#i just think a lot of people are either really annoying about it or really gross about it which makes me tired of seeing it sometimes

[the-breath-in-air]

Also, I think that in trying to create frictionless relationships by being small...the result is often that there's a lot more friction. It's just unspoken. My housemate right now is a dear friend of mine and for a variety of reasons, she's at a point where her default response to friction is to make herself small to 'fix it.' (She's working on it, but it's a process).

But the result is that I can't come to her with any issues or even minor inconveniences with the house unless I'm prepared for her to immediately start apologizing profusely and talking about all the ways she can 'fix it' by sublimating her own needs. And 1: I don't want to put my friend in that headspace, plus 2: if I've had a difficult day and I'm already annoyed by something, then I don't necessarily have the bandwidth to navigate all that graciously. So I either let it go (which is not particularly healthy to do all the time) or talk about it but get more stressed by her response (also not healthy).

So if you think you're making life 'easier' for other people by making yourself smaller...you're really not.

i promise you that nobody has ever in their life thought "wow, this other person inserted absolutely zero friction into my life. they were so efficient and worked so hard to get out of my way. i love them for that." not EVER. not ever ever. if you sublimated your own personhood that hard they didn't even think of you at all. the people we remember in life are the people who got in our way a little, and broke up our routine, who asserted their perspective and gave us something new to think about or feel. that's how we form real relationships -- by inconveniencing one another and actually having a marked influence on one another's lives. to be loved is to be annoyed. and to be annoying at someone. and to be thankful, at the end of it all, that somebody broke you out of yourself for a moment and got in your way.

it's great to be considerate and obviously not every interaction is gonna be special, but you can't go through life as if every person is a cashier that you don't want to get mad at you for asking for an extra bag.

[lavellaned]

Actually I think one of the reasons why this game is so awful to get through is how it treats abuse, abusers, and abuse victims.

Under cut due to length of rambling:

First of all, Morrigan. Abused as a child by her mother, Flemeth aka Mythal, learned about the world and how to interact with it in a skewed way. Was treated in a way that no child should be by anyone let alone their parent.

Fast forward to Inquisition, particularly a worldstate in which Kieran is alive. The scene in the fade where Morrigan confronts Flemythal is one of the most important and special scenes in all of dragon age to me.

Growing up through abuse as a child you never think "I don't deserve this", you mainly think things like "Why is this happening to me?" and "Bad things happen to me." You know that these things are bad and make you feel bad, but when your baseline for how you should experience the world is abusive, you don't have the point of reference to think otherwise. And then you grow up. You look back on the abuse through the eyes of the child who experienced it but also through the detached, adult view that you currently have and have to reconcile the two. It's not easier nor pleasant. Getting to the age your abuser was/getting into the position of power your abuser had over you is difficult. Being at that stage and picturing yourself doing what was done to you to someone else is fucking sickening, and then you start to realize "I wasn't the problem, it WASN'T my fault, YOU are the one that's fucked up." But a lot of people can't and therefore the cycle of abuse continues.

But Morrigan does. She straight up tells her abuser "I will not be the mother you were to me." To have a character who survived childhood abuse be able to reach a point in their life where they can take back their personhood from their abuser is pretty damn important, actually. To this day I get weepy just thinking about it.

And then fucking veilguard happened.

Not only does it not matter if Kieran is alive or if Morrigan drank from the well (something that would BIND HER SPIRIT TO HER ABUSER), but Morrigan straight up let Mythal hitch a ride in her. The very thing that Morrigan tried to prevent ever since the first goddamn game? And we're all just supposed to accept and be ok with this?

The only way I can see this not being a complete character assassination of Morrigan is if Mythal just straight up possessed her unwillingly/killed her. Have Mythal use Morrigan as a information receptacle for new players, but also use old players' already-implemented relationship with her as a way to manipulate them. Either way, shit sucks.

Then there's the Crows. You know, the guild who takes children from brothels, orphanages, the streets and puts them through Hunger Games levels of training in which they either die or survive to become a slave assassin for the rest of their life. Not in veilguard. We're all just one big happy family. We rule Antiva, yippee!

Finally, there's Solas. One could argue his entire existence is the product of abuse, and everything that has happened in Thedas is because of it. I think framing his regrets as physical manifestations that want to kill him is a really interesting narrative choice. Unlocking the regret murals was one of the very few parts of this game that invoked a strong emotional response from me, not just because I'm an unapologetic Solas Enjoyer but because the implications are heartbreaking.

And then the game has you sit through the most fucking unbearable CBT group therapy session to talk about them with some of the most annoying damn people in Thedas who treat the literal apocalyptic levels of abuse Solas went through for millennia as something like a joke? And we the player are not given the option to challenge this? This game makes the point to force the player to agree with the flippant attitudes brought up from this.

Then brings up the final scene with Solas. Do I think the meeting with Mythal and Solas was handled well? Yes and no, but that's for another time. Solas is so far in the trenches of the trauma of abuse that he will not stop until his abuser pretty much tells him "I'm done abusing you." I think this was good and bad, again another time.

The way Solas interacts with his abuser is the direct flipside of how Morrigan does. You see more than one way someone can heal/not heal from it.

Morrigan, someone with arguable little power in the world, stands up against her abuser unflinchingly.

Solas, described through history as a GOD, someone with unfathomable amounts of knowledge and power, cowers and offers his abuser a literal weapon to kill him with, unprompted.

If this was a good game, it would be about regret but also about survivor's guilt, something that those who survived abuse have to deal with for the rest of their lives. But it's not, because it's a a bad game.

[coralchoral]

honestly thinking about the sonadow twitter takeover and how the plummeting to earth thing very much affected Sonic a lot more than it affected Shadow. like in a previous takeover Shadow even made it a positive memory about Sonic trying to save him.

Meanwhile in Prime, Sonic has a moment of saving Shadow from falling into the void that's very reminiscent of that other fall (in the same way Prime has a lot of motivations and references that only make sense from a fandom insider perspective).

Sonic also gets repeatedly tilted, loud and anxious, (which I'm pinning more on RCS's/whatever writer's sense of humor, as is all the voice acting gags) and is coping badly any time Shadow comes out ahead. I think Sonic's insistence on his ability to grow chest fur is as big a Cope as floaties=fashion statement.

But really, Sonic's repeat date suggestions and Shadow's own descriptions of Sonic's behavior (dragging out their races, etc "just to annoy me") reads, whether romantically or platonically, that Sonic just really wants to spend time with Shadow.

He feels he needs to justify it, though, insisting that he and Shadow have something other than occasionally getting in each other's way ("two sides of the same coin") (friendly competition being "why you keep me around-" seemed like odd wording to me).

Needing to make it meaningful, because that's what Shadow wants out of a relationship- Shadow /says/ he dislikes Sonic for being frivolous and inauthentic, that (for instance) his hugs don't mean anything, and that he doesn't want "(Sonic's) kind of hug."

Sonic really wants to spend time with Shadow because he's also intimately aware that that time is limited. Either Shadow's patience (and/or social battery) is limited and he's liable to make a batman exit if he doesn't want to be somewhere (not that we've ever seen Shadow do this in canon, he seems to awkwardly/quietly hang around as if he doesn't realize he can just hit the bricks (or he likes being there and has no idea how to express it re: smiling at Big the Cat) ), Or Sonic and Shadow will get caught up in their own lives again and not see each other until Fate Deigns to Allow Them to Cross Paths Once More.

And Sonic misses him.

(This ties in with my Sonic Frontiers is the Saddest Game Ever posting from a while back, too. Sonic is lonely AF and Needs Other People to Talk To or he'll start talking to the walls and robots, and Shadow will almost always either talk back or groan in exasperation, which is as good a reaction as any.)

All this, plus Sonic's opinion flip-flops (shopping with Amy vs shopping with Shadow, opinion on Orbot) could be either (Sonadow Optimist) Sonic is Down Bad and not even conscious of his mirroring Shadow/trying to appeal to Shadow, or (Sonadow/overall Pessimist) Sonic trying to appeal to the Most Popular Character Right Now and getting increasingly desperate as he is rebuffed.

A few of these Twitter Takeovers have had moments of Sonic in particular getting thrown off and not really able to recover. (which makes me question what the writing is like, if there's any at all and these VA's aren't just riffing on an outline. Considering they don't talk over each other constantly, there must be something like a script, but it also does occasionally feel like a bad roleplay (and I've been a bad roleplayer).) It leads to a Something Is Wrong feeling in the "We're doing this for fun" question-answering joke show. Sonic needs therapy. (We all need therapy.)

Meanwhile, Shadow really is pulling out all the grunts, groans, and whines with Sonic that, if scripted, would be egregious as hell to read or write. He doesn't make these noises in the games (or shows, really?) mostly because there's a sort of efficiency necessary to production that cuts out that interpersonal realism and partly because it's annoying? Shadow, you're the annoying one?

Unrelated, everybody latched on to Sonic's "Go off, King" but nobody even noticed Shadow's "Deal With It."(sunglasses drop) How soon we forget the sacred texts and/or the deep magic, I guess? (It's an old meme, but it checks out!)

[mangora]

Something I think about a lot is the people who went to school or lived in the same neighborhood as the ROTI cast seeing them on TV. Everyone in Cameron’s neighborhood knew that a kid lived in that house but they never knew or even really saw him; and now they get to know him for the first time, and they feel this weird mix of pride for him, as well as melancholy or even anger at the fact that he was kept inside his whole life. Lightning was a star in his community and everyone thought he had an idyllic life, until they saw the finale and found out how much pressure he’d been under all those years, and they can’t see him the same way when he comes back. Zoey was an outcast at her high school and was ignored or even picked on by most of her peers, and they only realized how much of an impact that had on her when they watched her struggle to make connections over and over again until she lost her first real friend and snapped. No one liked Scott, everyone thought he was an asshole and knew he only got by via cheating and lying— but seeing him near catatonic after that shark attack, they can’t help but feel horrified on a deep personal level, and remember some of the good or just pitiful things Scott did, and wonder if he really deserved something that terrible. Jo was bullied but never seemed intimidated or effected by it; when everyone sees her struggle with her body image, or worry about the things she hasn’t done yet, or slip up and smile or help someone out, it both makes them realize that she’s weaker than they thought and also that they’re wrong for being happy about that. Similarly, Mike was widely treated as a freak and a delinquent, and had barely if any friends; seeing him open up about his DID on TV and learning where DID comes from created this sense of crushing guilt and horror for everyone who’d ever picked on him or written him off or spread rumors behind his back. Anne Maria was beloved by people at her school and in her neighborhood, and seeing how people like Zoey treated her and watching her lose was devastating. Brick was always known to have a heart of gold, and while seeing that on TV was inspiring for some of his friends and peers at boot camp, it made him a new target for other kids and commanders, who saw him as soft and effete and not worth wasting time on. Sam never had many friends due to his nerdy interests and social awkwardness, and after seeing how kind he was on the show, everyone wishes they’d given him a chance. Seeing Dawn properly mad at Scott during her elimination is super uncanny to everyone who knew her as the calm and collected local cryptid, and it reminds them that she’s human (or at least humanoid) and makes them take her more seriously. B’s community was rooting for them, since everyone knew how smart and thoughtful they were; seeing him get deadnamed by Chris and then get taken down by Scott made them genuinely mad on their behalf. Watching Dakota’s last moments as a normal human girl was horrifying for everyone who knew her, especially because after the episode aired there was nothing they could do about it. Staci went on the show as the annoying girl who lied for attention, and she left the same way; no glory, no gold, just humiliation.

And this isn’t even mentioning what their families felt watching the show, whether that be fear or pride or disappointment or anger— either at Chris and the show or even at their own child, in some cases. Like, could you imagine coming back home to your family, your friends, your neighbors, your teachers, your coworkers, after they’d seen you at your worst or most vulnerable on international television— after everyone who’d ever scrutinized or believed in you watched you lose big time. The horror and/or tragedy of ROTI doesn’t end or even really start with the radioactive island; the things that led them there and the things they returned to could be dismal or scary in their own ways.

Anyways I’m so normal about them rghhhhhh

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[hellothisisangle]

i wonder, would Cae just bang anyone in the camp? 🧐 (shadowheart? minthara???? GOOD ALIGNED TAV?!!!!!!!)

It entirely depends on what time we’re talking, because fresh post-worm Cae doesn’t have a high opinion of himself. He would sleep with anyone who showed any interest in him, being desperate for a connection and companionship

After he gains his self confidence he has the ability to be choosy, but he isn’t picky. He’s just living life and exploring what he truly wants. The thing about Cae’s view on sexual activity is that he’s still not THAT confident. He is more of a carefree flirt because it’s in his nature, though he doesn’t realize how promiscuous it comes across a lot of the time. If he realized that someone was interested in him, he wouldn’t make the first move- he’d wonder why they like him and silently fantasize until he gets obsessed. All in all, he could probably be swayed to be with anyone, because he tends to focus on the “good” aspects (the fun) of a person and ignore red flags

May as well speculate about Cae’s views of a romantic possibility with each main companion:

Shadowheart 🟢 Likes: her introspection and hidden softer tendencies Dislikes: She was pretty haughty to Cae from the get-go. The whole Sharran indoctrination, post-worm Cae can’t understand doing anything for a higher power and not yourself

LaeZel 🟢 Likes: immaturity, domination, reverence in pain Dislikes: seriousness, prudish behavior outside the bedroom

Minthara 🟢/❌ Likes: pragmatism, commanding presence, manipulative cunning. Cae can appreciate someone who knows how to get what they want Dislikes: She is legitimately a bit too mean for him, and he is turned off by the fact that she is so into the Bhaal aspect

Karlach ❌ Likes: living in the moment Dislikes: She was already spoken for by Tav, but even if she wasn’t, Karlach really gives him big-sis vibes. I don’t think either would hit on eachother

Gale 🟢 Likes: thirst for learning and ambition, both freaks in the sheet Dislikes: being chided for wild behavior or for doing something without thinking

Wyll 🟢/❌ Likes: charming-prince-like qualities Dislikes: reservedness, selflessness

Halsin 🟢/❌ Likes: almost hedonistic behavior Dislikes: Cae didn’t look twice at Halsin due to him already having a crush on another large elf

Tav (good-aligned elf paladin Emmaenuel) 🟢 Likes: Cae looks up to righteous people who know who they are Dislikes: selflessness and good Tavs annoy Cae at times, because he does a lot of morally not-so-great-things and he doesn’t like being told what not to do

Astarion 🟢 Likes: humor, selfishness, the “we can make eachother worse” behavior Dislikes: not being open/communicating, they actually fight often- typically over nothing important, just tiny annoyances that become an ego escalated spat (they make up quickly)

[sufferu]

Bravo to you for choosing not to let Rem be forgiven so easily. Honestly I've never been a big fan of Rem as a character, sometimes her endless pandering and obsession with subaru just really annoys me instead, and I've never understood people looking at her doing all that and then saying “Wow that's so hot I'm so jealous of Subaru!”

As for the ones who want her deeds to be easily forgiven by everyone, my personal guess is that they all only care about her body and the unheathy way she forces herself to act like the perfect waifu just for Subaru's sake, but subconsciously they can't stand the shit she did either, so they secretly want their favorite waifu to be a perfect being without flaws. But to me, isn't it essential to love a character and accept their flaws as well? They did wrong things, but there's no doubt THEY did them anyway, and that is part of what makes them who they are. Another thing is that forgiveness has to be earned, we're not cruel, coldhearted, or closeminded for not forgiving someone who hurts us. So I too agree with that anon who thinks WHDAA cast need to to beat some sense into Subaru on way too forgiving and tolerating the people who have hurt/killed him.

But now that you've decided to do that, beware of those rabid Rem stans coming after you and I'm worried that their harassment goes overboard and affects your personal life

I will say — I believe that Rem and Subaru’s canon dynamic is one of the most intriguing and multifaceted dynamics in the entire series. Their parallels regarding their insecurities and family members, their mutually codependent tendencies, the way they run the risk of becoming each other’s perfect enablers, the genuine sense of love and affection that runs parallel to the unintentional toxicity fostered within their relationship — it’s all really interesting stuff. In fact, exploring their dynamic through the lens of outsiders (including amnesiac!Rem) finally getting to peer under the hood is one of the main reasons I wanted to write a react fic at all.

As for why people like her — honestly, I think it’s kinda easy to guess? She’s a very cutely designed anime girl, she’s incredibly well-voiced, her insecurities are genuinely relatable, she’s got a super awesome oni power-up transformation, her morning star lends itself to some of the best choreographed action scenes in the series (or at least Season 1), she appeals to the whole “submissive maid” aesthetic that she knows Subaru finds attractive (and that also appeals to the target demographic of Re:Zero specifically, let’s be real here) — and frankly, there are so many scenes in anime where characters we’re supposed to like do fucked up shit that it’s not difficult to just…gloss over the whole “tortured the mc for several hours” part of her character. It’s understandable, especially if you’re not an insane person who spends all their time hyperanalyzing the anime they’re a fan of like I am. I don’t think it’s really that far of a leap for her to develop such a massive following, she was basically designed to be as popular an anime waifu as physically possible.

But then, that clash can become…a little uncomfortable if you’re writing a story where “Rem tortures Subaru” is a major plotpoint, and if you don’t want to reevaluate their entire relationship, it makes sense to find a way to just — get the characters to move along, much like a lot of the irl audience does.

But I really like toxic characters and angst and complicated relationships and all that fun stuff, so that’s what I’m gonna focus on. —Also Rem is WORSE in the LN. Girl starts fantasizing about whisking Subaru away while he’s practically comatose from shock (second Arc 3 loop) and then also makes a comment like “even if he had tried to assault her in her sleep, she knew she never would have resisted” like GIRL??? The idea of not tapping that insane well of potential drama is ludicrous to me lmaoo— especially because I really don’t care about maintaining the status quo ;)

(Also frankly, anyone who would start seriously harassing me over whether or not I share their opinion about a fucking anime girl is too pathetic for me to care about. I honestly don’t think I’ll get that big of a response — especially not on Tumblr “Gay Website” Dot Com — but even if I do…I don’t care, lmao.)

[ryuichirou]

are any of the twst girlies embarassed of their tits? wether it's because they're too small or too big or too generally existing?

Continuing with our boob special weekend lol Let’s talk about them some more. Thank you once again for the most important prompts in the world, Anon!

For those who missed it, yesterday we talked about twst girlies’ attitude towards their partner’s boobs. And also, a while ago we had a post in which I talked about boob hcs in general… In the latter one I briefly talked about the girlies’ relationships with their own boobs, so this time I’ll try not to write too much (a task that is Ryu going to fail in 3, 2…)

Riddle – when she isn’t focusing on it, she isn’t insecure about it, but when people (mostly Ace or Floyd) tease her about it, she gets very defensive and says that her breasts are not done growing yet. I guess she does have a complex … she fits into the trope of flat girl being jealous of bigger girls too nicely. Maybe it’s because the Queen of Hearts was quite a busty woman herself.

Ace – she isn’t embarrassed at all, she actually considers herself lucky because her boobs aren’t really big and don’t bother her at all, but she also isn’t really flat. The existence of boobs doesn’t bother her either. Of course, that doesn’t mean that she won’t compare her size to Deuce’s all the time.

Deuce – for the most part she forgets about them and isn’t super bothered, even though wearing a bra feels like a chore for her sometimes, since she used to not wear it for a long time. Her breasts also get pretty tender during a certain time of the month, and it makes running more difficult, but that’s about the only complain that she has.

Trey – she isn’t really insecure; her breasts began to rapidly grow when she was pretty young, so she is used to being a big girl. They do get in the way sometimes though, especially in the kitchen (which is annoying) or in the lab (which is dangerous), so if asked, Trey would say that she would actually like to have smaller boobs. She also gets a big embarrassed when others comment on it.

Cater – she is pretty comfy! Sometimes she makes jokes about wanting to be bigger, being jealous of Trey and stuff like that, but she really feels pretty okay with her boobs being medium-sized (closer to smaller ones).

Leona – not really insecure, but kind of inconvenienced. She doesn’t like wearing bras, and she is pretty big+her nipples are dark, so it’s pretty obvious that she doesn’t. It’s not like she cares about what other think of her, of course… one thing that she hates it when she falls asleep in a bad position and squishes her boob. Ouch.

Ruggie – oh she’s very okay with where she’s at, she’s happy that she never really had to buy herself a bra, and that her boobs are so small she pretty much forgets she has them. There’s never been a moment in Ruggie’s life when she was upset about having small tits.

Jack – she is both one of the biggest and the most physically active girls of the cast, so she would love to have smaller breasts. It’s pretty okay when she’s skiing or snowboarding because the layers of clothes compress her boobs very neatly, but when she’s running, she is having a very hard time. She has to get special types of sports bra, otherwise she wouldn’t really be able to run… In her ideal world, she is a B, in reality though, she is at least a D and growing.

Azul – there are moments when she is annoyed with her boobs, and she complains about them being big on a very rare occasion, but in general she enjoys being between C and D (she should be more of a C but I keep drawing her significantly bigger lol). She thinks that her boobs are one of her many assets and she is proud of this asset. A girl with a face this cute and boobs this nice can’t be not-trustworthy, right? She also puts them on a table when she works a lot, but that’s just a habit.

Jade – having big boobs isn’t something unusual for a mermaid, but having them underwater and on land makes a lot of difference because gravity and all. Plus, she and her sister are pretty big even by mermaids’ standards… so she is inconvenienced sometimes, but not too much. For the most part she doesn’t care. Her boobs do bother her when she is hiking though, she can't help but feel it would be much easier to walk, climb and even wear her backpack if she had boobs that are somewhat smaller than her enormous ones.

Floyd – she is way more inconvenienced than Jade, and the only one in the Octa-trio who actually complains about her boobs enough to ask for Azul to make a potion to make them smaller. But then she changes her mind and decides against it. She is very active, and she hates bras, so her boobs either bounce around too strongly or jump out of her shirt, and both are kind of bad. For the most part because everyone is acting so weird about it… it’s their problem though, not Floyd’s.

Kalim – happy girl, not a care in the world. She is also on a bigger side (similar to Azul), and it never really concerned her in any way. Of course it bounces a lot when she dances, but it’s like she isn’t even aware of that or really doesn’t care. She is pretty comfortable in her own skin!

Jamil – she is also perfectly fine, actually. When she was younger, she was kind of annoyed with Kalim’s boobs suddenly growing bigger when hers were much smaller, but she doesn’t care anymore; having smaller ones is more convenient anyways.

Vil – pretty comfortable, doesn’t really have any insecurities about it: she finds her small breasts aesthetically pleasing, plus it really works with her overall androgynous aesthetics. There are some clothes and looks she’d like to wear that are better for big-chested girls though, but it’s okay, even if it doesn’t look good on her, she knows someone who would look good wearing it.

Rook – she used to be very disconnected with her big boobs when she was younger because it actually caused a lot of discomfort to her during her hunts; she used to tie them up with bandages or pieces of cloth; she remembers being jealous of her brothers because they could run around the jungle topless and she couldn’t. But that was before; she is very comfortable with herself now and actually has a lot of appreciation of her breasts: Vil helped her to pick up proper underwear and support for them, and helped her a lot in general.

Epel – she hates her boobs, even though they aren’t even that big, but that’s already too big for her. Plus, they’re kind of round and perky, and she always feels like everyone’s looking at them (they’re not, no one’s looking). She is jealous of Ruggie…

Idia – for the most part she is very pleased with being one of the flattest girls in cast. There are so many headaches related to boobs, and she feels like she is excused from that annoying conversation entirely. She finds some comfort in deciding pretty early on in her life that she would never be busty and sexy and desirable (as if any of that has anything to do with having big boobs). Sometimes she thinks about what it would be like to have bigger boobs, but stops herself from thinking about it.

Ortho – ironically I think AI!Ortho would care about it more than real!Ortho. Real!Ortho is a little bit bigger than Idia, but she is pretty tomboyish and doesn’t really care about boobs at all (only other people’s boobs…). AI!Ortho, however, feels like this isn’t fair sometimes, and acts like a capricious child that wants something she isn’t really supposed to have. But overall, she just wants to be cute, so…

Lilia – the proudest flat girl in the world. Even more proud and even more flat than Idia lol Yeah there was never a moment in her life when she doubted herself because of that, even when she was mistaken for a boy. She has unshakable confidence and love for herself.

Silver – there are times when her boobs are in the way, but as long as she wears a proper bra or ties them up, it’s not an issue. She used to be a little concerned when she noticed that her boobs are growing (because Sebek’s didn’t start growing yet, and Lilia is completely flat), but that moment of panic was pretty short. She isn’t super big, but a bit bigger than Ace and Deuce, and she is pretty okay in her own skin.

Sebek – she is somewhat inconvenienced, and she also ties everything up when she’s training, but she also learned to live with her big boobs. She never felt like getting rid of them or never wanted to have them smaller; she is actually kind of proud of herself even though it is a pain in the ass to do everything that she does to keep them both healthy and not in the way of her activities. Horse-riding is especially difficult to her though, the bounce is too much sometimes.

Malleus – even though she is inconvenienced with how big and heavy they are, and with how much extra attention she needs sometimes because of them, she is pleased with her boobs in the same ways he is pleased with her horns, wings and tail – all of it is an indication of her being a Draconia. But also, when she gets tired of her big ones, she could just temporarily make them into smaller ones with magic! Just like she does with her tail and wings.

[jkl-fff]

Ford, solemnly: Now that we're free ... Please don't hold it against Dipper that he locked us in a room together to try to make us get along.

Norman: I wasn't going to. Like, I'm not thrilled about it, but I'm not mad, either. Just mildly annoyed. It's another one of his antics. But why does it matter so much to him?

Ford: *sigh* Dipper reminds me of my younger self in a lot of ways. Good ways and bad ways. We both have a tendency to be ... obsessive and get swept up in our own excitement, for example, even to the point of being irrational despite our minds being practically hard-wired for analytical thought. And neither of us deals well with perceived rejection or betrayal.

Norman: But I didn't reject or betray him. I only said that I didn't really like you.

Ford: Yes, but like I said earlier, we're both very important to him. He sees me as a mentor and maybe ever as a role model, he sees you as his best friend--

Norman, surprised and pleased: H-he said that? He called me his "best friend"?

Ford: He's hasn't used that exact phrase, but you don't need 12 Ph.D.s to figure it out. The point is, we're both very important parts of ... of his life, of his psyche, of who he identifies with and how he sees himself. I imagine he perceives someone not liking either of us as not liking a part of himself. Hence a perceived rejection.

Norman: ... Yeah, I guess I can see that. It makes no sense, not really, but also it does sorta make sense for Dipper. He once spent a whole afternoon trying to concince me that I should like Wes Anderson, even though I just don't.

Ford: *shrug* I did say we can be irrational despite being so analytical ... I'm glad you're not mad at him. Please reassure him of that. By all means, be firm with him about not locking you in rooms and such. I'm not saying to put up with shit--Oh, damn, can I say shit in front of a child?

Norman, wryly: I won't tell a fucking soul if you won't.

Ford: Ha! Well, as I was saying, don't put up with his shit. But please reassure him this whole ... episode hasn't changed anything between you. You're still friends, even when you don't agree. I think that would be ... would be very good for him. It'll help him grow up into someone who doesn't remind me of my younger self.

Norman: ... Do I have to give the gun back now?

Ford: No, you can borrow it for the day. Have fun, just don't shoot any people or any animals or any property that I personally care about.

Norman: Cool! But ... *sigh* Okay, why did you say that thing just now about it being good for him? Gonna bug me 'til I understand.

Ford, wistfully: ... Do you know how many friends I've had in my whole life? Truly close friends, who I felt I could be truly honest with about who and what I am?

Norman, taken aback: Uh ... This isn't about you being probably bisexual, is it?

Ford: What? No--Well, maybe, I guess--

Norman: Is it going to be about Dipper being probably bisexual?

Ford, exasperated: It's about isolation, you spikey-haired ... child. I 've had 3. One was my brother, who I turned my back on because of anger, resentment, and self-absorption. I got so swept up in obsession and feeling betrayed by him over an accident, that I let it cost me my only real friend at the time. One was McGucket, who I pushed away because of obsession and a need to be a genius and a pioneer of science. I got so swept up in feeling like he was rejecting me over ... Oh, it hardly matters now, given how unstable I was. The point is, it cost me the only real friend I had again.

Norman: And the third one?

Ford, haunted: ... That was Bill. Who did actually betray and reject me--who never actually was my friend, for all that I believed he was at the time. But that didn't exactly help my fear of betrayal and rejection, as you can imagine. And all of it happened ultimately because my own obsession and tendency to be swept up in my own excitement drove me towards isolation.

Norman: Which you don't want to happen to Dipper.

Ford: Yes. I understand he also has struggled to make friends over the years, only really having Mabel for so long. Isolation again. But you Mystery Kids, with you in particular as his best friend, Norman, have helped him so much by genuinely befriending him. That's helping him learn to be more ... more grounded and more stable and ... and good. More good--better, I mean--than I was. Which I want. I want him to be better than I was. So ... yes.

Norman: Yeah.

Ford: *nods* Good.

Norman: *nods* Great ... I'm, um, gonna go blast something now.

Who knew all it took to solve your personal grievances was giving a small child an unregistered high-tech firearm?

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[bmpmp3]

sorry to be a bit of a hater but i do wish youtubers weren't so scared of making their videos just like, "reviews", whys everything gotta be a "video essay" all the time. every day my recommendations are filled with 40 minute videos titled "_____: An Underrated Masterpiece" where the first like five minutes are reading the wikipedia definition of "masterpiece" in a somber voice with dramatic themed text on screen. please just tell me how good or bad you think something is and use the rest of the runtime to explain why. you dont need to put on all these airs

[icantwithstormandsilence]

I completely agree with you. While I haven't read To Kill a Mockingbird(I haven't read a lot of classics), I really love seeing how other people perceive the world so I do think authors should be given a chance to show their perspective and understanding of how they see the people around them being brutalized solely based on their race and the people who do the brutalizing.

Yes, the N-word is undeniably offensive, but its inclusion in the book isn’t gratuitous; it serves a purpose.

The reason why many people were displeased by the author of Storm & Silence using a slur was because his stories rarely address racism. Seeing how Karim, a man from India, was one of the main reoccurring character, I had hoped there might've been some heavy topic surrounding how people treat(I know it's a Wattpad book but still👀). Yes people called him a brute, savage, made him sleep in the stable, etc. but as an Indian myself, I have heard how many English people treated Indians. I guess because Karim was Rikkard's bodyguard no one dared to say anything too much.

The use of the n word felt out of place and unnecessary in this series. I'm sure people would've still been outraged about it even if the author constantly addressed it. I also feel people would not have liked it if he constantly addressed it because "it's too political for a Wattpad book". Either way the author would've been seen as the bad guy because people always feel the need to put some sort of blame onto to someone😅.

When he addressed why he used the slur, he said it was for historical accuracy. That made me angry because even if he says he wants historical accuracy, there are many times where his writing contradicts that.

I wonder, does your stance apply only to works on Wattpad, or does it extend to all forms of literature?

I'm honestly not sure how I feel about this. Like I said in the beginning, authors should be allowed to express their view(they should also be aware that there will be criticism no matter what), but there definitely is a difference with stories published on Wattpad.

While it's a platform that allows anyone to publish, it is very much a social media. Many people are able to interact with each other, which includes the author. If you publish on Wattpad, you are most definitely more exposed to other peoples opinions. Other readers also get easy and instant access to these opinions.

Something you might find offensive is not something that will offend others. But once you express that it offended you and others see that, they get offended for you. Eventually it becomes a hate-train where they berate the author saying "you have offended this one person so you are bad". It was probably never purposeful on the authors side, but once people form an opinion of the author, it stays.

I understand that Wattpad allows authors creative liberties and is positioned more as entertainment than as a critical engagement with historical issues. And that's what you disagree with? That Wattpad authors may not always intend to educate or provoke critical thought, whereas canonical literature often seeks to do that?

I'm not much of a writer, but I grew up reading on Wattpad and learned to write as I pleased. It definitely taught me to improve my imagination and creativity. To many young people who read original stories on these platforms are sure to think of these stories as more than just entertainment, but because others see it as a silly and unprofessional platform, it discourages the readers from engaging with it as anything but entertainment. I find it annoying because I've read many original stories that I really loved and wanted my friends to read it too.

I come from a somewhat conservative religious community and there was a lot a things I didn't know about the world. I've only interacted with my classmates and family for most of my childhood and having access to Wattpad other than just published physical books, which I could only discuss with few people, I got to see more and learn more. If I didn't have Wattpad, I don't think I would be as open-minded as I am today.

Many authors publish on Wattpad with the intention of sharing their stories and in many ways they teach a lot of people something new.

I understand the desire to protect young readers from harm, but I worry that in shielding them from uncomfortable realities, we’re doing more harm than good.

I agree with this too. Currently, the US is in the process of getting many books banned for the most dumbest reasons. They always find some reason to remove books from the shelves saying "It's to protect the children". I've read a lot of uncomfortable topics when I was young but it also taught me somewhat of how the world works. If we're not exposed to these stories, no one will learn how to interact with other people or why some people feel the way they do about certain topics.

Thank you for sharing your thoughts. It was nice to understand how differently you saw that situation. I hadn't given it much thought because I wasn't aware of it until I read about it on tumblr. I saw how many people were outraged and I understood them too. I guess I agreed with them because I didn't fully understand why it hurt them and wanted to support their feelings😅.

One thing I'll never get over is how Storm & Silence could've easily been so much better if Rob Their(the author) wasn't afraid to actually write a compelling story.

Don't get me wrong, I adore the whole concept of '19 year old Victorian girl dresses up as a man to get a job'. But it's just so poorly written that I think about all the ways the story could be better when I'm in the bus going home from college.

I mean, that's how it is with books, they will be criticized no matter how good or how bad it may be. But then again, this is a Wattpad book. You can never expect too much from a Wattpad book. Every character feels very two dimensional after the first book that every other book after that is just plain fan-service.

The first book is genuinely good, except for the hyper feminist way Lilly is written to be. The author doesn't even bother to add conflict between any of the characters. The ONLY conflict that we ever get is Lilly arguing with Rikkard how she's capable of anything even if she's a women in every single book. It keeps going on and on like this that it just gets boring.

And the way Lilly's intelligence is suppressed makes me mad too. Like in book 3, she literally deciphers a map to find the treasure, but god forbid she recognizes her fiancé's(whether she likes him or not) initials on the waste disposal file and connect the dots on how he and her previous guy(I forgot his name) might've just disappeared. That right there could've been a good conflict. She recognizes the initials, realizes what Rikkard might've done, get angry and argue about not wanting him to interfere with it, then having to find an escape from her next fiancé and choosing to go out of town with Rikkard against her will instead of telling him why bcs she doesn't want a new waste disposal file.

Not to be mean, but the author is a man. At the end of the day, the way female characters are written by men will never be realistic. I know there might be real people out there like Lilly, but the way her "inner feminist"(I hate when she kept saying 'mY iNneR FemIniSt iS prOtEstiNg' stfu) is written truly makes me want to pull my hair out. It will never be same as writing a story from a women's perspective when you already know what it's like. I'm not saying that men are incapable of understanding the female experience, I'm saying that it's stupid and annoying when a man pretends he does.

Also the lack of historical accuracy boils my blood. Rob claims to have done thorough research on every historical details yet somehow Lilly and Rikkard goes on top of the Statue of Liberty despite the story taking place around 1840 and the statue starting its construction in 1876.

SNS was the last and final original story I've read on Wattpad. I really wish I could go back and keep myself away from that app and read an actual book. But it's the only place I could go to when I lost my sanity. Let me know how you feel about the book. I know there's barely anyone in the fandom, but please tell me your perspective.

P.S. can someone tell me where Rob used the slur. I read about many people talking about it but I cannot remember or recognize where it is.

[lyril]

wowww, you hate this character cus they did something bad, no way... you hate this character cus they have a superiority complex, wowwww... that is sooo interesting and bold of you to say, please go on tell me more *frantically putting my t-shirts that say I LOVE WHEN CHARACTERS ARE ANNOYING FUCKHEADS and I LOVE VILLAINS and I LOVE STUDYING CHARACTERS UNDER A MICROSCOPE BECAUSE ITS INTERESTING back in my bag

[acrobattack]

i don’t know if this is a hot take or not but the rr/b skew more neutral than evil to me

[poor-ciceros-voring-again]

I really need some gravity falls friends I think :(

[phoenixisnthere]

I’ll never forget the time I announced to my freshman gym class that I believed in greek gods during the one-fact-about-me get to know me segment, and the brief second of terrifying silence when you’re not sure what kind of people these kids are was broken by the teacher who immediately said “Dionysus was a Greek God right?” and I said “Yes, god of wine” and she smiled, nodded her head and said “I like that. He’s the kind of god I’d worship” to a group of 14 year old girls and I kind of love her for that