as the wound has healed'*, but also who actively chooses to focus on the present because you can't change the past; someone who holds the belief that 'gains and losses [should] remain uncommented on' when choosing what to do.

The use of the tragic backstory isn't the only thing that's subverted, either – the other main thing is the 'blackening' of the protagonist, and its impact on the protagonist's fall. After being thrown into the Burial Mounds, on a surface level it does seem like this blackening has occurred: the first thing we see when he returns is his gruesome torture of the Wen cultivators; he's 'forsaken' traditional cultivation in favour of an 'evil but more powerful' path; and frankly, Sunshot-era WWX is terrifying. But MDZS is not a blackening story, and so the events of the Burial Mounds aren't used as a catalyst for that purpose. Though it's true that WWX's not entirely the same person he was before (because how could be be?), underneath it all, his morals, worldview and core** stay the same. Though gruesome, his revenge is directed towards the ones who wronged him, not those past that and certainly not the entire world. His experience in the Burial Mounds doesn't lead to him being some evil, blackened overlord... like everyone says he is at the start! That's subverted, because again, WWX's values and choices are more important to the story than genre conventions.

But the most crucial thing? What leads to WWX's downfall isn't any blackening! It isn't any vengeance or morally dubious actions***– he was praised for those things during the Sunshot Campaign! No, what leads to his downfall is something completely unrelated to that, something which would've disappeared had the trope been played straight. It's him doing what's right by defending the Wens, it's him following his moral code when it opposes the world's, it's him standing up to the injustice of others – not others standing up to the injustice of him. That's the subversion here.

(Also, once again, the fall of Lotus Pier, the Burial Mound, etc, aren't used for sympathy points – and if it was relevant, they wouldn't have been used to excuse any actions, either. Using tragic events as an excuse for doing bad things is critiqued many times in MDZS, through characters like Xue Yang and Jin Guangyao. And that's not exactly a trope subversion, but it is a critique of badly handled 'excuses'.)

These are by no means all the tropes MDZS subverts – the nature of guidao vs the usual nature of modao being another very major one – but they're the main ones that feature in Scum Villain.

So, though at first glance MDZS seems to play the tropes MXTX critiqued there straighter, it's not a simple case of using them as cliches, and we see that by how they're used to impact the narrative, and how that differs from what they're traditionally used for. MDZS doesn't fall back into clichés Scum Villain satirised – it's the subversion to Scum Villain's exploration and critique.

--

*Which I know is generally used negatively, to describe someone not learning a lesson from a punishment, but it really describes WWX in general, too. He doesn't dwell on that pain, he does his best to move on from it.

**...heh

***And, because it's often debated – whatever the morality/culpability of Nightless City is doesn't even matter! The events happened at a pledge conference against him that was already taking place. WWX's actions there didn't make people want to kill him because that was explicitly happening beforehand.

[puppyeared]

xīn yá ref update ^_^

[antirepurp]

the way jolyne breaks so much convention as a jojo protagonist from not being introduced as an inherent badass and having to earn the right to be called that over the course of the story to her life being over from the moment that story begins while still not painting the events of it as a soul-crushing tragedy but rather a journey through which she reconciles and finds new meaning and purpose to herself as a person. i love jojo stone ocean i wish women were real

[acesluvrxx]

need someone to make a fic for this fanart of ace as a knight RIGHT. NOW. RIGHT NOW.

maybe the reader is rebellious and trying to get ace to hate her and quit being her knight but he wont bcus ‘its his duty’ but its actually bcus he loves her

IT CAN BE SMUT IT CAN BE FLUFF IT CAN BE BOTH IDK IDC

IDK DO WHATEVER U WANT ONE PIECE WRITERS HEAR. MY. PLEA. i need this and i need this bad and i would write it myself but people on tumblr know bigger words than me BYEE BUT U GET THE POINT