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royalarchivist · 1 year ago

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Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

#Quackity #QSMP #December 23 2023 #Translated #I tried my best but as always; if you have any suggestions or corrections please let me know #For context: Quackity and the QSMP have been repeatedly snubbed and undermined but very recently (as in like. the last 48 hours)#the ''Hispanic rewind'' aired and they were VERY rude to Quackity and his project #like straight up in the video itself they were rude about his project (and many other projects). It was basically a Spain-centric video #Then the creator double-downed on it on Twitter and was an all around asshole about it #I don't like sharing ''drama'' here but this is a matter of respect and communities so I think it's important to share #Especially since I know some people will ask ''hey why isn't Quackity / the QSMP nominated at this award show?''#The Esland awards are a whole 'nother can of worms but the dude who did the Rewind is tied to that too #The Eslands have had a lot of problems though so frankly I can't blame him #I wasn't planning on posting this but I wasn't seeing any translations or clips floating around on here #despite the discussions people were having #so here it is for folks if they want / need to reference it #Anyways. Good for Quackity #He never speaks up about this kind of stuff but this was long overdue #k I just updated the wording on this I didn't like how I phrased a few things

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froschli96 · 7 months ago

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You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

#assassins creed #ac1 #altair ibn la'ahad #malik al-sayf #ezio auditore #asscreed #rant #long post #this is killing me #i even started rereading the secret crusade bc i thought maybe i remember it being worse than it is #but honestly its the opposite #even just the fact that in the secret crusade altair always says some last sentence after his targets' confessions #has me so irrationally angry aksjdfh #like over sibrands body he says something like 'may death be merciful' or something #like? did they want that to be like requiescat in pace or something???#like aside from the fact that altair WOULD NOT FUCKING SAY THESE THINGS #it also just destroys the tension built up by the target's last words #like... i do think it was very much on purpose that the target always had the last word in the confessions #sigh whatever its just a stupid video game from over 15 years ago who cares #(me. i care. unfortunately. i wish i didn't. send help please.)#also the fact that bowden just completely fucked up arabic naming conventions with the whole “umar/darim ibn la'ahad” thing #(which is kind of an achievement considering that wasn't too great in ac1 to begin with)#tho bc of that they kind of inadvertantly ended up implying that roshan is altairs ancestor which i actually kind of like lol #anyways sorry for this giant wall of text #this is probably (definitely) the longest post i've ever made lmsadjf #but i do think i've gotten most of it off my chest.... maybe #maybe ill add stuff if i come across something else that makes me angry lol #sorry i know i promised an essay and instead delivered a rant #i just dont think i have the capacity to actually structure my thoughts any better kajdsf

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old-skyguy · 6 months ago

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Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

#didn't care for the dialogue either.#DON'T GET ME STARTED ABOUT FRANZISKA DON'T DON'T DON'T DON'T DON'T YOU DARE GET ME STARTED #THIS CASE WAS SO GOOD FOR HER DEVELOPMENT THAT'S NOT EVEN A “COULD HAVE” THING #sure she could've been fleshed out a bit more #but the stuff we get from our interactions with her in this case is GOOD. SHIT. It's just that this case is so hated that it's overshadowed #and yeah. i like Moe Curls. i think he's cool and he added some flair in an otherwise bleak case.#i think his whole unfunny clown schtick was very entertaining. it reminded me of this one shel silverstein poem i loved as a kid #clooney the clown.#tbh ive wanted to rewrite Bigtop for a while now #get a script together and all that. but im an amateur writer who's burnt out as shit and never posts anything writing related #except analysis i get way too excited and proud of. oh well #maybe someday.#also rq why does every other tripple-a game get really good in depth analysis video essays #with their complex literary themes talked about #but with Ace Attorney - a game about reading longer than most books - half the fans have the absolute most dogshit literacy comprehension #it's actually painful. ESPECIALLY with Franziska's character #anyway i'll stop.#ace attorney trilogy #ace attorney #ace attorney justice for all #turnabout big top #franziska von karma #phoenix wright #phoenix wright ace attorney #pearl fey #farewell my turnabout #moe curls #regina berry #ig ore if this is incomprehensible i did not proofread this.#i simply do not like how fran's only traits to somea these mfs is “annoying overemotional teenager haha grumpy whip lady”

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