#i just!! love the!! ballads!!

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[jakeperalta]

"The show's not over until the mockingjay sings," she said. "The mockingjay?" He laughed. "Really, I think you're just making these things up." "Not that one. A mockingjay's a bonafide bird," she assured him. "And it sings in your show?" he asked. "Not my show, sweetheart. Yours. The Capitol's, anyway."

[mikuyuuss]

“You'll see my face in every place

But you can't catch me now”

[cagesings]

is  kiss  me  the  perfect  song  for  johanna  and  anthony?  yes.  but  do  i  wish  they  got  a  heart-wrenching  ballad  like  other  musical  couples?  yes.

[myfairkatiecat]

I feel like Lucy Gray’s fashion sense had an influence on the Capitol. It’s mentioned in the book that she’s wearing makeup, which is notable to Coriolanus and he wonders where she got it from since it was barely becoming accessible again in the Capitol. In the movie one of his classmates mocks what she is wearing, asking if she thinks she’s a clown. It isn’t common to dress like her, but she owns her own style and the Capitol LOVES her. Coriolanus, as he tries to get sponsors for her, makes the case that since she is Covey perhaps she isn’t really district at all, in fact she’s really more Capitol than anything… and perhaps it rubbed off. Perhaps her sense of extra-ness, her fun makeup even at the reaping, her colorful dress at a dark occasion….perhaps that’s one part of her legacy that never truly goes away, even when the name of Lucy Gray Baird is erased from the memories of the people of Panem.

[cricket-of-the-hill]

So what's the deal with Fiddleford McGucket? Why's he like that?

Fiddleford as a character is so FUN because he's so complicated and tragic and honestly a little pathetic. On one hand you have this absolutely brilliant scientist with the potential to have been the in universe Steve Jobs who figured out that the universe is a hologram and built an honest to betsy transdimensional portal (with Ford's help, yes, but let's be honest: as mathematically brilliant as Ford was, I think his intelligence laid more in the theoretical side of things, really doubt he could have actually built the portal himself).

On the other hand, we have this man who up and leves his FAMILY to chase after a college friend who calls him one day saying "hey, I'm out in Oregon building a portal to another dimension. Little help?" and he doesn't even think twice before being like "bet" and getting his ass to Oregon. And even if you take in the context clues that things weren't going well with his marriage before he left (as pieced together by the brilliant @divorcedfiddleford in this post), he still had his son and McGucket Computermajigs and he just sets all that aside for this guy, which... 😶

I am gonna write this whole post on the assumption that Fiddleford was in love with Ford, but look, even if that's the case it doesn't make any of his actions less unhinged. Break here, because the post gets kinda long 😶‍🌫️

So here's the thing: in the fandom, it's fun to think that Fidds knew about Bill and they had some sort of taunting rivalry/love triangle thing going on and that's really fun to mess with, but FIDDLEFORD HAD NO IDEA ABOUT BILL. Ford never told him! So even if Fidds leaves California thinking he's gonna have his hot girl summer/queer arthouse romcom where he reconnects with the love of his youth and they spend the summer working in this secluded house in the woods where they can finally live out their romance, what he actually gets is a fucking psychological horror thriller where the guy he loves and is kinda trapped with is either slowly going insane or straight up getting possessed.

Now, all that is 😵‍💫 enough, but it gets worse because instead of doing the normal person thing and getting the hell out of Dodge, Fiddleford stays. He continues to help Ford to build the portal despite how weird the other man is getting, he continues to go cryptid hunting even after the nightmare goblin almost eats him, even if Ford clearly doesn't appreciate the work he does (research assistant? Not even partner? Come on), and never reciprocates the kind of gestures Fidds has towards him (like the infamous double Christmas gift bonanza).

Here's where the duality of Fiddleford Hadron McGucket kicks in: the thing is that he is incredibly brave in some ways and obviously really smart but also kind of a coward and an idiot when it comes to his relationships with others. He'll hit Thee Krampus upside the head with his banjo one day to save his friend and run away to Oregon instead of discussing divorce with this wife the next. He will leave everything he knows to pursue this one guy, but he will never ever ever confess to feeling anything other than friendship towards him. He'll put up with Stanford's creepy as all hell behavior but will never confront him about it even as Ford loses more and more of himself into his project (so no little intervention not even to help this man he's giving so much up for). Like, what was he expecting to get out of all this? If he was never planning to confess to Ford or leave his wife, what was he going to do once the portal was completed? Just keep on bouncing between wherever Ford went next and his family? Did he really think his wife and son wouldn't mind him leaving them behind without so much as a thought?

Operating under the assumption that Fiddleford is a closeted queer guy from rural Deep Down South Hillbilly County Tennessee (said with love, I'm also from the south, but we all know what homophobia looks like here) during the '80s (height of the aids pandemic which would have made everything worse) one can maybe understand why Fiddleford is like that. Why he is so so so afraid and why he ultimately chooses to erase his memories rather than just go back to his family.

So picture this: you are in love with your best friend but you can't tell him 'cause best case scenario he leaves you out to dry and worst case scenario maybe someone finds your boots down by the river and lets your parents know (and we know Ford is sweet and fruity himself and with a thing for outcasts and would never. Fiddleford probably knows that himself, but let me tell you that when you grow up with that fear it goes deep. Because you've most likely seen people who are kind get absolutely bent out of shape when confronted with the mere idea of someone like you existing in their near vicinity). Eventually, you get married and have a son because that is what you were supposed to do all along and even though you love your son and maybe even love your wife everything feels wrong. They expect you to be something you are not, you can never let your guard down, never be yourself, not even in your own home. So then that call comes and it's like a golden thicket: you can leave, give it a rest for a little while, go see your friend, stretch out those inventing muscles.

As much as the fandom clowns him for it, I honestly don't even think he went out there with the intention of cheating (emotionally or otherwise). BUT I do think he was hoping something would happen. It's just that it all depended on Ford taking that first step because Fidds sure as hell wouldn't. And then Ford didn't because he was too busy doing the sin cos tan with his trigonometry homework, but if he had, we could have had a brokenback mountain situation on our hands, lads. Then Fiddleford could have just gone along with it, and done all sorts of mind parkour to convince himself that that's somehow less bad than "outright" cheating on his wife.

So he gets to the cabin, right? And maybe things are good for a little while, like when they were in college. Fiddleford lets loose a little, Ford is happy with the company, they're friends! And I get the sense that they're the kind of friends that mesh really well, like their energies really match. As much as the fandom paints Fiddleford like a sweet cinnamon roll, that man is also a freak. He's out here building psychotic post divorce revenge pterodactyl robots and drinking abducted cow milk just to see what it's like. He's a bit unhinged! He and Ford are the two people in the world that can be like "I think the universe is a hologram." "Cool! Let's prove it mathematically, bro" and "I want to build a portal to another dimension. Just cause." "Catching a ride to your place with my toolbox as we speak, buddy." (My own personal head cannon is that Fiddleford didn't really become such a shaky jelly until the nightmare goblin got him. Like, he was never as adventurous as Ford, but I think before that particular traumatizing event he was all right for it).

Anyways, things are good for a bit, but the real world is still out there. Fiddleford has to make trips home every now and then, and every time he comes back it seems like something is different. A little off. At first it's nothing big, just a smile a little sharper than usual, a coldness in a look, Ford calling him "Specs" where before he was always a variation of his name. Then it's pointed comments that Fidds chalks up to a lack of sleep (is Ford even sleeping at all? Because he could have sworn for the past three nights he he has appeared in the same place Fidds left him when he went to sleep). Then it's a flash of yellow eyes, a maniacal laugh that Ford never used to make before, spells where he seemingly forgets how to use his body (bumps into things, tries to drink soda with his eyes?). As time goes on it starts to become more and more obvious that something is seriously wrong with this friend. And things back home are just getting worse and worse, Emma May isn't happy about Fiddleford skipping town so often, Tate wont stop asking for him, and look, was Fiddleford even making money while he was with Ford? He gettin' paid? Is Emma May back home trying to bring home the bacon while virtually single parenting? (How was Ford even supporting himself while studying anomalies? I can't imagine there's a lot of grants for that.)

But Fiddleford can't leave his friend and he can't really own up to how much messier things are at home because of this whole thing. So he keeps coming back to Gravity Falls, where he also can't really face up to Ford and either demand a clear answer as to what is going on or try to get him some help (an exorcist, maybe). Because if he does say something and Ford decides that he doesn't want Fiddleford around asking questions he's gonna have to go back home where after the Christmas thing he's honestly not sure he's really wanted anymore, not really sure he deserves it if he still was. So he keeps on doing his thing, telling himself "this is fine 🙂," while he sits in a room on fire with a bill-possessed Ford hanging from the ceiling like a spider and an disapproving Emma May looking in through a window.

I think the portal incident was what finally opened his eyes to the reality of his situation, in an ironic way. He destroyed his relationship with his wife and left his son for nothing. Left his own dreams and aspirations aside just to find out that when push comes to shove his opinion and well-being matter so little to this man he was ready to break the laws of physics for. He can't stay with Ford, and he sure as hell can't go back home, because that would mean having to face that he's done burned down all his bridges. So where do you go from there? Let me tell you, if I had the chance to forget the lowest, most selfish, stupid thing I did for a person who didn't even notice it, I'd do it in a second.

[vidalswife]

Okay so I’m seeing a lot of talk about the way it seems like Rio’s attempts to kill/harm Agatha is really just her way of flirting with Agatha and I agree!! Love the toxic foreplay lol. But hear me out like, if we believe the theory of Rio being ***** then I’m thinking rio actually does want Agatha to d** but only because it means that some way somehow Rio gets to keep her forever and to me that’s also super freakin romantic!

Whoever wrote this is a genius and I want to kiss them

[lavendarneverlands]

put 5 songs you listen to, post it, then send this ask to 10 of your favorite followers <333

Thank you so much lovely🫶🫶🫶

Oh goodness this is a hard question because I like way too many songs😂 though I am a huge Swiftie & since I’ve on my TOG binge have been listening to a lot of fan playlists so let’s let my history decide🤣 these have been in a heavy rotation:

“Who’s Afraid of Little Old Me?” by Taylor Swift

“Red Wine Supernova” by Chappell Roan

“Please Please Please” by Sabrina Carpenter

“Blonde” by Maisie Peters

“Can’t Catch Me Now” by Olivia Rodrigo

@impossibelle @iwantavaldezinator @idfendyr @shadowhunters77 @archerons-elain @cheap-spirits @maevecrom @endlessdaydream @somethingsomewhereanywhere @korepio

p.s. as always, no pressure tags :-) 💕

(Heads up for some tags: this is my main account, the side-blog ur probably used to seeing (as I’m more active) is @acourtofquestions I have a terrible habit of mixing up pages/conversations; so if ur going “who tagged me?” it’s just me lol)

[waterlilyvioletfog]

Coriolanus for most of the book: omg look it’s Sejanus I hate him. He’s so rich and uppity and sanctimonious I hate him so much I can’t believe people think we’re friends I hate him literally why do I keep having to save him 🙄

Coriolanus the SECOND Sejanus shows up: OH THANK GOD SEJANUS I MISSED YOU [HUGS HIM] maybe the world is worth living in! 🥹

Coriolanus like a day later: ugh he’s so dramatic what is he even worried about he’s gonna get me in trouble I hate himmmm 🙄

[allthethoughtsandstuff]

pretty sure the filmmakers made up those slutty little skirts bc I’m rereading the book and haven’t seen any mention of them and fr that was so slay of them they said hmm what do these little capitol kids need? long ass skirts over their pants of course

[gods-favorite-autistic]

Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)

Teenage Rebellion

Night Yorb (a heavy metal banger)

Summer Scaries

Devils Nectar

Time Quangle (a love song about Ayda)

Multiclass (Gorgug sings on this!)

The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)

So Late, So Tactical

Do You Have A Fucking Warrant

Cassandra (Can You Hear Me)

Hall Of Mirrors

President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)

Raging For Love (inspired by Gorgug, of course)

The Elven Oracle (Has A Day Job) (So Stop Bothering Her)

Maximum Legend

Fury Of The Ball

Cursed

Infaethable

The Bad Kids

[kheprriverse]

I might be a little obsessed with this design...

[cissa-calls]

The bridge of the Ballad of the Witches Road (Rock version):

“If I can’t reach you,

Let my song teach you,

What you need to keep our love alive.

If I can’t hold you,

Remember what I told you.

It’s the only way we survive.

We survive!”

The initial blast of words like crying out, like Alice’s mom is pleading out to the world in hopes that her daughter hears. Alice realizing it was written and performed to open the door to the road at concerts and to protect her from the generational curse. To teach other witches how to protect each other. And when she realizes the ballads full potential to not only save the coven, but her love and memories with her mom, she finally unleashes her magic and plays that piano like a witch. The swelling of the music with hope and agency as the entire coven realize that they have survived, witches will survive no matter how many times they are burned (both figuratively and literally). Alice and her coven will continue that legacy, they will prevail and sing this ritual. And maybe Lorna Wu didn’t break the curse in time to do it physically, but she and her love for Alice survives through song.

[maysrinn]

Goosey Gray & Coriolanus Duck 🪿✨

The marvelous summer romance of a pampered little running duck who falls head over first for a wild spicy water cobra~

Goosey Gray trademark name by @spoomed \òwó_

[adeleine-everyday]

day 109

magical girl adeleine! 💫

[lilly-townshend]

documenting my silly goo goo ga ga childhood headcanons before Sunrise of the Reaping drops and rocks my world

1. Haymitch has a bad case of a thousand yard stare on most of his post-victory photos

2. Effie is a rich kid drowning in propaganda so she fangirls about Haymitch during the games and is actually really happy to see him win (gets an axe merch bc capitalism is just cool like that)

3. They first meet in 2297 and Effie does NOT expect Haymitch to look that bad (bc she probably has no idea about his whole family being executed)👍