#i just really love platonic relationship with as much if not more depth as a romantic one and i think they work perfectly with that

[welcometoteyvat]

the rarepair pipeline really is just (wants to see two characters interact) (the only people who make content of those two interacting are the shippers) (doesn't mind them having a romantic relationship and thus is converted into the rarepair)

[astrow1zar6]

Astro Observations~51

A lot of people with a mars square Venus I notice tend to be bisexual/homosexual ( especially if you have a Scorpio Venus and a mars in Aquarius) I also tend to notice these ppl have an issue with cheating in relationships. They usually grow up seeing a lot of dysfunction in relationships.

People you share that you share a lot of 5th house overlays with can make you laugh like no other

Mars in Taurus people usually prefer ppl who are more submissive. Ppl with stronger personalities throw them off. They usually prefer to be the more dominant one in their relationships (platonic & romantic)

Usually people with a Capricorn rising also have Neptune in the 1st house

Venus in Sagittarius’s people can be more open with dating more than one person. Very adventurous in love. More likely to date someone with a different cultural background than themselves.

People with a lot of 5th house placements are easily aroused/ have a lot of hookups. They also tend to develop crushes easily and have a lot of ppl who have crushes on them (especially Venus and mars in 5th house).

Venus/mars in libra usually develop crushes on anyone who’s mildly attractive and give them attention. Very easy to impress.

Venus in the 12th house have such a hard time in romantic relationships. They have this clear image of the perfect person but end up with really abusive mentally ill partners in return. Most of their spiritual growth comes from failed relationships.

You tend to act like your 12th house sign while young and as you age you grow into your 1st house/rising sign.

Gemini risings either never shut up or are as quiet as a church mouse.. no in between

Libra suns with a Scorpio Venus are WHORESSS

Pisces moons can be very codependent on others. A lot I notice struggle with being independent they try to escape from responsibility a lot and struggle with the practical areas of life. I also notice this with cancer moons as well but not as bad.

Cancer moon men are big mommas boys

Leo moons were usually spoiled a lot by their mothers. Other siblings could’ve felt they were the favorite child

Mars in Leo’s love language usually is words of affirmation. They love when others acknowledge how good they are at something or how attractive they are. Can take criticism a lot harder than most.

Mercury in the 12th house can make you feel like you are a shadow. When you speak people usually never listen or make you feel like your thoughts are un important

Venus in Virgos are by far the most selfless in love. They will give you the world if they love you. However they are usually treated very poorly in love:( they are the best people to date but have such sucky luck in the love department and their love is usually very one sided. the definition of “nice guys finish last”

Saturn in the 7th house people usually fall in love with others that don’t feel the same way about them

Leo suns thrive off of attention whether the attention is good or bad. They just want to be acknowledged so bad.

Venus in Libra women tend to act dumb to seem more attractive to men

Venus in Taurus’s love language is cooking for their partner & they are usually amazing cooks!

Taurus placements can be big haters when insecure. They have a tendency to project their insecurities onto others.

February Pisces act more like the stereotype definition of Pisces. They are a lot more naive and emotional and more hopeless romantics than the March ones. The March ones are more nonchalant, reserved about emotions and independent!

Saturn in the 5th house native usually don’t start dating until much later in life. They can be kinda awkward when it comes to love. Can choose to lose their virginity later in life. They can come off as lacking a lot of depth and be very vague when talking to someone they are into (even if deep down they are very deep). They also tend to waste their talents most ppl with this placement tend to be incredibly talented but don’t use it out of insecurity.

Having an empty house in your chart can make that area of your life not as significant to you or it doesn’t come as naturally (eg; empty 10th house can struggle to find a career they are passionate about or they aren’t too ambitious in that area)

People with a lot of 12th house placement are super secretive, they hate when others know too much about them. Can put on an act or hide their personality from others a lot.

Venus in the 5th house people are super charming. They can be grotesque and still pull the baddest bitch I swear.

Venus in Libra women either are disgusted by women who come off as too masculine or are super intrigued by them

Mars in Pisces are more likely to get bullied by others because of how passive they are. They have a harder time standing up for themselves and hate conflict. This can cause them to get walked on a lot.

Capricorn moons can come off as lacking empathy. Really hard people to open up to emotionally because they always look super uncomfortable and can make you feel awkward for being vulnerable.

Aqua Venus/moons cut off game is CRAZY, once they’re done with you it’s like you never existed to them. Your existence is erased from their mind. You can be close with them for years and they’ll leave like you meant nothing to them if you really fuck up

Fire suns really like talking about themselves. They can talk about what they are good at for hoursss.

Aries suns have a big main character complex.

Aries suns, moon & Venus women can have a hard time being feminine. Even if they are all dolled up all the time they have very masculine personalities usually. They also hate girls who are very pick mes

Air Venus’s get the ick more than most Venus signs. Which is why they are considered players

Moon in Aries have great eyebrows

[maplebellsmods]

Expanded Storytelling Relationship Bits Mod: 2

Ok..more storytelling and relationship options for your sims! 

(Really tried my best to push this out before the end of Jan) 😮‍💨

If you want more info about the mod check this page out: Expanded Storytelling Relationship Bits Mod 

This time around created more relationship bits. Here they are

I wanted to try something new this time, which is why it took me so much time. I'll get into it later.

But there are a few new things I have added and changed from the previous one. First off, there are more interactions available: social interactions, phone interactions, and rabbit hole interactions.

Each one of these interactions corresponds to a specific relationship bit.

Healing Touch: 'Plan Relaxing Activities Together,' 'Offer Comfort through Hugs and Physical Touch.'

Wisdom Seekers: 'Ask Questions about the Universe.'

Unbreakable Connection: 'Celebrate Anniversary of Enduring Connection,' 'Promise Everlasting Friendship' (Only available pre-promise).

I do need to note that, just like the other mod, many of these are cosmetic and don't have a full effect yet. (Emphasis on 'yet,' as I will slowly but surely make these more functional.)

If your Sims have the Wisdom Seeker, Tech-Savvy Partners, or Night Owl Companions relationship bits, some interactions will unlock on the phone:

Wisdom Seeker: Study Together at the Library 

Tech-Savvy Partners: Send Tech News 

Night Owl Companions: Night Time Activities Menu 

(Regarding nighttime activities, I haven't found a workaround for this issue yet. However, here's a temporary solution: When selecting an activity for the two Sims who have the rabbit, choose the Sim you want to go with first, and then select yourself again using the same option. I'm not sure why this happens, but it can be a bit inconvenient. I'll work on making the process more streamlined in the future, but for now, this is how you can get them to go to the same activity.)

The new feature I've been working on, which I'm quite excited about, involves social interactions. I've always felt that many social interactions lacked depth and context. So, what I'm currently working on is creating social interactions to fill that gap

One of these interactions is 'Provide Emotional Support,' which is available for Sims with the 'Healing Touch' relationship.

In this interaction, your Sim will be presented with several options when they are feeling sad. Your Sim can choose from these options to express why they are feeling sad. Once they make a selection, the other Sim will ask for more context, leading to the exchange of contextual advice and reassurance.

I've also developed another social interaction, 'Try to Confess Feelings,' which is available for Sims experiencing 'Unrequited Love.

Attempting to confess your feelings will lead to various outcomes depending on the option you choose. In this interaction, the Sim who hears the confession will have several response options available.

The choice made by the listening Sim will have an impact on their relationship, both romantically and platonically. Some response options may harm the relationship more than others.

The way the Sim responds through the animation doesn't affect the outcome. I've designed it this way to leave the choice entirely in the player's hands. However, unless both Sims are in a flirty mood and have a high friendship level, the Sim who hears the confession will always use the rejection animation. Nevertheless, this animation choice doesn't alter the outcome.

The social interaction 'Forbid Relationship With' can be used either before or after designating two Sims as star-crossed lovers. Some of the options will even add the 'star-crossed lovers' relationship bit to the two Sims (if they didn't have it), while others will remove it (if they did have it).

The interaction can be found under the Mean -- Arguments Pie Menu Category. Only a parent, grandparent, uncle, or caregiver can trigger the interaction. 

Depending on the chosen options, the relationship can either suffer a negative or experience a positive impact. While all of the options will influence the relationship, certain responses will have a significantly greater effect on it than others.

These are all the main points! I hope you all enjoy this new feature because I'm eager to create more! There will be additional interactions and other things I'll be adding to this mod. I'm constantly learning new things, and it's truly enjoyable to implement them!

Download Here

Public Feb 24

[written-in-knife]

Hi! Can I request a platonic relationship with Crowley or Crewel? For example, they adopt a reader (officially on paperwork, or emotionally) and suddenly the reader just falls through some portal and ends up in another world. And Crowley/Crewel just *dad panic, -1000 nerve cells*. At the end all is well and they reunite!Another point, you didn't ask for it, but I'll say it (sorry). Put two tags in your fanfics "TWST × reader" and "Twisted Wonderland × reader" (put both at once) so more people will see you!

Watching and Waiting

Parental!Crewel & gn!Reader

Fluff, slight angst, hurt/comfort? a single sentence of a little hurt/no comfort at the very end sorryy

Word count: 4049

That tip does actually really help and I will do that from now on, thank you! I really love the idea of the staff pseudo-adopting the main character, but I'm OBSESSED with Papa Crewel. And to demonstrate, I'm going to get completely carried away with this prompt! HERE WE GO!

When it came to the student body of Night Raven College, Crewel had a certain level of fondness for all of them. He was strict, of course, he wanted nothing but to see them succeed, but there was a little bit of pride he took in every class. Diligent juniors who'd been with him for a handful of years at this point, most of whom exceeded his every expectation and the rest who at least performed the required tasks with the skills he'd taught them. Flighty but extremely talented sophomores who managed to impress him at every turn in one way or another. Even the freshmen, a group of troublemakers to be sure, but malleable, sharp minds that just needed to focus up to learn the material and they'd be well on their way to excelling in his class.

Then there was you.

Crowley had called a staff meeting to explain the situation to the teachers once you and Grim had proven yourselves worthy to become two halves of a whole student. Trein had asked if there was an active search on figuring out a way to send you home to your own world, and Crowley responded with a very flippant yes that left a sour taste on everyone's tongue. Once it was announced that you had been placed in Class A, Crewel's homeroom, he silently vowed to keep an eye on you. Just that. A magicless student in a magic academy in a world they were not at all familiar with felt to him very much like a wounded puppy being circled by vultures. He wouldn't treat you any differently, of course, you were simply a few steps behind and needed someone watching your back whether you knew the eyes were there or not.

So he watched. He watched as those friends of yours extorted you when you were at your wits end with Grim, he watched you struggling with Grim. He watched you in the second-hand uniform with hastily stitched repairs that was at least a size too big and getting bigger on you as you were not being provided with enough money to feed yourself and Grim AND repair your dorm. He watched as you tried to make Ramshackle habitable, and he watched as you over-extended yourself to put an end to Riddle Rosehearts and Leona Kingscholar's overblots. And when he watched you in the nurse's office just laughing off your injuries the day of the Spelldrive tournament, Crewel decided he was done watching.

It started small at first. He'd discussed with Trein about what subjects you were struggling in, not surprised to hear they were all magic based subjects, then held you back after class to offer to tutor you in those subjects under the guise of wanting all his pups to succeed. Which he did, of course. You agreed to the after school tutoring, which Grim very loudly refused to attend. Every other day after school, you met up with Crewel his classroom to tackle some subject or other more in depth while he graded assignments, and before you left, he would hand you a large container with food in it.

"This is cutting into your dinner time, is it not?" He explained when you asked about it. "I'm not a monster, I wouldn't expect you to go without eating all night."

"You don't have to go out of your way, Professor." You sighed, too hungry to deny the free food.

"Hardly. It's leftovers from last night," a lie, but you didn't need to know that, "I won't miss them."

Crewel caught you back up in your subjects fairly quickly, you were a diligent student. As the days went on, he watched some life return to your face until he could no longer find that ravenous look deep behind your eyes. He started setting a portion of his salary aside and bringing it to Sam, telling him to keep it for when you came by to purchase anything, giving him a little extra to not tell you where it was coming from. He felt a little swell of pride in his chest when he heard you bragging to Ace and Deuce about your grocery run being paid for. He was comfortable with this, happy enough not watching you wasting away and seeing you beginning to thrive in this school. He knew you could hold your own after handling two overblots, so he knew you could handle yourself against the Octavinelle trio when they came for your dorm. And of course you did. He felt that swell of pride again, stronger than he felt for his other students. Then again, his other students didn't have to fight nearly as hard as you did. Before he left for the winter break, he left a parcel on your doorstep that contained a thick pair of gloves, a fur lined hat, a cashmere scarf, and an old brown fur jacket of his. He worried it may not fit, but he refused to leave you to freeze while he was gone. He left a note in the box on top of the items.

"A small reward for your hard work this semester. Enjoy your holiday, you earned it. D. Crewel"

When he came back from the winter break, he was disappointed to find your school uniform in worse condition than when he left, a jacket sleeve hanging on for dear life, poorly patched holes in the knees, one of your shoes peeling away from the soles. He refused to let that go on any longer than it needed to, bringing you to Sam's himself to get you fitted for a new uniform. When you tried to insist that you could pay, Crewel insisted that it wasn't necessary, citing that he couldn't have any of his pups looking less than their best for the upcoming culture fair. When you tried to bring up the winter clothing he'd left you, he brushed off your thanks with a wave of his hand.

"We can find something more suitable to your style before your next winter." He insisted as he gently adjusted your tie. "I couldn't have one of my best freshmen freezing to death while I was gone, could I?"

Despite being caught up to the other students in your subjects, you still came by after class, more often to gossip over whatever meal Crewel had brought with him than to study. You told him about what happened over the winter break, and how the Octavinelle trio actually ended up helping you out. You told him about Ace and Deuce showing up after everything had been resolved, how they got there by train and boat and foot because they had been so worried about you. You kept him up to date about how your dorm, finally at least clean and presentable, had been offered up for the SDC group headquarters. He occasionally had gossip for you, making you swear not to spread anything around before he would tell you anything. It was usually student gossip that was being spread around anyways, some spat in Savanaclaw, an Ignihyde student locking down a portion of the school website to blast photos of another student doing something embarrassing, and so on. He wouldn't admit it to a soul in the world, not even you, but you were swiftly becoming his favorite. Remarkable grades for someone who didn't even know the Great Seven at the beginning of the school year, the admirable bravery and kindness it took to stop five overblots in their tracks, you were impressive. That feeling of pride in his chest eventually never left.

When the Ferrymen came to remove students and take them to Styx, when he heard two of his students were injured, he sprinted down to the nurses office, feeling a bit shameful in the amount of relief he felt that you were not in one of the beds. When you did show up to check on your friends, he patched up the few scrapes you did have and insisted you didn't do anything rash. He knew how much you'd grown to care for Grim, but you had to leave this to the faculty. He was already boiling with rage at the injuries Ace and Deuce had sustained, if Crowley wouldn't handle this, he'd figure out a way to handle it himself. He should've realized that would be your mindset as well. He was furious when he heard you'd gone off with Rook and Epel to find everyone that had been taken, but more than that, he was afraid. He was afraid you wouldn't come back, and all he could do was wait and watch. When you did eventually come back, Crewel had an entire lecture planned for you, explaining how reckless and irresponsible it was to go running off with Rook and Epel to find Styx like that, how you could've been injured or worse, how he expected better from you. You took it like a champ, fully expecting the lecture before you even went after Rook in the first place. But you were safe, everyone was safe, that's all that mattered to you. You could sit through one lecture. When Crewel finally ran out of steam, he stepped forward and put his hands on your shoulders, getting you to look back up at him.

"I'm glad you're safe, pup, but don't you even think of doing something like this ever again."

"Okay, Dad."

You both froze, but for different reasons. You couldn't believe you slipped up and called a teacher dad, you were extraordinarily embarrassed. Crewel on the other hand was putting a name to exactly what that feeling of pride in his chest is every time he sees you succeed. You may not be his by blood or by law, but you are his. He ruffled your hair and sent you away with an order to rest up after your adventure.

You still came by his office after school, raving about a good grade on a history test or complaining about Grim and Ace getting you and Deuce in trouble in Vargas's class. It felt much lighter than when you first joined him in his office at the beginning of the school year, you had been so tense back then. You eventually took to calling him Dad on occasion, mostly when you were teasing him about something or other. He'd never imagined himself as a father, but he supposed at some point he had decided you were his kid, even subconsciously. It was probably the day he'd decided to stop watching, as soon as he closed that distance in his mind, you became his child. He wouldn't admit it out loud to you, or anyone for that matter, but he did consider you to be his family at this point.

In the meantime, Crowley had been actually, finally, working on a way to send you home, mirrors now lining his office, portals in the frames to different places in Twisted Wonderland, a few that go beyond but not correctly. Not to your home. Crowley had confided in Crewel that he wasn't sure he was going to find you a way home before the end of the school year, not sure what to do with you since they couldn't keep you on campus. Crewel offered up his home in half a heartbeat, more than willing to keep watching over you over the summer should it come to that. They were discussing the logistics of it in Crowley's office when you came into the room, stepping off to the side by the wall when you realized they were speaking, waiting your turn. You were standing in front of a large, full body mirror that nearly reached the ceiling in height when the door slammed open again, shaking the walls, Riddle scolding Kalim for opening the door so recklessly as the rest of the Housewardens filed in behind them. They all got a front row seat to watch the large mirror at your back teeter back and forth for a second, then topple forward and on top of you before you could even realize to dive out of the way. The mirror shattered when it landed flat on the floor, no sign of you underneath. Despite that, Crewel ran to it, enlisting Leona to help him lift it, desperately hoping to find you injured but alive. Find you there. But the only thing below the frame were the splinters of glass, now just reflecting the room instead of a swirling portal.

You were gone.

Crewel nearly throttled Crowley to get any information about that portal that he could. All Crowley could provide was the number he'd written on the back of the frame, a three, and suggested there may be others with that number. Other mirrors had recognizable names on the back, Clock Town square, Fleur City waterways, Scalding Sands outskirts. A few also had numbers, three ones, a five, two busted mirrors with a four on the back and the word dangerous, two had apparently been so uninhabitable that he tossed the mirror out entirely. He explained that he wasn't sure where the numbered mirrors led, they were not familiar lands to him. The ones all led to the exact same spot in a field of flowers he'd never laid eyes on, nor had you upon bringing one back, the five led to the inside of a locked room with lettering inscribed in the walls that you didn't recognize from your world. Three had led to a bustling city street. Crowley had led you through it once during his investigations. You recognized the area, but it was wrong. The way you'd described it was that it looked like three major cities from your world had been mashed together, and the lettering on the signs was unlike anything you'd seen. It wasn't home, but it had given Crowley the idea that he'd been getting close. Crewel sent the Housewardens out of the office at the explanation, and no one argued with his tone, the group of them too shaken by watching their friend disappear before their eyes.

"Bring them back." Crewel snapped as soon as the door closed behind the students.

"I'm sure they're fine, Divus, they even said themselves that it was similar to their home--"

Crewel grabbed him by the lapels on his jacket and dragged him back over to the shattered remains of the mirror. "Similar is not good enough, Dire." He snarled at the man. "You swore you would send them home, not abandon them in another unfamiliar place. Now, it is my pup that is lost as a result of your negligence and you will bring them back here, or so help me, I will--!"

"Alright! Yes, I will work on getting another portal open to them, but it will take time." Crowley agreed, if only to soothe over Crewel's rage. "It took months to find something that resembled their home the first time, and I haven't managed it again."

"Then I guess you had better get started."

The waiting was by far the hardest part. Every day for the first two weeks he would stop by Crowley's office to make sure he was working towards getting you back and to see if there were any developments. There were none. He was there in that office every day he didn't have classes, trying desperately to open the right portal. He and Crowley had told the Housewardens not to say anything to anyone yet, not wanting to worry the friends Crewel had watched you make. After the first two weeks of waiting, they could no longer keep it from Grim. Surprisingly enough, after telling him the news, Grim decided to stick close to Crewel in his free time. He's quieter now that you're missing, knowing he can't do anything. And Crewel said nothing. Azul and Riddle offered Crowley their help in creating portals to try to bring you back, Crewel almost had to threaten him to let them help. Eventually, when news finally spread about the reason behind your disappearance, Malleus came by to offer his assistance as well. It had been four weeks at this point, the five of them working together had managed to open eight new portals to places they didn't recognize, getting rid of every portal that led to another place in Twisted Wonderland to make room for the portals to other worlds in case one of them led to you and they just didn't realize it yet.

The waiting was agonizing. Crewel would, more often than not, end up sleeping at his desk in his office after staying too late with Crowley making portals and having to stay up longer to grade assignments. His office felt so quiet without you inserting yourself every day, he'd gotten so used to grading papers while you talked to him about your day that it was now hard to focus on it in the silence. But he had a duty to all his other students. So he kept teaching, training his other pups correctly lest they stray in his absence. But even the students noticed the change. He was quicker to anger, more harsh in his grading which they didn't think was possible, less tolerant of even the smallest mistakes. Trein had to pull him aside one day, three weeks after, to tell him he needed to take a break, that students were confiding in him about Crewel's behavior. He knew how he was acting, he knew how exhausted he was, but how could he be expected to stop when he knew you were out there somewhere? His kid was missing somewhere so far out of reach that finding them was, at this point, down to a shot in the dark, how could he be expected to take a break?

Four weeks had gone by with no sign of the portal you'd gone through. Riddle had dropped his appearances down to just the weekends, Azul had stopped coming entirely while claiming that he had to focus on the Lounge, Malleus returned every day like clockwork to try to find his dearest friend, but even he was starting to lose hope. Crewel still spent every waking moment that he wasn't fulfilling his role as a teacher on finding you. He had to drag Crowley back into the search a few times, and they'd fought about it more than once. Crewel, exhausted from lack of sleep and daily accumulation of blot, would shout at Crowley for not caring nearly enough that one of the students was missing, not caring enough to put his all into finding them again, how it was just like him to think his problems were solved once you were out of reach. Crowley would argue back that he was doing all he could, but he couldn't drop everything to look for one student when there were hundreds more to look after. They were in the middle of one of their arguments when Riddle stepped out of one of the portals, a medium sized vanity mirror they'd hung on the wall.

"Excuse me, Headmaster?" Riddle called out, causing the men to stop shouting long enough to listen. "You said it was a city street corner, correct?"

"Neon lights and the smell of the ocean, yes." Crowley nodded, crossing his arms.

"I believe I found it."

The two men glanced at each other quickly, silently agreeing to set aside their differences for the moment, and rushed forward to the mirror, letting it pull them through to the other side. They stepped out and landed on a cracked sidewalk atop a hill, neon lights reflecting off the puddles on the road, cars rushing past. Looking back, it seemed their portal had manifested in the window of a shop, the display inside blocking anyone in the store from seeing them suddenly appear in the street.

"This is it." Crowley confirmed before turning to go back through the portal. "I'll go see about getting a search party together and we can--"

Crewel didn't wait for him to finish, cupping his hands around his mouth and shouting your name down the street. There was barely any chance you stuck around on this road for four weeks, but he had to try. He didn't notice Crowley step through the portal again, and he paid no mind to the people watching him shouting your name like a mad man. He had to try. They'd found the connection, they'd come this far, you were within reach again, he couldn't just give up now. He wandered down the street, still shouting your name. The sun was setting on this unfamiliar world, he didn't want to risk not being able to find the portal home again for fear of not being able to lead you to it, but he couldn't just give up now. He ran a hand through his already messy hair in distress, eyes darting frantically around at the faces that were passing him by. Where would you have gone if you left? He didn't want to even entertain the idea of the worst having happened. The sun had disappeared below the horizon and his voice had gone hoarse from yelling when he heard it. He wasn't exactly sure what it was over the sounds of the cars rushing past and over the puddles in the road, but it made ears perk up. He looked around again, spinning around to try to find where it had come from when he heard it again, across the street. Your voice.

"Dad?!" You shouted over the rush of the cars, absolutely beaming when he finally made eye contact.

"Pup!" Crewel nearly collapsed in relief, he could feel tears gathering in the corners of his eyes.

"Hold on, I'm coming to you! Just stay there!" You shouted back, bouncing in place for a moment before disappearing into the crowd.

He felt the anxiety take hold again once he couldn't see you anymore, but you looked fine. Healthy, not injured, fed, even from a distance he could tell you were okay. He took his moment alone to thank the Sevens for that, if nothing else.

"How did you find me?!" You asked through a laugh as you emerged from the crowd and approached him.

You met his hug with equal fervor as he pulled you tight against him, the relief of having you within arms reach shattering any remaining decorum his sleep deprivation had left him with. He didn't hold you long, however, pulling you back by the shoulders to examine you. He was right. Healthy, not injured, not starving. A little dirty, bags under your eyes, but those could be fixed. You were safe, and that was all that mattered.

"We've been looking for you for weeks, Pup." He admitted, shoulders sagging under the weight of the relief. "Are you alright?"

"Yeah, I'm alright. I tried to get back through the portal but it must've closed behind me." You chuckled as you showed him your knuckles, cuts scabbed over now. "I got pissed off and punched it. I'm just glad I didn't get arrested for breaking the window, honestly."

"You and me both." Crewel shook his head, thinking it just like you. "The mirror shattered when it hit the floor, that's why you couldn't get back. You don't look like you've been sleeping in alleys, at least."

"No, I found a shelter to stay at, and I've been coming back here every day to wait for someone to come get me." You explained quickly. "I'm so glad you came."

"Of course I did." He sighed, putting a hand on top of your head. "I wasn't about to leave you here."

"Thanks Dad." You said quietly, stepping forward to hug him again. He held you close, rubbing your back as he did. "Can we go home now?"

"Yes, Pup. Let's go home."

Upon your return to Twisted Wonderland, while you were greeting Riddle and Malleus who had just been waiting for you to emerge, Crewel finally realized he could put words to the worry he was feeling during the waiting.

He didn't know how he was supposed to say good-bye to his child once Crowley finally found the right connection to send you home.

I DO NOT GIVE PERMISSION TO USE MY WORK TO TRAIN AI

MASTERLIST

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[once-in-a-blue-moon-rising]

Seen a few 'maturity is realising that it's not a look of love' videos on Instagram re: 457, and while I do realise it is Not That Deep, I nonetheless have THOUGHTS

The crux of those thoughts is this: has fandom's view of shipping narrowed so far that unless two characters are mashing their faces together on-screen, it's immature to interpret the text contrary to what we assume the creator's intention was?

With this ship specifically, let's start with the obvious: the actors have insane chemistry. This is true whether you see the characters' bond as platonic, romantic, antagonistic, or something else. They are very obviously comfortable and friendly with one another in real life, and this translates into an intense on-screen relationship between Gi-hun and In-ho (and I'm sure this is exactly what the director did want, because, newsflash, this is our protagonist/antagonist duo).

I do think it's valid to ship something based purely off the actors' chemistry, but the comment is obviously referring to the characters themselves in the context of the story, so let's address that too.

There's a clear motivation for the way In-ho stares at Gi-hun, follows him around, and generally tries to insert himself into his life, and this is what these posts are referring to. He's testing his ideology, he's watching how he's affected by the horrific things that are happening around him, and to help him do this, he's ensuring that Gi-hun trusts and likes him. It's important if he wants to prove to him that the world is unchangeable, and humanity irredeemable.

And because of that, it's not the 'look of love'. Case closed?

Well, no.

Because there is so much nuance and depth that you're failing to explore, if a look can only mean one thing.

Because why does In-ho bother? Why is Gi-hun worth his time and interest? In-ho - via the games - has access to resources that far far outweigh the money Gi-hun won. He could prevent him from finding the island forever. He could just have him shot tbh. He's not really a credible threat - at most, he's a minor annoyance, because people need to be paid off every so often to prevent him getting too close.

Just through this detail, we can deduce that In-ho cares, in some way. He is interested enough to want to change Gi-hun's mind, when it would be so much easier to... not. Is it love? It's certainly fascination. And I don't think it can be argued that he brought him back for the VIPs' entertainment and not his own, because Gi-hun was searching for three years before In-ho let himself be found. And even when he's found, it's Gi-hun who suggests going back into the games.

So these stares - yes, he's testing him, but he's doing it because he wants to. They denote genuine interest. How did this guy retain his hope and faith in humanity? How can I prove to him that my view is correct?

And I'm very much not saying that a romantic interpretation is 'correct', because fiction should be interpreted however the audience sees fit, but what is love (in all its forms) if not wanting to know someone and be known by them?

This is even more compelling to me when we take into account In-ho's backstory, which we learn a bit more about in season 2. Because he and Gi-hun are so similar, except in the way they've used their trauma to interpret the world. Which just adds to the evidence that In-ho would be fascinated by this man, be determined to know him and to change his mind.

What I'm saying with all this isn't that 457 is canon, and that anyone who says otherwise is media illiterate. What I'm saying is that the real immature interpretation is one that's surface level, be that interpretation 'uwu he loves him' or 'he's PLOTTING evil things'.

[insomaniacat]

orv spoilers

tbh I'm so happy there is no explicit romance in orv (minus the brief stuff that happens with jhw and lhs) and because of that I feel like I've been able to appreciate kdj in such a profound way as a character

like sure i like joongdok and yoohankim but to me at least kdj has this level of asexuality to him that I don't usually associate him with anyone that romantically. And their relationships are still as complex and has such a great depth that they are like THE foundest of families and I can return to the kim dokja company at the end of the day as all of them being my comfort characters. you know that saying like 'i love you so much i'd make the world burn for you'? it's meant to be this dramatic line about how much you love someone (romantically), but kdj's company fully encapsulates this in a platonic way that just isn't cringey or anything like that

they are all so platonic but they love each other to such an unconditional way that they ALL decide to relive through all the scenarios again in the hope of finding kim dokja again. and later, they all help to write and spread a story - stories, the thing the reader loves - again, in hopes of bringing kdj back home. they aren't sure if it'll work, but it is through this love they all have that they don't give up and put their hope in this seemingly impossible method

and this is also what makes them fundamentally different from kdj. unlike kim dokja in the apocalypse, they do not have any sort of proof their methods will work. kdj has twsa - the novel he grew up reading, the novel he fantasized living in, the novel that he's spent 13 years following, learning every nook and cranny and probably even planning out his own way to survive the apocalypse from this lengthy novel. he has some sort of assurance his methods will work, with the amount of time hsy put into describing the settings (remember that twsa was not popular and one of the complaints was that tls123 put too much emphasis on the settings that deterred people from reading it, when really, that too was a way to ensure kdj survived the apocalypse later on). he has had time to reassure himself and plan for it, and probably had yjh case test them all

but kdj's company had no assurance - they did not grow up with a book that confirmed their methods of bringing kdj back would work. they did not have any 'third plans', no 'ressurections', no 'restarts', that kdj had in the apocalypse. all they had was their own hope - something kdj didn't have when he was fifteen sitting in that hospital bed after that failed suicide attempt, feeling like the whole world was against him. Until he searched up those three words on his phone. Those three words that were probably 'Ways of Survival'.

And then he found his hope in twsa. he found his hope in yjh, the protagonist made just for him. he found hope in the story that he believed in for the next thirteen years. the story that got him through high school, the CSATs, the military. his hope was in this tangible book that carried him through the apocalypse.

kdj's company had none of that. they only had their hope in kim dokja - the man they survived the scenarios with. they could only put their hope in their memories of surviving with the man that saved them, even though there was no evidence he lived in their world anymore. they had to put their hope in the fact that they remembered he existed, even though they had to acknowledge that they didn't know everything about him.

sing shong touches upon this idea a lot throughout orv - does something really exist if no one knows about it? or, in a more modern saying, did a fallen tree in a forest really fall if no one heard it? what proves the existence of something? what proves that something truly happened? sing shong seems to make it pretty clear that the existence of something can be represented metaphorically like a 'story', and stories need a 'reader', some sort of spectator that witnesses it, for the 'story' to exist.

for kim dokja, his final sacrifice, where he split into infinite little pieces scattered across the universe, was to ensure that everything existed. that open ending, as tragic as it was, was meant to be comforting. that his sacrifice was supposed to be so existences like you and me, are real. no matter how lonely we may feel throughout our lives, a metaphorical 'kim dokja' is looking at our own stories, spectating our own stories, even living our own lives himself.

and what i hate to say sometimes is that kim dokja is not really a character - he is an idea. he is an idea of some being affirming our lives, that it's real, that what we do from day to day, even something as simple as getting up in the mornings and brushing your teeth, or thumbing through a store catalog, matters. and this is why kim dokja sacrificed himself. for all the stories that may have not 'existed' if no one was watching it.

and it's out of love. this tragic, terrible love for the world, that eats away at yourself until you are nothing. but at least you exist.

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[theofficialpresidentofmars]

zuko and katara have genuinely SUCH an interesting dynamic and relationship to explore when you don’t have a bitch in your ear trying to tell you they should kiss.

like there’s nothing objectively wrong with shipping zut4ra but i CANNOT find any proper duo content of them that isn’t romantic or romantically implied and it annoys me. no i don’t think they would work. no i don’t think Katara would give up her man for that guy of all people. no I don’t think Zuko would be romantically interested in Katara. yes i do think that reducing all of their feelings towards each other into ‘romance’ oversimplifies and undermines the depth of the platonic relationship that they actually do have in established canon. yes whatever I’m sure there’s something sweet about a boy trying to get a girl to forgive him by helping her get revenge on the guy that killed her mom but don’t you think that it’s actually much more profound if there are no romantic ulterior motives whatsoever and it’s actually just a demonstration of the lengths Zuko will go to because he cares deeply about his friends and their feelings and what they think about him and he wants Katara to like him and he’s genuinely sorry that he broke her trust by warming up to her slightly before betraying them and to make sure she knows that he was being sincere and he actually was touched by what she said he tries to find a way for her to heal a wound that he knows tears her apart and it’s a wound he wishes he could heal in himself. and he does it because he’s trying to earn her forgiveness, not her love. he’s trying to earn himself the right to look her in the eye, not to hold her hand. he’s trying to amend for the mistakes of his people for nothing but the better of others.

and when Katara offers to heal him in the cave, it’s not because she’s fallen head over heels at all, or even in the slightest. she’s the first to see the light in him, and she sees a boy who’s been hurt by the fire nation in a similar way to her. she recognises that if she can convince him to come with her now, the gaang is up by a firebending teacher and a friend at best, and down an enemy at least at worst. for a moment she sees him for who he is and what he’s been through and it’s not because she likes him. the thought doesn’t even cross her mind, it’s just in her nature as a person to be caring and understanding and she has the help she can tell he needs, so she extends a hand.

and when they face Azula together? Katara was the first to reach out when it was almost the right time, and she’s the one who’ll be there to help him see it through. When he takes a bolt for her, isn’t it more profound that he jumps in front of the bolt not out of romantic love, but because Zuko is the kind of person who would put himself in mortal danger for anyone he cared about? Because his heart’s too big and because he’s seen those he love get hurt too many times to stand there and let them take it?

anyway I’ve spent too much of this post refuting romance but not actually expressing what it is i do like about their platonic dynamic but it’s late and i don’t have the words. so i’ll just say it’s such in that it would be really funny if Zuko instead dated Katara’s brother. and they yap together and she gives him a list of interests and he tells her embarrassing date stories. they also yap a lot about Aang because like. Zuko’s bff and Katara’s bf he’d probably come up a lot. also Maiko’s platonic shit-talking exes/close friends dynamic solos their romantic dynamic but that’s a discussion for another day ^-^

ship name censored because I don’t intend for any negativity to actually intrude upon certain shipping spaces lmao. i’m rarely opinionated but i don’t really care tbh i just wish there was more platonic stuff out there or i saw less romantic stuff el oh el

[chrkrose]

Just wanted to say that I completely agreed with your Sunrise take. It's almost as though you plucked it out of my brain and put it in words.

Its a shame that the Maysilee/Haymitch ship has been struck down so explicitly. I can't see the ship being popular now without fans claiming that we've 'missed the whole point'.

I also agreed with your take about Lenore: to me, she's far too similar to Lucy Gray for me to care about her in her own right and that's a shame.

I'm interested to see if you have any other thoughts since I enjoyed your first post a lot.

More thoughts on SOTR, Maysilee and Maysilee/ Haymitch.

I mean… I have issues with several aspects of Sunrise on the Reaping (SOTR), honestly. Like, the way the book handles its themes is just so on the nose. It lacks the subtlety Suzanne used to have. One of the biggest appeals of the original trilogy was that Katniss wasn’t a chosen one—she wasn’t special, she wasn’t trying to be a rebel, she was just surviving. And now suddenly we’re rewriting that entire foundation to make her destiny feel preordained? Add in all the fan service, which felt so Marvel-level with its cameos and callbacks, and yeah… I struggled with a lot of it.

The Maysilee stuff—and the Maysilee/Haymitch potential—is just one example in a list of things that didn’t work for me, but it’s a great one to highlight what went wrong.

First off, my gripe with Maysilee and Haymitch isn’t even just that they weren’t romantic. Sure, I do think a romantic storyline would’ve added more depth and been more compelling, but what really bugs me is the way people jump to that “not every relationship needs to be romantic!!” discourse like it’s some mic drop moment. And like—yeah, of course not every bond has to be romantic. The series already gives us beautiful platonic relationships, so what are you truly saying here? I always feel like that argument has a bit of a misogynistic edge, like romance automatically weakens a story or a character. That it’s less serious or important just because it’s “girly” or emotional. It’s the reverse of the people who think romance is the only thing that matters—it’s still minimizing, just from another angle.

Personally, I think a romantic connection between Maysilee and Haymitch could have added a lot to the story. Not because romance is inherently better, but because it would’ve allowed us to actually see the relationship develop. Imagine Haymitch having to confront and dismantle his class prejudices toward her. Imagine the layers that would add to his trauma, to his choices, to the person he becomes. That arc would’ve felt way more grounded than suddenly introducing Lenore Dove—a character who feels like a Lucy Gray copy-paste—and expecting us to accept her as the Great Love of Haymitch’s life.

And look, I’m a sucker for a good love story. I would have eaten it up so fast if this was a good one. But it simply wasn’t. There was no tension, no buildup, no spark. Just symbolism on top of symbolism, and a girl who was written to be “quirky” and “different” and important, but never felt real. She was too mythical, too much, too “main girl who haunts the narrative” without earning that weight. At least Lucy Gray had quirks and nuance. Lenore just felt like Suzanne ticking boxes: rebel, covey, singer, poet attached to her name, dead too soon. And I’m sorry, but having Haymitch still pining for his 16-year-old girlfriend decades later, when we barely get to see him reflect on his family or his fellow tributes? At least give space to his mother and brother, to the tributes he bonded with, to all the people he lost along the way.

And that’s what really bothers me. Suzanne always trusted her readers to come to their own conclusions. She showed us dynamics—Katniss and Peeta, Finnick and Katniss, Johanna and Peeta, even Katniss and Gale—and let us interpret. She never had to spell out who these people were to each other. But it seems like she didn’t trust that when it comes to Maysilee and Haymitch, and to Lenore and Haymitch as well. Suddenly we were told what to feel, how to perceive every relationship. And that just doesn’t land for me. It actually undermines the emotional weight because it feels like she didn’t trust the story to stand on its own.

And if the whole idea was to subvert expectations and say “Surprise! Everything you thought you knew about Haymitch’s Games is actually propaganda,” then… I don’t know. That twist didn’t work for me either. It didn’t enhance the themes, it just made me feel, again, like I wasn’t capable enough to reach conclusions on my own. For a book who speaks of propaganda, she sure tried to determine how we would interact with it without room for anything else.

Now, about Maysilee herself—she would’ve worked so much better as the ghost in Haymitch’s narrative. Platonic or romantic, an ambiguous bond between her and Haymitch had more potential than what we got. The Capitol downplaying her role would’ve tied beautifully with Haymitch’s later manipulation of the Katniss/Peeta narrative. She mirrors both of them in ways Lenore doesn’t: she’s a merchant girl like Peeta, she’s got Katniss’ fire, and her pin—her pin—becomes the ultimate symbol of rebellion. She painted the final poster. Not to mention the quiet tragedy of him having to see her twin sister around town for the rest of his life. That’s the kind of subtle, haunting storytelling that would’ve worked.

But instead, they stripped all that from her to give it to Lenore, and in the process, even Katniss’ story gets hurt. Because now, Katniss isn’t just a girl who stumbled into something bigger than herself—now she’s been chosen since the beginning. Which removes one of the most powerful things about her arc: the idea that regular people, caught in the right place at the right time, can change the world.

Lucy Gray worked as a ghost in Snow’s story. Maysilee should’ve been that for Haymitch. But unfortunately, all that depth, all that symbolism, was handed to a character who didn’t earn it and who honestly just didn’t deliver the emotional payoff Suzanne thought she would.

[lovelettersforthedamned]

i need to see hockey!college!peter partttyyyyyy i kinda feel like he’s in a frat for the sport and they throw ragers!!!!!

What Are We?

✰ college!hocketpeter parker x f!reader

✰ word count: 0.6k

✰ summary: drunk peter is a sappy peter and it makes you crazy.

✰ warnings: mentions of alcohol, a few kisses, mention of a dense crowd, sappy sappy petey, feelings of confusion.

─── ⋆⋅☆⋅⋆ ───

main m.list ⋆ peter parker m.list

gif by @ddlovatosrps

Peter’s tipsy, and you can tell. Along with his arm lazily slung across your shoulders, his sudden strong affection towards you gave him away. He’s not usually this lovey-dovey with you in public, but the liquor in his system made it easy for him to forget that he was supposed to hate you. 

The drink in your hand has gone warm, the bitterness of it made you wince. Grabbing Peter by the jaw, you pull him close, “Grab me a new drink?” You sneak a kiss to give him an extra incentive. Usually, he would scoff and roll his eyes at your ask, but now, there was no hesitation as he walked over to the cooler, grabbing you a cold beer. 

Grabbing the new drink with your other hand, you give the old one to Peter. Not a second passes before he snatches your warm beer and downs it in one go. You reel back in disgust and confusion, shocked at his actions. He notices your reaction and laughs, “What?”

“You’re disgusting, truly,” you sigh before cracking open the top of your new drink. You take a sip before Peter pulls you in close for a messy side hug, causing the top of your beer to spill over. 

Kissing the top of your head, he chuckles, “You love me though.” 

He doesn’t even give you time to respond before he guides you through the crowd. You didn’t realize how packed the small house was until Peter was navigating you to the backyard. Flashing apologetic smiles at the people Peter shoved through, you finally made it out to the cool air. 

This is the first time you’ve seen him this carefree, it was refreshing. He ended up lightly pushing you onto the couch outside before laying down, placing his head on your lap, and facing the sky. Instinctively, you weave your fingers through his hair, causing him to close his eyes and sigh in content. 

A few moments pass before you ask, a light tone to your voice, “Was there a reason for you to bring me out here? Or did you just want some attention, you big baby?”

Peter’s eyes open slowly, a closed-mouth smile coming to his lips. He takes a deep breath, “Thank you for coming. I missed you.” 

Your heart pounds at his words as your hand stops its rhythmic strokes on his head. He doesn’t seem to notice though, he’s too far gone to notice anything, the only thought in his head was you. “I literally saw you yesterday,” you joke back, trying to lighten the now serious mood.

“And?” he reaches his hand up to hold your face, “I always miss you.” 

Now your words were really caught in your throat. What you two had wasn’t platonic, obviously, but there was no label to the two of you. You knew Peter wasn’t the ‘relationship type’, but when he says shit like this, he makes you question your assumptions. 

“Oh,” is all you can muster up at the moment. He opens his mouth to speak again before he’s interrupted by his teammate, Justin, busting through the door, making you jump. Peter tilts his head back to look at the commotion, an annoyed groan leaving his lips before asking what Justin needs. 

“There’s a fight in the front yard,” he says, breathless, it was clear he ran over to get Peter, “the family across the street says they’ll call the cops if it gets worse.” 

Peter curses as he slowly stands, taking a second to get his head straight before leaning down to you, “I’ll be right back. Don’t go anywhere, yeah?” He leaves you with a small kiss on your lips. 

You nod at his words, your eyes following him until he returns to the house. Now you’re left in silence. Am I reading too much into this? 

✰ author's note: ok i needed to make peter have a little more depth than just being hot and an asshole LOL. thank you beautiful anon for the ask! if you want to send in something, you can!! my ask box is open!! don't forget to like, comment, and reblog if you enjoyed! ok, ily bye !!!

[buddieism]

tommy's character, bucktommy's inherent flaws, tommy & eddie as mirrors and buddie endgame; a (lengthy) meta analysis

honestly, what's really confirmed my feelings about tommy (and the imminent bucktommy bones -> buddie pipeline) is that there have now been multiple opportunities for the writers to actually make tommy a likeable/serious love interest for buck and they just…haven’t. because while fans are naturally going to overanalyse every little thing, the vast majority of the show's audience are regular viewers who consume the show at face value and don't think twice about it -- so if tommy was intended to be buck's endgame or anything remotely close to it, they'd absolutely want to make the most of his (very limited) screen time to present him in the best light they could. think about karen, the only non-main LI, and how she was introduced to us -- despite hen's cheating, we can see how dedicated karen and hen are to each other and how karen is a complex character in her own right who is immediately easy to root for and love.

comparatively, when we look at tommy's s7 appearances and specifically his interactions with buck, it becomes abundantly clear that there isn't really much depth to their relationship at all. which is fine! it's just... you know. fine. let's get into it.

following the cruise arc, we watch tommy through buck's eyes in 7x04 where he's basically wining and dining eddie -- flying him to vegas, getting them front row tickets to a fight, sparring with him in muay thai, playing pick up basketball with him -- tommy and eddie are so similar (which we'll come back to later), and we even get that line from eddie about how well they "click." as the audience, we are being subconsciously told to align tommy and eddie together -- and furthermore, we are told that tommy can easily make grand gestures when he wants to. now let's compare that to the bucktommy moments of the season.

bucktommy's first date: tommy makes a shady comment that would have outed buck if eddie or marisol caught onto it and then proceeds to abandon him on the sidewalk because he thinks buck isn't "ready" for a relationship with a man

i'll be objective here -- i understand in a show like 911 there's always going to be "unnecessary" relationship conflict for the sake of drama and i can also see how buck trying to play off their date as platonic to eddie might have put a bad taste in tommy's mouth. but we hear from tommy himself that he struggled with being open about his sexuality when he was at the 118 so he could have absolutely extended some sympathy towards buck for not wanting to come out on the spot to his best friend -- especially when tommy fully knows how important of a role eddie plays in buck's life. at the very least, he didn't have to leave buck alone on the curb. this isn't me trying to woobify buck because yeah, he's a grown man, he's fine -- but that doesn't mean it still isn't a bit of an asshole move.

the bachelor party: tommy doesn't dress up for the theme and dismisses buck when he's clearly disappointed about him doing so

tommy showing zero interest for the bachelor party buck planned is practically the writers waving a massive red flag in front of the camera -- him having to leave because he's on call is an understandable 'conflict' plot point but why not have him show up in an 80s themed outfit? it wouldn't have changed anything except that he and buck would have had a positive interaction; buck would have been happy that tommy cared enough to make that small gesture and it could have been a cute way to establish their relationship as one built on mutual effort. (btw, the bucktommy hospital kiss could be seen as a big gesture, sure -- but from a more practical viewpoint knowing how rushed this season had to be, it was also just an easy way for buck to "come out" to the rest of the 118 without having to spend too much episode airtime on it.)

the medal ceremony: tommy says 'enjoy it while it lasts' (which, LOL) and also is not shown reacting to buck receiving his medal. he also has a conversation with henren in a deleted scene.

again, i'm going to try to give tommy the benefit of the doubt -- i'm not saying he has to be sunshine and rainbows all the time and i have no issue with a character having a snarky/sarcastic side. but when his screentime is so minimal, every line of dialogue matters. and it's pretty damning that the writers aren't taking those few chances to give us something to appreciate about him. with buck, tommy makes a dismissive comment for literally zero reason, and with hen and karen, who are rightfully looking out for their friend, tommy refuses to take them seriously at all.

bucktommy's dinner in the finale: buck displays some vulnerability about losing bobby, and tommy... really doesn't seem to care.

honestly i refuse to rewatch this part of the ep because it really icks me out on another level but iirc: buck says he's glad bobby's okay because bobby is like the father he never had -> tommy says "your father's alive" -> something something joke about daddy issues. ignoring #that joke entirely, it's really insane to me that they have tommy even acknowledge the nuclear bomb that is buck's relationship with his parents. yes, we had a bit of a ham-fisted 'redemption arc' in s6 but that doesn't negate the buckley parents being absolutely heinous and the fact that buck verbalises how bobby played the role of the father figure because philip didn't -- all for tommy to basically deny that to his face -- is absurd. tommy has expressed on multiple occasions that he's jealous of the 118 family bond, so this line is just... very interesting to me.

now, let's recap all these events and bring eddie back into the mix!

post-bucktommy's first date, buck is more torn up about the fact that he lied to eddie than the actual date to the point that he has to vent to maddie about it. he then comes out to eddie, who is incredibly supportive (and oliver and ryan make some very curious acting choices indeed). eddie is reiterated as one of buck's most significant relationships.

pre-bachelor party, eddie is the one to suggest he and buck dress in matching (queer-coded) costumes. he then stays by buck's side at the party when everyone else leaves and although we'll never get to see it (tim minear i'm inside your walls👹), they sing an absurdly romantic karaoke song together. eddie is reiterated as one of buck's most significant relationships.

during the medal ceremony, when the camera pans to each member of the 118's love interest/family, it is eddie we are shown smiling at buck, not tommy. this is especially interesting considering we get buck reacting to tommy. i honestly can't get over how a reciprocated tommy reaction would have been an easy yet significant moment to cement bucktommy as a relationship, but they gave us eddie's instead (with chris in the background and marisol conveniently obscured, mind you). eddie is reiterated as one of buck's most significant relationships.

in the final episode, when eddie is experiencing his personal worst nightmare, buck is the one at eddie's side every step of the way. buck talks to christopher, buck reassures eddie (without judgement), and it's made clear that buck will be there for eddie, whatever he needs.

at every possible opportunity, we the audience are being implicitly told that eddie is buck's person. he is his place of support (buck having his more vulnerable coming out scene with eddie rather than his sister); he has buck's back (the bachelor party); he is his family (medal ceremony reaction), and ultimately, this goes both ways (finale).

some other things worth noting: when buck has his coming out scene with maddie, she tells him he's confused about his feelings in a way that seems to indicate she's talking about his feelings towards eddie ("if you there's something you need to tell eddie, you will"). in bobby's conversation with buck in the firehouse, he's verbally supportive of tommy and even asks if buck is going to see him, but buck goes to eddie's house instead. these were deliberate choices made by the writers; eddie has been consistently intertwined in bucktommy's relationship both overtly and subtextually throughout the entirety of s7. and let's not even get into the whole 'evan' thing, because that could be a whole other post in itself.

from the first moment we start to learn about tommy's character (beyond his... coloured past), we find out that he and eddie are practically mirrors. why not make tommy and buck share similar interests? why not give them something to bond over? why present tommy and eddie as almost identical in every way? because tommy is a placeholder for eddie. buck's initial bisexuality journey can't happen with eddie when eddie still hasn't come to terms with his own feelings. so, in the meantime, tommy is the "safe" choice in buck's mind because buck has nothing to lose with tommy whereas he's got everything to lose with eddie. buck can't confront what he truly wants yet because the risk factor is far greater and it's been repeatedly asserted that buck has an issue with people in his life leaving -- he would never do anything to jeopardise his relationship with eddie.

but ultimately (and in my opinion, fairly soon), we are going to get that moment where it "clicks" for buck and he realises that it is eddie he has feelings for. and when that happens, there's basically only one way it can go. we know buck can't keep secrets from eddie; we know eddie is going into s8 feeling "isolated"; we know tim loves making his characters suffer before they can be happy. in my mind, the narrative is going to go something like this: buck feelings realisation -> pining buck era -> eddie healing journey and a reevaluation of what buck means to him -> some insane life-threatening situation that really doubles down on how buck and eddie care more about each other than anyone else because it is 9-1-1 at the end of the day -> love confession induced by their dramatic near-death experience -> #BUDDIE_CANON !

when we factor in how there was a possibility of eddie having the sexuality arc this season instead, how tim has said buddie is one of his favourite dynamics of the show, and how supportive both oliver and ryan are of the ship, i really can't see how everything isn't building to buddie endgame. every other main pairing of the show has had seasons of development, of conflict, of bonding moments. buck and eddie have gone through that with each other time and time over (tsunami/lawsuit/shooting arc etc), which is why every other random love interest that's introduced for either of them falls flat in comparison. they quite literally are exactly what the other person needs; buck wants the stability of a home, a family, and unconditional love; eddie wants someone he can trust, a caretaker for his son but also a partner. buddie is the ship the audience wants to root for, because we know they work! now that we have canonically bisexual buck and eddie finally having to face his complicated feelings about losing shannon, buddie isn't just the logical conclusion -- it's the inevitable one.

[luveline]

hi jade!! can i request something with the marauders (platonic or romantic) maybe reader has been real stressed with work or school and the marauders try to get her to relax once they realize how stressed she actually is?? ty! u don’t have to do this, it’s just a thought :))

thank you for your request my love, nearly romantic poly!marauders x fem!reader

James notices first, surprisingly. While Sirius is fluent in what goes unsaid, and Remus is more than familiar with stress, it's James who has learned to read his sometimes sulky friends, and so it's James who knows that your tight shoulders and your half-hearted smile are from more than being tired. 

He doesn't want to announce your potential upset upset the world, so he waits for Remus to get a drink while Sirius is in the loo and slides down the sofa toward you until you're sitting thigh to thigh. He doesn't ever want much space from you. He's fortunate that you feel the same. 

"What, James?" you ask, leaning on his shoulder. "Are you okay?" 

"Are you okay?" he asks quietly, solemn, so you know he's serious. 

"Why wouldn't I be okay?" 

"You just seem unhappy tonight, is all. You know you can tell me. Or if you don't want to tell me, you can tell one of the boys." 

Because you and your friends are in an incredibly weird (not weird, really, unexpected, but so full of love and sweetness that weird doesn't apply) situation in which you aren't dating anyone but it feels like you are. James imagines it as a sort of precipice, where you might choose one of them, or, in what seems the more unique but better fit, you might not choose at all. 

James only knows you feel the same way about them as they do about you because you'd confessed to Remus how guilty you feel for stringing them along. He reported back, and is quoted by himself to have said, Well, we must be stringing you along too. While I string James along, and Sirius strings me. 

So everybody fancies everybody and nobody knows what to do about it. (Well, apart from that one kiss between James and Remus, which went exceptionally well. James had known what to do about that). For tonight, nothing has to be done. All James needs to do is figure out how to make you feel better. 

Remus is offended at having had his seat stolen when he returns, but then he sees your sad face slack on James' big shoulder and forgets to be annoyed. Crouching down in front of you, Remus tilts his head to the side to align his face to yours, a frown mirrored on his lips as he asks, "What's wrong, dove?" 

The way he says it makes James pleased, and it also makes him like Remus impossibly more. James is earnest and ardent in wanting to comfort you, but Remus is very, very good at it. He has this seriousness, no-nonsense tone wrapped in a soft affection that could draw out James' very worst secrets. It's no surprise when you crack clean in two and confess.

"I'm really stressed out." Your voice takes a horrible dive, like you might cry. "Um, work is just hard, and I'm worried about money, too." 

James doesn't suppose you're in the depth of a relationship where it's appropriate to offer to bankroll you, and it's not what you want anyhow. He bites back any affluent admission in favour of a subtler approach. 

"You're worried about money?" he asks, gently as he can. "You aren't going without, are you? I really hope you'd tell us if it were bad." 

You shake your head. "I'm not going without. Don't worry, it's not that bad." But it could be, goes unsaid. 

Remus hums, his hand on your knee. "You know we care about you. Please, don't not tell us if you need something, okay?" His hand climbs the stretch of your thigh. "What's worrying you, dove? With work, are they giving you a hard time again?" 

Sirius returns somewhere in the midst of your talking, and he's absolutely horrified when a single tear bounds down your cheek. He squeezes between you and the armrest of the sofa to wipe your face as it comes, his weight almost entirely on top of you, so close that his hair tickles your cheek and neck. "Don't cry. I promise not to leave you alone with these two ever again," he jokes, though the tenderness with which he holds your face is nothing but sincere. 

James, sick of being the only one not comforting you physically, finds one of your hands to hold. It's smaller, and warm, and he pulls it to his chest as though that might hide you away from all the things that are freaking you out. 

To no one's shock, the boys are good listeners. Not always to each other, but what one lacks another can make up, and they manage to pull out from you your pack of troubles one by one. When that's done, they assuage each accompanying fear. 

If the very worst happens, you'll always have them to lean on. 

That makes you cry more than the stress. Grateful —though the last thing they're comforting you for is gratitude— you needle your arms around Sirius' waist and hide your face in his chest. He frowns down at you as he wraps you up tightly. James doesn't even feel jealous. Well, mostly, until Sirius kisses your forehead and James can actually see your happy shudder. Lucky for him, you aren't done. You squeeze Sirius before pulling away and turning to James. He realises then what made Sirius so bold, your whispered thank you like a vibration through his chest. He pats your back. 

"That's alright," he murmurs. 

You nod and squeeze and move on to Remus, who's been sitting at your feet for the last twenty minutes while you cry, concerned but not complaining. He's eager even if he won't say that, climbing to his feet so he can reach down for you and receive his own hug. James is a ridiculous romantic, and he just aches with affection for both of you as he watches Remus nose your cheek. When Remus finally pulls away, Sirius is looking at them with the same expression. 

"Do you feel better?" he asks you. 

You sniffle and wipe your nose with your sleeve sheepishly. "Yes. Thank you, boys. I really don't know what I'd do without you." 

James forgets restraint and swings his arm around your shoulder. "It's a good thing you'll never be without us, then," he says, and kisses your cheek.

[thegeminisage]

VEILGUARD FIC RECLIST

these are mostly (but not all!) lucanis/rookanis centered bc that's what i'm into. i have taken the small liberty of truncating some summaries since this is such a long list (with apologies), and tagging the authors where i can find them on tumblr. if i mistakenly tagged you and it's not your fic, or if i didn't tag you and you'd like to be, please let me know! not everybody has their urls in their ao3 profile so i had to cross my fingers and hope for the best lol. please make sure you read the tags for content and spoiler warnings.

How It Sang in Other Days by @viagothots [M, rook & viago, 26k]

Long before Rook de Riva took the contract on the elven gods, she learned to survive as a compradi of House de Riva. More importantly, she learned to survive Viago.

rec notes: ok, so i'm a little biased bc i helped beta read for this one, but the sheer depth of the characterization here is bananas. rook and viago's relationship is so much more complex than platonic or romantic, love or hate. it's a hard, unflinching look at the dark side of the crows that veilguard skirted around, and its take on the crow characters is both perceptive and honest. my favorite four words in this fic are "not like i was." you'll see what i mean when you get there. mind the warnings, but don't miss it - it's such a ride. and if you love a good torment nexus, i can promise you the rest of this series is just as mind-blowing as this installment. i can't rec this one highly enough.

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The Killing Kind by @teddywesworl [E, rookanis, 3.8k]

Lucanis was at Zara Renata’s mercy for a year. That sort of thing will leave a man with scars.

rec notes: absolutely my favorite rook/lucanis fic ever. please definitely mind the warnings on this one too, but it paints such a perfect picture of lucanis's character and the issues he might face after the ossuary, the spite voice is SO good, and the slow burn being somehow even slower is actually a fantastic choice. bonus rec for this author's other fics, particularly and any thing that may not misbecome the mighty sender, which has the best inner demons take i've ever seen, the eagle, which is competency porn, and the baseless fabric of this vision, which is actual porn but with fantastic character work.

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When the Floodwaters Come, I Will Help You Swim by @itsrainingpandas [E, rookanis, 5.5k]

They've been taking the relationship slow, as agreed. But after a freak storm isolates Rook and Lucanis in Treviso, and there's a fireplace and a bed, the desire between them becomes harder to ignore.

rec notes: i absolutely LOVE this entire series to pieces. the author has a MASTERFUL command over tone and mood and is able to shift both effortlessly. this rook is funny and brave while still being ruefully self-aware of and in touch with her own emotions, which adds a refreshing balance to a closed-off character like lucanis, and i'm constantly charmed by her. it was almost impossible to narrow this series down to a single fic to link to, but i chose this one because of how good the sex scene is; the dynamic here between rook and lucanis feels really good and natural. honorable mentions to Your Heart is a Haunted House and The Social Habits of Crows, which both feature illario and nearly got put on this list instead.

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How You Come Home by @punishandenslavesuckers [M, lucanis & illario, 3.2k]

Lucanis Dellamorte takes his cousin out for a night on the town after Illario returns from a rough contract. He doesn't seem like himself and Lucanis will do literally anything (including bar hop in Treviso) if it will bring Illario back home. Properly. AKA: Being a Crow is a nightmare sometimes and Illario commits the crime of decompressing in a 'frivolous' way. Lucanis has his back though.

rec notes: the way the shape of illario's damage is to clear to us without necessarily being clear to lucanis (whether it's because he can't see it or doesn't want to) is masterful, and when so much of their relationship both in canon and fic involves turmoil it's nice to see them just...love each other, even if it's difficult to show or say. this author is very good with characterization, and i also really enjoy Your Inexorable Company and Unseen Influence in this series, though as always, please be mindful of the warnings.

-

Phantoms by @thewitchofelpis [T, rookanis, 700]

“It’s a nightmare, Spite. Lucanis is having a nightmare.”

rec notes: short and sweet, but i like how deftly it and evenly it covers all three characters' issues. i love the coziness of this author's style, so if you like this one, definitely check out the others.

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In Spite of You by @blazingquill [E, rookanis, 11.4k]

Lucanis lets himself be vulnerable. It takes a while. OR: Spite watches Lucanis’ slow breakdown over Rook. It lasts months.

rec notes: the pov/pronoun work in this one wrt to possession is extremely twisty and fun and refreshing, and the last line hits SO PERFECTLY. everything here feels so earned.

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Lucanis's Logbook, 6 by @flowersforthemachines [G, rookanis, 3.3k]

Lucanis’s journal kept throughout the time between Rook’s disappearance at Tearstone Island and the day she’s rescued from the Fade.

rec notes: this feels so well-integrated with canon, and the style perfectly matches the style of lucanis's actual logbooks from the game. having the fic itself use the actual look of the veilguard interface was such a wonderful touch and added immensely to this experience.

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Other Plans for the Evening by hollyvipe [M, rookanis, 5k]

Inspired by the Nick Thornborrow concept illustrations showing some very intriguing concepts they didn’t go with, like Rook and Lucanis in a lake in Treviso?! In this reimagining of a world where we got the lake scene, our lovers have already done the ‘commit to a relationship cutscene’ but Rook is still a bit unsure where that leaves them. Sure, he made her a dessert and remembered her drink… but are they actually together? And something I think a bit more exciting happens after his ‘I’ve got other plans for the evening’ tease.

rec notes: this one ties a lot of "missing scenes" together in a way that is satisfying, and it also scratches the itch for a more romantic moment here than was in the game. i really enjoy the mood of this one!

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feed me promises, keep my heart well by @alltears [G, rookanis, 3.9k]

a month after thwarting the gods, rook falls back into the fade. sort of.

rec notes: rook walking through the mansion at night is just creepy enough to be that extra little bit unsettling even though we know what's up, and lucanis and spite's solution to the problem is very clever. i also really enjoyed their dialogue with each other: it's tetchy without being openly hostile, and funny without breaking the more serious mood.

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Tomorrow We Die by @thecaryatid [E, rookanis, 2.8k]

Rook has a breakdown. The obligatory romance scene rewrite.

rec notes: this fic has the most interest after-affect of the fade prison i've come across. it's really compelling, sad, and also just a little spooky. i really enjoyed the comparison between solas and spite as entities inside rook and lucanis's heads.

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Volcanic by kaienne_pepper [E, rookanis, 6.1k]

Caldera de Riva, elder sister to the Fifth Talon currently going by "Rook", is no stranger to using unconventional means of distributing poisons. Unfortunately, on this minor of contracts, her mark doesn't mind distributing substances non-consensually either. One glass of wine later and two little Crows find themselves in a very compromising situation. Or: Lucanis and Rook both end up drugged during a contract and work each other through the effects.

rec notes: this is one of the first rookanis fics i ever read, and though i'm not normally a sex pollen girlie, i really enjoyed the vulnerability in this one and how in-character it was.

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Say The Desires That Are Your Deepest by @purplesauris [E, rookanis, 12.4k]

Lucanis finally allows himself to indulge in a late morning now that the world has ceased trying to fall apart around them.

rec notes: pegging fic of all time (even though there is technically no pegging) and one of my favorites. the way lucanis and rook navigate the New Sex Thing is really good, and the smut itself is both hot and incredibly intimate. it's nice to see lucanis still struggling with spite now and then even after the events of the game are over, it paints a more realistic picture, and i love the way they talk with one another when things are more settled, the spite voice is great.

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A Mirror to the Void by @wishforhome [E, rookanis, 1.9k]

Lucanis is not inexperienced with sex, but it's been more than a year since anyone has touched him. Since he's touched himself. He's worried about Spite, but Rook is asleep next to him and her presence makes him feel safe enough to try.

rec notes: sexuality is such a fun and complicated thing to navigate when there's a literal demon up inside you, and i thought this was a good portrayal of it.

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Just Wanna Hold You by whoframedjessicarabbit [E, rookanis, 400]

Lucanis is too stressed to get it up, and is surprised when he receives love and affection.

rec notes: short and sweet, but the tag #hold dick gentle like a hamburger was too compelling not to click on, and it does not disappoint if you're a fan of broken dick fics.

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Of Kindling Expectation by @nelsynoo [G, rookanis, 2.4k]

The Lighthouse is awake again after centuries of lying dormant. With a new host of inhabitants, the Lighthouse tries to figure out what they need and re-shape itself accordingly. Rook and Lucanis might not realise it yet - but they need each other.

rec notes: i've never read anything quite like this - it's from the lighthouse's pov, which is such an interesting and creative idea. the pov makes me feel as cozy as if i were an inhabitant of the lighthouse itself.

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thank you for reading the reclist, and hope you enjoy <3

[dragon age masterpost]

[cer-rata]

An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to

[biscuitboba]

Prepare for a very long wordvomits from yours truly (or just ignore)

The thing about me being so frickin obsessed with luffy and zoro's relationship is that... i just think they really are that compatible and perfect for each other in a way that they just, makes sense 

Like yeah i think one or two ships involving zoro and luffy (other than zolu/luzo) are cute or at least ok, but like the amount of love i have for them is like dust compared to my love for zolu:"D And if i'm being reallyy honest, personally i can't really imagine zoro being with someone else that's not luffy IF luffy is present in his life and vice versa?, like for example i think *insert other luffy ship* is cute, but like zoro can't be present in luffy's life for that ship to actually work for me?? So it's gotta be an alternative universe where they don't meet... I can appreciate the fanarts of the other luffy and zoro ships though, as long as they are not insanely wayyy too out of character?? (i just don't actively seek out content of ships that i'm not crazy about)

Not to state the obvious but luffy is my favorite character in one piece:) and right after him, unsurprisingly it's zoro (zoro used to be my number one when i was younger but now he is number two, but i'm sure zoro is fine with me loving his captain just a little bit more, haha)

When it comes to the ships involving my favorite character(s)... i am actually suuuper picky about it? i have to think very deeply about it, like i only want what's best for them, but also the best for the other person too cuz it can't be one sided! And i literally love both luffy and zoro almost equally? (actually i always love the two characters that i ship cuz i can't ship my favorite character with someone that i dislike) With zoro and luffy i've done a lot of thinking. Like, a lot. I thought about all of their potential love interests, every single one of them, but always arrived at the same conclusion that no one completes them the way they complete each other. Proof? Plz just scroll through my tumblr #zolu or #luzo i literally only talk about their relationship😭 They really are the most perfect person for each other. It's almost like they were made for each other? Everything about them, their principles, their personalites, they just fits

Like they are so insane, because at a surface level they can be interpreted as just platonic (which is a completely fine interpretation for the non zolu people out there!), but when you try to look more into it, on a deeper level, looking at every part of their interactions while considering their characterizations, motivations et cetera, like everything just clicks. Their devotion towards each other, all the little things they say and do relating to each other. They are best friends, they are the captain and the first mate, and maybe they are also something a lil bit more? Sometimes i don't even think i can label their relationship, cause from the outside… their relationship looks so simple, yet not without depth (so much depth!) and nuance. With zolu, you either get them or don't get them at all. One thing for sure is that they work really well together!!

Also, everytime i think about zolu as just friends.. but then i compare my relationship with my best friend(s) to luffy and zoro's relationship... and i don't know, if my best friend treats me the way zoro and luffy treat each other? I fear i will have to drop the "what are we?" question. I'm so serious, like that man? zoro?? He is enamored. Completely whipped- bewitched, body and soul. While on luffy's side, his way of expressing love is more subtle, but i've talked about that before here.

They say there's a thin line between love and hate... but there's also a thin line between platonic and romantic love, and maybe that's why one of my favorite tropes in ships is the one where they start out as friends... (harurin from free, bakudeku, pegoryu, fluri, soriku, cloti, cleon, kimron, percabeth, kataang, lumity, appledash, katyana, korrasami, harlivy, etc #friendstolovers ftw!)

Like luffy and zoro... The god personified and the non believer. Oda is literally so insane for that..

One is very carefree and easy to put his trust in others. And the other is the more rigid one and needs to slowly build his trust. One is the more emotional one. The other is the stoic and more composed one. They share the same values, the same braincells, they can communicate and understand each other even without having to say much.

Their colors complement each other, their zodiac signs are compatible, their personalites can be quite contrasting but they actually blend perfectly. They are different but also the same. No one makes zoro smile as much as luffy, no one else luffy likes to lean on as much as he likes to lean and rely on zoro. No one makes zoro worry as much as luffy, even though luffy himself is very strong. No one luffy trusts with his crew as much as he trusts them with zoro, and his nakama means everything to luffy. They are the happiest when they are together.. fighting side by side, laughing with each other, talking with each other... They respect and understand each other the most. They are just so insane and i am also insane and-

They are the only two strawhats with twin numbers for their birth dates and months. The only two strawhats with CoC. The only two strawhats fighting for the greatest titles (pirate king and world's greatest swordsman respectively) they are the only two strawhats with a lot of parallels (let it be between each other like the hero talk in fishman island, or with the other captains and their first mates, which i kinda(?) have talked about before, here).

Zoro's the only member of his crew that luffy actually tries to find (he doesn’t stumble upon him like how he does with the rest of the strawhats) Zoro is the first person in canon that we see luffy enthusiastically feel it's okay to share his meal with. The first person outside of his family (i consider shanks and his crew, dadan, and makino as part of his found family!) that he cries and worries for (baratie arc). Zoro is the first person that he mentions when he splits up with his crew and the first one he calls whenever they meet again (alabasta, skypiea, punk hazard, zou, etc)

Zoro is luffy's anchor especially during difficult times (e.g. water7), he is luffy's voice of reason (e.g. pre-egghead), and luffy often listens to him (like when zoro gives luffy his assessment of a situation and how he thinks they should handle the situation and luffy immediately agrees to his plan)

And kinda random but meat is like the perfect food for beer! luffy's perfect for zoro!! Meat paired with the right beer can amplify each other's flavors. Even their favorite food (luffy) and drink (zoro) complement each other, like oda are you serious?? and the crazy thing is i'm pretty sure i haven't written down all the things that make me crazy about them

From their deal in shells town, then BOOM! zoro's sacrifice in thriller bark, all the way to luffy's blush, the iconic hug, and whatever tf that "if you're gonna invite our captain to hell, i'll come along as well" // "sorry... now you have no reason to die" bs in wano

Like how can i be normal about the two characters whose dreams have already merged into one that they can no longer achieve their dreams without each other by their side? i'm on my knees crying thinking about the bond between luffy and zoro-