#i have tried to do my research

[ponds-of-ink]

I just watched Game Theory’s analysis of the Ruin Trailer for fun, but now I’ve got something to say. I am going to put my main thoughts for a certain section below for spoiler reasons, but the basis is that he’s close with it but I have to respectfully disagree with his conclusion.

So, when MatPat reached the mystery rabbit shot, he realized that the duality thing was an intentional motif and that green and purple was involved. After some inspection with SB TV and thinking back to who could possibly be associated with green, he came up with the idea that Charlie (due to the green wristband and the green eyes of the security puppet) and William (as Glitchtrap) are fighting over something.

And, while I see where he’s coming from there (as Charlie and Will being rivals dates all the way back to the Silver Eyes books and continued until Fazbear Frights Epilogue #7), I just cannot accept the second half of this idea. The duality and the green-and-purple stuff is great. Glad we’re on the same track there. But there’s a few details I want to consider.

(1) While Charlie is a good candidate for green association, the Puppet mask present in the Blob does not have lit eyes like the rest and seemingly has no tear streaks. If we are to take red eyes and tear streaks this as sign of Charlie’s presence, then it’s clear that she’s not back this time. Also, if I recall correctly, the only time she was really associated with green was in that one FNAF 6 mini-game and in the Silver Eyes graphic novels trilogy with the green jacket (which, fun fact, was originally a denim jacket in the book trilogy proper). If anything, the Puppet’s trademark black and white stripes would be a better indicator for her at the moment.

(2) Even if Charlie was the sole character that had green, why would she choose to haunt a rabbit? Wouldn’t something like Sun be a bit more likely, as it’s Puppet-like frame help her adjust faster? ..And make her able to focus on her mission more instead of more likely having memories of dealing with Scraptrap in FNAF 6?

(3) A better candidate would actually be Glitchtrap himself as a separate entity, given the whole Mimic situation (which I’m not going to delve into because this post is probably going to be rambling enough already). Considering the fact that he has been green-colored at least three times [one for the “repaired” version in Help Wanted, another after his whole merging attempt seemingly goes south, and the last this plush according to Princess Quest 3), it would make more sense to associate him with green rather than purple. Well... At certain points, that is. He does still have the purple motif, but it’s more of an accent color really.

(4) Also, given that the Steel Wool logos on SB TV are not perfect reflections of each other (and going opposite directions, as MatPat noted), then wouldn’t that line up with what’s implied with the Mimic if he is supposed to be Glitch [or at least the programming is]? He’s trying to impersonate someone who most likely is terrified and/or very reluctant to do what he used to do thanks to all that time in UCN. Sure, Glitch is doing a pretty good job keeping up that villainous legacy. The problem is: William might not want that legacy to be how he’s remembered. A strange take, I know, but it’s the best one I’ve got since the last time we know we saw Will was in UCN– And he was trapped in his own literal nightmarish landscape and screaming for Henry and Mike. That can’t be great for someone who’s been.. *checks notes* burned twice, self-cornered into a fatal robotic costume accident, and losing most of his family for varying reasons. Prideful though he is, all that building pain has got to have put him in his place by now. I would be mildly surprised if it didn’t.

(5) So, if this is the case, then that means we are dealing with a battle of identity here. And, as it was stated in a different Game Theory video, we might have to use William’s own memories to set him free. Make him remember everything else that happened in his life, then maybe help him come to terms with things... After taking down Glitchtrap, of course.

But, of course, this is all speculation until we get more info. I could be wrong, MatPat could be wrong, we both could be wrong. The point is this: Duality is a key theme at the moment, Afton is still involved somehow if we take the purple as a clue, and he might be fighting someone else in the same robotic body.

Oh, and uh, Elizabeth having green eyes does make it seem like she’d be a good candidate.. Until the same evidence for The Blob version of the Puppet shows up in its version of Baby. Besides, Circus Baby was always her thing– Even in the novel trilogy.

[kindnessoverperfection]

Please, if you can, take a moment to read and share this because I feel like I'm screaming underwater.

NPD (Narcissistic Personality Disorder) stigma is rampant right now, and seems to be getting progressively worse. Everyone is using it as a buzzword in the worst ways possible, spreading misinformation and hatred against a real disorder.

I could go on a long time about how this happened, why it's factually incorrect (and what the disorder actually IS), why it's harmful, and the changes I'd like to see. But to keep this concise, I'll simply link to a few posts under the cut for further reading.

The point of this post is a plea. Please help stop the spread of stigma. Even in mental health communities, even around others with personality disorders, in neurodivergent "safe" spaces, other communities I thought people would be supportive in (e.g. trans support groups, progressive spaces in general), it keeps coming up. So I'm willing to bet that a lot of people on this site need to see this.

Because it's so hard to exist in this world.

My disorder already makes me feel as if I'm worthless and unlovable, like there's something inherently wrong and damaged about me. And it's so much harder to fight that and heal when my daily life consists of:

Laughing and spending time with my friends, doing my utmost best to connect and stay present and focused on them, trying to let my guards down and be real and believe I'm lovable- when suddenly they throw out the word "narcissist" to describe horrible people or someone they hate, or the conversation turns to how evil "people with narcissistic personality disorder" are. (Seriously, you don't know which of your friends might have NPD and feels like shit when you say those things & now knows that you'd hate them if you knew.)

Trying to look up "mental health positivity for people with npd", "mental health positivity cluster bs", only to find a) none of that, and b) more of the same old vile shit that makes me feel terrible about myself.

Having a hard time (which is constant at this point) and trying to look up resources for myself, only to again, find the same stigma. And no resources.

Not having any clue how to help myself, because even the mental health field is spitting so much vitriol at people with DISORDERS (who they're supposed to be helping!) that there's no solid research or therapy programs for people like me.

Losing close friends when they find out, despite us having had a good relationship before, and them KNOWING me and knowing that I'm not like the trending image of pwNPD. Because now they only see me through the lens of stigma and misinformation.

Hearing the same stigma come up literally wherever I go. Clubs. Meetings. Any online space. At the bus stop. At the mall. At a restaurant. At work. Buzzword of the year that everyone loooves loudly throwing around with their friends or over the phone. Feels awesome for me, makes my day so much better/s

I could go on for a long time, but I'm scared no one will read/rb this if it gets too much longer.

So please. Stop using the word "narcissist" as a synonym for "abusive".

Stop bringing up people you hate who you believe to have NPD because of a stigmatizing article full of misinformation whenever someone with actual NPD opens their mouth. (Imagine if people did that with any other disorder! "Hey, I'm autistic." "Oh... my old roommate screamed at me whenever I made noise around him, and didn't understand my needs, which seems like sensory overload and difficulty with social cues. He was definitely autistic. But as long as you're self-aware and always restraining your innate desire to be an abusive asshole, you're okay I guess, maybe." ...See how offensive and ignorant that is?)

Stop preventing healthcare for people with a disorder just because it's trendy to use us as a scapegoat.

If you got this far, thank you for reading, and please share this if you can. Further reading is under the cut.

NPD Criteria, re-written by someone who actually has NPD

Stigma in the DSM

Common perception of the DSM criteria vs how someone may actually experience them (Keep in mind that this is the way I personally experience these symptoms, and that presentation can vary a lot between individuals)

"Idk, the stigma is right though, because I've known a lot of people with NPD who are jerks, so I'm going to continue to support the blockage of treatment for this condition."

(All of these were written by me, because I didn't want to link to other folks' posts without permission, but if you want to add your own links in reblogs or replies please feel free <3)

[sidhion]

surprisee visit at werk!!!! :333

[cent-scratchnsniff]

it was just going to be a few warmup doodles but then she infected the rest of the page like the ever eternal and spreading spores. hod!!! hod. hod :)

[simcardiac-arrested]

wait, that elias?

[akascow]

JINAFIRE IS HEREEEE

i really like that her whole body isnt totally golden bc there is such thing as too much gold (cough g1 cough cough) lmao

DETAILS👇🏻👇🏻

i LOVE the gold stitching on her jacket (which is satin ?) and how the somewhat messy (/pos) handmade design of the pendant stitched onto it makes it look more like she sewed it herself (which she did) OOH

her skirt is really cool too,, also satin-y and the designs on it are so intricate jfkdjsl hard to see but its like dragons, scales and clouds in that traditional (?) chinese dragon type of art style and i think its supposed to be reminiscent of embroidery ? anyway i like how theres a lil transitions between colors on her knees

her ears are bigger and gold and i actually rlly like the design of them idk. earrings are like a knot talisman -- which from what i can tell the knot talisman is the endless loop// pán cháng [meaning infinity and longevity] :) -- and lil jade hoops and her makeup is that scaled design again lol

she has a lil reptilian kind of pupil BUT ALSO i always go crazy when characters have hazel eyes because i have hazel eyes and i never see it in character designs AND JINAFIRE HAS HAZEL EYES brown to green/grey to golden brown OUGHHHH fuck yeah bro

her hands have this cool wavy design on them and her claws are super long and pointy. a lil different than the g3 cartoon (she has green hands and just her nails are golden) but the g3 dolls dont ever really reflect the cartoon 1:1 anyway. plus i lowkey like her gold hands over green too HAHA. also jade bracelets (and necklaces) !! one is a beaded one and the other is a bangle :3

sommore dragon art on her shoes, the heels are a dragon too (although very hard to make out HAHA) the green part is iridescent too and the toes are upturned which from what ive seen is also a traditional shoe style, and it looks like the red ribbon part is another talisman but i cant find a specific name /example for it hmm... unfortunately no dragon-ish feet like her hands BUT her calves are WAY more defined than other g3 molds so i think thats interesting lol

accessories !! her sketchbook is the design of her jacket and bangle, the pen head is that of her lil cloud dog thing Cloudy//Yun-Yun,, glasses are kinda look like those sunglasses shaped like cloud with lil dangley charms to look like water or lightening- its kinda gen z BUT i do actually like these types of sunglasses irl,, plus it is nice to see mh designers are still keeping up w current fashion bc thats like half of what mh is about HAHA (also i am genz). also when u prop them up on her head they resemble dragon horns which idk it it was intentional but its hella cute

also heres the bag. idk i dont have anything interesting to say about that HAHA i like that its big tho lmao the other g3 bags can barely even hold their phone hdjhfdk

her phone case is another dragon lmao. the case blocks like a third of the screen tho idk how that doesnt drive her nuts HAHA

cute lil mannequin stand plus tail,, super tiny idk what shes designing clothes for on that thing maybe she makes doll clothes too HAHA kinda meta. also the base is a skullette kinda like the collector stand bases irl i guess

she also has a lil "fanghai yogurt drink" and i have literally nothing else to say about it HAHA

sorry to get all 8th grade history presentation on you in the middle there LMAO i think its neat and idk a lot about it so idk i just wanted to share for other ppl who may be interested HAHA plus it gives a lil more depth to the dolls lmao

[idontmindifuforgetme]

I admire girls who can pull off long nails bc it literally can never be me. I just don’t get how it works functionally

[arsenicflame]

stede is 'oh this place has something related to my interest i must go in immediately' autistic and izzy is 'if we deviate one inch from my plan for today i will murder someone' autistic

[lolathepeacocklord]

Shut up I’m playing. With my toyuz

[il3x]

Any idea how more power solves the problem of being a good person?

With more POWER, you can protect your teammates. With more POWER, you can defeat the Aberrant criminals who kill and extort and farm children for Rapture. With more POWER, you can avenge Jaeil. With the right kind of POWER, you could reform the Aberrant Corps from a killer, his killer, into a true hand of justice. You could impose Goodness across the entire world. With enough POWER, you wouldn't even need violence to do it.

And on the smaller scale... POWER can erase your mistakes. Good? You could be perfect.

[calitsnow]

Let’s talk about Hong Lu’s poster

Summary:

Introduction

The paifang

Where is Hong Lu?

The reality of Hong Lu

{Skip the introduction if you’re only interested in the analysis of the character of Hong Lu and his poster}

I/ Introduction

Today I would like to offer you an analysis of Hong Lu's character poster. Although it is difficult to know what these character posters seek to show, apart from presenting characters, it is clear that each of them possesses clues about the sinners’ past and especially where the character represented comes from.

For example, we could see the pallid whale destroying the Pequod on Ishmael's poster, although it was easy to make the connection with Moby Dick, the poster also showed us that Ishmael had a history with a white whale and was a survivor of a shipwreck.

I am not sure if all the information is equally valuable according to the posters because, for example, Sinclair's poster is quite enigmatic and does not really show a specific event or place, or at least I do not recognize it.

But that does not stop me from believing that what is depicted behind the sinners is supposed to be related to the sinner, yes, but also, I think, related to a wing or place in the city that was important in the sinner's past.

I even wonder if the moment/place represented is not supposed to represent the place where the sinner decided to join the company.

Why do I say this? Well, you can see behind Rodion's character a casino setting, whereas her ego and space generated by the golden bough were affiliated with a world of ice. So why does Rodion's poster show her in front of an environment reminiscent of a casino? Perhaps it is to evoke her love for gambling as well as her ability to bluff and her desire for money, but if we look at Rodion's photo in the identity archive menu:

We can see Rodion in an outfit we have never seen her in before, an outfit that closely resembles what someone might wear at a casino. We have never seen how Rodion was recruited by Limbus Company, but if we follow the logic I just proposed, Rodion would have been recruited in a casino.

This logic seems credible and yet doubtful when we look at the case of Yi-sang.

For the moment, Yi-Sang is the only sinner whose recruitment by Limbus Company we know:

We know he was coming out of the laboratory where he was held by Gubo, the same laboratory we can see behind him on his poster.

But here's the catch: this is how Yi-sang was dressed when he met Faust VS versus what Yi-sang looks like on his photo in the identity archive:

But hold on! I may have an explanation for this difference:

Yes, in the first image, Yi-Sang is not wearing his scientist coat, but he is indeed wearing the gray shirt, and I think Yi-Sang was indeed dressed with his coat initially, I think he just took it off in the left image.

So yes, it sounds like a lame excuse, but look at how Yi-Sang was dressed before this scene (when he was held captive).

Boom, there it is, that scientist coat. Yi-Sang was indeed dressed as he was in that laboratory when his photo for the company was taken.

But here's the second little hiccup: we don't know how much time separates Yi-Sang's escape and his encounter with Faust...

But if what is depicted behind the sinners is not toward the place/moment where he was recruited by Limbus Company, then I think the place depicted behind the sinner is still a place/moment that shaped the sinner and convinced them to join Limbus Company.

II/ The Paifang

After this brief analysis that raised many questions, I would especially like us to keep the idea that what is depicted behind Hong Lu is related to him and the wing (or other place in the city) where he comes from.

Let's continue:

To make the understanding and analysis of the poster simpler, I decided to divide it into 6 zones:

Red: character

Dark blue: background area with tall buildings —> the city / what is behind the paifang

Purple: Paifang

Light blue: distorted and highly colorful area / portails

Orange: what surrounds the sides of the paifang

Green: the ground and what is in front of the paifang

Even if sometimes I won't do it, I will now also use this color code to target specific areas of the poster when needed.

Well, first of all, I'm going to talk about the purple area, which is everything related to the Paifang, which is a very important element of this poster:

This Paifang, which looks like it's made of (red?) wood, seems to be surrounded by tall walls as we can see in the orange area.

So it seems that this Paifang is the only entrance and exit between two spaces. Indeed, if this Paifang is surrounded by walls and (assuming) they extend over a long distance, we can quickly conclude that this passage is the only one that could allow someone to enter or leave a closed space (we will come back to these ideas a little later).

Returning to the Paifang, it seems to perfectly fit the definition I found of a Paifang: "A Paifang is a traditional Chinese architectural structure in the form of a portico or arch, usually placed at the entrance of important places such as cities, temples, or properties. These symbolic gateways are often richly decorated and serve as monumental entry points."

I think the main idea to remember is that this Paifang is a gate/a means of passage, and I think it is the only gate allowing travel between the two spaces it separates.

But what does this gateway separate? Well, I think we have an answer with the inscription in the middle of this Paifang:

Indeed, what is written in the middle behind Hong Lu is this: 境幻虚太 (Jing Huan Xu Tai), we can recognize 4 distinct characters:

境: Realm

幻: Illusory

虚: Void

太: Great

But what is most surprising is that this phrase is actually written backward; indeed, in Chinese, it should be written 太虚幻境 (especially when we know what this combination means, especially in Dream of the Red Chamber), and here it is written as if it had been reflected in a mirror. We know that mirrors play a very important role in Limbus Company, but we will come back to this idea of a mirror a little later.

{Update : I was informed that the ordering of character written on the paifang is actually correct for traditional Chinese writing and for when the characters have to be placed horizontally (especially when you have to write on a space which does not really allow you to write in the vertical like on this paifan). The fact remains that the name of Hong Lu's weapon is therefore written in backward, so why? I don't really have an explanation now... and I have to admit that I still like my first analysis and I still think it is (a little) relevant in a way, so I invit you to keep reading (while keeping this in mind)}

For now, I would like to return to the meaning of what is written on this Paifang; indeed, once the combination of these 4 characters is reversed, it refers to a very important place in Dream of the Red Chamber: "Illusory Land of Great Void" or "Land of Illusion".

We can therefore conclude that this Paifang overlooks the "Land of Illusion" and separates/is the gateway between these two worlds, which are the "Land of Illusion" and, I think, the city.

Which is reminiscent of its “equivalent” in the novel since in the novel there is also a mention of a gate which separates the world of illusions from the rest or at least which indicates its entry point

{Side note: Strangely, this is not the only time that "太虚幻境" appears on the poster since it also appears just at the bottom right, and yes, "Land of Illusion" is also the name of Hong Lu's weapon, but that's not all! It is of course also the name of his EGO.

We can therefore see that the "Land of Illusion" is used to define many things related to or belonging to Hong Lu.}

In the novel Dream of the Red Chamber, The Land of Illusion is a domain where illusions and fantasies come to life. However, despite its enticing and enchanting appearance, this fictional world is also fraught with dangers and traps as it can lead individuals into deceptive illusions and prevent them from perceiving the truth.

However, a very interesting analysis of the Land of Illusion parallels this place with the Prospect Garden, which is the garden where Baoyu lives with his cousins and servants. It is the setting for many events in the novel and is also a haven of peace cut off from the rest of the world where its inhabitants can indulge in their idle and luxurious lives.

When Baoyu first visits this garden, he feels like he has been here before, and indeed, this garden actually reminds Baoyu of the place he visited in his dreams: the Land of Illusion.

A fantastical literary garden devoted to pleasure and love, which recalls the hero's dream of love and evokes in him a sense of the uncanny, will lead the reader to realize that Prospect Garden is the Land of Illusion. Eden, emptied of humanity, may remain a pristine ideal.

The Prospect Garden becomes a Buddhist allegory of experience. It blooms and withers with the ebb and flow of human desires and longings, but it is also a fictional world, imagined, the stuff of dreams.

The Prospect Garden is the earthly manifestation of the Land of Illusion, just as Baoyu is the physical earthly reincarnation of the stone.

III/ Where is Hong Lu?

After discussing what The Land of Illusion is and what this Paifang separated or rather where it leads to, it's time to ask a question: on which side is Hong Lu on his poster?

The Paifang already gives us an indication of this: since we can read "Land of Illusion" backward.

So I think we can deduce that Hong Lu is currently on the side of the "Land of Illusion" because if we follow the theory that the writing on the Paifang is reversed because Hong Lu is in a mirror world, then it's easy to guess that on the other side (the non-visible face) of the Paifang, we could read "The Land of Illusion" written correctly because this Paifang does lead to the "Land of Illusion."

To support this assertion (that Hong Lu is on the side of "The Land of Illusions"), I invite you to look at the dark blue area.

We can see tall buildings bathed in a red/black color; I think this modern aesthetic and these colors are supposed to remind us of the city, whose red color is often associated with —> just look at the map to notice this.

But that's not all: the color red is associated with the red dust by which Buddhism refers to the earthly realm, which contrasts sharply with the luxury brought to mind by the vernacular use of red.

Red dust is a symbol of the impermanence and transience of human life in Chinese philosophy.

It represents the reality of life as transient and ephemeral, reminding individuals that everything in this world is subject to change and disappearance. This notion is often used in Chinese literature and poetry to express the human condition and the importance of fully living each moment, knowing that nothing is permanent.

Red dust is used to talk about our world and our existence on it, which is but a short-lived illusion filled with suffering, to talk about the mundane world.

In Limbus Company, this world of Red Dust, this illusory world, is the city, and this bubbled paradise is "The Land of Illusion."

But how do we know that Hong Lu is indeed walking on the water of what I have been calling "The Land of Illusion" all this time?

Well, a clue might give us the answer; I invite you to look at the green area.

We can see that Hong Lu is walking on water, which already evokes the notion of "reflection" and this idea that The Land of Illusion is a mirrored world of the world of red dust, as is "The Land of Illusion" in the novel, but that's not all.

I will have to step away from Hong Lu's poster for a moment to look at an image present during the Limbus Company launch trailer.

Although nothing I'm about to say has been confirmed, I don't think it's too farfetched to say that we can see in this image a past version of Hong Lu, before he joined the company when he was at home, probably the Jia family manor (or at least its version of LCB).

What's interesting about this image is the color of the sky: this blue fading towards turquoise. We've seen it elsewhere before:

And yes! I am convinced that this blue space we can see in the cutscene of Hong Lu's EGO is supposed to be the sky from his home. And what is Hong Lu's EGO called? Land of Illusion.

Furthermore, I think that this blue sky is meant to contrast with the red sky of the city. Thus, the separation between the two is even more accentuated, as it was with the Paifang that clearly separated the two realities.

So, I believe that we can conclude that Hong Lu lives in the Land of Illusion.

This idea that the world in which Hong Lu lived is "The Land of Illusion" is emphasized by another detail: the reflection of the moon in the water.

In Buddhism, the image of the moon in the water is often used as a metaphor to illustrate the illusory nature of reality or the nature of conditioned existence. This metaphor is often associated with the practice of meditation and understanding the nature of the mind.

The moon in the water appears clearly and distinctly, but it is unstable and transitory, as it is subject to the movements of the water. Similarly, in daily life, what we perceive as reality is often changing, impermanent, and conditioned by multiple factors.

This metaphor thus emphasizes the importance of recognizing the illusory and impermanent nature of reality and not attaching to appearances or transient phenomena. In summary, in Buddhism, the image of the moon in the water is used to illustrate the illusory nature of reality and to encourage the practice of meditation and the search for the true nature of the mind.

I think that this image of the moon in the water is meant to make us understand the true nature of the place where Hong Lu walks: it is The Land Of Illusion, which is nevertheless Hong Lu's reality.

IV/ The Reality of Hong Lu

Indeed, I will now delve into an explanation, and I will try not to get confused. For this, we must now look at a very important excerpt when analyzing the novel Dream of the Red Chamber:

"Truth becomes fiction when the fiction's true; Real becomes not-real when the unreal's real."

This idiom is not just written anywhere in the world of the novel; it is located on the Paifang serving as the border and gateway to the Land of Illusion, and there is a good chance that it is also on the Paifang that we see behind Hong Lu.

This idiom makes us understand that reality is actually fiction and that fiction is actually the real world. It invites us to reverse our perception of realities and to consider what is called "real" as false and what is called “false” as real.

Here, I think, it is about understanding that Hong Lu's reality, which is (in) the Land of Illusions, is actually a fictitious and false world. Where the city, which is an unknown and completely foreign world to Hong Lu, which could be seen by him as a fictional world that is not real, is actually the real world, whereas the world he considers real is (his home) actually a false world.

To be honest, I cheated a bit because even though the reflection of the moon in the water is used to evoke a world of illusion for Buddhism, and even though I think it can indeed refer to the fact that Hong Lu is on the side of the "Land of Illusion", I think above all that this reflection is meant to make us understand that this world where Hong Lu is located has an illusory nature of reality + a nature of conditioned existence.

This brings me to talk again about Prospect Garden, which I think is the place where Hong Lu grew up but is especially the place from which Hong Lu must escape.

Prospect Garden is, as mentioned earlier, the Land of Illusion materialized in the real world and is therefore a domain where illusions and fantasies come to life, that is, a place where Baoyu bathed in luxury and idleness.

In "Dream of the Red Chamber," Jia Baoyu is often faced with symbolic choices between staying in Prospect Garden, which often represents the materialistic world and earthly pleasures, or setting out in search of spiritual enlightenment. His journey to enlightenment often involves leaving the illusions and distractions of the material world represented by Prospect Garden. Thus, it is often suggested that to achieve enlightenment, Jia Baoyu must move away from Prospect Garden and seek a true understanding of himself and the world around him.

At the end of the novel, Jia Baoyu (the figure who is supposed to have inspired Hong Lu) realizes the illusory nature of his life and realizes that Prospect Garden was only a world where he was trapped by the illusory pleasures of life, and that is why at the end Jia Baoyu decides to break with his previous life and leave the garden (as well as the rest of his family).

I think we are going to go to Hong Lu’s home to realise that he was literally living in a bubbled space and we will go to the Land of Illusion which, I think, will also be the Prospect Garden.

And the fact that the words are reverse like if they were reflected in a mirror helps, I think, to support on the idea that Hong Lu's world/reality is a reflection of the real world but where everything is distorted/inverted (a symbol I also think of Hong Lu's ignorance and his strange vision of the world) and that this illusion glass will break little by little

We also have to remember the sentence

"Truth becomes fiction when the fiction's true; Real becomes not-real when the unreal's real.

And remember that what is true is actually false / wrong according to this. So maybe, if this idea from the novel is kept, the world where Hong Lu is living is just a big lie where everything is just a smoke screen and that Hong Lu is living in denial, prefering to accept this illusion so that his world / vision of reality or truth is not shattered.

So, I think that Hong Lu, during his chapter, will have to understand that his reality is not true and learn to leave the land of illusion to find the truth because it seems to me that one of the theme of Hong Lu will turn around the theme of truth and reality.

[aerostaticsurrender]

Dream brother with your tears scattered round the world

Dont be like the one who made me so old

Dont be like the one who left behind his name

Cause they’re waiting for you like I waited for mine

And nobody ever came

[sp00pypumpkins]

I am finally better from being sick a few days ago B] and finished the ref for Zero in the sweet home AU by @asamary (sorry for the tag)

Now I can freely do silly lil comics about it HAHA

[mokeonn]

Before I go to sleep I leave you all with this piece of advice: sometimes you don't actually have to answer big political questions, sometimes you can just say "I am not smart enough to know that, I just know the small things I do to help." Like you can often times completely avoid making a fool of yourself if you just say you don't know.

[artisticxlly]

Fall makes me feel whimsical so here's a kitsune Suna :P

The fur colouring was inspired by the Tibetan fox so here's a version w/o the additional lighting and the (rushed) background!

[the-moons-not-haunted-you-are]

fun idea for a poll I just had!