#she was a good character and they had good interactions

[screamingcrows]

HSR characters as ways animals court and mate

Welcome to the (hopefully) weirdest biology lesson you'll ever have! Essentially a shitpost. I shouldn't be allowed near blorbos. There might be better suited animals, these are all my takes on the characters and animals picked from ones I knew.

Repost from my old blog so I added more characters as compensation.

Characters included: Sampo Koski, Veritas Ratio, Ruan Mei, Jing Yuan, Argenti, Sunday, Kafka, Caelus, Moze

Warnings: nsfw in the way a national geographic documentary is, there are no graphic details but proceed at your own discretion, breeding mention for Jing Yuan, Sampo's ridiculously large appendage, Caelus slander,

MINORS DO NOT INTERACT

Sampo Koski - Limax maximus (leopard slug)

Truly, few people are as slick as Mr. Koski. You might not even notice at first that you are being observed by a mysterious, handsome stranger. Sure, his methods may be a little on the unusual side, but he values being well-informed before acting. Once he does decide to act, you may find yourself in quite a few unfortunate situations, luckily, your good friend Sampo is there to help you out. He is quite well endowed in certain departments, but where others might feel shame or even outright fear for their partner's comfort, this ingenious entrepreneur prides himself on always having the right tools for the job. Rest assured, your comfort and pleasure is of the highest importance! Or, for the right price, he will gladly put himself on the receiving end to satisfy your desires. Limax maximus is somewhat unusual in its mating habits compared to other slugs. They also have a ridiculously large penises (largest observed being 92cm or 36 inches) - mind you, a snail's penis emerges from their gonopore which is located on the side of their head. The leopard slugs court by circling each other for hours before eventually climbing a tree, coiling around each other and producing a string of mucus to hang upside down from - letting gravity unfold their penises. Since these slugs are hermaphroditic, both receive a sperm package and goes on to lay eggs.

Veritas Ratio - Strix varia (barred owl)

While Veritas might not exactly be keen on grand gestures to express himself, your persistance in seeking him out and staying close does eventually lead to the realisation that his days wouldn't be the same without your presence. Though he prefers to save his words, there's never a shortage around you, always talking, asking, listening, engaging in conversation that only you can provide. The shift in behavior is endearing, Veritas becomes keen on inviting you home, cooking for and with you, bathing together (something that had been near unimaginable for him). His hands gravitate towards you as often as possible, either just resting there or rubbing tension from your muscles. He takes care of you and lets you take care of him. It's a beautiful everyday life, after all, why would he confine himself to expressing his love a few times a year, when he could do it every day in countless ways instead? Strix varia - as many owls - remains mostly monogamous, with the exception being in instances of younger, widowed birds. Their courtship usually involves the owl hen following around the male for a time before they both begin engaging in duets and mutual preening. Every year for a period of time before mating, the male will take up all hunting responsibilities and dote on his partner :3 These owls are also, compared to closely related species, known for disliking man-made nesting boxes (microbiome is inferior to a hollowed out tree trunk) and they're considered some of the most curious and polite predators.

Ruan Mei - Timema (genus of stick insects)

While you might be interested in Ruan Mei, chances are she won't be interested in the same sense. There is little time for such 'pleasantries' and even less willingness to make time for it. Whether she cannot, or doesn't want to, understand the concept of love, she recognises the value it holds in terms of reproduction and evolution. And even then, she has gone about creating life by herself just fine. So, perhaps she will let you into her bed for a night, but it's unlikely that she lets it lead to more. Members of the genus Timema primarily reproduce through the process of parthenogenesis (virgin birth), meaning they reproduce asexually and males are very few and far between. Sexual reproduction is incredibly rare and speculated to only be done by a few individuals to keep a diverse enough gene pool.

Jing Yuan - Panthera leo (lion)

It's no secret that Jing Yuan has had ample time and opportunity for sexual experiences. Nor is it any secret that he's attractive (which he's aware of), despite his long life, Jing Yuan appears to be in the prime of his life and health. All that experience doesn't make his time with you any less special, it simply means that your pleasure and desires are exceedingly important. Anything you could want to try he will indulge, of course, you'll have to tell him, use your words, even if the answer is written all over your face. The one thing he does often want to indulge for his own sake is finishing inside. Other than that, Jing Yuan is more than happy to lay back and watch as you pleasure yourself with him. If you ask, he's happy to help, he knows your body quite well by now - ah just don't ask him in the afternoon. He's napping. Male lions are - apart from on the rare occasions that they have to defend their territory - very relaxed individuals. The females hunt for him while he sleeps (and looks good). The mane serves as a 'sexual ornament' and shows off how 'healthy' a male is. A more pigmented mane means higher testosterone levels (Ignore the pigmentation part for Jing Yuan and just consider how healthy and well taken care of he looks). A few days before the female enters estrus, the male picks up on changes to her scent and starts following her around. Female lions are known for having incredible stamina during estrus, often to the point of tiring out the male to a point where he will try to stalk off and sleep. Also worth noting that lions have a barbed penis that scratches the vagina upon pulling out, this can cause the female to ovulate just like I would if Jing Yuan did me

Argenti - Panthera leo male x Panthera tigris female (Liger, hybrid)

A knigh of Beauty passing by, not exactly the smartest choice to throw your heart at, is it? Argenti is kind, chivalrous, perhaps a little odd, and beautiful. He sees in you a work of art, compliments you as though he has no choice but let the words flow. Unfortunately, he doesn't let anyone get close. Perhaps he will indulge you for a night, find pleasure in seeing you come undone while he remains clothed. There is no settling down for him, no family life, he swore an oath that he must keep. Ligers are incredibly rare and only found in captivity. As with other hybrids, ligers follow Haldane's rule meaning the heterogametic sex (in this case the male) is sterile. These hybrids are stunning creatures, highly social, and the biggest living cat. But there is no 'successful' mating for them. Reproductive behavior in females follow that of their parent species.

Sunday - Anthochaera phrygia (regent honeyeater)

Once Sunday becomes free to act for himself, it's not particularly hard to recognise his little displays of interest. They're sweet and awkward at best and downright embarrassing at worst. He tries his best - he truly does - by learning from those around him. Unfortunately, those people are now the Astral Express crew, and aeons above, some of them aren't great at flirting to begin with, but having Sunday attempt mimicry? Horrendous. Once he gets a little more confident (perhaps you should reassure him that you enjoy who he is) you can expect him to open up more. Expect his care and love to be presented with something akin to devotion. With time, perhaps he'll even sing for you? Unfortunately, regent honeyeaters are critically endangered. This is in part due to the loss of their unique song. During early life, birds spend months learning various calls that will be important for signalling. These are typically learned from the parents, but regent honeyeaters leave the nest before this happens and a loss of habitat meant fewer individuals to learn from. Males have begun copying other bird species, leading to significantly lower interest from females, accelerating their decline.

Kafka - Crocuta crocuta (spotted hyena)

So you're enamoured with Kafka? Difficult not to be, she truly just... has a certain appeal wouldn't you say? Approaching with care and submission rather than aggression will see your chances of success increase. Kafka is confident in herself and her abilities, knowing what path she walks and the destination. But that doesn't mean she won't indulge in a little fun from time to time, after all, the script she has doesn't dictate every single action. She's in control throughout it all, even in the occassion of you being allowed on top, there's still no doubt about the hierarchy. She would have every stellaron hunter ready to protect you if your safety is deemed worthwhile. The spotted hyena lives in highly complex social groups with females most often ranking higher than males. Anatomically, the spotted hyena females have developed a 'pseudo-penis' (very enlarged clitoris) complete with faux scrotum and testes that cover the vagina - making forced copulation by a male impossible. The female needs to retract the pseudo-penis which is also what the male will insert his into. Males that remain passive and subservient have higher chances of successful mating compared to aggressive ones.

Caelus - Ailuropoda melanoleuca (giant panda)

Teeny tiny penis. Caelus is very easily goaded into doing things, sometimes you don't even have to suggest a stupid idea before he's halfway done trying. Poor man has no idea what to do with himself the moment things turn spicy. Very cute, very sweet, probably good cuddles. But you're gonna need a toy. At around a whopping 3cm (~1 inch), the giant pandas aren't giant everywhere. Courtship can involve males doing a handstand against a tree and peeing as far up as possible to signal that he's near. Famously, giant pandas seemingly lose interest in mating when kept in captivity and there's been a lot of initiatives to figure out how to get the spark back (this includes showing them panda-porn and giving them an equivalent to viagra)

Moze - Canis lupus (grey wolf)

Though he may appear reserved (and a little scary even) once you get to know Moze, it quickly becomes clear that he just.. he has a certain way of showing his affection. It's almost like having gained a shadow with how he follows you around. At first, he may be more inclined to keep you away from any and all danger, but gradually warms up to the thought of being partners in every sense. His trust in you is absolute and nothing could sway his loyalty. Still, Moze does enjoy seeing you well taken care of (going so far as having Jiaoqiu give him lessons on your favourite foods). Once he loses himself in the pleasures of your body, it becomes near impossible for him to stop. All that careful control slips from his grasp until the moment you're both panting for breath and utterly exhausted. During those times, he wraps his arms securely around you, keeping you there for as long as he can justify. I think we all know how dogs mate, no? Mounting, knotting, all that. Wolves are monogamous and form tightly knit packs. Mated pairs are excellent at cooperating, both for hunting and raising pups. The male wolf hunts for the first couple of weeks after the female gives birth, making sure she can rest in the den and look after the young. Interestingly, the more newly bonded a pair is, the more frequently will the male scent mark their territory to dissuade any potential intruders.

[relicsongmel]

Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

[lostyesterday]

I think most people agree that, of all the TNG major characters, Worf was the best possible one to bring into DS9. He fits the best into the DS9 cast, and it’s pretty hard to imagine fitting any other TNG character in at all as well. This made me think about the fact that, since all the 90’s Trek shows are set at approximately the same time, you could theoretically take almost any major character from any show and put them into another show. So I asked myself the question, which character from each 90’s Trek show would fit the best into each other show?

The best TNG character to be on Voyager: Easily Deanna Troi. I don’t think having a counselor onboard would genuinely fix the Voyager crew’s problems, but it would add an interesting layer, and we would get to see lots of disastrous counseling sessions. I also think Deanna could have particularly interesting interactions with B’Elanna and Seven, and I’d love to see her develop an unlikely friendship with Tuvok. The one major issue I can see is that there would be a bit of redundancy with Kes in terms of her empathic abilities, but at the same time, I think they could have an interesting dynamic.

The best DS9 character to be on TNG: Obviously Worf and O’Brien are discounted from consideration here. I’ll admit this is a hard one – the DS9 crew just would not fit very well on TNG. It also feels like cheating to choose Bashir because he had good chemistry with Data and Geordi in the crossover episode, so instead I’m going to pick Odo. I’m not sure how exactly the plot could be worked to make Odo’s presence on Enterprise make sense, but I think he would get along really well with Picard, and I think he and Data could have had interesting discussions. I also think Odo would slot interestingly into TNG’s typical moral dilemma episodes.

The best DS9 character to be on Voyager: Either Jadzia or Kira could be interesting. I think Jadzia would fit really naturally into the crew and could have filled the generally vacant main science officer spot. There would be interesting things to explore in her dynamics with basically every single main crew member, particularly Janeway and B’Elanna. Kira could be interesting in terms of how she related to the Maquis/Starfleet relationship, and I’d love to see her dynamic with Chakotay and B’Elanna. In general, I think both Jadzia and Kira would have some really interesting feelings about being stranded so far from the Alpha Quadrant.

The best Voyager character to be on TNG: Harry feels like he’d theoretically slot in the most naturally, but I think his role and personality would end up being too similar to Geordi. So, oddly enough, I think Tom might actually work the best in TNG. His backstory is based on that of a minor TNG character, and I think it would be interesting to see Tom work through (or not) his issues with Starfleet and his father in an environment that was not at all as far removed as Voyager was. He could have an interesting dynamic with Picard and Deanna, and maybe even Data and Geordi.

The best Voyager character to be on DS9: Chakotay would be interesting, since I might have liked an alternate Maquis storyline on DS9 that actually had one of them as a major character. What would happen if Sisko was actually forced to work with a Maquis leader for some reason, and what if they actually ended up finding common ground and respecting each other? I’m thinking more along the lines of Sisko’s dynamic with Cal Hudson in the Maquis two-parter rather than his dynamic with Eddington. Again, I think Chakotay and Kira could have a really interesting dynamic as well.

[cawslew]

[Tumblr ate my quality... give it back :(]

Ada's dorm assignments and Explanation's and a bit of Headcanon's under ⤵️

HEARTSLABYUL

Atsushi: I was struggling with choosing between Heartslabyul and Savannaclaw for him. I think Savannaclaw would fit better (the tenacity part, and the tiger thing), but in the end, I chose Heartslabyul because he values justice, responsibility, and doing what’s right, which fits well with the rule-oriented nature of Heartslabyul.

Kenji: I chose Heartslabyul mostly based on vibes. Kenji is a cheerful and easygoing person, but also has his own unique logic that feels like the chaotic side of Heartslabyul.

OCTAVINELLE

Dazai: I don't think much needs to be said… His charisma? Cunning personality? Talent for manipulation? Straight-up Octavinelle student, no question asked. Especially with how easily he reads people, charms them, and manages to make people do what he wants by smooth-talking.

Haruno: This was a bit of a challenge to choose for her. At first, I thought about Pomefiore, but we already had so many characters in there, so I decided against it. I also considered Savannaclaw and Scarabia, but they didn't quite fit. In the end, I stuck with Octavinelle purely because of Haruno's intellect. It also felt right to make her a vice housewarden in her dorm.

POMEFIORE

Kunikida: This choice was easy, just like Dazai's. The drive for perfectionism, discipline, and ideals—he’s the literal embodiment of Pomefiore. It felt perfect for a dorm that’s known for its image-conscious students. It also made sense to make him Housewarden (and a little poke at the fact that, in canon, he’s supposed to take over as head of the ADA).

Junichirou: I was heavily influenced by his gentle yet thoughtful demeanor and the protectiveness he shows (not only his obsessive care for Naomi, but also his willingness to stand up for others). Despite being a bit of a wimp, he’s protective and supportive. He’s also a vice housewarden to Kunikida.

Naomi: To be fair, I had a hard time choosing for her. At first, I thought maybe Heartslabyul would be good for her affectionate yet mischievous personality. Then I considered Octavinelle for her cunning and strategic side. In the end, I went with Pomefiore, blending her elegant and calculating nature. She’s charming, and her subtle manipulation would suit the dorm well. It also helps that Junichirou is here, as where he is, Naomi is likely to follow. But I do think she was probably in Octavinelle first and switched to Pomefiore less than a month later.

IGNIHYDE

Rampo: Another easy choice. He’s intelligent and prefers solitude, plus his amazing problem-solving fits Ignihyde perfectly. He’s brilliant and often dismissive of what he considers unnecessary social interactions, so this is 100% the right dorm for him.

DIASOMNIA

Yosano: Diasomnia is a very fierce dorm, often associated with strength, authority, and a commanding atmosphere, which perfectly suits Yosano. Not only is she fierce and strong, but her role as a housewarden also fits well with the dorm's atmosphere.

Kyouka: She’s resilient and carries strength with her despite her tragic past. As previously mentioned, Diasomnia is focused on power and overcoming inner turmoil (especially considering the storyline of Book 7), so it’s a great fit for Kyouka.

Diasomnia overall is just a perfect choice in that regard for both Yosano and Kyouka.

I might also do other organization's in this AU if I feel like it, haha Or maybe I should do it the other way around? TWST in BSD universe???

[pipedreamprayer]

There's some really good points in the comments and reblogs of this post about how the quest is establishing Jingliu as a manipulator, but while I agree that it 100% is showing us that she's twisting things, it's not presented clearly enough that she's an outright unreliable source of information considering this is one of the few voiced quests in the game. It's something people will sit up and listen to, and if they've not dug into the harder to find lore already the audience is primed to come away from this taking her words at face value

She's never fact checked or called out for, say, only having arrived st the end of the Sedition which should be a mnown fact, and gets treated with too much sympathy by the writers, the tone set up like a tragedy she was unable to prevent until the thing with Blade, and even then nobody really shows anger at her for what she did to him? I get that his respect to her is a sign of just how fucked up what she did was, but Jing Yuan and Dan Heng seem to stop being characters a certain points, like they exist for certain interactions the writers wanted but aside from that they just needed somebody to be there for Jingliu to talk at. Why don't we get more of what they think of what she said? What she did? This was the opportunity to have Jing Yuan talk about his views of the Sedition openly, and for Dan Heng to ask questions that must have haunted him his whole life, and for Blade to question even for a moment why he had become the weapon of Jinglius revenge instead of his own.

It's just...handled super strangely, you know? In many ways it feels like the quest is written to trick us into believing Jingliu, from how she wasn't treated like an outright antagonist through her interaction with Yanqing in the quest that introduced her, to the way she keeps being set up to have insight that nobody else does like how she tells Dan Heng that he's notna reincarnation and then the game happens to prove her right immediately by having Dan Heng recall a name he shouldn't have known.

But then everything with Blade is right at the end is clearly horrendous and blatantly her fault, her active choice to be cruel and to not even see anything wrong with it, and it undercuts the tone of "listen to her" that the entire rest of the quest seemed to be pushing us towards. And then, instead of the characters feeling as jarred as the audience is, the quest just...ends? Jing Yuan may have brought up that she's got an agenda, but nobody is shown to act on the possibility that she's lying through her teeth, nobody asks for proof or talks among themselves about why she might have chosen to tell them this if she's gunning for an agenda to do with killing Yaoshi, they all just seem to be accepting this current state of things!

TLDR OP is right that this quest is teaching false information about the Sedition to players. If the writers intended the quest to be a lesson in not trusting Jingliu they did a bad job of it! And if they didn't intend that and have a plan to trick us, why is the proof that she's a completely unreliable narrator so easy to find if you go looking at all? Players who trust that the game will provide what's necessary to know for main quests in main quests will be taking her at face value, and those who want to understand more are just left confused by the disparity!!

I am a huge high cloud quintet enjoyer so it may surprise you to learn that I absolutely hate the quest “Clouds Leave No Trace”.

let me explain. I will admit that a lot of it stems from my issues with Jingliu as a character. I appreciate that she’s meant to be cold and detached, but what bothers me is that although she says considers herself to be a sinner alongside Yingxing and Dan Feng, she constantly acts like she’s better than them, criticising them, acting as if their choice was an easy one while hers wasn’t. Her humility feels incredibly insincere, and she becomes very difficult to empathise with as a result.

then there’s the quest itself. I split it into three parts.

one: redundant infodumping

For the first part of the quest, Jingliu, Dan Heng and Yanqing travel to different parts of the Luofu so Jingliu can bid farewell to her past home. It’s basically a plot device for her to drop some lore about Yingxing and Baiheng, which is fine on its own, but the problem is, none of the information she gives is new. All of it was stuff we could already figure out from character stories and other in-game text.

the second issue with this part of the quest is Dan Heng’s presence, or rather, lack of it. Considering he’s the main character tying the quintet subplot into the main story, you’d think he’d be important to the quest focussed on them. But he’s just… there. He says and does pretty much nothing. You could cut him from the whole quest and it wouldn’t be any different.

In fact, Dan Heng also suffers greatly from the timing of the quest. If we look at the voice lines for IL, it’s obvious that he’s a snapshot of Dan Heng shortly after this quest, since he knows Blade is the one who made Cloudpiercer. Ichor Of Two Dragons also seems to take place at the end of this quest. This is an issue because both release in version 1.3, making the quest which takes place in version 1.4 feel like a regression in his character development when actually the story was for some reason out of order.

part 2: Dan Feng gets mischaracterised to hell and back

This is the worst part of the quest by far. Jingliu does her self-righteous monologue and nails the coffin shut by giving the most biased description possible of the Sedition.

she first says that Dan Feng was trying to revive Baiheng. Dan Heng’s and Jingliu’s character stories reveal that this is probably not the case, and that his actual goal was to create another high elder,

she also says that the reason Dan Feng did what he did was selfishness and an inability to accept Baiheng’s death. She fails to mention the fact that the Xianzhou treated him like a convenient weapon instead of an actual person, that he hated how many innocent people died in the war between Aeons, that his people were going extinct because of said war, that he hated how he gave the Xianzhou the power to cause so much death, that he had probably attempted less dramatic rebellions in his past lives to no avail, that the high elder succession was incredibly screwed up and he didn’t want to have to pass that burden on to his next incarnation (granted that lasts part’s only implicit). Not to mention that she didn’t actually bear witness to any of the events she described, only the aftermath.

part 3: Blade monologue

This is the only redeeming quality of the entire quest

he acknowledges that Dan Feng and Yingxing weren’t simply upset with Baiheng’s death, but with the unfairness of everything in general

he expresses genuine regret

and the way he looks up to Jingliu after she tortured him is the only time where that story genuinely presents her as someone who’s done terrible things, showing how she managed to break Blade so badly that he feels thankful for it

in conclusion, do not play this quest if you want to actually understand Dan Feng as a character

[distant--shadow]

Okay, I have three (3) thoughts about the state of cr's talkback shows atm and I've decided to write them in your ask box. Feel free to ignore:

I think the quality of the questions in the fireside chat was strongly linked to 4sd and, mainly, the tower of inquiry. As much as I like the idea of having a section where evergreen questions can be asked, they really lean towards the “what if the world was made of pudding?” genre of questions and I think that - combined with the attention that gets drawn to the questions by the Jenga game and the milque-toast-ness of the other questions on 4sd - has encouraged the fandom to discuss and focus on those questions more than we used to.

I also really miss the fact that talk machina had a presenter (who, for the sake of clarity, was fired for obvious reasons and I’m not, in any way, advocating for him to come back). The fact that both the presenter of 4sd and order of questions in the tower of inquiry and deep dive sections are random, means that whether the cast elaborate on their answers is up to chance. I feel like, with the cast being more detached from the fanbase than they used to (for good reason) there really should be someone on screen who knows what questions were answered in the past and can guide the conversation so that they don’t spend 10 minutes discussing “think about this AU” questions and then only give in-depth character analysis a single sentence before being distracted by a joke or running out of time. To be clear, this isn’t a criticism of the cast at all, you can’t both give really good, in-depth answers to questions while also coming up with your own follow-up questions and staying engaged in and shaping the discussion as a whole. I’d say Dani is the obvious pick for a presenter but I think her interests are more in the shippy/fanon side (which is fine, I’m not trying to police how anyone interacts with the show) so I’d prefer her questions to be interjections rather than the whole thing.

This campaign has had a significant percentage of it’s talkback shows taken up by overlap with other stuff (party splits, vox machina and the mighty nein getting their own eps, overlap with calamity and downfall etc.) and, in an ideal world, I’d want them to do separate that stuff out and do extra shows about that, rather than letting it eat into valuable question answering time for bells hells.

All this to say: if cr wants to make a talkback show specifically tailored to me, I'm down with them flying me out to America so I can host my new talkback show called “AU? No thank you!” where we exclusively talk about bells hells and all hypotheticals are banned. Nobody but me would enjoy it but I'm the main character of my story so...

appreciate you engaging and putting your thoughts out there via my inbox!

I agree with most of this, I can respect what they were trying with 4sd but yeah it did not deliver the meat that talks did, and I would love to have a simple discussion show like that back (at one point I would have suggested dani as host too, but if anything these fireside and 4sd eps have proven that she is way too fanon-brained/shipping inclined and I personally, can't stand when she interjects without being asked for an answer (though correcting lore is a different case and pretty much always appreciated))

I can deal with a little amount of what if the world was pudding type questions, but ultimately yeah, it does come across as "so what if we got a different story than the one you chose to give us?" there are cases when yeah maybe it wasn't as conscious as a decision or another factor where yeah, I would like to know the alternative, but i agree with ya there.

I will also say that yes, I do think the shape of the questions selected is in part to match the more laid back and goofy vibes of 4sd, the evergreen questions and such really are not a good choice and absolutely there wa sso much going on during this campaign that reaaaallly broke up the momentum (momentum which still managed to feel oppressive), but i would say I do also think an amount of it is just how modern fandom is, to sound like an old guy yelling at a cloud. so many things come into play here, parasocial stuff, attention spans, isolation and selfishness, populatiry contests within fandoms and how that births popular works/notions from fanon being perceived as canon law, etc etc.

as I keep saying, I want people to make, I want people to have fun, but it's a yeowch from me when that feeds back into the source material, or at least spin offs of it. I do think it is a case of both parties being somewhat guilty, ask baby questions get baby answers, if people engage with fanservice and it gets views then they're gonna cater to that because they need eyes on them to exist as a company. I'm really not the person to be doing the write ups about this, but i do think it's important to share my opinions on my most beloved piece of media, in some ways especially because I create so much "content" for it.

I've pretty much always felt like an outsider within fandom space, and whether that's because of what I want out of it, what I want to see for my favourite characters, or my behaviour, or my work - I don't know, but i do know that for years of watching this show I kept well away from the fandom space or even sharing my drawings caus I didn't want it to hinder my experience and enjoyment of watching, and when the stuff I've been trying to avoid is seeping it's way into the actual shows then yeah, it is something I wanna speak out on.

[ros-sauce]

Oughg my god Speaking of Mizuki Regularly Getting The Trans Flag Glued To Her Forehead. Today I am thinking about Solitus Utopia. Big yap session ahead

In terms of cards, it's probably The bluntest example of aforementioned trans flag forehead gluing; pink, blue, and white take center stage. And ouughhh. OUGHHGH. The placement of those colors is making me absolutely crazy

Her outfit has a similar deal to her first casual outfit. Lot of blue and white happening with the clothes, and then her hair and eyes are the pink needed to complete the set. To me, what that says is "This character is a walking trans flag, and she herself is the pink. The Girl Color. The girl!"

I've always felt that pink being the only one of those three colors to be Attached To Her was significant, but it's only now that I'm realizing that the clothing has significance too... I'm feeling two meanings from it:

It signifies the importance of cute clothing in Mizuki's transition. Being as cutesy as possible and altering her silhouette are some of her main tools in the way of passing as cis. (The former being a source of joy and the latter being a dysphoria alleviator also deserve mentioning!!). Her clothes complete the trans flag that her Girl Color Hair started; her clothes build up the road she took on the journey that her Girl Color Very Being started. ... And on a less positive note, I think there is also some significance to the fact that the trans flag color palette is only all there when something is Applied To Her. Without her outfit, she's just Girl Color. When the outfit is put on her, the Girl Color is made to be a part of something else, The Trans Colors. Your first thought is no longer "That's a girl and she happens to be Girl Color. Neat!", but "That's a trans girl and she happens to be Trans Colors. Neat!". I feel like there are parallels between that and how much she hates being labelled Different. This is crude, but it's how the words want to come out of my mouth. Sorry: Because Society Says So, you don't need to wear clothes at home, but you do in public. Because Society Says So, Mizuki can exist as Just A Girl when she's at home. She can be Just Pink. "Her home" means two things here. Firstly, Literally Her House, with Yuuki "Ally 9000" Akiyama & her supportive-enough-I-guess parents being the only people who she interacts with. To them, she's just a girl, and they're not weird about it. They know she's trans, but they don't act any particular way because of that. Her other home is Nightcord, at least before Niigo started meeting up in person. As Amia, she was assumed to be a cis girl, and there was no risk (in their pre-mainstory days) of Niigo ever finding out otherwise. While being presumed cis isn't quite as close to "Girl With No Modifiers" as living with an unfathomably based family, it still didn't carry the Othering that she's used to accompanying her status as a trans girl. If she wants to exit her home, she has to put on the clothes, has to put on the label that is made when the color palette is completed, and go from "Girl" to "Girl And By The Way Did You Know She's Trans?". And that makes everyone and their mother feel like it's fine to treat her weird. The pitying and resentment that she fears so much at best, and "HEY DID YOU KNOW SHE'S NOT NORMAL? ISN'T THAT WEIRD? AGREE WITH ME NOW OR YOU'RE WEIRD TOO" to anyone who'll listen at worst. With a million billion other forms of othering in between. (Hm. Suddenly I'm thinking about blue's absence from her 3rd anni casual outfit. She's no longer a walking trans flag, and is way pinker than before. Because it's a marketable game with marketable characters, we always had good reason to expect Niigo to be normal about her when the secret came out. But still, I feel like having Even More Girl Color glued to her forehead in Trans Palette's place could be considered some kind of foreshadowing for Niigo being normal... BUT ANYWAY this is not a post about the most incredible pants this world has ever seen, this is a post about Solitus Utopia, so I'll get back to that now.)

With the clothing out of the way, I'd like to move on to the rest of the card. This card is from late 2022, when Mizuki's transness was not quite as obvious ("a few inches away" levels of in-your-face as opposed to the more "you are a school principal at a fundraiser and her transness is a cream pie" level we are at now). This makes me extra ready to take this card as an unspoken "To be clear yes she is a trans girl".

The background walls and furniture are largely blue, and the decor is largely pink and white (and purple. Hi, Niigo!). The former is something that's hard to alter or move or acquire more of, whereas it's pretty easy with the latter. If you have walls or furniture that you hate, you can make it look more palatable by decorating it with things you like, with relative ease. Mizuki did that! The background is covered in all manner of fashion-related pink things, and the pink sewing machine and other supplies carry the implication that she made them herself. They do a great job carrying out their purpose, popping so much in comparison to the blue walls that said walls appear more grey than anything else. And also, you don't really feel like looking at the walls, because all that decor makes them Not Really A Point Of Interest.

To me, that sounds a whole lot like transitioning. There's an unfortunate status that's pretty hard to get rid of, both legally and socially, because Government and People just love to obsess over what you were assigned at birth. But changing the way you appear helps make things more bearable for you, both because you're happier looking a certain way, and because the public is slightly less awful to you when you look a certain way.

Cycling back to the "you focus on the pink things more than anything" point, I feel like the most significant pink thing is Mizuki herself. And I think that is also very nice!! Her pinkness is at the very center of the card. It is the heart of the card! Pink!! Girl color!! Heart!! Mizuki's heart is girl color!! Woah!!

(Obligatory "I do not speak Japanese and I do not live there, so I could be wrong", but I think "I was born with an [insert gender] body, but my heart is [insert other gender]" is a fairly popular way of describing being transgender in Japan? I feel like that phrasing has been losing popularity in English, but I still hear it fairly often in Japanese LGBT+ circles on social media and stuff. If I'm right, then that adds a few more significance points to the Pink Center Of Card thing)

Neat card. I love this pink girl a lot

[thefcguy]

Miraculous Main Character Ranking

Just like how I ranked the designs of superheroes for Miraculous Ladybug... now, I will be ranking the characters as a whole. Although design will be a small factor in some of this cases... it mostly has to do with the characters themselves this time. How enjoyable I think they are based on the show, its writting, the circumstances they have been put through, their purposes and, most importantly, my personal opinion.

Also, although i will be ranking this characters, I would like to say, before you guys read the ranking, that I don't actually hate any character here.

They are mostly victims of bad writting from Thomas Astruc, his team, and their lack of understanding on how teams interact with each other, and what interactions are okay and others not.

That's why I feel sympathy towards all of them. But, I understand if you don't.

These are characters from a show made for kid. Please, be respectful with my opinions, and I will be respectful with yours.

Also, if you are either a Marinette , Adrien, Felix or Chloe stan... please, don't look at my ranking, okay?

So, with nothing else to add... Let's begin!

(I hope I don't get destroyed for my opinions).

21- Socqueline Wang

... Can someone please explain me WHY she exists?

Socqueline is one of the characters that miraculous introduces later on for a specific reason, and then doesn't get used later.

However, out of all of these characters... Socqueline is the worst.

Although the idea of Marinette having a friend before Alya, but then moved away/got transferred is interesting, but they add her on SEASON 5!

She and Marinette were supposedly best buddies, and Socqueline was always there to "protect her from the irredeemable monster Chloe bwahhaaa", and yet, she doesn't visit Marinette ONCE in a period of 4 seasons?! Not a photo, not a mention... anything.

The worst part is how they try to make us fans believe that "she has always been here", like in episodes such as "Perfection" when she is added to the group of Kagami's friends.

But, besides "Jubilation" and even worse "Derision" her character has no purpose or impact to the story.

Marinette already has a group of female friends (Alya, Rose, Juleka, Mylene, Alix, Kagami, Zoe, and probably Sabrina on season 6) with badly developed relationships. Do we need one more girl on this mess?

I UNDERSTAND that she is supposed to be a reference to PV!Marinette, that Bridgette was just a name we, the fandom, gave her, and it was supposed to be fan-service, but... the way they made it makes no sense.

Socqueline could have been deleted from season 5 and it wouldn't have changed a thing.

A famous miraculous brazillian youtuber actually had an idea for the purpose the Socqueline could have had in season 5.

His idea (which I also enjoy) is that she, instead of Alya, should have been the one to use Tikki in the "Kwami's Choice" special.

Hawk Moth had already found out that she wasn't Ladybug in "Jubilation", she had no previous connections to Ladybug, and had the desire to be a hero.

This way, hero's choice could also expand on her as a character, explain why she hasn't spoken to Marinette in so long, her own fears and wished for the future...

And maybe... just MAYBE getting a crush on Kitty Noir as the new Ladybug, and, meeting Zoe later after losing the earrings, and getting attracted to her due to reasons she can't explain.

But no, she has the charisma and the importance of a cardboard. I am 75% sure that she will be forgotten in Season 6, and might be "replaced" by Sublime. Who knows.

As for her design... I feel like they did a good job in showing that Socqueline is PV!Marinete, while also making her unique enough in a way.

20- Felix Fathom

Although Socqueline is the most pointless... Felix is the worst character, definetely.

On his first episode, he lies, steals his cousin's phone, tries to ruin his friendship, tries to force Ladybug into kissing him, tries to make a deal with Hawkmoth, and steal's Gabriel's wedding ring... not a good start, right?

The episode's explanation, according to what some character's say, is that he is going through a rough phase because he hasn't been processing his father's death well, and that without his father's authority, he has been "out of control".

This will be important further on.

On his second episode, he is obsessed with finding Hawk Moth's identity, seeing it as a way to get what he wants. Then, again, he gives a wicked smile after he feels like he is winning.

On his third appearence, he uses Gabriel's wedding ring to CONTROL his cousin to agree with his plan, pretends to be Adrien, gets the Dog Miraculous, and uses it to give all the miraculous on the box to Gabriel...

Then, Season 5 arrives, and Felix erases the population of Earth, becomes an almost yandere for Kagami, and becomes a "good boy" because he is just misunderstood and Kagami's love fixed him. There is also the plot of his activism for Sentimonsters...

Do I need to explain myself on why I hate this character?

From the moment he appeared on screen, he has done nothing but caused chaos. And his cause of helping sentimonsters? Pretty hypocrite, considering how he controlled Adrien in "Risk", and tried to ruin his friendships in "Felix".

He is not a confused anti-hero with a noble cause in need of guidence... he is straight up a resentful villain who is unleashing his frustrations on others.

And all the chaos he caused is suddenly forgiven because of his redemption and his abusive father?

Also... where does this Abusive father came from? His debut implied that Colt's death was what bittered Felix's heart. And that he was the one to keep Felix in control.

It either means that the crew thinks that Colt's abusive behavior was good because it keep Felix in line, or that they came up with that last moment to give him a redemption.

I will be going with the latter, because, oh GOSH, the writers put all their effort into redeeming Felix this season.

This boy over here has committed crimes and the show pet him on the head. Meanwhile, school bullies get sent to live with their abusive parent.

His design is great. He is supposed to look just like Adrien, and he clearly looks more formal.

19- Lila Rossi

Lila is... a lot like Felix, actually. She is bitter, manipulative, and always want to have the upper hand.

However, unlike Felix, that the show refuses to portray as a villain, the show actually knows that Lila is bad.

Still... they literally had no idea of what to do with her and went of the rails with her "arc".

When 'Volpina" aired, Lila was just a liar who wanted popularity and came up with the weirdest stories possible to make herself look better.

The class was infatuated by her, which, made sense considering she was new and all.

Then, the whole Ladybug fiasco happened and she became Volpina. Then, on the end of the episode, the writers hinted at Lila returning eventually and becoming a bigger threat...

And she disappears... for a whole season to be precise.

I remember how the fandom was excited to see Lila in action on season 2. Since many were expecting Chloe to be redeemed (since we had no idea how the Queen bee arc would play like), many started to assume that Lila would be the one causing akumas this season.

Which, would have been interesting! We were so used to the formula of Chloe bullying other until they turned into supervillains, that it would be interesting seeing how Lila would operate.

But, she disappeared and only returned when she was needed on Heroes Day.

Then, season 3 arrived, and boy, things got bad quickly.

The class still adores her (to an unnatural degree, tbh), she gets away with all of her stunts, ruins Marinette's reputation, gets Kagami akumatized and makes a deal with Gabriel.

Lila's plot armor this season is WILD. She brags about everything she does, there is proof that she was a part of Heroes Day instead of travelling as she stated (the illusion, and, even if people assumed there was another akuma with this power, considering the event was televisioned, she must have appeared at least one), and she, a teenage girl, impresses Hawk Moth to the point of him wanting her as an ally...

And she never faces the consequences of her actions. Except Onichan.

Then, after all the chaos she caused in season 3... she is benched on season 4, only to return with an even stronger plot armor in the season finale.

Alya somehow believes on her, even is she knows Ladybug's identity and who the real best friend is; and Lila managed to make an alliance with Chloe. WITH CHLOE.

Chloe, the girl who couldn't stand Marinette or Kagami 5 centimeters near Adrien. This Chloe, who probably saw Lila flirting with Adrien already at least once, makes an alliance with her.

The explanation? Chloe can't remember Lila from how "irrevalant" she is.

... do you guys get what I am saying? She has insane levels of plot armor!

Season 5 is when the writers literally gave up on keeping her consistent.

Now, she is an unstable girl cutting photos with Marinette's face, getting Kagami (one of the few people that disliked her) on her side, puts a teenage girl on the position of a mayor, and, am I forgetting something... oh yeah! She is literally crazy, may not even be a teenage girl, and has multiple identities and mothers...

This character makes no sense, her escalation into a supervillain comes out of nowhere, and, the moments we EXPECT her to be a villain, she isn't, and only appears way later.

Considering how much the plot protects her, I don't doubt that it will take at least 6 more seasons to defeat her.

Lila's design in general is okay with the exception of the hair... what's up with her hair? Like, she has 3 "ponytails". Does anyone actually use this hair and I just don't know it?

18- Chloe Bourgeois

Behold, the most incosistent character on this whole show.

I like to say that "Chloe" is not a character. It's a title giving to many identical looking characters that swap places depending on what the plot explains.

The First Chloe is season 1 Chloe, who is your typical mean girl. She bullies other students, is superficial... but, she is mostly a harmless thing. She is just mean, and the akumas all go after her on the end of the episode.

The Second Chloe is the Chloe of episode "Malekdiktator". This Chloe is a sensitive and fragile. She just feels lonely and purposeless.

The Third Chloe is the sassy anti-hero Chloe. She helps Ladybug and Chat Noir as Queen Bee, and can act kindly from time to time. But, she will still be occasionally mean and insult your clothing.

The Fourth Chloe is season 4 Chloe, who is like the first Chloe, but instead of having some depth and realism to her... she is now just pure evil. She trapped Sabrina in her closet and treats Andre like a slave.

The Fifth Chloe is season 5!Chloe, who is a heartless monster that becomes a dictator as soon as she can, becomes Hawk Moth's ally, and incriminates others to get her way.

The writing keeps changing Chloe to what they need her to be. There is no progressive transition or any signs of an arc.

She is a plot point which the writers will never let go.

As for her design... it's pretty iconic, not gonna lie.

17- Kagami Tsurugi

Man, it hurts me putting Kagami this low on the list... but the writers ruined her character.

When Kagami was introduced, she wasn't much different from the majority of the secondary cast.

All we knew is that she came from a strict family and that she was a perfectionist. She is very hard on herself, and wants to make her mother proud.

But as time progressed, the show showed how fierce and determined she could be and that even people like Lila and Chloe could get in the way of the things she wanted (Sadly, most of the time, her goal is Adrien, not a prizer or anything).

Then, Ikari Gozen happened, and we finally saw a new side of Kagami. How lonely she felt, how awkward she could be out of her comfort zone, and that, although she had her issues with Marinette, she wanted to have her as a friend.

On Season 4, she stays mostly the same, although, I feel even more sympathy towards her because Adrien was such a bad boyfriend to her.

(Seriously, Adrien dating Kagami while still having feelings for Ladybug, and Marinette dating Luka while still having feeling for Adrien was a mess that the show never acknowledged).

Season 5, however... things go downhill for her.

Before, she used to be one of the few people to not fall for Lila's, due to her intelligence and strategic thinking. But, now, she is one of Lila's MAIN puppets for the season.

But the worst is probably the relationship with Felix.

Kagami, GIRL, that boy gave the most powerful artifacts in the universe to a Terrorist. He erased human life from the face of the planet. It's not because he saved you from his mother that it makes him a good person deep down!

Man, Kagami was such a confident queen in the past, who knew who to trust... and they turned her into this mess during season 5.

If I was to rank Season 3-4 Kagami, she would be way higher on the list.

But Feligami destroyed her reputation.

I have a few issues with her design. The hair looks weird, and... the damn uniform. A lot of people comment on how her uniform is because of japanese steryotypes and I hate it.

16- Marinette Dupain-Cheng

Okay, before starting my explanation, I would like to disclaim a few things first.

Marinette as character, seems to be constantly having a hard time.

She has the most powerful miraculous, Chat Noir indeed doesn't treat things as seriously as he should, she becomes the guardian way younger than she should, and she has to carry a lot of weight for a girl her age.

Just like we saw in Steven from Steven Universe, this kind of responsibility indeed can lead to an unstable mental health.

And there is also the fact that Marinette only acts the way she does, because Miraculous a whole isn't good at executing ideas.

BUT, even with all of this... it is still very hard to defend her actions.

At season 1, at least, she was mostly just a fangirl. She didn't have the healthies behavior around Adrien, but, she still had salvation. And let's not forget that she was punished (at least, to some degree) by the narrative when she did something wrong (like in "Bubbler", when Tikki reprehends the way she used the Lucky Charm to stop Chloe from kissing Adrien, or when her reckless behavior as Ladybug led to Lila's akumatization on "Volpina).

Season 2 Marinette starts to do some questionable things, like leading Luka on, and keeping Chat Noir in the dark about the Guardian. Although, to be fair, she only kept secrets from Chat Noir because of Fu. She should have insisted more, but, it's not the worst she has done.

Then, on Season 3, Marinette goes off the rails. We have Animaestro, where she joins forces with Chloe to break Kagami, and Adrien, becomes overly paranoid with the Lila situation to the point of being obsessive with proving she is a liar. There is the Wax museum scene...

Season 4 Marinette is where I am torn about. In one hand, yes, she leaves the 4 kids she was supposed to be babysitting with her grandfather to be with Adrien, keeps a lot of info from Chat Noir, makes a whole plan to invade a party at Adrien's house, gives Adrien a miraculous although it already failed, and her whole relationship with Luka.

But, on the other hand... the girl is having the worst time of her life. She is guarding a bunch of small gods as a teenage girl, can't trust anyone, has no mentor to help her figure things out or to vent too, and needs to keep "Chat Blanc" a secret so that Chat Noir doesn't get akumatized. And Hawk Moth fixed the Peacock and he is a more dangerous threat (well, in-universe, that is).

And there was some logic as to why she chose "Adrien" to wield the Dog in "Strikeback". He had no mark, she was under Risk's influence and so on... (the part where she says that Flaimidable is an official part of the team pisses me off, though, cause, Miss Hound debuted AN EPISODE BEFORE).

Season 5 is where her mental health is finally at the bottom, and, combined with the fact she seems to be going back and forth of who she wants to be with (Adrien, Chat Noir and Luka in a way), she does a lot of bad decisions.

However, there is a limit to how many things a bad mental health can excuse. She kind of manipulated Chat Noir's feelings to get him to kiss her.

However, to be honest, if Astruc learned his lesson on how he can't write Marinette like a Stalker and overly jealous girlfriend, and tried to improve her portrayal on the next seasons, I could TRY to forgive her...

But then, Sublimation came.

Even after all the fans complaints, the forced backstory in Derision to try to justify her behavior, and the promise of starting a new arc... Marinette ends up breaking a girl's prosthetic leg because of Adrien.

In the end, even if I can see the archetype they were going for when creating Marinette, girl, I can't defend you and your jealousy!

Seriously, some of the things you did probably can be considered crimes.

(If I am forgetting something, please comment on the post. I don't have energy to search ALL the questionable things Marinette did on the show).

Her design isn't bad, but... the pigtails are childish, and the outfit looks like a simple pajama. Since she is a fashion designer, I expected something more.

15- Nino Lahiffe

Man, Nino... what have the writers done to you?

Nino on season 1 was Adrien's best friend who tried to teach him how to relax and have fun.

He was this chill guy who dated Alya and spoke a lot of "dude". He was never the most profound character, but, he was quite sweet.

On season 2, during "Anansi", Nino shows how much he care for Alya and gets the turtle miraculous.

Then, he becomes basically irrelevant in season 3. It felt like the writers have no idea of what to do with him anymore.

Probably because, since Adrien has less runtime than Marinette, Nino get's basically zero focus, since the show only cares for him as Adrien's best friend and Alya's boyfriend.

If this wasn't bad enough on its own already,at season 4, Nino gets turned into a toxic boyfriend, revealing him and Rena Rouge's identity in a moment of rage.

Then, at season 5, he starts the whole idea of the resistance... and his plans are... questionable to say the least.

I honestly feel bad for Nino. The writers don't seem to care for him for who he is, and all of his arcs are dependant on other characters.

The show doesn't show his own inner struggles, ambitions, or his home life. Which makes him very shallow.

I know that Astruc once commented that Nino has an older brother who has disappeared and gave him the hat before going missing, and that's why Nino was sad when Chamaleon stole it.

But, they never done anything with it in the show which makes Nino's character empty.

I wish the show had treated him better, but man, "Rocketear" and "Illusion" really damaged his image.

Nino's design is solid. I think it shows his chill personality well.

14- Adrien Agreste

Just like with Marinette, I would like to disclaim a few things.

I know Adrien has a complex home life. I know that all the sheltering from his parents made him a bit socially awkward. I know that Chat Noir is the only way he can truly be himself. AND I KNOW THE SENTIMONSTER PLOT KEPT HIM FROM HAVING AN INTEREST ARC.

Season 1 Adrien is... pretty wishy-washy. Although he is "nice" and he cares for his friends... he doesn't do much. A lot of that has to do with the fact Gabriel barely lets him out of the Manor, but, it doesn't excuse things such as him being friends with Chloe, even after she bullies not only Marinette, but Juleka, Mylene, Rose, Kim, and, honestly, everyone at the class.

As Chat Noir... he is a good enough hero. Cataclysm here was still useful, and he had his moments. Although his recklessness caused a lot of problems for Ladybug from time to time, and he didn't learn anything with it.

And let's not forget that he lied he was dating Ladybug just so Theo wouldn't flirt with her. Some people headcanon this as him protecting Ladybug (who he though was a minor) from an adult.

But let's be fair, Theo is probably their age in-universe, and Chat just did it out of jealousy. Which, was a bit of a dick move, but, not the worst thing he pulled out.

On season 2 he started to get a bit annoying. As Adrien, he keeps finding ways of defending Chloe, and "lecturing" how people shouldn't be happy with her leaving which... I understand he feels bad about his first friend leaving Paris, but, he can't explain the rest of the class should feel bad about it.

Chloe has been straight up BULLYING AND TORTURING the class for years, and everyone there had a right to be happy.

As Chat Noir, his jealousy becomes a problem with his character. Yes, Ladybug isn't exactly a great partner all the time, but he could try to remain professional instead of pouting.

Season 3 cements Adrien's character as a bland cardboard. Sorry, but his way of dealing with Lila wasn't good either. Like, if Lila's lies was harmless, I would understand the "high road idea", but she was straight up taking advantage of everyone. Lila's situation could have ended badly if they didn't take any action.

He does seem to change his stance on her a bit during "Onichan" and "Ladybug", but, it only affects the plot on season 5.

Then, season 4 happens, and boy, it isn't good for his image.

First, his whole relationship with Kagami is a mess. He CLEARLY has feelings for Ladybug while he is dating her. Like, he considers causing an akumatization on lies just because he is bored and wants to see her.

The scene with the yellow rose meant nothing on the special if Adrien would pull up a stunt like that on the second episode of the season.

As Chat Noir, he becomes so whiny this season. Like yeah, I understand Ladybug could put more trust on him, but, at this point, he should expect some secrets.

Season 5, surprisingly, is when Adrien's character actually gets a bit interesting.

Now that he is crushing on Marinette, and not Ladybug, we see him taking initiative as Adrien instead of Chat Noir. Which actually gives him a bit of development and depth...

Sadly, what holds him back is the sentimonster plot.

Meanwhile, Chat Noir this season is pretty ignored and forgotten by the plot. So, nothing to say about him.

Summing up my thoughts about Adrien: it's not his fault the way he is, but, most of the time, he whines or throws jealous tantrums.

Adrien's design is not bad, but... it's plain. It isn't that fashionable for the son of a designer, and it doesn't show his personality either.

13- Marc Anciel

You might be wondering why Marc is on the half of the list of characters that I don't like... and it's because I don't like him, sorry.

Like, Reverser was an interesting episode. The akuma was creative, and, since Marc was a writer, it was a way for the fanfic writers fan to relate to him...

HOWEVER, Marc suffers from an issue. It isn't new to us that the miraculous writers are not the best in characterization, and sometimes, many characters can feel the same.

Marc feels like he is just a more friendly version with Nathaniel. And whenever he appears, he is WITH Nathaniel. And they act like a hivemind.

This makes Marc feels less like a character and more like an extension of Nathaniel.

He doesn't feel original, and the fact that he only has a prominent role in 3 episodes (one of which is Gabriel Agreste, where his role was a mess), doesn't make him any more interesting.

And the fact that he is a part of Mendeleeive's class doesn't help at all, considering everyone there barely has cameos, and I doubt the show's team sees the majoirty of them as actual characters.

Then, in Penalteam, someway somehow, even with how little emphasis he had through the show, he got a miraculous...

Seriously, the writers made Chloe evil only so that there was a spare miraculous for Marc? When Zoe could have gotten the rooster?

(I usually only keep Marc as the rooster holder in my AUs cause 1, I like the design, and 2, he is the only confirmed writer on the teen cast).

There is also the fact that Marc was inspired by a person that was allegedly friends with Astruc, and that Astruc allegedly treated badly. This kind of sours the character even more to me.

And last, but not least... I don't like the design. It isn't the outfit, I just think that his face and his hair don't mix well.

It's mostly due to the hair, I think, because I love the combo of his bone structure with his Rooster Bold hair.

I personally like @maddascanbe-blog 's take on marc, because they adjust the face shape and the hair to make a better combo.

But, before moving on to the next character, I would like to state that I don't judge anyone who likes Marc as a character.

Again, he is a character who writes, and the miraculous fandom is known for its large amount of fanfiction and rewrites. He is a shy character that is also slightly geeky.

I understand why people like Marc, @artzychic27 has a lot of stories expanding on the character and creating a bunch of interesting headcanons in the process.

It's just that the character doesn't work for me.

Still, I think he deserved better.

12- Kim Ature

Kim is a character that angers me a lot.

And not because of Derision. Far from it, actually.

Kim, from the start, had questionable behaviors that he could have learned from and improved. But, the show kinds of ignores his past mistakes.

He is very insensitive with the feelings of his friends, like how we saw in Stoneheart, where he is literally mocking Ivan, a boy that clearly has low self-stem, because he can't confess his feelings.

And "Timebreaker" reveals that he is known for pressuring his friends into dares that no one seems to enjoy. Reason why Alix dares him into a race to see if she can stop him.

He is not a jerk, nor a bully, but, he clearly lacks emotional intelligence.

Does the show does anything interesting with it? No, it doesn't. We never see him apologizing to Ivan, or trying to empathize with his classmates.

He doesn't have any arc and it's sad.

He is only higher on the list, because there are moments where Kim is actually enjoyable. And because I know he isn't a bad person.

Just wish the show actually tried to give him something.

His design fits him perfectly, and I can't imagine him any other way.

11- Alya Cesaire

I feel like the fandom has a weird view on Alya.

Most of the complaints I see is when people call her a bad friend and things like this.

However, I don't exactly see Alya as a bad friend. Her believing Lila is mostly due to bad writing. and, although she can be a bit pushy when it comes to Marinette's love life... literally the entire cast (but Zoe, as shown in Kwami's Choice) is.

My main problem with Alya is that she is not what the show tries to portray her as.

We are told that Alya is more of a serious reporter, or even a detective in the majority of cases.

But... she mostly seems like a fangirl, an amateur gossip reporter, or an influencer.

She is either after Ladybug's identity to post on her blog to get more views, making videos such as rankings, or taking unecessary risks to get some answers.

I know she is a teenager, and there aren't many teenagers in the real world who actually do serious investigative work, but, the problem is that the show tries to portray her in a more serious light.

But, besides helping Marinette with the Miracle Book in season 4, we don't see her doing anything else. We don't see her interrogating akuma victims to find a pattern, or trying to find Hawk Moth's identity with an investigative board... nothing.

If they embraced the more gossipy side, I think that she would be more interesting, but, since they don't, Alya ends up as just an annoying character to me.

Alya's design for me it's good. It's hard for me to imagine her any other way.

10- Ivan Bruel

From this point onwards, is where I start to find the characters interesting or even liking them.

Ivan, as a character, it's pretty interesting. He is sweet, insecure, has no friends, and, still, he seems to care so much about all his friends.

He is aware of his strengh, and, because of that, is afraid of hurting others.

Besides, he is such a cute boyfriend to Mylene, and is always trying to support her.

Astruc also confirmed that he has a hard home life, which, could lead to interesting episodes.

What holds him back is the lack of focus that he is given.

Besides Stoneheart, Horrificator, a bit of Mega Leech, and Penalteam, he doesn't do much, and just stands on the background.

He had the potential of being a fan favorite... but, the plot forgets his existence most of the time.

His design is simple, but, I kind of like it.

9- Mylene Harprele

Mylene, as a character, is interesting as well. I think that it's interesting how much she struggles with her fears, mostly because I struggle with mine as well.

And still, she manages to be an activist and fights for what she believes.

Sadly, she doesn't have much more going with her character.

Besides her sweetness, emphaty and insecurities, the show doesn't explore more about her.

They do have the plot of her interest in acting but... I think that her activism plot is more interesting.

Not that she can't be both, but, since we already have an actress on the main cast (Zoe), I think that they shouldn't overlap.

The web series 'Miraculous Secrets' on YouTube commented on Mylene wants to be a politician someday, and, I think that, if the show focused more on that, Mylene could get way more interesting.

Imagine if, instead of Marinette, Mylene was Class President? She would be forced to face her fears, doubts and Chloe to do so. It could be a great arc for her.

But, no, she only gets one or two uncreative episodes that try to teach about environmental awareness but fail badly.

And, although the fact that her mother left was only added to tarnish Chloe's image even more, they could have used it to explain where her phobias came from, and have an episode where she faces her traumas.

But no. The show just treats her as the "hippie girl" of the class.

As for her design, I don't have any complaints. I heard people talk about how her hair is cultural appropriation, but, since I am a white boy, I have no idea if it is or not.

If any black person would like to comment on the matter, I would gladly hear it.

8- Rose Lavillant

Rose, in general, is an interesting character.

Although she is very sweet and innocent, she is also very strong and dedicated.

And, even is she doesn't have many episodes where she has a prominent role, her minutes on the spotlight are very well utilized.

Either be her usual comments on the Love Square, her trying to cheer her friends up, and "Guilltrip" as a whole.

But, there is one BIG problem with her character... the "Toxic Positivity" she is always trying to force onto the other characters and the viewers.

As someone who grew up with Spongebob, and still uses toxic positivity nowadays as a copying mechanism... kids shouldn't be taught that. It isn't healthy.

And the show doesn't acknowledge that at any moment.

As for the design, I think it fits Rose perfectly. It matches how joyful and bubbly she is.

7- Luka Couffaine

Luka is a pretty chill guy. He usually is the group's therapist due to usually being the one with most experience and thoughtful.

Growing up without a father, and with Anarka being chaotic, he had to learn to be responsible and help himself and Juleka.

He is great at music and uses it to express himself and understand the world around him...

He is also very romantic, and know how to flirt.

He seems like the perfect Love Interest... which ends up making him a bit of an uninteresting character.

I understand why the fandom loves him, because, well, he is "perfect". But, that doesn't leave much room for him to grow.

We rarely saw Luka's inner conflicts or his struggles through the seasons.

Viperion, from his debut, is already great with his miraculous, and he never fails.

The times his powers fail is due to someone else's actions.

Season 5 brought an interesting arc for him. He found out about Ladybug and Chat Noir's identities, and, therefore, can't get akumatized. Because, if he does, Monarch wins.

But, after Migration, he is sent to Brazil and only returns at the season finale...

As for his design... I mean, it's okay. It kind of matches the character... BUT, I would like to comment on something.

During the big season 1 and 2 hiatus, where the fandom survived with the fan comics and the crumbs of information... some people created designs for Luka.

I don't know the artist because I only saw the comic on youtube, but, there was a design of him which he had a more circular face shape like Juleka, red highlights instead of cyan, and a more timid, but still playful behavior that was PERFECT!

Although Canon Luka is sufficient at his job... this fan comic Luka was so cool!

It's a shame I never found the artist...

All in all, I like Luka, but, he could have been more interesting.

6- Nathaniel Kurtzberg

Although I don't like Nathaniel as much as the fandom does, I do think he is interesting.

He is an art kid who enjoys fancomics and fanfiction. Pretty relatable in my opinion.

My main problem with Nathaniel is that the crew sometimes exagerrate with his sass.

Instead of being charismatically sassy (like Pearl on SU, for example), he feels more whiny from time to time.

Like, sometimes it can be a pain to see him in scream complaining or throwing a tantrum.

Still, he is not the worst character on the show.

As for his design... I don't like red on him. Like, we already have so many characters on red, like Marinette after she transforms, Marc, Kagami, Kim...

It's just a bit too much. After finding out he is actually a brunette, i was fully convinced they should have chosen another color for him.

Especially cause, although I love Caprikid's design, and it fits Nathaniel perfectly... the red doesn't look good.

Imagine him being Brunette with really dark hair as a civillian, and his turning black with white streaks after he transforms?

All in all, even if Nathaniel can be enjoyable in canon, he can also be a pain in the ass (and his behavior in "Reverser" was unacceptable).

5- Juleka Couffaine

Juleka is a character that I really like... mostly because of the Brazillian Dub.

In most countries, she is a character that jsut mumbles, and, most of the times I see the official accounts commenting on what she is trying to say... it's usually creepy. Like how people suggested that she once said that "Marinette should kidnap Kagami".

However, instead of just mumbling, Juleka actually speaks in Brazillian. Most of her lines are probably not what Astruc in mind, but, it makes her more interesting.

Brazillian!Juleka is, a lot of the times, a reluctant voice of reason. Like, in one episode, she suggested that Marinette should SPEAK with Kagami about her feelings for Adrien. Instead of any crazy plan.

Besides, I think that Juleka's arc is pretty interesting. She had to learn how to express herself, and stop people from stepping on her.

Although Crocoduel ended up being more about Lukanette's break up than Juleka, it shows us new sides of the character.

It shows how Juleka feels unfavored in comparison to Luka (specially by Jagged), how she doesn't want to disappoint her friends... and how she just want her parents to make peace and stop fighting.

It's a shame that the miraculous magically solved her self-stem, though, instead of being something more procedual.

Also, I hate how the tiger's power was basically the same as the cat, when the entire fandom wanted invisibility.

Still, Juleka had an arc on the show... which is more than I can say about the rest of the cast.

And, the design combines perfectly with her.

4- Max Kante

Max is miraculous best boy, and, no, you won't change my mind.

Max is pretty much the steryotype of the geeky nerd. He is great at math and objectivity, he is great at science, and can be a bit socially awkard from time to time.

Although he doesn't have an overarching story across the series, his hero choice was the one who made most sense in context. Unlike the other heroes who were mostly chosen due to being friends with Ladybug or Chat Noir and being related to the akuma, Max actually helped the heroes on the episode.

His relationship with his mother is also very cute, especially considering how badly Parent and children relationships are written in the show. It reminds me a bit about mine with my mother (although my relationship with my mother can be a bit more complex due to some reasons XD).

My biggest disappointment towards him, however, is that he was given the horse, and not the, I don't know, the RABBIT!

Like, out of all kids in class, he is the one who would probably understand about time travel. Imagine if he was the one safe watching the timeline?

I like to imagine Rabbit!Max as a Professor Paradox from Ben 10, of sorts, who appears only when necessary and knows what to do to keep the events on the rails.

It makes more sense for him to have this role than Alix. At least, in my opinion.

Besides, imagine episodes focused on Max learning how to deal with time annomalies inside of Burrow. Like a Rabbit!Max spin-off! Let me dream, guys, please.

As for his design, it is adorable. I love the suspenders.

I do have my complaints about his character, like, the circumstances for his two akumatizations are pretty... meh and two basic, and his friendship with Kim is too underutilized and explored by the show.

3- Alix Kudbel

Alix is such a fun character to watch. She is competitive, and has a bit of a short fuse, but, at the same time, she is also the one who tends to be the most reasonable on her friends' group.

She is sassy, but on the right measure, and has her moments of vulnerability. And, even if her relationship with her father isn't frequently shown, I think it's interesting that, even is she tends to be a bit rebellious... he supports her and trusts her.

My main problem with her is the choice of her miraculous...

Alix has always been a character that is straight to the point. She is brave, direct and confrontational... and they gave her a miraculous that forces her to be on the sidelines...

In my opinion, she should have been given either the Snake, the Tiger, the Ox, the Bee or the dog.

Due to her position as Bunnix, she doesn't appear as much as she should.

(Although, like with Max, maybe some episodes focused on her adventures inside of burrow could also solve this issue).

Her design is also very cool. It's pretty rebellious and sporty. Although, I don't like the shade of pink in her hair... like, it just doesn't clash well.

I also would like to thank my friend @natedogx15 , by making Alix a main character in his rewrite, he showed me how good Alix could actually be.

2- Zoe Lee

Okay, this character grew a lot in me as I rewatched season 4 and 5 (also the fact that the other characters got worse and worse in my eyes).

Although Zoe is usually seen as just Chloe's half-sister who became the next Queen Bee, she is much more than that.

She is a girl from an abusive family, who felt powerless on her own house, and lost herself in an attempt to fit in a world where she thought she had to belong...

Only to find out that she could be herself, because she would eventually find a place where people would like her for who she is.

I am making a bunch of analysis on Zoe's character, but, to sum it up, she isn't a bad character. It's just that the show hates her.

I would also recommend @nerdy-chocomallow analysis on her. It will surely help you guys have a new vision on her.

1- Sabrina Raincomprix

I am aware that this opinion is very unpopular among the fandom, and I kind of understand it.

She was Chloe's servant from seasons 1 to 4, and, even if she was treated badly... she still helped Chloe into torturing the rest of the class without visible remorse, only to suddenly few guilt in Season 5 and turn her back on Chloe and Lila...

But, just like the majority of Sabrina fans, I like Sabrina for 1, how much i relate to her, and 2, for all the headcanons that I created with her unused potential.

The old webseries commented on how, with the exception of Adrien, Sabrina has the best grades of the class.

You might ask yourself "What about Max?". I like to imagine that, although he is a prodigy at math and science... he isn't as good with subjective subjects. Like poetry.

As for Sabrina, I headcanon her as for being a jack of all trades. She isn't a master at science or Math like Max, but passionate and dedicated enough to get the top grades.

I also like to imagine Sabrina writes poems. She can't vent her feelings with words, so she does it via poems.

Also, as Penalteam shows, she loves soccer. I imagine she is a fan of sports in general, and uses them as a way to relieve stress.

Why she is so dedicated in general? Maybe it's a way to try to get her busy father's attention. Maybe it's so that she can fill the voide she feels due to her loneliness.

Sadly speaking, that's what those headcanons are. Headcanons.

If you guys want more Sabrina headcanons like this, i recommend @sabrina-central to get more info.

It's a shame that canon Sabrina didn't get more explored. Although I never had a toxic friendship on this level, I know the feeling of feeling alone, and that you will never find friends outside your current group. I know how it is to have a lot to say, but unable of externalizing it.

As for her design... I just think that the shorts are ugly. Like, the shade of cyan they chose doesn't fit the character at all.

Anyway, that was my ranking. If you disagree with me... I understand. Miraculous as whole doesn't have good writting, especially when it comes to the characters.

And I understand people excusing or defending a character because they can relate to them.

I just think it's important for us to be critical so we can learn from the mistakes the characters make.

[mathewryf]

Ellaboration time

One major component that used to be a major part of Sonic's character was his ability to read people. You can see this in games like Sonic Adventure or Sonic Rush. That's not to say his readings on people are super precise, but generally he was able to look past the surface.

In Sonic Adventure, the two interactions that stood out to me most were his interaction with Big before the Chaos 6 fight, and his refusal to seal Perfect Chaos before that fight.

The one with Big is minor, it's really just him figuring out "this guy's friend is trapped, that's why he's here in harm's way". Still, it's a good example of his intuition at work.

With Perfect Chaos, it's a culmination of him taking the information Tikal gave to him throughout the game and usjng that information to do what he thinks is best. He says it best during his refusal: "How can [sealing Chaos] help? It won't change how he feels."

As for Sonic Rush, his first proper meeting with Blaze leads him to internally comment that "it seems she's had a rough past." That gut reading he gets further informs both what he says and how he confronts her before, during and after their fight.

I'm out of time 😅 I can add onto this during lunch.

i think other people catch onto tails’s insecurity and self loathing problems faster than sonic does. sonic just thinks his brother is the coolest in the world and he can’t fathom why tails would ever think negatively about himself while everyone else is like “there’s something wrong with that boy”

[marishmallows]

I think the CK writers were more focused on the action and shock value this season rather than the writing because a lot of it doesn’t make sense or really holds up that much? Like there’s still so many questions left unanswered and I know the final part is coming out next month but I feel like it won’t really answer them that much. Especially not with five 30 minute episodes. I feel like a lot of the depth just went away? Like with Robby, Sam, Miguel, Hawk, Demitri, and even Tory to some extent.

A lot of the character development and previous plots really goes down the drain this season. Since they have already been addressed in previous seasons AND SOLVED. It’s like they keep writing the characters to repeat a lot of mistakes and conflicts they already did.

I know Robby has been off balanced because of what happened with Tory but besides that, all he’s done this season is lose constantly and be bad-mouthed by so many characters. His relationships are just gone completely, no interactions with Kenny. No heart to hearts with Miguel or Johnny or even Daniel at all. He’s just completely on his own for the entirety of part 2.

With Johnny and Daniel, the arguing and fighting. They already know it throws their students off balance and creates an air of tension between them. Yet they do it anyway even though in late season 4 and season 5, they came to an understanding yet they reduce back to their fighting anyways?

With Sam, she is one of the most skilled and balanced fighters with Robby and Miguel. In season 4 and 5, she finally started listening to her own instincts and make her own decisions in both her personal life and karate. Yet now she needs Johnny and Daniel again to help her with discovering what fighting styles to use? She also with Robby, doesn’t do anything this season but serves as a catalyst for other people’s stories which sucks because they’re both supposed to be the captains but we never see them actually be captains. Like what happened to the Sam who took charge in season 3 when Miyagi-Do’s were being bullied? Surely if Miyagi-Do’s were losing in tournaments (some divisions that she was definitely qualified in) I feel that she would step up just like she did in previous seasons.

Miguel is fine for the most part but I do wish he had a better understanding for Robby’s emotions, like I know he was upset about Stanford. But I wish instead of him having that convo with Johnny, I wish he had the convo with Robby himself opening up to Miguel about the whole thing or just Miguel having a better heart to heart with him.

Overall this season has been good so far but not as great as the other seasons in terms of character writing. I feel that season 6 has been more action focused rather than character focused and wrapping up the character’s stories and setting up their endings.

[jaelami]

Love and Deepspace: Caleb and Bad Writing (Long, LONG Rant)

I might be in the minority here but I'm not liking Caleb at all. (Edit 1: I said the wrong thing here, I do like Caleb. I think he has the potential to be a good character. The hate comes more from how Infold has done his story. Well, the story in general.)

I'm not bothered by the childhood friend thing. So that's not the issue I'm having. I'm just not liking the story. I feel like it was rushed which I know it probably wasn't but it feels that way. And it shows the bad writing of LaDS when it comes to the main storyline.

The way the MC is glossing over some huge red flags and blaring warning signs, it pisses me off. We get a tease of her fighting Caleb's yandere tendencies but she still lets it happen anyway. Infold really wanted to rush the relationship. They sure as hell don't know how to write a slow burn or even a medium burn.

Even Sylus, who has had less story and less everything, had more back and forth with MC than a supposed dead guy. MC hated and was annoyed being tethered to Sylus. Was annoyed when he appeared when she was with friends or with other hunters (conveniently when Xavier is not around).

Back to Caleb: Then there's the fact he is the only LI that wants to baby her in every aspect. The other LIs knew she could kickass and let her. Do they want to protect her? Yes. Do they protect her? Yes. But do they know she could do it on her own if needed? Hell yes. Caleb still thinks of her as the little girl who was afraid of thunderstorms. He constantly thinks of her as the girl who made childhood promises to him. And let's not forget, he drugs her to "keep her safe". He uses his evol to keep her in place. He locks her in her room. That is horrifying. And she glosses over it!!!! Everytime!!!! When she wants to "go out with friends" and he won't let her. He finds ways to keep her there. She doesn't question it.

Do I mind dark romance? No. I read dark romance but at least the FMC doesn't fall for MMC immediately. She thinks shit through. MC on the other hand doesn't bat an eye. Caleb has returned from the dead. Great, be happy. But don't just ignore that he's returned with issues and secrets. We can obviously see that he is not mentally all there. Don't just tell him everything and not be concerned that he's not reacting to shit. She's not really questioning the fact he is still alive. Not a priority, I guess.

She proceeds to tell Caleb everything about the papers that Grandma gave to Zayne (not Caleb btw) to give MC in the time of her passing. MC is not at all concerned about the consequences of doing that. She sees and hears Caleb being involved with the Professor and she still doesn't consider that a huge neon red flag. Instead she does everything in her power to excuse his behavior. What? He even tells her, "You think I have a chip in my brain?" He knows she's worried about it and still manipulates her into moving on from the question. And she does!!!

And then there's Zayne, who is also in Skyhaven, because of course he is, and still she doesn't tell him anything about Caleb even tho he was Caleb's childhood friend too. Or she doesn't go to him to ask for help. She was drugged by Caleb and she doesn't tell Zayne, her doctor. Zayne is literally there for no real reason in the story of Caleb and MC. He was used as a plot device for a different part of the story. How has Zayne not heard of Colonel Caleb? It seems that Caleb is a big deal in Skyhaven. Yet he doesn't know? I feel like Infold isn't going to have these two characters interact at all which would make no sense story wise.

We have these characters existing in one timeline/storyline together and we are supposed to believe they don't know about each other or MAYBE know about each other. Xavier literally lives in the same building as MC. He can enter her apartment at any time. She told him his fingerprint will let him in. She gave him the permission to literally barge in. He's her partner at the HA! And yet!!!! He never sees any of the other LIs come to her apartment? And he's conveniently missing when hunters are involved in the other LIs storylines. It's always another male colleague that she works with. It's getting old and stupid real quick.

The theory of the LIs being each other's antithesis makes no sense when they never acknowledge each other. Xavier/Sylus, Zayne/Caleb, Rafayel/LI6, really falls flat. It can't be they are different timelines or parallel universes when the storyline plainly connects them. In chapter 4, Caleb and Grandma talk about Zayne. They want to invite him over for dinner. And that's not the only time when the story connects the LIs. Zayne goes to check on the guy who has a mermaid skeleton in his living room. Rafayel gave the collector his painting that was slowly killing him. They all know about Onychinus which means they should know who Sylus is. And let's not forget Tara has met Sylus. Does she not mention him in front of Xavier?

I mean, come on. Math is not mathing.

Either Infold is purposely making MC dumb, because let's face it she makes some of the worst decisions, to explain the bad writing or they don't really know how to connect the storylines at all. (Edit 2: MC isn't dumb per say she lacks critical thinking skills sometimes. Maybe that's a better way to put it.)

I don't count the many 4/5 level special cards as a part of the main storyline because if that was the case the girl's evol should be teleportation or multiplication. Cause they all conveniently happen at the same time.

I know all of Caleb's cards aren't out and his storyline isn't complete (most of his cards are from the past) but that doesn't matter right now. It doesn't excuse the rushed feelings MC has in the present. Also in chapter 4, it is implied to us, as viewers, that MC didn't have romantic feelings for Caleb. They treated each other as siblings. (I know they aren't. I'm talking about how MC treated him in chapter 4.) Did Caleb have feelings? Yeah, that was obvious.

I don't know. Time will tell, I guess but so far the main story update has been disappointing for me. I want a VILLAIN romance but, please, do it well. I have the morally grey storyline with Sylus (kinda). Give me a well written Villain love interest. Don't rush it. Give me, present timeline yearning not past. Give me a slow-ish burn. Let MC and Caleb fight. Give me, knife to the throat romance. Don't make MC so gullible and naive. Let her ask other LIs for help when Caleb is stepping out of line. Have her question if he loves or is just obsessed with her.

Viper literally says that Caleb is obsessed with MC not in love with MC. He, a mentally unstable man/robot person, can tell the difference. MC is twiddling her thumbs and pretending not to see it.

Was Caleb in love at one point? I think so however with time it has twisted into obsession. (Edit 3: I'm not saying Caleb doesn't love MC now. I'm saying those feelings have twisted more to obsession. Like maybe whatever the Professor did, did something to his feelings for MC. And I know MC will enable him like MC does with Xavier. MC be freaky that way. That's not a bad thing for a FICTIONAL scenario.)

Also Kevi and Mia?! That storyline pissed me off. She literally sees something is wrong with the twins and does nothing. Mia doesn't give info to anyone because she doesn't trust them. Unfortunately for Mia, she put her trust in MC and that was a mistake because, as mentioned, MC is stupid. MC goes to where Kevi is hiding and doesn't take Zayne?!?!!? Doesn't take Kevi to Zayne immediately even tho he's ill. Why the fuck not?!

Kevi tells her point blank he was afraid of the Fleet and not to be trusted and she doesn't think it's bad when the Fleet got to him? No, because it's okay cause Caleb was involved? He was conveniently found by Caleb? That's not suspicious, that's not weird. Kevi must be okay. But wait, there's more! Mia conveniently dies right after. Neither Zayne or MC does anything beyond mentioning it was a weird coincidence. Not at all suspicious, apparently.

What the actual fuck? (Edit 4: I am aware that more happens than just casually mentioning the situation. I did, in fact, read the story. I just think certain choices leading up to Mia's death and Kevi's forced adoption could have easily been avoided or at least better written.

MC puts her trust in Caleb to do the right thing even tho she knows and acknowledges he's not the same anymore. I don't think I'm wrong for saying that it's a stupid choice story wise. It's obvious Caleb doesn't put his full trust in MC, but MC does. It causes an imbalance. We know MC can be and has been a badass; why diminish that?)

How is anyone not annoyed with the storyline? It makes Caleb a really bad character and LI, it further proves MC is dumb as shit. She's so easily manipulated and so impossibly naive.

No. No one cares because he's the Winter Soldier. Omg if real money is going to be spent on this godforsaken game make it worth it.

I was so excited for Caleb too. It's just sad.

(Edit 5: Because someone mentioned this 🙄, I'm aware that this is a Reverse Harem. I don't know where I said it wasn't. Besides this rant is based on the MAIN STORYLINE ONLY. NOT THE INDIVIDUAL CARDS.)

Also a random note, I don't like the voice of Jenna. It doesn't fit her at all. Not bashing the VA at all. She has a great voice. It's just not a strong voice for Jenna.

(Reminder: Before someone calls me easily manipulated, please note I was able to piss you off for criticizing a mobile game and a FICTIONAL character. I don't mind having adult discussions about LaDS but be an adult about it. I enjoy different perspectives and I'm not set on my opinions about the game. My mind can change depending on what comes next. It makes discussing/ playing the game more fun. I am allowed to express my opinions and feelings on what is out. If my opinion makes you so angry to the point of name calling, maybe you need to stop playing. A parasocial relationship to pixelated men is not a good thing for your mental health.)

[totallyjustabunchofhocuspocus]

Fic: Untitled Firefly/Serenity!AU pt 2

I dunno, have some more of Browncoat!Tommy and AllianceExperiment!Buck

Continued from this

For the curious, in my head the cast of characters (not going for exactly one-to-one character swaps, more like vibes) are:

Tommy/Mal, Buck/River, Maddie/Simon, Chim/Kaylee, Bobby/Shepherd Book, Athena/Zoe, Eddie/Jayne, Hen/Wash, Karen/Inara

I am now obviously planning to do more with this (fml), but still if anyone wants to play in the sandbox, feel free. It's a pretty shiny sandbox.

Protein blocks were good for exactly one thing and one thing only: making you not die of malnutrition. Food made from protein blocks (especially the brand that was in their budget) did not taste good. It did not have a pleasing texture. It did not smell appetizing. For a long time, sitting down to meals on Harbor served the singular purpose of allowing you to get up from the table no longer hungry.

And then Bobby Nash had joined the crew. 

Tommy was not a fool. The Shepherd, kind and steady as he was, knew entirely too much about Alliance security procedures and was entirely too good with weapons to have been a man of God all his life. There was a past there, and probably a darker story than Bobby wanted to admit. So far, though, that past had not come knocking on Harbor’s entry hatch, and he made Athena, Tommy’s second-in-command and one of the few people left he cared to claim as family, happier than Tommy had ever seen her. Tommy was willing to overlook a lot of potential problems if the Shepherd kept that easy smile on Athena’s face. Besides. 

The man was a fucking miracle worker in the galley. 

Tommy had no idea how Bobby managed to do the things he did with just some spices and a handful of pots and pans, but the things he dished up for Harbor’s crew was the best eating Tommy had had since he was still hiding behind his Mama’s skirts. 

He would overlook a lot of potential problems for how happy the Shepherd made Athena. 

He would strap on his sidepiece and go to fucking war against those problems for the man’s pancakes. 

He dished himself up a stack of three of said pancakes, fluffy and golden the way food made from protein blocks had no right to be, and turned to grab the jug of decidedly less tasty–but still better than it ought to be–synthetic syrup. 

Only to jump in surprise when he found Hen and Karen–his pilot and her esteemed wife–standing less than a foot away from him, matching looks of scrutiny and no small amount of suspicion on their faces. 

“So,” Hen said without preamble, tilting her head and narrowing her eyes at him. “Where you going with this?” 

He glanced between the two women, suddenly feeling cornered on his own damn ship. “Uh, to the table. So I can eat it?”

Karen arched an eyebrow, regal as any queen in the scarlet and gold-trimmed dress of the Scholars’ Guild. He didn’t know Karen well…her work with the Guild took her all over the galaxy for months at a time, and it wouldn’t do for a woman of her rank in the Guild to be seen too often with a ship crewed by several people who were ‘wanted for questioning’ in a myriad of investigations. Now that their son Denny was safely enrolled in one of the Scholars’ Guild’s planetary academies, though, she was becoming a more frequent guest on Harbor. 

“We mean, where are you going with Buck?” she said bluntly. 

The ‘Buck’ thing was new. And a good sign, according to Bobby…that Evan felt comfortable enough around them to start expressing his preferences (in healthier ways than the sometimes-violent outbursts that had been the norm when he first came aboard) and explore his identity in new ways. Tommy would be lying, though, if he said he wasn’t secretly pleased when Evan told him he preferred it when Tommy called him by his given name. According to Evan, it was never ‘sharp’ when Tommy said it. 

“Oh. He’s not having any pancakes. The chemical structure interacts with the molecular bonds on the plates and makes them too crunchy apparently.” 

He shrugged in a what-can-you-do way, used to Evan’s random quirks about things on the ship. Last week he’d refused to drink the water out of the dispensers for three days because one of the new filters they’d bought on their last supply run made it taste like peach schnapps. No one else could taste it (to Tommy and Eddie’s disappointment) and Maddie insisted Evan had never had peach schnapps, but Evan had been adamant. 

Karen looked distinctly unimpressed. 

“Are we still talking about pancakes?” he asked innocently.

“We’re talking about your intentions,” Hen said, her voice grave and serious.

“Are they…honorable?” Karen added. 

“I’ve got a medal hanging up in my bunk,” he replied indignantly. 

“You stole that off that freight pilot that tried to stiff us on the Io run,” Athena said suddenly, appearing from the corridor and not even bothering to pretend she had not been eavesdropping as she made a beeline for the coffee pot. 

“Whose side are you on?” he snapped, before turning back to Hen and Karen. He found them just staring at him, clearly unwilling to get out of his way. He sighed. “We are taking it very slow. In fact, I’m letting him set the pace. And I’m just trying to keep up.”

Hen finally cracked a smile at that, and Tommy felt a little of the tension that had been creeping into his shoulders dissipate. He and Evan had not been obvious about…whatever it was they were doing. Talking, mostly, late into the night on nights when neither of them could sleep. But Harbor was not a large ship and his crew were some of the nosiest assholes he’d ever met. 

“Look, I get it. I’m being careful with him. But he’s a grown man, not a child. He knows his own mind. Weird as some of the shit that comes out of it can be.” His lips quirked into an amused smirk. “Besides, we all know Maddie’ll shoot me in the balls if she thinks I’m taking advantage.”

Hen and Karen exchanged a loaded look, but then Hen wound her arm around her wife’s waist. “Be careful with yourself, too. Buck doesn’t always realize he’s accelerating too fast. Captain.” 

With that, she and Karen stepped neatly around him, heading for the counter and the tray of pancakes. Tommy shook his head, before changing course and heading up the corridor that led to the helm, shoveling pancakes into his mouth as he went. The bridge was mostly quiet when he arrived, Eddie seated at Hen’s usual station, and Evan examining a set of readouts from the comms intently. 

“Okay, look, just because something is mathematically possible,” Eddie was saying as Tommy entered the bridge, “doesn’t mean it’s practical. How would you even get it into the hold?” 

Evan made a dismissive gesture. “Physics,” he said, like the answer to whatever they were arguing was obvious. To him, it probably was. Eddie snorted fondly. 

“Right. Physics. I’d pay money to see you try.”

Tommy stabbed the last of his breakfast with his fork. “Do I want to know what you’re planning to do with my ship?” he asked. Evan swiveled in his seat to look up at him with a wide, pleased smile that sent a shivery burst of warmth through Tommy’s chest. 

“Probably not,” Eddie said, standing up from the pilot’s station and stretching until his back cracked. “Bobby make pancakes?” 

Evan wrinkled his nose in disgust and then turned back to the readouts, muttering to himself in a way that Tommy had come to know meant there was an idea percolating in his head that was either genius, insanity, or some unholy combination of both. 

“If you hurry, you can probably snag some before Chim eats them all,” Tommy said, to which Eddie tipped him a mock salute.

“Better go. You’ll need your energy,” Evan said. 

“Right,” Eddie shrugged, holding out a hand for Tommy’s empty plate to take back to the galley, which Tommy handed over gratefully. He headed down the corridor Tommy had just exited, whistling to himself.

“Anything interesting on the comms?” Tommy asked, taking the pilot’s station Eddie had just vacated. 

Evan shook his head. “It’s already ghosts and echoes. But some of the voices are still real. We should help.” 

Tommy frowned. “Help? Help who?”

As if in answer, the comm station suddenly pinged, the whole console lighting up red with an urgent distress signal. 

[minijenn]

That feel when you spend the past several days drawing for a forgotten niche AU you created years ago that you've just been having severe brainrot for lately and you have to get it out of your system somehow so you just... draw.

Anyway, Thorn in the Gut AU! Perhaps the most angsty little AU my brain ever did create back in the old UF days, I'm still quite fond of it. Its just chock full of drama, conflict, existential crisises, all that good stuff! And so, for those of you not in the know, here's a whole dump of info about it to go along with the art! (copied most of this from Discord so excuse any wierd formatting)

The basic gist of Thorn in the Gut spawns out of RMD (Rifts/Memories/Dimensions) and basically starts when Bill lands a practically fatal blow on Stepper (instead of cracking his Gem) and Steven, realizing both he and Dipper won't survive this, essentially "poofs" (lets his physical body disappear) and sacrifices his gem over to Dipper to keep him alive. Anyway, Dipper winds up back in Gravity Falls alone, much to the alarm and anger of the Crystal Gems especially when they realize Steven is basically dead (not them blaming a literal child who had no say in any of this). From there, the following ensues:

The Gems are A Wreck but they are still deeply attached to that gemstone (because of Steven and because of Rose) and they really don't know how to interact with Dipper now as a result; eventually, they force him to move up to the temple because he very quickly starts showing he has Steven's powers now but he can't control them because he is also A Wreck with survivor's guilt and grief over losing his boyfriend (did I mention this AU is Stedip? Well its Stedip) and his heavy emotions are making them wonky

They also watch him like a hawk because they think Steven could somehow return at any moment; they're also just like, hella impersonal with him; basically any sort of warmth or goodwill they had toward him has completely evaporated and they just view him as "the reason why steven is gone"

Garnet probably just... never talks to him like ever. Pearl is a sobbing wreck but is also surprisingly the most sympathetic towards Dipper out of the Gems (bc she knows about Rose and Bill's history to a certain extent and also knows thats at least in part why Bill attacked Stepper so viciously and why all this happened in the first place). Amethyst is just mad and probably prone to verbally lashing out at Dipper in frustration the most.

Stan and Ford are Fighting obvs bc Ford thinks Dipper staying with the Gems is for the best (also not Ford also kind of lowkey starting to negate his own nephew as a "fascinating breakthrough discovery" because of how scientifically impossible what's happened to him should be; Stan, meanwhile, is furious at how both Ford and the gems are acting, he's one of the few people still entirely in Dipper's coner, along with...

Mabel, who while mourning Steven herself wants to be there for her brother so badly but can't be because the Gems and Ford won't let her be, claiming that its for her own safety when really its just to keep her out of the way of a very delicate situation; even so, the twins still try to see each other as much as they can and comfort each other however possible (potential eventual fusion between the two?? maybe)

Connie is fucking mad, mad that Steven would sacrifice himself like this, mad that he'd sacrifice himself for Dipper, mad that Steven is gone and she can't do a damn thing about it. As a result, she distances herself from both the Pines and the Gems for a good long time to grieve on her own (but even after she comes back around, things remain hella tense between her and Dipper)

Other characters: Lapis is fuckin squicked the fuck out by what's happened here, because something something its comparable to permenant fusion, but even so she tries her best to support Dipper even though its difficult for her; Peridot is kind of lost in the shuffle of all this, like Mabel, so I feel like that's where she's lending most of her support; Pacifica? ehhh I mean this AU works under the assumption that Stedip is kind of the only currently canon MK ship so she probs wouldn't have much to do here 😛

Fucking forgot to talk about Dipper himself you know like he aint the damn focus character; so he's in Shambles, emotionally distraught for a number of reasons; his boyfriend is gone and he can only speak to him in his dreams (and those dreams are usually sweet… until one certain triangle starts showing up in them); amidst still reeling from losing Steven, the way the others are all treating him leads him into an existential crisis, because to the Gems, he's Steven, he's Rose, to Ford, he's an experiment, to Bill, he's an obstacle in the way of a prize, to the diamonds (if this continued on into UF2 which it could), he's Pink, and with all that in mind he truly starts to wonder if there's anything really left of Dipper at all

And the bad guys; Bill is furious, obvs. it doesn't take him long to start showing up during Steven and Dipper's little dream chats, causing all sorts of chaos and being just a general bastard all around; but he wants that gem, he has a deal with White to make good on after all, and he's determined to do whatever it takes to get it, even if he has to guilt trip Dipper into ripping it out of his stomach himself (which may or may not happen); as for the Diamonds I mean they'd probably just think this is "Pink" playing another one of their silly games, like they think about Steven so not a ton changes on that front? (even still, I summed up that this boy is in Danger in the span of time that would be UF2 in that one art)

Oh and of course, Steven's status. He is… aliveish? Of course, he doesn't have a physical body anymore, kind of gave that up entirely when he "poofed" bc he's half human. At first he's only able to communicate solely to Dipper through his dreams (and like Stan and Mabel, Steven is completely in Dipper's corner and is fucking mad as hell about how the Gems are acting towards him). And eventually, he makes that frustration known by using his possion powers to take control of Dipper (which Dipper allows, god who cares about past trauma, anything to make the Gems see reason) to tell the Gems off, but he isn't able to do that for very long or very frequently. I'd like to think Dipper can also sometimes "hear" Steven speaking to him through his thoughts when he's awake too. Basically, Steven is always with him ^_^

After getting steven's gem, Dipper maintains Stepper's hair color and skin hue :3 and he also starts wearing Steven's shirts bc fuckin gay grief compells him to wear his BF's clothes and then the Gems, fucking freaks that they are are like "nah you should keep wearing them" even when he doesn't want to anymore. Oh! and another thing, Dipper doesn't see himself when he sees his reflection in the mirror, he sees Stepper (represented in the art).

Since Dipper has to stay in Gravity Falls (because how the hell is he able to leave with all of these newfound manifesting magical powers), Mabel ends up going back home alone with a spare memory gun Ford gives her in tow. She remorsefully uses it to erase Aaron and Allison's memories of Dipper so they won't ask questions she isn't able to give answers to :3 Also, Dipper is unaware that this happens until some point in UF2 when Mabel breaks down and tells him. Suffice to say it basically ruins whatever is left of his relationship with Ford (not that it was good at that point anyway because well, Ford is basically using him as a lab rat)

Basically, without Steven around, most of the cast is just... fucking not acting right bc steven was basically their moral compass so they figure why even try anymore without him around (the gems and hell even dipper included, he makes some pretty questionable decisions in this AU himself)

Just, its all about identity, really, about how the way others around you treat you can impact how you view yourself for better or worse (in this case, worse); it's about loss of agency and how grief can drive people to act in some... pretty terrible ways.

Anyway yeah that's a Lot but its my current obsession in the In Between time of S1 and S2 and I figured I need to chase my bliss (bc how else will I cope with The Horrors if I don't put my favorite blorbos through Horrors of their own. Expect something to be written from this AU... eventually idk man probs not anytime in the immediate future tho lol it's just a silly fun little side thing. Anyway enjoy the Pain! ^_^

[kikyoupdates]

Changing Plotlines ⭑˚💞⭑ 𝑡ℎ𝑒 𝑝𝑟𝑜𝑡𝑎𝑔𝑜𝑛𝑖𝑠𝑡'𝑠 𝑎𝑟𝑟𝑖𝑣𝑎𝑙

yandere!ocs x f!reader

yandere, reverse harem, yandere reverse harem, original characters x fem!reader, slowburn, isekai

A desperate cry on your deathbed leads to you being given a fresh start at life. You're overjoyed at having finally obtained a healthy body and a real chance at living normally, only to discover that you've been transported into a yandere game, where danger lurks at every corner. Determined to protect your new life at any cost, you vow to stay as far away from the major characters of the game as possible. But things don't always go as planned.

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So far, you’d already met two of the yanderes. You weren’t entirely sure how that had happened, especially when you were so resolved to stay away from them, but given how brief your interactions had been, you were fairly certain that they would have already forgotten about you. Everything was okay. Again, as long as you made sure not to needlessly interfere with the main plot, to them, you would be nothing more than a passerby. A side character. An extra.

I never realized how stressful it would be to deliberately not stand out.

You were especially on edge because you’d been recently informed that your classes were starting soon, which meant that it was only a matter of time before the protagonist made her appearance. It was all happening a lot faster than you’d expected. You’d been hoping you would have a bigger buffer before all the shit started to go down.

But all of this was still manageable. Just avoid getting in the way of the yanderes as they sought the protagonist’s hand, and you were as good as gold.

“Going to school for a change will be fun,” you hummed aloud, taking your time as you prepared a satchel full of belongings. Just the usual school supplies. Some notebooks, pencils, pens, a knife... really, nothing out of the ordinary.

It was obviously impossible to completely push the issue of the dangerous plot out of your mind, but it wasn’t as if that was all this world had to offer. You were perfectly healthy now, something that you couldn’t have imagined in your wildest dreams. There were so many things that you would finally be able to enjoy, like the average person. Instead of focusing on the negatives, you were going to try and look forward to the positives.

A knock on the door roused you from your reverie. You turned to find Lizbell cautiously peering into the room, while holding a cup of tea on a small plate.

“Would you care for a warm beverage?” she asked you.

“Oh, yes please. Is this the same tea I had last time?”

“Why, of course. It’s your favorite, my lady.”

She smiled and walked over to hand the tea off. The “you” from this alternate game universe really was a carbon copy of who you’d been in your previous life. You had all the same interests, the same personality, even the same preferences when it came to food and drinks. It was strange how you’d been transmigrated so perfectly into a world where you’d never even existed to begin with.

You blew on the surface of the tea, then slowly took a sip.

I really am curious about how all of this even happened. Well, not that I’m complaining. It’s infinitely better than being dead.

Lizbell tilted her head, her gaze panning down to the satchel overturned on its side, with some of the objects peeking out of it. “What have you got there, my lady?”

“Hm? Ah, nothing much. Just some things to bring along with me to the academy.”

“The bag looks to be quite full,” she frowned. “You’ll strain your shoulders if you’re carrying something so heavy all day. Are you sure you need all of this?”

“Lizbell, wait—”

Before you could stop her, she’d already lifted the satchel up, and several of the items came tumbling out.

Lizbell’s expression turned to one of pure horror. “Lady [Name], what in Zodin’s name are you doing with a knife?”

“I can explain,” you began.

“No, I’m not sure you can!” she fumed. “Bringing a weapon to school? Absolutely preposterous! Not to mention that you could hurt yourself!”

“It’s, er, just in case of an emergency...?”

She grabbed the knife in a hurry. “I’m confiscating this.”

“What, no! You can’t!”

“I can, and I will.” She paused to raise her brow a hair. “Unless you’d prefer that I speak about this matter with your parents?”

You slumped your shoulders, defeated. “Ugh. Fine, take it away.”

I can just sneak another one tomorrow morning.

“And I’ll be patting you down tomorrow morning so that you don’t get any funny ideas,” she warned.

Goddammit.

“My word,” Lizbell huffed, angrily storming out the room, “you’re going to be death of me one of these days.”

You sipped at the rest of your tea, a touch irritated. Granted, bringing a knife to school probably wasn’t the best idea, but you just felt better knowing that you had some sort of weapon to protect yourself with. But the plot hadn’t even begun yet, and the yanderes didn’t begin exhibiting dangerous tendencies right off the bat, so perhaps you were jumping the gun a bit. First days at school tended to be rather boring anyways. This wasn’t a movie, or some sort of novel.

Yeah, you’d be just fine.

This is actually really exciting. I’m fangirling a bit.

It was one thing to be able to attend school normally without being crippled by your health—which you were immensely grateful for—but it was even more incredible to be able to take part in a universe that you’d once believed to be purely fictional. You’d gone from being nothing more than a player who could make a few limited choices on behalf of the protagonist, to actively participating and having complete control over your actions.

You had to admit, this situation was pretty freaking cool.

Currently, you were standing at the gates of Zodite’s finest institution, the renowned Central Academy. And boy, oh boy, was it intimidating. The colleges and universities from your previous world were arguably bigger, some of the campuses even being referred to as “tiny cities”. But what Central Academy lacked in sheer size, it more than made up for in extravagance. Seriously, you knew that you were technically rich in this world, but everything here looked so ridiculously bourgeoisie that you couldn’t help but feel out of place.

“I’m not used to being one of the elites,” you whined hopelessly. A random student passed by while you were talking to yourself, and they gave you a scathing, judgmental look. A bit rude, but you were admittedly acting a little weird right now, oohing and awing at everything you saw.

Anyways, you were here now, but you didn’t have a clue where your classes were, or how you were meant to find your way around campus. Lizbell had provided you with a list of the classes that the previous “you” of this world had apparently enrolled in, so you were just going to have to use your best judgment in finding the buildings, and then perhaps go by process of elimination. You’d never attended college before, but in the movies, everyone always got lost on their first day. Which is exactly why you’d arrived with ample time to spare.

Feeling optimistic, you walked past the front gates and officially made your way onto academy grounds. It was nowhere near as busy as what you’d expect from a modern-day college campus, but things were lively enough in their own way. Central Academy was an academy restricted specifically to the upper class, which meant that everywhere you looked, nobles of some reputable pedigree were walking about. Some were alone, others still were with friends or colleagues. You sort of wished you had a friend of your own to walk with. Close friendships were another thing you’d lacked back in your previous life. It sucked, but most people weren’t selfless enough to be tied down to someone who was sickly and frail, who couldn’t participate in most activities, especially in the so-called “golden years” of a young adult.

Maybe I can finally make a really good friend here.

You were hopeful. Unordinary circumstances aside, this was the sort of life you could only ever dream of having before. It was best to enjoy every moment.

Although you were still unsure as to where your classes were located, you couldn’t quite seem to wipe the grin plastered across your face. Today was going to be great. You were going to make it great. There was absolutely nothing that could stop you from finally enjoying the campus experience you’d always wished for.

Until you saw her. The protagonist of Zodin’s Benevolence, Flora Tillberry.

“Fuck!” you cursed aloud, immediately ducking behind a bush. You weren’t entirely sure why you were hiding, especially since she had no real reason to walk over and talk to you. It was probably your fight-or-flight mode kicking in. You instinctively knew that wherever Flora was, danger followed.

You felt a bit bad for having such a visceral reaction to Flora. After all, it wasn’t as if she was to blame for any of this, and she was so sweet and innocent-looking—cute as a button, really. If not for the unfortunate fate that awaited her, she was undoubtedly someone you would’ve liked to befriend.

But you had no choice. Avoiding her was the best way to guarantee your safety. You had to completely cast aside any potential guilt you had surrounding her unfortunate circumstances and focus purely on yourself.

If she’s here, then that means the plot has officially been set in motion.

It was okay. You’d been prepared for this from the very start. No matter what, the story would unfold just like it always did, and you would be none the wiser to it.

You held your position for a while, waiting to make sure that she left. You didn’t want to allow any accidents to occur, whether it meant her accidentally stumbling into you or even stopping to ask you for directions. As far as she was concerned, you didn’t exist.

“What on earth are you doing?”

A familiar voice. Why was that voice so familiar?

You turned, dread gradually washing over you. No fucking way. Was this seriously happening for a third time already?!

No matter how much you wanted to believe you were dreaming, there was no mistaking that it was him, Cassius. Staring down at you with heavy judgment as you hid like an idiot, with your butt sticking up in the air.

You gritted your teeth. This was seriously impossible. You were starting to believe that maybe your choices weren’t your own after all, and someone was getting a kick out of toying with your emotions.

Well, just perfect. You’d managed to avoid one of the key characters of the game and ended up running right into a different one. Actually, come to think of it, Cassius was the first yandere that Flora ever met, and their meeting took place right here, on the first day of classes. Had you unwittingly distracted him with your stupidity and prevented their crucial interaction from taking place?

If so, then... fuck.

Why am I the way that I am?

You didn’t have time to berate yourself for too long, since he was staring pointedly at you and clearly waiting for some sort of answer.

“I, uh, rolled my ankle,” you said quickly, then proceeded to grip at the ankle in question. “O-Ouch! That really hurts! Anyways, yeah... I kind of just needed to stop and take a break. It’s probably going to feel better soon though, so I should get going.”

You stood up and did a rather pathetic job of pretending to limp. Cassius didn’t look like he was buying it.

He rolled his eyes at you. “Do you take me for a fool? It seemed like you were spying on someone, what with that suspicious expression on your face. Whoever it is you’re looking out for, I’d just like to let you know that you’re doing a terrible job of it. I wouldn’t be surprised if you’d already been discovered.”

“Thank you very much for your input,” you gritted out insincerely. “But please, don’t let me take up too much of your time. I know you’re a very busy man.”

Now, you were definitely ready to get out of here. It was okay. The situation was still salvageable. Granted, he’d caught you in a bit of an awkward position and you’d impeded his first interaction with Flora, but you were sure the plot would find some way to set itself back on track. This was really no big deal. He clearly thought you were a bit strange, but he’d walk away soon enough and think no more of it.

Except Cassius didn’t walk away. Instead, he continued to stare at you, with eyes widening as though something had just dawned on him. “Wait a second... I remember you now. You’re that same rude woman who ran into me in town that day. For crying out loud,” he sighed, shaking his head disappointedly. “Your parents must have done a terrible job of raising you, seeing as you have no manners.”

I beg your fucking pardon?

This struck a nerve with you, because even in your previous world, your parents had only ever been lovely, supportive people. They’d gone through hell because of the weak constitution you’d been cursed with, but not once had they ever taken out their frustrations on you or tried to make you feel guilty about it in any way.

You were so riled up, in fact, that without thinking it through, you snapped at him.

“Don’t speak ill of my parents,” you glared. “You have no idea how much they’ve endured.”

It only took a moment for pure, unfiltered shock to color Cassius’ expression. You blanched in turn, realizing that you’d provoked someone who was not only obsessive, but had the potential to be incredibly dangerous.

Cassius was quiet for a few moments, and when he spoke next, his cold yellow eyes were concerningly narrowed. “If I recall, you are from the [Last Name] household, correct?”

“Uh, nope,” you hastily denied. “I’ve never heard of them before.”

“What is your name?”

Play dumb. C’mon, play dumb!

“I, uh, don’t have a name.”

Not that dumb, holy fuck!

“Absolutely ridiculous,” Cassius scoffed with a roll of his eyes. “Your behavior is the very height of stupidity. No matter. I’ll find out for myself exactly who you are. The nerve you have, to talk back to me...”

He made sure to glare at you one last time for good measure, then walked away.

The second he was gone, you collapsed to your knees and began pulling at your hair.

“Why, why, why?!” you cried out. “Why me?”

Yeah, things were not good. Things were really not good. Bumping into him before was just a minor offense. He didn’t even know who you were at the time. But now he was going to be actively seeking you out with a vengeance. If only you’d kept your goddamn mouth shut. Curse you and your fondness towards your family! It was moments like these that you wished you had the sort of parents you were okay with being shit-talked.

“It’s okay,” you tried to reassure yourself, breathing shallowly. “He’s a bit pissed off, but even he wouldn’t kill someone just for talking back to him. Right? Right?”

Even if you were blowing things wildly out of proportion, you just couldn’t help it. You’d played the game. You’d seen firsthand what these maniacs were capable of.

As if the situation wasn’t shitty enough, you could also hear that same voice in your head, and they were flat-out laughing at you.

Forget what you said about first days earlier. They didn’t just suck in the movies. They sucked always.

The truth was that the rest of the day had been rather uneventful. Even following your terrible run-in with Cassius, you’d still had plenty of time to make your way around campus and find where your classes were. You actually considered calling it a day and going home to cry in bed like a baby, but you ultimately decided against it. Giving up so soon would mean setting a terrible tone for the rest of your lifetime here.

The classes themselves were perfectly fine. The content wasn’t too difficult to follow along with, especially since this was a less advanced time setting than the one you were used to, and you already had knowledge of far more sophisticated concepts, such as future scientific discoveries. Even though it was the world of a game, it still appeared to obey roughly the same laws of physics, chemistry, and biology.

The biggest difference was unarguably the presence of magic and magical ores, that helped to channel power into many different facilities. The topic of their discovery and usage was covered quite extensively in your history class. Here, you really didn’t have any previously existing knowledge, but your memory was good enough that you weren’t too worried about getting by.

All in, your scholarly aptitude wasn’t that big of a concern right now. You were frankly much more worried about having essentially become Cassius’ nemesis (although that was perhaps giving yourself too much credit).

“Welcome back, my lady,” Lizbell beamed. She was right there to greet you in the foyer when you made it back home. “How did your first day of school go?”

“Terrible,” you groaned, dragging your satchel behind you. “Just awful.”

“Oh, good heavens,” she frowned. “It couldn’t have been that bad. You’ve always been a quick learner. That’s the whole reason you wanted to attend the academy in the first place. Were the classes awfully difficult?”

“The classes were fine, but the people sure weren’t.”

“What do you mean by that?” She gasped, covering a palm over her mouth. “Don’t tell me someone was bullying you!”

“Not so much bullying, but there was a bit of a disagreement.” You pursed your lips, peering over at her cautiously. “Hey, Lizbell. Is Cassius Crowe really such a horrible person? Do you think he’ll put out a hit on me just because I argued with him a little?”

Lizbell’s eyes nearly bulged out of her head. “You got into a disagreement with Lord Cassius?!”

“Ugh. Please, your reaction isn’t helping.”

“Ahem,” she coughed, quickly regaining her composure. “My apologies. And, erm... well, he certainly isn’t very well-liked, but what do you mean by ‘put out a hit’ on you? I’m not familiar with the term.”

“What I mean is, will he chase me to the ends of the planet to ensure that I pay for my crimes? Will he capture me and string me up in town to be made an example out of?”

“Lady [Name], sometimes I really do worry about what goes inside your head.”

“That’s not an answer!” you whined.

“It should be just fine,” she reassured. “He might hold a bit of a grudge, but I’ve never heard of him doing something so drastic purely because someone displeased him. His infamous reputation may be somewhat exaggerated. He actively contributes to the academy’s research, and I’m sure he wouldn’t want to tarnish his image.”

“Let’s hope that’s the case,” you muttered.

Lizbell tried to bite back a smile. “Well, I’m sorry that you had somewhat of an unpleasant interaction, but might I just add that you really are something to behold. Not a day goes by that you don’t find yourself wrapped up in something interesting. Serving you will never get boring, that I can say with absolute confidence.”

You rolled your eyes. At least one of you was having fun.

“Don’t worry, my lady,” Lizbell said cheerfully. “I’m sure the situation sounds much worse in your head than it really is. Lord Cassius is too busy to chase after petty altercations. Quite frankly, this situation is beneath him.”

Can’t tell if that was supposed to be a diss on me or not.

“We’ll see, I guess,” you replied, still rather unconvinced.

“Oh, I know! How about I bring you some pastries to snack on? The sugar will help lift your spirits right away.”

Never one to turn down food, you nodded absently, and Lizbell bowed before leaving the room.

Mentally exhausted from the day’s ordeal, you collapsed backwards onto your bed, letting out a resounding huff. Lizbell was right, in a certain sense. There was no point in beating yourself up over it, especially when it was already in the past. You were learning to use a sword, and besides, soon enough, Cassius would have his hands full trying to win over Flora. You were the least of his concerns, really.

“How did the order go, again?” you mumbled aloud.

Cassius was the first yandere Flora met in the game. She ran into him at the academy, which was apparently meant to have happened today, and then proceeded to ask him for directions since it was her first day on campus. Naturally, Cassius was every bit as rude to her as he’d been to you. He was dismissive and haughty, both qualities that gradually softened up as he began to develop romantic feelings. Since you’d accidentally gotten in the way of their first encounter, you really had no way of knowing when or how they would actually meet. Oh, well.

Next was Lawrence. In the game, Flora met him while attending a gathering of nobles, after receiving an invitation from the villainess, who sought to humiliate her publicly. The villainess regularly bullied Flora at school, and even made her burst into tears during the party. It was afterwards that Flora would run into Lawrence, who being the superficial goody-two-shoes he was, would pretend to console her even though he could really care less.

The third yandere Flora met was Triston, son of a foreign powerhouse family, who came to stay in Zodite Kingdom as part of an ongoing business deal. A public function was held, mandating the attendance of the noble families, whereupon Triston would give a speech. Flora ran into him there, and they had a brief interaction during which they introduced themselves.

Lastly, and also by far your least favorite of all the yanderes, was Friedrich. Flora’s meeting with him was... honestly, you didn’t even want to think about it too much right now.

Anyways. You knew exactly how Flora was supposed to meet the rest of the main characters, so there was no way you were going to mess things up any further. You needed for the plot to move along smoothly, in order to make everything easier to predict. You knew that you were an anomaly, and your very presence in this world was affecting things, but your safest bet was really to let all of the love interests have their time with Flora, making sure to give them plenty of space to do so.

“Haha. You look rather troubled. Watching your interaction with that man earlier was quite amusing. It sure seems like you managed to get under his skin.”

That stupid voice again. It was another issue that was grating at you, but you were completely powerless to do anything about it.

“Stop it,” you snapped. “Cut it out. Quit spying on me.”

“Why would I? I’m having such a fun time.”

“You said I would find out who you are,” you said exasperatedly. “Well? I’m still waiting. And to be frank, I could use some good news right now.”

Just like last time, there was an unnecessarily long pause before the voice spoke again.

“Hm, no. It’s still too soon. I’m going to wait a bit longer before I answer your questions. I’m curious to see what other fun stuff you’ll get caught up in.”

You rolled your eyes. “Typical.”

Seriously, nothing was going your way today. Hopefully tomorrow would be better, but you had a nagging suspicion that wasn't going to be the case. 

More chapters are available on Quotev!

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💞 main masterlist ♡ character appearances

[natbeee]

Character wheel of my homicipher oc and his feeling on the other residents along with how the residents feel about him.

Starting with Mr. Crawling, the two have a friendly relationship. More often than not Mr. Bachelor is hanging around Mr. Crawling and his territory since it is peaceful, away from most hostile residents and it has good company. They often talk about anything out of the ordinary or go on walks with Mr. Chopped around the empty halls to stave boredom, looking at other world junk that’s fallen from recent earthquakes.

Speaking of Mr. Chopped, his relation with Mr. Bachelor is fine. The bachelor often helps the wandering head get back to Mr. Silvair and Mr. Crawling when he gets in trouble with the Hooded Child or earthquakes. However Mr. Chopped has, on more than one occasion, taken a few fingers from Mr. Bachelor when he fell asleep getting carried back, unintentionally ofc. This has prompted Mr. Bachelor to keep Mr. Chopped awake by talking or entertaining him until they get back to Mr. Silvair. It makes the bachelor look more chatty than he really is.

Despite being around Mr. Silvair’s base of operations so often, Mr. Bachelor doesn’t interact with the doctor all that much. Perhaps it’s due to the fact that Mr. Silvair was interested with him and the Bride right after they became residents, due to their unique relationship and transformation and it left a bad meteorological taste in the bachelors mouth. But since then they have more or less become neutral to each other, at most giving a curt nod in the others direction before returning to business.

Mr. Stitch is more or less an annoying thorn in Mr. Bachelor’s side. The former has a habit of stealing the latter’s hat, and one time coat, resulting in a wild goose chase that had Mr. Bachelor snapping the neck of the stitched man as a last resort. That doesn’t stop Mr. Stitch from trying again or just annoying the resident with mindless yapping. Mr. Stitch is just entertained because Mr. Bachelor seems to react more viscerally than the other residents.

When Mr. Bachelor and the Bride first arrived, the first resident they met was Mr. Gap. They ran away when the resident asked for their hearts and every subsequent encounter they ignored and avoided him. This left Mr. Gap salty and even after the couple got turned into residents, he didn’t appear in front of them as in his mind, they were no fun. Mr. Bachelor sees him as harmless now, more or less.

A chill runs down the bachelors spine when he hears the sharp sing of metal being dragged along the concrete floor as it usually signaled the arrival of the brute known as Mr. Machete. Mr. Bachelor knows Mr. Machete is the one who lobbed off his head, or more simply, killed him. Other than that though, his memories are fuzzy and distorted at best. When the bachelor hears Mr. Machete at all, he turns right around and leaves as quietly as possible. In the beginning, this barely worked as the wall of muscle would catch on someone was there in a heartbeat and immediately try to fight them. Over time though Mr. Machete realized he would not get a fun fight out of Mr. Bachelor and whenever he saw the white clad resident, he would simply let him pass.

Ms. Blue Clad never really bothered Mr. Bachelor. Only on rare occasions when she saw he had flowers or the ring out she would inquire if she could have them. He would agree to the flowers but always refuse with the ring, sometimes getting impatient with her insistance.

As briefly stated before, Mr. Bachelor and the Bride get along fine. Having forgotten each other, they exchange brief pleasantries when they encounter each other but other than that, they have no reason to seek out each others company. She does delight in the fact that his clothes are pretty and never seem to get dirty.

While there are many similarities between the two, Mr. Hood and the bachelor only exchange brief glances of acknowledgement if they happen to pass in the same hallway. Mr. Hood has no real reason to talk to Mr. Bachelor and vice versa. The hooded resident tended to be a loner by nature and only helped if directly asked. Mr. Bachelor tends to gravitate towards more lively company and so moves on to find someone else.

Mr. Bachelor would be fine with the large, almost overbearing presence of Mr. Hugeface had it not been for that time he suddenly grabbed the newly resurrected resident after being killed. Mr. Hugeface was curious about the new residents after he caught the bodies of the couple moving. Being the impulsive and curious ghost he is, he reached and grabbed Mr. Bachelor first, spooking the new ghost. Afterwards the bachelor avoids Mr. Hugeface and his presence at all costs.

The first time Mr. Human encountered Mr. Bachelor was after the poor man fell into the other world. He was unconscious and the bachelor found his body lying in the middle of a busy hallway where ghosts frequented. Mr. Bachelor decided to move the human to a room with a dilapidated couch. Mr. Human woke up to a long white coat draped across him. When his eyes shifted to the resident standing over him, he had the justified reaction of screaming and running away. The bachelor just shrugged and put his coat back over his shoulders, knowing if he followed, the human would just get more scared.

Like most, if not all residents, Mr. Bachelor tends to keep away from the man dressed in scarlet. He knows Mr. Scarletta is powerful and dangerous and can feel the air get heavy when he is nearby. If the bachelor does catch a glimpse of red, he just keeps to himself, not bringing attention to whatever he’s doing. Mr. Scarletta never bothered Mr. Bachelor so he is content with avoiding encounters with the scarlet man.

Not Pictured:

Ms. Nurse appeared shortly after the couple got killed, lured by the scream of the Bride and the blood running rivers into the cracks of the hall. After noticing her services would not be required, she quietly walked away. Mr. Bachelor has not encountered the Nurse since.

Mr. Bachelor has only met the Hairdresser a handful of times when Mr. Chopped requested a haircut. Since he is without hair, as soon as the ginger resident is done, they leave shortly after.

Mr. Masque has only appeared in front of Mr. Bachelor once, greeting the new resident before showing off a magic trick. The bachelor was disoriented but enjoyed nonetheless.

Mr. Wheelchair never gave Mr. Bachelor a glance when he passed by so the bachelor just assumed the resident didn’t want to talk and didn’t bother him.

Mr. Bachelor is often breaking up fights between the Hooded Child and Mr. Chopped. They bicker constantly and the Hooded Child only seems happy when the bachelor agrees to play with them. Mr. Bachelor has been subject to hide and seek, spot the difference, and tag, often playing for hours on end.

Sorry for the wall of text, classes started up again and sketches take me awhile. I’ll get to drawing interactions next, stay tuned

[spikeface]

hiiii hello if you would ever like to rant about teen wolf s6a please do <3 i'm like five episodes in on my rewatch and i'm constantly oscillating between peeking at my phone like a proper zoomer and repeatedly asking myself where is theo my friend enemy theo.... i know he's here where is he...

Omg okay I will but you have to understand that this is the distillation of years in this fandom, the once loose coal of my irritation compressed into a diamond of haterism. There are parts of this season I love, and I've made peace with some of the stuff I complain about here. 

But we're not here for peace. :)

Never Say "Pineal Gland" Again. The Ghost Riders are fun as a plot device. People being kidnapped and forgotten, a mystical train station, that's fun! Teen Wolf loves monstrous, seemingly unknowable villains, and does great with them in two ways, both of which 6A fails at:

The first option is to get inside their heads. The alpha of season 1, the kanima, the darach, the nogitsune, the Dread Doctors—all are introduced as deeply alien creatures whose inner lives and personal connections to the main cast are slowly revealed. 6A seems like it's going down that route, because the crew spends a lot of time trying to figure out and talk to the Ghost Riders, but there's no payoff: they just want to hunt forever and that's that. No personal history with anyone, no connections beyond a willingness to mind control Parrish and a bit of nervous shuffling around Lydia.

Which might still be fine, because the second option with characters like these is to make them window dressing for a charismatic villain, a la the oni with the nogitsune or the berserkers with Kate. This framework would be great for 6A if not for the fact that the villain in this case is Garrett "Brain-Eating Nazi Lion Wolf" Douglas. 

Douglas does not get enough hate. I get that he's so forgettable, what else is there to say besides "blech," but we can do better. Teen Wolf has such fun villains: they're dramatic and camp, while also intimate and personal. They have deep connections with the main crew and almost always have a sympathetic side to them. Even the nogitsune, the most alien of the main villains, has an almost plaintive moment where it reminds Noshiko that it's only doing what it was created to, what she summoned it for.

Nothing about Douglas is challenging or charismatic or sympathetic or aesthetically appealing or well acted. Davis had a bad habit of hiring wooden blonde hunks as far back as the mechanic of season 2, and now there's one as a main villain. Douglas's closest connection is to Theo—their scene in the shed is easily Douglas's most engaging, though that doesn't say much—but their connection is superficial. How would Douglas even know who Theo was if he spent those years floating unconscious in a vat? 

His final showdown is deeply unsatisfying. By the time Scott faces him, they've barely interacted so far. What does it mean for Scott to challenge him? What does he mean to Scott? How has Scott grown to be able to face him? Why does Douglas want this power anyway? Why would this Nazi be telling a Mexican-American that he'd be a fine Hitler youth? What the fuck is happening here? 

In the end, Peter rightly points out that a brain-eating Nazi is such a low bar to clear that taking a stand against him is almost meaningless. Douglas is a mockery of the complex, charismatic, intimate, high-stakes villains of previous seasons. Damnatio memoriae is too good for him; we need to remember how bad he sucks.

If Only We Knew Someone With Lightning Powers. Dropping Arden Cho unceremoniously was gross. Following that with a season of lightning villains is gross. Having Kira's only legacy be a sword that is then given away and broken, after everything she sacrificed for it, is just foul.

Would It Kill You To Let Them Go To Prom? Teen Wolf is only sporadically interested in high school life. Sometimes, it's part of the show's appealing silliness, but 6a's indifference just gets to me. This is the final semester of senior year for Scott and co., but we get absolutely nothing. Stiles misses that final semester and apparently, so do we! There's no classes, barely any lacrosse, and definitely no prom or graduation or college acceptance letters, nothing that acknowledges this season as a rite of passage. Any hints to the characters' future are condensed into a few lines at the end. C'mon, man.

It goes beyond the expectations of a teen show. Davis is so indifferent to his characters that in the next season, he makes all the characters who should be juniors into seniors, just to add on a flimsy narrative about things ending. It's lazy. 6A, to me, also really brings out how little Davis has invested in the world of Beacon Hills. Beyond Coach, there are so few consistent background characters. The high school class, lacrosse team, hospital, and sheriff's department are all prime opportunities for recurring background characters, but the show only bothers with a few (e.g. Brett&Lori, Sydney, Danny until they dropped him without even telling the actor). Nathan, Gwen, and Phoebe are all new characters, rather than people who have existed in the background before this, and after this season, they disappear again. There's very little sense of the world of either the high school or the town in general, and it stands out in a season where the whole town is being targeted.

The Newest Werewolf. Hayden was a minor character in season 5, but still had a lot going on: a close relationship with her sister strained by the supernatural; having to work a shitty job to afford the medications for her life-threatening condition; being targeted by the Doctors; being pursued by a boy she's not sure if she likes; trying to flirt when she's naturally competitive and sarcastic; DYING; being revived by Theo and then exploited by him; fighting the Demon Wolf's attempts to get in her head; deciding to help her friends; walking a fine line to survive the Beast when she's kidnapped by him; discovering Tracy's body. Her life is rich, and ends with a groundbreaking moment where she's the first person onscreen that becomes a werewolf with fully informed consent.

In 6A, she's flattened into Liam's love interest. Almost all of her scenes are with him, and her decisions are almost entirely about him. Many of her lines are about reassuring him. The exception is her dynamic with Gwen, which is much more engaging, and to me only shows how much more they could have done with Hayden if they just let her cook. Why is Liam the only one to get scenes alone with Theo? Surely she and Theo would have stuff to say to each other. Or what about her relationship with Scott? Why is Liam the only beta to have an arc with him? Where's her relationship with her sister??

The Wailing Woman. This should have been such a good season for Lydia. The groundwork is all there! Banshees have a special power over the Ghost Riders, and to placate them, the Ghost Riders create a facsimile of someone the banshee has lost.

Hmm, whom has Lydia lost recently? Whose presence might give her a vested interest in ignoring evidence of the Wild Hunt? 

Allison would have been perfect as the deceptive product of the Wild Hunt, and would have matched the framework the show established far better than Claudia. Part of the reason the Hunt falls apart is because Lydia is instantly suspicious of Claudia, and has no emotional investment in her. With Allison, Lydia would get to say goodbye to her in a way that matches the season being set in the final semester of high school. 

This would also have built on season 5 in fruitful ways. Lydia's power makes her a target in season 5, but she has almost no agency over her power. She's driven to blow Valack's head off without any control over it. 6A could be about Lydia realizing that this fake Allison has been created for her because the Wild Hunt is afraid of her power, but only if she chooses to use it.

And with respect to Allison, Lydia has more grieving to do. She's been struggling to process her death since it happened. She spends all of season 4 trying to find a way to help people as a response to Allison's death, but then is locked in a basement for the finale. In season 5, she has to be told by Stiles about Allison's role in defeating the Beast. Lydia deserves a season in which she can properly grieve Allison. She's literally the wailing woman! Let her wail!

As a final note, I'll add that I was frustrated with the way Stydia was done in this season. I dislike it strongly but waffled on including it because I've never been a big Stydia shipper, and so I worry that this criticism will seem motivated by my disinterest in the ship, rather than my frustration with its execution. My issue, though, is not Stydia itself but how little the show explored Lydia's subjectivity. 

Imho 6a substitutes Lydia remembering Stiles for her liking him, and prioritizes exploring his feelings over hers. It's clear from the first episode that Stiles is still in love with her, even if he's accepted they'll never be a romantic couple—which is one of my favorite things about Stiles, and a great part of O'Brien's portrayal. But when it comes to Lydia liking Stiles, the show focuses on how she's the one to remember him. But that's also, apparently, because she's a banshee? They focus on that at the expense of her personal feelings for him, and when the scene is most explicitly about their connection—in the memory landscape sequence of "Memory Found"—the focus is on Stiles' feelings for her. It just didn't seem like it was about Lydia in a meaningful way. The previous season, she'd been into Parrish, which is a pairing I despise and don't want to see more of, but the fact remains it was important to Lydia. The lack of exploration of how Lydia had ended it or moved on from it felt like more dismissal of her experiences. Stydia seemed like it was ultimately about making sure the audience knew Stiles is important, at the expense of a real exploration of their dynamic, which I discuss more below.

You Don't Have To Stop But Could You. So, okay, stay with me on this one. I loved that Theo returned, and thought they did some great things with him, BUT that's not why we're gathered here today. Despite enjoying a lot about Theo's dreamscape sequence, I was really frustrated by the way it framed Tara and what its impact was clearly intended to be.

I really loved the first scenes of Theo's return: he's dirty, angry, confused, and biting. He looks exhausted with his own bullshit, but instantly attacks Liam and Hayden and then threatens to kill everyone, and lies by omission about Douglas (and his own powers?), reflexively playing his cards close to the vest. He's looking out for himself and averse to personal risk. I thought they did a good job of presenting a Theo who has the potential to change, but hasn't yet. He's not really ready to see Scott and Malia again, and reverts to flippancy. 

We also get a scene in “Ghosted” of how deeply Theo hurt Malia. She hallucinates his betrayal in connection with her guilt about her own family; both of them are still deep wounds for her. It makes sense that she would lose control at the sight of Theo suddenly showing up in Scott's living room with a little "you aren't still upset about the whole shooting thing, are you?"

But then the episode ends!

And the next one starts with the Tara dreamscape.

Again, I don't want to sound like I disliked this sequence full stop. I've written meta about its relationship with Scott's dreamscape sequence and what it says about Theo, but I remain frustrated with how the basic impact is about generating sympathy for Theo. Tara is the victim the viewer knows least (vs Josh or Tracy or Scott), her death the most ambiguous (we only see Theo watching in what could be a daze, like the one pre-resurrection Tracy was in), and her only role in this sequence is to hurt Theo. She doesn't have any subjectivity beyond that: she's not Theo's sister, betrayed by her little brother's violence towards her, ready to explain her point of view. She's a gory ghost who barely reacts to Theo, a walking prop.

Theo, meanwhile, is there to be pitiable. When he was pulled under, he was powerful, and attacking everyone, and wearing shoes. Now he wanders barefoot through the hospital, and at the sight of Tara, he just runs. Beyond some frustration with the door, there's none of the vicious anger he showed in season 5. 

To be clear, it's not that I think Theo shouldn't be pitied or doesn't have this vulnerability, and Cody Christian does a stellar job with this scene, which is also beautifully atmospheric. But in terms of the impact of the scene on the viewer, it's there to create pity for Theo at the expense of grappling with any of the violence he did. It frustrates me because the sequence easily could have addressed his violence while still making him look sympathetic.

Theo was trapped in and perpetuated a cycle of violence. The viewers don't know the full truth about Tara, but we do with Scott, Josh, and Tracy. Theo killed them. What's more, we know all three tried to have a connection with him: Josh followed him post-resurrection despite the fact that Theo had been the one to kill him the first time; Scott wanted Theo in his pack, trusted him, and tried to be there for him; and Tracy was in love with him, trying to help him, without judgement, even when he was at his lowest. It would have been much more meaningful to have Theo face them instead of Tara, or at least in addition to her. 

It also would have been more meaningful to have Theo reckon with his capacity to do violence, rather than his fear of suffering it. We all know Theo is scared of being hurt; Theo knows most of all. He's even honest about it: "I don't want to be one of the bodies, it's that simple." What he has more trouble with is confronting how he perpetuates a cycle of violence, or even that he's in one. The dream sequence as it is does have Theo confront the idea of an endless, unchanging cycle, but it would have been much more effective to have that cycle be about the violence Theo did.

Think about how it would have looked if, once Tara dragged Theo down, Theo went on to reenact any of the violence he did, over and over and over. He could push Tara off the bridge over and over, but it'd be even more impactful to have him kill Josh over and over. He already killed him twice, but now he has to do it forever.

Scott stands there, barely on his feet, betrayed and weary, and says, "Now you have to kill me yourself." 

And Theo does, over and over. 

Tracy tells him, over and over, "You're hurt. You need time to heal." 

And Theo kills her for it, over and over. 

You'd get the same progression towards despair, but now it would be much more about Theo confronting what he did. It would still be a sympathetic depiction of a lost kid, shaped and trapped by brutal forces, while addressing his own choices, and why Malia might be so upset to see him.

As it stands, the sequence undermines Theo's history and Malia's reasonable reaction to him. We get her flashback/hallucination, Theo's inflammatory return, but then an episode break, followed by an extended sequence in which Theo is nothing but helpless and pitiable, finally followed by Malia's rage. Her reaction is divorced from the catalysts of the previous episode, and the scene of her anger even contains a callback to the dreamscape ("you don't have to stop"). I've made my peace with it, but it remains frustrating as a choice from Davis, who wrote this episode.

Malia Middle Name Tate.* Again, there's a lot I love about what they do with Malia in 6A, but now is not the time for love. So much of Malia's screentime is about Stiles and Peter at her expense. Those are both huge relationships for Malia, but they're not explored on her terms. 

The last we saw of her and Stiles, they'd broken up over a complicated situation. Stiles ends things at a self-destructive moment, as Malia tells him she would accept him even if he did kill Donovan. In some ways, I think Stiles is punishing her for this acceptance out of self-loathing, but it's also about the fact that Malia's acceptance is clearly tied to her own desire to kill the Desert Wolf. She accepts what might be Stiles' violence because she wants him to accept that she plans to kill Corinne, and Stiles isn't cool with that. The two never speak about it again, though, even though Malia subsequently doesn't kill Corinne. By season 6, the two obviously have baggage, as seen in their clash over the senior portrait. 

Once Stiles is gone, we see that he's still her anchor. I thought this was an interesting choice, because Scott and Allison's breakup was what forced Scott to be his own anchor. It would have been interesting to see that for Malia, or for her to decide that she still wants Stiles to be her anchor as a friend, or any sort of arc where she processes the breakup or her own feelings or makes decisions about Stiles for herself. Instead, the anchor concept seems to exist to remind the viewer how important Stiles is in general: he's Malia's anchor! Look how lost she is without him! Stiles simply must be rescued from the Wild Hunt! Malia isn't the one to break through the veil, however, and after he's back, there's still no sense of what this means for Malia. Her subjectivity re: Stiles is just ignored. After he comes back, she doesn’t even get a scene to greet him.

It's even worse with her "arc" with Peter. The last we see of those two is in the finale of season 4, when Peter betrays her. After going out of his way to get close to her, he literally tosses her aside and tries to kill her friends. Season 5 begins with Malia confirming that she's Malia Tate, not Malia Hale. She then forgets Peter until he returns from the Wild Hunt, when she goes to take his pain and is suddenly struck with the memory of his betrayal. That's the entirety of their relationship. 

Meanwhile, Peter is busy carving the biggest revenge spiral of his life in Eichen, suggesting he hasn't changed much from the end of season 4, before he's swept away by the Wild Hunt. I didn't dislike his scenes with Stiles at the train station, but to the extent that it's about his relationship with Malia, it cuts out Malia. Stiles' contempt for how alone Peter is as a result of his actions is good, as is his desperate plea for Peter to help his daughter, if no one else—but Malia sees none of this. She goes to Peter after his return only because he seems marginally less horrible than Theo, and still doesn't trust him. And why would she? Why would the viewer? We saw how big that revenge spiral was. 

Peter does go on to sacrifice himself for Malia, but these moments are always about Peter and what he wants, and they lead to one of the most abhorrent moments of the show. The fact that Malia is forced to call him "dad" despite obviously not wanting to is just gross. It's all about what Peter wants, and honestly, why would he even want this? It's meaningless because it's forced, and it's especially foul that Lydia is written to be the one telling Malia to do this, given Peter's history with her. I hate it!!

Meanwhile, where is Henry, the father she chose? Was he kidnapped by the Wild Hunt? Did she ever tell him she's a werecoyote, or about the Desert Wolf? 6A won't tell us. We see in "Ghosted" that her mother and sister's death still haunts her, but does the season do anything with that? No.

The last grump I'll add re: Malia's treatment is how little she gets with Theo. I've already talked about how I disliked how her anger at Theo is framed, and it was especially frustrating that it wasn't followed up with anything beyond an angry quip in the finale. Liam gets a series of scenes (good ones!) where he works through his anger at Theo, and it's incredibly frustrating that Malia, after having a much more intimate dynamic with him in season 5, gets so little. I despise the writers' choice to ignore them.

*This is a tiny thing but in the birth certificate prop for Malia in season 4, you can see that her name is written as Baby Malia. So. Technically. Malia is her middle name. Baby: a beautiful name for a baby.

Mieczysław. You knew this was coming. My frustration with how Stiles was handled this season is about the ways in which it's done at the expense of other characters, and even of Stiles himself.

The premise of 6a was to work around O'Brien's absence by making it a plot point. Stiles becomes the focus of the season, but theoretically, characters could have space to work through their relationships with him, and potentially plenty more for dynamics with other characters. 

But in practice, the writers clutter the season with repeated empty claims about Stiles' importance that stifle exploration of Stiles' relationships. Yes, he's Malia's anchor, but what does that mean now, after season 5, and how does it change over the course of the season? Yes, he's Scott's best friend, but again, what does that mean now? How does the season help them grow and develop? A lot of screentime is given to the sheriff, who gets long soliloquies about Stiles' importance, but there's no sense of development in their relationship or even any context. We don't, for instance, get any sense of what it means for the sheriff to have forgotten his own son, or how this revelation relates to things like refusing to believe him about the supernatural in 3a. On top of all of that, the sheriff's consistent presence and the primacy of his relationship with Stiles only emphasizes how marginalized every other parent-child relationship is in 6a: Scott&Melissa, Lydia&Natalie, Malia&Henry, Liam&Dr. Geyer, and Hayden&Valerie get almost nothing. I wonder if Noshiko has any thoughts on the importance of your child being remembered.

Some of the references to Stiles are poignant—the Jeep, for instance—but their impression overall is that the writers thought that Stiles could be replaced with cardboard cutouts. We get a parade of props, disconnected anecdotes and lore, the useless introduction of Elias (never seen before or after and gives them no new information<3), and of course, my worstie, Claudia.

Claudia's presence is a reference to Stiles, but not meaningfully about him; Stiles only finds her at the very end, and instantly rejects her. The biggest arc re: Claudia is the sheriff's, and while I'm not, like, against the idea of him grieving Claudia, it's done at the expense of Lydia's arc. To the extent that Lydia focuses on Claudia, the show seems to be trying to suggest that Stiles is important to her, but the message is undermined by the cheap cipher. Is she thinking about Stiles because he's important to her, or because there's a fake lady in his house right now? Is her relationship to him about her feelings for him, or her role as a banshee?

And again, all of this is at the expense of something like Lydia's grief for Allison.

If we needed to pad Stiles’ absence with proxies for him, why not at least give us characters who explore his dynamic with the pack? Why not, say, a flashback scene of when baby him met baby Lydia? We have actors for both their younger counterparts. Or, better yet, why not scenes between Stiles and Scott as little kids? Again, we have the actors, and it would allow for more exploration of their relationships. It’d be especially meaningful for Sciles, given their anxieties this season, but I have more thoughts on that below.

The Alpha of Beacon Hills. The extent to which Scott is shut out of arcs and relationships is bananas. There are things I like (Scott&Liam, Scott&Lydia&Malia as besties), but we're here for the parts that frustrated me, which were numerous:

His future and dreams. This builds on my frustration with Davis's general disinterest in the characters' lives, which I discussed above, but it was an unresolved plot point for Scott last season and gets worse this season. Season 5 (last semester) made Scott's future more tenuous than ever. His dream is UC Davis's prestigious vet science program, and he's working his ass off to get into it: he's got school, extracurriculars, his job, and the constant life-or-death chaos of people trying to kill him or wreak havoc he's told he's duty-bound to stop. Season 5 Scott seems despairingly resigned to things always getting worse, but also throws himself into things like AP Bio, despite his friends' lack of faith in him (hated that scene) and his teacher's negging. Then, of course, Theo and the Dread Doctors show up, and the last we hear is that Scott has missed a deadline for a scholarship. In 6a, he's excelling at his psych elective (AP Psych?), but is still stressed about how much class he's missed.

Then we get nothing until the very end of the season, when Stiles asks in passing: "Real question is, how did you get into UC Davis?" Why is this such a tiny moment? Why is Stiles so uncharacteristically snide about this achievement, when he's been one of Scott's biggest cheerleaders, and this season is meant to be a Sciles season? Wtf?

Scira. Not one word about Scott dealing with Kira's absence. Not one word!! Everyone jail forever!

Scott&Peter. This could have been such a juicy arc. Scott's last interaction with Peter was the season 4 showdown, but Scott still has hope for Peter—a hope he's committed to even when it causes friction with his best friend. Peter's return and his tentative interest in connecting with his daughter would have been a great basis for exploring what it means for Scott to have this hope, or just an exploration of Scott and Peter in general. Peter is Scott's first supernatural villain and his own supernatural origin story, and Scott forgets him. The show gives us a beautifully devastating scene where Scott goes to help a seriously injured man and, in taking his pain, discovers that this was the man who caused him some of his own worst pain! Scream!

But then… nothing? Scott and Peter barely have interactions, never mind a meaningful dynamic. It could have been so powerful. Such a waste.

Scott&Theo. Some of this was really good! The moment when Scott walks into his house and suddenly sees the kid who murdered him standing in his living room, seemingly have once again convinced Liam to believe him! I loved it! We get a very rare moment of Scott being at the edge of his rope, ready to snap, and we can see Theo's shock. The last time he saw Scott, Scott was angry but also desperate to get away, shaking when he got close to him, staring at him with big sad eyes. But now things have changed! You can see it hit Theo. That's so good, and there are elements of the Sceo arc in this season that I adore.

But after that dynamic return, Scott and Theo split up, and we don't get any of the charged conversations and confrontations that Liam and Theo get—why not? It would have been so good!

What moments we do get prioritize Theo's perspective. In the finale showdown with Douglas, for example, he mocks Scott that a lone wolf never survives. At that point, Theo makes his entrance to declare: "He's not alone. He's got a pack."

This is so significant! It directly recalls the murder, when Theo trapped Scott alone and told him he didn't have a pack. Beyond that, Theo's risking his life in a seemingly impossible fight, just to back up Scott, without even claiming he's part of the pack, and in facing Douglas, he's confronting a demon from his own past.

But that's the point. This moment is mostly about Theo. We barely get Scott's reaction, beyond the shock of Theo's arrival, and then the tone changes with Malia and Peter's arrival. We don't get Scott's perspective on that moment, or Theo at this point, or anything else with them. Blech.

Scott&Melissa. I could go on about how their dynamic was dropped about halfway through season 2, but I'm gonna try to keep it to 6a here so please know I'm exhibiting great restraint! Anyway, they get so little. There's that devastating scene in "Ghosted" when Scott hallucinates that his mother's been murdered and doesn't yet realize it. So haunting, and potentially so resonant to their relationship: does he worry that being a constantly targeted werewolf has doomed her? That he can't protect her? That he's already lost her in some sense? How does it tie in to the fact that she's then taken by the Wild Hunt, and he's seemingly doomed to lose her, that he's lost her already? We barely linger on that moment.

We see him teach her to use a weapon, but the moment's gravity is ignored for the joke of her electrocuting her son. Melissa's arc with Chris is half-played for laughs, even though it represents a significant move on her part to become more involved. Why now? What does it mean for her? For that matter, what does it mean for her to date the man who once treated her son like a rabid dog? Does she even know about that? Does her son have any feelings about their relationship? We don't know. 

Scott&Stiles. Omg, ok, where to begin. This should have been the Sciles season, and its faults had nothing to do with the acting—the love and loss was palpable for Posey and O'Brien, and I think that gives their arc the poignancy people love about this season. They act their hearts out around some really awful writing.

The writing starts off well. It seems like the season is going to address some of the fallout and unresolved communication issues of season 5. Stiles, who's still petrified of losing everyone, is obsessed with being "needed," while Scott, who's been shackled to a nightmare since he was bitten, is desperate to no longer be required to fight. This recalls a lot of the tension of 5x01, which was never really addressed, and it's a great theme for the final semester of senior year.

The two also struggle to articulate how much they mean to each other, which seems like a lingering issue from s5. By the end of 5b, they'd affirmed that they were on the same page, in the same pack, and needed each other, but hadn't articulated their anxieties about losing each other. A season in which they're separated is the perfect way to explore it, and at first, it seems like they're going to. Scott uses his psych class to guess at how Stiles' anxieties are manifesting, as if it's been on his mind. He asks nervously if Stiles wants to split up (to look for clues), and seems relieved when Stiles refuses, as if the question is about something deeper.

Stiles, for his part, answers with meaningful intensity. He's clearly trying to express that he doesn't want to lose Scott, in the same way that his obsession with being "needed" is about not wanting to lose people, and being convinced that a crisis is the only way to hold on to them. Scott, meanwhile, sees crises as what get between him and his connections to people—they're what take people away from him, and him away from his life with them. This is a great theme to explore for Sciles, because the answer to both issues is the fact that their friendship has always been bigger than supernatural crises—older than Scott being bitten, bigger than the Wild Hunt. Scott could assure Stiles that he's never going to lose him—not because Scott needs his help, but because he wants his friendship. He'll never draw away even if it means tearing apart the Wild Hunt. Stiles, for his part, could assure Scott that no matter how many crises there are, how often Scott is forced to be the true alpha, he'll always be Stiles' friend first: "You'll always be human to me." Both significant statements after s5!

At the very least, the season seems like it's going to make these two articulate how much they mean to each other. In one of my favorite moments of the season, Stiles realizes he's going to be taken and tries to talk to Scott. O'Brien's acting is so good here, because you can see that Stiles is beyond trying to explain what the problem is. He just wants to tell Scott something like goodbye, how much Scott means to him—but he can't. There's no way he's saying goodbye, and his love for Scott is too big to articulate.

And Posey's reaction is soooo good. You can see Scott take in that Stiles is clearly struggling with something, and that this struggle is significant in the same way as the one from the previous season. He won't push Stiles to talk right now, and wants Stiles to know he isn't drawing away: "Tell me later." At the same time, he's holding Stiles to actually come talk to him, instead of stewing like he did in s5: tell me later.

But then Stiles is gone! Scream!

And then, once Stiles is gone, Scott struggles with how to articulate how much Stiles means through the hole his absence creates. All he can say is that it feels like he's missing a limb, and when it comes time to remember Stiles in "Memory Found," he gets so overwhelmed with how much Stiles means to him that he almost dies. 

All of this suggests that the payoff for this struggle is them finally articulating what they mean to each other--in the most basic way! They're traumatized eighteen year old guys, no one is expecting speeches. Just something about how their friendship answers some of their most existential worries: "I still got you."

But instead we get:

SCOTT: They still need us. STILES: They'll always need us. And, you know, I... I need you. You know that. SCOTT: I need you, too. I'm gonna miss you. STILES: No, really, I need you, though. Uh... I lost my license in the Hunt, so you have to drive.

Why is Davis so allergic to meaningful expressions of love in the context of characters leaving? So many characters disappear with no goodbyes (Jackson, Isaac, Danny), or only the briefest one (Kira, Derek). O'Brien and Posey do their best with this scene—both of them seem near tears—but the writing's joke-y tone works against them at every turn. It's Stiles' final scene before the finale, and the capstone to Scott's greatest relationship in the season and arguably his greatest in the show, and it could have been so much stronger if Davis weren't an infuriating mix of apathetic and cowardly.

This concludes this episode of Spikeface’s Sundry 6A Snipes! Thank you for letting me rant<3.