#MAYBE I JUST WATCHED IT FOR A GOOD TIME

[thejadecount]

To anyone who wants to talk shit about bad story/character development in Deadpool & Wolverine CAN SHUT THE FUCK UP! I CAME TO SEE 2 HOURS OF DEADPOOL MAKING META & SEX JOKES AND HAVING HOMOEROTIC TENSION WITH WOLVERINE AND MARVEL DELIVERED EXACTLY THAT

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[buppkizz]

these 2 dragging sniper out of isolation to come hang

[hinamie]

domain expansion

[spearxwind]

actually while im on the httyd topic I have something else to say. I really hate post httyd 1 toothless and the way the marketing took the design.

I know everyone has talked about this so much already but man it just really REALLY hits especially when looking at footage from the old movie again. the head shape being pug-ified... bigger puppier squarer eyes. almost no trace of the ability of actually having slit pupils. the erasure of his markings. the toning down of his night blue iridescent sheen in certain lights in favor of pure monochrome black... it is such a downgrade.

I think something the movies after the first one rly fail at is in making dragons feel fearsome. they just get reduced to cool pets and that´s just... weird imo. I know in the books dragons are pets too but they get treated as hunting dogs too. it would have been cool to explore that as opposed to just "huge as fuck dogs/cats that also fly"

they are creatures that have shared the world with people for aeons, hunting and being hunted. it´s two species going toe to toe head to head for centuries. a tamed wolf is still a wolf and wolves are dangerous. it's sad that we didn't get that. i know a lot of it is bc its a kids movie but man... man. let them keep a bit of their edge at least... its part of what makes them so cool. its part of the stakes of everything!

[veronicaneptunes]

A long time ago, we used to be friends... The Veronica Mars pilot aired 20 years ago today- on the 22nd of September, 2004.

[floccinaucinihilipilificationa]

[happi-dreams]

I watched electric dreams finally !!!!!

It’s so good and odd but ohshdkebdkwbdhmehdh EDGARRR !!! EDGAR I LOVE YOUU !!!!!! ! ! ! ! YOU DESERVE BETTER !!!!!

When I saw the ending I SOBBED what the HELL,,,,,

[ingoodjesst]

have you put the pieces together yet, detective

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[teehee-vibes]

Hi guys. I’m behind on JRWI-Tober. Here’s my progress so far.

1) Riptide

2) Fave PC

3) Fave NPC

4) Campaign swap

[notbecauseofvictories]

it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.

and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.

but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?

[betweenblackberrybranches]

Enjoy the Guys™️

Left to right Callisto, Achilles and Altair, my three dca OCs who are all big of heart but dumb of ass😔 good luck y/n

And here another version without the foreground shading and frame

[sigsfigs]

featherfowl

[c-kiddo]

i love when jester does a sending spell so bad she surprises herself and i also love when caduceus says a sentence so jumbled and weird he surprises himself . genuinely very charming

[giddlygoat]

as much as i want to see fiddleford recover and enter his much-deserved era of good mental and physical health, i also want to see the effects of his head trauma follow him forever. it’s important to me that while he heal and find a level of normalcy and peace, he never return to his old self.

kind of a side bar, but it’s relevant so: i also think there’s something to be said about old man mcgucket’s confidence. boldness? idk how to describe it. i wouldn’t say his paranoid tendencies have vanished, but for the most part he’s. breezier. part of it is the brain damage, and maybe part of it is genuine self-evolution in the right direction. but i think the obsessive mind-wiping just… broke that part of his brain. it’s like he’s no longer affected by fear in the same way. and i hope we see strong traces of that damage until the day he dies.

it’s important to me that fiddleford heal and emerge into self-awareness once more. it’s important to me that ford still look at him as very much the same person, despite all of the damage. but he’s also changed severely and irreversibly. i think of old man mcgucket as a much rawer version of fiddleford in that he holds less reservations and has no filter. he’s healing but he’s also broken, and those scars will forever be visible. and that’s important to me because it also changes ford and fiddleford’s dynamic a lot.

ok one last sidebar, then i’m done. when i say it changes their dynamic i mean it in the way that because fiddleford now wears his heart on his sleeve and ford himself is a bit wiser about relationships, there is less self-sabotaging going on between them. romance or friendship wise. and if nothing else, they both feel they’re getting too old for biting their tongues, so i imagine the discussions of certain difficult topics comes a bit easier now.

like, given that they’ve both made many catastrophically terrible decisions over their lives, they have a better perspective on life in general and have had time to reorient their previously fucked priorities. ford lives with a lot of shame for how he treated stan, dealing with the devil, and bringing about the end times. fiddleford lives with a lot of shame for how he treated emma-may and tate, starting a cult that ruined lives [especially his own], and not to mention the multiple death robot incidents. even though they both had good intentions or else thought their actions were justified at the time [mostly], it all collapsed on their heads because these actions were ridiculously stupid.

i think all of this is part of why the rekindling of their friendship happened so easily. fiddleford is eager to forgive ford and embrace him because he’s learned first-hand what grief and paranoia can drive a person to do, and so he feels the best thing he can do is accept his old friend back into his life, no questions asked. maybe ford will forever think he doesn’t deserve it, but he learns to accept mcgucket’s kindness and tries to learn from it. they’re both healing even if it’ll never be Backupsmore again. it’s still them, despite it all.