#anyway this was about victoria

[whispers-of-gallifrey]

Just watched Fury from the Deep and I love Victoria's exit so much it breaks my heart. She's so worn down by their travels always ending up full of danger and death and her always being put in the position of damsel in distress. She really doesn't want to leave jamie and the doctor but she doesn't want that life and I love that it let's her make that choice. And I love that Jamie's concerned she won't be happy living in, what is to them, the future but she acknowledges she's changed too much to go back to Victorian England, and she's highly unlikely to get back there anyway, not without more death and danger. That the doctor changes his mind about slipping away in the night and agrees to stay another day so Victoria can think about her decision properly without feeling as pressured. The fact that she knows the doctor won't say a proper goodbye because that's his way. The way she stands on the beach watching them row out to the tardis, knowing she'll never see either of them again. The fact she doesn't go back to the tardis with them to collect her belongings. Jamie's "I don't care where we go next" because he's miserable that Victoria made that decision. The Doctor's "I was fond of her too, you know" which is the closest he'll get to admitting how much he cares about them all. I just love it

[niccoguedes]

BABY SAID...

ty!

Hello, thank you for the support on my BG3 fanart. 🔥❤️

Some of you asked for individual full shots of them, so I decided to make it. There's an interesting suggestion with Shadowheart and Karlarch I might do as well...

"Can I use it as wallpaper/screen cover?"

Sure. Just don't remove my signature or modify the drawing.🤘

"Can I print it on my own?"

If possible, please consider supporting me via INPRNT. If you can't, ofc, I won't hold you, go on, print it and later drop me a coffee at ko-fi, darling! You can also share some cents via paypal. Send pics as well of your achievement. For personal use only. 🔥

"Can I print it to sell, use commercially?"

No. Unless you pay me 100kUSD.

🇧🇷"Tem print?" Sim. Só me enviar comprovante de 50$ no pix: 51648094000140 e endereço de preferência para o e-mail: niccoguedes @ gmail.com . Envio no tamanho A4 com rastreio.

[bunniebi]

outfits for the infamous ROs ^-^ (except O, Seb, E and LA... </3 but maybe in the future)

[homielander]

objectively very funny that homelander spent three seasons antagonizing or killing anyone who dared defy him and squashing anything that even remotely resembled dissent... only to be like how come no one stands up to me😔 why can't you speak your minds😠 ugh i am singlehandedly carrying this company!!

[mrgintsu]

A lil rant I posted on my IG that I thought I'd share here

[shamblespirate]

He has no clue what he is doing for me

[marigraphia]

Making her Hellfire debut... I give you... The Ice Princess!

Really enjoyed how this one turned out, so it gets its own post 😊

I already mentioned the references in the original post, but here they are:

'X-Men Origins: Emma Frost' (2010) -- written by Valerie D'Orazio, with pencils by Karl Moline, inks by Rick Magyar, colours by Morry Hollowell and lettering by Dave Sharpe. Editor Nick Lowe.

Photos from the 2006 VSFS segment 'Winter Wonderland of Glacial Goddesses' -- featuring Hana Soukupová (corset), Ana Beatriz Barros (panties/stockings), Adriana Lima (cape), and Julia Stegner (poofy shoulder thing/hair).

[widowshill]

— And do you or do you not have difficulty remembering such simple instructions? — Only during thunderstorms, sir.

THE SOUND OF MUSIC (1965) / DARK SHADOWS (1966)

[anakeions]

𖤓𖤓𖤓

[eliounora]

was supposed to only skim through a book I need to study for an exam but it actually ended up being interesting. I don't think I'll ever graduate

[luna-the-cretar]

Watching Curse of Strahdanya, and falling in love with these ships and characters, is like watching the Hadestown musical to me.

In Hadestown, the first thing the narrator—Hermes—tells the audience is that this tale is a tragedy. There is no happy ending. And yet, as the show goes on, you forget that, somehow. But not fully. There’s still a little voice, lingering in the back of your mind, telling you that it’s always going to end horribly. And if you’re already familiar with the Greek myth, or the musical itself, then you know exactly how it’ll end. And yet, part of you still roots for Orpheus. To save Eurydice. To not turn around. To ignore the voices in his ear. To bring her home with him.

But. That’s not how the story goes. He always turns around. She always returns to Hadestown. And he always returns alone. And Hermes feels for the audience. He, too, yearns for there to be a day where the story changes, somehow. Of course, it won’t. That’s not how the story goes. But every time he tells the tale, some part of him yearns that maybe, just maybe, Orpheus won’t turn around. He would ignore the voices in his ear. He would bring Eurydice home. But he knows this is all in vain, for the tale is that of a tragedy, and it’ll always end the same.

Curse of Strahdanya is the same way. All the way to the title of the prologue; “The Cursed Expedition”. From the very beginning, they tell us that this tale is a tragedy. No matter what the characters do, no matter how strong they think they are, it will always end the same way. Their fates are set in stone. They will never leave, never get out. Strahdanya always wins.

And yet, the audience yearns for this telling to be different. Maybe if this character made a different choice, maybe if they convinced this character to stay, maybe…maybe…

But it always ends the same. It’s a sad tale. It’s a tragedy. Yet we tell it over and over again, as if maybe our heroes will get a happy ending this time

“To know how it ends/And still begin to sing it again/As if it might turn out this time”

[twojamie-o-clock]

Im reading undercurrents and ??? Jamie almost kills this person because he thinks they have something to do with the Doctor disappearing even though there was never any concrete evidence

[murdleandmarot]

Sometimes you have to make shitty little OCxCanon comics to keep yourself sane

Sorry @mysticalcats I stole ur oc (foxglove)

[bulldog-butch]

after several watches and now a back to back rewatch i think i can conclude that though i love bly manor with my whole heart, and it was initially my favorite of the two, hill house just has such an incredibly tight story that never misses a single beat and is objectively the better of the two

[noirshitsuji]

every once in a while I will see this take in the bb fandom that like 'nothing has felt like Black Butler since X arc' (usually Noah's Arc Circus) which I find. very interesting. I think the implication is usually that nothing has felt as like serious or gritty or psychological thriller-y or devastating, or that somehow the vibe has gone weird. and like, this is not to diss anyone's interpretation. but also.

this is a story where one moment the main boy character is wearing a dress and being accosted by a pedophile nobleman and the next he's nearly been human trafficked. and then it turns out his aunt is jack the ripper and she dies at the hand of her grim reaper ally who decides to turn on her for being unable to kill her nephew. cue flashback to the extremely tragic life she's had and the complicated feelings she has about said nephew as a result, although ultimately her love for her sister, that she seems in him, means that she cannot slaughter him as she has so many others.

and then next arc, the culmination of an indian prince's coming of age where he's processing his loneliness and neglected upbringing comes during a contest where people are trying to obtain the royal warrant for curry. and the main character wins it by inventing the curry bun, a japanese dish, in Victorian England, after the elderly queen rides in on a horse wearing sunglasses and declares him a winner.

like. idk what to tell you, like yes the Circus Arc was very dark and all but are we really going to pretend that the boy band thing during the blue cult arc was out of left field??? for the person that did pride and prejudice and zombies on the titanic?? like this has always been the type of story this is wdym-

[real-reulbbr-band]

Munk gives up on making Rumpleteazer and Mungojerrie the main dogs in Pekes and Pollicles and picks the newest adults, Plato and Victoria, for the roles at the next ball, but a new problem occurs because of their relationship with each other. They’re too in love to hit each other or act snarly. Victoria tries for Munk's sake, but the moment she feels she hurt Plato's feelings, she breaks character immediately to hug him.

Plato, on the other hand, kept barking at Victoria’s cues, and whenever they’d bark at the same time and get all giggly, Munk offered a kind but impatient smile, otherwise a very reluctant eye roll as he tried to move the song along.