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“ YOU'RE LOSING ME. ” ( lando norris ! )
SUMMARY: the reader struggles with the painful realization that no matter how much she gives, lando will never fight for her the way she fights for him.
word count: 1.3k
warnings: angst, lando is a d!ck, gaslighting, communication issues, mentions of y/n
pairing: lando norris x female!reader
tag-list: @oscduck81
a/n: this may or may not be loosely inspired by a real life experience..........



THE ROOM WAS dimly lit, the soft blue glow of Lando’s sim racing setup casting shadows across the walls. The hum of his game filled the silence, the sharp sound of tires screeching on a digital track drowning out the soft, broken sobs escaping your lips.
You lay curled up on the bed, your back turned to him. Salty tears slipped down your cheeks, soaking into the pillow. You weren’t even sure why you were crying anymore—was it sadness? frustration? or just the aching emptiness that was growing inside you?
You knew he could hear you. He always could.
But just like every other night, he turned up the volume of his game. Hinting an unspoken message: I don’t want to hear you. I don’t want to deal with you.
And gosh, it hurts.
He always does this. He rarely talks to you despite living in the same apartment. As if there is a big wall between the two of you. As if both of you have two different worlds. His priorities had shifted, and you weren’t part of them anymore. Gaming. Racing. Nights out with friends. Work. Everything came before you. And no matter how much you tried to convince yourself otherwise, you knew deep down that he just didn’t care the way he used to.
He used to act differently when your relationship started. You missed the time when it felt like his world revolved around you, when he made you feel like you were the most important thing in his life, but now you don't know when or what went wrong. You can only wonder what happened to the man you love.
Your friends are all begging you to leave.
"Wake up, Y/N!" "You deserve better." "What else is there to hold on to?"
It started to become obvious that the things Lando has been doing have been affecting you to the point that you started seeing a therapist, desperately trying to piece yourself back together.
But the worst part is that Lando never even noticed.
You knew that this was not healthy. You knew you should leave. But things are easier said than done.
The thought of walking away—of starting over, of loving someone who wasn’t him—made your stomach twist. It felt impossible, unbearable.
Despite everything, despite the pain, you still wanted to stay. You clung to the hope that one day he would wake up and realize what he was losing. That he would see you again—as someone he once loved. Someone worth fighting for.
So you stayed. Because letting go felt harder than holding on.

It’s a big day in Abu Dhabi—the moment that will decide the 2024 Formula 1 constructors' championship. McLaren almost has an even tie with Ferrari; therefore, they desperately needed Lando to win. So you take your time to self-soothe after what happened last night.
"You just don’t understand, Y/N. Why can’t you just accept the fact that I’m a busy person?" Lando exclaimed, frustration lacing his voice.
You let out a sharp laugh, shaking your head. "Oh, I’m sorry—if bar-hopping with your friends and getting all over the media with random girls counts as 'busy,' then I must be such an idiot for not taking the hint!"
His jaw tightened. "Those pictures are from a long time ago," he muttered.
"Oh, really?" you said amusingly while scoffing.
Silence stretched between you before you finally snapped. "All I ever wanted was for you to notice me! To talk to me! Hell, to actually see me! Is that really too much to ask?"
Lando ran a hand through his hair, exhaling. "I don’t understand, Y/N. I’m giving you all the attention I can."
But it was never enough. It never felt like enough.
You sighed in defeat, your voice barely above a whisper. "I know you wouldn’t understand."
This morning, like every morning, you glared at him with storms in your eyes. But he didn’t notice—he never did. You wondered how numb he could be to not feel your grip on him slipping away. How could you love someone and not see them breaking right in front of you?
All you needed was his reassurance—that despite everything happening, despite the way he treated you, you were still the one he loved. But every time you brought it up, he twisted it around, making it seem like you were the problem. Every conversation turned into an argument instead of a solution, and with each fight, your resentment only grew.
One night, you needed him more than ever. After a brutal argument with your parents, they kicked you out, leaving you with nowhere to go. Lando was the only person you could turn to—the one person you thought you could rely on.
"I tried calling you. I rang your doorbell over and over and over again, but you never answered." Your voice wavered, frustration and hurt bleeding through. "So tell me, Lando—where were you that night?"
"I was sleeping!" he insisted, his tone defensive.
You let out a sharp, bitter laugh. "Sleeping? Really?" You shook your head in disbelief. "I literally saw the notification on your Twitch that you were live with Max!" Your voice cracked as anger and betrayal surged through you. "You left me outside your house for hours!"
Lando exhaled sharply. "Maybe it’s your fault for always expecting too much," he muttered under his breath, but you caught every word.
Your stomach twisted as you stared at him. "Excuse me?"
"Maybe..." His voice became louder. "It’s my fault for not being enough for you," he added, his voice flat.
"Or maybe it's our fault for not making this relationship work properly."
That was your breaking point.

Lando won the Abu Dhabi Grand Prix, securing McLaren’s victory in their fierce battle against Ferrari for the Constructors' Championship. You were proud—proud that your boyfriend had claimed another Grand Prix win, proud that his team had finally won. But deep down, you knew the truth: tonight, he wouldn’t be celebrating with you.
You often envied the girlfriends of other drivers—the way they rushed into their arms after a win, how they spent their victories surrounded by their girlfriends and families. But for you, it was different. You longed for that warmth.
Now, it was time to pose for the cameras, to put on a dazzling smile and make your relationship look picture-perfect—at least on the surface. In the photos, you were the devoted girlfriend, the perfect couple. But behind your fake smile, a storm raged inside you.
You had always been there for him—through his highs and lows, his victories and defeats. But when it was you who needed him, he was nowhere to be found.
And as the flashes of cameras captured the illusion of happiness, a sinking realization settled in your chest. You couldn’t keep living like this. You couldn’t keep giving all of yourself to someone who never gave anything back.
One thing was clear tonight—you were done hurting yourself for someone who wouldn’t do the same for you.

You took a taxi back to the hotel alone, your vision blurred with tears as the city lights streaked past. The moment you stepped into the room, you began packing—hands trembling, heart racing. You hadn’t planned this, but deep down, you knew it was inevitable. It wasn’t just impulsive; it was necessary.
As you zipped up your suitcase, your fingers brushed against a worn polaroid tucked between your clothes. Your favorite picture—back when love still felt easy, when he still looked at you like you were his entire world. You held it for a moment, your thumb tracing the edges, debating whether to take it with you.
But some things belonged to the past.
Flipping it over, you picked up the hotel pen and, with a heavy heart, wrote your final words.
I love you forever, Lando. I'm forever grateful. —Y/N
You placed the polaroid on the bed, letting it rest there. Then, with a deep breath, you grabbed your bags and walked to the door.
Before stepping out, you turned back for one last glance at everything you're about to leave behind. All of the memories you and Lando had, either good or bad.
Just like that, you walked out of his life, and with every step, the weight you had carried for so long finally began to lift.

#f1 fic#formula 1#formula 1 x reader#lando norris smut#formula 1 fanfic#lando norris imagine#formula 1 fic#lando norris fluff#lando norris#lando norris x reader#lando norris x you#ln4#mclaren f1#mclaren#f1 fanfiction#f1 fanfic#f1 imagine#f1 x female reader#f1 x you#f1 x reader#f1#formula 1 imagine#lando x reader#lando x you#lando norris fanfic#lando norris fic#formula one#Spotify#juniper.angst#lando norris angst
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Steamy Interrogation
word count: 3k words
tags: 🔞 Explicit sexual content / NSFW (18+) MDNI! | Slight Gunplay (used as a prop)| Dubcon | Improper Use of Evol | Power Imbalance | Mild Objectification | Overstimulation
Please only consume what you can handle.
note: Aaaand I'm back with another Sylus fic! I swear I have the other LIs in my drafts, it's just that I'm so inspired doing Sylus' ones first haha. Have y'all seen Magnum Opus? It's soooo good and I'm so satisfied with how they gave us a peek into sylusmc's dynamic in a free 5-Star Card. Hope you enjoy this one and please let me know in the comments what you'd like to read from me next. divider by: @cafekitsune

You text Kieran after a particularly arduous mission, asking if you could use the hot tub on their penthouse again. You were already in front of the unit but insisted on waiting for his reply before you go in.
It had been a sort of an after-mission ritual. When after one mission had you very sore and your gym buddy / best friend Kieran started offering access to one of his brother's places. You were reluctant at first, initially overcome with embarrassment with the idea of taking baths on another person's place. Someone you haven't met moreso.
"My brother doesn't stay there anyway. He just bought the place 'cause it looked nice and wanted to have someplace to stay whenever he's here in Linkon—which he rarely does now by the way. Even Luke is sulking with how busy he's become that he doesn't even visit now."
You agreed then, asking him, like, ten more times after that even if he kept reassuring you that it was fine.
You were pulled back to reality when your phone pinged with a new notification.
“Sure, left the doors open. Make yourself at home ;)”
You thanked him, entering the unit and depositing your stuff on one of the couches. The place is quiet—sunlight slicing through the tall glass windows, steam already curling from the water’s surface. You strip without much thought and slip into the heat, letting it swallow the tension in your shoulders. After a while, you climb out and sit at the edge, towel draped lazily across your lap as you dry your hair.
That’s when you hear the bathroom door open.
Heavy, deliberate steps echo into the space, followed by the unmistakable sound of a safety catch clicking off.
“Don’t move.”
You freeze.
Your breath catches as you look up—and see him.
Not Kieran.
Someone else. Taller. Sharper.
Ruby eyes locked on you, gun aimed steady and unshaking.
“Who the hell are you?” “I—I thought this place was empty,” you stammer, arms instinctively tightening around your towel. “Hands where I can see them,” he says coldly.
You raise your arms slowly. The towel lifts with you, but slips slightly—your bare body catching in the low light.
His right eye glows as he's scrutinizing but his expression doesn’t change. You can't help but marvel at the sight.
You momentarily hope that he doesn't sense the ugly feeling other than fear simmering in your system after being entranced in his eyes like that.
“Drop it.” “What?” “The towel.”
You hesitate. But he doesn’t lower the gun.
Your fingers loosen, the towel falls in a soft heap by your feet. You stand there, completely bare under his gaze.
“Turn around,” he commands.
You swallow hard and obey.
Behind you, the silence stretches—then breaks.
You hear the rustling of clothes. Heard the sound of his belt being unbuckled. Something heavy hits the floor as goosebumps crawl through your skin.
You hear footsteps again—bare this time. He comes closer.
The cold press of the barrel nudges the small of your back.
“Move.”
You step forward, slowly, heart racing, body burning with both dread and something else.
He deliberately walks behind you, still holding the gun to the small of your back while nearing the tub. You hesitantly dip yourself back in the bubbling water and hear him follow suit.
The soft click of metal resounds in the bathroom as he sets the gun down on the ledge. Then, you hear something unfamiliar—an electric hum, faint and low. A red current crawls up your limbs before you can react.
You gasp.
Your wrists are yanked back behind you—locked in place. Your ankles drawn together, suspended in a precise tension as your body floats slightly above the water’s surface.
“What—what is this—?” “It's my evol, miss.” he murmurs, voice low and unreadable.
You struggle, but his Evol holds firm.
Then suddenly—he’s behind you.
You feel him.
The weight of his chest just barely grazing your back, his breath curling against your ear, and lower still—the unmistakable, thick heat resting against the dip of your ass, barely sheathed by the water. He hasn’t moved, hasn’t truly touched you, but your body reacts anyway—muscles twitching, skin hypersensitive, breath stuttering.
“You didn’t answer me,” he says, and this time, his hand grips your jaw, tilting your head just enough to expose your throat. “Let me ask again—why are you here?”
“I—I didn’t know—Kieran said—”
The second his name leaves your lips, the man scoffs.
“Kieran.” His voice dips, a bitter curl at the edge. “Of course.”
The tension in the air shifts—something sharper than suspicion settling between you.
He clicks his tongue, almost amused. His hand leaves your jaw, his breath brushing your neck as he trails his lips along your skin—just barely grazing, barely touching. Then, he parts his lips and nips.
A sharp little bite just beneath your ear.
You gasp, your hips twitching again despite how sensitive you already are.
“Still doesn’t explain why you’re here.” He breaths,“Why you’re shaking.”
Another nip—this time lower, right at the curve of your throat, then down along your collarbone. Each bite is purposeful, not deep enough to bruise but firm enough to sting just slightly, a wicked contrast to the warm water sloshing around your body.
His hands slide up, cupping your breasts, thumbs brushing lightly over your nipples before he skirts around to let his mouth follow. His teeth scrape one, then he sucks it into his mouth with slow, deliberate pressure.
You arch into him with a choked whimper, the mix of pain and heat making your thighs tense under the surface.
“Why you’re so fucking wet.”
Heat sears through you, your body betraying you with another twitch. Your lips part to deny it, but he’s already moved.
His tongue circles your nipple again, slow and wet, before he switches to the other. His Evol tugs your arms tighter behind your back, just enough to make your chest arch out toward him—putting everything on display, just how he wants it.
“Look at you,” he purrs, mouth trailing back up to your throat. “Bound, dripping, squirming…All from a little teasing.”
Another sharp bite at the side of your neck makes you moan, your head falling against his shoulder. He moves back to the spot behind you as he repositions your body to not sink further into the tub. He chuckles low in his chest, the water rippling as his hand disappears beneath the surface, his fingers ghosting over your folds—barely a touch, but enough to make you squirm.
One slow stroke.
Another.
You gasp, your knees buckling in the water, but the Evol keeps you suspended, helpless.
“Sensitive,” he notes, fingers teasing your bud. “How convenient.”
You barely register the meaning before his fingers press more firmly against you, slipping between your folds. You jolt. Your Evol-bound wrists twitch, but the restraints hold firm. His thumb brushes your clit, expertly timed with another push—your body jerking as sparks shoot up your spine. You cry out, unable to contain the sound this time, trembling violently in his grip.
“Interesting,” he muses, stroking once. Twice. A slow, torturous pace. “You’re not denying it.”
A humiliated moan leaves your throat, and he chuckles—a deep, quiet sound that makes your stomach twist.
“Too easy,” he murmurs. “Is that all it takes?”
A slow drag of his fingers up and down. Dipping inside, teasing at your entrance but not pushing in anymore. His thumb brushes your clit in the lightest touch, barely a graze, but it still sends a violent tremor through you.
You bite your lip, trying to stifle a moan.
“Don’t be shy now.” His free hand grips your chin, tilting your head back against his shoulder. “I want to hear you.”
He presses his thumb down fully this time, circling once—slow, precise, devastating. You scream, hips jerking into his touch, body desperate for friction.
“That’s better,” he murmurs, dragging his lips against the shell of your ear. “So desperate. Maybe I should just leave you like this. Struggling. Needy.”
The thought makes you whine. Your fingers flex uselessly, your ankles twitching against the unrelenting grip of his Evol.
“Or maybe,” he breathes, “I should push you a little further.”
You barely have time to process the words before he thrusts two fingers inside you.
A cry rips from your throat, your body clenching down instinctively around the sudden stretch.
He hums. “Tight.” Another stroke, deeper this time, his fingers curling just right. “You’ve been waiting for this, haven’t you?”
You shake your head desperately. “N-no—”
“Liar.”
A sharp thrust. Another. His pace is still measured, still controlled, but every movement is meant to unravel you, to keep you right at the edge.
And it’s working.
Your thighs tremble, the pressure in your core winding tight, pleasure building so fast it’s nearly unbearable. Your breathing turns ragged, broken moans slipping past your lips.
“You gonna cum already?” he taunts, his fingers pressing deep, thumb rolling slow, teasing circles against your clit. “So quick. Is that all it takes?”
You shake your head again, but your body betrays you—the telltale tension coiling impossibly tight.
“Come for me.” His voice drops to a whisper, dark and commanding.
“Now.”
And you do.
Your body jerks violently against the restraints, waves of pleasure crashing over you as you convulse around his fingers.
But he doesn’t stop.
His fingers keep moving, prolonging every aftershock, pushing you straight into overstimulation. Your legs shake, another cry spilling from your lips.
"S-sir, 's too much. Pleas—"
“Too much?” he purrs, amused. “You sure?”
He finally withdraws his fingers—only to drag them up, pressing them against your lips.
“Open.”
You hesitate, but the look in his eyes leaves no room for refusal. You part your lips, your own taste spreading over your tongue as he pushes his fingers in.
“Good girl.”
Then—he shifts.
The water moves as he steps even closer, his Evol releasing your legs just enough for you to feel him lining up against you. You choke back a sob, realization dawning through the pleasure-drunk haze.
“You already took my fingers so well,” he breathes, his cock pressing against your entrance now, thick and hard. “Let’s see how much more you can handle."
When he finally presses himself against you again—thick, hard, ready—you’re already dripping around nothing.
“You’re going to take every inch,” he says lowly. “And you’re going to thank me for it.”
He pushes in slowly, deliberately. You dig your nails into your palms as you struggle to accomodate his girth, each inch more unbearable than the last. You moan, helpless under the flood of sensation.
Your entire body arches—mouth falling open in a silent scream as your walls stretch around him, the sudden intrusion overwhelming. He’s thick, hard, relentless from the first stroke, and your Evol-bound body can do nothing but take it.
Then he begins to move.
“Fuck—” His voice finally drops from its usual cool tone, his grip tightening on your waist. “So fucking tight.” he growls into your shoulder. “You’re taking me so well for someone who wasn’t expecting company.”
Slow at first—just enough for you to feel every ridge, every pulse. Then faster, deeper, brutal. The sound of skin slapping against skin fills the air again, water splashing around your bodies. Your voice is a blur of moans and gasps, lost in the sound of him fucking you like he owns you. Every thrust is deep, purposeful—like he’s trying to brand his shape inside you.
“That’s it,” he growls, hips snapping against yours. “Take it.”
Your mind is blank, fogged with the blinding edge of overstimulation. Pleasure coils violently in your belly—shame and ecstasy twined too tightly to separate. Your climax crashes over you before you can stop it, hips jerking in the water as you sob through it, Evol still locking you in place.
But he doesn’t stop.
If anything, he thrusts harder, riding out your orgasm only to build another. His hands grip your hips now, fingers digging bruises into your skin as he pistons into you, his pace brutal and fast.
“That’s it,” he growls. “Let go. Come for me again."
Your body locks around him, shaking with every thrust as he fucks you hard, water splashing around both of you as the pace builds again. Each slap of skin sends sparks through your body, and your climax slams into you harder than the first—violent, uncontrollable, teeth letting go of your lip as you scream.
But the man doesn’t let go. Not yet.
His grip is bruising on your waist as he thrusts through your orgasm, chasing his own release, panting now—low, guttural noises ripping from his throat until finally he drives into you one last time and groans, spilling into you, body tight with tension.
Your Evol restraints dissolve, and you slump forward, boneless and shaking. He catches you, pulls you against him, your bodies still half-submerged in the water.
But he’s not done.
You barely register movement until he lifts you—just enough to sit you on the edge of the tub, legs spread, dripping, glistening in the soft steam-lit glow.
“Don’t move.”
His tone is lower now, huskier. Almost reverent.
He kneels in the water between your thighs, hands parting you again, spreading you wide for him. You flinch from the contact, still sensitive—but that only makes him smirk.
“So soft,” he murmurs, fingers stroking your swollen folds before his tongue finally presses flat against you.
Your head drops back with a cry, the sudden rush of wet heat too much, too sharp. He licks slow, dragging the flat of his tongue up and over your clit in lazy, deliberate strokes.
You buck against him, fingers digging into the tiled edge of the tub, helpless to the fire blooming again in your core.
“Still sweet,” he mutters between licks. “Still twitching for me.”
His tongue circles your clit again, over and over, switching between soft teases and sudden hard flicks that make your thighs jerk and close around his head—until his Evol restrains you again, keeping your legs spread wide open for him.
He moans into you at the same time he presses two fingers back inside, tongue working in perfect rhythm, dragging you toward the edge again.
“Come on,” he growls against you. “Give it to me. Again.”
You don’t stand a chance.
You cum again, thighs shaking violently, your cries echoing in the steamy air, body collapsing into shudders as he licks you through every aftershock—until you’re a wrecked, panting mess above him, still twitching from the overstimulation.
Your body gives out the moment it’s over.
Every last drop of strength drains from your limbs—your mission fatigue, the emotional whiplash of being interrogated at gunpoint, the overwhelming pleasure wrung out of you in waves—it all crashes down at once.
You collapse into his arms.
His hands shift under your legs and behind your back, lifting you gently from the tub. You hear water dripping off you both as he carries you across the marble floor, steps unhurried, expression unreadable—but his hold is firm. Protective. Possessive.
He sets you down on a soft surface, kneeling beside you. He begins to wipe you down with a patience that doesn’t quite match his earlier ruthlessness. You flinch once, still sensitive, and his touch instantly softens.
He doesn’t say anything. But his eyes linger on every part of you he touches, watching the way your body reacts—memorizing you all over again, even now.
When he’s done, he scoops you up again, walks you into the bedroom, and lowers you onto his bed.
His sheets smell like him—amber, leather, gunmetal.
You barely register the soft rustle of fabric as he dresses you in one of his button-downs, sleeves swallowing your arms. He tucks the hem under your thighs and smooths it out over your belly. It’s oversized, but warm. Familiar.
He pulls the covers over you and leans down to press a kiss to your forehead, lingering a moment.
He then leaves the room, shutting the door with a soft click.

In the living room, Sylus towels off, pulling on a pair of sweatpants and a loose black shirt. His fingers run through his wet hair before he picks up his phone and dials.
The line rings once.
“What?” Kieran’s voice comes through groggy and irritable. “It’s late, man.”
“You didn’t think to tell me you've already met my Beloved?” Sylus says flatly.
There’s a pause. Then an incredulous laugh.
“What the hell are you talking about?”
Sylus’ jaw clenches.
“The woman you’ve been letting use the penthouse. The one you’ve been hiding from me.”
“What? I wasn’t hiding—wait.” There’s a beat of silence. “You met her?”
“I did more than just meet her.”
“Sylus,” Kieran says, voice rising with panic. “What did you do?”
Sylus groans and rubs the bridge of his nose.
“What didn’t we do?”
There’s a choked sound on the other end of the line.
“Are you fucking serious?! You better not have hurt her or els—”
“Calm down,” Sylus cuts in, voice cool again. “If anyone’s ass needs to get handed back to them, it's yours—for letting strangers use my property without telling me.”
“She’s not a stranger,” Kieran snaps. “She’s the only one I’ve let use it. You’re lucky it was her and not, I don’t know, someone actually dangerous.”
“Hmph.” A rare hint of amusement glints in Sylus’ tone. “Then you’ve made your one good decision today.”
“Sylus—seriously, just…Be gentle with her, okay?”
“I always am,” he replies smoothly, ending the call before Kieran can protest further.
He returns to the bedroom quietly.
The lights are dim now, your breathing soft and even beneath the covers. He slips in behind you, sliding an arm around your waist and pulling you into his chest.
His nose brushes your slightly damp hair. He inhales deeply—like he’s grounding himself in the scent of you, the warmth of you in his bed.
You shift in your sleep, instinctively curling toward him. He smiles against your temple and presses a soft kiss there.
“We’re finally reunited,” he whispers. “My Beloved Sorceress.”
And he holds you tighter—like he never intends to let you go again.

© sylvieisoffline's original work | all rights reserved | translation, plagiarization, and copying is strictly prohibited
#who said that?!#something definitely possessed me while writing this#cause there ain't now way I crashed through allat#love and deepspace#love and deepspace smut#lads#lads smut#lnds#lnds smut#l&ds#l&ds smut#lads sylus#lnds sylus#l&ds sylus#sylus smut#love and deepspace sylus smut#sylus qin#qin che#lads sylus smut#lnds sylus smut#l&ds sylus smut#sylusmc#sylusmc smut#sylus x mc#sylus x mc smut#sylus x reader#sylus x reader smut#smut
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Hiii, got inspired by Mihawk's recent birthday and was thinking maybe his SO trying to spoil him for his birthday? Both with small gift and then something more NSFW, like reader indulging him in one of his favorite kinks? (idk why I see him as a mirror sex guy or/and into blindfold)
Ohhhh!!! This is a good idea... Thank you for sending this in! I hope you like it!
Caught with your hands in the cookie jar, you were unable to keep your cool. After all that work you'd put into trying to think of a good hiding place, here he was suspecting you of just that. You needed to be reminded that you should never keep a secret from him.
CW: NSFW, MDNI, gn!reader, established relationship, some fluff, mirror sex, rough sex
Secrets are meant to be shared (Mihawk)
There weren’t many options when it came to finding that perfect present for someone like him. Although he wasn’t outwardly outspoken about what he favored, he had his preferences much like anyone else. Something that showed your attentiveness to his less spoken of interests would go a long way with him. Tucked away under your bed so as to remain out of sight, the perfectly wrapped present with a modest bow waited patiently.
Hearing footsteps traveling down the hall, you sprang up from the side of the bed just in time. He entered the room, side-eyeing you and the flustered look upon your face.
“Did you forget something?” Your curiosity was far from subtle.
He took a moment to examine your posture. Your palms were sweaty and your eyes showed the amount of stress you were experiencing. “Perhaps…”
The few steps he took towards the bed sent your heart racing. You knew you shouldn’t have risked hiding it in the shared space, but you’d convinced yourself that it would be too obvious to raise suspicion.
When he stopped at the side of the bed, you stared at him from across the mattress. “I have a feeling you’re keeping something from me.”
“What? Me? I could never.” You were the least graceful liar there was. He sighed and walked over to the vanity mirror, gesturing for you to join him. He stood behind you and gently laid his hands on your shoulders.
“Look at yourself. You’re shaking like a leaf.” The attention to your frame shivering slightly from the tension you’d caused for yourself was apparent.
As he leaned closer, his breath bathed your neck. Soft, open-mouthed kisses were pressed on your sensitive skin. He held your hips tightly while you bore more of your neck to him. The sensation of his teeth grazing over your pulse made goosebumps break out over your body. A gentle bite when paired with roaming hands on your thighs were making your head spin. Softly, a moan passed your lips, giving him his queue to delve deeper into desire.
Such a beautiful display of devotion deserved to be handled with the utmost care. His fingers undid your pants, letting them drop to your ankles. Running his hands over the outer parts of your hips and thighs served as a reminder that the best of things come to those who wait. Despite your body aching for more, you knew such patience would be rewarded handsomely. A glimpse of you in the mirror was all he needed to see the evidence of your arousal.
He nipped at your earlobe, while his hands gripped your inner thighs. Finally, he reached under the elastic of your underwear. The soft sound you made when he touched you where you needed him most complimented his guttural groan. Your body was already eager for him, but he couldn’t resist teasing you a little for thinking you could keep a secret from him.
Your hands clamped down upon the dresser, causing the mirror to shake and rattle. Each skillful movement of his fingers had your thighs trembling. The huffs and pants of needy moans coming from you were growing more and more impatient. There was no use in trying to hold back those blissful sounds of euphoria; he knew your body too well.
The sound of him unbuckling his pants crept up behind you, shortly followed by his arousal being pressed up against you. Him stroking himself at the mere state he’d put you in was making your ass shake slightly from the friction. You gripped the dresser harder as he teased your tight little hole with the tip of his cock through your underwear.
Just as withholding your begs and groans for more was reaching a boiling point he finally gave into his own desires. Ripping that last shred of clothing down, he pinned you against the dresser. Firmly, he grabbed your hips, spreading you perfectly for him to slide right in. Stretching you out never felt anything less than heavenly.
Slight grunts as he thrusted against you alluded to more than the heat of the moment. You were his and he was yours, anything other than passionate in a moment like this would be criminal. Losing yourself in the pleasure, you leaned forward on the wooden surface. Gently, he wrapped his hand around your throat and forced your back to arch while he pulled you up. Making eye contact as he took you from behind made your entire body tingle. He reached around to play with you and coax out every sound you were capable of all while his thrusts went deeper and harder.
Your moans of ecstasy, you clawing at his arms, the way your body was spasming around him the closer he pushed you towards the edge: he couldn’t keep his eyes off of you—a vision of beauty. The mirror shook more violently, and the drawers were opening and closing with urgency as he chased his own high.
Your body quaked against him, choked back cries of your climax filled his ears. He couldn’t resist letting himself indulge in such blissful release any longer. Watching the way your body moved as he released each drop of himself deep inside you made the sensation all that more intense. He bit your shoulder to muffle his own groans of pleasure. The extra spasm from you got him to bite down harder as pleasure jolted through his veins.
A few more pushes into you were all he needed to completely drain himself. You fell on your forearms as your legs gave out. He leaned over you, a sense of pride and affection washing over him. His hand caressed your back and lingered on the dip of your waist. Softly, he pressed a kiss on the bite mark he left on your shoulder, soothing any sting he’d left behind.
Trailing kisses up your neck, he whispered in your ear. “And don’t worry, I’m sure I’ll love any present you’ve stowed under our bed.”
You hid your flustered expression in your hands. “You knew?”
“You’re anything but subtle.”
Groaning at your own lack of the art of surprise, you went over to get the present from under the bed. Holding it in your hands, you nippled your lower lip. “I’d hoped to give this to you in a more… romantic setting.”
Much to his word, you had nothing to worry about. Being a man of action more than verbal expression, you knew right when he opened the box that he appreciated what you’d spent so long putting together.
#one piece#x reader#one piece x reader#one piece imagine#op#one piece x you#one piece smut#one piece mihawk#mihawk x reader#mihawk x you#hawkeye#dracule mihawk#op x reader#op x you
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SPOILERS FOR WANO ACT THREE!
Yeah I got nothing to say this time let’s get started


Like I said in the previous post, I adore everything about Yamato’s and Kaido’s fight. The idea of how much Yamato was inspired by Oden, and how his father did everything to take that away from him is displayed here fully. Kaido treated him with nothing but cruelty for most of his life, and for what? Because his child admired someone he himself believed to be incredibly strong and honourable? Yamato rightfully calls out his father on everything he’s done to ruin his life, and it feels so earned, and even if he knows he can’t win, he’ll make sure Luffy has the chance to defeat him

Okay I don’t know if this is a well known fact but I adore Hawkins. He’s genuinely one of my favorite characters in the entire series, and his fight with Killer gives him so much time to shine. He’s incredibly smart, not allowing himself to be attacked head on due to using Kidd’s life as one of his straw dolls, and he seems to be in control of the fight up until Killer also decides to pull a trick and slashes his arm off, the one arm Kidd didn’t have. The true icing on the cake for this fight is when Hawkins pulls out the Tower card, which if you know anything about Tarot is the last negative aspect you’d want to pull out in a situation like this



Continuing the pattern from before, about the fact everyone gets their time to shine, I lean FINALLY talk about Sanji’s struggle that stemmed from his relying on the Germa raid suit, he worries he’s turning into someone like his family, as he can feel the changes he’s going through. He wonders what Luffy would want from him, which ultimately leads to the death pact between him and Zoro. He defeats Queen, and goes back to being his usual kind self (with a neat callback to his flashback in whole cake with the mouse), but the looming threat of the death pact still lingers. Zoro himself goes through my favorite fight of his against King, with the two paralleling each other, displaying utter dedication to their respective captains. It’s thematically important for Zoro, especially since he pushes himself to save his friends so much he MEETS DEATH after the fight, which leads to a bunch of stuff in the later arcs (at least from what I’ve seen so far). Lastly, I hate when people say Usopp didn’t do anything in Wano, as if this scene of his doesn’t exist. He shows the samurai that a honourable death in battle is stupid, because at the end of the day, it’s living another day that allows us to grow, to experience new things and to keep fighting, it takes a part of his character that would usually be seen as a flaw and flips it on its head, showing that sometimes you run, so you can keep fighting

I haven’t really talked about CP0 during Onigashima, but once they decide to put their plans into motion to make Wano WG territory, we get one of the coolest panels in Wano, along with the reveal that maybe, Luffy’s fruit isn’t what we thought, which I’ll get more into later


Kidd and Law vs Big Mom is a masterclass in using the abilities of everyone involved to their full extent, with the ending of the fight not only letting Law make a homage to the man who saved him, but also giving Big Mom a moment to think as she falls to her doom, on what Roger wanted to achieve. It’s profound, and I truly hope she’s coming back in Elbaph, as she’s such a good character and I miss her so much. I’m not the only one to miss her, as getting to see the version of Linlin that Kaido knew during his time with the Rocks pirates but their relationship into a new perspective, as sure they butt heads, fight, and both want the title of pirate king, but she was the one to take him under her wing, and the two clearly cared about each other, I genuinely felt for them here, despite the evils they’ve done, and that just shows to me how complex both of them are

Before we get to a thing I’ve been meaning to talk about this whole goddamn arc, when Kaido gives the news of Luffy’s defeat, Nami once again shows unwavering faith in her captain. Luffy has defeated foes thought to be undefeatable, and this scene in particular brings me back into Alabasta, with everyone proclaiming that Luffy would never die
And oh boy were they right about that
#one piece#op reading corner#wano#yamato one piece#basil hawkins#black leg sanji#roronoa zoro#usopp one piece#charlotte linlin#kaido one piece#nami one piece#man I am SO excited for the next post
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Okay.
I’m gonna say this only once, because I am getting fucking tired of seeing this shit everywhere, and I’m seeing other bloggers getting unnecessary hate from it too, and it makes me sick.
Just because someone gets a giggle out of the recent pap pics and video, does NOT mean they hate Luke, or are bullying him, or are not a fan, or whatever the fuck. It is not a matter of wishing him or his career harm (and come on…let’s be for fucking real here…this will not hurt his career)….it is simply because it was funny. That is all. It would be the same reaction if it was Nic, I promise you that, and it would not be out of hatred.
All of this PR shit is a farce and is hilarious. So NOW it’s not funny? NOW people are offended?
PLEASE with that shit already.
I get it…some people don’t have the same sense of humor as others, but don’t hate on or insult those who may think differently of a situation than you. And NO… it does NOT make anyone immature if they get a giggle from it. Get a good laugh, and move on. Plain and simple. Now, anyone who IS using it for views, bullying, or attention-seeking or whatever, that is on THEM. Not everyone else.
Don’t be a self-righteous asshole. It’s not a cute look.
And on that note, I am planning to delete my TikTok soon. Sorry if anyone was hoping I’d go back to it….but I’m not. Because 1. I’m sick of all the toxic shit that has been happening for a while now on multiple platforms, and 2. I’m dealing with much bigger life shit than this fandom will ever be. I will not elaborate, so please don’t ask.
I don’t feel inspired to make fuck all anymore. Hell, I might even delete this shit too. I don’t know. Someone give me a good reason why I shouldn’t, and perhaps I’ll reconsider.
If you’re offended by this, sorry but that’s on you. Believe what you want to believe about me, but I know me better than anyone on this fucking planet. I stand firm in what I think is going on with this PR fuckery, and I’m not gonna budge. Nor will I change who I am or how I think.
Agree to disagree, and leave it be. (hey look I’m a fucking poet)
This shit is NOT that serious, folks. Chill the fuck out. ✌🏻
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(continued under the cut ↓)
did you hear about my amazing propaganda yet
#this one is like a tease#i'm spreading my ideas and hope someone bites#i hope someone sees this and feels inspired#i hope this causes unrest and someone decides they need to make more content based on a similar idea because they weren't satisfied#bsd#bungo stray dogs#bungou stray dogs#bsd fanart#bsd dazai#bsd dazai osamu#bsd chuuya#bsd nakahara chuuya#skk#soukoku#<- of ambiguous flavour#nawy's comics#suggestive#?#like. for one panel.#btw how cringy did you find my hotel name i tried very hard (i just picked the first bad english tacky thing i thought of)
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I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT
yeaah... future trio got me too...
and Darkrai is there too, because of course he is.
hey look i drew a cute Drifloon :D
...ignore the rest
whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this
#Can you believe between the first pic and the 4th pic is only a week inbetween. I sure can't but like why did I mirror the pose...#ON ACCIDENT??? Everytime I look at the two Grovyles I'm like... how... how did they end up so differently???#also probably blaming @cozybells as well for this but I really fear tagging people so I'm just letting y'all know in the tags because#I do wanna let everyone know who inspired me when someone did <333 better get running [you know who you are!!!!] DusnoirXDarkrai is next...#also: upon seeing scribz-ag24's art my brain said: You need to color too! ah yeah that went well with the doodle batch#I really hope you're able to read everything with how messy I can write sometimes. If not please let me know and I'll add sth in this post!#Also the doodle batch was the first thing I drew so well... never drew dusknoir before and grovyle once i think...#please go easy on me I have yet to explore the relationship between literally everyone😭 and I have no idea what I‘m doing and I'm a little#lost I normally only draw King Boo or Darkrai but I'm sure scribz-ag24 sprinkling in bits of Darkrai got me in love with the future trio to#grovyle#future trio#celebi#darkrai#dusknoir#pmd hero#pokemon#drifloon#totodile#my art#my stuff#tagas friend spoiler#pmd#pokemon mystery dungeon#IS THERE A SHIP NAME FOR FUTURE TRIO... there must be. ...oh... is it just...#futuretrioshipping#i feel sooo stupid rn.#also everytime i drew darkrai i had evil spiteful bastard in mind (except for the one with an arrow pointing out he's redeemed) but i think#i literally mixed every possible version of him in my head so got absolutely no clue what i'm doing :D#anyways i hope you enjoyed this and thanks for reading through my ramblings! Have such a wonderful rest of the day yippiee <333#pmd2
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MiqoMarch Day 11 - Loss
#dawntrail spoilers#ffxiv#miqomarch#miqomarch2025#g'raha tia#arsay nun#wolgraha#dawntrail#ffxiv spoilers#oof this was a doozy to write and pose but i got through it 😭#i was going to expand on the bird metaphor initially but then I remembered that Arsay doesnt really do that. she just says shit#so you the viewer gets to decide what she means#I feel like its been a while since I've shown Arsay lifting her partner up in a conversation#shes been real baby since endwalker so its usually her who needed the support#im glad DT gave me a moment for Arsay to show her inspiring side now that shes gone through endwalker character development#were it any other character she would have said nothing tbh These are feelings she could only reveal to raha and shtola#so many people have done amazing takes on this scene and their wols replies i really hope this doesnt come off as reductive#or accidentally copying someone else#this part really hit me when I was playing because of irl reasons but even still i knew in the moment arsay would fight grahas doubt#because she believes so much in him and his kind soul. And shes seen it in action too. she sees a distinction between his actions-#- and that of others who claimed to do things for the good of their people#tbh arsay does kinda fall into the camp of 'would rather die than have to mourn another loved one' at this point#but if it came down to it I dont think shed be able to do anything but keep living- shes stronger than she believes herself to be
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Kabru party analysis - Trust, and codependence vs emotional unavailability

I flip flopped on calling this a masterpost a lot, but looking back, yeah. While I do compile every fact I can about the party and its characters a significant part of this is interpretation, extrapolation and speculation enough that it's an analysis more than compilation at this point. Feel free to skim, skip around, whatever makes the experience more enjoyable and useful. I’ll also try and compile parallels they have with their Laios party counterpart, since them being foils and ‘shadow version’ of sorts to our main party is a big part of their fun fact meta, I am however most interested in analyzing them as their own characters- and as a whole together as an entity & narrative device. I did end up getting into narrative and thematic analysis for the main story... Mostly the Kabru & conclusion segments though.
But ultimately the goal of this post is mostly to analyze their relationships with each other because I think that’s the messy interesting part of their group, beyond just being a kabru party facts list.

Table of contents:
Kabru + party timeline
Rin
Holm
Daya
Mickbell
Kuro
Relationships and overall dynamic
Do they matter at all to the story?
For easy finding if anyone wants to do a focused reread, the main chapters featuring the Kabru party are 10, 15, 31 and 32, and then with chapter 45 everyone but Kabru (and Rin) stops appearing until the final battle.
Kabru of Utaya & his party
What to say about Kabru that hasn’t already been said, how to summarize him as perfectly and concisely as possible… I don’t think I can reasonably do him full justice here! This is an analysis about his party and not just him so I don’t want to spend forever here. Unlike every other character in his party Kabru is a main character of Dungeon Meshi so plenty of analyses around, meanwhile information can be hard to find and string together for the rest of them or the party as a whole. This isn’t a deep dive on Kabru but a summary, I’ll go over his timeline, goals and general attitude.

This'll be critical for later, but notice here that this means Kabru's party formed 2 years before the story happens. We get no indication of whether or not party members have changed much or little over those years, even if the party overall seems somewhat incompetent. Kabru's profile says that despite his skills, his lack of experience makes him a mediocre party leader and we do have that inexperience with monsters and dungeons, from what we see in canon. It's partly due to his foster mother training him intensively in combat against humans but seemingly not monsters or dungeon survivals, and partly from what we see with canon's framig because Kabru has no interest in monsters- You know and understand what you love better than what you hate, so Kabru is good at fighting humans and Laios is good at fighting monsters. The party does have rather good chemistry in action, with Kabru orchestrating everyone with commands, but they still end up being defeated as often as not, and despite Mickbell's warnings Kabru pushes to go to a dungeon floor lower than he thinks they can handle with their current ressources, for example. Laios' party at the start of canon were broke, but it's only because their money got lost in the dungeon and (chap 28) the bank would take too long to get their tokens back & take money out to save Falin- meanwhile Mickbell talks about being in the red just because of their current unfruitful dive, meaning they aren't as successful and have tighter finances overall. We see the party hanging out in taverns off-work (though not unlike Laios' very occasionally does as well) and things like Kabru meeting Dia's fiance and the party visiting Kabru's room, so they mayy be paralelling how it's said Laios' party hung out very little outside of work? They don't seem much closer for it, though.

One other thing to note is that Utaya is not necessarily his birthplace/hometown? The details are unclear, the adventurer's Bible does refer to it as his birthplace twice, but it's also mentioned several times that his mother was "chasen out", even in the original japanese. It sounds like leaving a town to me, but it could be that they were only driven out to their house and moved to a different part of town...? Either way, his mother was "chased out of home" after he was born beause of his blue eyes. Of course, Utaya is where the dungeon overflow tragedy happened when he was 6-7 years old, so it's the town Kabru and his mom were living in, one way or another. It's also mentioned kobolds lived near Utaya, explaining him speaking some kobold, which kobolds also implies the region had conflict beyond the dungeon overflow considering what Kabru says about kobolds in the kobold page.
Her mom having been "chased out of home" over him and then working hard as a single mother to support both him and herself is likely to have made him feel like a burden, which may have influenced his selflessness: the way he's hardworking, the way he neglects himself, the way he keeps others at arm's lenght (maybe thinking getting closer to him would do them no good)*, the way he can be very quiet and a great listener, gauging others' needs- the same way he was his mom's venting outlet when very young whenever she got drunk. *I explore this possibility more in this kabrin brainstorm post. The insecurity of being an incubus/monster, especially with how Kabru did see people transforming into monsters in Utaya- A very interesting recurring angle for him.
Let's be clear, as Kabru shows again and again his goal was 1) to pierce the mysteries of the dungeon, and 2) ensure that if anyone defeats the current dungeon lord that they won't accelerate the process of the dungeon overflowing or use the power for evil, essentially that the dungeon's power won't fall into the wrong hands, which includes him thinking the canaries shouldn't get the final say in how to handle it all. His goal/plan of becoming dungeon lord himself was to take care of both of these in one go.
He's been at this for years and he's seen a lot of things firsthand when he was 6, so already when he first confronts the canaries at the Island governor's he explains the stages of degradation of a dungeon quite well, he has his own theories that turn out accurate, but he's made them while being barred from most information on dungeons, which the elven monarchy controls access to. Goal 2 is always the main point, but goal 1 is important in order to be able to do it efficiently. Once this, goal 1, is achieved and Kabru learns about the demon through Mithrun, he becomes solely focused on goal 2 again (whereas the On Floor 1 chapters ended with him breaking alliance wth the canaries to demand answer) to ensure the demon stays under control and to stop the current (and possible next) dungeon lord. And then, well, the meeting at Thistle's house happens. Defeating the dungeon then at the beginning of canon was half-cover, a simple unsuspicious way to present his goals, half-goal 1 which would also take care of goal 2 by Kabru himself becoming the dungeon lord, as said. The canaries show up so he indulges in goal 1 while carefully teetering on being an obstacle to the canaries and helping them, and then it's right back to goal 2 with renewed determination together after he and Mithrun fall down into the dungeon and Mithrun spills everything. He doesn't trust Laios as dungeon lord, but he also doesn't trust the elves having the sole duty of managing dungeons.

It becomes this sort of tug of war of distrust, of who does he trust less to ally against, who does he trust more to ally with, which side to take once it's clear his own side isn't viable alone- he ends up somewhat playing double agent covertly through the story, but ultimately he ends up more or less trusting everyone and playing double agent openly with the final battle, quote unquote having faith in humanity & others, which he'd been cynical about for so long, finding red flags in everyone. But yes yes backing up again, he came to trust Mithrun during the six days in the dungeon together, but not the rest of the canaries and when they meet up again he's still on bad terms with them, we see it at Thistle's house where he tried obfuscating Laios' party's secret and pinned Mithrun to keep him from chasing after them, preferring for the ball to be in their court and for Mithrun not to go kamikaze mode.
His interest in Laios also extended to Falin, their party was quite capable and was more or less next in line to beat the dungeon, but since she died and Laios went into it on a shocking desperate mission, Laios becomes a focus of his as they make very quick progress. No one dungeon diving ever went beyond the big doors guarded by the gargoyles, but Laios' party passes through them just a little after Kabru and Mithrun team up.
All these deeper thoughts were largely unknown to his party members before the story.
He’s secretive and often cold with his party. Even Rin, presumably the closest friend he has, the one who’s devoting herself to specifically following and helping him (while the others also seem to admire him and partly follow him to put him on the dunlord throne, they have their own reasons too), is left in the dark with an arm of distance kept between them. Kabru first reveals he's been keeping an eye on the Touden's party during the sea serpent 2 chapter for example, and goes into it a little more during the Toshiro-Laios parties meetup chapters.

Although, it might be more appropriate to say that rather the party members aren't really listening. Kabru spoke about his goal to keep the toudens away from the dungeon lord title here, has a whole speech about influence and power falling into the wrong hands, and their reaction is "we know, only you is fit to be dungeon lord!" when that's never been the actual core of the matter, the point. It was the red herring being set up yes, that that was only what kabru wanted, but ultimately looking back he's always had that guardian type motivation more than leader, being a judge and executioner more than a king on a throne, he wants to support what's good and dismantle what's bad, so it suits him to have become a politician in the end instead of the ultimate chief. That also goes into his arc- him learning that sharing duties and goals is good, that he doesn't have to do everything alone and fully trusting others when teaming up can be beneficial, that he alone doesn't have to be the sole voice, that his shouldn't be the sole choice to be made about matters or courses of action. So going back to the topic- another instance of his explanations being dismissed is in this convo with Rin above- Again he talks about dungeons and reveals hints about his true goals, yet after all of this Rin literally only goes "hmm" and silence falls, and then she says she's hungry. Wether she was contemplative or uninterested, the change of topic is rather quick and unceremonious. And this is the person who'd know best about his motivations too, knowing his past well.
And maybe this phenomenon is also why he gets peeved at Rin here and silently chides her. In a "she should know how to think this through by now, she should've taken a second to observe and remember how we do things, she should think deeper about the true important matters" way etc etc. What are we doing this for, what do you take me for? This kind of righteousness is detrimental rather than helpful and strategic, Rin.
I place both Laios and Mithrun to be very important to Kabru's character and arc, and with Mithrun a significant part of the puzzle imo must have been that Mithrun listened, easily understood. Mithrun understood the gravity and danger of dungeons, was even similarly a victim of one. Where everyone else shallowly misunderstands or dimisses what he says about dungeons and his goals, they're very understandable and familiar to Mithrun, and such bumps don't happen with him. Mithrun isn't playing the social game the same way as others, he just dishes out whatever blunt straight to the bottom of the matter points, he skips the social dance Kabru often gets so hang up on, in a way that helps kabru communicate with him honestly rather than hinder, especially since Mithrun is still quite good at reading between lines. This could be a good part of why they take to each other rather quickly and team up, each other's rationale and plans feel intuitive to the other and they find someone else traumatized by the dungeon, someone who understands, understands not only what he's talking about but also what must be done, the ruthlessness needed. And Laios comes to ultimately balance this out, not invalidating their wants and needs but showing there are other ways to proceed, other people to trust, even when they don't intuitively understand them.
And on that note I want to talk about Kabru and laios' confrontation. I've already said that his "Laios obsession" is about his dungeon goals and that's very straightforward, and it only got to this point because Laios previously dodged his every attempt at closeup info gathering and still now he can't get a read or grip on him. BUT while some think Kabru's "I just wanted to be friends with you" is just a bullshit he made up on the spot complete lie, I don't think so. We see Kabru cycle through some explanations, angles and speeches he has like scripts, like one of them on the second page is close to this. And we know they're like scripts because that's what he said and how he spoke with his party, the backstory talk, the framing, it's all how he presented it to others as well. But he knows none will work on laios, Laios pushes him like Mithrun to go offscript, to find new approaches and communicate in ways that are more vulnerable and uncomfortable. And Kabru has trouble finding that angle that'll work with Laios, because he doesn't know Laios well enough, and that's what he wants, too, it feels so frustrating and vulnerable not understanding him. As his desperation mounts it sort of just slips out- I wanted to be friends with you. Childish, simple, inappropriate for the grave context and very embarrassing. And he immediately freezes and backpedals- BUT Laios endlessly dunks on the very idea that it could be true and that sets kabru off- after which he unloads a more personal perspective of how it was like chasing after him. And I think that's what it is, it's not a lie but it's a bit of an oversimplification- Not the full reason, but a part of it. Kabru wanted them to get to know each other better and get along, for him not to have to kill Laios, a want he still clings onto even when stakes are rising. He says it all himself here, explains his statement after Laios all but laughs in his face in disbelief. I think this scene and the slip-up shows that Kabru does have a desire for connection, that even when he's all calculating and manipulative with his business mode on, there's that desire under it all. And with Laios, well, what better excuse is there to be interested in someone that so conveniently is at the center of his plans and goals for the dungeon? Meeting practicality and genuine interest makes for this- I don't think that's unique to Laios perse, I do think Kabru is interested in people in general like he himself puts it in contrast with the touden siblings who don't, but with Laios the difference is the utter onesidedness of it, the brick wall of social cues he doesn't know how to approach but both needs and wants to. Repressing a desire for social connections, being bound by it despite wanting to not need them, is a common theme in Dungeon Meshi! And I think this fits into that. It's in the grabbing of Laios' arm too. Yes it's from despair, from the situation and from not being heard out, but that despair hides a desire, and it's a desire both to fix everything and to be seen and heard finally. And you could theorize it's his time with Mithrun that made him help realize here that yes there's some truth to wanting to be friends with Laios, and learn to seize the opportunity, to chase it not just through mind games but also try honesty, bluntness...
His arc with Laios (and with Mithrun) is a lot about teaming up imo, his party disappears and accomplished little because he never fully opened up to them, but when push came to shove and he was thrown into teaming up with someone (Mithrun) unfamiliar with no pretenses possible in an urgent situation he slowly gained trust for him, he learns that trust can be valuable even through the risk, enough that by the time he has to make his ultimate choice of going against Laios and even killing, vs helping him and letting him do his own plan, conflicted as he is Kabru still chooses to defend Laios from Lycion and have some faith- and this despite having his own opinion dismissed by Laios in the scene we just looked at. He is putting faith in Laios to have the weight of that world he was carrying alone for years put into someone else's hands, upon their choices, despite it meaning everything to him. Dungeon Meshi is a loooot about community and unity, about reaching each other halfway to have understanding and accomplish things together, better, and Kabru's arc very much is about that whole thing. Laios decides to go with his own gut instead of agreeing with Kabru's pleading, and there's much to say about that, but ultimately I see it as Kabru being forced to reckon with having to put full trust in another person's judgement yes, terrifying and risky, but sometimes it'll pay off. Seeking to understand each other earnestly IS good, and it's only after all pretenses are out the window that things start to look up, compromise shows willingness to do that.
So like. Mithrun's half of kabru's storyline is about being understood, getting some of that social connecting need he's been neglecting and showing how genuineness pays off, meanwhile Laios' half is about understanding others, seeing the flaws in how he approaches others. How do you expect people to understand you if you aren't earnest with them, Laios asks? Lycion hammers it home too, being the one to expose Kabru having been fake with Laios and trying being very blunt and direct with Laios. With Mithrun he learns to socialize without playing 4d mind chess again, it's easy with him befause he's so uninterested in respecting social conventions anymore and is so blunt and honest, and with Laios he learns to apply that. Mithrun is his parallel and Laios is his contrast.
Okay this was the story arc bit now getting back to a character analysis focus. Kabru is interested in anthropology in general, with a genuine interest in learning about people and languages & helping people at large. He's concerned with the greater good and "preventing Utaya from happening again", not because he himself doesn't feel safe but because he wants to prevent tragedies in the world, tragedies that affect others the way he's been before. Kabru is individualistic in the sense that he takes everything upon himself, doesn't readily trust others with decisions, but he's also incredibly selfless. He's dedicating his life to investigating dungeons and stopping their meltdowns, thinking someone else than the elves must get involved, he has personal reasons to be motivated to stop the demon but unlike Mithrun it's not out of revenge but out of a concern for others' wellbeing, while Mithrun's motivations are stuck in the past Kabru's are in the future's. In his determined pursuit of his goals he neglects his own needs and wellbeing- Due to his upbringing with the sheltering Milsiril, Kabru has a hard time even doing basic care tasks like cleaning and cooking, if it wasn't for his landlord doing the cleaning of his rented room for him it'd be very messy, bottles laying around because he drinks alcohol to help with insomnia regularly for one. Dungeon diving isn't all that profitable, especially being Kabru's party, and it's unsafe, and it's uncomfortable, and not exactly well seen- He's not enriching himself either in wealth or status, and yet Kabru his spending his every day and every ressource researching about dungeon diving parties on the Island to keep an eye out for possible future dungeon lords, making influential connections like the shadow governor, and of course dungeon diving itself. He even puts it himself, that he'd rather die in a dungeon in pain than stay at Milsiril's, and it's very important to remember that unlike Laios Kabru hates dungeons- He loathes monsters, is terrified of them and the threat the dungeons make, and doesn't even seem to have true curiosity or interest for dungeons' workings beyond how to stop them from causing harm- his dedication to dungeon diving is solely in relation to his mission. While I'm sure he does find some interactions fulfilling here and there, he also keeps himself from connecting with others, treating relationships either as tools (like drinking is to him) or situations to people please and focus on helping fix their issues like with Dia's fiance, sinking a lot of time into it and not opening up himself, gaining nothing from it except maybe some loyalty and reputation, a sense of satisfaction and a sense of having done a good thing.

The end very much justifies the means with him. He's one of the more politically conscious and few greater good caring people of the cast but he's not without bias, his talking about kobolds for one... more on that in the kabru & Kuro section. He's not blinded by ideas of good and evil since he has no problems with greyer areas if the ultimate result is good- but he can be blinded by laser focus somewhat. His fear over Laios- while clearly not unfounded since kui herself stated that at the beginning of serialization she really thought Laios would become a demon king as dungeon lord in the end- makes him take rash decisions, where if it wasn't for people reviving and saving his party again and again and again, Kabru would never have even met Laios. See, again the theme that he can't achieve his goals alone even if he tries. He doesn't want to share burdens and plans, refuses help sometimes, but he does rely on it like everyone else, and ultimately I think that's what his arc is about like we covered- from being so distant with his party to opening up with mithrun and ultimately, in his kill Laios vs trust Laios dilemma he picked trust.
I do think growing up with Milsiril shaped him into who he became a lot, not only because he had access to knowledge with her ressources and her teaching yes, but most importantly imo he learned to manage an emotionally needy adult. It's mentioned his dead mother would sometimes vent to him when drunk, and it's different but similar to Milsiril being a sensitive recluse hermit who jumps from tears to anger in the blink of an eye, with emotional manipulation whether intentional or not, guilt tripping for even small things like which home cuisine he picks to talk about. Kabru grew used to having to anticipate and pacify or counter Milsiril's moods, to push through the wails and downright threats to be able to make a point and be heard like when saying he wishes to go into dungeons, and she seems to overburden her kids with the task of managing her emotional stability like I implied. She doesn't have friends except literally maybe just Helki her employee, she likes dolls and interacting with her kids and that's all that we see, so she seems emotionally dependent on her kids and esp Kabru imo. So like with how he operates in the present, he learned to "manipulate for good", what words tend to set people off, what ways to phrase things make pills easier to swallow, what face is most pleasing and soothing, what gestures are too much and what gestures are too little. Daily life and ineracting at home with his foster family became a visual novel with right and wrong answers and for smooth days he needs to be a good kid. Milsiril & Kabru is a topic for another day but I do have a lot to say. I do want it to be kept in mind here that Kabru's opinion that it's impossible for elves to see eye to eye with shortlived races is explicitly linked to his experience with Milsiril, as written in his Adventurer's bible pages. This coming up is definitelyyy a headcanon though but since [Helki is the only friend adjacent relationship we know milsiril has] and their relationship is master & servant there's grounds to theorize about how much kabru interacted with him too- how much Kabru saw Milsiril and Helki interact, his only father adjacent figure you could even say... As @room-surprise puts it, growing up in that house watching Milsiril and Helki and himself he learned that life is not to eat or be eaten but instead "to use or be used". Having grown elsewhere than the rigid elven kingdom first, that place with its tons of social etiquette rules and hierarchy, helped him be more critical of that society even as he observed how it worked and how he could work it, his original home may have not been much more welcoming, but sometimes difference is all that's needed to start comparing and realizing how systems are built, and not innate or unchangeable. I think being thrown into it rather than born into it shaped how Kabru perceived it. Psychology also helped him deal with his own trauma imo- in the incubus & parasitic bee comic it seems rationalizing the people from his hometown's superstitions helps him make his peace about it, makes it feel less personal, more distant- it's not my great aunt thinking I ruined my mom's life by being born, it's the human instinct and phenomenon of people being scared of what they don't understand, like a child with pale blue eyes. People being scared by what they don't understand, hm, it really always goes back to this in Dungeon Meshi doesn't it.
I think it's needless to say at this point but it's obvious Kabru is a character very affected by trauma. Faced with monsters, which've ravaged his home in the blink of an eye, he shakes and hesitates. He gets flashbacks when thinking about eating monsters. Wild topic swing but believe it or not there's a recurring "is it ptsd or autism" debate that often happens with characters, including L from Death Note for example, and Kabru has had this phenomenon in a niche of the fandom too. As one myself I do heavily relate to Kabru in the lens of him being an overachiever masked autistic, who unconsciously was drawn to learning psychology out of a need to do so and used to approach social interactions as a more scripted and logical affair than intuitive, and that was in part due to trauma yes- but autism and social-based trauma that pushed you to overcompensate and overachieve is, well... There's a causal link there yes, and it's a tendency that does happen with autism, especially in its afab presentation. And Kabru having ptsd is pretty much undeniable, so then, both? Personally I would claim kabru suffered not only the trauma of Utaya being destroyed but also social trauma living through being feared and hated by villagers and then taken in by elves and being constantly talked over- again different but similar to Rin's own experience and trauma. Truth is Kabru not being autistic doesn't change all that much from the "Laios caught his eye because he doesn't mask well and Kabru has to teach him about it he has to tell him that's illegal and look out for him" magnetism theory because that's also what ptsd does, someone with ptsd depending on the trauma also can become very scripted and nervous about skirting from it. Autism just gives it a more personal lens, where it's not only trauma but just who you are, always feeling a bit apart from everyone else in a fundamental way. In the end what autism and ptsd share in situations like this is that they treat social situations like a survival game, no fun included. This isn't the kabru is autistic analysis that's another topic plus many exist already I bet, but yes just know that these are common and coherent readings that can give a good lens for his behavior or obsessive tendencies.
Last tangent last tangent- but words are Kabru's main weapon right, knowledge is Kabru's main warfare method. Being in a society and with a parental guardian who doesn't put weight into your opinions and wants, speaking and being listened to is hard, and Kabru learned to play the game and dance the dance until he could make connections anywhere. It's of course relevant with how he dealt with Misilril and just how he continues to approach problems and matters now too, it's a way to be, a defense mechanism too, again like Rin's. It's interesting to note that it's Milsiril who taught him a lot, which he mentions is what he's grateful for her for most, teaching him and training him- and isn't that very in line with how Milsiril also felt spoken over and rejected by elven society as well, how she despises elven society even. Almost as if knowledge is a tool when you're devalued and pushed down in a society- Something that was important for Milsiril to teavh to him, which also fits nicely in with Kabru teaching Kuro the common tongue later on too. Milsiril's approach to the game of hierarchy was to keep her head down and obey orders until she could retire living rich as a hermit and foster parent, though, and that's emblematic of where they differ too- Kabru wants to be proactive, do more prevention with dungeons to have less damage control to do, even if you have to throw yourself into danger, even if you have to seek it out, so he makes connections and builds influence and goes dungeon diving. Milsiril wants to go away from trouble, leave to be safer, avoid danger, in life like in work, so she decides to live away from wider society to deal with her trauma and social anxiety, and so she retires and doesn't understand why Kabru would ever want to go near a dungeon again. Words are Kabru's main weapon but ultimately he drops arms and shed this attitude for open communication instead... 😌
I've started doing more analyses with enneagrams, I'll link back here when I make my first enneagram character analysis feature with Laios but in the meantime, sorry if you know nothing about it... If I had to call one for Kabru right now, 5w6/6w5 and 163 for tritype? Which would somewhat complement my reading of Laios as a 4w5 478, being his contrary in the action center 1 vs 8 which is the center that dictates how you judge/approach others/interactions, and the order being that the socialization center is the facet that's most important to Kabru vs what's least important to Laios. Inversely what's most important to Laios and least important to Kabru is the heart center aka how you judge yourself, your relationship with your own self-importance, Laios is very concerned with his own identity and interests and flees oppressive places that make him need to conform too much meanwhile Kabru is to himself only a tool for his greater goal and is ready to sacrifice individuality and his own comfort for it. But hey why would Kabru be 6w5 but still have 1 has his most important type in his 163 tritype? Well 6 is the desire for stability, security, and 1 is the high strict standard & concern for what's right vs wrong. I would consider 6 as his more important type because it's that desire that shaped his 1 importance given to morality, justice, good on a wider scale, etc, especially as someone marginalized where moral policies naturally benefit more people, often especially those devalued ykwim? Bettering the country with policies is right and also benefits him, he thinks everyone should have stability and safety, that it's the most important thing for everyone, but it presents as a 1 way to deal with that issue.
I think an important recurrent theme you can notice here too is onesided and unbalanced relationships. Kabru had the role of significant emotional support to both parental figures he had in his life, when as a child you're the one supposed to emotionally unload and the parents are supposed to take on them and manage the both of you, and it's made him be stuck into that mode sort of by default, letting others open themselves to you as much as they want but not opening up in turn, being more detached and unemotional- and of course, that's what's needed when you need to fix things, when you have to make sure everything is taken care of. It's the approach he takes both for his life and for relationships, so he shuts out his own emotions and pushes himself for others and for the world. He likes knowing, but not being known, because that's not supposed to be his role or purpose. He knows how burdening that can be. It does make the reversal of Laios being interested in Laios actively and Laios being uninterested in Kabru himself interesting. I don't know Kabru knows himself all that well, it's always about others so he doesn't take nearly as much time pondering his own wants, I think that plays into the "I wanted to be friends" too. It's how he's so able to get Dia's fiance to emotionally unload on him and vent over a couple hours and so at ease with it- he's used to it. Ah and even with Rin! He was specifically asked to befriend Rin as a kid, a very heavily traumatized girl- he was asked this because he's a shortlived race kid like her and nice, was asked this by his foster mother for the canaries' sake- he was literally put into that emotional support situation there too.
I am not mentioning every parallel & contrast he has with Laios I don't wanna be here all day!! But hey where Kabru had his town ravaged by monsters as a child and has always holds importance for having community, Laios fantasized about monsters tavaged his town because he hated his community, for one. In this precise scenario, Laios saw flaws and he immediately wanted to give up on that community, meanwhile Kabru saw flaws and wanted to fix them- Well, mostly, since Kabru did give up on relations with elves for a good while, and both end up amending those beliefs and seeking to make a better society within the golden kingdom together.
Here is my very quickest Kabru analysis apparently 😭😭 I NEED to get dragged offstage this can't go on- Idk man I still haven't gotten THE ANGLE with Kabru's narrative in the story I still can't see one thread that makes everything seamlessly connect together like it usually happens with Dunmeshi for me, but there's so much going on here about typical dunmeshi themes like authenticity, balancing considering others & your own needs and connecting...... But my biggest impression after my first read that still lingers now is that Kabru was in good part there to embody that people are a tapestry and that we're like an ecosystem, you can't carry the weight of the world alone because you are not alone and humans are creatures that accomplish feats through being social, like how Kabru couldn't have defeated the monster without Laios' help, Laios couldn't have gotten this far without Kabru's interference. Again it's all comes to that final battle where everyone, different as they may be, come together to fight on the same side, to save their collective world... And the guy everyone believed in least being the one on who all hope and faith and trust is placed in the last desperate shot at winning. Idk man!!! What are we doing here go touch grass breathe in the breeze hug your loved ones what a joy it is to be alive and human!! Take example on Kabru and love yourself. Because you're human and he loves humans I mean- don't actually take notes on self-love from Kabru that would not go well I feel. But yeah like to me Kabru's party gives me a nudge of what direction I should go in to figure out what his portion of the story is getting at, the importance of Kabru's party then becomes showing the state of his relationships at the start of the story before things get shaken up, as contrast and a reference point...
Rinsha Fana
OKAYYY here we are. Not everything is about you Kabru! <- said with Rin's voice (it really truly actually is lol)
I've already done an incomplete analysis of her here, please look at it for Rin pictures & material, but basically her sour and strict attitude seems to be a defense mechanism she can't fully control, like how she tends to frown when she wants to smile. Kabru's words about it are somewhat dubious to be sure, we don't have a guidebook on "when is Rin truly angry and when is she just smiling upside down :) ", but it is notable that Kabru does have a point with that, from what we see.
Her nagging attitude is part of that defense mechanism- As explicitly stated several times, her main purpose in following Kabru is that she's worried he'd get himself into trouble without her. Not unjustified, since he has trouble even cleaning and eating well, and then he gets all wrapped up with the canaries during canon, but yes according to Rin he's too smart and reckless for his own good. This may be why he sees her as a big sister figure, she nitpicks every little thing but at the end of the day her support is unconditional and she'll stand with you whenever you need her. Sort of like a big sister, she gives tough love but ultimately just wants you to be healthy and to take your pain away.
She had a very difficult upbringing, seen as a heretic to burn at the stake in her early childhood then treated like an animal when growing up with the elves. Her parents had an unaligned religion and its practices are tied to how she learned magic, which is why her family was reported to the canaries as dark magic users, but not in time for them to arrive before the townspeople killed her parents. Where with the elves Kabru learned to people please in order to gain more agency and safety when he grew up seen as a pet, Rin learned to be irreproachable and stand her ground when she grew up treated as an animal. The townspeople in Kabru's hometown sought to break up his home and chase out his family, and they may have threatened heavily for all that we know, but Kabru was able to keep his love for humans and belief that humanity is good, the trauma he has is of monsters killing people during the dungeon overflow- Rin's trauma is townspeople burning her house down and lynching her family until she was the only survivor. She sees others as a threat, and not without reason.
Both Rin and Kabru wear masks socially. They go in opposite ways though, Rin oversells her toughness to tell people not to mess with her, she makes herself closed off and intimidating, meanwhile Kabru is more of a chameleon but mainly, he makes himself seem open and appeasing, unthreatening to be trusted and liked more.
She was sent into shock and suffered through severe trauma especially since the people who collected her amidst all this, the canaries, are very ill equipped to deal with emotionally/mentally fragile people, especially shortlived race kids. Because of this whole situation she has some contempt for those who had it "easier", like mages who went to magic school instead of having to self-teach like Rin did. And some of this is disdain that where she had to study everything on her own others have teachers to guide them through it all, a sense of superiority, but imo it's also doubtlessly a defense mechanism, an anti magic-elitism where she sneers at them before they can sneer at her. Before they can call her uncultured, she calls them talentless. Counter before they can even strike. Defense mechanism. In the main story, we hear of this tension Rin has about academy mages with how she speaks of Marcille and her spells- specifically she's rude about Marcille's protection charm/ward and says something about how the one who did it was definitely an academy mage because the spell is too by the book in chapter 32- and this is what I mean, she takes issue with how strict about rules and spells they are, how much they conform, because her own background is being severely mistreated and sotracized for being an unaligned unconventional mage, for doing magic outside of these rules and books. Interestingly, we also see in chapter 10 though that she looks down on people she sees as not successful or capable, saying that they'll definitely defeat the mad mage and "we won't be hand-to-mouth adventurers like you people", perhaps from trauma too- wishing to put a distance between the group she'd normally be categorized with and who she wants to become, or having felt mocked by the guy who talked to them before by having been related to them, because she's so on guard and bad faith always. We don't really know the details of Rin's time with the elves, escept that she was "minded like an animal". We don't even know where she stayed, even, just that Milsiril couldn't take her in because her house was already full. Where did she stay, then? Some shitty orphanage? I like to think she stayed with the canaries as "an impounded article" until she became an adult and left with Kabru, explaining even more her attitude since she'd have all the military influence, and further proving the point that any success she earns was self-made, that anything she knows she had to teach berself because her environment never gave her opportunities. But yes wherever it was, we can only assume that it was close enough to Milsiril's mansion or easily accessible, because Kabru and Rin continues seeing each other. It seems like at first, they would have made trips just in order to have Kabru befriend Rin until she could talk. They may have continued through letters eventully too if they couldn't meet. Hust a lot of uncertainty on every ground, all we know is Rin and Kabru became important to each other.
We actually know little of Rin and Kabru's pre-canon relationship, but we know that Rin was taken in by the elves some time after Kabru was, after her parents were killed by townsfolk and report them as black mages to the canaries, who arrived too late to be able to tell, so just took Rin in and...... Well we know very little of how she was treated, too, even where she was kept, just that Milsiril couldn't take her in and that they "minded her like an animal". We know that Kabru wanted and wants to "get her away from the elves somehow", something he doesn't say about the other kids living with Milsiril and explains his reason as being because Rin has bad experience with the elves, but it's unsure how Kabru left home and how Rin came to go with him. Because of that quote of his though it's likely he invited her along when he left, and she followed. But it's not confirmed, for all we know Kabru could have only invited her after 2 years after leaving when he founded his party. It's obvious Rin holds no love for living with the elves anyways, but we don't know how much freedom she had- it was hard for Kabru to be allowed to leave because he was coddled, notably only leaving 2 years after he reached in-world adulthood despite having first voiced his want to leave when he was a kid, but meanwhile I like to think Rin left very easily because no one cared, she was something that took up space and food where she wasn't wanted or needed, an obsolete "impounded article". She was catatonic when she was first taken in, but it's likely things were cleared up once she was able to talk that no, her family wasn't practicing black magic, and then the canaries just didn't know where to send her because she had no home or family anymore. But then, if she could leave whenever she wanted why wouldn't she have left earlier? Probably precisely because of Kabru too, because she didn't want to leave him. She loves him, and they're more or less the only friend each other had, so she couldn't just leave him behind and try to build a life without him, similarly to how he couldn't do that either. She stayed for Kabru and she left for Kabru.
I made another little post speculating more about her life with the elves and the possible impact of Flamela here if you're interested, as well as elaborating on her abandonment issues and the importance of Kabru to her.
Rin does seem to believe in Kabru's cause, in making him dugeon lord and that being important, but her main motivation is still pretty clearly that she's doing this for Kabru because it's Kabru. She doesn’t seem to really know why or what, just that it should be ‘someone who deserves it’ that beats the dungeon and becomes dungeon lord, and her first lines show her determined to prove everyone they can beat the dungeon. Like stated, her main motivation is she wants to make sure Kabru's safe and out of trouble, so hey why not put the "heretic" magic she learned to use and become his offense mage, why not use it to manage a feat so big and desired (defeating the dungeon) that everyone will have to admit she and her art are worthy of respect, to prove to everyone she can make it with her own skills and own unconventional knowledge. Her magic, the last remnant of her family. Her house burned down with everything she possessed, and she's said to have little attachment to her culture due to having been an immigrant on top of everything else, so the memories and knowledge they've taught her, the lessons they instilled in her and the person they tried to shape her to be, that's all that's left of them. She never speaks of them, at all, likely due to the whole heay childhood trauma thing, so we don't really know her feelings on well, everything, beyond that it was traumatic. We don't know what her relationship with her parents was like. She's a very closed off person. That's another contrast we can point out with Kabru, Rin flees her pre-canaries past and never brings up her family, has little attachment to places she's lived in or her culture, but Kabru is fixated on remembering, brings up his mother and culture whenever he can like in the halloween local sweets extra, has made the tragedy of Utaya at the center of his entire life mission. Rin and Kabru really are contrasts of each other in how they deal with trauma I think, whereas they both become very guarded in very different ways I think this highlights how simlar he may have felt with Mithrun, the both of them having become obsessed with their trauma and eradicating the cause of it which happened to be the same thing, having become workaholics and consumed over it.
She's in love with Kabru, but the way I see it it doesn't seem like she's particularly pursuing him romantically. I do think Kabru's occasional flirting with her gives her needless hope, but I don't think getting with him is either her goal in following him or her plan, I think she's content just following him to taking care of him selflessly, even when she knows he can be a womanizer and dishonest asshat, albeit she'll complain every step of the way yes. Again, unintentional big sister attitude.
Post-canon, she keeps in touch with Kabru and becomes a pharmacist, presumably living in Merini but there's no mention of the location, we just know she's kept touch because of a post-canon extra with Laios and Kabru. Her new profession supports that 1) Rin likes caring after others and 2) Rin never had an interest for anything about dungeon diving in itself. It's also ironic, since she was a offensive mage and didn't do healing.
Contrasts with Marcille, where to start... Marcille is optimist and rather open and Rin is pessimist and fully closed off, Marcille is social and smiles a lot and Rin is the reverse. Both of them have a caring mom friend attitude, but Marcille is more gentle and coddling about it whereas with Rin it's pure tough love, both of them do this to a often stifling degree (Falin, Izutsumi, Kabru). There's the contrast in their appearances too, and how Marcille dresses practically but Rin is more flashy, with an... Ambitious skirt cut? They're both elegant but in different ways, they're both very bold in fights, and stubborn and loud in their beliefs. Marcille was a more or less sheltered girl who learned magic in an academy while Rin learned on her own at the cost of blood and sweat. Both of them seem to have grown up in towns rather than cities, a more rural setting, since there were large fields and chickens roaming where Marcille lived and the little we see and know of Rin's town makes it seem closed on itself. They were presumably lonely growing up, Marcille had no peers because of her irregular aging and spent her time absorbed in novels, where Rin because of her family and culture/race was mistreated and avoided and it seems she spent a lot of her time focusing on learning things instead, perhaps paralleling novels with textbooks even in young age. Marcille lost one parent of natural causes and was traumatized by it to the point it became at the center of her life mission, and Rin lost both parents to murder and was traumatized by it to the point she avoids thinking and talking about it ever again. Both of them seek to learn, use and even create unconventional magic eyond the rules set by people. Both of them have cat energy, thank you for coming to my ted talk
Holm
Holm is actually rather mysterious. The biggest thing to notice here is that Holm has been to elven jail before, because his research was too close to dark magic. We have no idea of what his research was about at all, we have no details and little clear hints. He's a man of theorics though, it shows in how he talks about magic and spirits, and with his christmas gift exchange gift it shows how nurturing living things with magic really is something he enjoys and has interest in. It's not a lot to go off of, especially since we know canaries are trigger happy when it comes to dark magic, both arresting people who had minor brushes with it or that seem suspicious without any confirmed crime, and with elves exaggerating people's crimes so they become a canary for manpower. Who knows, maybe he is dungeon diving to try and subtly do research at the same time, but the way we get no hints of that and he just keeps working as a spirit user post-canon makes me think it's just work to him. He never mentions researching or seems to be studying something in the dungeon so it doesn’t sound like that was significant part of his reason for dungeon diving. So he had his run-in with authorities and decided to live more simply from thereon. But that could also just be because of the nature of dark/ancient magic and how it more or less poofed from the world after the demon left, too. With the truth revealed and ancient magic unavailable to channel anymore, research becomes less needed and viable. I doubt Kabru knows about his past. Again, much like Laios' party pre-canon, what got them together is work before anything else, with the added bonus of Kabru spinning an important narrative about conquering the dungeon to become dungeon lord.
His chill laidback, more passive and calm attitude makes him feel more vague and mysterious too, hard to get a good grip on, but he’s also the most mature and put together of the group. Very mellow. He's not quiet to the point of seeming asocial like Dia somewhat does, he just seems... Average, in the extra about his sister for example. And good at keeping secrets. His skeleton in the closest is the jail thing and that's that, seems like it put an end to his researching career and he’s now settled for being a spirits magic user as a job which brought him to dungeon dive. Nope sir prison isn't worth it I'm keeping myself into trouble from now on. What job can I do now though, my specialization is spirits arts... Dungeon diver, okay sure. It could be theorized that his usual attitude + his secret are a persona of sorts, where he keeps himself largely hidden and keeps people at an arm's distance. It's pointed out he freezes in the face of conflict- it shows he dislikes fighting, even being worried for the spirits he makes fight, and that makes me think even more that dungeon diving wouldn't have been his first choice. It could also be a good part of why he's so laidback and quiet then, passive. He dislikes conflict, so he avoids being in the spotlight also helpful skill to have when you've had run-ins with the law, and he has such the nice guy reputation that Mickbell doesn't think twice about crashing at his place in the middle of the night- and sure enough Holm lets him in and practically serves him. You could think him a doormat, but we see with the comic of him & his sister that he's very capable of being mad and agitated and go more on the offensive in a social situation, but yes he has that helpless -panics and wails while all his coworkers does things around him against his will- energy that's pretty sopping wet cat. He seems chill and cool but oh no he was actually the stressed overworked protagonist of a sitcom movie. My condolences for your life Holm. In general he's also a decently judgemental person, and although casually and often with a smile he has no problem "telling it like it is", calling out Mickbell's treatment of Kuro and talking about how Kabru can't clean for shit, how he'd "be willing to do anything to achieve his goals" and is too people pleasing, etc. He's confident in himself, and pretty set in his beliefs though we see him debate and compromise with Kabru.
His sister is the only personal relationship we see him have, but it's stated. She must live on the island too, considering Kabru visits her. The Island isn't exactly a place you're typically born in, so it's interesting to wonder what it means that both Holm and his sister would have moved there. Did their parents disown him after he got arrested over his research? There's nothing to say they did, but nothing that hints they didn't either, honestly, so Holm is a bit of a blank slate backstory wise as well. We know his religion's very important to him too though, and it affects his diet. His spirits are very dear to him and it's mentioned for example that he's raised his undine since basically the spirit equivalent of a baby, so it's implied he's been raising spirits for a long time. If his social life doesn't seem to be thriving, his spirits are definitely filling some of his social & connection needs as pets would. He does both healing and offense.
His contrast with the Laios party would be Falin since they're both healers lowkey doormats who notice the flaws in the people around them but don't act on them and prefer being passive and take upon themselves. They both love nature and were pushed by capitalism and rigid structures that prioritize conformity into work they aren't passionate about. The most important thing in Holm's life seems to be his spirits, and the most important thing in Falin's life are her loved ones, I'd say his enneagram is 592 while Falin's hmm, 926.
I ramble more about Holm in this kabuholm post and compile more of his moments, but it's more speculation than analysis, it's a take on him essentially. My personal verdict is- king of staying in his lane. He's here for work and he keeps his thoughts to himself to speak when it's necessary, he's not afraid of letting people have it outside of that though. The separation of professional and personal life is not going to great with his coworker occasionally imposing on his home lol. Reflecting his maturity, he lets others handle themselves and only steps in when he's needed. Hm, sounds like someone else doesn't it?
Daya
First things first: Daya or Dia? You'll probably have noticed I use Dia, and the reason is pretty simple: Daya/Dia is a nickname. Her official name is Diamond, but the shortening is always used instead- Diamond we have an official spelling for, the nickname we do not. Since it's in katakana (da-ya) and a fantasy world, translations call her Daya, but that's the same pronounciation as the "dia" in "diamond", and isn't it logical for her nickname to just be a shorter version of her actual name? We do know that Kui translates names to katakana being mindful of their pronounciation and not just spelling, like how Tims in Chilchuck tims is written as timzu. Yenpress the official english translator has messed up character names before and this even after official spellings came out, like Mikbell and Sissel, but notablyxthe anime english translation has also gone with Daya. But so, yes, I call her Dia, but of course there's no right or wrong here and by going against official translations I'm making things harder than they need to be. It's just...... Hard to unsee.......
Daya is very underrated for having such an interesting background! She was esentially raised in a cult? The "dungeon keepers". That protects dungeons, in that they keep people from going into it. She never knew why it was an important thing to do, and never questioned it, but as readers at the end of canon we now can imagine that they kept people from going into dungeons so that there would not be new dungeon lords and dungeons would not overflow. Ultimately, Dia fled her home and community because she refused the notion of marrying an older relative to have a child. There's a mistranslation from Yenpress that Namari is from the same tribe as Namari, when the original japanese sentence is just about how they're both from the same race- both dwarves.
No wonder with this background that she "has a slightly otherworldly air". She's very stonefaced and hard to read, but with the focus on duty and discipline she had growing up it's easy to see how she'd have become a somewhat emotionally constipated person in this way. She fell in love with someone of her choosing and is intent on marrying him, contrasting with the man she was ordered to marry back home. It's with a renewed interest in understanding what the life she'd spent so long upholding was about that she went back to work with dungeons as a dungeon diver, in her own words with the goal of understanding what they were protecting. In this way, it seems the marriage order was truly the thing that made everything snap and finally caused her to shake up her life, to look back and start questioning everything- and now she's free, she chooses what to do with herself and who to be with. It's said she loves her husband, and her husband seems very attached to her as well. Somewhat paralleling Chilchuck and his wife, we can imagine how nervewracking it must be to be the spouse of a dungeon diver, who faces death for a living. Dia is very independent and disaffected on top of it, so we see that her fiance feels insecure and even doubts she may cheat on him with Kabru. This insecurity is born from feeling like Dia doesn't need him- and so may leave him in the future. He feels neglected, and Dia probably doesn't show him love and how much he's valued in a way that he sees or satisfies him. That said, her fiance after a couple of cups and an hour with Kabru is shiwn to be very open and emotional, which would presumably complement her well. Dia seems unemotional but she does have her bouts of strong emoting, whether it be distrust, worry, frustration or even wonder- That said, she's not the greatest conversationalist around and I can definitely see her not really understanding how love, care affection and attention, is supposed to look like- Again, she grew up in an extreme social environment.
She's bold and fierce, confident, and notably very very strong. With training from a young age not only in discipline but in fighting she's a warrior born and raised. These are considered tomboyish traits, but I do like how Kabru and the adventurer's bible calls her a lady- she shows wonder at the treasure insects too! She's not disinterested in oretty things, or anything of the sort. We just have little window into her interests, since her life centers around work so much. She also calls out Mickbell for his mistreatment of Kuro, but also does nothing about it. She's quiet and is most often seen closing up the tail end of the psrty looking around for threats while they're on the move. She's quieter than Holm and also more standoffish. The queen of staying in her lane, if you ask me. We'll be talking more about it in the relationships section but you can already see this very interesting party dynamic forming of Rin and Mickbell having their nose all up in others' business while Dia and Holm are very permissive and quiet even while kabrin and mickuro look insane from an outside perspective. Who knows what normal looks like to Dia, though. She disliked Namari because her father made things rocky for dwarves on the Island for a while, so that can show how critical she can be and how her value of not sticking her neck out and staying put & not rocking the boat manifest/the why of it. Like in her home community we can imagine, you have a role in society and being overly disruptive can ruin things for everyone including yourself- even if the one who did the mistake was your parent the fault befalls on your whole family. Very strict hierarchy based outlook on society and community I think... It's interesting that despite of having been a victim of such behaviors herself, part of those faulty lessons stuck with her and she upholds much of the same fallacies.
All of this is very interesting foundation for a character, but yes not much else is developed on Dia and that's wher her story starts and ends- I'll make a diaholm post eventually that delves into her themes of freedom and emotional wallbricking but that's about it from me. I like to think that she likes her husband, but rushed into marriage- that going from a life where everything was structured and decided for her by others to having nothing but choice, from the prospect of marrying an old relative to anyone she chooses, she sort of picked the first guy she liked and made a move on her. Pure speculation, because I like exploring the side effects her upbringing would have had and this sort of detached attitude she has, with some typa off attachment style...
Fun facts: if the modern au christmas gift exchange extra is to be believed, Dia enjoys reading and has some books of her own. In a Daydream Hour she's drawn with Holm out of their work uniforms but she still has a sword at her hip, which may mean she carries a weapon with her even just around town. She has two younger siblings that she never mentions and we presume she left behind at home.
Mickbell Tomas
Okay okay okay now the true insanity may begin! Please refer to this post to see Mickbell's profile pages. Also see the bath comic for another great show of his character! I cannot make a mickbell collage for this there is no pic page umm ummmm additional compilation here.
Despite being an adult of 22 years old, even older than Kuro both literally and developmentally, Mickbell often acts rather juvenile. He tends to be very black and white, he wanted to steal the corpse retrievers’ stuff and was mad when Kabru didn’t allow it, he thinks Kuro talking to others will make Kuro leave him. He's judgemental (exhibit A: comic about Rin smiling) and critical (esp with Kabru). All means justify the end (him having fun, becoming rich) but if others do something wrong efficiency or annoying behavior wise you better believe he'll voice it. He’s very expressive, both in body language and words, swinging his arms as he walks and jumping and stomping the ground in anger. He also has a mischievous streak. He’s casual with touch, touchy feely if you will, and clings to Kuro a lot, both for safety and because he simply likes to. Cough cough separation anxiety and abandonment issues. He knows how to be serious however, especially when it comes to money or risky situations. He does his job well and does it conscientiously. In many ways he's similar to Fleki, if Fleki was more dedicated on the job. He may be very layered, and manipulative when he wants to be, but he seems to value in others the same type of directness that he has with emoting and interacting with others, as seen with his distaste for Rin being a tsundere. He's blunt and straightforward (whenever he isn't with Kuro or scamming), and in that way it seems those are values of his, which may be why he does usually gets along best with Rin, especially on the job.


He has loose ethics and likes to goof around but is otherwise often highstrung, reflecting Kabru's "relax a little" view of him. He's serious on the job- a contrast you can especially notice in the christmas exchange special. He had to steal and do scams to survive, again the christmas special shows he's good with money and making deals- mischievous and full of himself when he has to sell stuff and quick to flee when he smells trouble, but very focused when it comes to calculating costs and revenue.
Again, despite all his troublemaker toddler behavior Mickbell is surprisingly serious! It's still undeniable that he has capital i Issues, from being very uncaring about how others may see him and developing this "it's us vs the world" mentality with Kuro, to how emotional, exaggeratingly expressive and impulsive he is- in a way that lacks emotional regulation skills I'd even say, to what he says when something displeases him like "she'd be a lot cuter if she smiled more" about Rin after she doesn't laugh at his jokes... This all seems to point towards Mickbell having pretty bad emotional intelligence. You could even easily call him stunted. He doesn't seem very self-aware, his manipulation of Kuro is not something he can do solely unconsciously but it is genuinely debatable how much he knows he cares about Kuro, how much he's aware of what he feels & why, why he says what he says and does what he does. What would he do if you told him that trying to manipulate Kuro into thinking that everyone except Mickbell wants him in shackles and in pain and wanting to have a house and a nice domestic normal life with him is sort of mutually exclusive? I don't think he thinks about the wider picture like that, I think it'd cause some dissonance a bit. He thinks ahead when it comes to finance, but socially he seems to very much live in the moment, not really trying to anticipate how much others will appreciate his input or behavior or thinking about how he'll keep up the charade 2 years down the line. He wants to hustle his way out of being homeless, but in many ways he still has the mentality he had to have for running scams and surviving on the streets at his lowest, one day at a time, succeed this step so you can then succeed the next. In his mind he's constantly making charisma rolls on Kuro and he needs to not fail them.
Don't you worry Mickbell & Kuro is getting a whole section, buuut with Mickbell and Kuro both, character analysis is inseparable from analysis of the two's relationship. The ethics and circumstances of Mickbell working Kuro for peanuts are surprisingoy complex- because that is how Mickbell sees their dynamic, but Kuro sees it completely differently and assigns himself full agency in wanting to stay. Kuro obviously wants to follow Mickbell, and that’s what Mickbell takes advantage of unknowingly, what he thinks is Kuro’s helplessness. What I find much more alarming is Mickbell’s need to control not only Kuro's economical and social life but every aspect of his life. He’s not only overcontrolling, paranoid that someone will want to steal him away from him (both for Kuro’s sake but very transparently desperate to not allow Kuro to leave him as well- will get expanded on), but he also wants to isolate him. It’s no coincidence Kuro has no friends apart from Mickbell- the closest thing would be Kabru and even with him, communication can be difficult and Mickbell does interfere. It's not Mickbell's fault there is a language barrier, but it is Mickbell's fault that Kuro has amassed so few tools in navigating the world without Mickbell, but it is his fault that Kuro feels like he can't tell him he's learning common with Kabru, and it is Mickbell's canonical intent to render Kuro just that, powerless enough to need him- again I cannot overstate how it is straight up said and confirmed in the Adventurer's Bible that Mickbell mistreats Kuro the way he does because he's scared Kuro would/will leave him. Mickbell sees their relationship as employer-employee while Kuro sees it more as guardian & guy who needs to have one, but it is also said that Mickbell sees Kuro as family, and I do think that makes sense, and I do think it can't be overstated how on a deeper level it's Mickbell who needs Kuro, and that Kuro is Mickbell's absolute most important person in the world- his only person in the world, even, in many ways.
"Until he met Kuro, Mickbell was all alone in the world, so he seems to see him as family."
Mickbell is desperate for stable relationships, both seen with his clutch on Kuro and his wanting a house to settle in. Or I suppose, relationship singular, he seems very ride or die on the idea that Mickbell and Kuro are the only thing each other needs, he never seems to particularly try or want to befriend others, is a bit clammed up on himself. Distrustful, assumes bad faith, especially as we see with the half-foot union. Perhaps because he's never felt a sense of community where helping each other out of good will was a thing, survival made everything transactional living on the streets, so he has a hard time having good faith with organizations like unions, and this notion of relationships being transactional would have also shaped why he would frame his and kuro's relationship that way, as employer-employee. Not to say he doesn’t like socializing though, we see him work a room all self-satisfied and tell jokes in an extra comic, and he gets peeved when Rin doesn’t laugh at his jokes, he does like getting general social approval. As he isolates Kuro he also willingly isolates himself, and is ready to burn bridges or opportunities for him.
He's sleazy! Debate about egg or chicken all you want, but I think Mickbell running scams definitely shows in how manipulative he is in relationships as well. With the christmas gift exchange thing we see that he can do scams the straightforward way, selling an item to be much more than it us for an inflated price, but it is specifically said that Mickbell doesn't have half-foot pride the same way Chilchuck does and has no problem using his race to "curry favor", so I would think he's done the emotional manipulation kind of scamming as well, acting like a child in need or such. "If you can use something, you should" is stated to be his motto. Because in a life like his you don't have a lot, you seize the opportunities you get because it's a matter of survival and there's no ace up your sleeve dirty enough to justify not taking advantage of it. All this to say- Mickbell's most iconic scene is arguably his short interaction with Kuro here, and it's extremely blatant manipulation. The anime even ups this with the teary eyes and voice acting- the borderline tears followed by a grin shows just how conscious and intensive his manipulating really can get. Again there's a transactional lens he sees relationships through I think- and that plays into Mickbel scamifying his relationships up... Which in the end I do think he feels scummy over. Simply because, chaining someone to you like that is not something you do if you think you're lovable- if you're all that, if you're great and likable and worthy of unconditional love. That man can't believe in that, he can't believe in his life partner of many years choosing to stay if that didn't happen to be his only viable option. Mickbell lives in fear of being abandoned and it's in good part because the world has taught him he's not valuable on his own.
I think Mickbell lives in fear!! And I think that's deeply interesting. Makes sense for someone with such an harsh extreme upbringing as him to be hypervigilant, with food like with money the way he is with the party, he keeps grudges, both in his backstory extra comic and during canon. He lives in fear and distrust and all these little ways he knows toxmake himself feel more powerful than he is. And I think it's so, so interesting how when he finally accepted Kuro following him, inventing something about him becoming his bodyguard, it was because Mickbell just witnessed Kuro kill and maim a man and he was shaking, so afraid but also accustomed enough to violence and needing to bullshit his way through situations to tell Kuro things like "I'm your master" and for Kuro to just go along with it. Mickbell's is the art of faking it till you make it. Mickbell was afraid of Kuro then, and I do think Mickbell was scared of the idea of what this kobold man stranger could do if he decided that Mickbell wasn't his master after all, until his attachment grew and keeping the charade going was less out of a need for Kuro not to hurt him and more out of a need for Kuro not to leave him. So the fear of retribution because he did not know Kuro became a fear of abandonment when he did learn to know and love him- Kuro leaving him alone, the very thing he desired the firt time they met and Kuro followed him after Mickbell freed him. And this is why I made this web weaving about them this makes me ill good god. He lives in fear of being "found out" by Kuro in a way, for this scam of a relationship to be discovered so he only gets tangled up in his manipulation more and more to keep it going as the stakes keep rising and rising because Mickbell is only more invested with time- and he fears that Kuro would realize it one day but he also fears others will expose him, a big part of why he monitors what others say to Kuro, why he wants to be there whenever Kabru talks with him, why he's so scared at the slightest conversation had out of his hearing range. But! Part of it I'd say is also genuine fear that they could take advantage of Kuro, perhaps because due to his own taking advantage of Kuro and how readily the kobold accepts it Mickbell sees Kuro as a particularly vulnerable person, that he could get tricked by anyone, and let's remember that Mickbell met Kuro in a slave trader's cage- Mickbell's fear of others "taking Kuro away from him" is a double edged sword, it's 'them turning Kuro against Mickbell' but it's also what he always says about Kabru or others trying to 'kidnap' Kuro, what he says about how the half-foot guild wouldn't like his bond with Kuro and take him away from Mickbell. He's drunk his own koolaid in many ways. Separation anxiety and abandonment issues!!!!! Distrust at the world and feeling like he can never have nice things or be safe!!! And this plays suuuuuch a role in Mickbell's dream of having a house I think. Because a house is safe- a house means routine, means a place you can stay in and be protected by, is there a more emblematic symbol of stability and safety? In a house Mickbell is shielded from others' gaze and judgement, he's sheltered from the rain and he can keep food inside, he doesn't have to sleep with one eye open to not be attacked or have his things stolen through the night anymore, no there are four walls and it's warm and he and Kuro can live a peaceful life unbothered, away from the rest of the world that seeks them harm and wants them separated. Which hey that could parallel surprisingly deeply Chilchuck's feelings about a house actually, a house and family as something he has but that can be lost and destroyed- both in people leaving and in nightmares of home invasion.
But like Mickbell telling Kuro to stop snarling and growling because it's scary is such a good and fascinating example of this. How much of it is "it scares me" and how much of it is "you're damaging your own reputation, I'm scared of how people will react if you look too beastly and dangerous and what they might do to you- to us"? And this is especially true because Mickbell knows that kobolds are discriminated and how- for these years they've known each other Mickbell has been the one being the middleman between Kuro and the whole world- he's the one securing board and room for the both of them, noticing how people treat them and what they whisper about them, he's the one who gets told "this bathhouse doesn't allow kobolds" and he's the one who decides to leave and visit every bathhouse until they find one who does allow kobolds, becayse he's not taking a bath without Kuro. Mickbell is sticking with Kuro. They are ride or die for EACH OTHER not just oneway. Mickbell washes Kuro, he did that first time after they met each other and Kuro was a ghastly sight and very stinky, and he does now too, Mickbell patiently explains to Kuro how everything works, and when Kuro messes up something like getting Mickbell wet from shaking off water Mickbell gets mad but offers no punishment except chiding. In the bath comic, we see Mickbell spend HOURS brushing Kuro after his bath. There is immense care put into Kuro from Mickbell's end, as well.
"Now you're the cleanest dog in the whole wide world. No one can look down on you."
But hey, where did Mickbell learn "people leave"? That he’s unlovable and no one would stay for him? It’s a common fear that could be from anywhere honestly, whether insecurity alone or a very specific experience- but we do have trails we can follow... Mickbell lived in the slums of Kahka Brud, which he may have been birn in or interestingly enough since Kahka Brud is seen as a city of opportunities might have moved there. First of all, we have to wonder how he got into the streets in the first place. His relatives are listed as "unknown", but well, as a rule of thumb everyone has parents. Not even Kuro has "unknown" listed in his relatives section, and he's had cut contact with them for a long time by canon. What we know about the "relatives" section of Adventurer's Bible profiles is that it only lists living relatives, for example Marcille only has her mother listed, her father isn't listed as deceased and her step-father isn't listed there, meanwhile Kabru only has Milsiril listed, not his mother or even his father (which we don't know the status of, but Kabru doesn't know him either since he left when he was born). So what does this mean for Mickbell's relatives? Either he doesn't know what family he has, or he doesn't know if they're alive. It's not unlike how Kabru's name is stated as unknown, which either means he was renamed Kabru or that Kabru doesn't know just a part of it, like his last name- perhaps forgotten due to trauma, or his mother never told him due to their disowning them.

It could mean he was abandoned on the streets before he could remember so he doesn't know of any parent or caretaker they had, or it could be a lot of things. I do want to point out that both Mickbell and Kuro have "permanently out of contact" with their siblings, but Kuro still has his siblings listed on his profile, not "unknown". Since we get this info I do think Mickbell knew his sister, and I think it all lends itself to the "he doesn't know if they're alive" theory more. I mean, so much could have happened! But I think it's pretty safe to assume that Mickbell and his sister were on the streets together, until they were separated. Due to her messy hair and dead inside look I used to like to think she fell sick and as the older brother it fell on him to take care of both their needs and he couldn't manage to heal her before she died- or they were separated or something happened and he had to assume the worst. But something like some big event making them flee on their separate ways and then fail to see each other again, some other tragedy that made him part from her without knowing of her state... Or my favorite: one day she disappeared. Maybe he told her to stay there while he went to steal some food and he came back and she wasn't there, maybe one night she didn't come back to the alley where they always slept and she never did again, just. Did something happen to her? Was there an accident and she died in some ditch somewhere? Did someone kidnap her? Did she just leave him behind? He doesn't know. He doesn't know and he never will and he can't get an answer. And not having closure is almost worse than suspecting she's dead, or even if he knew it for certain. Because there's always a doubt. There'll always be that he doesn't understand what happened. There'll always remain that knowledge that things can just suddenly disappear one day, it'll be a normal day until it isn't, that people can leave, that everyone he's ever had (and there weren't many) HAVE left they're GONE and he's ALONE, and there'll always be that knowledge that Mickbell couldn't protect his little sister, couldn't even know she was in danger that time, if she was. Again in a way there's that parallel with Chilchuck where Chilchuck is very muh someone worried about the people he cares about's safety and has a protector role the best he can, and Mickbell usually is the one getting protected but he is very possessive and overprotective of Kuro, the one person he has. And just. Waughhhh. Idk if I'll make another post about Mickbell backstory speculation or his sister now if unprompted but for the record I like to call his sister Yukibelle/bella. Yuki because it means snow like deathly pale sickly skin, and it's a 4 letter japanese name, which being 4 letters 2 syllables suits half-foot names aaand most importantly, since Kuro isn't Kuro's real name and it just means "black" in japanese I like to think esp because of the language barrier taht that's just what Mickbell named him. And having no parents imo Mickbell would have named his sister, or even renamed her if she did have a name to spite whoever abandoned them...... In big brother fashion he likes to call her Yuckbelle. Ickybell and Yuckbelle the sublings ever. I was the one who chose your name so I can't make fun of it? Haha try again!........ I need to cope somehow guys. Having lived in the streets with the highest degree of life or death survival on the daily it's also easy to speculate Mickbell had other hardships and trauma like, say, selling his body and to people who are less than ideal. Just saying!! A lot of things you can resdy into his backstory that further explain or explore aspects of his character.
Unlike Chilchuck "I will never fight" Tims, Mickbell actually never fights. Like at all. Ever. His skills are clinging, cowering and getting covered, and giving orders. Both Chilchuck and Mickbell can be both mature and immature, but Chilchuck tends to embody maturity within the narrative and Mickbell is usually much more remembered as immature. Enneagram 6w7 (wants stability and simple pleasures & freedom on the side), same as Chilchuck. 6 is the fear of being without support and that's exactly what Kuro offers..... Very 8 as well, there's a case to be made about him being 683 like Chilchuck but I could see him be more of a 2 or 4 too. God he wants to be loved so bad. He's also quite tall but never mentions a diet to not set off traps, which may be because his diet is already poor. To me he seems like he doesn't care for culture at all having lived in survival on the fringe of society, similarly to him not having much half-foot pride, but he does smile as a dwarf so dwarves being the ideal body type still seems to be something he's in line with.
Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open.
Kuro
Please refer to this post to see Kuro's profile pages.
Mickbell is so tragedy coded but Kuro is honestly... Like he's vibing. He has normalized the abuse (emotional manipulation & isolating the target both so that they need you for stability and emotional supoort + control their life and relationships are literally abuse tactics come on guys) but so much so that it appears both to Kuro and to us like that abuse has little grip on him, we see that he has more agency than we'd assumed. Kuro allows Mickbell to lower his quality of life way too much for sure, partly because Mickbell plays the part of vulnerable lil guy well, but what's so funny is that where Mickbell thinks he's being a mastermind all "🥺I was the one to save you from the streets, without me you'd be lost!! Everyone else wants you suffering, better stick with me!!😊" Kuro literally explains their relationship with "he's so pathetic and anxious, he needs me there :(" - which lends a whole new look to how pokerfaced Kuro always is when Mickbell is giving him his manipulative drivel lol. It flips the dynamic Mickbell was presenting because where Mickbell tries so hard to force their relationship to be that Kuro needs him, Kuro correctly identifies that it's Mickbell who needs Kuro- even more than for safety and financial reasons, because of emotional ones. So where it felt like their relationship was one where Kuro was fully tricked in that Kuro can only live by Mickbell's side for his own sake, Kuro wants to stay for Mickbell's sake and is well aware of Mickbell's issues and wants to help as a therapy dog would?? He doesn't care about the money or the food, he cares about Mickbell. The irony of it all is that Kuro could have left anytime, but stayed for Mickbell all along. It's easy then to assume that Kuro has it all figured out after reading the secret study session comic but that's also oversimplifying. Kuro seems emotionally intelligent in many ways- but sort of lacks sense in how it should be applied and how things should be, I guess is how I would put it? I still call their relationship abusive because it still is, Mickbell still isolates Kuro and manipulation is still the intent of a lot of what he says and does with him, and "well I know very well they're shitty but they need me" is a common dynamic irl in abusive and toxic relationships too, but it still reframes their relationship a lot to know that Kuro is not at the stage of "Mickbell is always right about everything and I'll follow him to the ends of the world because of it" but at the "this anxious miserable boy needs me and it's my duty to protect him". Mickbell is running a manipulation onemanshow against himself and Kuro is taking another path entirely, he has an immunity called language barrier lmao. /hj Kuro is hiding things from him Mick has no clue about, that he's having nightly study sessions with Kabru, but he's not hiding this out of a sense of fear but out of care.
Their relationship is based on misunderstandings and lack of communication, and that's due to a lot of things both the language barrier thing and how they tend to run with their own interpretations of things (Mickbell thinking he knows why Kuro stays, Kuro thinking MICKBELL IS A KID WHEN MICK IS OLDER THAN HIM). Kabru himself thinks that when Kuro becomes fluent in common and the two can truly speak together is when they'll really become fruends. It's a hopeful outlook! But it makes sense, because again their relationship is based on miscommunication, Mickbell is afraid Kuro only stays because he has to because Kuro can't reassure him that he cares for Mick, and Kuro only has part of the picture because they can't talk it out, so giving them the tools to truly be able to talk and understand each other fully would completely flip the dynamic. It's truly interesting how they only have each other, but even in their relationship they're both very isolated.
"I don't want to make him anxious if I can help it. He's still a kid, but he's been through a lot of rough stuff. I'd like to be somebody he can feel relaxed around."
So yes, Kuro explicitly thinks of Mickbell as a child he must protect and watch over, care for! He has a more mentor way to talk about it, but it's easy to assume Kuro sees Mickbell as family too. Especially since he has a lot of siblings, many younger! He has a bit of a protective instinct and thinks he should be a protector, simply because Mickbell needs him, not for other more grand or personal reasons. He takes upon himself, both duties and in general for everything, he can't talk with others but that's fine, he's a dungeon diver who gets worked hard and even fights and that's fine by him, he just takes upon himself incessantly, like with Mickbell he sort of shrugs and says it is how it is.
Kuro still thinking of Mickbell as a kid has interesting implications. During the main story Mickbell is 22 and Kuro is 18- how many years could they really have spent together? He left his hometown to see more of the world and was kidnapped at a port, so we could assume he left home after coming of age at 13. He was kidnapped at a port and was part of slave market on the eastern continent, where kobolds are rarer and thus probably more profitable, so it makes sense that he'd have gotten sent to the eastern continent straight away. Just travelling the sea can take a while- the world map makes me think the sea between the western and eastern continent is of Atlantic Sea size, which irl can take a little under a week to travel through at a good pace, but with the lack of navigation technologies compared to today if you're less sure of where to go it can be more around a month. Unlikely for Kuro to have spent all that long in a cage on a boat then, but where it could get messier is once he's on the eastern continent. Mickbell freed Kuro from the guy who was holding him in a cage calling him a demihuman trader rather than an owner, so Kuro wouldn't have gotten sold yet? Or traded between different slave merchants, I wouldn't be surprised if he changed hands a couple times without having been ever sold to a customer really. It's said that the Island has a slave market for example so there seems to be large demand in many places and for it not to be done in secrecy really. But their meeting happens in Kahka Brud let's remember- which is a city with a big economical growth and market & sompopulation due to the dungeon cluster there, so it'd make sense for Kuro to have been sent there straight. Kuro was obviously mistreated, shown to stink and likely starved not unlike Izutsumi's experience caged in a freak show, but he's not bony enough for me to really be able to give a time estimation of neglect and starvation with his looks alone. This is a lot just to say "Well if we assume he left home at 13 and was enslaved soon after leaving home, and the process of getting to Kahka Brud could have taken a month at fastest, he could theoretically known Mickbell since then". During canon they're both on the Island rather than Kahka Brud, but we have nothing to be able to tell when Kuro and Mickbell came to the Island, just that they came together and that he was probably hired when Kabru formed a party 2 years before canon. We can try to compare him with Chilchuck- Canon happens in year 514, but Chilchuck came to the island five years ago, when he formed the half-foot union. Comapring them is relevant because Chilchuck comes from Kahka Brud too, again the place with a cluster of dungeons, so Chilchuck and Mickbell choosing to come to the Island for dungeon diving prospects shows the same attitude that the Kahka Brud dungeons are already all pillaged and overworked and to seek dungeons elsewhere. And who knows, maybe Mickbell didn't really choose to become an adventurer, maybe it was just about fleeing Kahka Brud since that was where he stole and did scams, but dungeon diving does seem to be a desperate man's job in many ways so it makes sense either way. The way Mickbell talks about Chilchuck, I don't get the feeling Mickbell's been on the island for longer/as long as Chilchuck and for longer than the half-foot union's existed, which makes sense if we go by the "maximum 5 years ago" theory of Mickbell and Kuro's meeting. They likely stuck around Kahka Brud for a while before deciding to go for it and move to the Island. So I guess, we can shoot to say that they knew each other for a maximum of five years but a minimum of two? I like to think Kuro spent at least a couple of months enslaved and so I'd put my own estimate at around 3-4 years, which is already a lot if you're them. A looot of time to bond with the only person in your life.
It's a bit odd, usually in a character who's been stolen away from their home a goal of theirs would be to go see their family again, but Kuro never brings up anything like that. Whether that means his homelife wasn't great, or that he feels closure enough just continuing to travel as he wanted, or even that he more or less forgot because of the trauma, who knows truly. You'll notice his stated dream is to travel with Mickbell, which ironically is directly incompatible with Mickbell's dream of settling down and getting a house with Kuro to live in. Since he was kidnapped by slave traders at a port in his original continent, we can surmise Kuro always had a taste for travel. Kuro isn't even his real name, Yodan is! His detachment from his homeland, family and cukture is very interesting. He has no problem just leaving it all behind indifinitely.
So yes Kuro isn't his actual name- so "Kuro", meaning "black" in japanese must have been a nickname given to him, and I bet it was Mickbell. Being a half-foot and a kobold who can't understand each other, the language barrier made Mickbell just start referring to him by the color of his fur. Kuro never mentions his real name so it doesn't seem he particularly cares- which is a wider point about Kuro actually, that he seems to be very laidback and laissez-faire type, unbothered and passive. Things are how they are and he goes along with it. He's not a confrontational person but he also trusts his guts when someone like Izutsumi feels off. He never questions Mickbell. When Kabru inquires about him and Mickbell, Kuro goes "oh don't worry about it it's nothing tbh". Which is also in line with how it's stated Kuro doesn't give a rat's ass about honor or wealth, he doesn't really seem to have a moral compass as much as "Mickbell is what matters to me so only what Mickbell wants and thinks matters", he follows Mickbell's orders with blind devotion when it comes to work or what they decide to do with their lives and that's just well with him. This reminds me of Falin a lot, the way I perceive them. Just utter devotion to their loved ones without really caring for what's morally right or wrong- because love is the priority and loved ones' wellbeing and happiness are all that truly matter, and sacrificing themselves and their own agency to make that happen. Kuro overlooks his own needs because he prioritizes others', Mickbell's. I think his views on relationships and what’s normal are very skewed. That said, Kabru calls Kuro overprotective too, and I think Kuro can be very stubborn as well, and as we see with the comic where Kabru and him talk about Izutsumi's smell he's perfectly able to have strong opinions, he's not only the stoic type. Kuro's very coddling with Mickbell, and while I do think he's a nice guy I definitely think Mickbell is an exception where that's pushed to the extreme for Kuro, Kuro's fixated on Mickbell just as much as Mickbell is fixated on Kuro. Codependence has never been truer a word gdbdgd. Kuro is rather polite and conscientious, in a regular conversation you'd think he very well-adjusted, he's smart and very observant, not just aided by his nose but with how aptly he notices psychological aspects of Mickbell for example, he's eager to learn and hardworking.
Kuro's biggest interest and dream is referred to be travelling, he left home to do just that before he was ever kidnapped already so it's not even an acquired taste from being encaged. And that fits well with Kuro just following the flow imo, Kuro's wants like Mickbell are small pleasures in life like that, just walking around and seeing new sights... Mickbell wants food and a roof over his head and Kuro wants food and freedom. Ironically, their wishes are directly contradictory- Mickbell wants to live in a house with Kuro and Kuro wants to travel around with Mickbell, Mickbell even has his dream of a specific neighborhood. But it is very notable that both their dreams mention the other, whatever it is they end up doing they want to do it together. Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open. Just wait until Kuro learns common...! That'll solve everything........!
Hmm 7w6? Noo 7w8 actually god... Too real... Get me out of here the Mickbell and Kuro double whammy is making me need a smsooo many characters in Dunmeshi have this theme of learning to live for yourself, be comfortable in your skin and get in touch with your needs and desires more Kuro!!
Relationships
: Overlook


Ok THIS is the fun part. So I made this chart as sort of a summary- we'll especially be looking at the personal bonds and work besties relationships through sections, but that's not to say those dynamics are the only things going on. I tried to keep only the basics and essentials, but you could also totally have added a Kuro to Kabru arrow mentioning how Kabru is teaching him common, or one from Mickbell to Holm about how Mickbell crashes at Holm's place occasioanllu. I made the purple lines based on what we see in canon, but it’s totally possible that Rin also judges Mickbell and Kuro, and that Holm and Dia judge Kabru & Rin as well, even though I don’t really think so, not particularly.
And that's what I’m getting at here: their party has a lot hanging in the air that everyone is more or less aware of but don’t truly acknowledge aloud, don't speak about or resolve. Holm and Dia needle Mickbell about his treatment of Kuro but don’t actually do anything or push, Kabru tries to help by teaching Kuro common but seems to be content "meddling" in only small subtle ways over time like that doing just what he can, concludes that the relationship mess goes bot hways and decide to just keep an eye on it quietly, meanwhile Mickbell seems tired of seeing Rin and Kabru bicker over her crush when Kabru teases and they argue, but doesn’t think to have a tal kabout whatever the fuck it is they have going on- it’s routine, it’s just how things are. It's commonplace- so their serious accusations about Mickbell are mentioned a grand total of twice and that's that, and only Mickbell out of everyone acknowledges aloud that Rin and Kabru have a weird thing going on and that Rin is weirdly deoted to Kabru/loves him implicitly. Everyone is much more ready to comment on Kuro & Mickbell than Rin & Kabru- which, absolutely deserved yes, but are what Kabru and Rin have not intensely weird behavior. Would you not get a headache trying to understand what's going on there and listening to their flirting and scolding and arguments on the regular. Do they never get "this needs to stop"? No, only Mickbell? Okay
Made this lil collage above but it's notable that the whole party throws casual jabs at Kabru all the time also, whether about how he can't take care of himself or how obsessed or weird he can be. Although everyone has respect and trust for kabru, they're also all fairly comfortable criticizing him. We see this in the shapeshifter "what if" comic too- his party members often find KAbru too extreme and overly dedicated, but ultimately trust him and follow his lead. Dia keeps her nose out of things but beyond hater duo Mickbell & Rin, even Holm comments regularly on his people pleasing and bad cleaning and organisation habits. Paralleling the Laios hater duo of Marcille and Chilchuck in the main party, Rin and Mickbell are especially critical and harsh on Kabru, here's a short and incomplete compilation to illustrate the point. Do they do fuckall about it though? No not really.
Everyone at some point or other shows concern for Kuro, it shows they don’t default to treating him as furniture or a tool after a long time of working together, they value him, but there’s always a third party barrier through which they have to interact, Mickbell- except for Kabru who can communicate with him on Kuro's own territory and have alone time with. But no one except Kabru and Mickbell even try to talk to/with Kuro, and you could also easily argue Kuro is not fully humanized, there's how no one except Mickbell worried for Kuro here for example.
I want you to imagine being Dia or Holm. I want you to imagine what it must take for there to be not one but two insane dynamics in your party amongst your coworkers, with who your job is so to camp with for weeks at a time, and not even blink at it anymore. I want you to imagine being kind and queen of staying in your lane and having these two obvious codependent situationships amongst your coworkers and just go "if I don't acknowledge this things are gonna go more smoothly". Save them get them out of there. Just the occasional long suffering sigh and "Mickbell that's not right :/" and yes, your job here is done.
You really start seeing this pattern looking closer where their party are fraught with interpersonal drama. The will-they-won't-they casanova leader & his angry tsundere childhood friend and Mickbell and his "employee" he exploits and isolates from the wider world??????? Truth of their relationship aside as we've discussed, this is how people around them perceive their dynamics and the optics are insane (/negative hello). The true doom of Kabru's party is all this interpersonal drama going on??? The very thing Chilchuck fears about parties lol, HOW has this party not imploded on itself yet. And personally I think that's a good part of what they contrast with the main party about- Where Kabru's party failed, Laios' party succeeded because they talked their differences out, they challenged each other on topics they disagree on and argued, instead of always just brushing everything under the rug. The reason canon happens at all is becase under the emergency of the situation Laios decides to be vulnerable and come clean about his interest in monster cuisine after all, and yes judgement and racism is rampant at first, but they reach an understanding through open communication. Meanwile, Kabru's party doing social 8d chess.......... Just keep on making passive aggressive comments forever see where it gets you.
This party also has a running theme with unabalanced and onesided relationships, and emotional dependence/burdening. It feels weird for it to be so weirdly intricately developed and consistent even though it does nothing in the main story- except for strengthening the whole diverse living cast thing which is important to the lesson and theme of people coming together despite differences is good, and like, "you can't judge others' relationships and sitations without knowing them" you know, but. It's here man it's here and present and too loud for me to unsee. Rin is dependent on Kabru and there's an argument to be made about the reverse being true as well even if Kabru is emotionally unavailable, and then there's the codependent Mickbell & Kuro mess, and even Dia and her fiance are faced with some unbalanced relationship and emotional unavailability. So our lineup is kabrin, mickuro, Dia & fiance and Holm who has a barely breathing social life. I suppose the latter's not uncommn though, the same can be said with most of Laios' party including Namari and Toshiro.... But good lord. This combined with how Dia & Holm get along together the best does make the party dynamic really funny though in a vacuum, everyone's going razy with intense tea meanwhile Dia and Holm the quiet judgers who glance at each other like do you see this shit. You are the only one normal here. (One has researched illegal magic and the other grew up in a cult.)

To me it's also really interesting Kabru hiring Mickbell and Kuro especially. Kabru is someone who works off reputation a lot, he has his homegrown informant web called gossip buddies and whatnot, and we know that while he's willing to go to questionable lengths for his beliefs, he has a pretty strong sense of right and wrong where stealing from people who ripped you off and repeatedly led you to death was a no-no. With all the shit Mickbell is catching even now about his slave- ehem, business partner, I doubt Mickbell would have seemed anywhere squeaky clean. Kabru hired a pretty blatant morally loose person who has stolen and scammed- and I think that's very interesting. Was Kabru desperate for party members? Maybe with Dia and Holm, believing in his cause was important-? No no, it's more likely the other way around- only desperate adventurers (or the ones who specifically want Kabru as their party member) stick to being in his party, with all the failures it experiences. Mickbell and Kuro are the only on who don't express loyalty to Kabru, so maybe Kabru's party was the only party willing to hire him- especially if he and Kuro are a package deal where they both get paid. And there's how Mickbell isn't affiliated with the half-foot guild too! Which means no work protections for him but also no salary cut? But yes yes, especially with the way he treated the corpse retrievers you'd think he wouldn't want anyone shifty on his side, but there's also the side of Kabru that loves to help others out, both on a societal and an interpersonal level- and I like to think that despite Mickbell obviously being from a rougher crowd he not only saw the two of them for the skilled people they are but also just, saw they were in a tough spot and wanted to offer a chance y'know? I had a convo about that once where I asked my Kabru expert friend what they thought about Kabru's grasp on socioeconomics and helping out people who are in tough situations for circumstances beyond their control, because you'd think Kabru would be understanding but then with the corpse retrievers, who seem Not Well Off and are comprised by many mixed races individuals like a half-dwarf and a half-gnome........ Helki and Mickbell are alike in many ways and it's interesting to think that may have played a part... Kabru seeing this disheveled obviously sketchy down on his luck Mickbell and being reminded of the only father figure he's ever had in his life, another blonde smartass with a ponytail, an ex-convict from a rough criminal background… And wanting to hire him to help him have a chance to get out of that place lowkey... I'M JUST SPITBALLING!!!!
Anyways so getting back to the crux of the matter, this is how the party naturally divides up with each other, the same kind of way Laios & Senshi and Marcille & Chilchuck did especially early on.
But the interesting thing is that Kabru keeps everyone at a distance, Rin included, so how does it divide up when Kabru and Rin aren’t interacting? She stays alone? Nope, oddly enough she seems to gravitate towards Mickbell. And the reverse is true- which makes sense since his partner isn’t a good conversationalist. Mickbell doesn’t really see Kuro as an equal, Kuro is his beloved fool he's tricking on the daily in his mind after all, so he doesn't seek out Kuro for opinions, because unlike Rin Kuro isn't a peer. In the page on the right notice the second panel, everyone gives each other a silent glance and this summarizes the dynamics here really well. Kabru is telling his plan of keeping going and this is everyone's moment to agree or disagree. Holm and Dia look to each other, more neutral. Rin and Mickbell look to each other, seeming more displeased, and Kuro looks to Mickbell. In that second of gauging each other's feelings through a glance, their resolve and opinion gets steeled and everyone tells their feelings after, Mickbell and Rin more reluctant. On the left you can see who sits next to who, who walks next to who in the party formation- Rin is always right next to KAbru but Mickbell is at her side, with Holm following without attracting much attention to himself and Daya closing the group on the lookout for threats. Mickbell & Kuro and Rin & Kabru as actual friends impotant in each other's lives tend to duo up, meanwhile Dia & Holm and Mickbell & Rin are more like "each other's favorite coworker" than actual friends, so Holm and Dia don't even necessarily stick together, at the risk of being third wheels. In fact the christmas gift exchange is a good character writing moment with everyone, if you want to look at their gifts and reactions.
So yes this explains how I divided up the chart, the duos are Rin & Kabru bond, Mickbell & Kuro bond, Mickbell & Rin coworker besties, Dia & Holm coworker besties.
Rin & Kabru
I made a rather in depth post on their relationship recently, specifically trying to nail down whether or not Kabru could have/had romantic or ambiguous feelings for her beyond/instead of "big sister":
It's a good look at it that covers most of the matter and has much, much more pictures than I could otherwise put here, so I'm allowing myself to go over this section faster here and summarize things.
Their relationship is obviously very onesided and... Needy, for a lack of a better word, because Rin is clingy and Kabru is probably her one friend in her life currently- but it's always been that way anyways hasn't it, did she have anyone else at the elves' too, did she have any in the village she grew up in that hated her family so much they killed them? She's overbearing and hovers over his shoulder for mistakes when they're together, but her reason for doing so is out of worry for Kabru, that because of his ambitious and self-neglectful tendencies he'll get himself into trouble, and she's not wrong about that! Kabru holds himself on his own currently, but it's not hard to see a future where he slowly descends into neglecting himself more and more in his focus on his work, but no currently he's still able to endear his landlord into cleaning his room for him and to put himself to sleep with alcohol. The relationship is onesided because Rin's always the one pushing and Kabru never truly opens up, but their relationship does have push and pull too- Kabru does pull sometimes. It isn't like Kuro simply passively enabling Mickbell's issues and bad behaviors, but in many ways encouraging them. Kabru flirts with her. He jokes and he teases in ways that come dangerously close to acknowledging aloud she has feelings for it, and never turning her down despite it being clear to us he has no intent on ever reciprocating them- He leads her on, whatever his intent is. And I go into possibilities of how and why in the separate post a lot, but overall I'd say that it's because he does need her back in a way too. It's that repressed desire for connection that rears its head with Laios and even Mithrun too. Maybe they're an ill-fitting match, but it's what he has, the friend he's had for the longest- Like I like to say, seeing Rin as his best friend is so sad and tragic but it’s also not wrong. From what we see she’s the closest to him, which is sad to think about. How can a guy’s social life be so thriving yet down in the dumps truly. She completely relies on him for purpose in her state in canon and dumps her emotions and issues on him, but he does play with her back and avoids his emotions and needs through her too. He has the uer hand in their dynamic, was even the one to ask Rin to come along with him when they left the elven kingdom. She's a fixture in his life, she's a safety net, she's someone who'll love him unconditionally, who even if he mistreats her a bit he knows she'll stick with him. He sees her as a big sister, after all. He knows her tough love is love. Does he give her jokes to latch onto as his way to keep her in check, or to make sure she'll want to keep following him? He can't bear to bare himself to anyone, but if it's Rin, she knows infinitely well how Kabru isn't perfect, constantly reminds him of that, and where in every other relationship he tries to be or has people believing he is perfect, with her he can be a little rotten, a little inconsiderate- and idk idk man. I don't think there's really a conclusion we can get to with them, but a lot of their dynamic feels just very. Mutually unhealthy. Like self-harm almost.
And like, look at the picture of them dancing below! Just it alone implies a dynamic already. They balance each other out somewhat, because they're severe about different things, Kabru encourages her to let loose socially but Rin keeps him from getting too full of himself in his own corner, because she always keeps calling out to him specifically, to the Kabru she knows and that he knows she knows- though maybe doubts sometimes. They both keep each other from being too caught up in themselves- but both of them are also frowning here. They also enable each other in very bad ways imo and inadvertently push each other into their bad habits, nagging Kabru makes him retreat into his shell even more and approach their relationship calculatingly or even coldly knowing of her feelings for him, and getting all the attention from Kabru in a way she doesn't want- because she can tell he still has his walls up- makes her more frustrated and it's all just a bad cycle of feeding each other to continue just as the status quo is. Rin nags him so Kabru throws her a bone so Rin nags him etc. But they're also genuinely dear to each other, maybe more iut of memories than because of the present, so they can't really let go of each other. Fucking doom tango fr
My take on Rin being particularly severe on Kabru, beyond just being worried that any mistake has a dangerous cost for people like them, is that like. She knows Kabru, from way back, and she sees his persona, how he tries to be perfect for others and caters to everyone's needs except his own, how he keeps himself hidden like that. And she doesn't wang Kabru the persona, just Kabru the person, the man she loves- and he's trying to be perfect but it's futile, and it just makes him more cardboard cutout, he's being fake and it just makes her so angry how he keeps his distance with her, so at every turn she tells him when he's not perfect, at every turn she reminds him of his flaws, as if to say, "you can't be perfect, just stop". And every flirt he sends her way during the story makes her madder because again she knows it's just empty air to toy with her, so she scolds harder. Like I don't think she's a self-aware person in general, so I think she mostly just feels this as sadness completely masked with anger that drives her foward and makes her impulsively say things, and she thinks what she says is right and she's being righteous, but also there's just this gaping void in her at the state of things, there's frustration whenever she sees Kabru smile a plastic smile at others all the time, and she doesn't know why. And the only worse thing is to have that plastic smile targeted at her- but it makes whenever he offers her more genuine unprompted attention all the more precious, like in the comic about her smiling.
They kept in touch post-canon! But it seems inevitable to me that the change in their lives made them grow a bit more distant, not working together all the time anymore. Rin figures Kabru is being taken care of by now, being a part of the royal court, and goes to pursue her own ventures, but they're still friends and that shows with Kabru inviting her to the castle. Rin can't help herself but to visit him once in a while to see if he's still breathing I bet- I do think she has a bit of a "only I don't get fooled by you (especially when you say you're fine)" way to think about him and their rekationship, a big of why she'd say the "Don't think everyone's going to fall for you". Anyways, it is fun to theorize Rin might be a pharmacist often hired by the castle hehe, but yes yes that's all we get info wise. Here's to hoping she mellows out some

Mickbell & Kuro
So, their relationship is more messed up than Kabru and Rin's, but it's less up in the air/free grounds for interpretation, much more directly explained. Their character profiles & extra pages alone give a really good look at their relationship and both their perspectives of it: Kuro's family that Mickbell has to find ways to chain to himself or he feels insecure, Mickbell to Kuro is a vulnerable kid that he chooses to look after and go the extra mile of being mindful & considerate of said insecurities. I already talked about it a lot in the Mickbell & Kuro sections, and the post I linked above has a longer but more compact analysis of them- but yes yes I'll still cover the essential and the new here. I said it earlier but Mickbell needs Kuro more than Kuro needs Mickbell- Kuro is like the entirety of Mickbell's emotional regulation 'skills' lol, where Kuro needs Mickbell in a material sense where Kuro wouldn't be able to communicate well with others or go far without money and Mickbell, Mickbell needs Kuro because otherwise he'd be shattered- not to say that Kuro isn't also very useful to have around for his muscles. Both of them are very physically and mentally vunerable both, the pyramid of maslow is not being met on any level eesh. Kuro needs a compass and Mickbell needs an anchor, both of them needed a purpose in the day to day life of survival and both chose each other for that- protect Mickbell, and buy a house with Kuro. The human mind thrives off of goals, desires. Again this thing with compass & anchor is very reminiscent of Falin with Kuro, the way she centered her life around others, so much so that when she was a mentally compromised chimera she defaulted to that way of being with Thistle. But they're in that spot very similar to them where one is especially very mentally vulnerable and easy to control whereas the other is very physically vulnerable if the other were to decide they've had enough and go murder mode on him. It's the dog loving the chain on its collar.
How long have they known each other? Who knows, but I estimated it between 2 to 5 years, between when Kuro became an adult and when Kabru formed a party- but even those are just guesses. I also think he named Kuro, since Kuro's name is actually Yodan and "kuro" simply means "black" in japanese, with the language barrier Mickbell wouldhave just started nicknaming him by the color of his fur.
It’s important to remember how they started: Mickbell saving Kuro and Kuro saving Mickbell, Mickbell freeing Kuro out of spite which made Kuro follow him and then Kuro saving Mickbell by maiming the guy who had kept him in a cage and was threatening Mickbell, prompting Mickbell to suggest hiring him (while being broke) as a bodyguard, half out of fear half out of seizing opportunities? And we'll get to that but this is a good way to understand why they're both so "It's us vs the world", they both came from a similar situation surviving in the slums together but even before that they had the same man for enemy, Mick helped Kuro out and Kuro helped Mick out in turn, and they stuck together. So that’s the origins of Kuro being "his employee" that he’s working for peanuts, it’s less disingenuous and eager than we’d expect, the attachment Mickbell formed to Kuro was over time, eventually associating Kuro with both safety and companionship. Meanwhile Kuro seemed ride or die very early, being saved helped I’m sure, but remembering that Kuro thinks of Mickbell as a child to protect also helps frame why Kuro would be so ready to devote himself to guarding him- seeing a small vulnerable "kid" in all this danger, constantly surrounded by threats and famine. So in the end, a big factor for their relationship is that they can’t communicate for shit. For several reasons including language barrier, overly controlling and dehumanizing behavior/abuse tactics backfiring- and emotional constipation. They both have preconceived notions and they both just.... Don't really know each other. I don't think Mickbell even knows his name- Kuro thinks he's a kid! They don't know each other, but they also know each other in the way of familiarity, in the form of having spent years inseparable glued to each other. Mickbell doesn't know Kuro's name and Kuro doesn't know Kuro's age, they don't know the other have siblings they have cut contact with and they don't know each other's dreams, they've never had an actual conversation especially on equal grounds, but also they know each other's mannerisms. They know each other's favorite foods. They know the sound of each other laughing and crying and the feeling of each other's warmth. They know each other but they also don't know each other at all!!!!! Crazy crazyyyy dynamic.
The "it's us vs the world" is so so strong with them especially from Mickbell's end, and can you blame him? Can you blame him when he's been kicked down like a dog all his life and he sees that in Kuro too? And perhaps no one else can ever understand Mickbell and know and stay with him like Kuro does, even when they can't even have actual conversations. This is it for Mickbell, Kuro is all he'll ever get in his mind and he's intent on never letting go, he's all he'll ever get and us all he wants and he cannot, will not, ever, let him go.
And the whole snarling-growling thing is very interesting too, especially since that's contrasted with Kabru (scroll down here for pictures). Mickbell has little experience with kobolds beside Kuro but also his first impression of Kuro was seeing him bite and maim a man to death. Kabru has experience with kobolds from his homeland where they're seen as more serious threat than cute doggy people, where there was fighting and rumors and presumably contact too since Kabru learned some of kobold language and he was only 6, AND Kabru has trauma with monsters and beasts in general. When Kuro growls, Mickbell goes "hey I told you to stop growling that's scary :/", and Kabru goes "Kuro, what's wrong?". And this is sooo so fascinating to me. Part of this already is again the language barrier, Kabru can ask Kuro to comfortably explain the issue where Mick cannot (he could still try though since Kuro can still speak some albeit broken common), so with Mickbell Kuro only has body language that doesn't come naturally to non-kobolds to communicate with- but Mickbell dismisses it as regularly as he doesn't. Part of it for Mickbell is having been on the other side of Kuro when angry, having seen how scary he can be and afraid himself- but then why? Does Mickbell still get scared of Kuro when he snarls and acts like that, the way a lot of us flinch when someone gets mad and yells? Does Kuro feel more unpredictable then, and that's scary for many reasons? Or maybe it's because he's scared of the way others see Kuro, that others will dehumanize Kuro if he emotes in ways like this. From where they come living on the streets, looking wrong at the wrong guy can cost a lot, so Mickbell may have extra developed a sense of keeping your head down at the right times and not provoking when risky- and he can't fully control Kuro so when that choice is out of his hands things feel a lot more shaky. Of course though in any case, growling or no growling Mickbell sticks with Kuro, keeps holding onto him when he snarls, it never crosses his mind to step away from Kuro or leave him behind, consequences or uncertainty be damned. Just, the justified concern mixing with the unhealthy possessiveness and controlling, the genuine fear... It represents their wider relationship pretty well in just one example.
He fucking sticks with Kuro with the baths!! Many bathhouses don't accept kobolds but Mickbell tirelessly keeps looking for one who will, Mickbell and Kuro are a PACKAGE DEAL and it stays that way even when it's inconvenient for Mickbell. Mickbell washes Kuro and spends hours brushing him afterwards with immense care and patience, there's effort there on his end too there is consideration and love!! They are sooooo ride or die!!!! "Now you're the cleanest dog in the whole wild world, no one can look down on you"!!!!!!
They have incompatible dreams of the future, Mickbell wants to settle down in a house and Kuro wants to travel, both want to do it together. My thing with Mick & Kuro post-canon is the only ways I see it develop and go down is: 1) Kuro becomes able to easily converse with him and their relationship changes with a lot of rough bumps but slowly and surely towards something better and/or 2) Kuro leaves to travel here and there while Mick manages the house, they’re still in a life partnership but they’re ok being apart for a while now. Mickbell learns that leaving doesn’t mean there’s no coming back and to live beyond each other ykyk <3 But while Kabru himself is hopeful that when Kuro becomes fluent in common Mickbell and Kuro can "really become friends", their post-canon blurbs break our hopes for a near future resolution, specifying that Mickbell "still works Kuro hard". They open a variety store together! I like to call it Mick & Kuro's knick knacks <3 Does Mickbell still keep his prices and product descriptions dangerously close to being scammy? Possible! He's earned it though he has his own store brooo his own building his own business... I know that shit got him emotional We do see that Kuro gets him to be healthier slowly but surely though- in the last chapters we see him push Mickbell implicitly towards the half-foot guild! Kuro is protective but not possessive and he encourages Mickbell to get out of his shell, reflecting how he talks about Mickbell as someone needing support and gentle care & understanding- he was being real about noticing his issues and wanting him to become happier.
Once upon a time back in my early days of shipping mickrin I entertained the thought Mickbell's attachment to Mickbell may have a romantic nature mixed in as well, whether it'd be "genuine" or maladaptive's too complex for me to say- but what was funny is that even in that case to me nothing changed. I think that in a world where Mickbell likes Kuro romantically, he would neverrr ever make a move because he'd be too terrified Kuro would dislike it and leave- so instead it just gets lashed out in different ways and he vents & seeks that out in other people kinda hoping it'd be Kuro or whatever. Kuro's too precious to risk is the thing. "It's us vs the world" and if Kuro leaves then is when he would be truly alone- like I mention in the Mickbell & Kuro I linked I think Mickbell is very afraid of change. It's why I think the possible future of Kuro learning to talk common well would be rockier than we'd assume at first- and I think in that fear of change is the fear of changing the nature of their relationship and lowkey even the fear of deepening it- What if Kuro starts actually understanding what Mickbell always says and decides Mickbell is stupid and unlikable after all? What if Kuro starts talking and Mickbell doesn't like what he says? What would Mickbell do if Kuro started being more inquisitive, asking more questions and requesting more things? Mickbell is terrified of Kuro having agency and it's for a reason!! Mickbell lowkey dehumanizes Kuro as a possession sometimes because that's less scary, because Kuro being a full person with his own wants and thoughts detached from Mickbell is scary!!
Mickbell needs to be Kuro's whole world- because if Kuro got a taste of the rest of the world, everything else there is beside him- beyond him-, then how could Mickbell possibly compete with that? How could Kuro choose Mickbell over the world? And the irony of it all the thing that gets me choked up is that along it was never a competition, the world has always been Kuro's love, travelling is his main interest, and he wants to travel it with Mickbell- The world is wonderful and Mickbell's presence doesn't take away from it but enriches it, makes the world even more valuable and treasured and life more enjoyable and full and god. God!!!!!
So yes these are insane coworkers to have and this is the dynamic that has Dia and Holm side-eye Mickbell and ask him when he's planning to free his house elf. Imagine having a group project in school and these dudes are in your group.
Rin & Mickbell
The hater duo, no 1!!!! Dia & Holm is the second one but they can't hope to match these two's intensity and hater aura. This is our moment to breathe we're getting back into Kuro & Mickbell madnedd after
I compile their most relevant interactions here, and you can also see a small compilation of them combining their hater powers on Kabru here. There'S a lot of things that make them really fun to pair up, like how they're easily the top 2 most unpleasant bitter Kabru party members and how they like each other best anyways lol, or how they're both in a codependent situationship- and they both have similar defense mechanisms of most things getting filtered through anger, but what's especially interesting is how they're different in the worst way, in Rin's codependent relationship she's the one who gives and devotes herself, the self-sacrificial one, and in Mickbell's codependent relationship he's the one who takes and takes, the self-centered one.
That's already me getting lost in the sauce though because these two are just coworkers and that ends there- in fact with the tavern comic about Rin smiling we see that they get along much more at work than outside of it. I think why they get along is exactly that blunt and critical nature of theirs- Neither hesitate or bother with politeness or little games to say what they have on their mind and when something's a bad idea- it's why with even just a "you see this shit?" glance at each other they get steeled and soothed into reluctantly agreeing with Kabru, "Well, if Mickbell/Rin is okay going along with Kabru's plan, it must be fine after all... Not that we won't shoot him with laser beams with our eyes". Like I said earlier even though Mickbell can be manipulative, but he emotes very strongly and openly and is very blunt as a rule, he seems to value in others the same type of directness that he has with emoting and interacting, as seen with his distaste for Rin being a tsundere in the same tavern comic. You could reach and theorize his distaste in Rin acting all happy because Kabru complimented her, despite her still being very sour, is also from a feeling that she's being easily manipulated, which could be interesting... But yes yes, and similarly Rin is drawn towards someone who is similarly severe with high standards and who's very cautious with plans and money, and with her distaste for Kabru's own playing around and fake politeness it's interesting to think she'd find someone who's authentic to the point of being unabashedly unpleasant refreshing. So yes yes, they're united in haterism, and they look to each other for opinions, and they sit together, and when they meet Laios' party with Toshiro's Mickbell tugs on her (the only other who took a hard stance on wanting the "thieves" to pay) dress to go "hey you see these bastards?", and when Rin casts waterwalk on the party it feels very familiar- which shows still how much familiarity the party has developed together. They don't get together to have a laugh or have fun, but they seem to be each other's favorite coworker and be often on the same wavelength, easily understand each other's thoughts from even just a glance.
You can feasibly theorize Mickbell has a crush on Rin and is jealous of Kabru for it, considering he's always hanging around Rin when it isn't Kuro, how he hangs onto her on the regular, when he sighs seeing Rin and Kabru argue because Kabru flirted, when he's always on Kabru's case, when he's the only one who brings up Rin & Kabru's relationship, when he gets frustrated she doesn't laugh at his jokes and says she woud be much cuter and more charming if she smiled more- which we see Mickbell beam at. Misogynistic energy? Yes. No one said Mickbell hasn't some incel tendencies in him lol. I don't think that's the intent though and all these things can be easily explained by other stuff, but all of these together make it a coherent angle, if you so wish for it. Mickbell lashing out at those he likes because he's insecure when he doesn't have their full attention who'd have thunk! The mickrin manifesto is coming another dayyyy though I can't get more sidetracked
Kuro & Kabru
I already went into some things a bit like Kabru's reaction to Kuro growling despite his trauma wit hbeasts and experience with kobolds' nastier side, and I have a post where I let myself ramble about the two of them here- I'm sorryyyyy I'm sorry everything is so interconnected I can't not repeat myself and link stuff!! But once again I'll cover the bases here- In a non shippy light but also the original post is 90% parallels and analysis too
So their relationship is really interesting in many many ways. Kabru is teaching Kuro to speak and write common in secret, which shows many things already. In the party he's by far the most considerate and caring of Kuro, we see him listen to Kuro's worries about Izutsumi also. We see him ask Kuro about his opinions, for Kuro that's revolutionary, we see him take Kuro's concerns seriously and extensively talk about them and he accommodates with talking kobold as well. For being the one with monster & demihuman trauma, he's the one who humanizes Kuro the most- perhaps because it forces him to take Kuro seriously and keep in mind the whole of him, not only appearances or behavior, in an hypervigilance and "I know what you are" way, if that makes sense?? We see Kabru's urge to spend time to give a voice to the voiceless, to help this one dude, his coworker living in questionable circumstances. And all of this, again, despite his trauma, despite him saying it's best to assume communication with demihumans is impossible in the kobold extra!!! Do see the irony!! And many say that Kabru only said that because it was the Touden siblings and he wanted to say anything to make them think twice about blindly approaching the "cool cute desert dog people", but even if that's fully the case I still think it's interesting that he'd be willing to throw demihumans he spent his early childhood coexisting with under the bus like that- in a way.
He's giving Kuro knowledge... Teaching him like Milsiril once did- the thing he himself most grateful to her for. From one disempowered person to the other he's teaching societal survival skills. He's tutoring Kuro on his own best weapon: words. And he does this in secret, with no laurels and no reward, at night on the regular. I think their dynamic really goes to show just how much Kabru cares about others, how even though he sees Kuro as more "photorealistic" and less cartoony than the others, both because he knows the dangers of kobols and he takes them more seriously- and inadvertently emphasing on the beastly animal side taking away the endearing exaggerated features..... Even then, he's so so very considerate, and kind, and he cares, and how much he wants the world to be better and equal and for everyone to live well. And this shows in how the nightly sessions are also a way he gets to interact with Kuro away from Mickbell's eyes- This is where Kabru inquires about their relationship and learns about Kuro's vision of things. Whenever Mickbell steps in Kabru immediately folds, makes himself as non-threatening and unimposing to Mickbell as possible and steps away without resistance to ease his worries, but when he's away Kabru and Kuro can actually talk. And Kuro does open up to him, and hearing his thoughts Kabru learns about them andconcludes that both of them are overprotective over the other- He sees that the issue and the overattachment isn't oneway, and acts in kind. Kabru keeps an eye on them, as seen also with the end of the extra about Izutsumi's scent, helping in the ways he can, subtly through acts like helping Kuro learn common so one day he and Mickbell may talk.
Kabru is likely the closest thing to a friend Kuro has currently, beyond Mickbell. Which is crazy to think about!! But also man I want you to imagine them having their late night study sessions, talking about their home the western continent together for a bit. Kabru gets to talk about the desserts he couldn't talk about in the elven kingdom and Kuro recognizes them, in just talking about the weather they find so much commonplace, in traditions and myths and habits and ways to be- And maybe from where he's from Kuro's heard of the evil eye as well, knows that tallmen with blue eyes are rare and seen as bad omens, disowned and chased out of cities, but Kuro offers no judgement and so Kabru offers none in return. Like their arrows towards each other are "kobold" from Kabru to Kuro and "he speaks my language", and that's so crazy!!!! That's so little but that's so crazy!! And I truly cannot handle typing these thoughts again so just scroll down here but my god my god!! The heartwrenching isolation of them.
Ah yes- there's also something to say about how only he and Mickbell don't follow Kabru with any solid sense of loyalty! Everyone else praises Kabru's cause and says they're there for him to achieve it, but Mickbell stays quiet on that lol and almost walks out at one point- and then Kuro very straightforwardly says that he'll follow Mickbell whatever he decides- As much as Mickbell is Kuro's "employer" Mickbell is Kuro's leader, Kabru might be the team coordinator in his eyes and he does respect him, but the only cemented in loyalty he has is to Mickbell. Ironically, he's also the one who rates him as a party leader best! At a high 95% score. Which still shows just how much Kuro likes and respects Kabru... And also might show how low his standards are, since the party keeps dying under his lead- Kuro hasn't had great impressions of bosses and workers' rights after all- like with people's behaviors and living conditions and whatnot he has bare minimums standards, a very low bar, like him thinking of Kabru as "The guy who speaks my language!" something that should be so normal, being able to communicate with someone in a language you're comfortable and fluent in, has become something exceptional and precious.
Kabru & Mickbell
Okay this one is sooo interestingly layered. So there's a lot that goes into Mickbell's onesided beef with Kabru- I can try to summarize it as that Kabru seems effortlessly charismatic.
Part of it is as Mickbell puts it here and here, that he's afraid Kabru will steal Kuro away somehow (and that's without knowing about their study sessions). Kabru is so charismatic and likable, and kind something that as we se Mickbell tends to approach with suspicion- nothing in this world's free. Believing that Kuro only stays with Mickbell because he has to and that Mickbell successfully fools him, it's not hard to see him being afraid of Kabru "telling Kuro stuff" that'll convince Kuro or turn him against Mickbell, "he's a smooth talker, don't let him kidnap you"! It's again that belief that Kuro is easily fooled mixed with Mickbell's belief that no one could choose him over others if they had option- who wouldn't go for the cool and handsome charismatic witty tallman? Even his fave coworker who's just as severe as him is all wrapped up around his finger after all. And then there might be more general jealousy at work, about Kabru being an ideal with all these qualities and how well off he seems despite being broke too, Mickbell possesses so few qualities and his party leader that he finds incompetent on top of everything else just has "every quality given to him on a silver platter" or whatever resenting drivel Mickbell would think up. And then yes there's as I put it, the incompetence- Kabru and Mickbell think & operate in very different ways, Mickbell is very direct while Kabru is very indirect, Mickbell is very practical while Kabru is very guided by ideals- they have very different conceptions of "the end justifies the means", very different goals of self-serving vs greater good. They have different morals and views on retribution with the corpse retrievers, he's the one who pushes most against Kabru's plan of keeping going into the dungeon even after things go wrong and so he's the one who gets his concerns dismissed by Mickbell most, alongside Rin. Like with Rin he seems to see Kabu as reckless and as someone who takes things too lightly, which as someone who takes his job very seriously is frustrating, and like with Holm and Dia too he seems well aware of his flaws with people and his "fakeness", which doesn't endear him lol. Also someone stubborn- which from someone stubborn to another is always a sign of a great war incoming lmao.
And I do want to reiterate the beef is onesided!! Kabru is maybe even the most charitable and patient with Mickbell. As much as Holm let him and Kuro crash for a night, Kabru was the one to give him the money to go to a bathhouse. You can see his look of concern at stinky Mickbell in the first panel lol.
Again I'll share this comp of Mickbell and Rin being on his case, to see some examples! And my personal favorite:

And notice the Dia-Holm sideglance in the next-to-last panel. Is it a "he spitting some truth rn" or a "Ahh Kabru is on his corny shit again"? Wouldn't you like to know lmfao
Daya & Holm

You looove to be unbothered and uninvolved in the love square happening. The hate triangle if you will (Kuro isn't involved in that one he dgaf). You looove to just give professional opinions on the party's plans and that's it, you love keeping things to yourself and being a quiet pillar of the party rather than anything showy or flashy. I just love their side-eyes I just love making them quietly judge everyone especially togther, "you are my partner in sanity" fr.
Even together they don't have that strong a bond, like with Rin & Mickbell it starts and ends with their work dynamic pretty much. Still, consistently over and over again when the party divides itself into subgroups naturally, these two gravitate towards each other. As above a Daydream Hour shows them hanging out (off-work considering their outfits?) and points out that they're the party members "closest in age", 58 and 76 respectively, the oldest beside them is Rin at 24. Developmentally, with just proportionally comparing their lifespan to tallman's and calculating in kind Dia would be 23 while Holm is 30, so this thing about being closest in age seem to be about them both being longlived races, thus having a more similar sense of time and outlook on the world for it. They do seem to be all around the most mature and well adjusted of the group- although those appearances can for sure hide some deep flaws we just haven't been able to truly notice.
OTHERS?
These are the ones I felt were worth commenting on but they all have litle dynamics between each other, with Mickbell & Daya the least probably, for example if you want Holm & kabru thoughts I made a ship post about them and compiled most of their interactions. Like, I do like to summarize Holm @ kabru as "i won't talk about it but damn you live like this??". Holm @ most of the party actually lol. Holm has bigger fish to fry anyways, like Mickbell, who already outranks Kabru there and then crashes at his house on top of it. Holm and Rin often team up to talk about magic, when shopping or when Kabru asks something.
Daya and Holm have less strong & deep dynamics because they have less ties, simple as, they keep themselves less entangled in what's pretty much office life- yes they're willing to risk their lives to dungeon dive with th party, but that's as with any adventurer, as with everyone desperate and unstable enough to have it as their main job. Rin is tied to Kabru so that gives her importance, but Mickbell and Kuro have each other so it gives the party dynamic around them a lot of layers already, their personal lives are more shown during canon and extra because of it, meanwhile Holm and Daya both keep to themselves much more and their personal lives are only hinted at in extras, they don't have drama on the regular in front of the rest of the party the way the others do lmao.
Conclusion
Kabru’s party is in a bit of a weird spot in the main story- I think we can agree they’re characters that feel largely forgotten by the story after a point, and don’t matter all that much. I do think they have a narrative purpose, but. It's all about Kabru and setting his character up, similarly to how Namari was to give Marcille growth and Toshiro was to give Laios growth, it offers us an early Kabru to compare middle and late Kabru with when it comes to relationships and alliances, and with how much they fail and the few scenes they have where Kabru has his mask on and even coldly rebutts Rin I think we're supposed to see the flaws in his way to lead and work in team, where Kabru changing on that end would be for the better. They're a window into Kabru's shortcomings in teamwork and social life, his status quo at the startof the story. Laios' team was as successful in the main story because they truly came together, became friends who revealed their authentic selves to be stronger even when they worked together and were all very different from one another- but what Kabru does is try to hide and compensate for flaws, especially his own, and he hides things from his party and he keeps himself at a distance from it. Laios wasn't all that different with his party pre-canon, but where in the emergency of current events Laios shed pretenses at the risk of being disliked and rejected by others, in early manga Kabru instead tightens his grip on trying to control the party- why Kabru pushes his party members into his plans with less and less care for their opinions with his rebuttal of Rin as the peak of that- until he even lowkey isn't all that motivated by his party members being hostages lol. Like- am I making sense??
Analyzing labru vs kabumisu interpretations of Kabru is honestly very interesting because the two ships' fans seem to often have a completely different take on him. Kabumisu fans tend to emphase on Kabru's need for agency and empowerment and labru fans tend to emphase on Kabru's need to learn to compromise and not taking everything upon himself only, and see like, both are true both are good, and which of the two ships you like more depends a lot on these subconscious little differences in interpretation you naturally develop I think, because while I'm a double agent I myself prefer labru a bit and I naturally lean towards the "Kabru has lessons and change to do" angle, where with kabumisu often the focus is on not Laios gaining understanding from another but Kabru gaining understanding from another. For Kabru to grow vs to be validated, for him to finally feel safe and comfortable, and that to be achieved either through growth or through comfort, though both through understanding one another. It's about trust it's about understanding others on your own terms vs theirs it's about how being willing to open up and delve in relationships makes your understanding of people better, truer!! Understanding others, debatably the biggest theme in Dunmeshi!! Anyways don't tell the fandom I said that
In the wider meta narrative- Dunmeshi has a big theme of conforming and fitting into society, all its main character have that as a big theme- Laios being a misfit, Marcille being a half-elf, Chilchuck being a half-foot in a bigoted society, Senshi being an exiled hermit, Izutsumi being a beastkin… The experiences are varied but it’s an universal theme, everyone has things they're ostracized for somewhere or other. And I think all of Kabru’s party have a facet, variance of that that’s interesting, one that’s less about social acceptance and finding your place like Laios’ party but has a bigger focus on economical struggle, Kabru and Rin are to put it very short powerless child refugees, Mickbell and Kuro are dirt poor, Daya was threatened to fit into a strict mold and Holm was put in jail for academic studies. They have codependent relationships and emotional unavailability all around in different ways, there's isolation as a theme there too. That also is largely a Dunmeshi theme. Does no one have a fucking healthy good thriving social life? A good work-personal life balance? Being in touch with yourown needs and feelings perhaps? The triforce of things you can never have all at once in dunmeshi. But all these similar yet different hardships, all these people with hard to pin down exteriors- it's all about understanding too. How can you judge without first understanding, you know?
They're doubtlessly minor characters, but they're also part of that large tapestry of diverse people that's needed for Dunmeshi to do what it does, thematically and narratively. For that final battle to have so many different people come together to fight on the side of humanity, for all its habitants for all the facets of people in it, together. "If even one thing had been missing, we wouldn't have gotten here" as Kabru puts it himself in the next-to-last chapter. This is Dungeon Meshi, everything is interwoven, it's all a web because our environment shapes us as much as we shape it.
They get sidelined by the story. much like they were by Kabru- but he does have their loyalty, like how Laios' party stuck together through it all, even Chilchuck and Izutsumi, and when it's time for the final battle they're there to help and it matters, they matter. Relationships, trust, goes both ways, it shouldn't be onesided. If someone proves genuine why not try opening up? Kabru's party always trusts him and show up when it matters- Because to put full trust in another is terrifying and risky, but sometimes it'll pay off, and still always they take that step to trust their leader. Trust and love and care isn't a transaction, earned or not, and all you can do is try to appreciate it and repay it in care. In the end Kabru's party reminds us of those things, that despite everything we all need someone.

#Dungeon meshi#Analysis#Meta#Mickrin#mickuro#Kurokabu#Kabrin#Clinging onto mithrun when they fell was a “do you prefer dying falling in with me or when you let go and I teleport you into the wall”#And that makes it so much more poetic man. Choosing to cling onto Mithrun- onto the key to pierce the dungeon's mysteries#Even if it's a longer shot. Even if it throws him right into the dangerous depths of this place he hates so much#Kabru inspiring Mithrun to live his life dedicated to work that'll help and keep others safe truly. Aughh#See!! What we can accomplish together!! The combined power of labru and kabumisu makes for a more complete arc 💥💥#I think the beauty of kbms is finding understanding easily within another once u open up and i think the beauty of labru is *growing*#to understand someone once u open up and working towards it slowly and finding it v rewarding- both which have seeds in canon imo.#ahh the rewards of opening up#My tastes mean i obvi go for the more character arcy confrontional labru more 🫶 but ya different faces same coin theme wise imo#Which makes sense. Since Kabru's arc centers around them n is well written. I really thought i wasn't gonna talk about kabru much 😭😭#I eventually wanna make an analysis entirely centered on Kabru's morality lmao. Maybe one dayyy#It's like w anything- now that it's been 2 years and kabru's grown more familiar 2 me i understand him more so he scares me less. Lol#Dunmesh lesson is we're better n stronger together rather than divided who'd have thunk. Human connection is the most valuable thing bwuh?!#Fumi Rambles#Labru#kabumisu#Maybe this is me doing the Laios dragon fan thing but I still would only call myself a casual Kabru fan. Even now in the throes of kurokabu#Gdbgd kurokabu may be the most 'third secret option' ship i've ever shipped. Best of both worlds though#Lots of kabru growth but also a very cozy comfortable relationship where understanding is suprisingly easily reached 😌#god I am in the codependent feels rn. writing this post making me go through all stages of grief!! ET SI TU CHERCHES ENCOREE MA VOIIIIX#Oublie-moi🥺 le pire c'est toi et moi... Mais ma meilleure ennemie c'est toi! Fuis-moi- Le pire c'est toi et moi. Je t'aime je te quittes#Frothing at the mouth. Insert art of werewolf ripping its shirt off THIS IS DOOOOONE#This is just so large i cannot hope to alone crack the code & tie everything up concisely this is the beast of me trying tho
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
#The Bear#SydCarmy#I was like a casual fan of this show two days ago#and now seeing how little respect this show gets from it's fanbase I'm losing my mind#I mean I shipped SydCarmy before anyway but now it means so much to me#it means so much to see such a realistic and purposefully well paced romance take place#so many shows portray romantic relationships and their beginnings in ways that just don't really happen in real life#and this show very purposefully said no. These are characters who are strangers. who are working together. Who are in a tense environment#and each of them has problems - one of them the type of problems that makes developing new relationships pretty difficult#these two would not get together right away. It would take a long time. And there would be ups and downs.#And even when that's the case. Even if when it takes a long time and doesn't go smoothly and is hard -#it can still be beautiful. It can still be romantic. It can still happen and here's how#and I'm just so inspired genuinely. It is so difficult to write romance without being cliche and so difficult to write it in a way that#could actually happen in real life and I really do hope I can write something half as good some day#and then to know so many people have no appreciation for it at all#because they prefer the shows that have characters make eye contact a few times and then confess their love for each other like#it's just fucking sad. So sad that so few people have any appreciation for good writing especially the difficult of romance writing#like I really just don't even know what to tell you. In real life these two would not have confessed to each other yet. They would not have#kissed yet. They would not have even realized they have feelings for each other yet because those feelings would still be developing#and I also want to point out that given the disparity in power between Syd and Carmy in season 1 it wouldn't have been healthy for them to#get together much sooner. He was her boss. He was also her idol. Before they can even get together that needs to be balanced out.#And then on top of that don't you see the value in Carmy realizing the dream girl he's romanticized in his head - Claire - isn't actually#what he wants? Don't you see the beauty in him being disillusioned from that? And realizing that Syd is what he wants?#Don't you see the beauty in Syd having an idealized vision of what Carmy The Great Chef is like realizing she was wrong and that he's human#and flawed and then realizing - she loves him anyway? She loves him more for not being on a pedestal and for having his flaws?#Are you telling me that even thinking about this doesn't move you? Doesn't make your heart ache a little?#And again - ship and let ship - but what is Luca? What is Luca if not just what she was hoping Carmy would be when she wen to The Beef?#What is he if not just another man who she has not seen under pressure yet? Not seen reliving trauma yet? Not been her boss yet?#It's easy to look at him and think he's better than Carmy - and that's the point. That's the point The Bear is making.#It is easy to want someone you don't know. It's hard to want to someone you do know. But that's what love requires and that's the point
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I am already a big enjoyer of Friede and Amethio's rivalry and dynamics in general, so if Crave turns out to be Amethio's father, I feel like this knowledge would reframe their rivalry in very interesting ways and give additional readings and perspectives..
#something something about amethio rejecting his father and friede stepping in to be the positive male figure in his life at that point#Not saying friede takes on that role (dad) because i don't interpret him that way at all#however he is very much meant to be someone amethio takes inspiration from#most adults in amethio's life aren't inspirational i think so friede is probably the first person he met who is free and independent etc#i need to be moderately invested in that theory so i'm not disappointed if it doesn't turn out to be true lol#but i think it adds a lot to the narrative.. amethio and liko's parallels etc and even friede's character!#the thought that he is giving back to the younger generation after being nurtured by teachers and mentors#oh friede the man that you are. the coolest guy ever that you are.. luv you#horizons tends to be very intentional about its writing.. the mentor character (friede) has been helped by Very Specific People#and feels indebted to them. before his rvt era. those people are liko's mother (lucca) and roy's grandfather. and director crave.#hmm. i wonder what that means!#(not saying friede isn't helped by the rvt. but they act as equals. lucca was a hiearchical superior as a teacher etc.)#also. on a personal level. i think it's funny if friede knew amethio's dad before meeting him#crave going like 'i'm glad my son has taken a liking to you professor friede :) i hope you can continue to get along'#and ame being like 'we don't get along? smh'#we'll see where that leads. but hz doesn't really trick its audience. it expects us to pick up on all these themes and hints here and there#like how this ep points out that yeah gibeon still being alive at this point seems odd and for him to be ame's grandpa too.#it's intentional! so i'm just pointing out reocurring patterns.. but yeah. we'll see#friede#hz074#character notes#episode notes
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A Case of Ladybug Luck: Masterpost
Hello there everyone, and welcome to the waiting room of Hell! I cannot believe it's been an entire year since I started this AU and I never made this. But anyway, below you'll find a list of every chapter of A Case of Ladybug Luck, along with the fic's summary! Feel free to ask me about it, this AU is genuinely one of my favorites! It's really angsty, lots of good stuff here!
I will be updating this frequently with content from across this AU! Currently I have the main fic and the what-if fic, but more ideas are on the drawing board! You can find everything below the cut! I will be leaving the summary for ACOLL here, anyone interested is more than welcome to shoot me an ask! Please mind the tags and warnings for each chapter, and enjoy reading!
Summary: Marinette doesn't think she can keep living like this. She never told Alya her secret, and her life is in shambles. Adrien is the only one who has noticed and tried to help, but he isn't enough. Lila has them both trapped in a web of lies they can't escape from, and their friends are all taking her side, unwilling to listen to either of them. She's losing hope. At least...at least Chat Noir noticed. She still had her partner. But when an oppurtunity presents itself to Marinette, the perfect chance to get away from this hellish existence and start brand new, she takes it, leaving Paris to deal with the consequences of her actions...
A Case of Ladybug Luck:
Arc 1: End of the Line
Chapter 1: End of the Line
Chapter 2: Last Night in Paris
Chapter 3: The Butterfly Effect
Chapter 4: Perfection's Shattering
Chapter 5: The Illusion of Living
Chapter 6: Cat's Cradle
Chapter 7: Spotted Trouble
Chapter 8: Let the Masks Fall
Chapter 9: Mastermind's Confession
Chapter 10: Aftermath
Arc 2: Liar Liar...Fauxfire
Chapter 11: Investigative Journalism
Chapter 12: Kind Stranger
Chapter 13: Fault and Forgiveness
Chapter 14: Thawed out Hearts
Chapter 15: Shopping Therapy
Chapter 16: Felix
Chapter 17: Remembrance of Gold Part 1
Chapter 18: Remembrance of Gold Part 2
Chapter 19: Marching Far Away
Chapter 20: Dearest Family
Chapter 21: Burn Our Bridges Down
Chapter 22: Ashen Ghosts
Chapter 23: Liar liar...
Chapter 24: Fauxfire
Arc 3: Tying the Noose
Chapter 25: It's Always Sunny
Chapter 26: Reunion
Chapter 27: Family Secrets
Chapter 28: Argos
Chapter 29: Ryuko
Chapter 30: The Rising Storm
Chapter 31: The Measure of Man
Chapter 32: N/A
Chapter 33: N/A
Chapter 34: N/A
Chapter 35: N/A
Chapter 36: N/A
Chapter 37: N/A
Chapter 38: N/A
Arc 4: Shadowmoth's Final Attack
Chapter 39: Shadowmoth's Final Attack Part 1
Chapter 40: Shadowmoth's Final Attack Part 2
A Case of Ladybug Luck: What If?
Chapter 1: What if...Chloe chased after Marinette?
Chapter 2: What if...Adrien ran away from home?
TBC
More projects TBA
#miraculous ladybug#a case of ladybug luck#ao3 fanfic#miraculous fanfic#masterpost#yolo's masterposts#adding that tag cuz i have more aus to make these for#marinette dupain cheng#adrien agreste#angst#like...a lot of angst#bit much innit?#emotional damage#i am not kidding#my readers are traumatized#so am i tbh#details details#you don't make good angst without crying over your own scenes#but yeah feel free to check the au out#also podfics / art / fanfic of my fanfic / comics/ other fan projects of any kind are very very welcome!#to know that my work has inspired someone to make stuff is amazing#it seriously would be the greatest thing ever#anyway yeah#i have another 10 chapters of this hell to write as of editing#and dear god#nobody is ready for this#just ao3 things#hope you enjoy#hope i don't finish this au in a nursing home#anyway i'll see myself out!
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pleaaase may i have 28 and 29 aramour angst ✨ i crave it
28: “Move out of my way before I make you.” // 29: “You deserve better.” (prompt list here)
click for better quality!
#the brainrot!!! so strong. anyways. to confront the woman dating your ex when there's super high tension....#anyway!!! highschool(?) modern au where the popular girl/ queen bee is whoever resident king henry is dating.. hm..#oh the tension between someone who used to serve you. now having taken your place. and you knowing the ins and out of that position..#especially that it's not all it's cooked up to be!! lots of thoughts about this au#art-wise i drew these as storyboards before i realised i cant video format well without audio so they're just here in storyboard form#i drew these in sketchy drafts and then in sketchbook then spent 2h lining them digitally bc the scans were yikes. anyways. i lost a frame#somewhere and it was before the “you deserve better” and it was like. “take it from someone who knows#fun fact!! i showed this to multiple irl friends without dialogue as i was drawing it. neither of them know the characters but.#immediately pinpointed exes vibes. and enemies to lovers. and basically homoerotic arguing tension.#remarkably pleased at how that was conveyed (and also amused. i love my friends). anyway if i were to do this again? then i'd draw in the#frames instead of re-doing the sizing after tracing. yikes that was an experience.#anyway!! (x3) anon i hope you enjoy the aramour angst. i hope it has something. i craved it a lot as i was drawing this#six the musical#six the musical fanart#catherine of aragon#jane seymour#also the characterisation was lowkey based off how mean girl seymour is absolutely a thing in the show. some of her lines. savage.#parallels!!! in show the "oh boohoo [..] i DIED'' and attacking aragon.. the rivalry here.. aaaagh#also!! the last line is a slightly paraphrased letter from aragon to her father(?) i think. found it online while looking for how she wrot#because i wanted her to sound more queenly... you also see it in how she's unbothered and rather unimpressed throughout seymour's posturing#the confidence in herself. meanwhile jane is defensive and a bit more prone to being flustered <parallels emotion in show script>#i'm just. very proud of these drawings together. narrative can be so very nice. the last two frames are kinda like a postscript.#sometimes the brainrot really gets you!! alright have a nice day.. comms are open and the fact that no one is taking them up rn feels a bit#sobering. but it's okay! i'm not in a rush.. it's more for the experience. hm. i wonder who wrote yes in the poll though#(can you. tell my ego is a little bruised?) nvm onwards!! eventually i'll get good enough to actually sell my stuff :OOO#oh an addendum: lowkey inspired by all the bathroom girl-on-girl confrontation scenes. one off the top of my head is the one from heathers#but there's quite a lot of those tbh
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Hey soldier
#vaguely inspired by a chapter cover from the nge manga#I feel like no one remembers that Misato was in command of military operations at nerv#she’s in an officer position and she probably didn’t get there without going though some kind of boot camp/officer training#she’s not just an anti angel strategist she’s a soldier#if we EVER get any eva content during the timeskip I hope we see some of the conflict between gendos forces and wille#I wanna see her fight someone let me see her throw hands anno let me see her shoot someone#evangelion#neon genesis evangelion#nge#ritsuko akagi#misato katsuragi#my art#eva
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if there's one thing I personally focus on when I draw something, it would be the emotions. I try to convey the exact emotions of a character when I make art, and portray how they'd be feeling at that exact situation, as they say something, and so on...
I try to feel the same feelings they would when I draw an expression, as close as I can get at least, it's what I do over and over. You don't really have to do that ofc, but for me, it's a huge part of the point and it's really fun to do! It's what I believe could give my drawings more life and make them more genuine, even if it's a sketch (in fact, sometimes sketches can be more powerful on that aspect so I used to stick to drawing exclusively those for a very long time). That's how I pour my heart in, and I'm sure a lot of artists would do the same in their own ways when they create their works.
For that same reason, I really like drawing smiles (and characters that can make genuine ones) because that makes me happy. Other feelings are cool, too, but drawing happy art is so soothing, so I draw a lot of smiles!! It's also why I feel the need to understand a character, because you can't exactly feel what they'd be feeling unless you aren't so aware of what they're going through. I wouldn't be entirely right, I'm sure, but I really want to try. It's maybe why I usually stick to drawing a select few characters from a series all the time, because there are some characters I "get" better than others, and feel I can bring out better(and most of the time, luckily, those kinds of characters end up to be my favs, so I can draw then alot ;v;) Then again, I'm seeing them through my own lens of thinking, I'm just putting out what I see in those characters in the end. But it's usually the good things I love! Or something I feel is really intriguing and want to think about, or want to explore on, emphasize? Anyhow, it's the feelings and emotions part I've always been interested about! So I hope I can do that well!
My drawings aren't perfect, but they aren't too bad either, and I've been trying all the way. If they could imbue some sort of feeling for you, that's definitely what I wanted to accomplish! It makes me so excited when I get feedbacks about it being able to make someone "feel" something.. it means what I wanted got across so I'm like "yes"!!
it'd be nice if they will feel genuine one way or another!! I was and is and will be happy to continue to share my works with you all
#random blabbering#hehe#I recently got really nice tags and I#I kind of want to go and thank ppl individually for that but I was out of energy... I missed the timing..#drawing makes me think about feelings#characters too#so I really like seeing characters that can make big genuine smiles from the heart#ofc I love other types of characters too#but sometimes you just need to think about that kind of feeling and it exists#and I love characters that are literal saints right.. those kind of characters have always been my favs#they are very inspiring and thinking-not just thinking but trying to feel how they would be feeling..is really good for the soul I think#I wish I could be strong like them and genuinely feel like that#(you could a little as you draw#being immersed is very nice#and I hope what I draw could be that way for someone#here I am writing at midnight..I don't know if what I'm writing's making good sense but wish you all the best#thank you for seeing my drawings together with me!!#I CAN draw some self-indulgent stuff that'd not exactly cater to be educational or inspiring yeah but#I probably won't mean bad. I want to have fun~which I've been!! for so long
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Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again
#i'm gonna ramble in the tags but#i've been talking with starr (if you're reading this--hi starr!! <3) about the blog today and sharing some of the entries#and it just made me miss it so much#+ the conversation actually made me realize some other reasons why i didn't enjoy the blog in general anymore#like i genuinely love the blog and i genuinely loved writing for it & that conversation reminded me of that#but also there were so many reasons that ultimately pushed me to more or less abandon the blog & then later private it too#so i'm kind of at a loss here#tbh i think i'm mostly just scared to pick the blog up again only for it to end exactly like last time i picked it back up#i've actually always wanted for the blog to be a source of inspiration y'know?#like the things mentioned in the entries are kinda just small ideas right#i was hoping that people would read these & feel inspired to write or draw something of their own based on my entries#that was actually what made me start the blog in the first place. the hope that i could inspire others that way#aaahhhhhh.... maybe it's on me since i could have more openly communicated that idea......#i did get to meet one wonderful person who wrote a few fics based on my entries tho!! (hi ali <3)#but yeah..there's that#also the way engagement just dropped significantly after a while#like i know i was gone for a good while & that a lot of people left the fandom and all that#but still getting maybe one reblog if i'm lucky really feels like a punch to the gut#ESPECIALLY considering that i was close to 900 followers on there#do you guys know that feeling when you proudly show someone you care about something you did only to get a disinterested answer?#yeah...#that's essentially how it feels like to me#and well as you might know the feeling of “why should i keep writing if apparently no one cares” eventually won... haha.....#but aaaahhhhh i'm still clinging onto the hope & what ifs here#that conversation with starr really just made me forget about everything that frustrated me about the blog & left me with this#longing feeling to start again lol#hey if you've made it this far into the tags let me just ask--would you care if i picked the blog back up?#would you also *show* that you care?#i'm actually quite curious (you could almost call me george lol)#anyway maybe we'll see each other on today-in-the-devildom again in the future.. who knows
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