#i just got a bit emotional about this Very Good Character Arc and needed to vent

[avelera]

You may have talked about this before, but what's your opinion on Arcane!Machine Herald? Because I've seen him get a lot of hate because he diverges a lot from his original self-made cyborgy lore, but I personally LOVE him to bits. I was kinda worried because Arcane S1 already had lots of mechanical bodymods and an entire race of sentient robots so I was like "ok how is he supposed to be radical compared to that?" and then he engineered himself into a worldending cosmic horror being, i love him

I have no investment in League or its lore so Arcane Machine Herald doesn't have a strong emotional attachment to me one way or the other?

To me, the design emphasizes the magical aspect of the Hexcore taking over Viktor. The one complaint I do understand from League fans and somewhat share is that Viktor's Herald villain arc is a bit muddled with his S1 scientific motivations, to me.

The thing is, to me, Viktor is a scientist, and the Machine Herald and Commune leader stuff is a bit too mystical to me for the Viktor we knew. I have trouble reconciling how he pivoted to that if it was his own choice. That's why I tend to headcanon that the Hexcore was pretty active not just in persuading Viktor to become a Cult Leader, but also for the aesthetics and tone of the cult leader choice, leaning into mage imagery like robes and a staff.

Of course, that robs some agency from the character, which is overall less interesting, but I can't help but feel a true villain arc that was totally self-directed by Viktor would have been a bit more scientific, it would have been more him willfully replacing parts of himself to stay alive.

But as you noted too, that doesn't really work within Arcane, neither does that original Machine Herald motivation. We've got Bolbok on the Council who is basically a robot, we've got Sevika and the entire undercity with tons of metal body modifications. Viktor making it some sort of cause to replace humans with machine parts to cure their imperfections doesn't really work in Arcane as something that's an ideological stand or a philosophy of any kind. It's just day to day life. So from there, I understand leaning more into mysticism as his route for making people "perfect".

Perhaps my... hmm, not point of criticism but simply a personal story squick is that I don't like cults and I don't like the hippy sort of imagery they went for with Cult Leader Viktor, for me the whole vibe was very squicky throughout (which is why I was thoroughly baffled when people ever thought the cult was a good thing, I was silently screaming with discomfort the whole time) and a part of me really struggled to reconcile how S1 Viktor would ever choose to craft a place like this. Like I said, that's why I kind of had to go with the idea, for my own sake, that Viktor on his own wouldn't craft some weird hippy monastery where everyone just works and praises him all day, that this is an element of the Hexcore. That Real Viktor if he could control his own actions and was fully present (rather than half living on the astral plane) would also be horrified.

As for how this lends to the Machine Herald design *shrug* that's also a very "mystical" look to me, it follows from the more magical take on Herald, but it is artistically cool and very alien. Personally, I see it as simply the humanoid form of the Hexcore, its choice for what it will look like, and it's basically just using Viktor as a battery at that point to power itself in turn and to give itself a voice, Viktor is all but wholly subsumed, he didn't design that look, he has been the cocoon for the Hexcore growing inside him, and Ekko + Jayce + Anomaly Future Viktor are needed to rip it off of the real Viktor, who is immediately horrified by all that occurred and, to me, had very little agency throughout while being constantly fed the belief that he did have control. Honestly, I think Viktor was contending with an ancient seed of Void power using him as a vessel and he was hilariously outclassed by something far more ancient and powerful than him using him as an incubator for itself but, again, that's just one possible interpretation.

I know this got a bit off topic but yeah, I agree on some points about how the original Herald stuff just doesn't work in Arcane and the rest is sort of my more general feelings about the Herald and the Herald look.

[mari-lair]

I will assume this question is about who would be the best character to comfort Akane in the current arc (chap 121), if so I'll have to take off my shipping goggles for a moment and be real with you Anon: Neither Aoi or Teru are a good option, both would suck at comforting him.

I think Aoi would be a bit better, but that's mostly because Teru would not comfort Akane: He just lost his little brother, there is no way comforting Akane even crossed his mind. The situation is so dire that when Akane tried to comfor him, Teru ignored him.

He does seem somewhat aware Akane is trying to help but at no point does Teru reach for Akane back or even face him. Teru is closed off: He doesn't want a hug. He does not have the strenght to get up for Akane's sake, much less be an emotional support right now.

Teru does still deeply cares about Akane despite prioritizing his grief over Kou's fresh death, but it's clear he is in fight mode, ready to act, not to slow down and comfort someone.

If they survive I bet Teru will either shut down the second the enemy is defeated or force his tired body to run after Nene because he need to go to the old world. He need to.

What if Akane gets extremelly injured? Then he will help get Akane out of the house but even on such scenario, I still can't see him comforting Akane. The last time Akane was gravely injured he didn't take it seriously.

And even when he did start taking his injuries serious (when they got to the Near Shore), he was not gentle or caring, he straight up dragged Akane on the floor.

Teru get shit done when there is an emergency. He does not comfort.

Now let's talk about Aoi.

Aoi displays the same "I will save you!" behavior as Teru but she pay far more attention to Akane than Teru, being reactive to his comfort/touch despite their dire situation.

She is also more 'fuctional', brieftly attempting to comfort Akane in the chapter.

This is very good! There is a far higher chance that she'll be openly worried about Akane if they survive! They can talk as they follow Nene or rest beside each other if they are too hurt to keep going, but there is a big problem: Aoi does not remember the old timeline.

How well can she comfort Akane? She is a stranger to the world they miss. She cannot understand what he fight for. They don't know each other as well as they believe they do.

Not being able to speak about the old world is a HUGE dissadvantage, make it hard to connect on a deeper level, but she does still have their nightmarish situation to relate to, and she would still try to comfort him/seek his comfort.

She can't give him a good speech, (considering the engagement situation I don't think she would be good at talking with him at all) but she can hold his hand and show concern over any injuries when he inevitably show concern over her. She can openly show she cares if there is no social pressure involved... Considering how much bolder this new timeline Aoi is, she could even hug him! Which would be an extremelly comforting but carries the risk of becoming a bittersweet memory only Akane will remember.

(If new timeline Aoi can't remember the old timeline, there is no guarantee that old Aoi will remember anything about the new timeline)

This memory risk make it so any possible bonding (maybe Akane vents to her, maybe they talk about their worlds differences to distract themselves, anything could happen....) will hurt Akane after, cause he'll have to say goodbye before he properly get to know this Aoi.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[spacetimeaccordionfolder]

Be Warned, for I have free time this evening and Thoughts about the Characters. Unfortunately my wrists are also kind of achey and tired but! I shall take medication for that and persevere!

Anyway, How about Tahraim. Our favorite Blue and Orange Morality guy. I've been thinking about the fact that he was there the entire time in Zuurith.

OKay Characters like him intrigue me so much. Like. He's helping our protagonists because their goals align. But also, we can't get too comfy. He's not.... malevolent persay, but also. People are projects.

Let's go through what we know. Start at the very beginning. I've heard that's a very good place to start.

Arc 1, chapter 12! Tynan, the Storm of Terror is making his way towards the City of Vash. Vash asks Tahraim if he can forge Vash a weapon so he can fight Tynan to keep his city safe. "Tahraim considered his request for what Vash considered to be a unnecessarily long time" (a line I love so very much. the repeat of considered. what we learn about Tahraim first from that line itself and then from the reveal that Tahraim's telling the story.) before giving Vash the ingot of starmetal and blue crystal, and telling Vash he "could forge him his weapon but only after Vash had made the materials his own." Vash spends three days trying to understand what Tahraim meant, before (in arguably a moment of desperation) slipping his soul inside the metal, reforging his body, and beating Tynan. Then he brings the metal back to Tahraim for him to make into a sword. When Caliban asks about that, why he didn't just make the sword in the first place, Tahraim says,

"Because if I had, I'd have deprived him of a much better weapon." Caliban points out that the city of Vash could have died if Vash hadn't figured it out. Tahraim says, "Weapons can only be forged in fire," and a few panels later, "I can give you your weapon in time. But if I interfere now - it will never become what you need it to be."

"If you want him to do the impossible, we need him to believe he can."

The next time we see Tahraim, it's chapter 16. And Dainix, who we know to be the person Caliban and Tahraim are talking about here, is having a very bad time (partly because Caliban poked at him earlier in disguise but we'll get to that later). And Tahraim appears and helps Dainix back from the ledge he's on, helps him control his abilities, and is just great for emotional catharsis. I mean:

I love "if you burn, how can you help them?" so much. It's what Dainix needed to hear at that moment. The hand holding. Dainix can't hurt Tahraim; he's literally a god of forging. Dainix also likely hasn't had someone just tenderly hold his hand since he was exiled. He helps Dainix work through what he's feeling, and then gives a bit of advice on fighting Tynan before Dainix leaves.

Scene change to Erin figuring out buying time and then to Alinua breaking open the prison and having a crisis about Life using her/ not letting her die/ not helping her. (and then Theia taking the archive out of the city) Cut back to Tahraim now looking at the tree Alinua grew. There, Caliban and Tahraim compare notes ("You got him all riled up before the fight, didn't you?" "You mean how I heated your material so you could smith it into shape?") and sass Zuurith, before Caliban says "Just leave him, we got what we needed." Caliban isn't seen again until Arc 2 chapter 4.

So let's pretend it's the early in year 2022. And you're reading Comic Aurora. If someone asked you what you thought of Tahraim, you'd probably mention he's funny, seems to like helping people, and views everything through the lens of shaping the best thing out of it. But he's a good guy. We've seen bad guys in Aurora. We've seen ones who think they are the hero of the story, like Zuurith, Jolon, and the Collector. We've seen ones who know they're bad and don't care, like Tynan. Situational Antagonists like Shrike, who knows she's not the best but also is just surviving. Falst himself was temporarily a situational antagonist. There's the Void Dragon. We've seen bad guys and malevolent gods, and Tahraim is on the same side as the good guys.

And then chapter 18. And it's less "he's a good guy" and more "his goals currently align with ours."

Some time ago, The Collector asked Tahraim to forge her a soul stealing dagger. Tahraim, like when Vash asked him for a weapon to fight a storm, and turned her down, "since [he] was worried she'd continue to stagnate if [he] gave her an easy shortcut to power." Not "Oh creating that would be a bad idea" No, he turns her down so she has to figure things out herself.

The 1.18.18 comment section was I think the first time I really saw blue and orange morality really discussed. MAN that page was crazy.

Tahraim is a teacher. He guides people towards, like how one might refine a weapon. He takes pride in his work. If giving aid might cause one to not learn something greater, then he holds back. Offers hints instead. He gave Vash starmetal and a crystal, told him to make those his own, and let Vash think it through. He and Caliban let Dainix stay in the prison for a year so Dainix wouldn't feel like he didn't have any choice in leaving, and then helped Dainix work through huge explosion of Soulfire in the arena. This same nature applies to people like the Collector, who's .... let's say scholarship he likely knew about, letting her develop her own way to capture souls so she wouldn't stagnate and would grow.

Let's look back at that first conversation again:

"Because if I had, I'd have deprived him of a much better weapon... Weapons can only be forged in fire... People temper at a more complicated pace than metal... If you want him to do the impossible, we need him to believe he can."

Vash spends three days frustrated trying to find a way to protect his people. He endured hours of fighting Tynan, losing an arm and an eye, till he reforged himself around the starmetal. Yes, he gained a sword, a better understanding of himself, but he went through pain to do that. Dainix spent a year forced to fight in an arena. He tamped down his fury and his guilt of hurting others, clung to his last principle of not fighting to kill till it left his body cracked, with inner flames spilling out. Yes, he now knows more about what he is, is able to fight more, feels like he can do the impossible, but oh the pain he went through.

Tahraim was in Zuurith during the Tynan fight. He might not have really been paying attention to our heroes other than Dainix, but he was there.

Tahraim watched as the tree broke the prison. As Alinua wrestled with her abilities, and what Life wanted from her. "I don't think I can do this in time. But you can... You can save them! Just use me!"... "She won't help me. But she won't let me die either."

Tahraim was well aware of the fight between Kendal and Tynan. And he doesn't interfere until Tynan is defeated. Until Kendal has started to figure out the starfire in the blade, and summoned Vash. Tahraim waits to show up till after everyone has done everything they can, till after Vash has given Zuurith an ultimatum.

Tahraim was at Zuurith the entire time. And he didn't interfere in the Tynan fight till every one of our heroes (and also Zuurith) had grown, stretched their capabilities, or made steps toward something new.

While I don't think Caliban and Tahraim's hidden plan is going to be harmful to the world, I do think I need to remind myself to be wary. Caliban and Tahraim aren't known for being voluntarily helpful. As Kendal mentions in arc 2, chapter 4, everyone who isn't a project is a tool.

A Trickster God and a Divine Smith have a plan. The plan thankfully seems to involve helping our heroes. At least for now.

[pzychojinx]

as I said, act two left me with genuinely mixed opinions. that said, I slept on it and I think I'm able to verbalize it a little bit.

let's start with what I think went right in this act. first of all, obviously, the animation and art. if possible, they're outdoing themselves. I love the experimentation, I absolutely adored the pastel tones they used for vi and jinx's childhood memories, the way isha's point of view sequence feels like it's straight out of a ghibli movie, I loved the distortion effects used on jayce and every single visual effect they used for viktor to convey this sense of absolute inhumanity, the entire messianic visuals were insane, warwick was gorgeous especially during sequences where we didn't get to see him but rather we got to see the camera following his massacre. gorgeous. no notes.

episode four, in my opinion, was near perfect plot-wise too. seeing the new state of the military situation in zaun, getting to see sevika as the rallier of the revolution, isha's drive to be a fighter for zaun leading her to impersonate jinx when needed, the whole mission to enter stillwater - I genuinely think it was incredible. most of all, it was probably my favourite jinx episode to date. and that's saying a lot. this is a character I've resonated with and held very very close to my heart for three years now. seeing her gain not only a younger sister through whom there could be a process of reclaiming her own past, but also very importantly seeing her gain new objectives and seeing her gain community, was deeply healing and heartwarming to me. that one scene where her followers touch her, not only as an idol but as an equal, is so so moving and good. isha was the kickstarter to jinx's reclaiming of powder and a sense of stability, sure, but living in a fantasy with isha alone could have very easily led her to the same old mechanism of co-dependency - thus never breaking the cycle that silco himself perpetrated onto her. but no, they made her respected. they made her see a nation of people who saw something in her. they gave her goals, even if she reasonably only started giving a fuck about said goals when her sister/child went missing. it was everything I never thought could happen to her. it was healing.

episode five is where the issues start, I think. first of all, there's been way way way too much space dedicated to the black rose. much as I love mel, much as I find her truly intriguing, her plotline is so severely disconnected from everything else and it feels un-cohesive. before s2 started, one of my main fears was that they would give noxus an excessive screentime in order to prepare the viewers for a future noxus project and I hate to see that I was right. this leads to the second issue, which is pacing. and specifically, vi. vi stans, how are you doing? because to be fair, the show kind of fucked you over and there's no sugar-coating it. the fact that vi's fighting pit era lasted three minutes was genuinely ridiculous. the entire plotline involving her, jinx and warwick in episode five was way, way too rushed in order to make space for black rose content - and again, I love mel, I love ambessa. but there's no doubt something was off here in terms of pacing and screentime. now, I don't think the episode was bad. I loved the dynamic between jinx and vi. with jinx having gained some sort of a stability (at least, for her standards) and vi having nothing else to lose, the fact that their conflict turned into a half unwilling cooperation felt very real and believable to me and I loved their interactions, especially in the micro expressions; it all screamed family bond where something went awfully wrong but here we fucking are and the love is still there at the roots. I just, you know, would have liked to see more of it. the final hug with warwick felt, to me, less earned than it could have been if we just had a little more time with these characters in this arc. was it emotional? sure, but could it have hit harder if the episode was just structured a little bit differently, a little more cohesively, especially regarding vi? yeah. and another question: would the zaunite revolution arc have needed more than just one episode before being pushed aside and sort of forgotten? probably, yeah, even though there's no comparison with how vi's arc was reduced to three mins. so again, pacing issue. still, I had no particular issues with the plot and the contents of the story itself. I would say episode five was rushed, crammed and structurally weak, but the story still hit me in all the right ways when it needed to. vi and jinx's reluctant steps to some sort of understanding hit me hard, in spite of any structural weakness.

episode six... well. episode six leaves me so conflicted. 'cause the thing is, it's dope. I think it's a fucking bomb. they managed to fit nearly (nearly - mel being, again, dissociated from the main storyline and in this case, absent) every character's plotline into a cohesive arc. it kept me on the edge of my seat near the whole time. there were so, so many things I absolutely adored - the imminent attack on the commune from ambessa, the way they managed to make warwick a center plot point and use that plot point to show us both the benefits and the limitations of viktor's hexcore messianic utopia cult, everything regarding jayce's return (whom is getting so much hate, but come on, it's clear the man has seen Some Things), the way the episode starts off with a plan but not necessarily a sense of deep urgency and then the urgency slowly creeps in and it explodes into a fucking battlefield. again, warwick. vi and jinx's slow re-building of some trust, slow reclaiming of family love. viktor. man, I adored their work on viktor. I just found it dope. the thing is, episode six has two major, major issues that I just can't seem to get past and this time it's plot issues, which makes it worse than 2.05 for me.

the first one, caitlyn. sure, I get that caitlyn wasn't fully onto ambessa's methods. but there's a very huge leap from 'I distrust this person and I question her methods' to 'my ex told me that this savage monster that just brutally mauled our men is her father so I'm just gonna help her save him'. like jesus, come on. caitlyn deserved better than this. (again, shoutout to vi stans, cait stans and caitvi stans, they did you dirty.) especially when I think they did such a good job on her descent in act one. the second one, isha. look, I'm gutted if she's dead. like fucking gutted, mourning, red-wedding level in shock, like, can't even think about it without wanting to cry. but this is not just an emotional thing. in fact, I love some good angst. no, this is a narrative issue. they spent the entire act - the entire season - building up jinx's healing and to take it all away like this, to bring her back to step one, just feels like fucking trauma porn for the sake of it. it feels unnecessary and cheap, and cheapness is the one thing I can't forgive arcane. like, what was the point? why not have her spiral from 2.01 if this was the direction? it's beyond me and it makes me feel so bitter, so sick, that at times it's hard for me to remember that there were so, so many things I adored in these three episodes. again, 2.04 is up there as my favourite jinx episode to date. 2.05 gave me some of my favourite siblings moment in the entire show. 2.06's work on viktor and hexcore and magic is otherwordly. I'm so glad I got these episodes, genuinely. and yet.

'cause the thing is, - not considering the isha thing for a minute - aside from my critique regarding caitlyn, and aside from having to make peace with how rushed/crammed the pacing is, this show is still absolutely gorgeous to me. it's still gorgeous art to me. sure, s2 has its very real issues. and for sure, it's absolutely reasonable to recognize them, critique them, and still find it an incredible story. but this. fuck, this could change everything to me. if isha's truly dead, then it means they wasted six episodes on what could have been one of the best, most genuine, most earned stories of unexpected healing I'd ever seen on my screen just to throw it away and I'm not sure how to forgive them for that. episode six itself was dope. episode six isn't really where my gut-deep fear and bitterness comes from. it's where it could lead from now on. I'm so holding out hope on ekko saving the day, even if it's a deus ex machina. it's a deus ex machina I'd accept if it means not throwing away jinx's entire road to recovering. but I don't know, guys. I don't know. making her spiral as a general s2 choice would have been one thing, and I would have been on board, but this is something else entirely. this is cheap betrayal and if true, if confirmed, if real, it's a sour taste.

[shapelytimber]

Wdym it's been 5 months ? Anyway, here is the end of my little comic serie about this niche Skyrim mod

*Insert me 100%ing the 4th arc of the hit mod 'vigilant' for the elder scrolls V Skyrim with little difficulty having a grand ol' time*

I messed up my files so Teldryn divorced me while I was away ckgkckkc And you know what good for him, he got a cottage and a kid out of it

[PART 1] - [PART 2] - [PART 3]

[COMMISSIONS]

If you're interested in my thoughts about this mod, you can read that below (it's fucking long so I'm sparing you all just here for the art to have to scroll through all that) vvv

A fantastic mod for sure ! I had so much fun, the voice acting was (for the most part) quite impressive, the music !!!!!!!!! Excuse me who gave this mod permission to have this fucking banger of an ost ???? Loved the new environnements, and there was so much of them !! Especially in act 4, I felt that all the locations had a unique and gorgeous aesthetic (frankly it was the most fun I had doing dungeons in skyrim... the bar is on the floor tho- if I ever see another nordic tomb or draugr I'll not be responsible for my actions), and fucking impressive mise en scene.

And the fights were so fun ??? In skyrim ?? Incredible.

But I still have some problems with it- first let's get the elephant out of the room : act 1 and 2... Boy oh boy were they not so great- I get that the begining is a slow burn to 1) get to know the vigilants of stendar, and 2) drive home the fact that the vigilants are quite incompetent and stendar hates them. Ok this is cool ! And they definetly were some highlights, like with the story of the three kajiits (I'm not good with remembering names (forshadowing for later-)), the ending of act 1, and uuuuuuuhhhh underground windhelm looked sick in act 2 !

But the quests in general were not very fun, at least not fun enough to distract me from the parts of the scenario I understood- which were kind of sexist and not that interesting (the sexism doesn't get better with act 3 and 4 but at least I'm having fun)- like I don't expect great women characters, this is still a tes mod, and it definitly doesn't get to "the man writting this is a fucking creep and I'm not playing this any longer" territory... But all the women we interact with are either : prostitutes, mothers/wives, or abuse(it's nearly always rape) victims- like I don't really mind that the first quest is to track down a vampire prostitute who propose to show me her sweetrolls, but it gets pretty tiresome after a while (and kinda ridiculous, like do all the big musley men I'm fighting in act 4 have to angst about their wives ? Can't a big musley woman angst about her partner too...). The worst one is Lamae Bal. From the charadesign, to the dialogues with her, to her story- hated that.

And also we don't have much dialogue choices and ways to influence the story in these 2 (3) first acts. Which I understand like this is a lot of work for fan content, but it's such a stark contrast to act 4 it's a bit jaring.

But speaking of the story... I get this is a very thoughtful and well researched story. A lot of work reading the tes wiki as been done by the author... But I, on the other hand, did not read the entire extended lore wiki- and I admit I was not understanding any of it during Act 4. Like I got a general idea, and the epic, dramatic and emotional moments were still impactful ! But I really don't think the author did a great job getting the story accross, and the more the mod progress, the more this problem becomes relevant. The recuring problem of tes games is that they have really deep interesting lore that we rarely get to see in the games ; the problem of this mod is that we get presented with this lore as if we already knew it.

And after watching an explaination of the story, it's such a shame because it's really good !! And well written ! But I don't think I should need a youtube video to understand it...

Also omfg I am not good with names mod please- everything has like 2-3 different weird fantasy names (but it's never explained it's the same thing, and what the thing is is never explained-), there is a billion men characters with weird ass long names, and the mod expects me to remember them all 5-6 hours after they got killed ??? I don't remember them 5 seconds after I'm done talking to them-

But I had fun playing it, and that's what matters <3 and I'll never get other twink molag bal <3

Also, my mage dragonborn is even more op now omg I can summon an army of 8ft musle men + molag bal + Jyggalag ??? The only fight I had a bit of trouble with was Pelinal's, the rest got obliterated easily (by Pelinal) kgkgkfjfifb

I'll probably need to nerf Elaris at some point in the future-

[ilikekidsshows]

In general the stans just fully hate the idea of abuse victims that can negatively impact the "good characters" in the show so they start coming up with some bullshit reasoning to make it so that doesn't happen in the fanon version they made up and think is real.

Whether you like her or not, Chloe is 100% an abuse victim but the issue that people had with her is that her character arc was centered on her (which is a good way to go about it because change starts with the self), she didn't have people to immediately vouch for her "goodness" (coughfelixandzoecough) cause it's not her victims' jobs to help her if they don't want to, and she did backslide a bit cause old habits die hard. That is to say it was far too realistic for their liking (at least in the earlier seasons) and it didn't end with her being a Marinette dicksucker so they say that she deserves to be abandoned by the man who raised her (white male apologia is abundant in ML) and abused by her mother (yet another case of characters being abuse apologists). Compare that to what happened with Zoe and Felix. Just not a good look all around when you're only willing to think that only "perfect/good" abuse victims are the only valid ones.

And there is nothing wrong with Adrien reacting "badly" to any of the news he gets. I'd argue that at the very least him finding out about Gabriel being Hawkmoth doesn't really have anything to do with his abuse narrative and might even have more to do with him being Chat Noir. Him reacting badly to his dad being a terrorist would be just as natural as anyone irl finding out a family member they were close to was a serial killer. The real issue isn't about his "bad reaction" it's that it'll affect all the "good" characters that "tried their hardest" to keep him in the dark because "they love and care about him so so much." (Not enough to let him be his own person but sure. These people are on the verge of becoming his new abusers lbr.) It's about how his "bad reaction" will Make Marinette Upsette.

Honestly, I think the stans would even be on his side if canon didn't have Marinette insert herself in the family drama and stupidly keep it a secret because she doesn't want to be inconvenienced with the fact that her bf has real emotions and could possibly be upsette with her for even a second. She was the one that brought this on herself and for some reason people think that Adrien should take the blame for it?

Like ultimately they don't want to think about "abuse" as anything other than a buzzword but one that only applies to Marinette and maybe a select few but only if that select few is part of the "good character" group and if they immediately forgive her if she did something wrong and willingly become one of her on call servants.

---

Yeah, like, apparently, to Miraculous’ writers and fans, “no one deserves to be abused, even bad people” is a super-hot take, as is “sometimes, how trauma victims deal with their trauma is inconvenient to you, and you’ll have to accept it isn’t about you.” Like, how Adrien would deal with his dad being a supervillain is not a Marinette Crisis(™), but the Marinette standom can’t shut up about how bad Marinette is feeling and how much worse she’d feel if Adrien started on a recovery process.

Nothing the abuse victims do in this show will ever be good enough, unless it allows Marinette and her stans to ignore their victim status as a whole. This, I think, is why I haven’t seen many posts disparaging Kagami despite her also being a child abuse victim. Her trauma never has a chance to make things inconvenient for Marinette, so she’s okay. She’s strong and capable, unlike her fellow victims.

Frankly, I think the toxic Marinette stans just hate abuse victims period, considering the difficulty they have with getting through a single interaction with someone without slipping in something ableist. Like, I got the most asinine anon just this week and I didn’t need any details about what set them off to know it was from a Marinette stan just because of how ableist it was. These kinds of stans can’t even pretend to be normal about other people for five seconds. It's like they think they need to be awful or someone will come in and revoke their Marinette stan card.

[lurkingshan]

Love Sea Final Thoughts

I have been trying to wrap my head around my overall feelings about Love Sea, a show that is undeniably flawed but somehow charming anyway, that drops so many threads but does such a good job with a few of its core points that it's hard to be mad. I can't really say that this is a great drama, but I can say that I enjoyed it a lot and I think it's a good watch if you go in understanding some caveats.

Let's start with a few things I really loved about this show:

Mahasamut. A great character, he will be going on my shortlist of Thai bl favorites. He's smart, honest, patient, giving and forgiving but he also knows himself, his limits, and his worth. On top of all that, he actually looks like a normal person, with a healthy body weight and beautiful imperfect skin. So rare in dramas.

Smart class dynamics. I appreciated how much this show grounded Mut and Rak's relationship in their class disparity, how wealth and lack of same was a constant issue between them that was never forgotten, and how its effect on their power dynamic shifted over time as their relationship grew.

Very well-executed sex scenes. The sex in this show is tied to character development and relationship arcs, and every sex scene mattered to the story. We watched the shifting power dynamics between Mut and Rak play out via the sex they had together and by watching their intimacy we learned more about them.

Ridiculous chemistry. The main love story was supported by truly excellent emotional and sexual chemistry. I always believed in the attraction and the feelings between these two, and that helped a lot when the story didn't quite take me where it needed to.

Rak and Vie's friendship. I really loved that we spent time with these two as besties, and that they were genuinely so supportive of each other. Vie was a real MVP in kicking Rak's ass when he needed it.

Meena, the best child ever. What a delightful character who brought a lot of fun and lightness to the story. Her scenes with Mut were a true highlight.

And here are some things that didn't quite work for me:

Uneven focus for the main characters. Once we left the island to go to Bangkok, the entire show was about Rak, his backstory, his issues, his ongoing problems, and his needs, and Mut was kind of subsumed in his story instead of having one of his own. I was glad we got back to Mut's life at the end, but they really should have kept it present throughout so everything didn't feel so one-sided.

Shallow engagement with family trauma. And despite the fact that the story was so much about Rak's issues, the story never actually went deep on them. I still don't really understand a lot about his family dynamics. The show used his dad and cousin as villains and then his mom as an easy out to solve everything at the end, but we never dug into how all these people ended up this way in the first place. It was a real missed opportunity.

Rak's emotional journey. I was on board for much of it, but other parts felt a bit haphazard and all over the place. Sometimes it felt like he was suddenly progressing out of nowhere, and others it felt like he was backsliding just because the plot demanded it. I liked where the story took him a lot but the path to get there was pretty bumpy.

The side couple. WOOF. I have no idea what happened here, but that was a fail on just about every front. Mook was a hard character to love from the start, Vie felt like a completely different person with Mook than in all her other scenes, there was so much lying and manipulation for no good reason, and in the end they were left completely unresolved. If you are on the lookout for great gl pairings, you will not find that here.

So there you have it. This show is absolutely a mixed bag on its execution, so how much you end up liking it will probably depend on how strongly you connect with what it did well and where it dropped the ball. For me, it was a good experience and one I'll remember fondly. I'll definitely be watching the special when it's released and I hope to see this cast again.

[lover-of-mine]

Sick day kinda felt like filler? Like. It's a huge emergency and that's usually great but what are we doing though. What plot lines are we advancing here. It feels like drama for the sake of drama. And I agree that it was a good watch if you don't think about it too hard but just. It feels like they just needed a way to [spoiler ig] fake Bobby's death to bury him alive, but even that is a weird plot line for the latter part of the B half of the season.

I've said it in a post and I still think so - this should have been the s9 kickoff disaster. It should have been a 3 episode arc with ep 1 being the setup and episodes 2 and 3 being inside the lab. That way the plot could've made more sense and it would have given the emotional moments more time to breathe. And the characters would've had the rest of the season to deal with the trauma.

This is just. Weird. And it kinda feels like a bit of a. waste is a harsh word? But I just think it could've been better as a kickoff disaster to set up the arcs for s9.

Yeah, there's the spoiler part of it all too. Like, yes, the episode is getting all these big emotional responses because of Chim and Hen, but they very publicly leaked Bobby's funeral. We know Chim and Hen will be fine, and when the inevitable Bobby is dead twist comes, we also already know it's fake, so it cuts the stakes of the whole situation down a LOT.

And I don't want to call it a filler, but out of 15 episodes, 7 episodes of the season are part of a somewhat self-contained multi-episode event, and it feels like a lot. It's almost like they are overcompensating for the criticism about the lack of calls in s7 by giving us all these big-budget emergencies. I don't understand why this is happening in the middle of the season. Save it for a finale with a better buildup and shove us into a cliffhanger. Work the idea more and make it the opening arc for s9.

It feels like SO MUCH when Maddie just got kidnapped and almost murdered. And I feel like this is gonna feel even more glaring once the whole season is out and you can watch it all in one go. Because what's stopping them from doing yet some more crazy intense shit on the finale too. It's so much happening and half the team being about to die feels excessive rn. The plot is flimsy overall, but like its kinda crazy that we left the Maddie serial killer arc, into Bobby's mom has a cult, Eddie is uber, everyone forgot Hen's birthday haha, straight into 👹there's a deadly virus that will liquify your organs in hours trapped with 4 members of the team 👹

The pacing of the season is all over the place and the plot of this doesn't make sense. If all they wanted was for the Bobby is dead plot, I'm sure they could make it happen with a more run-of-the-mill call. I don't know, I'm holding on for the other half of the emergency, but I don't know how to feel.

[class1akids]

I don’t know why Hori didn’t show shoto, deku, bakugou and some of the other class 1A kiddos crying over what happened in the plw, dark hero arc and final battle. I really wanted to see shoto breakdown and also receive comfort from his friends over what happened to his brother touya. I was really looking forward to the aftermath and he only had ochako have that (I like the scene I just wish we got to see others get to have that moment as well). I wish we got more from the aftermath of the final battle before the last five chapters of mha. I didn’t like the epilogue that much. I wanted to see rei talk with shoto and touya+ fuyumi having a moment with her big bro as well.

bakugo’s treatment in act 3 was good and questionable lol. I don’t like how deku centric he became tbh. Hori had him k!ll kurogiri and none of the characters especially aizawa and mic cared. Then there’s the whole edgeshot situation where the dude became a string to try to save the young hero’s life. And bakugou looked upset but we didn’t get anything from that. And don’t get me started on deku lol he was clearly upset about what happened to Shigaraki and losing ofa and yet we got next to nothing about how he felt about that.

Not that the one shot changed my opinion about how mha ended but I wish it was included in ch 431. Seeing the origin trio together being pro heros and eri saying that they should their best was sweet. Sorry for rambling

Yes, this was very frustrating. Hori already made the mistake of not focusing on Class A’s trauma post-PLF war beyond how they all worried about Deku. Giving them a bit of individual focus (not just Shouto and Kats but also like Mina grieving Midnight or some kids thinking about quitting) would have built much more impactful moments in the final war.

And giving all the emotional hurt/comfort to Ochako is weird because it feels like the story invalidates or minimizes all the difficult things everyone is going through.

If Hori didn’t have the energy to deal with everyone, at least he should have focused on Izuku rather than Ochako since he’s the MC and we are used to sometimes seeing only his pov with the understanding that others also go through similar things.

Having the pOv shifted and making Uraraka the MC of the epilogue is jarring as it’s not a regular arc where you can do it, but the wrapping up of the entire story.

Not to mention Izuku had his pov denied for so long that he desperately needed some focus to deal with the loss of OFA, to have him have more agency in deciding his own future (whether teacher or Ironman) and generally provide some thoughts on heroism or society.

And yeah, there was a lot of wonky writing in Act 3 with a lot of weird and unnecessary decisions, including for Bakugou.

[speedofsoundsketches]

Reflecting on the end of the Shadow manga plus further thoughts on the past year of Shadow glazing. Under the cut!

So, the manga pretty much ended like Id expect it would. Maria wasn’t actually Maria, but it was nice. I thought the imaginings of what could have been if she lived to see Earth again and Shadow giving her one final smile before fading forever was adorable. The status quo is back and he returns to his usual self.

This being said, it’s becoming a bit tiring the amount of focus on Maria or Shadow’s angst and partly why I sincerely hope that neither her or Gerald make another appearance after this point. Which I don’t foresee happening as this seemed like more an anomaly situation of Sega capitalizing on the reignited interest in Shadow thanks to the movie. Shadow Generations is to remind people of his story and who he is for newcomers.

What makes Shadow’s story and character so impactful was the topic of grief and how to move past it as well as his guilt towards the two most important people of his early life’s untimely fates. The loaded tragic irony of being created to save an innocent girl only to indirectly lead to her death by simply existing and this also becoming the catalyst for his Creator, Gerald’s descent to madness.

Shadow, Gerald and Commander acted as a trifecta of characters who loved Maria and were horribly impacted by her death to different reactions. The latter two reflect the paths Shadow could possibly take to build himself up after the fact and become either someone who will carry on the promise of a good future or succumb to hatred and seek revenge (including on himself). Commander to me always came off as someone who took that tragedy as an inspiration to routing out the corruption in GUN which got confirmed finally in Dark Beginnings. Both him and Shadow ultimately taking their sadness and turning it into something positive.

It’s a beautiful tale on how the life you lead, however brief, can leave a good influence on those who carry you in their hearts onwards. But this has very limited story left to tell. It’s been reconciled and would only be about beating a dead horse if it kept coming back. Shadow is not defined by his angst nor guided anymore by it. I was a bit peeved at how regressive he was in Generations at times though I sort of get why because it’s basically a truncated retelling of his entire character arc and emotional beats from the early games.

When Dark Beginnings inferred that “the only one who could talk him down was Maria”, that’s not only completely incorrect but also diminishes the whole point behind his story. Shadow doesn’t NEED someone to hold his hand all the time to tell him what’s right or wrong. He was confused and needing guidance in the beginning but has largely made his OWN source of conviction that is not dependent on anyone, and that includes Maria. It doesn’t mean her influence no longer matters but part of moving on is being able to find a purpose beyond what others define for you. When he threw his photo of Maria and Gerald away at the end of SHTH, it didn’t mean “adios suckas lol skill issue”, it’s him putting aside their wishes for him as he’s already fulfilled them. Going forward, he’s now living for himself, not ghosts of the past.

This is healthy development. And it’s why I mentioned before that Amy, Sonic AND Rouge had all successfully been able to talk him down (tho in Sonic’s case, Sonic literally had to wipe the floor with him first before he’d listen in Battle but thats kinda their dynamic lol). Shadow is a much more stable, rational character than people give credit. He can be talked to if he benefits from doing so and especially with Rouge, trusts you.

He’s not some rabid dog who only listens to one person. He has a heart already and he meets others who value him and can see that it’s there. Just as Maria told him would happen because she believed his goodness already existed within him. She hoped for him to live life and make friends which was achieved, given she called the main cast his friends!

I would’ve liked to see that be more noted in Generations in a way that doesn’t flatten what’s been achieved by now already. It felt like he had to regress over “le anger consumes me” and Maria gives him a pep talk then he’s ok again which…. Eh. Kinda felt it misrepresented his development by this point. But Maria needed something to do besides just stand around so I get it. (I do love them inducting the old Sonic Channel comic where Maria talks about why she named him. Nice deep cut reference)

So while it was fun to see people revisiting his storyline, one that’s still one of my favorites, I really hope they’ll come to appreciate the actual message behind it and how that reflects in the way he carries himself to modern stories. It’ll be unfortunate if this leads to fans asking for more regression for the sake of stewing in the angst. Let the guy be happy, smile and move on from his past! He earned it after everything lol

[gnckholin]

okay I need to preface this with yes I like having representation and anyone who's been around my blog long enough should know that renarin is my specialest little guy him and him and rlain are very cute and if y'all really need it this is coming from the perspective of a queer man if you turn this into a pissing on the poor type deal I will simply block you but. now that I've had time to stew on it.

the rlainarin arc was a bit boring.

part of this is I think rooted in Brandon trying to be a Good Ally™ doing Good Representation™ and he worked a lot with sensitivity readers to make sure things are handled well but it just felt a bit... tokenizing? like they were in the spiritual realm as a bit of plot convenience but also it kinda felt like an excuse to keep them relevant enough to give them pov chapters. and it's cute! don't get me wrong! but also every other characters get emotional arcs about growing as a person and they got...trying to ask your crush out? it felt very out of place.

now you might be saying hold on! they're not primarily pov characters you can't expect as much nuance emotionally as someone like kaladin. and you're right! but let's look at the other supporting cast members here. jasnah gets the struggle of power and her entire attempt to keep thaylenah which results in a meaningful paradigm shift for her! navani gets to work on her connection with the sibling and uncover the past. we don't even really see much of relationship between renarin and glys much less rlain and tumi. sure they may have been good representation! but they were mediocre arcs. even in the discussions I'm seeing lately of favorite parts, it's not that people have disliked it it's just...nothing to write home about?

it also feels particularly weird to have an arc around "my family will think it's weird" when it's been pretty well established that alethi in general are like. fine with queerness. and sure you can say "well they're nobles" but at this point renarin is in line for 0 titles. dalinar was only going to give king of urithiru to someone who wanted it, jasnah planned on being the last queen of alethkar, there's literally no point? it feels a little love Simon. and yes absolutely in modern western culture people can feel weird about coming out to people who would be accepting and that's fine! but that's also rooted in real world homophobia which alethkar doesn't seem to have.

even when we compare with the other canonically queer stormlight character, it just kinda. . .falls flat. part of this is that shallan wasn't intended to be queer but honestly it feels like it reads well. she doesn't have to turn to camera and say she's different she's bisexual she can just be a person. she can fall in love with adolin she can get flustered around jasnah veil can call women hot and it's like. fine. and it feels more authentic to the setting! a lot of the rlainarin arc in WAT felt like it was meant to be educational. for cishet people. and like that's fine! but it doesn't make for an engaging character arc. I can't even say it really makes for good reading.

and look, I get it, we all like seeing them get flustered and worry about what the other one thinks and we all get to be excited when they confess their feelings and kiss but it just feels so tonally dissonant that like. I can't believe this was intended to fit into the main plot. it feels a bit patronizing - like look we have good healthy representation now! I'm doing so good at this! and genuinely from the bottom of my heart it's thrilling that the largest name in fantasy is willing to do this even more so considering the religious background he's writing from I'm not writing all this to say Brandon is a bad guy or secretly a homophobe I'm just saying. I wish we had more, y'know? something less feel good for the cishets for being good allies something with more of a real plot that engages with the themes of the series and whatnot. I'm looking forward to arc 2 (in like 10-15 years)! I'm looking forward to more rlain and renarin and their dynamic! I just hope it feels less. educational.

anyway a lot of this was directly inspired by verilybitchie's video on good representation it really helped me out my finger on why their arc felt a bit flat so please go check it out she's a great creator.

[midnight1nk]

So, this week's episode...

[spoilers below cut]

WOW, a Mario Reacts! It's been a long time, hasn't it? Hell yeah, I can work with this!

(no bc seriously, I just finished watching ep. 7 of Arcane before this and I need an emotional break, yeah I know the rest of Act 3 is gonna kill me)

(the following is my live reaction:)

oh hey, Mario! Wassup?

jigsaw, is that you?

oh nvm, hello Swag! nice to see you again since last episode

I'm about to commit a crime [*strikes a pose then walks away*]

I'm willing to work in a government office just so I can come up with an acronym like, gee idk, Y.U.R.I. or something (I should've been a worker in NASA)

NO STOP STOP WHAT ARE YOU DOING?! WHAT. ARE. YOU. DOING?!

At this point, Mario, I would just give up

[*clears throat*] mejor me muero, ni modo que sigo con estos porquerías. bueno como dice Mario, bye bye [*drinks some water*] alright I'm back

TADC? ah, just a normal Saturday

no thoughts, head empty

honestly, mood

well, in his own way, yeah

[*echoes announcer voice*] VR, the new era of entertainment

...mr puzzles? nah jk jk

oh, Four's theory may not be wrong here (omg it's jesus)

still can't believe christianity is canon in the SMG4 universe

oh, so I was right! [*jigsaw voice*] "I wanna play a game."

That's actually kinda sweet that he immediately chooses his brother

OH SHIT OOOOH that's gotta hurt

NO MARIO, THAT SHOULD'VE BEEN ME

[*other me pops in*] emo girlfriend, omg it's smg3

no, we're NOT gonna look too much into this, shut up other me

PPFFFTTT that caught me so off guard

say it with me now: YOU CAN'T CONTROL MARIO [*applause*]

I mean, we've been through simulations before, we can take this one too

unironically, I wouldn't mind a 10-hour video of just Mario (and/or the rest of the Crew) just dancing :)

it doesn't even need to have music, I can just put my playlist on and I would totally join in

ooooh, you want to scan that QR code so badly

but also, how did they get a screenshot of my computer?

Mario 🤝 Mario Buddy from the last episode → destroying PCs for the LOLs

AKLDHLKSAFB;KL just the way Mario goes for a fighting stance just so he could run away will never not be funny to me

LET ME IN LET ME INNNNNNNNN

10 hours, welp I got my wish lmao

Mario morphing his face... hmmmm..... [*flashback noises*]

[SMG4: MAR10 Day]

....

don't think about it don't think about it don't think about it

KIRBO NOOOOOOOOO

NO NO NO SWAG NO

same vibes

meme factory? youtube arc? is that you? /j

(yeah I know that the Team uses the same assets ik)

LET'S DO THISSSS oh welp time to vibe

FIGHT FIGHT FIGHT

what would that be, Swag? Try not to Laugh challenge? I might win tbh

LET'S GO GAMBLING

laughing because of early victory call? very in character for Swag

oooh that's some good animation (y'know, as always)

HOLD UP WAIT A MINUTE

am i thinking too much into this or is this the same military base from last episode?

Alright, my little headcanon: the events of this episode and the last one took place on the exact same day

that's just for me specifically

oh hey, more TADC ref

Also, nice PINGAS STUCK IN A DOOR ref

man Mario can't catch a break dude

Congrats to CMorseu for your art being featured at the end credits 🎉

.・-: ✧ :--: ✧ :-・.

Such a good episode! Not plot-heavy, just a silly episode. I'll gladly take it as my late birthday present. And it's great to have Swag back, kinda was half-expecting Chris to just pop out.

I've said this once and I'll say it again: I wouldn't mind if the rest of the year is just filled with goofy episodes. After all, we just came from WOTFI and we do need a bit of a break so the Team could work on the next arc. (From the looks of things, we might get goop!4 *cough cough*)

Loved the bits of animation and Mario's expressions as always.

Now, I know there is some talk about the SMG4 Crew/Mario Does Things being on hiatus and merging with the Saturday videos. If you can even call it that. Personally, I don't mind it. I completely understand if doing 2 episodes per week is a lot for the Team to handle, though I do wish they would give an explanation for it. I think the best solution would be for the Team making an announcement of the change, the reasons behind it, and how it may be different from the regular Saturday episodes. Also make it clear that "hey, the title says this so it doesn't impact the main storyline".

Anyway, it has been overall a pretty funny episode and I quite enjoyed it! Now, if you excuse me, I'm gonna cry my eyes out watching the rest of Arcane Act 3 and bring that angst to the next episode concept :)

OH THE MISERY EVERYBODY WANTS TO BE MY ENEMYYYYYYY

[gouraminnow]

What are your thoughts on Law as a yan? I don’t see a lot on him and plus, he’s interesting to write about since he’s kinda hard to pin down. But I’d argue that he could be one of the worst off out there…falling on the extremely controlling kind…

Yeah, I agree he's hard to pin down tbh. That's a common issue with more stoic/straight-man (stock character trope, not sexuality lol) type characters. They're most fun when they have other characters to bounce off of imo. I enjoy watching him the most when he's responding to the antics of others.

Another factor is that... he isn't good with his emotions. This is not a guy who's going to confess his undying affection to you easily, if at all. He will be bottling things up, and it's going to take a lot for him to tell you he loves you.

I will posit two potential paths for a yandere Law. The first is a bit more light-hearted, and the second will be more angsty and focus on him being controlling like you said.

Going with the comedic-foil role he has going with the Strawhats and even his own crew, I can see a version of yan Law where he falls for some sort of ridiculous feral heathen of a darling. Just a cheerful agent of chaos constantly getting into trouble, frequently egged on by Penguin and Shachi. You aren't defenseless, but between giving him heart attacks and making him agonize late at night over how he could possibly be so utterly whipped for someone like you- you're gonna be the cause of his first grey hairs if the guy doesn't have any already.

Maybe he even wants to be controlling- intends on tightening the leash- but you're both slippery and oblivious that he never quite manages it, and you aren't actually trying to leave him, so it doesn't escalate. Ordering you to stay put, locking you in a room, even slipping sleeping meds into your food- you and plenty of other crew members attribute his concerning behavior to the fact that you're that much of a hellion. It becomes a game to you almost. Rush head long into a fight or just run off to explore as soon as he isn't paying attention. "How far can we get before the Captain Rooms us" becomes a competition.

You're a gremlin and he's the scary dog following behind you. He hopes to god you never meet Luffy.

As for the more angsty option...

Law is already shown to be extremely protective of his crew in canon. He's the face of the heart pirates, he literally made them all hide out on Zou during the Dressrosa arc so they wouldn't be at risk. Got a whole different crew to risk their lives taking down Doflamingo.

So yeah, controlling + protective yan Law feel very possible. He breathes down your neck. Maybe he even has a supervised diet/exercise plan Your world is your room on the yellow tang, sometimes the rest of the ship. Very, very rarely do you get to go outside. You are, essentially, a patient that he also cuddles with.

I don't think he'd deliberately make you sick or injure you for the sake of control, especially not with an ability that allows him to immobilize you without permanent damage. But unfortunately your inevitably plummeting mental health will be used as a reason he needs to take care of you. Part of him wants to find some place for you like Zou- safe and protected from all the bullshit his crew gets into. But being yandere means being selfish. He wants you safe and close. Besides, how could he truly ensure his health plan for you was being followed unless he's right there with you?

If it's any consolation, he's not having a good time either. He's a doctor. Of course he realizes what this is doing to you. But he can't let go, or won't let go- he doesn't want to figure out which, truly. He feels guilty but not enough to do the right thing.

[centrally-unplanned]

Just finished The Coffin of Andy and Leyley - at least the two episodes we have so far! A very fun game, I definitely recommend it. The thoughts, spoilers everything:

-- The tone of the game is extremely on point, Andrew & Ashley have such a great trauma-criminal dynamic that never strays too far from being cute first, awful second. Look at these babies! Of course that is the blood of their parents they just murdered for a satanic ritual and/or petty cash, what else would it be?

-- The game nails a pretty niche fetish of mine - no, not the incest part, no judgement but I could do without that just fine. Instead its the weaponization of sex (and other forms of intimacy) to manipulate and break down someone's resistance to your demands:

But, while no shade thrown at the classic controlling doms out there, Ashley wins by being a complete mess and possessing minimal intentionality around her emotional blackmail. Her toxic codependency on Andrew controls her and, as inevitable as the tide, forces her to periodically hurt & degrade him, then compensate via affection bombs & demands. She thrives on his weaknesses such as trauma-nightmares & anxiety as they are places she can slot herself into his pysche as load-bearing support, and sex is set up as another part of that web. Its that lack of control that makes her so attractive - the vast emotional void she is hoping her manipulations will fill is a funhouse mirror version of the physical need intimacy can fulfill.

I will note she is a slightly different from the "Mamimi" (from FLCL) archetype - for the Mamimi, sex is deontological, it is what she needs to cope with her damage. For Ashley it's instrumental, and could be swapped out for another tactic as quick as an outfit change if doing so got her what she really wanted.

Probably also worth mentioning that this isn't an eroge; this dynamic is primarily implication and subtext, becoming text only rarely. Don't want to mislead anyone there.

-- Another standout point is that Andrew himself is *not* the typical wishy-washy boytoy target of his bae's emotional machinations, but instead exactly as toxically codependent as Ashley is, just expressed differently. He thrives on her sense of need and the comfortability of the dyad role her vision for their lives creates for him. What makes him a fun contrast is that he has a "normal" half of his brain that recognizes all of this as fucked up and wants to quit, which often pretends he is being blackmailed by duty or circumstances, but that isn't really true. Where the game excels is that it has multiple routes - neither of which have notably different plot events, but where the different factions of Andrew's brain win out or fade away. Is very tight marriage of narrative and themes.

-- Its also good to add that the incest concept is somewhat foundational. I am not an incest person but I have been on the internet, I am familiar enough with its semiotics, and the "mutual, similar-age, unhealthy codependency" subgenre of relationships when its not incest always struggles with a bit of a believability issue.

So narratives are generally about arcs, sex is about build-up, and that combination means you want to portray the moment a relationship forms, tips into romance, right? And your subjects of choice are two people who constantly cling to each other, destroy outsiders who could challenge their attention monopoly, and psychologically scar each other in order to foster emotional addiction. And they are ~20 yeas old.

Why aren't they fucking already?? They obviously should be fucking. If these were childhood friends, they would be fucking, for years now, easy. You can say they just haven't gotten there yet but that changes the characters, makes them naïve and innocent, that is a narrative constraint you might not want. But if they are siblings...well then there ya go. That is a socially-ironclad excuse for how they got so emotionally close without romantic intimacy, and a reason for them not to cross the threshold (until your plot events make them ofc). Its a fetish that makes your storytelling efficient, not just something that works on the fetish level directly.

(Btw Andrew is not a doormat; that is a lie he tells himself)

-- The Coffin of Andy and Leyley is a classic RPG Maker indie project, and it used its gameplay conventions well. Its essentially a visual novel with RPG exploration elements that offered small puzzles as you traverse from plot point to plot point. They create immersion while rarely being too difficult and dragging down the pacing - it knows they aren't here to intellectually challenge you, but to make the world feel lived. And sometimes - most often in Ashley & Andrew's dreams - the light puzzle elements are very deeply woven into the plot & themes, used for making narrative choices & reinforcing emotional beats. They rarely overstay their welcome, which is refreshing. Its not uncommon for a game to get into trying to "gamify" what should just be a visual novel, and while not perfect Coffin doesn't fall into that trap.

Additionally the creator definitely likes Undertale, and the dream sequences remind me of Flesh, Blood, & Concrete in their colors & abstraction. Good times!

-- It is extremely amusing to google this game for like ending guides or w/e and to be bombarded with the "controversy" of its incest plotline. A: The main duo murder their parents and nonchalantly make a meal of their bodies out of sheer habit, way to not have your eye on the prize. And B: my brother in Christ you clicked on the Incest Game. Why are you on Pornhub complaining about porn??

[foundtherightwords]

🤫🍕🐈 "AQPD1" thoughts 🤫🍕🐈

I just got back from the movie, and here are my rambling thoughts (below the cut to avoid spoilers as usual.)

I have to preface by saying that I'm not a huge fan of the Quiet Place franchise or anything - I quite enjoyed the first movie and thought it was a really clever concept, but I didn't think it needed a second one at all. In a way, that gave me the perfect mindset to watch this because I had very few expectations of it (other than seeing Joe on the big screen for the first time!)

First of all, this is more of an apocalyptic thriller/monster movie for me than a horror. I was tense, but I was never scared. But that's OK because I wasn't scared by the first two movies either.

Second, this is a lot more character-driven than the first two movies. All the monster stuff only serves as a backdrop to explore Sam and Eric's emotional journeys as they navigate this end-of-the-world scenario. Fans of the franchise and horror movies may want more of the monster, but I think it has a good balance between drama and horror.

In fact, I wish the movie delved even more deeply into the characters. Sam has a fairly solid arc, and I like that her goal is so simple and relatable - it's the end of the world and she's dying anyway, so let's just get pizza. Eric is such a sweet puppy, but we know next to nothing about him (the articles aren't lying when they describe him as "a man of mystery"!) and I find it kind of weakens his connection with Sam a bit. I remember that in an early screening of the movie, Eric was suicidal because his father rejected him. I wish they'd kept that, because it both paralleled and contrasted nicely with Sam's own journey, and it would make their friendship and the ending even more powerful. There is also a hint that Eric has a fear of water (either because of his encounter with the monsters or something in his past), but it's never explained, which makes the ending a bit rushed to me.

Still, I enjoyed the movie and was ecstatic to see Joe on the big screen. Eric has one hell of a character entrance, and I totally did this when he appeared:

Some more random thoughts:

Frodo is too darned adorable. Between him and Eric, I spent most of the movie going "aww" or squealing.

The pizza/card trick scene is so, so sweet and made me tear up. My headcanon is that Eric wants to become a magician but his dad forces him to study law.

They cut out the stuff about Eric's shoes!!! There is only a very brief moment where Sam gives him the Reeboks to change into, but otherwise it's not addressed at all. I guess it's for pacing/time, but it's a shame.

In fact, there are a lot of scenes/moments from the trailers that are not in the movie. They're not important, but it's kind of annoying.

It's so funny that in the red carpet interviews, everybody was saying Alex Wolff would be the first of the cast to die... and his character IS the first to die!

The buzzcut has grown on me immensely, but seeing his curls on the big screen made me miss Joe's hair (especially in the earlier scenes, where it's all floppy and looks so cute.)

Anyway, that's it for now. Oh and I wanted to get one of those flyers/posters, but my theater didn't have any! These would have to do for now (I may have to go to a different theater to watch the movie again and see if they have a poster I can take home):