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#i like a lot of things in this article
thegoatsongs · 1 year
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The Harkers' marriage has much in common with what New Woman authors and their male allies were positing as an ideal union, one founded on "love and trust and friendship." (29) Friendship is a recurring theme in New Woman discussions of marriage. In an 1884 letter to Olive Schreiner, Havelock Ellis muses, "the best kind of union between a man and a woman is a sort of camaraderie ... between two people who care about the same things, who are going the same way, & can walk arm and arm, & kiss & encourage each other on the way." (30) Though most New Woman authors shared Caird's view that such a companionate union was "well-nigh impossible" in the present day, Stoker is more optimistic. Possessing the "love, respect, intellectual likeness, and command of the necessities of life" required for an "ideal" marriage, the Harkers could "look clear through one another's eyes into one another's hearts." (31)
In treating Mina as his peer, Jonathan Harker is most unlike John Seward, whose dealings with Lucy demonstrate an inclination to perceive a woman's beauty rather than her brains. Yet Seward, though not a New Man, has the potential to become one.
When Mina telegraphs to announce her arrival, John is far from pleased: she is a distraction from the important work of reading the papers Van Helsing has given him. "I must get her interested in something else," he determines, and "I must be careful not to frighten her" (195). Mina's appearance--"a sweet-faced, dainty-looking girl" (194)--fits his stereotype of a woman needing protection. When Mrs. Harker asks to see his account of Lucy's final days, Dr. Seward declares, "Not for the wide world!" (195). "Why not?" she asks, and, realizing (with the same acuity Lucy possessed) that he is "trying to invent an excuse" for demurring, is charmed to see him, "with the naivete of a child" and "unconscious simplicity," blurt out an excuse whose truth he realizes only as he speaks it: he cannot let her listen to his account of Lucy's death because he has dictated it into his phonograph and does not know how to locate it in the cylinders (196). His grimaces and exclamations of "That's quite true, upon my honor" and "Honest Indian!" underscore his boyishness. Bemused, Mina replies that, in that case, he must let her type out all his notes. The doctor cannot argue. Begging her pardon and admitting that she is "quite right," he makes "the only atonement in [his] power" by entrusting her with the cylinders (196). We need have no secrets amongst us," she tells him; "working together and with absolute trust, we can surely be stronger than if some of us were in the dark" (197). Impressed by her "courage and trust," he embraces her modus operandi. By the end of the evening, he has accepted on equal footing the woman he at first dismissed as an annoying distraction whom he must "be careful not to frighten," telling her, "We must keep one another strong for what is before us; we have a cruel and dreadful task" (198). [...] In this scene, we glimpse the future Caird envisions, "when men and women shall be comrades and fellow-workers as well as lovers and husbands and wives." (32)
Winstead, K., Mrs. Harker and Dr. Van Helsing: Dracula, Fin-de-Siecle Feminisms, and the New Wo/Man
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sunderwight · 3 months
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What if the plant body hadn't worked out, and the Holy Mausoleum solution had actually taken a long time to sort of "fix" Shen Qingqiu's body and fully call his soul back to it, so that hundreds of years passed and civilization in PIDW/SV world progressed to the point of something like the "modern era"?
Imagine Luo Binghe trying to delicately introduce his shizun to such strange concepts as smart phones and credit cards, while Shen Qingqiu is just desperately trying to figure out how dumb he should play this. Would it be believable for him to get everything on the first try? There have to be some differences between what he knows and this world's versions, right, because of the demons and cultivators and things? Right?? But it's not like any of this actually IS difficult for him to grasp!
Luo Binghe: Shizun already discerned how to type using a keyboard...?
Shen Qingqiu, sweating bullets: what, like it's hard?
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theloveinc · 28 days
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Just thought about … oh my god. Bakugo’s first real battle with a formidable villain after your kid is born; he’s not exactly “out of shape” (he never quit the gym, routine, etc… just changed it), but he’s thrown down hard in the first couple seconds, and he’s slower to get back into position—taking the time to steady his feet and assess the terrain, pushing out the lil tummy he gained feeding you postpartum delicacies as he cracks his back—
And the villain, god help them, decides to call out to him as they use the few seconds of vulnerability to attack again, screaming, “hey pop pop, don’t tell me parenthood has made you soft! How ‘bout I start calling you ‘daddy,’ too?”
Just as Bakugo’s turning back around with a new fire in his eyes, blood all warmed up, and shooting off to grab them by the throat to end the fight in one single move.
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skitskatdacat63 · 10 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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todaysbird · 3 months
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this is a little bit of a reach but I'm looking for any remote work anybody can throw at me, full-time to single freelance opportunities! paid, because I need to eat, but I can go pretty low! my moving plans are a little up in the air atm, but I know I'm moving out of state at the end of July, and finding new work has been a struggle. I can connect you with my linkedin/resume etc if you're willing to DM me so i know you're a real person, but for anyone casually interested, a lot of my experience is hands-on with animals in addition to years of social media and writing (contract and freelance), with the fields I'm most experienced in being animal welfare, environmental science and climate justice. if that applies to anyone, I'd love to talk! :) I'm assuming it won't, but if anyone can point me in the right direction, that's great too - I already haunt a lot of the big U.S. job boards like Ornithology Exchange, Texas A&M etc.
related - if you run a small/newer animal rescue and need help with social media (id be thrilled if it's Tumblr) I'd love to volunteer to help you out (not expecting pay for this!) if that applies to you, please reach out as well!
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fruitsofhell · 7 months
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I used to be one of those guys when I first joined the Kirby fandom, but everytime I hear a discussion of the series writing that starts with "So the Lore is InSaNe-" and not like, "Kirby has a fun writing style that takes advantage of its cute exterior to tell cool stories that reward player's curiosity and leave lots of room for imagination-" I cringe so goddamn hard.
I kinda just hate that people approach things that encourage investment when they don't expect it as inherently absurd. Like it is fun to joke about how absurd Kirby lore can be, but it really often comes with an air of disrespect or exhaustion rather than like, appreciation that these games are made by people who want to tell interesting stories when they could easily make as much money just making polished enough fluffy kiddy platformers. And when it's not met with exhaustion, it's met with - like I said before - that tone that it's stupid for a series like this TO have devs who care about writing stuff for it. Which is a whole other thing about people not respecting things made to appeal to kiddie aesthetic or tone.
Maybe the state of low-stakes YouTube video essays just blows cause people play up ignorance and disbelief for engagement, but like I STG I hear people use this tone for like actual narrative based games sometimes. Some people don't like... appreciate when a game is made by people who care a shitton in ways that aren't direct gameplay feedback. And they especially don't appreciate it when it comes from something with any sense of tonal dissonance intentional or not.
Anyways, I love games made by insane people. I love games made by teams who feel like they wanna make something work or say something so bad. I love that energy, especially when invested into something that could easily rest on its laurels or which obviously won't be taken seriously. I love this in a lot of classic campy 2000s games, I love this in insanely niche yet passionate fanworks, and I love it in the Kirby series and its writing. Can we please stop talking about it like it's an annoyance or complete joke?
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theminecraftbee · 1 year
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okay now that i'm no longer trying to keep a project secret from certain people i can complain publicly about a thing i've been losing my mind about:
why the fuck is the evo wiki like that.
listen. i know. i know fandom wikis being decent entirely relies on whether there are people who both want to obsessively categorize things enough to fill out the wiki, with the free time to do that kind of obsessive categorization, and the desire to manage it all as a wiki. believe me, i know. but please i'm just trying to do research please, please at least bigb's page was just Entirely Empty so i knew i had useless information and just left. why the fuck did the mafia's page, by contrast, have this:
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a sentence that is actively LESS USEFUL THAN IF IT WERE NOT THERE.
and then grian's page - GRIAN'S. GRIAN'S. THE ONE PAGE I THOUGHT MIGHT HAVE A SHOT OF BEING FILLED OUT. JOKE'S ON ME I GUESS.
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BECAUSE IT HAS THIS????? I'M LOSING MY MIND. WHY ON EARTH IS THE WIKI LIKE THIS. WHY IS IT THIS BAD. PLEASE I'M JUST TRYING TO FIGURE OUT WHAT EVERYONE'S RELATIONSHIPS WITH JIMMY AND MARTYN WERE PLEASE,
anyway thankfully i had friends who could help me with their own knowledge and who also found the evo recap but in conclusion i have been being driven mad by this for weeks, thank you for coming to my ted talk.
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tabithatwo · 1 year
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(x)
(this is a pls stop blaming juliette lewis for nat’s arc and death post <3)
#regardless of whether you loved the death or hated it YOU CAN STOP BLAMING JULIETTE NOW OKAY??#like even people who liked it overall but had qualms the party line is well I’m sure it was juliette leaving early so that’s why xyz#no! it was not! this was the plan <3 and idc if you hate love or nothing it I just think like making these excuses for things is weird#like do I get why some people might have assumed juliette might have left early sure yes but also idk like PEOPLE ARE FALLIBLE#showrunners are fallible! and that’s OKAY! they’re PEOPLE! and you CAN love every choice they make but jumping through hoops#to find *reasons* for the things you didn’t like is so interesting to me cause like…it’s okay!!! they can do a little thing you didn’t love!#you can even SAY you didn’t love it if you want and that’s okay too! or not! but stop blaming juliette lewis for whatever you didn’t like#also the rest of the article is an interesting read!#now I’ll do conjecture and tell you it is CONJECTURE for sure okay disclaimer#but after reading this article I think it is even possible Juliette’s anger with nats arc was partially BECAUSE she knew her death was soon#like maybe! who knows! not us! but I don’t even know how I became this hardcore juliette defender bc honestly I dosagree w her on a lot lol#but like I’ve seen people say oh she’s difficult and she made them do this and she’s a problem and she always does this#HELLO??? stop blaming women for shit baselessly??#(if you casually wondered if maybe she wanted to leave and didn’t say it like it was fact or use it to pin blame on her for stuff…#…this isn’t directed at you)#but some people got VICIOUS#juliette lewis#natalie scatorccio#yellowjackets
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hymnsofheresy · 6 months
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Do you pray for the hostages too?
Yes. I pray for the 110 or so israeli and immgrant hostages assumed to still be alive. And I also pray for the hundreds of Palestianian hostages arrested without charge in Israeli prisons assumed to be alive.
I pray for a ceasefire so that the Israeli hostages are released. I also pray for the end of Israeli apartheid government, so that Palestianians are liberated.
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stuckinapril · 5 months
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promising myself a renaissance era soon
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reasonsforhope · 8 months
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Future Crunch just paywalled their good news for "Energy" and "Technology"??? Which it looks like is about half of all their Good News?? (x)
I'm not particularly surprised because I WAS wondering how they made enough money to stay solvent, but I am dismayed
Partly on my own principles and partly because this kinda feels like it does/should go against their whole ethos??
Like if your big mission statement is "If we want to change the story of the human race in the 21st century, we have to change the stories we tell ourselves" (x) ....maybe you shouldn't paywall those stories???
That sounds very counterproductive and like you're taking access to good news away from a lot of people who need/want to hear it the most??? Esp in people in countries whose currency is much weaker than the US dollar??
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yellow-yarrow · 8 months
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have you perhaps a list of readings you would recommend to understand better disco elysium/sacred and terrible air? i wouldn't know where to start and your posts are interesting so worth trying to ask :)
aw thank you! Well, I feel like I’m not really that well-read, and the order I read philosophy/history/etc is all over the place lol
If I had to recommend some reading, there is this essay about the pale, that I think is essential to understanding Elysium. :
https://ghelgheli.substack.com/p/introductory-entroponetics
as for books, I would say Capitalist Realism by Mark Fisher could be a good starting point. And I think it would be worth to read something about these topics:
neoliberalism, capitalism
communism - marxism, history of socialist countries
russian nihilism
christianity - dispensationalism
The devs have said that they were influenced by Hegel, Marx, Slavoj Žižek, Lenin, & they also said they used to be anarchists so I would say reading some anarchist text could be interesting too if you want to really dive into it (idk, Emma Goldmann for example)
You can find a lot of these writings on these websites:
https://www.marxists.org/
https://theanarchistlibrary.org
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I found a transcript of the Jan 98 Q interview but it won’t let me post a link
https:// groups.google .com/g/rec.music.beatles/c/7clhNbsz3jE/m/stFmXJnzJSMJ
Maybe see if you can view it by removing the space between google and .com. If not I can screenshot and send you pictures
Oh wow, amazing!! thank you so much! this is an old usenet post from December 1997 and the user named Alison Fiddler kindly typed it up 27 years ago :)
I'll post the full transcript (and a bit reformated for legibility) below the cut for everyone.
Paul McCartney Interview for Q Magazine, January 1998 edition
Q. When you first wrote a song with John Lennon, did you realise you would play one of the biggest parts in rock 'n' roll?
(Michael McConnell, Crawley, West Sussex)
Q. If John Lennon could come back for a day, how would you spend it with him?
A. Obviously not. But even with all the so-called "historical" events that followed, you're just too inside it all, too busy doing it to realise anything's "historical". You just get on with it. I'm not a great ponderer. Some people would say that's a mistake but it's just the way I am. It's quite cool not to always get the overall picture because it leaves something to be found out. The musicologists get paid to discover the differences between me and John. I'm only just beginning to see it now, based probably on their analysis. So John is often one note, I'm often more melodic. (McCartney is thinking especially of Ian McDonald's book Revolution in the Head, where he describes the ace partnership in contrasts: Lennon's method is "harmonic, dissonant", McCartney's that of the "natural melodist".) It might sound amazing but we never spotted that when we were writing. We just did our thing. But it is kind of apparent when you bother to analyse it.
(Mark Wilson, Deeside, Flintshire)
A. In bed.
Q. Were you ever envious that Brian Epstein didn't fancy you?
(Nick Gibson, London)
Q. What were the last records you bought?
A. No, I didn't mind. We just used to go to these clubs at night and wonder why there were so many men. It was OK. Brian was very cool about his side to things. I think the nearest any of us got to it was the John-going-to-Spain thing (it inspired the movie, The Hours And The Times) and I'm not sure what the strength of all that was. I think it was power play on John's part. But Brian kept his private life aside. He kept it out of our faces (pause, possibly for effect). He kept it out of mine, anyway.
(Chris Timms, Harrogate)
A. The Prodigy's The Fat Of The Land, Radiohead's OK Computer and Chopin's Nocturnes.
Q. How do you feel about all the animosity between you and Oasis right now?
(Christina Vellano, Syracuse, New York, USA)
A. There is none as far as I'm concerned. What happened was I'd said, Good group, good singer, good songwriters. But people asked me about it so much that one time I decided to take it further and say that they don't mean anything to me. I am not related to Oasis. I wish them good luck and everything. But my kids mean something to me, John Lennon means something to me, but Oasis ....
Q. Who would you pick to play with in your dream six-piece band?
(Alan Thatcher, Essex)
A. Dream? So we're into fantasy, aren't we? Ringo, John, George, that's three. Me. Jimi Hendrix. That makes lots of guitarists, so Little Richard on keyboards.
Q. With Wings, did you feel pressurised to live up to The Beatles?
(Andrew Williams, Neath)
A. Yes, it was a case of "follow that!". Impossible to do. Looking back on it, it's a lot better than I thought, though some of it is just not PLAYED as well as The Beatles. My son (James, co-worker on McCartney's last pop album, Flaming Pie) plays a lot of Wings, so I'm re-listening, and there's good shit that I'd forgotten about. A lot of the lyrics were off the wall, drug stimulated. Things like "Soily - the cat in the satin trousers says its oily". What was I on? I think the answer is stimulants.
Q. Do you still support the legislation of cannabis?
(Grahame Woods, Northwood, Middlesex)
A. I would make a distinction between legalising and decriminalising. I'm in favour of the latter. The problem is that jails are stuffed full of kids doing what a lot of people do. Why stuff the jails with young kids? Plus it's one of the best places to score. I remember when I got busted in Japan, nobody made the slightest effort to rehabilitate me (laughs). Just stuck me in a box for nine days. Obviously you come out and you are fairly resentful.
Q. Do you roll a wicked joint?
(Steve Kline, Bury)
A. I have nothing to say in answer to that question, m'lud. I wasn't even at the venue.
Q. The critics have been harsh on your solo work. Did this ever
discourageyou?
(Robert Hemauer, Madison, Wisconsin, USA)
A. Yeah, sure, but you don't let it kill you. It's a difficult one, because it's never cool for someone to tell you you're shit. Many people through history were damned by the critics of their own time - Cezanne, Van Gogh, Stravinsky, all great painters! Ha ha!
Q. We'd like to see your paintings but can't get to the exhibition in
Germany (McCartney unveils his work for the first time in Siegen, Germany, next year). Any thoughts about putting your paintings on "tour", or publishing a book of them?
(Kathy Goodman, San Diego, CA, USA)
Q. You've done so many things - classical, films, music, art, drugs - is there anything left you might have a go at?
A. A difficult one. If you're a so-called celebrity - like Bowie, Anthony Quinn, Tony Curtis - and you exhibit any art, inevitably, people are not going to think of you as a real painter. Gallery owners come up to me and offer to give me exhibitions. I say, You haven't seen my pictures, and they say, It doesn't matter. Well, it does to me. Otherwise, it's just trading on the name. However, this guy from Germany came over, looked at all my paintings, seems to like them. He's telling me what they're all about.
(Tim Bowler, Swansea)
A. The thing is how reluctant I've often been to have a go. I think we were brought up pretty repressed. Brought up to be seen and not heard, to stay in your place, particularly a working class thing. And I think - I hope - with The Beatles, we got rid of a lot of that. With the painting, for instance, it was Willem de Kooning who liberated me. I used to go to his studio, took in one of my paintings, said, Hey Bill, I hope you don't mind but can you tell me what it is? (Affects American drawl) "Oh, looks "like a couch." Well it looked like a purple mountain to me. And he says, "Well, whatever." Here's one of the greats, his works go for one million, and it was great to see how little bullshit he was bringing to it all. It's really important to explode these myths that surround the arts, music, painting. It's Wizard of Oz time - so many myths, and it's often just a little man behind the screen. The paraphernalia that surrounds them gets in the way. Often you meet leaders in their field and they have none of that. I remember asking a great painter - Peter Blake, maybe - for some advice once, and he said "Just paint a lot". Similar to my approach to music.
Q. How do you know when a song's finished?
(Joyce Slavik, Palatine, Illinois)
A. It's full up. You've answered all of your questions. Normally, I start following a thread: "Eleanor Rigby picks up the rice ... " The thread might come out of nowhere, and I follow it and complete it, like crossword puzzle. When the crossword is full up, the song is finished.
Q. What's more embarrassing: writing Hi Hi Hi or Say Say Say?
(Tien Vu, Costa Mesa, California)
A. (Weighs up pros and cons). Say Say Say.
Q. Why did you give such extensive interviews for an authorised biography (Paul McCartney: Many Years From Now) instead of writing an autobiography?
(Deena Hochberg, Southampton, Pennsylvania)
Q. I'd like to know if Sir Paul sings in the shower, and if so, what does he sing?
A. I don't think I'm a writer. I've never been moved to do it. You have to have a pretty big fire in the belly to do something as big as that. I fancy music more. I'm happier writing in songs rather than in prose, or poetry. Though I wrote something that was never published about the time I got busted in Japan - for my kids. Because I knew one day they'd say, "Hey dad, what was it like, nine days in a Tokyo jail?". So I had a mate of mind, who did all our printing, knock up a few copies, one for each of the kids.
(Jennifer Nash, Bursville, Minnesota)
Q. As a kid you used to play pranks at school by throwing balloons filled with something "worse than water". If you had one of those balloons right now who would you like to hit with it?
A. It's normally the bath. I prefer a good bath. And the answer's Firestarter - "I'm a firestarter, de-de-de-de-dera."
(Brett Yuskiewicz, Leipzig, Germany)
A. Jonathan King. He's a prat from way back.
Q. Which football team did/does each Beatle support?
(WC Chan, Maryland, USA)
A. None of us were big footie types. We weren't very sporty, unlike other groups who were always having knock-arounds. My dad was an Everton fan, which I was most of my life. But then Liverpool started playing well, and Everton didn't, so I took the unprecedented move of supporting them both. It's not allowed, I know, but there you go.
Q. For years, you've claimed it's you in the Walrus costume in the Magical Mystery Tour film. But watching the footage shows that for it to be you, you and John would have had to exchange all your clothes. Are you winding us up, or have you not watched the film in 30 years?
(Dorothy Northcutt, Tucker, Georgia)
Q. What is the quality of each of the other Beatles that you like(d) the best about?
A. The big one. Very good question. I tell you what it was. In the stills we had taken, I was the one with the Walrus head on – in the film it's different. So John then immortalised it in Glass Onion, "I've got news for you all, the walrus was Paul". Obviously at the time you don't care, it's just a Walrus head. You don't realise years later people like our friend from Georgia will analyse it.
(S. Breggles, Richmond)
A. All of them – musical talent. All of them – honesty. Ringo – funny, and kind-hearted. George – straightforward and open. John – witty with a soft centre, or maybe hard with a soft centre.
Q. Do the copulating beetles on the sleeve of Ram (1970) stand for F**k The Beatles?
(Luc Van de Wiele, Wemmel, Belgium)
A. It happened to be a picture Linda had taken. We couldn't resist it just because of the way it looked. She'd caught these two beetles f**king, and then the significance hit us. We saw that pun, yeah, thought why not?
Q. Was there ever a third Lennon song for Anthology 3?
(Jake Lennington, Rush City, MN, USA)
A. There was, but George didn't like it. The Beatles being a democracy, we didn't do it.
Q. I have a Beatles t-shirt which I bought from The Grapes (celebrated Liverpool pub). I was told the band are pictured in their favourite seats - adjacent to the Ladies where you would often catch a glimpse of the girls changing for an evening at The Cavern. True?
(Alan Tomkins, Goring, West Sussex)
A. I hope so. It SOUNDS true. Had there been an opportunity to spot the girls changing, I'm sure we would have sat there.
Q. If you hadn't been a musician, what do you think you would have been?
(Tony Carter, Manchester)
A. The only thing I could have probably qualified for was teaching. So I might have been an English teacher.
Q. Does it do your head in - stuff like the handwritten lyrics to Getting Better selling for $249,000 at Sothebys?
(Peggy Robinson, Trinant, Gwent)
A. It's the price of fame - literally. You scribble them on the back of an envelope, and it gets to be famous. People want it, so it becomes a desirable object. Like Mozart's bog paper, which is another highly desirable object, apparently. More valuable obviously if it's been used.
Q. What is the inscription on the ID bracelet you wear?
(Rachel Hyland, West Harford, Connecticut)
A. It says Paul - for when I forget who I am.
Q. How does it feel to have a star named after you (the christening courtesy of American astronomy fans)?
(John Sales, Barry, Glamorgan)
A. Really cool. The good thing is that as you get on, your fans get on too. And some of them are pretty swotty. Like the people who started Apple, they were just Beatles fans, hence the name. You don't sit around looking at the sky, trying to find it, but it's like getting a very nice birthday present. I'm not religious, I don't believe in any one system - I sort fo think the universe is basically benevolent and we f**k it up - but I am spiritual. I saw Stephen Hawking on TV the other night, and he was saying that we are made of the same stuff as the stars. Which is great. We are all stardust, luv.
Q. What do you want written on your gravestone?
(Tom Mangold, Exeter)
A. Here lies Gracie Fields. Anything to keep people away.
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julymp4 · 4 months
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disney princesses WISH they were him... (x)
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leupagus · 11 months
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Behind the scenes, American officials also believe there is limited time for Israel to try to accomplish its stated objective of taking out Hamas in its current operation before uproar over the humanitarian suffering and civilian casualties – and calls for a ceasefire – reaches a tipping point. In fact, there is recognition within the administration that that moment may arrive quickly: Some of the president’s close advisers believe that there are only weeks, not months, until rebuffing the pressure on the US government to publicly call for a ceasefire becomes untenable, sources told CNN.
A lot of this pressure — the majority, I would wager — that Biden and US national leaders are getting is the result of people calling their reps, attending protests, writing to their newspapers and generally making themselves heard on this issue. People make a difference, and it's always worth reaching out to your legislators and telling them what you think.
Senators' info is pretty easy to find, since you've got two for every state (even DC and other non-state people have someone they can call!) but sometimes it's a little tricky remembering who your representative is, especially now with the district lines having changed up. So check your address here and then call their office — I've found more luck getting hold of an actual person at their local offices rather than the DC one, fwiw.
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soullistrations · 1 year
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i really think, when talking about voting/parties/etc, we need to be talking about Heritage Foundation's Project 2025, which would undermine checks and balances and consolidate a lot more power under the president if a conservative, Trump or not, is voted into power. Please check the website. It's pretty much a roadplan to a fascist regime.
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