#i kind of think about this constantly

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[fallen-goldfishcracker]

okay but does it ever kill you how much Wyll loves being the Blade of Frontiers? I think we tend to think of Wyll as this serious, stoic guy, but he's so ridiculously silly about his whole superhero persona. He grew up absolutely in love with storybook heros and tales of bravery and all the bard songs and legends. Look at his reaction to meeting Minsc and Boo!

He must love getting to be a figure like that for a whole new generation of kids. He loves the bard songs (even the bawdy ones!) and the title and the stories, but he just loves being someone brave and worthy and able to help. He loves being a hero!

And to add on to that, its definitely a coping mechanism for him. Perhaps a bit of a messed-up one, but hey, its working.

Which is why the body modification by Mizora seems doubly painful- it doesn't matter that Wyll got them for noble reasons, what the horns do- (and what Wyll knows they do, because he's not an idiot and he understands the common people better than probably anyone else)- is send that whole dream crashing to the ground. He's immediately marked as other. Florrick almost completely passes over him. The tiefling refugees shrink around him. The guards at the doors of his own city don't recognize him. I think Wyll could absolutely win the people's hearts back, he's Wyll Ravengard, of course he could! But in the short term, by gods that's got to hurt.

This is at least the second time in his life he's lost everything in one fell swoop. No wonder he's miserable at the tiefling party- I would be too! It's a testament to his frankly astonishing emotional fortitude that he's barely even moping.

[sadhorsegirl]

agree with all of this obviously, and i've also been thinking a lot about how robert jordan's own ambient homophobia ended up adding so much unexpected dimension to the way others perceive moiraine and siuan's relationship in the books.

like the way everyone in the white tower was like INSANELY suspicious of them and how close they were. the idea that a lot of that paranoia comes out of a fear that their power levels are too high and any partnership they form is inherently a threat to the ever crumbling power dynamics of the white tower but ALSO it just kind of reads like deeply rooted homophobia and distrust towards gay people who will always be outside certain power structures and therefore might very well try to undermine them

sooooo many opportunities for the show to address homophobia in world in a compelling way and instead the writers decided to go the cw route of "its a fantasy/future setting where homophobia is no longer a concern" but like. doesn't even put in the leg work to explain why the world has evolved to the point where it isn't a concern lmao

the charm of homosexuality is that no matter how aloof or reserved as a person you are you’re still a degenerate to someone like you don’t get to have a private life at all because your proclivities are a matter of policy and litigation. which is why making all the gay characters young iconoclasts has fundamentally become boring because you can’t fully illustrate how entirely belonging to this category of otherness can strip you of any and all measures of dignity at any moment.

It truly would be so much more interesting to me to see Moiraine try to control every aspect of her life including other people but then have this part of herself that’s just a giant kick me sign. She gets in a fight with her sister and her sister is like “you could never have sacrificed like I sacrificed you couldn’t even bring yourself to lie down with a man. So as much as father believed in you I know you would have let him down in the end” like that would have been so dramaturgically juicy. But as it stood all the arguments felt so low stakes because you knew no one was going to say that so it just felt like they were pulling punches all the time

[gummi-ships]

Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - The World Within

[piosplayhouse]

Wwx is the only mxtx main protagonist who would not be a my little pony fan. But he does own a 20% cooler shirt

[toxicroyjamie]

[rqg179]

the funny thing about adaine's gift to fabian is i think the intention behind it was fully sincere bc although the party really latched onto the "summon rat" feature (understandably, that's hilarious), siobhan seemed to be highlighting the fact that rats wouldn't attack fabian unless he let them, which is a genuinely useful feature for a guy with a fear around certain rats! but unfortunately the moment fabian was slightly reluctant the little sister part of adaine's brain switched on and she had to heckle him about it

[anonymouspuzzler]

"this is just fanart" disclaimer cause I feel the need to make that super obvious now LMAO, but! little WH doodles from recent!

[Image IDs/transcripts under cut!]

[Image 1 ID: A black-and-white Welcome Home fan-comic. It stars Julie Joyful (a "rainbow monster" puppet that looks like a Muppet girl with noodly limbs, little nub horns, and long hair styled in a high ponytail, wearing a dress with a hoop skirt and puffy sleeves and a scarf tied in a bow), Frank Frankly (a puppet with a long, cylindrical body, long nose, thick eyebrows, black hair with a middle part, and a comically exaggerated frown, wearing a plaid vest and butterfly-shaped bow-tie), and Eddie Dear (a mailman puppet with a heavyset-yet-soft build, square jaw, thick eyebrows and long eyelashes, wearing a mailman's uniform with a parcel bag and rainbow tie).

The first panel shows Julie and Frank talking, with Frank's back to the viewer. Julie, smiling smugly and gesturing with one pointer finger and the other hand on her hip, says "If I run and jump at Eddie, he will surely catch me in his arms!" Frank replies simply, "Don't do that."

The second panel shows Eddie walking in, carrying a stack of packages in his left arm and holding up several letters in his right hand. He shouts "Mail call here f-Oh No", interrupting himself with a shocked smile as Julie runs towards him flapping her arms, screaming "EDDIE EDDIE EDDIE CATCH ME EDDIE C'MON QUICK EDDIE CATCH EDDIE EDDIE EDDIE EDDIE". Frank, back still to the viewer, watches with shock with his hands raised in the air.

The third panel shows Eddie having indeed caught Julie, holding her up with both arms and an anxious expression. The packages he was holding have all fallen to the ground around him, and several of the envelopes are still fluttering to the ground. Julie is completely oblivious to Eddie's distressed, kicking her legs in the air excitedly, cradling Eddie's face with one hand and waving to Frank with the other. Frank watches in silent, stunned disbelief. End ID.]

[Image 2 ID: A colored image of Eddie Dear and Wally Darling (a smaller, yellow puppet with a large dark blue pompadour hairstyle and calm smile, wearing blue cardigan sweater over a button-up shirt, rainbow striped pants, and saddle shoes with hearts on the soles). Eddie is holding up Wally with both hands; Wally has his arms out to the sides and legs slightly bent at the knees. Both are smiling open-mouthed at each other, Wally relaxed yet warm, Eddie delighted yet slightly stunned. There are envelopes fluttering to the ground and scattered all around Eddie, with an arrow pointing to him reading "dropped all the mail". End ID.]

[puppyeared]

RETURN TO MONKE (PUBERTY EDITION)

MK’s monkey form doesn’t feel right to me so i wanted to break up his transformation into stages. Maybe as he learns to accept that side of himself it becomes part of him, instead of changing between human and monkey randomly (which is probably painful). Love yourself, NOW!!!

@zymstarz im tagging you for FULL MONKE

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.

[langernameohnebedeutung]

.

[shannonsketches]

I grabbed a bunch of caps for that last post so here's a few more in my favorite genre of bejíta

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[caramelldansenu]

[haunted-xander]

tbh one of, if not my absolute favorite part about ffxiv, is the small little moments/sections where nothing super big or like. Plot Important happens, but that give both the characters and us, the players, some much appreciated down-time to just. Feel things. And to process what's happened and what's going on or to just. Let us exist, in the moment. In a much more grounded and human way than when there's Big And Important Things happening.

The biggest(imo) and earliest example of this is right after the Waking Sands get raided in ARR, and WoL turns to the church for guidance. The entire section of us helping them gather and bury our fallen comrades, and especially bringing Noraxia home to Little Solace so she can be laid to rest in her homeland, by her own people and in their own cultural ways, was so so important to me.

Because it wasn't just replacable allies cast aside for shock value anymore, it was real. These deaths were real and meant something. I got to actually process what just happened, and I got to watch Banana go through it right with me. And not only did it make it feel real, it also gave me a sense of closure. These people, these friends, are dead, but they also got to be treated with the respect they deserve and laid to rest properly.

And that, more than anything else, made me want to save the world. It's grounded and grounding. This world, and these people, meant something to me, the player.

And there's tons of stuff like that throughout the game, especially in shadowbringers and endwalker.

In shb we have, for example, Lyna venting her anger and frustration after the sin eater attack in Lakeland. She's on her knees yelling on the verge of tears while punching the ground, so furious at her helplessness and powerlessness, at everyone having come so far yet set back because some megalomaniacal tyrant deemed it so.

In ew we have Urianger being approached by Moenbryda's parents, who confront him about not confiding in them about his grief. When Bloewyda starts to scold him, he of course reacts guiltily, believing they blame him, only for him to be completely caught off guard when she instead goes in to hug him, telling him he should have let them grieve with him. And he just. Breaks down. He's been holding these feelings, this grief inside him all this time, and now that he is not only told it's okay to let it out, but by her very own parents at that, he just can't keep it in anymore. He cries for Moenbryda, right then and there, being held lovingly by her family.

And the thing is, these scenes aren't necessary, strictly speaking. The plot at large could go on without them, the events that happen around them are not changed by these moments in any way.

But still, they are so so important, to the world, to the characters, to the players. Everything feels real and impactful now, every death means something, every tragedy, every person, feels real.

And that, to me, is what makes this story so special.

[beatcroc]

homest[ar/uck] posting. this was meant to be supplementary to the gerome comic as him 'explaining the joke' but i uhhhhhh forgot.

i'm not much for crossovers in the the traditional sense, but it IS one of my favorite character exploration exercises to just go like 'if x media existed in this universe, who would and would not be a fan of it?'. and these ones are pretty notorious and always very fun to mess with for that and so here we are