#i know nothing about this movie

[thatsrightice]

So there is a movie about gay fighter pilots and none of you told me about it??? I'm smh-ing my frickin head so hard rn

[yourfaveisnowonfire]

lexy cross from Chucky is on fire!!!! I hate her!!!!! fire fire fire fire fire!!!!!! now!!!!!

Lexy Cross (Chucky) is now on fire!

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[kickmuncher3]

i fucking hate everything.

[lovelyunknown]

I have made it to Jirachi already? Wow, I've made it huh.

[queen-paladin]

I love you "boring" female characters. I love you ingenues. I love you female characters who aren't "modern" enough. I love you female characters who aren't "badass" enough. iI love you female characters who aren't "empowering" enough. I love you quiet female characters. I love you unappreciated female characters. I love you polite female characters. I love you female characters who "can't appeal to modern audiences." I love you frightened female characters. I love you female characters labeled as not complex just for being nice. I love you female characters who get criticism just for not being their tomboy or femme fatale counterpart. I love you silk hiding steel trope.

[thejadecount]

To anyone who wants to talk shit about bad story/character development in Deadpool & Wolverine CAN SHUT THE FUCK UP! I CAME TO SEE 2 HOURS OF DEADPOOL MAKING META & SEX JOKES AND HAVING HOMOEROTIC TENSION WITH WOLVERINE AND MARVEL DELIVERED EXACTLY THAT

[chloesimaginationthings]

would love to see any drawings/ur design on jeremy fizgerald (if u have any)!! /nf

Been working on a design, can tell me what yall think!

[buckleydiazmp4]

the reason poolverine is so appealing is also because in all of his two-decade run in the xmcu they have given logan some of the most boring and rushed relationships with women (because it was the 2000s and the mold that they followed for rugged manly protagonists meant an astounding lack of chemistry between them and their love interests in favor of giving them the "dead wife who has a montage at the beginning of the movie" treatment etc etc) and then they put him in a 2 hour long film with a guy even more insane and fucked up than him and they matched each other beat for beat. say what you want about the mcu but they achieved a level of chemistry between logan and wade that fox couldn't reach in 20 years with like four different love interests. which is also a petition for them to either go the gay route or finally let logan find a woman he has good chemistry with and who can pass the bechdel test

[crimeschild]

the barbie (2023) experience as an afab non binary person is just [reconnecting with your femininity and love for pink bc you couldnt when u were younger bc being too girly will get u made fun of] [feeling guilt bc u dont identify with being a girl but girlhood is so inherently beautiful and magical and no experience is truly like it] [healing the inner child in you by allowing yourself to enjoy dolls and pink and maximalism] [unapologetically letting yourself wear pink and be stereotypically girly in a society where being non binary means you have to be presenting androgynous 24/7] [getting your grown-up heart shattered and then put back together again by your inner child using sparkly glue over and over in the span of two hours] [realizing that no matter what you do you have somewhat experienced girlhood and it shaped you to be the person you are today and you will never get to erase that experience or truly disconnect yourself from it] [appreciating and understanding your mother in a way that you thought wasnt possible without experiecing motherhood]

[batcavescolony]

I see a lot of people upset about William Kaplan being dead and no one mourning him cus Billy stole his body and I just don't see it that way. The kid in Wanda Vision is Billy Maximoff, The teenager at the Bar Mitzvah is William Kaplan, the Teen that got taken to the hospital after the wreck is neither and both Billy Maximoff and William Kaplan. That Teen went home with the abilities of Billy Maximoff, to the home of William Kaplan, with memories of neither and lived there for three years. He cares about Rebecca and Jeff, he lied to the to protect them from pain, they are his parents. He wants to find Tommy, he has magical powers, he wants to know who he is. All of these things are true. I wouldn't say William Kaplan is dead he just doesn't remember, like Agatha wasn't dead when he was Agnes, she just didn't remember.

[afacelesschampion]

LONGLEGS (2024) dir. Osgood Perkins

[the-gay-prometheus]

Ok wait- on the Flatland note regarding Bill's origin story-

Everyone is out here trying to figure out what exactly makes Bill's eye weird. Like. How can he see into the third dimension while the others can't? What makes it weird other than seeing into the third dimension? Do the others in his dimension have two eyes - but how would that make it so they can't see the third dimension? Do they have no eyes at all (definitely not, cuz apparently they have evil optometrists)?

I'm about to (probably not) blow everyone's freakin minds.

Here's a poster for the Flatland movie:

What do you notice about them? Anything interesting? Perhaps something about their eye(s)?

Their eye(s) are located on one side of their face. They can only see forward, or, if they turn around, backward. And that's because, well, it's the 2nd dimension - there are is only left or right, forward or backward. I repeat - they can only see forward.

Now let's look at our beloved (beloathed, and everything in between) triangle demon:

Notice anything about his eye? Anything different? Anything... Weird? Strange?

It's in the middle of his face. Which poses an interesting issue in a 2nd dimensional world... Sure he can look left and right, but what is his default?

His default, if he is on a two dimensional plane, is to look up. "Up" is not a concept in the second dimension. There is no "up" because "up" implies depth - and depth is 3rd dimension, not 2nd.

He doesn't have any special powers that allow him to see into the 3rd dimension - I mean, obviously he has lots of special powers but... They aren't what inherently allow him to see into the 3rd dimension. It's the placement of his eye. The placement is his "defect," not the eye itself. He sees into the 3rd dimension because he has no choice. His default always was to see something that no one else in his world could see - the sky, the stars, and whatever else lay above.

The reason they tried to chemically blind him was because there was no other way to make it so he couldn't see into the third dimension. They probably thought it was a mercy - the poor kid was stuck with the default of always seeing of something that no one else in his world could ever physically see.

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[marzipanandminutiae]

first thought upon waking today: "the straights will really name a fictional woman in a kids' movie Truly Scrumptious and get mad at a lesbian couple kissing in the background of another movie"

(I never saw Chitty Chitty Bang Bang as a child, and I had a serious mental Error 404 when I found out the adult female lead's name was THAT. like. is this a beloved Disney offering, or a porno? from her name, you'd never know! I guess Pussy Galore was copyrighted and this was the next best thing!)

(make sure to emphasize that she's basically an object to be consumed! sexually! sexually consumed! it's the 1960s, baby!)

[nuppu-nuppu]