#i just have so many thoughts about her

[thechosenthree]

I am back with more Kendra haunting the narrative thoughts after watching Helpless.

This episode is all about slayers and tradition, it’s about the Watcher’s Council treating the slayers as expendable and disposable. Giles says “It's a test, Buffy. It's given to The Slayer once she— if she reaches her eighteenth birthday.”

This episode is about Kendra.

Even though the episode refuses to say her name, Kendra Young is everywhere! Not even a full season before this episode aired, we were shown— for the first time but far from the last— the tragedy of a slayer dying too young in the line of duty, another slayer rising from her grave and then her being seemingly forgotten about.

The show tries to forget Kendra the same way the council does. I’ve already talked in the post I linked above, about how Faith’s existence ensures that we don’t. But it’s more than that!! The tragedy of the slayers and what Buffy and Faith go through, the entire premise of the show, continues to remind the audience of the slayer who didn’t make it as far as them.

Buffy is going through an identity crisis this episode, she has lost her slayer powers and she doesn’t know why. Giles is in no big rush to figure it out, he doesn’t actually seem all that concerned, and Buffy grows increasingly adrift. She realizes she doesn’t know who she is if she’s not The Slayer.

She’s very aware of who she was before. She brings up Cordelia to make this comparison— her ex shadow self who is a representation of her childhood, of the Buffy she was before she was “Buffy, The Vampire Slayer”— and she seems ashamed of who she was then.

She doesn’t want to go back to being that person. She literally CAN’T go back, and she knows that. She has been changed by her experiences, even without her slayer powers, she is a different person than she was. Buffy says “I’ve seen too much. I know what goes bump in the night. Not being able to fight it— what if I just hide under my bed, all scared and helpless?”

She can’t return to the naïveté of the life she lived before she knew what was out there. I mean, she already tried that!! Buffy spent much of s1 trying to hold on to who she used to be, not wanting to let it go, not wanting to acknowledge that that girl and that life were already gone. Her death in Prophecy Girl goes hand in hand with her accepting that she can’t outrun her destiny, she can’t NOT be The Slayer.

Much of s2 was about accepting that being the slayer was a part of her life now. But Buffy continued to treat it like it was a job, one that had been chosen for her and that she’d accepted she needed to do, but a job nonetheless. She was at war with these two sides of herself, unable to see how they could possibly fit. Kendra played a big part in helping her along that journey. “You talk about slaying like it's a job. It's not. It's who you are,” Kendra tells her in What’s My Line.

Kendra who identified as “The Vampire Slayer” before identifying as Kendra. Kendra who never had a childhood or the chance to try and figure out who she was as a person. She was a weapon and a tool forged, used and discarded by the council (and the show). Being the slayer was not only who Kendra was, it was all she was allowed to be.

I can’t imagine the writers were unaware that writing an episode like this would remind people of Kendra. After all that same Buffy speech I quoted earlier includes the first mention of Kendra’s stake since it’s introduction in Becoming. “… Or what if I just become pathetic? Hanging out at the old slayer’s home, talking people’s ears off about my glory days. Showing them Mr. Pointy, the stake I had bronzed.”

Buffy is able to imagine living long enough to grow old IF she doesn’t have her powers. That isn’t the life of a slayer and she knows that, has seen the consequences of this life first hand. She herself has already died young, and a year later she watched her friend die. She goes from being unable to imagine any kind of future at all for herself to spiraling about the possible reality of a powerless one.

Buffy talks about all this while name dropping the stake a 17 year old slayer gave her just before her death… A slayer who didn’t even live long enough to be forced to endure this cruel test.

Reminding the audience of Kendra seems intentional. Which makes them refusing to say her name even more infuriating.

But she IS there, whether truly intentional or not, the show continues to remind me of her. She’s nowhere and everywhere all at once.

[whispers-of-gallifrey]

Just watched Fury from the Deep and I love Victoria's exit so much it breaks my heart. She's so worn down by their travels always ending up full of danger and death and her always being put in the position of damsel in distress. She really doesn't want to leave jamie and the doctor but she doesn't want that life and I love that it let's her make that choice. And I love that Jamie's concerned she won't be happy living in, what is to them, the future but she acknowledges she's changed too much to go back to Victorian England, and she's highly unlikely to get back there anyway, not without more death and danger. That the doctor changes his mind about slipping away in the night and agrees to stay another day so Victoria can think about her decision properly without feeling as pressured. The fact that she knows the doctor won't say a proper goodbye because that's his way. The way she stands on the beach watching them row out to the tardis, knowing she'll never see either of them again. The fact she doesn't go back to the tardis with them to collect her belongings. Jamie's "I don't care where we go next" because he's miserable that Victoria made that decision. The Doctor's "I was fond of her too, you know" which is the closest he'll get to admitting how much he cares about them all. I just love it

[ghosted-jazz]

I like to think breaking the canary curse via dying in the void had some effects on Lizzie

[poorly-drawn-mdzs]

You made her cry, time to die.

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[clouvu]

Cooking up an older Clervie outfit design so I don't have to keep drawing her looking like her child self but Long

[cosmicgamer]

The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)

[heartorbit]

find another role, carry on the show

[digitalmyyth]

Evil awful women and the blond guy who hangs out with them (he is also evil and awful)

[musubiki]

doodling mochi outfit concepts again

[meamiiikiii]

mira !!! :]

[not-another-robin]

Im thinking about Helena and old(er) Alfred... pap pap and grandbaby

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[crowsgrudge]

fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.

dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.

but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).

like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

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[thatneoncrisis]

harrows a sped kid but gideon is a girl who should by all accounts at LEAST have a 504 plan but all adults dismiss her as merely combative and disruptive, at Best theyll throw in a "not utilizing her potential to the fullest." multiple teachers have vaguely alluded to her having ODD rather than think for a second about why she might be acting like that

[twilight-spargle]

hiiii sunset doodle as i find time to draw again