#i just have a lot of feelings about this guy sometimes idk idk

[dollyichi]

ILY = ? ᯓ★ bakugou katsuki x f ! reader. fluff / established relationship

katsuki never explicitly says “i love you” the first few months. he always has his own way to vocalize his affection—and i stress, in his own way.

where he gets annoyed and says “i want your heart to beat only because of me until you can’t feel it when i’m not there.” or when you guys make love and he says “every time you lay on our bed,” (your house, he came over) “you’d have no choice but to get reminded of me.” something like that. (it’s more extreme than those two examples) and you’d tease him because he says a lot of shit even though the meaning is very simple (though deeply felt).

sometimes those three words are manifested into simple actions. tucking your hair behind your ear while he looks at you calmly. helping you with your necklaces and leaving a kiss at the back of your neck after he connects the hooks. driving you to work even when it’s out of the way.

when he notices you’re feeling anxious and your hands start to twitch, immediately taking them in his own and peppering kisses until you calm down.

even remembering the tiniest details about yourself that you almost forgot until he reminds you himself.

then one day it just falls out of his lips so smoothly. in the middle of a tickle fight and when you both catch your breath you stop to look at one another for a brief moment.

“i love you.” he says with a smile while his chests continued to rise and fall.

that you kept asking him to repeat it over and over while the tips of his ears get redder by the second. (you trapped him against the headboard too)

still, his actions always proved more than those three words. you never thought you could feel something that’s even beyond love, beyond devotion.

it was entirely all possible because of your katsuki.

do not copy, plagiarize, translate, or repost my works

note : not proofread obviously sorry for the mistakes i wrote this bc idk it just fell out of me ><

[beloveds-embrace]

OK IVE BEEN THINKING ABOUT THIS FOR A WHILE

so I keep seeing these ads for “pheromone perfume” pop up. the women in who advertise it say that it makes men go crazy, it smells amazing, they can’t get their bfs off of them whenever they put it on (and usually they put it on and then set up the camera and wait for their significant other to walk in the room and react to it)

and every time I see one of those ads, I think of designationless reader.

idk if that’s something they’d ever do, but I feel like it would be interesting for them to dab some of it on their wrists and behind their ears, as well as where their scent glands are and see how the guys react to it 🤭🤭

Anon i love you and I am smooching your brain so hard rn

The idea had been simmering in your mind for weeks, born from the endless pheromone perfume ads that flooded your late-night scrolling. People with bright smiles swore their perfumes were magic, capable of driving their partners wild with desire. But you weren’t like those people. You had no designation, no scent, no pheromones to speak of-

The ads made you feel like an outsider all over again. But they also left you wondering- what if there was a way to bridge that gap, just a little?

That’s how you found yourself at a specialized lab, the kind that catered to people willing to spend a small fortune for something deeply personal. It wasn’t easy. The process was invasive, awkward, and expensive. The technicians had taken a lot of samples of your body- skin oils, sweat, saliva- examining them under microscopes, running them through machines you didn’t understand, distilling your very essence into a single vial of concentrated potential.

When you walked out with the tiny glass bottle, your wallet was lighter, and your chest was tight with nerves.

What if this didn’t work?

What if it did?

Being scentless had always set you apart, a quiet absence in a world built on pheromones and instinct. You didn’t have the alluring pull of an omega’s sweetness or the steady, grounding weight of a beta’s calm. And you certainly didn’t have the commanding presence of an alpha’s dominance.

You were… nothing.

Not that your pack ever made you feel that way. Price, Soap, Ghost, and Gaz treated you like you hung the moon, their affection constant and overwhelming. But sometimes, in the quiet moments, you wondered what it would be like if you could scent them. If you could mark them the way they marked you. If you could pull them closer without relying on their instincts to protect what was theirs.

You’d dabbed the finished product on experimentally: just behind your ears, at the base of your throat, and along the faint line of your collarbone. You added drops to your wrists and even a little over your faulty scent glands, though you weren’t sure why. It had no scent for you, and you were almost worried that they might have scammed you.

But their reactions convinced you otherwise.

The moment he walked into the common area, his steps faltered. His broad shoulders stiffened, and his blue eyes sharpened, narrowing as if sensing something just out of reach. He sniffed once, subtly at first, but then again, deeper, his nostrils flaring, and his hands flexed at his sides.

“Something’s… different.” He muttered, almost to himself, but his voice was low enough to send a shiver through you.

“Something wrong, Cap?” You asked innocently, feigning ignorance as Soap entered behind him.

Soap stopped in his tracks, bright demeanor dimming as his eyes zeroed in on you. His head tilted, his mouth parting slightly as he breathed in deeply. “Lass,” he murmured, soft and careful. “What are you wearin’?”

“Clothes? What else would I be wearing, Soap?” You replied, voice dry just enough to be convincing. You raised an eyebrow, then, and crossed your arms. “Seriously, what’s going on?”

Gaz appeared next, his movements slower than usual as he approached. Dark eyes narrowed, his focus razor-sharp as his body tensed. He didn’t speak immediately; instead, he circled you slightly, his hands twitching like he wanted to reach out but didn’t know where to start.

Ghost entered last, his imposing frame cutting through the room’s tension like a blade. He didn’t say a word, didn’t ask, didn’t even hesitate. He simply stopped in front of you, his chest rising and falling steadily as his head dipped slightly, his masked face inches from yours. His gloved hands found your waist, and a low growl rumbled in his chest as he inhaled deeply.

“What?” you asked again, blinking at them with wide eyes, your voice lilting with carefully curated confusion. “What’s wrong?”

Price stepped closer as well, his boots heavy against the floor as he studied you. “You smell… different, love.” He said, voice like the distant rumble of thunder.

“Different how?” you asked, biting back a smile.

Johnny couldn’t hold himself back from you any longer, his hands sliding over your hips as he leaned in, his nose brushing against the curve of your neck. He let out a low hum, his warm breath skimming your skin. “Christ,” he murmured, his lips barely grazing your throat, “you smell good. Like somethin’ I can’t quite place.”

Gaz knelt at your side, his hands wrapping around your wrists. He brought one up to his face, his eyes fluttering shut as he pressed a kiss to the soft skin. “Sweet,” he murmured softly. “Warm, like you’ve been wrapped in sunlight.”

Ghost growled again, deeper this time, the sound vibrating through his chest as his gloved fingers tightened on your waist. He pulled you closer, pressing his masked face against the other side of your neck, and the rumble in his throat sent a shiver down your spine.

“I don’t know what you’re talking about,” you said, your voice trembling just enough to sell the performance. “I didn’t do anything.”

But the pack wasn’t buying it.

Price’s hand cupped your jaw, his thumb brushing against your cheek as he tilted your face up. Piercing blue eyes searched yours. “You sure about that, love?” he asked, a low grumble that sent heat pooling in your stomach.

Soap pressed a kiss to your collarbone, his teeth grazing the skin lightly as his hands slid beneath your shirt. “Disnnae matter,” he murmured, voice thick with affection and something more primal, more hungry. “Whatever it is, it suits you.”

Gaz hummed in agreement, his lips trailing up the inside of your wrist to the sensitive skin of your palm. “Feels like it’s everywhere,” he said, his voice almost reverent. “Can’t get enough of it. Can’t get enough of you, dove.”

Ghost was silent, but his actions spoke louder than words. He lifted you effortlessly, setting you on the edge of the table with a deliberate slowness that made your heart race. His hands found your thighs, his grip firm but gentle as he leaned in, his masked face pressing against your stomach. The low growl in his chest deepened, a possessive sound that sent a thrill through you.

They were relentless after that.

John claimed your lips, firm and demanding, his hands cupping the back of your neck as he tilted your head back. Soap followed, his kisses trailing along your jaw and down your throat, his hands exploring your body with a reverence that made you shiver.

Gaz and Simon kissed the inside of your thighs, their teeth grazing the sensitive skin there as theirs hands held you steady and open, all theirs.

“Perfect girl,” Simon groaned against the back of your thighs, thick fingers digging into your skin. “Ours. Whatever you’d done- you don’t need it. You’ll always be ours.”

Hours passed in a haze of touch and heat, their attention unyielding as they marked every inch of you as their own. They murmured about your scent between kisses, their words a mix of worship and devotion. You played your part perfectly, letting soft, breathless sounds escape your lips as you clung to them, your innocence a carefully crafted mask.

By the time they were done with you, your were very sure they had rubbed off all the perfume off your body, and covered you with their own scents.

When they finally pulled back, in the nest, their bodies heavy with satisfaction, Price cupped your cheek with gaze still burning with intensity. “You don’t need anything to make us want you,” he said, low but steady. He stared straight at you, so that you would not have any reasons to doubt his words. “You’re already perfect.”

You smiled, letting the words wash over you, but said nothing. Your secret was safe, for now.

[arliedraws]

I've seen your posts about AI. I also know it's a pretty polarizing topic and what the majority opinion is, especially in regards to art and writing. And being an artist myself, I totally agree that it sucks, like you have to pay attention and all, but.... I hardly dare to say this because I know how emotional the discourse around AI is, especially on a platform like tumblr, which sometimes seems so strong that I don't participate in a discussion about this topic at all because I feel like people here would hound me for it, but I still use different AI software, but not in the way that I use it to create something that I can publish and pretend that I spent hours creating it myself. I think it can be really helpful.

If I need information about something quickly, it's more efficient than spending a lot of time searching different websites for a particular piece of information.

I also like to think of it as a group member when I'm working on projects. That doesn't mean that I get the ideas from it and then just copy them. In the same way that group work is beneficial, you pass the ball to each other with the AI and exchange ideas that you can then develop further. Or it can help you if you're looking for another word to describe something better, like a dictionary. And I still know how to use real dictionaries or do proper research, because I know that AI can make mistakes and you shouldn't believe everything. Just like it is with information from the internet in general. Anyway, now I come to the actual “confession”, which is that I also use it, not to let the AI create the art, but as a tool to help myself creating it. I usually use reference images for drawings to help me get the scene itself or the anatomy correct etc. Andy capture it properly. But sometimes I have a very specific scene in mind and can't find a suitable reference, and it can take me hours to find something that fits. So I like to use AI to create that reference for me, because unfortunately I don't have people modeling for me and personally it helps me extremely to have examples to work from.

Idk where exactly I'm going with this. But since the general opinion on generative ai seems very clear here, I wanted to finally get this off my chest because I always kept my moth shut being afraid of how others might react, even though I think that my methods are still quite legitimate, as I still do the real work myself. Anyway, I'm looking forward to your opinion.

Ahhhh okay, well, thanks for the vulnerability here.

You know my opinion on AI. I’m not going to tell you you’re a terrible person or anything for using it, but I’m also not going to justify your personal decisions. Instead, I invite you to change your perspective.

My opinion is this—and it’s more of a question: why are you creating the art? I’m going to hit a few of your main points and just pose questions because I think this gets to be more philosophical than a cut-and-dry “if you use AI, you are a bad guy.” Because I don’t think that—I also don’t think you should use it.

The reason I don’t blame people for being attracted to using AI is because as human beings, we’re designed to find the most efficient way to do things. Thinking and using creativity is a huge caloric expenditure. Right? Naturally, we’re attracted to ways that things can be done FOR us and reduce our cognitive load. Your brain is working as it was designed! But this is also a really cool way to take away your voice and mold you into someone who cannot think for themself.

(This is also what you’re doing by “confessing” to me. You’re unloading your cognitive/emotional burden so you can keep on doing the thing you know is probably a bit shady.)

First of all, I don’t know you, so I don’t know what your art training is. However, you need to train your brain to start coming up with stuff on your own. I am really sorry, but I don’t buy the “I don’t have enough references.” When there are free resources like Unsplash.com and even just looking at buildings around you, the furniture in your house, etc, you DO have the references. But you need to learn how to use them. This is a tool.

Second thing, if the reference isn’t exactly what you need, then you need to start learning volume and shapes. You need to study anatomy. Eventually, you will be able to look at a reference and understand how perspective works and be able to transform a reference in your head to what you need. OR - start combining references. If I’m doing a full scene, I probably have about 5-6 reference photos I’m working from. This is a tool.

Third, start taking photos of yourself for reference images. If you can’t find what you need, do that. I periodically have to go into my camera roll to delete the god-awful reference poses for myself. This is a tool.

Fourth, start a collection of things that “strike you.” Start a reference blog. Have a folder filled with images that intrigue you. Personally, I take an insane number of photos when I’m traveling. For example, I went to a mansion for a tour and took photos of all the early 20th century objects and rooms so I would have these in my arsenal. This is a tool.

My fundamental question is this—why are you having an algorithm create what’s in your head for you? Why not learn how to do these things instead? Your imagination is so cool. The process of creating is making happy mistakes. What do you think Bob Ross would say to you? When you use AI, you’re just copying. The imaginative part has been done for you. You’re just a tool of the robot.

We do so much to avoid frustration, but frustration is the part of creating. When we can see the skills we need to learn, that’s how we know we’re improving. It means you’re trying, and when you press through that discomfort, that’s when you grow. Stop seeing this as a block to your end goal but as an opportunity to continue your infinite journey as an artist. Celebrate that there are so many beautiful things to learn.

Additionally, please don’t see AI as a group project. A group project indicates that all parties involved consent to participate, and I know most artists do not want their art to be used in this way. Imagine if you learned to do all the things I’ve described above and taken time/years/frustration/love to develop these skills, and someone years later then took your work and said “It’s okay - we ALL contributed to this.” It’s just not true.

The artists you see online don’t simply sit down and draw a bunch of cool stuff without practice. I watch Youtube videos of professionals. I draw a gazillion sketches of just MOUTHS or hands so I can create my own references in my mind. Why would you deprive yourself of this?

Look, I think it comes down to this: if you’re looking for efficiency and ‘getting it done’ quickly, then why are you doing it? Are you enjoying the process? If you aren’t, why are you even doing it?

If you need a robot to imagine something for you, then you don’t actually want to do it.

[cheeseceli]

most to least BTS: with whom you can turn your brain off?

Pairing: ot7!BTS × Gn!reader (individually, ranked)

Genre: fluff, established relationship, most to least

Request: Can it be sort of like a most to least with whom you can turn your brain off? Thank you have a lovely day xx

Warnings: low-key bad explanations

A/n: guys I do mtl now 🙂‍↕️ how inaccurate is this lmao | daily click

Most

Suga - idk that's so self explanatory to me.

Taehyung - I will never describe him as something less than simply THE boyfriend material. Even husband material, really. If you want to turn your brain off, you can. He even encourages you to do so. He likes to know that you see him as that reliable. And he also LOVES to take care of you. If you don't want to, you won't ever need to do things by yourself as long as he's by your side.

Jin - husband material once again, I don't see a scenario where I'll stop talking about that. Overall, I see him as someone who emanates a lot of safety? Like, you know that you can trust him no matter what. If you want to just stop thinking overall next to him, you know there's absolutely no problem because he'll be there to help

J-hope - I see him as a sort of legal guardian of the maknae line ngl, so he knows how to and actually likes to take care of someone. I don't think that would be different with their s/o. If anything, it would be even stronger

Jungkook - I feel like he would love to take care of you and would get a small ego boost when you turn your brain off around him, because that means you trust him that much. However, he's still the maknae. He is used to being pampered. Sometimes he needs to be the one to turn his brain off, that's why he's not in a higher position on this list.

Namjoon - I was gonna put him higher on the list, but a friend of mine said that he thinks too much and that would make you think too much as well, and that's kinda true 😭 he would love to make your life easier, as your partner, but he also loves those kinds of conversations that are too philosophical and will put you into an existential crisis

Jimin - I have no actual proof as to why he's last here. It's just that I think he would like to turn off his brain next to you, but one of you needs to think, so like??? You could make turns but I have no idea of how that would work lmao

Least

Masterlist | you'll probably like: when they have a crush (I swear the explanation is way better here lmao)

Reminder this is just fiction!! I'm not trying to portray real life and you shouldn't believe that this is how the members actually are. This is just for the vibe and the delulu!

Taglist (open!): @yuyubeans @butnotmontana @sheraayasherrecs

Dividers by: @cafekitsune | Images 1, 2 and 3

[queenmelancholy]

I feel the same way too. Idk but sometimes I think thomas might have become his favourite character to write for (after he’s run out of ideas for Mary, or once Gareth Neame stopped pushing him to write for Anna and Bates lol)

Julian’s said in multiple interviews that he got people writing to him saying they didn’t know homosexuality was illegal not long ago, and he responded by saying that he wanted to educate younger people by Thomas’ story that what we have now is a hard earned victory and we shouldn’t take it for granted. And perhaps by showing the character change, people will learn how much acceptance and love means for the marginalised community, and even make those who are against queer people to at least become less hostile. So portraying Thomas to be the ‘bad guy’ for most part of the story would be, in a way, necessary.

Fellowes has also maintained good relationships with gay people irl (such as his brother’s godfather and some of his close friends) and he’s basically an ally to them. He’s given a whole storyline set in a different place entirely just for thomas in the first film, and people gave a standing ovation just because they were so happy for him. Do people think it would be possible if Julian hadn’t written that storyline or, honestly, the whole arc of Thomas’ character? How about the very emotional scenes with him saying goodbye at the end of s6? Yes, Rob’s acting contributed a lot to making Julian see the potential of Thomas so credits to Rob, but ultimately, Julian was the one who wrote it. Those good storylines were basically the writer’s love letter to a character.

This is an interview with Julian Fellowes exclusively on Thomas’ character throughout the show. He might have tried too hard by emphasising the predicaments of being gay in a different time, but I really believe that he meant well.

Me: Has anyone stopped to consider that this thing that happened might point to Julian Fellowes having created our favorite character for reasons other than his being a homophobic asshat?

Other Thomas Fan: *crawls out of the woodwork* Oh no, my take on that is that it was just someone else being wonderful and Julian Fellowes not being able to take it 'cause he sucks and can't stand gay people.

Me: Cool. *blocks* ...and people wonder why I'm not trying to get an original book published...

[cicerfics]

Tuesday ramblings

Quantum of Solace is not a very well-loved film in this fandom (though it's good, actually! fight me!!) and I can only assume that's why I see so little meta or other mentions of Craig Mitchell.

But God almighty, I'm eternally obsessed with this minor character. Or rather, I'm obsessed with Mitchell's relationship with Bond (and M) and the implications of his betrayal.

Like?? We only see Mitchell in a couple scenes, but it is clear that Bond and M trust him near-implicitly. He is M's personal bodyguard. She trusts him with her life. BOND trusts him with her life! He and Bond appear to have a rapport! They appear familiar with each other, comfortable with each other, like two operatives who have experience working in tandem on a job.

Bond doesn't bat an eye when Mitchell says he's going to do a perimeter check (and subsequently murders the other guards while Bond and M are occupied). He trusts Mitchell to do his job.

And why shouldn't he? Mitchell has been M's personal bodyguard for YEARS and apparently served her faithfully. She buys him CHRISTMAS PRESENTS.

Sometimes I just have to sit down and stare off into space while I think about how much it must have fucked both Bond and M ALL THE WAY UP to have Mitchell, of all people, turn his coat.

I think about how much it must've fucked Bond up to have this happen RIGHT after the situation with Vesper and her betrayal. I think about how Bond and M cleaved even closer together in the wake of this, because really, who CAN they trust but each other? Isn't it now painfully obvious that ANYONE AND EVERYONE ELSE is untrustworthy?

And I think about how quickly Bond shifted (how quickly he HAD to shift) between seeing Mitchell as a deeply trusted ally to seeing Mitchell as an enemy to be terminated. He had to make that switch in SECONDS.

He had to go from 'I trust this man with my life and M's life' to 'I am chasing this man down so I can personally kill him because he is a threat to everything I hold dear'. And he had to do that virtually instantaneously, with no time to process any of it. He had to be psychologically prepared to shoot Mitchell without hesitation.

And he did. When it became clear that Mitchell had betrayed them, Bond killed him immediately and unhesitatingly.

And it fucks me UP to think about Bond having to exist in that kind of headspace for even a month, let alone a decade or so of his life.

[aroaceleovaldez]

apparently pjotv twt was being weird about book!Percy's eyes being green because they don't think the ocean can be green (???) so consider this a sequel to my Grace siblings eye colors post and here is some visual references of green water for all your Percy inspo needs:

And for reference, the water around New York-ish where Percy is usually is somewhere around this color:

or some alternatives:

or here is a nice hazel green if you want his eyes more on the brown side, which is very common in freshwater ponds and streams:

or if you want him to have totally brown eyes - water rich in tannins will appear brown, greenish-brown, or very dark brown - this is sometimes called "blackwater" due to often appearing very dark or having low visibility:

[jaskierx]

hey, since it’s pretty clear you don’t like much of what i post, i’d suggest keeping me blocked instead of unblocking me just to yell at me 💛

anyway idk where you’ve got any of that from bc if you read my post instead of seeing my username and going into a blind rage, you’ll see that i’m referencing an article which included this section

and this one

and the point i’m making is that anybody - not con specifically - who has a crowd of adoring fans, and has made it clear that they’re ready to hear the fans’ deepest secrets, and to allow a lot of physical contact, and to discuss sexual topics, is in a position where they have more access to exploitation than most of us

the article was about how neil gaiman was abusive at a time when everyone around him believed he was just a nice man who was in touch with his fans.

everybody - you, me, neil gaiman, con - has the capacity to abuse others if they choose to do so. getting defensive like this serves nobody. it is important that people remember that celebrities are strangers and that sometimes they have bad intentions.

nothing to do with kink. everything to do with parasocial relationships and the danger of having a famous guy you admire make you feel uniquely seen and special.

And this: https://bsky.app/profile/karnythia.bsky.social/post/3lfn56fss722d is why Con ONeills behaviour cosying up to fans and normalising sharing kink imagery with them is very icky to me. And I’m tired of the canyon pretending that it isn’t! I’ve gone to conventions long enough to know that this is a slippery slope into very dangerous situations. Not saying necessarily in regards to Oneill (though I do ask my self WHY he wants to interact with teenagers in that way) but it makes young people who are new to fandom believe that this is normal behaviour and then makes them vulnerable to predatory people who /have/ bad intentions!

1000% and this is definitely something i thought about when reading the article about gaiman.

for what it’s worth i am absolutely not accusing con of anything and i genuinely don’t believe he has ever harmed a fan like that

but what i am saying is that if he (or any other celebrity who has minimal boundaries and a strong following, especially if it’s mostly comprised of fans who have several marginalised characteristics) ever decided he wanted to, he’s unfortunately in an ideal position to do so

[skibasyndrome]

.

[batsplat]

casey is obvs funny with this rivalry stuff because on the one hand he's very 'well I don't care who I beat' (lie) and 'I don't motivate myself using my rivals' (also a lie) and then he's also repeatedly emphasising that valentino was ONE of his biggest rivals and he only competed against him a few years... like a lil side quest in the story of his career. Those Few Years where valentino was his big rival. whereas dani and jorge were his cohort so he did compete with them for a greater span of time... and this is technically true and does MATTER but it is also extremely noticeable in his output which rivalry he has the most thoughts about. and yes casey would say that this is because everyone ELSE cares the most about That One Rivalry the most and also his opponent being an annoying dickhead means it's the one he has the most complaints about... but at a certain point, it doesn't really matter, because there's still one rivalry you're talking about way more than any other. you can tell that he's at least given jorge's interiority a bit of thought, kinda went 'well he was arrogant but also Learnt From The Error Of His Ways and was maybe misunderstood so' -- but also he's not going beyond that, he's not examining jorge's soul, and he's not even doing any of that with dani. it's very much a rhetorical commitment to those other two rivalries. ultimately the point is that he's doing what he can to not talk up his biggest rivalry TOO much, because, you see. he Did Not Care That Much. (lie.) now objectively speaking this kind of framing literally does not matter, who cares which one of these was the most meaningful rivalry, but it's interesting that it matters to him!! casey's problem is that he is extremely sensitive and cares deeply about what other people say about him, but one of the things he's most sensitive about is the idea that he could let himself be mentally affected by ANYTHING, worst of all his rivals. they cannot be granted that much power over him. and all of this has kinda funny consequences in that he has pretty rigid patterns in how he talks about this stuff that are at times quite convoluted because he has to simultaneously emphasise that a) none of his rivals massively mattered to him, b) That Rival didn't matter more than the others, c) what That Rival did to him was completely beyond the pale, and d) none of that affected him mentally whatsoever. at most one of these is true. there are so many things casey wants so badly not to care about but it keeps spilling out of him anyway, this oozing sludge of resentment and repressed hopes and desires and frustration and longing and bitterness. he keeps giving himself away... he cares so much and he can't stand it

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[fumifooms]

You’re the resident chilchuck expert, so I was wondering about it there’s any canon evidence that he did smoke or drink alcohol when the kids were younger. I always thought it was something he picked up due to the strain of long jobs, when the kids were already older, but you seem to think differently and I was wondering if there was anything in canon that made you think that way!

Now that you mention it I guess it’s true there’s no evidence he did. Smoking we literally only know he does at all because of one post-canon panel where he has a pipe, so no, maybe this stick-looking thing in the panel below too though, I’m not familiar with medieval blunts eh. We’ve only gotten one panel of him and his daughters interacting when he was younger so that’s not too insightful on that end, and every time we see him young and freckled it’s in a job context so again not really where we’d expect him to be drinking. The earliest proof (/heavy implication since we don’t see inside his cup I guess) is 3 years before canon when Laios hired him, where he’s at a bar, classily placed in front of all the bottles ✨

Yes alcohol is almost certainly a way through which he copes especially with stress, so if we go with the theory he started around when work got stressful, well… Chilchuck started working as a dungeon diver ~10 years ago so when he was ~19, making Mei, Fler and Puck ~6 and ~4 respectively, so from that draw the ‘stressful enough to start drinking’ line wherever. We don’t know what he did before that with any certainty, and it could be he did odd jobs, lived off mostly mutual aid and community work, or just focused on only raising the girls. Half-foots tend to be poor and I see a lot of that in Chilchuck specifically so I don’t think he could have afforded to not have some paying work though.

Alright, so then why do I think he did drink when the girls were younger?

I give a more complete rundown of the info we do have on his alcoholism & his family with panels and references + all the speculation I make from it here. But the most targeted and objective answer I can give is:

Of course there’s just very very little we know of Chilchuck’s life with his family, and I think that’s by design too. I think the details being up in the air is to allow more nuance of the topic, like, will trying to reconcile go well, is their relationship salvageable? We don’t know, because we don’t know. So the message of giving hope a chance even if it’s a long shot, that things could truly go either way, is more relevant, impactful and meta in that way. How long was he usually away for work travels into dungeons here and there? How did he act with them? All we can really do is "it’s likely that", it’s a game of which way we think it’s more implied. There’s no right and wrong answer, it’s all Marcille-like larping the events out.

My main reason for thinking he did is that his father died from overdrinking and Chilchuck is very aware of that. He mentions his death casually in the extra about their stance in alcohol and in his Adventurer’s Bible profile, etc. He acts towards the alcohol presumably the same way his father did: with abandon, uncaring for the health effects, probably happily too considering Chil says "dying doing something you love is a good way to go". Very nonchalant. So you see what I’m saying here right, wether he started early or late, his view of alcoholism is very influenced by what he saw of his father growing up, it’s something he’s always been aware of and saw in a mostly positive light, something that was inherited you could say. It’s something that was normalized to him from a young age. Regardless or where it goes from there I do think this part is pretty inarguable. If he views it positively and we know that in the present alcohol is his favorite food that he loveees, why would he have held out on it? Personally that all makes me think he started drinking very young, especially since I don’t think they limited alcohol to age as much as modern standards (and I mean, teen drinking is obviously still a thing). And here you could argue, maybe his father only started being more alcoholic later when Chilchuck moved out, or something! And to that there’s nothing I can say except I think that’s a strained theory, and that Chil might even have largely cut contact with his family after moving out (since he and siblings are listed as almost strangers and he doesn’t seem to have much emotional attachment to his parents, but also we know he rents out his place to "a relative"), but it’s true we have no evidence. "I’ve picked up the same unhealthy substance abuse as my father haha! No big deal right haha" repeated several times to me just reeks of intergenerational trauma, & the alcoholism gene as they call it. Like effortless sliding into drinking as if it’s second nature, it’s natural after all, it’s normal after all, it just makes sense, it makes you feel good and that’s what matters.

BUT from my interpretation then we have a whole other layer: Alcohol is of course not all bad always. I think he’s always liked alcohol and drank it on occasion and it brought him joy etc etc, but I think here the implication in the question is, how much effect did his drinking have on the family relations and how early? And that isn’t so much about when him drinking started but when the alcoholism started. Addiction is defined by a habitual need, that has negative effects from filling that need (physical, psychological, social, etc) and negative effects from withdrawal. If Chilchuck drinks to cope and he can’t not cope without it, that’s addiction, if it affects his relationships, if it’s a need he has, it’s addiction. Addiction can be very insidious or look very casual, and how much people around the person are affected by it is case by case. Cheerful drunks can be sooo annoying and uncomfortable though let me tell you. Drunks are drunks. And this sounds harsh, but even if people around them don’t mind drunks it’ll still have some effects here and there, living with one can be such a challenge, ily drunks good luck with everything much like Chilchuck you deserve good things 🫡　

Ok so with the dad thing and the "ok well maybe he’s always drunk casually but it grew worse with time around when he started working as a dungeon diver" precision made, the other bit of info we have that can inform this is that Chilchuck is on a harsh diet and that alcohol is a hunger suppressant. We know Chilchuck "used to be fine not eating for two days", that literally on screen to quench his hunger so it doesn’t keep him awake he goes to drink water, drinking is his instinct to hunger. Again alcohol is a hunger suppressant and if you want info on that the internet has a lot of research and anecdotes about it. He diets to be light enough to not trigger traps, so it’s something he’d have started after dungeon diving most likely. Between the stress and the diet, yes it’s extremely likely he started going harder on alcohol after he started working in dungeons. There’s arguments on wether two days without eating is less bad for half-foots than humans, but apart from smaller portions there’s nothing that indicates half-foots should get less than 3 meals a day. They need less food but that’s because their bodies are smaller: the need is proportional to the body, not smaller than others’ races, the % of need is similar even if the kg amount of food isn’t. There’s also a popular headcanon with support basis that half-foots run hot and have a faster heartrate and whatnot, and that points towards a faster metabolism rather than a slower one: a bigger need for eating rather than a smaller one. He has the same bmi, 18, as Mickbell, but perhaps because Chil is much taller he’s less intensely visibly underweight with ribs showing than Mick during the bath extra, it’s most apparent when he becomes tallman.

Alcohol is something so important and omnipresent in his character that I have trouble believing it’s something that was part of only a small fraction of his life. It’s his immediate go-to, his no-brainer solution to a good time, I’ve sort of always assumed especially after looking at his family that it’s something he discovered decently young. Like he just acts like someone who’s always had alcohol to fall back on and started young idk. Alcohol is one of his 5 keywords. Alcoholism is very ingrained into his world view and life, his "it doesn’t matter" stance his ‘work hard play hard’ mentality his idea that the world is harsh so you get relief where you can, so it just makes sense to me that it’s always been in his life, if not actively then at least looming.

So yes, in summary, my take: Alcohol was always something he wholly enjoyed to an unwise level, but it could have been considered casual until he started working into dungeons and his need for it on a regular basis intensified. Alcohol has always had positive association to him as far as we see, so when it started being a problem he didn’t see it as such. To quote him, "I drink anytime I get the opportunity to". Why always? Approval of father’s alcoholism. Why alcoholism at all? Diet + stress & coping mechanism & emotional stunting + relationship issues, and she decided she had enough after they went out for drinks.

Conclusion

Chilchuck having drunk from a young age makes sense to me and it’s the strongest narrative angle I see on the table, but that’s objectively a me opinion, yes! There’s no evidence, moreso there’s canon basis and supporting info, but it’s all very left up to interpretation. I’ve made my own interpretations of things from the scraps we see, like everyone else making Chilwife and daughters content. Wether you have a stance on the topic or prefer to leave it vague in your takes, it’ll be a matter of what you think makes most sense, or what you’d rather believe I suppose (which is literally fine)

There’s a lot of subjectivity in even just setting up causal links like you probably noticed during this and I was careful with my word choices, because we’re just extrapolating from what we see and unless Kui states it explicitly from a reliable mouth all we can do is have informed opinions on most things. This particular interpretation is influenced by other details I’ve come to form about my interpretation of Chilchuck too, the more psychological and emotional sides of him and the timeline and how his marriage even happened, unplanned pregnancy imo. Like I hope you see what I mean, this wasn’t supposed to be a speculation post just a quick simple answer but there’s sort of just no other and concise but complete way with the subjectivity nuance to put "maybe it could be yes because of this but maybe it could be no because of this" haha

Edit: Wait the phrasing on this… Interesting. "In recent years"— This does imply that if not just his alcohol consumption increasing then the diversity and quality of it did, so either he indeed did start drinking more (not necessarily meaning he didn’t drink before) assumedly because of his wife leaving, or he started drinking other/more different kinds of alcohol maybe due to the union he formed + his experience gave him greater salary than he had previously (and no wife and family to provide money for), a mix of both perhaps.

[queeringclassiclit]

Edmund Pevensie

from The Chronicles of Narnia series by C. S. Lewis

[dykedvonte]

you make really good points, I think I used the term karmic wrong sorry. I think of it more as not how I personally think he deserved all that happened to him (which thinking back os exactly what karma means, I messed up sorry), but as his fate being directly tied/parallel to anyas. I handnt noticed the toxicity of jimmy and curlys relationship, from the first playthrough I watched and the first interactions I had w fandom I saw so many ppl just. dismiss the terror Anya went through and focus too much on him as the "ultimate victim" and that just didn't sit well w me. I really dislike seeing ppl go "oh well nothing could've been done" I think it's much more complex than that. also I forgot to mention in the last ask that I really appreciate you bringing the point that this game isn't just about the harm of patriarchy but also very very critical to capitalism, I haven't seen too many ppl touch on this. I hadn't thought too deeply about how it makes "he deserved to become disabled as punishment" come up and I agree that's really messed up. I'll try watching a playthrough again with all of this in mind. but either way thanks! I really appreciate your answer 🫶🏼

I guess this is just part of being in a fandom like this. I've noticed a lot of people don't actually see posts outside of their curated view. So some people only get like anya posting or jimmy or curly and it can make it seem like that is what is saturating the conversation.

I mainly just follow the general tags and look for anything new because I'm like obsessed but I know some are only looking for what they want or believe to be the case and can get weird about other ideas.

Sorry if I came off mean its just a last few of the asks have been like circular conversations like this and its not draining per say but seeing all the nuance and details get overlooked to fit a straightforward and basic narrative really sucks cause there's a lot to explore character and theme wise.

[averlym]

some very very quick costume shorthands!

[mla0]

i hate when people portray michael and/or patrick as some kind of master manipulator who was terrible to shaun and stormy. like, in the past, michael sometimes got portrayed with little autonomy, or as childish and overly innocent in a weird way. that in itself is an issue with the treatment of mentally ill characters (infantilization), but the solution isn't to argue that he's actually a monster who only wanted to hurt and mislead people. the same goes for patrick. i don't enjoy the "goofy flirty mass murderer" interpretation for very similar reasons, because in the canon patrick did indeed do some wild shit but i think it's a stretch to say it was out of malice, except maybe towards eric lol

obviously there will be different views of these characters and this isn't meant to be gatekeep-y or anything, i'm just concerned with how certain portrayals can quickly slide into negative biases towards mental illness. i think if you're going on this route you might want to ask yourself why, and consider how it could make the mentally ill people within the fandom feel when they see their own symptoms portrayed by their peers as synonymous with being dishonest or manipulative