#i just wanted them to be canon just for a bit

[akuzondotcom]

Obey Me! Eye HC’s part 2. More info on my HCs down below (undateables coming soon).

Diavolo:

I debated for a long time whether I wanted Dia to have slit or round pupils. I like to take biblical inspiration for a lot of my HC’s but Dia is simply the concept of the devil, rather then being an actual demon from mythology. In the end I decided to make him look very human, save for his eyes. The devil is described as deceptive and handsome, yet something is always noticeably off. Thus I decided to make his eyes the “off” part of him.

Barbatos:

For Barbatos I took inspiration from amphibians and Reptiles. Wanting him to appear slightly uncanny. I imagine him to be much like Levi and be unblinking. However unlike Levi this isn’t because he can’t, but because he chooses not to. I also gave him red eyeshadow to mimic traditional Japanese makeup. As he always prefers the more traditional look. (Also if it looks bad it’s because I was having a bad art day for Barb)

Solomon:

Solomon is simple. Just a regular human guy. I gave him some beauty marks and made him look a tad bit older. I also gave him a rainbow ring in his otherwise black eyes, as his colour is the rainbow.

Simeon (my wife):

Simeon I wanted to be beautiful yet haunting. I imagine him to be visually impaired only able to see shapes and lights. But I also imagine he’s prone to visions of the past, present and future. These visions are sporadic, and can be mundane or important. He has no control over these visions or when they occur.

Luke (my son):

Apologies if this one looks weird, I’m not used to drawing kids 10 and under. Like I wanted to keep simple, I imagine he has a little star at the centre of his eyes that glows brighter when he’s excited. I also wanted him to have freckles and a cute Band-Aid on his nose, after all, he canonically collects them, and I imagine him to be slightly clumsy.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[phantom-rats]

Ok, so- (said with intent to infodump)

Teruteru is such a performance of a person. I think a pretty integral part of his character is his tendency to self-aggrandize, if not outright lie about his upbringing and accomplishments. I often wonder if he’s actually ashamed of his background at all, or if he just knows that a certain subsection of people would think less of him for it. Because, at the moment, it seems they only want him around when he’s providing something for them… Food, primarily. And I think he would tell himself that he’s content with that, with embodying this persona and proving himself through his talent, but his desperate bids for attention through his weird and creepy behavior would say otherwise. He’s fun to dissect, because how much of what we’re seeing is really him? What would you find if you managed to get past that?

His arc in the simulation, short as it is, is very fascinating to me. Primarily because I don’t think Teruteru is stupid. He’s in such deep denial, from the very beginning, and the paranoia he’s doing a piss poor job of pushing down eventually bubbles over until he can’t take it anymore. But maybe if he didn’t feel the need to hide so much of himself, including his completely understandable levels of terror and concern for his mother, he wouldn’t have needed to do what he did… I wonder if he could’ve been talked down, if only he wasn’t so deathly afraid of emotional vulnerability… But then again, I do think he was genuinely looking for a way to get back home to his mom, no matter the cost. 

His mom seems to be the only person he truly allows himself to be genuine with… And, in some ways, the only person he seems to really deeply care for. His dad left him and he openly dislikes his siblings. I don’t think he has any friends and his classmates don’t seem to care for him too much (in canon, at the start, at least). It adds a whole layer of tragedy to his story both in the simulation and during his time as a Remnant, given that he… Well, he very likely killed her himself, if not cooked and ate her too. I really adore this part in his FTEs where he’s asked what his dream is, he gets so confused and just throws out some random answer that he thinks aligns with his persona (“My real dream is-! Having a cute, sommelier wife… maybe…?”). I think the culmination of his FTEs and arc in general is that, in the end, he wanted to make his Mom smile, and I think this desire extends to others too. But he wraps it up in so many layers of grandiosity and bullshit that it can easily come off as arrogant and attention-seeking. 

He wanted to make people happy, and he still does, but he’s not doing such a good job of it anymore. He hopes his cooking makes up for everything everyone hates about him, and it does, but he can’t possibly be satisfied with that. He acts like he is, because he knows it’s better than nothing. And they don’t have a choice but to keep him around. But he has to want more than that, doesn’t he? 

Sorry for the extremely long reply! As a massive Teruteru fan of several several years, I’m probably overanalyzing him a little bit- 

inauthentic

[myokk]

Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?

Hello angel!!!!

Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓

We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓

I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).

I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓

HAPPY ENDING:

Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.

Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.

Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶

They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺

When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.

Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)

I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓

SAD ENDING:

After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)

Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)

BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.

Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺

He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.

(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)

Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏

[ckret2]

What year does Gravity Falls take place in? I've been having this argument with a friend between 2012 and 2013. You always seem to have answers to these things , just thought I'd ask you :)

Oh yeah good question good question hold on while I just

Officially? The authorial intent was that the show happen in a vague universal everysummer. It's neither 2012 nor 2013. It's 20-feel-it-in-your-heart.

Based on what supplementary canon materials imply they WANT you to believe? 2012.

Based on what actually makes the most internal mathematical sense if you RIGOROUSLY scrutinize EVERY BIT of canon material we have and choose to treat AS MUCH OF IT AS POSSIBLE as if it's CORRECT & INTENTIONAL in order to line the show up with a chronological timeline? I'm pretty sure it's 2013.

But this is the same writing crew that didn't realize until AFTER A Tale Of Two Stans aired that they'd accidentally made Shermie like 30 when his grandkids are born. (Yes, Alex has confirmed that the baby was supposed to be Shermie, and also that they didn't do the math.) The timeline's riddled with internal contradictions and even changes when some events happen between the show & the books.

This is a case where if you ask "did it ACTUALLY HAPPEN in 2012 or 2013," it's kind of like asking "Which of the Spider-Man origin story movies is ACTUALLY how it happened?" Well none of them are "actually" how it happened because there is no "actually," it's all made up and there's no objective truth underneath the surface that's possible to uncover.

If you wanna go all the way down the "what the hell is up with GF's timeline rabbit hole," you want Hana Hyperfixates's timeline video and/or tumblr timeline.

Personally, I put it in 2012 because I like it and because I feel like the creators weren't trying to put GF in 2013, they just accidentally backed their way into it. 2012 is when the show started, early in the series that's what year they "act" like it is, and it lines up with the June & August calendars we see in the show. I ignore the minute timeline contradictions because I don't particularly care about 'em.

[deliciousnecks]

I never shipped Nandermo, but this thing with the Guide???

Like why are the writers doing this?

You don't want to make Nandermo canon, ok fine.

But this doesn't make sense for the guide..

Idk, the show has always been a chaotic,fun show.

This season, I'm just watching to see how it ends. I'm beginning to think of last season as the actual finale

Trust the process.

Honestly, I'm not even worried about this. This whole Nandor & The Guide is not coming out of nowhere. I'm like 90% sure there's something cooking in the background, and it's not as obvious as Nandor and The Guide ending up together. Listen, I'm sure simms and all the writers are cackling as they watch people lose their heads over this.

i believe the writers are not that stupid as to throw all these years of a good show down the drain. plus, nothing is adding up. i'm sure that if they were serious about this, if they wanted to sell this to people, they would have added the guide to more episodes and for more time. but so far we have seen her for less than 2 minutes. they are honestly doing 0 shit to sell this "ship" just nandor being as hee always has been "in love" and rushing into things. also, can we take into consideration the guide? even if nandor was so in love with her, she's not? she said this herself.

there's something going on with nandor, and it happened on that hypnosis episode, and if not, something tells me that this "love" his feeling is gonna be something that moves the plot of this season, because this show has always been like that. they hide the little things things that are important for the plot among all the chaos that is happening and brush them aside like they are nothing, only for these bits to come up later in other episodes and be like SURPRISE!

as i said. the story is hiding something and is not as simple nor as obvious as Nandor and The Guide ending in happily ever after. As i said, the writers are not that stupid (or so i choose to believe). Rushing this relationship, magically make it appear out of nowhere, not only yes, would be a big "fuck you" to all those years they had the majority of their audience invested in the "will they or will they not" between nandor and guillermo (even if they were to become canon or not), but it will also make everyone hate this season so much because it would just feel so "?????", that i'm sure that's not what they want. especially this season focusing on nandor realizing how important guillermo is actually to him, but let's move on from that now.

can i be wrong? yes. can the writers also be this stupid? yes. but come on, we know that the writers even ship guillermo and nandor, i mean, the guys have been trying to get a kiss in there for who knows how long. so, honestly? i'm just not even gonna think too hard about this. i'm just gonna enjoy the show and see how things develop... and then maybe get annoyed after. not gonna lose my head over this right now.

[matcha-milkies]

LIKE AN OLEANDER

Summary: Bill Cipher needs a footstool and a thoroughly Stockholmed Ford is happy to oblige.

Relationships: Bill Cipher & Ford Pines, Pyronica is there too

Content Warnings: Abuse, Master/Pet, Psychological Torture/Horror/Trauma, Stockholm Syndrome, Victim Blaming, Sensory Deprivation

Tags: Triangle Bill, Canon Divergence - Weirdmageddon, Bill Cipher Wins, Collars, Chains, Whump, Hurt No Comfort, Bill Cipher is a Jerk

Word Count: 1,306

Link to AO3: Here

A/N: Based on @jellyskink’s immaculate Domesticated Ford AU, in which Bill mentally breaks Ford in the 1980s and brainwashes him into an obedient and fawning pet. Weirdmageddon started early, and over time the weirdness bubble surrounding Gravity Falls naturally expanded to contain both California and Oregon. If you want to learn more, there’s a lot more tidbits on their blog, though fair warning it’s a pretty dark and sad AU.

Thank you, jellyskink, for giving me the green light to write a fic for this!

I saw someone say this au is “all pain, no sex” which is really at the heart of what I look for in fics, but is so painstakingly absent in most fandoms, so this is a godsend •⩊•

If you haven’t listened to “Oleander” by Mother Mother what are you even doing with your life /lh

Bill Cipher is in a particularly good mood today. He and Pyronica probably broke a record for largest bonfire in California, even counting all their previous antics over the years. Not the dream demon’s most creative endeavor by a long shot, but hey, sometimes you just gotta start a blazing inferno to let off some steam. Nothing wrong with a bit of simple, straightforward arson now and then.

It’s only when he returns to the Fearamid, practically glowing, buzzing and high off the screams of the innocent, that he remembers the state he left Sixer in.

The man is in a kneeling position, collared by the neck. His hair, fluffy and disheveled, feathers down to around his shoulders, brushing against the cruel blue metal. His twelve fingers twitch and grasp at nothing, futilely, as though groping for purchase on a rugged cliffside. His purple sweater is rumpled in places, like he had pulled and grabbed at that too, to no evident avail. He’s whimpering to himself, words that are at first indiscernible as Bill enters the massive chamber.

The scientist is tethered to a ring near the base of the Throne of Frozen Human Agony, staring vacantly into the middle space, unseeing. It’s not his fault. Bill severed all input from his optic nerves, so he literally can’t see. Or hear. Or feel. Yeah, he cut off those nerves too. It was supposed to be a punishment that lasted a few hours. And then Bill had left and gotten carried away with his fun, and well, it had been an entire day.

Whoops.

Make no mistake, he doesn’t feel bad about it. If anything, it’s kind of funny, like forgetting to feed your dog! Wait. Humans don’t find that funny. Well, who can expect them to understand the emotions of an all-powerful chaos god? He draws closer, and the previously indiscernible words sharpen into clarity.

“I love you, my muse. I love you.”

Repeated ad nauseam to the uncaring void.

“Aww,” Bill clasps his hands together and brings them closer to his eye. “He’s so pathetic!” Pyronica, who came in with him, nods her agreement and laughs along. This must be what it’s like to catch your puppy mid-dream, its little tongue lolling and leg kicking at nothing.

He can’t remember whether he instructed his pet to repeat those words or not. Honestly, it’s anyone’s guess. Bill’s will and Ford’s are so inextricable at this point that Ford often does things without needing to be told. Of course, they’re not entirely on the same wavelength, or else punishment wouldn’t be required in the first place.

“Eh, remind me to snap him out of it in another half an hour,” Bill says, settling himself on the throne. With a wave of an arm he summons a martini glass. “I’m gonna have myself a drink.”

“Sure thing, boss.” He summons a glass for her too, and hipshot, she accepts. “Hey, you think we should’ve put the fire out before we left?”

They both share a hearty chuckle over that. “Would be a shame if it all burned down!” Bill sighs as the laughter dies down. “Nah, but seriously. California will still be there for us to play with tomorrow. And if it isn’t, we can always just rebuild it! In my image! Ha!”

“Yeah. Technically the fires are my image though.”

“Touché!”

They talk for a while, maybe 20 minutes or so in this fashion, casually sipping time punch and discussing unnatural disasters like they’re music festivals. Ford goes completely untouched and unnoticed, until suddenly Bill returns his attention to the human, and a light bulb goes off next to his hat.

“Wait. Do you wanna see something hysterical? I have the best idea.”

Every sensation returns to Ford at once in a flood of color, touch and sound. Sometimes, when Bill is feeling merciful, he eases him back into it, but his merciful moods are few and far between. More commonly, he likes to toss the scientist in the deep end and watch him flounder, tears quickly beading at the corners of Ford’s eyes and spilling fatly over his cheeks. His body convulses in a singular, broken sob, and before he can finish another apologetic, “I love you,” Bill hits him with a hard command.

“Stanford! I need a footstool!” The demon extends his legs and wiggles his feet a little. He whistles as though beckoning a dog. “Come ‘ere!”

Despite his disorientation, Ford rushes to obey, lurching in the direction of Bill’s voice and falling flat on his face. Shakenly, he picks himself off the ground, letting loose a singular groan.

“I’m still waiting!” Bill sings, swinging his legs a little for effect. Pyronica snickers. Ford tries again, following the sound of his muse’s voice, although he is quickly dismayed to find that he’s already reached the end of his chain. He falls just short of Bill’s feet, and no matter how he chokes himself, no matter how hard he tugs at the collar or the chain attached, he can’t go any further than this. His distress is evident in the way he keens.

“What are you doing?” Bill demands, rolling his eye. “All I asked for was a simple footstool and you can’t even do that? Bad! Bad dog!” Ford sobs.

“I-I’m sorry, my muse!” he rasps, the cold metal of the collar pressing in on his windpipe as he strains to obey. “I’m so sorry!”

Pyronica is practically in stitches at this point, and Bill is a showman, a class clown ever chasing the next laugh. “Are you really though?” His eye wanes to an amused crescent. “Do you even love me, if you can’t even follow a command as simple as this?”

“Yes!” Ford insists with a cry. “Yes, my muse, I love you! I’m sorry that I’m so useless… Please, please forgive me…”

“Why should I? Do you think you deserve forgiveness?”

“N- No,” Ford sniffs, “but—”

“Alright, alright. Since I’m in such a good mood, I’ll give you a hand.” Bill waves his hand in a circle and the chain elongates, allowing just enough slack for Ford to crawl under his waiting feet. Bill settles them heavily on top of Ford’s back and sighs. “Ahh, that’s better.” The man shakes under the weight.

“Thank you, my muse,” he says. Normally, he would be a lot happier about serving Bill like this, but he’s clearly still torn up over his recent punishment and failures. “Thank you so much.”

“Don’t mention it, kid!” Bill rests his hands behind his ‘head,’ or rather, the tip of his topmost vertex. “Maybe after this, if you’re good, you can have a treat.”

“R- Really? Oh, thank you so much, my muse. I promise I’ll be good.” His voice is still wavery from the earlier-shed tears, but his cheer seems to be returning. It’s not difficult to keep the man happy when he’s so thoroughly and hopelessly smitten with his muse. Bill could have Pyronica drop-kick Ford off the top of the Fearamid right now and when he reached the bottom he would find a way to smile and thank Bill, no matter how many broken pieces he was in.

“Yeah. Now shut up while I get some reading in. Hasn’t anyone ever told you footstools don’t talk? Sheesh.” With a sigh, Bill summons an extradimensional magazine and floats it in front of his eye, every so often flipping through the pages. Pyronica says she’s off to see what Teeth and Keyhole are up to, and Bill acknowledges her departure with a little grunt and wave. Ford stifles a whimper. His back has already been giving him issues lately, and this definitely isn’t helping matters, but he soldiers through it for his muse. He’s determined not to mess up again. He’s determined to be a good footstool.

A/N: This is my first time writing from Bill’s perspective! I don’t usually write him this cruel, so it was a fun change of pace to lean full force into that side of him. Thanks again, jellyskink, I hope you liked this little installment!

[hollowed-theory-hall]

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[the-scarlet-witch-22]

I was so excited when I realised how popular agathario is because as soft as they can be for each other they are both so toxic, especially where we see them in the show. Not only from a smut aspect but from canonically having a complex lesbian relationship. It has been a little disappointing at how quickly people were to turn them into soft cottage core lesbians and insist that’s all they ever were or will be :/

I completely agree with all of this. I do think a lot of people coming in and watching for the ship really desperately want good sapphic/lesbian representation- which I understand! As a lesbian it can be beyond difficult and even isolating at times to not feel seen in the media I watch. With in that mind, like you said, it is disappointing to see how quickly a good chunk of the fandom has decided (kinda out of nowhere...?) that Agatha and Rio have this cottage core dynamic.

I think part of this derives from people misinterpreting a lot of interviews that have come out during/post show, but that's another issue entirely, lol. It's challenging being a lesbian who wants to see more complex relationships, because I think as a community if we want "good" representation we have to understand that includes seeing more toxic/unhealthy relationships as much as getting those cottage core "happy" endings if that makes sense.

I personally really enjoyed watching their dynamic and felt the ending was fitting. I just wish we had gotten a teensy bit more from them, haha. Anyways thank you for sending this in <3

[disordercinema]

When Ekko released in 2015 it was so awesome, he had a great voice actor (at least in Brazil his voice is really well known), he had a cool design, fun powers and an amazing backstory. He was a black kid from a poor upbringing who, despite the environment he grew up in, learnt to create incredible things basically out of scrap. He was a genuine hero in a land where most of the characters were bad people or chaotic monsters, he fought for what was right and tried his best to save the people he loved.

Over the years he became the face of resistance in Zaun, every story was about him fighting for the people, every voice line with other champions showed how much people admired him. Fuck, I know it's probably not canon but Azir of all people treats him well in their interactions, that's how cool he is. So it bothers me a little that the freedom fighter/symbol of resistance in Zaun role is being shifted to Jinx in the show.

She, and the Inx (her blue haired followers), are literal antagonists in his game, he has to fight them because all they care about is chaos. I understand though what they are building up to in Arcane and it is very well written, but it makes me a bit sad. Especially because of how I see most of the fandom treat Ekko, most talk about him has to do with Jinx and fair, I guess, Arcane barely gives him solo screen time. But y'know, I wish after this they give him another game or a comic book, Idk. I really don't want Ekko to just become a background character on someone else's narrative.

[zepskies]

@lamentationsofalonelypotato

Aww I'm so happy to hear that, friend!! 🥰🥰

It's not a problem Dean, (the gun is obviously BUT) she is beautiful and you will love her and I will cry at your wedding.

Ehehe it's funny you mention their wedding...

Dean no. No feeling bad for saving your girl and for killing the "sack of shit in human clothes."

Ugh right? Trust, he doesn't regret killing that bastard loll.

Also I didn't notice the Colonel Sanderson thing before and now all I can think about is KFC lol.😂 Which is not to take away from how good this fic is or how well it's written. It's just me lol.

Actually THANK YOU for noticing that because Colonel Sanders was an intentional reference! lmao I saw some meme that called Asmodeus "Bullshit Colonel Sanders" and it made me cackle, so I included that a little bit here. 😂😂

Oh goodness she is already so protective of him and oh my word the wink had me melting lol.

See! It's not taking that long at all for her to start softening up towards him loll. At the very least, she doesn't want to see him killed for her after killing for her.

I also don't think that I mentioned this before, but I really like how you wove in the other characters in the show. Seeing Benny and Cas show up just made me so happy.

Aww thank you!! 🥰🥰 When it comes to AUs, I try my best to fit in canon characters where they make the most sense to me, and try to make them feel "as themselves" as possible.

Oh my word seeing that fight in my head, um... YES PLEASE. And the loyalty?! The love for their friend?! The "Goodbye brother."? It's so good.

Imagining Dean in uniform, even if he's fighting his friends, just does things to me too loll.

Ultimately, Benny and Cas are good men even in this world, and they didn't want to have to bring in him or Mila to the Colonel either. 💜

She's squishing his face! That is so cute, oh my stars. Plus I am cackling at how long it took him to be able to say her name.

Ahaha this was my favorite part to write for this chapter! Dean struggled, bless his heart. 🤣🤣🤣

I absolutely love this! I really love it when writers pick the names of their characters based on the meaning behind it. And the fact that you gave the meaning of her name a backstory of her mom having a dream and the butterfly meaning that Mila "would have a free mind" is just so perfect for her. Because she is stubborn and she does have "a free mind" by being rebellious and strong, by being a strong female character who does not conform to the whims of what other people deem to be appropriate for her. Also it was funny that Dean thought she was like a "lioness."

Aww thank you!! I'm usually pretty conscious of names and the meanings behind them, but especially in this story I got deep into the research of the Lakota people, and I found that names are very important to their culture, now and historically.

When I was looking for a name for her, Kimmímila stood out as being beautiful (with a nice nickname), but perhaps on surface level didn't reflect her true personality. So that's why I worked in that backstory with her mother's dream, vs. who she wanted her daughter to be, and who Mila considers herself to be. And bonus, what Dean observes of her! lol

So I absolutely love all of your observations here, because that's exactly what I intended for her!

This is a really wonderful line, that the war "never really ends." It really fits this story and honestly it really fits the entire early history of the United States when it was acquiring territory and embracing the "manifest destiny" ideals.

Aww thank you so much!! That's what I thought as well, not just for this story, but for the greater context of U.S. history during this time and the push to industrialize the entire country.

Okay, the whole part where she is explaining things about her life and her culture was so sweet. Them opening up with one another is just so soft and a little fluffy and I'm so glad that they got to have those gentle moments with one another. Not to mention this bit where Dean admits how much he likes listening to her, is just so good lol. And I thought it was really on brand for him to be a little upset that she doesn't completely trust him yet, even though that he killed one of his men. But he's got to learn to be patient... and then propose. LOL.

That was so fun for me too! The "getting to know you" aspect. I thought that opening up to one another was needed here, and it gave an opportunity for more historical tidbits!

Ahaha yep, she's a hard nut to crack, but Dean need only be patient. He's won a lot more brownie points with her than he realizes. 😏 "And then propose" -- I'm weeeak!! 🤣

Don't be afraid to admit it Mila, we all know how good he is to look at. And why shouldn't you look at your future husband? 💍

Ha!! Ikr?? Also, you're getting dangerously warm to what's coming in Part 3. ❤️‍🔥

Oh my sweet goodness, the TENSION!! This is so good my friend and I am so excited for what the future of this series holds and am praying that it doesn't end in death!😬💗

The romantic tension is real!! lmaoo

Thank you so, so much, friend!! Part 3 is my favorite part, I think, and I hope you'll be happy with the outcome, even though we've got a fair bit of action and angst ahead...

The Honorable Choice - Part 2

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: “Getting to know you, getting to know all about you…” ⬅️ If you’ve seen The King & I, then you’ll probably be singing that line in your head like I do.

Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 3.1K

Tags/Warnings: Angst, protective Dean, historical tidbits, fluff

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🎙️ Listen to the podfic version here!

Part 2: Death & Sacrifice

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 

He just can’t do it.

His finger eases off the trigger of his gun, and he lowers it to the ground beside him.

“I told you,” he says. “I’m not gonna hurt you.”

Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.

“You are a strange man,” she says.

Dean has to laugh a little, smiling at her afterward.

“I guess so,” he replies.

Her brows furrow. “You killed one of your own…for me?”

He nods, and his smile falls with a weary sigh. The hard part about that is he doesn’t feel much guilt about what he’s done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that could’ve filled Colonel Sanderson’s shoes one day. A fellow soldier under Dean’s command...

And a sack of shit in human clothes.

Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning. 

“Yeah, that’s gonna make it tough when I go back,” he says. “At best, that’s a court martial. At worst…”

The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.

“Tell you what,” Dean said. “Give yourself and your horse a rest tonight. I’ll go back and tell them I lost you in the canyon.”

Her eyes widen further in surprise. He can’t blame her for it. He’s surprising himself every time he opens his mouth.

“Will they kill you?” she asks.

Dean shrugs. “Nah, I’ll be fine.”

She levels him with a firmer look, one that demands the truth.

His nonchalance wanes, and he sighs.

“They might,” he says.

She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.

The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.

They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.

The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.

“Shhh,” Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.

The Lakota manages to do the same with the mustang after whispering to him softly in her language. There’s a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesn’t know how he didn’t see it before.

“Captain!” Benny calls out.

Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.

Don’t go out there, her eyes say.

Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below. 

“Captain Winchester!” Cas calls next.

“We don’t want to have to come and get you, Dean. Come on,” Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, “Colonel’s given us orders to bring you and the girl back…dead or alive.”

Dean knows the position he’s put his own men in. He doesn’t blame them for following the Colonel’s orders. He just hopes they can forgive him for what he’s about to do.

He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Cas’s legs out from underneath him, then tosses a punch that lands on the corner of Benny’s chin. He kicks Benny’s gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.

Dean’s heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isn’t going to end until either they’re dead, or he’s dead.

“Where’s the girl, Dean?” Benny says. He implores him to see sense. “We take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.” 

Dean lets out a deep breath, but he shakes his head.

“Can’t do that, Benny,” he says. “I’m sorry.”

There’s a question circling in his friend’s eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.

He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.

Benny’s hand falls, and he stows his gun.

“You died today,” Benny says. “We found your body somewhere in the canyon. Your horse too.”

Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.

“There’s your proof,” he says.

Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captain’s rank.

“Take care of each other,” Dean says.

Benny’s head raises, and he meets Dean with a somber gaze.

“Goodbye, brother.”

Dean doesn’t return to her until the men are out of sight through the trees. She’s still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didn’t feel so heavy on his shoulders.

He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.

He helps her to her feet, after which, she quickly pulls her hand back. She’s wary of his touch, her face guarded when she looks up at him. Dean supposes he can’t blame her, even if it does strike a nerve. After what he just did for her…

His face becomes stoic, and he turns away to grab his hat from the dusty ground. “We should probably head out.”

She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?

“Does he have a name?” he asks.

“Mato,” she replies.

“Mato,” Dean echoes. “Does that mean something? You know, in your language.”

She eyes him wryly, brushing her hand over Mato’s hide.

“It means angry, like a bear,” she says.

Dean snorts. “Yeah, good name.”

He remembers his bruised side (and ego) from when the mustang threw him off his back.

Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.

Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companion’s lead farther into the forest, but he guides his horse to fall into step beside hers.

“Will you tell me your name now?” he asks. “Think we’ve been through enough together at this point, don’t you think?”

She considers it with a tilt of her head. She looks over at him with a small smile.

“Kimmímila,” she says. The syllables roll off her tongue effortlessly.

Dean raises his brows. “Kim…Kimmeela.”

She shakes her head at him, her lips pursing.

“Kimmímila.”

Lord help him, but he tries his best. His brows furrow.

“Kim…mila,” he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.

“Kimmí.”

“Kimmí,” he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.

“Mila,” she says with a nod.

“Mila,” Dean says. “Kimmímila.”

He’s treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.

“Think I’m gonna call you Mila,” he says. Make it easier on myself.

She even laughs, a honeyed sound. “Yes, my father does too.”

“What does it mean? Your name.”

“In your language?” she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. “It means…butterfly.”

“Really?” Dean remarks. She doesn’t strike him as a butterfly.

More like a lioness, he thinks, only somewhat holding back his grin.

She gives him some side-eye, despite her amusement.

“You think it does not suit me,” she observes.

“Well, I didn't say that—”

“I don’t think so either,” she admits. “There are many things that don’t suit me.”

Dean chuckles. He can imagine that.

“But my mother had a dream before I was born,” Mila says. “She saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didn’t call me free. She called me stubborn.” Her face begins to fall. “Maybe too stubborn.”

Dean offers her a rueful, sympathetic look. “Yeah, I get it. My brother always said I was damn hardheaded,” he says. “…Maybe we’ve got more in common than we thought, huh?”

Mila’s smile returns, however slightly.

“You have a brother?” she asks.

“Oh, yeah. He’s a lawyer, so he’s more needed back home,” Dean replies.

Damn. He really does miss his bookish little brother.

He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.

“What happened to him?” she asks.

“He died…in some cornfield near Sharpsburg, Maryland, fighting the Confederacy,” he replies, heaving a breath.

"Con...federacy?" she questions.

"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."

"So you fought among yourselves, over land that did not belong to you," Mila points out.

Dean falls silent. After a little while, he concedes her point with an incline of his head.

"Fair enough," he says, glancing over at her. “I think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?”

Her expression of curiosity fades, turning more solemn.

“No,” she agrees. “…I am sorry for your father.”

Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.

That night over the meal, she slowly opens up to him. He learns that she’s an only child, though she has a sibling-like bond with her older cousin, Šóta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.

When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the “Seven Council Fires” who have made the Great Plains their home for generations.

She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.

Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her mother’s watchful eye.

Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way she’s smiled at him, laughed with him, glanced at him when she thinks he’s not looking.

She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesn’t fully trust him just yet.

It annoys him at first, considering how many times he’s saved her already. How much he’s sacrificed just to get them this far…

Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience she’s likely had so far with the U.S. Military, and anyone else who looks like him.

Dean settles down on the ground and stares up at the innumerable stars in a raven sky. He’s exhausted, but his thoughts don’t let him rest for a while. 

At the very least, the way she looks at him now is softer than that first day.

In the morning, Mila watches the strange man wake.

He blinks and rubs his bleary eyes, yawning, groaning at the sun’s brightness like a child. She hides her smile by bowing her head over the apple she’s cutting with her knife. The orchards span wide across the forest, and soon he’ll find two yellow-red apples beside his head.

His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.

“Morning,” he greets.

She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.

Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.

She would never admit it, but he’s not unpleasant to look at. 

Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.

So here she is, with him. Here they are. 

Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.

Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila can’t help but be drawn to the sight.

She tears her eyes away when he looks over at her.

“We have a long way to go. Three days, if the weather is good,” she says, continuing to carve pieces of her apple to eat. “We will know we are close when we reach the river.”

Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesn’t expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.

“Come on. Let’s hit the road then,” he says.

Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people aren’t allowed to stand without a man’s help.

She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, he’s closer than he should be.

A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila can’t tell what the man is thinking when he looks at her like that, but she doesn’t like it.

And at the same time, she does.

She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like it’s an ache that can be soothed.

She doesn’t hear Dean’s unsteady breath, nor does she see the way his green eyes follow her.

AN: *rubs hands together* Well, here they are! It's all starting to come together. What did you think of Dean's decision?

Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...

Next Time:

“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”

Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.

“I will protect you,” she says.

Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.

“What’s that supposed to mean?” he asks.

She turns her face away and doesn’t seem to want to answer at first.

“Mila…”

“The Chief is my uncle,” she says at last. “He will listen to me.”

Dean blinks. Well, that changes things…maybe.

COMING 11/17! (New chapters every Sunday.)

Or read Part 3 on Patreon now!

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[sapphicflower-ao3]

what are ur personal favorite fics? i can be a bit picky and have a hard time finding fics but i love ur writing and i feel like we might have similar tastes based on that :3

i'm sorry it took me like a week to get to this!! i wanted to compile my faves and write notes for each of them... and i went overboard LOL. but thanks so much omg, i'm flattered that you would trust my taste based on my writing!

these are all bkdk obviously :)

i. 'In Case of Fire' - passengerside

post-canon // complete // 11K // E

an absolute MASTERPIECE!!! this author has become a recent favourite of mine, i love the way they incorporate little details into their work and make the mundane so beautiful.

highly recommend all of their other works, especially 'Pacemaker'! so freaking beautiful and fun and the lead up to the confession was a genuine holding-my-breath moment

ii. 'Sun Hands' - yesthisisnarumi

snowboarding AU // complete // 5K // T

i've re-read this one so many times it's SOOOOO good! so fun and so classically bkdk it's insane. everybody say thank you OP for giving us the rival olympic champions to lovers story we needed

iii. 'all that you ever wanted from me was sweet nothing' - maxisnotokay

UA compliant // complete // 11K // T

i dont usually read a lot of whump but this was brilliant, im a sucker for this specific trope and for LOVE CONFESSIONS YEASS!!! obvi it has a happy ending bc i wouldnt have it any other way. a good length too :)

iv. 'Spinnin' On Our Feet' - sage_and_cinnamon

High School AU // ongoing // 47K // M

UNDERRATED AS FUCK and my favourite ongoing fic right now. i usually dont read jock x nerd AUs but this fic is so brilliantly funny and charming and heartwarming and it blew all my expectations out of the water and then some. i've been following it for ages and it's been on hiatus for a good while, but it updated recently and when i tell you it was the best day of my freaking life...

v. 'In Perfect Rhythm' - chalk

Band AU // complete // 50K // E

yes how surprising, a band AU fic in my faves list. anyway shut up, chalk is literally godlike in their writing and this fic was SO FUN and scratched all the itches. nothing gets me going more than awkwardly endearing izuku n rockstar katsuki

vi. 'Last Days of War' - antisora

Pacific Rim AU // complete // 44K // M

GENUINELY ONE OF HUMANITY'S BEST PIECES OF LITERATURE???? fuck. i never have the proper words for this fic, but it is SO gripping and the worldbuilding is so tight and their relationship development is so good and the CLIMAX OF THIS HAS BEEN MORE EPIC THAN HALF THE BLOCKBUSTERS I'VE SEEN. i beg you to read this even if you have never watched Pacific Rim. or maybe go watch the movie and get EDUCATED and then read this! i'm begging you, dear reader!!

vii. 'Ingenium' - crandberrycrush

Astronauts AU // complete // 85K // E

guys i love sci-fi sorry lol. this one is another brilliant fic. OP put so much blood, sweat and tears into research and it shows, it is just very intelligent and the plot itself is HEART RACING and GUTTING and THRILLING. there's a lot of POVs and it really fleshes it out, tho ofc bkdk is the main thing. happy ending obvi! it is the space/astronaut drama that i love and adore, just BKDKified now!

viii. 'The Magic in a Mirror' - totallyrottentomatoes

Magic/Circus AU // complete // 80K // E

oh how surprising, a totallyrottentomaoes fic in my faves list. anyone who knows me knows that i rec this fic all the time. it's one of my all time favourites, if not my favourite of all time lol, and it's really because of the writing and the imagery and the characterisation and the relationships b/w all the characters. it's all just so well done and MAGICAL. no joke, if i could print and bind a fic into a book, it would be this one. no notes. perfection. caters to my tastes so specifically. i could go on about this fic forever but i'll shut up for now

also highly recommend 'The Distance Between Suns' by this author - it's a high fantasy epic with TIGHT AS FUCK worldbuilding, brilliantly written, the romance is BEAUTIFULLY WRITTEN, the payoffs are amazing, etc... this deserves to be published and revered

ix. 'Battle of the Bands' - roadtripwithlucifer

Band AU // complete // 168K // E

look i know i always rec this fic, i just can't help that it's like my favourite thing ever. roadtripwithlucifer and totallyrottentomatoes my BELOVEDS. the humour in this fic is so fucking yummy and brilliant, the writing is gorgeous in typical roadtrip fashion, the stakes are gripping, the climax is thrilling, the romance n yearning is INTENSE, the sex is hot as hell, the ending is so satisfying, just..... the whole package.

and while you're here, read other roadtripwithlucifer works like 'Nothing Else Fills' if you feel like destroying your heart :) an angsty and beautifully written time-travel-to-save-my-kacchan-gone-wrong war AU fic. i love OP's works but her more recent fics (eg. after battle of the bands) have had some of her best writing. i adore it when you can feel how an author has poured their soul into their work, you can always feel it in a roadtripwithlucifer work and it's just the cherry on top

x. 'Scar Tissue' - Loriqod

canon-compliant // complete // 18K // E

loriqod is another author with a characterisation that i fuck with so hard... this one was so full of that Yearning and Tension that i so vibe with. bonus points to the plots focus on bkdk's scars like yes pls more of that <3

anyway i might make a part 2 some other time, these are just the ones i grabbed from my public bookmarks. i have a lot of private ones and some of them i forgot to make public oops

hope u find smth u enjoy!

[wisteria-lodge]

Hi! I would like to ask this Narcissa seems to love Lucius and Draco, cares for them and appears to be a family oriented person but how come it is stated in her wiki that she despises the Blacks, wouldn't this imply she considers herself more of a Malfoy and I mean why would she despise the Blacks when it comes to blood purity/superiority, I don't know the correct term but don't they practice/talk about it more/the Blacks prioritize it so shouldn't she be proud of being a Black?

So I just want to say real quick that the fanwiki is not always... accurate. It includes a lot of data from the games, interviews, interviews with the actors that I would never count as canon, and it's also written by y'know, fans. it's actually pretty funny to read through the entry on say, Lucius, and be told that he was a "high achieving model student" and "his talent in potion-making even earned him a place among Slughorn's elite Slug Club." (right. it was definitely just the potions.) I'm learning that he "favours a more elegant, refined technique when he engaged an adversary and generally demonstrates great form in his duelling style." [citation: Jason Isaacs is pretty]. And while we're on that topic "it is likely that his looks might have improved upon the fall of his former Master." Very important that we know Lucius gets hot again after the books.

My guess is that this is the bit you read:

[text id: Narcissa had a close relationship with her oldest sister Bellatrix despite their differing temperaments and personality traits. Narcissa always despised the Blacks, but had great respect for those who did. The ones who dared defy their family's beliefs, such as her older sister Andromeda and cousin Sirius Black, leading her to ignore and disown them.]

I don't know about this. Maybe Narcissa and Bellatrix were close at some point, they do use nicknames to refer to each other, but in the timeline of the books there's a LOT of friction.

Narcissa is actively trying to get Bellatrix to "leave [her] alone" during the Spinner's End chapter (which is what the snippet up there is citing.) Bellatrix is... unhelpful about the Draco situation, saying things like, “If I had sons, I would be glad to give them up to the service of the Dark Lord!" She's also blaming Lucius for the Department of Mysteries fiasco, which Narcissa is pissed about:

“Don’t you dare — don’t you dare blame my husband!” said Narcissa, in a low and deadly voice

We also see some sort of power struggle between them later on, in Malfoy Manor:

“This is my house, Bella, you don’t give orders in my —”

In the books, I don't think we get any details about how Narcissa specifically feels about Sirius, or Andromeda. There's this:

“I expect Potter will be reunited with dear Sirius before I am reunited with Lucius.”

Which is just a very Narcissa way of saying "you're on thin ice." I guess the "dear" feels slightly mocking. But she's also actively threatening Harry, so not the most representative moment. We do get this from Bellatrix:

“We — Narcissa and I — have never set eyes on our sister [Andromeda] since she married the Mudblood.”

But... she is also speaking for Narcissa, and panicking in front of Voldemort. This might not even be true.

As for the wiki saying "Narcissa always despised the Blacks, but had great respect for those who did" - that's such an odd sentence I kinda feel like there must be a typo in there. I'm not sure there's any evidence in the books that Narcissa despises the Blacks.

(I mean I do think, in a fun headcanon way, that you can make a case that she went subtly low-contact with her family after she married Lucius. The Blacks seemed to have a pretty toxic family dynamic going on circa the first war, and one thing you can say about the Malfoys is that there's a lot of love there, and as a family unit they seem solid. Maybe Narcissa did start to think of herself as more of a Malfoy than a Black. (Maybe her Malfoy-blonde hair isn't natural...)

I also think there's something going on with the house elves. The Blacks clearly have a culture of house elves, and the Malfoys... don't? Like there don't seem to be any house-elves there once Voldemort takes over (and I mean, Dobby was such a *stunningly* bad security breach, I'd be shocked if there were.) But the house seems to run just fine, while hosting a bunch of Death Eaters, Snatchers, and prisoners. Makes me think Dobby was the *only* house elf, and that he was originally a Black family house elf who came over with Narcissa when she got married. In that case, I suppose the decision not to get more might mean something. But all that's just me having fun with the worldbuilding. )

[maxdibert]

How do you think Severus would relate to a child of his own, if he had one? What kind of father do you think he would be?

There are so many possible answers to this question because it would really depend on the context in which Snape became a father (before or after the War), his child’s personality, and, of course, what his partner would be like. But, let’s assume we’re talking about a post-War Snape in an AU, because honestly, I can’t imagine canon Severus being a father in any way—it would literally be suicidal. Having a child would not only endanger his mission as a spy but also give his enemies perfect leverage to use against him. And he’s already suffered too much in life to throw in that level of angst. So, starting from a scenario where there’s no war and Severus can focus on being both calm and depressed (because he’d still be depressed, especially if he no longer has a clear purpose keeping him going), I don’t think the idea of fatherhood would really thrill him at first. It’s not like he’s someone who’s ever thought of having children, or at least he ruled out the possibility long ago. If he had a partner who wanted kids, I think he’d agree, but with a terrifying sense of dread about fatherhood because 1) his parental role models are terrible, and he never had a functional upbringing, and 2) he’s never really liked kids. It probably wouldn’t occur to him that maybe the issue is that he doesn’t like other people’s kids, but his own would be different. That’s why I think his partner would be a fundamental factor in this—supporting him throughout the process and keeping him grounded about his own traumas.

That said, I imagine him as a strict but supportive father, one who sets rules and commands respect but without using violence or verbal attacks on his children. He’d especially try to spare them the awful childhood he endured with his own father. But I still see him as the kind of dad who has rules and expects them to be followed, the classic type who cares a lot about grades and school behavior (he was a teacher for 18 years, after all). He’d probably see certain grades as failures if they didn’t meet expectations. He’d likely be a bit awkward with affection, although he’d find his own ways to make his children feel loved, valued, and accepted. He’d be a present father but would struggle to be fully emotionally open, though he’d likely improve this over time and with effort.

I also see him preferring to have daughters, or at least finding it much easier to bond with a daughter. I’ve always thought that it’s simpler for Severus to relate to women (Lily was his first friend, and the other person he spent time with as a child was Petunia, also a girl. As much as he picked on Hermione, he wasn’t as harsh with her as he was with Harry, Neville, or Ron. He seemed to have a fairly close relationship with Narcissa, etc.). Basically, most of the men in his life have been abusers (his father, the Marauders, Dumbledore manipulating and blackmailing him, Voldemort...), so he’s more at ease, or maybe just more himself, when he’s around women. I can see him thinking that he might not fully understand “girl stuff,” but that it’s better than having a son who’s into Quidditch and facing the prospect of not knowing how to deal with a boy who represents all the typical “boy” interests and behaviors that Severus doesn’t really embody. He’d probably have some anxiety over this—something common among men who don’t fit into stereotypical norms associated with their own gender.

Still, whether he had a son or a daughter, he’d try to provide them with a functional and stable home, where there’s affection and respect, allowing them to grow up with the security he never had. I don’t see him as an “easy” father because he has too much baggage, but he’d be aware of that baggage and try to address it when he realizes he’s messed up. He wouldn’t do that for others, but he’d do it for his children.

[anomaly-076]

If the tkdb ghouls were the whb devils, who do you think would be who?

If Tkdb boys were WHB demons

‎‧₊˚✿Masterlist✿˚₊‧

♦ Ooh a fun concept! ^^ *rolls up sleeves*

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Jin

Jin is an absolute Belphegor with the whole 'leave me alone I'm sleeping thing'

Plus he has his trusty servant to take care of everything

Tohma

For the same reason I'm gonna say Tohma is pretty much Beleth

A trusty servant taking on the responsibilities of leading the kingdom/house

Lucas

Okay, not a devil, but I'm gonna say Minhyeok

Our trusty childhood friend who's all prim and proper

And him and Ppyong are amazing besties just like Lucas and Kaito

Kaito

To simply put it: Kaito is an idiot

Kinda like Ppyong, who mostly says stuff that make you wonder if there's a single braincell happening (doesn't matter, he's my son either way)

They both also see themselves at a prince in a shining armor

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Alan

Rarely talks, doesn't really show much emotions...

That sounds like Zagan to me!

Another thing they have in common is their interest in working out

Leo

*sigh* this might be controversial, but I don't hate Leo

Otherwise I'd hate to assign him one of my favorites: Paimon

They're both these cheery and cutesy social media fiends

To be fair: Paimon is a bit controversial too

In a way that there was a bit of drama bc regarding people's HCs (one person was hypocritical about them not adhering to canon)

Sho

Bike boy Sho gets a bike boy Amy

They're both pretty chill despite coming off as a meanie at first

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Haku

Our ever-so-cheery Haku can be no other than babyboy Gamigin

They're both so energetic and adorable ^^

Towa

This is more based on my personal HC, but Morax strikes me as the type to be able to talk to plants/animals and to attract them

Both our boys are on the quiet side and morax is definitely the romantic type too

Ren

In the original design, Gusion was made out to be a gamer in a onesie and so I HC that it was his "teenage" phase he hasn't grown out of and only chooses to dress more mature

They both would absolutely love to have a movie/gaming marathon with MC

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Taiga

Ah, guns ablazing

Stolas has a bit of a short fuse and likes to fire two of his thompsons

I kinda wanna see these two on a shooting range now

Romeo

With Romeo's obsession with meeting deadline money goals, Bimet is the absolute perfect equivalent

We even had an event where some of his money went missing and he threw such a bad temper tantrum

Ritsu

This one is kinda hard...

I don't think there is a demon that would be similar to Ritsu..

Oh, but we do have Bael who is constantly doing paperwork instead of Beelzebub, who's always gone

And Bael is constantly sending all the other nobles out to chase him down

Just like Ritsu constantly bothers Taiga and Romeo with his lawyer roleplay

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Subaru

Subaru as the pretty boy he is gets another pretty boy, Foras

According his idiosyncrasy, Foras is the prettiest demon in Hell so much so even his king, Leviathan, gets jealous

Haku

Personality vise I don't think we have a demon to match Haku, but the spiritual vibe he has reminds me of Buer

Buer gives me the vibe of some temple priest/spiritual healer

Zenji

Zenji is another one who's kinda hard to find a demon for

There isn't really an artist/writer type of demon

So maybe... Astaroth?

Astaroth finds pleasure in corrupting people with his words, just like Zejni wants to spread his poems and songs

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Edward

Old man

Just like Lucifer

I can imagine them sitting in Lucifer's greenhouse and relaxing together

Rui

Another one I wanna say Astaroth about?

Rui is a flirt, just like Astaroth

Plus the whole bar thing matches the corruption thing really well

I once even wrote Astaroth as someone you don't want to watch over the alcohol on a party

Lyca

This one is kinda obvious: Naberius

Since he can turn into Cerberus while angry and they're both precious

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Yuri

Yuri gives strong Agares vibes withe way he thinks everything revolves around him

They're both full of themselves and have a faithful sidekick

Jiro

Gentle giant ♥

Okay, Marbas isn't as gentle (if even), but they're both precious big medic boys

I can even imagine Marbas waving a chainsaw around

If he wan't for the safety of everyone tied up

[glisten-inthedark]

Different anon and I sorrrrttttaaaaa second the sex scene thing except not really out of discomfort; I just don’t think that Will or Mike seem like the type of people (characterization-wise) to immediately be dtf right after a confession. Especially since Will is canonically knowingly in the closet as of season 4 and we don’t know for canon-sureness exactly where Mike is, I think sex is something that they would build up to together to make sure they’re both comfortable and on the same page and prepared. If season 6 were to exist and Byler were to get together in season 5 then I would want season 6 to be when they have sex, and I’d want it to be a complete contrast to both St*ncy and J*ncy where it’s slow and romantic and they’ve clearly both ready and it’s not impulsive or an act of teenage rebellion where you think you’re ready but you’re not (that’s the vibe I got from Nancy after she slept with Steve, she doesn’t seem happy after and it makes me sad for her). And then the best and biggest contrast would be how they wake up after. St*ncy had Nancy wake up alone and leave while Steve was still mostly asleep. J*ncy had them trying not to be giggly and euphoric while also being embarrassed in front of Murray. But I’d want Byler to wake up next to each other in warm sunlight and exchange a sweet good morning kiss together.

They could still go for that slower, romantic vibe in season 5 but I think it would lack the sense of preparedness, readiness, comfort, and assurance that would come from them having actually been dating for a little bit, which I think is something Will especially would take a lot of comfort in.

Idk that’s my wants and take on it lol

Hello!

That's a good argument too, I'm trying to figure it out how the time jump might change their dynamics and behavior from season 4 to 5.

Because we know how old they're going to be, but how will that play out in their behavior?

But I see what you mean when it comes to Will still being in the closet in season 4 and Mike being so far deep in it that he's about to find Narnia, so I can understand sex being something that might not just happen with all of that in mind.