#i know it doesn't

[homunculus-argument]

This counts as vent art.

[blorboresidue]

one time I used the ben affleck smoking reaction image in the family group chat and my mom replied with the funniest possible response which was: "mommy doesn't know who the guy is???" and that phrase has not left my brain since. I'll see blorbos on my dash that I don't recognize and I'll be like well it seems mommy doesn't know who the guy is.

[shadesofmauve]

I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.

Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.

He was really nice.

Yeah.

It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?

You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."

You didn't, loves, you didn't.

We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.

I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.

Yup. I was a young woman in my twenties and rode in this guy's car. More than once.

When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"

No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.

Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?

Yeah, that doesn't ping if the preferred prey isn't around.

That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.

I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.

A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.

I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.

So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!

Just countless, powerless women, horrifically abused by someone who was nice to me.

You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.

I think we all need to question our own judgement. It makes us better people.

I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.

It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.

Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[trekkerac]

Ford "Icarus didn't flap hard enough" Pines

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[tactfullyinappropriate]

It's like we all collectively forgot as a society that friendship and just connection in general takes effort. Even if you meet someone you immediately click with, it takes hanging out about 20 times (!) to become friends. And guess what, some of those 20 meetings might be awkward or unimpressive.

We all want to reap the benefits (having a friend circle, having a partner, getting married) without doing the work (going to events, interacting with people, learning to handle conflict maturely, dating). Myself included. If I could, I'd never leave the house or go on another mediocre date again... except, that's part of the process.

I guess what I'm trying to say is, the cure to the loneliness epidemic is touching some grass and building tolerance for tedious in-person interactions.

[frownyalfred]

actually the idea that Dick, the eldest, the only one who ever wore the cowl long term, the only one who raised a Robin on his own, is also the only one who can successfully, perfectly replicate that barked ROBIN! in Bruce's voice? the only one who can pull that exact tone from the depths of his soul, to the point where his voice is identical, so identical that old Robins like Jason are obeying before their minds even realize their bodies are moving? that Dick is the only one, has always been the only one, who can channel Bruce's voice? can channel Batman himself? I am going feral

[infinitelystrangemachinex]

Mel's protection should have saved Viktor too, and she's trying to figure out why it didn't

(Editing to add: see this post for details on the Mel's armor/shield theory)

S2 ep1 shows a circle of protected stone where Mel and Jayce were during the explosion. My theory is that Mel's magic armor activated and saved them both. It seems like it casts a sphere of protection around wherever Mel is.

The center of this circle is not Mel's seat - it's Jayce's. She ran to Jayce to save him.

No other Councilors were in range of Mel's protection, so they all got hurt or killed.

But Viktor was, in Jayce's words, "right next to" him. He was easily within Mel's circle of protection.

1) Viktor tried to run and mistakenly left the circle of protection. But are we meant to believe that Viktor, close to dying already and using a crutch, would have outrun Mel?

2) Viktor's augmented body clashes with Mel's

Why does Mel try to touch Viktor in episode 1? It seems like a throwaway moment, but not even Jayce touches him in this scene. So why Mel?

She's curious. And possibly, feeling responsible. She's wondering why her protection didn't work.

Is this Hexcore brand of the Arcane trying to reach out to Mel? Or trying to defend itself from her?

Mel was trying to protect both Jayce and Viktor, which is reflected in how she holds Jayce as well as Viktor's cane when she promises to protect Hextech:

But if, for example, Mel's magic is Solari in origin, and Viktor's is from the Void - or the Arcane equivalent of similar opposing forces - then it's possible that their magic rejects or hurts one another. So Mel's circle of protection either rejected Viktor, or was what hurt Viktor, and not the explosion.

[illusioncanthurtme--art]

Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!

(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)

[bbbbbbbbatman]

Bruce keeping a tighter and tighter lid on his identity around the Justice League because with each new person to reveal their identity he realizes that he has fucked far too high a percentage of his co workers as Bruce Wayne and he has to take this secret to his grave

[dunmeshistash]

One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.

One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.

When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.

Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.

But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.

I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.

It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.

Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.

She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.

The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.

The best way you can love an animal is by understanding they're an animal.

That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.

I just love dungeon meshi dearly.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[bixels]

me too, luna.

[foolsocracy]

identity reveals are always fun

[technically-human]

First meeting