#i have no idea what this is all about but i miss my boy and you know who

[pedgito]

𝐂𝐇𝐀𝐍𝐆𝐄 | Joel Miller x reader

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summary | Joel hates change, but you introduced the idea that letting someone else take charge isn't always bad.

author's note | horrible summary but just know that man is dow horrifically bad. i don't think i need to explain what inspired this. i recommend a mix of father figure by george michael and i'm on fire by bruce springsteen on a constant repeat while reading this, for the vibes <3 thank you @chaotic-mystery for beta'ing and constantly making me laugh

content warning | 18+ MDNI, sub!joel, no outbreak, power dynamics (he's your boss), age gap (shocker), lots of open communication, vague plot, oral (m & f receiving), unprotected piv, creampies, cum eating, restraints, joel eating the puss with no hands, use of a cockring, joel's a real good boy, open-ended

word count — 7k

“You ever thought about lettin’ someone else take control?”

Tommy’s staring over the dirtied tupperware in his hands, the heel of his boot squeaking against Joel’s cluttered desk, who’s staring down at the mess of paperwork before his eyes flick up briefly at his brother, glaring.

“And run this place into the ground?”

“Joel, look at this place,” Tommy gestures lazily toward the space.

It is a mess—paperwork misorted, information scribbled on a calendar long forgotten underneath the pile, sticky notes scattered throughout, and Joel’s brain running a million thoughts per second on top of the physical work he’s providing throughout the company.

He’d taken on the position thinking it would be a good thing, a breather, after years of working only physical labor—extra money, more security for his daughters as they entered college, always feeling the support of him even miles away. But, it had slowly begun to overtake his life, his weekends that used to be spent watching football games and drinking in his backyard, were forced into four walls.

He can’t even remember that last time he’s had the chance to have a night out.

Gone on a date.

Hell, even sex was nonexistent.

“Hiring someone means training and you and I both know we don’t have the time—”

“That’s why you hire someone with experience—and vet ‘em. You know what, I’ll ask Maria if she can help out with finding someone. Lord knows you’ll never make a decision.”

“I am your boss, remember?” Joel threatens lightly, tossing a dry, unusable pen on his desk, mirroring his brother as he raises a foot on his desk and leans back, arms crossed over his chest, “Maybe work would be less of a pain in the ass if I jus’ fired ‘ya.”

“Yeah, but then who’s gonna deal with all your cryin’?”

Joel tosses a balled up napkin at Tommy’s head, one that he dodges with ease as it flies over his head, barely missing the trashcan on the other side of the room as it slumps to the floor.

“Just try it out—ain’t nothing bad about change, brother.”

For Joel, it meant relinquishing the control he wasn’t ready to offer up.

–

You fidget nervously in the chair in the front office, heart hammering in your chest.

First impressions were always nerve-wracking, but with Joel, and the preface you were given by both Maria and Tommy, who had led you through the hiring process, made it seem like he was nearly unbearable at times.

The door to his office creaks open right on time, not a second after.

He’s dressed up, slacks and a tight button-up paired with loosely slicked back hair, peppered with grays that dissolved into his trimmed facial hair, a permanent scowl on his face as he greets you, head down and following you as you slipped by his large, stocky frame.

As the door clicks closed, he begins with audible uncertainty, “I’m not sure what all my brother and his wife told you, but—”

You interrupt firmly, attempting to assert your unique approach at dominance when men like him, slinging your bag into one of the two chairs positioned in front of his desk.

“So—I manage the day to day. I can handle calls, within reason, unless you like doing that yourself,” Truthfully, it wasn’t his favorite thing although it was the most important—selling the company, getting the customers, Joel could be a smooth talker when he wanted, “for paperwork, I’m scarily organized and I’ll take care of all,” You look around at the tornado of receipts and contracts scattered around, “this.”

“What about lunch?” Joel inquires jokingly.

“And breakfast,” You answer nonchalantly, “Listen, I’m here to help you.”

“I’m used to handling all of this alone, so forgive me if I’m—”

“Territorial,” You finish for him, eyebrows raising inquisitively as Joel cracks a faint smirk.

You cross one foot over the other and clasp your hands together, connecting with his gaze as he stands a few feet away, hands shoved into his pockets, and he opens his mouth like he wants to argue or protest against the word, but you smile knowingly.

“I’m used to it,” You assure him, “Mr. Miller—Joel, I’m not…sure what you prefer. The goal is balance, your brother mentioned something about you sleeping here sometimes.”

“Just Joel is fine,”Joel tells you, glancing sheepishly at the messy couch, a blanket and pillow balled up on one cushion.

“That’s not happening anymore,” You assure him, “and don’t think you’re overwhelming me. I need a list of everything you want me to cover—I’m your assistant, so if helping means grabbing you breakfast every morning, I’ll do it.”

It takes an hour of conversation and convincing before you finally manage to lead Joel toward his desk, inadvertently organizing some of the paperwork as he wrote down a list that grew and grew as you talked, giggling to yourself as he would occasionally scribble out a word and then rewrite it down.

You’ve dealt with plenty of men like him, an unwillingness to hand the leash over, gripped tightly around his hand—Joel just needed a shove and some reassurance.

And within a few weeks, after you’ve managed to introduce an entirely new filing system to keep things organized, color-coded his calendar, and started taking calls while he would make his rounds to check on the employees posted at different locations around the city, he realizes that he can breathe a little easier.

It’s also a mighty big plus that he doesn’t have to spend twenty minutes in the pick-up line for a black coffee and bagel or concern about lunch before deciding to skip it entirely.

You spend most of your time with him, learning subtle nuances and quirks that help you decipher his steely expression and non-existent personality. Tommy, who was outwardly joyful and shamelessly extroverted, was the complete opposite of Joel, who was reserved in all aspects of his life.

“Forgot how greasy these damn things are,” Joel gripes lightheartedly as he pulls the paper away from the double cheeseburger, sipping at his soda as you tap away quietly on his computer, watching him briefly from the opposite side of the desk as you took up residence in his chair for the moment, “what’re you doin’ again exactly?”

You silently pass him a napkin which he grabs wordlessly.

“I’m scheduling a week off for you and clearing your schedule so you won’t have to worry about anything,” You tell him, the line returning between his brow as he chews.

“I didn’t approve that,” He says around a mouthful, wiping at the corner of his mouth with the crumpled napkin, “besides I ain’t got the time—”

“The last time you took off was,” You pause for an extended amount of time, searching back through the calendar before you spot it, “two years ago for…”

“Graduation,” He answers quietly, “for Sarah and Ellie.”

His daughters, who he always spoke of fondly, pictures scattered around his office.

You were a few years older, wondering if the reason he was so reluctant to your help was your age, wondering if you truly had the experience to handle the workload.

“Exactly,” You answer sharply, “And your birthday falls within that week, so you’re not going to argue with me.”

“Yes, ma’am.” 

You grin triumphantly, snatching a fry from his to-go tray.

–

By September, Joel has fully settled into having you around. It’s only been a few months and he’s already able to spend more weekends at home and occasionally get back to more physical labor when his body agrees with it, unfortunately the company was heading toward a rush, a quickly moving train with no end in sight.

It was the third late night in a week after Joel had returned from his much needed vacation and you’re working quietly at writing down a plethora of dollar amounts to work out on the white board beside his desk before he huffs, leaning back in his chair as he curls his fingers behind his head and grimaces at the stress, forehead shining with a sheen of sweat.

Oh, yeah—and the AC was broken.

They were scheduled to fix it at the end of the week, but for now, it was thin dresses and loose fitting clothing and Joel, who was sticking to jeans and a casual, worn-out shirt. Your hair was tossed over one shoulder as your head tilted, arm extended up as the marker squeaked against the board, unknowing of his eyes that dragged along the expanse of your body.

He’s never shown any interest, not really. Almost always respectful, sometimes too much.

He’s asked about your life, your interests, whether you were thinking of marriage or not—it all felt wholly casual. You knew he had never been married, that he’s raised both of his daughters alone aside from the help of his brother Tommy, and that he rarely went on dates.

You tried helping him once, even scheduling his work day around the date to accommodate and allow him the opportunity, but you were ultimately greeted with his sour expression an hour after lunch.

“She kept tellin’ me how much I reminded her of her ex-husband,” Joel had told you, your hand covering your mouth in both shock and amusement, watching as he slumped into the chair and loosened the cuffs on his shirt. You weren’t sure how anyone could pass up on that.

Now, you can sense his discomfort. Like an aura. 

Lately, you’ve felt like an extension of him. He sensed it too, with you seeming to say things he’s thinking, in your own words, always knowing exactly what he needs, whether it was just a moment to himself or a day of you handling other work while he hid away in his office to handle the overload of calls.

You’re not sure why you stop writing, but you do. The pull guides you to him, moving silently, watching as he leaned forward on his desk, head slung down as he rolled his neck and quietly, your hands curl around his shoulders to squeeze, digging deep into the knotted muscles.

He’s quiet for a moment, both savoring the feeling and processing the situation.

First, he speaks your name, like a warning.

“You’re stressed, let me help,” You comfort him, watching as his shoulders relax with the effort of your hands, now completely slouched against his desk as your hand drags around his shoulder blade and back up, thumbs pressing into the base of his neck as he groans quietly, “does it hurt?”

Joel shakes his head, allowing the press to continue before he slowly pushes up, reaching blindly for your hand before you swat it away, “It’s just a massage, Joel. Relax.”

That wasn’t the issue.

He won’t admit it either, his face blushing as he leans his head back, feeling the delicious pinch of skin as you work out the difficult and stress-filled knots, eyes closed as his lips part.

You smirk slightly, watching the mess of his soft brown curls caress your breasts and he situates himself in his chair, slowly curling your fingers over his shoulder as his bottom lip quakes, shivers.

He whimpers.

He hears it, you hear it.

Joel’s eyes peel open in apology but you shush him, the cold touch of your fingers dragging along his neck, in perfect position to take hold and you’re almost positive Joel wouldn’t try to stop you.

“Don’t—don’t say it,” You nod to reassure him, dragging your other hand over his clammy skin, pushing his hair away from his face as you tug at the strands gently.

Joel nods obediently, swallowing as his hand glides over his crotch, rubbing through the denim of his jeans, cock swelling slowly underneath as he presses the heel of his palm against it for a sliver of relief. 

You both ignore how quickly the lines have blurred, glaringly aware of the unlocked door to Joel’s office as the massage transforms into something much more nefarious, your fingers slipping underneath the fabric of his shirt and against his skin, through the coarse hair on his chest, not a single reaction as his right hand curls around the back of his chair to twist around your thigh, pulling your knee up on the armrest.

With the slight adjustment, you notice his hand squeezing tight at his jeans, desperately trying to avoid his obvious want, attempting to stifle the desire and not acknowledge it.

“It’s been a while, huh?” You ask softly, too scared to startle him.

Joel nods, blinking slowly as his eyes fall on your lips and the way they curl slightly over your teeth and into a thin line at his response.

“Since someone touched you like this?” You inquire further, feeling his fingers squeeze at your thigh as your hands work like magic over his skin, trailing down his chest and twisting into his hair, his eyes fluttering closed at the interaction.

“At all,” He admits, “s’been so long—m’sorry, sweetheart.”

“Don’t apologize,” You tell him, sensing the regret as it invades his thoughts, quickly quelling the feeling, “I think—I think I can help you.”

Joel sighs, breathing out through his nose, “I’m your boss.”

Obviously, you think.

“On paper, maybe—but you’ve had no problem listening to me,” You tease, the slightest hint of shame on his face at your words—he’s guilty, he knows it—”in fact, I don’t think you realized how much you liked it, until now.”

The voice trailing along the hallway breaks you both out of your trance, slowly pulling your touch away as your leg falls, Joel’s fingers yearning for a final touch as they dig into your skin.

“Easy,” He cautions, looking down at his desk as he pulls at his jeans, adjusting the obvious discomfort of his stiff cock as it waned, “not—not here.”

“Gimme your phone,” You urge, holding your hand out expectantly.

He hands it over with an air of skepticism, your finger tapping against the screen quietly before you pass it back to him, the device dwarfed in his large palm.

“If you’re not busy tonight,” You say quietly, increasingly careful as you hear Tommy’s voice carry throughout the office, “I put my address into your phone, it's in your favorites. Should be easy to find.”

An invitation. 

Like dangling a treat in front of him, waiting to see if he’d take the bait.

-

He’s starving, fortunately.

He sits through dinner with Tommy and Maria, a regular occasion as Joel is often horrible at taking care of himself, surviving on very little sleep and a couple meals a day, often supplied by you.

He should take better care of himself. He knows that.

Regardless, he’s jittery as he pulls up to the apartment complex his phone led him to, parking in the garage attached as he sends you a single text around ten o’clock that night.

Your phone dings on your kitchen counter, finishing up pouring out your glass of wine as you pull it toward you with a single drag of your finger.

Joel: Here. Apartment number?

You chuckle at his straightforward nature that translates loudly through the tiny letters on your screen, quietly tapping out a response before you push your phone aside.

As you’re rounding the counter to head toward your couch, the deep knocks follow, wondering if he’d already been perusing and got lucky he was near.

You turn the knob and pull the door open as you press the glass to your lips, taking in the sight of a man who looks and feels entirely out of place. 

His eyes follow your state of undress, assuming you were ready to climb into bed with the silk shorts that clung to your hips and the scantily cropped top to match, barely covering your breasts.

He’s changed since work, only trading the denim for a much softer material to cover his legs, a fresh shirt, his hair mused like he’s been running his fingers through it with worry and unsurety. 

“How was your night?” You ask casually, moving to allow him the room to step inside your apartment, closing the door behind you as you head toward the fridge, silently grabbing for a beer—his favorite just happened to be your own, so it worked out perfectly.

“Fine,” He grumbles, watching as you hand him a now opened beer and push by him, but not before your fingers drift against his own, pulling him alongside until you reach the couch.

His fingers curl around yours without a second thought.

“You started talkin’ about football and Tommy went on one of his rants again, didn’t he?”

He’s used to it by now, how well you can assess him.

“S’almost like you were there,” He chuckles, tipping the beer to his lips and taking a long chug, “did I bother you? I know it’s late.”

You shake your head, allowing him to finish up a decent amount of his beer and your glass of wine before you’re plucking the glass from his hands and tucking it away on the table.

“Have you done this before?“ Joel asks softly, a deep gravelly timbre to his voice as your ass angles up, leaning off the couch to dispose of the drinks before you’re climbing over his lap, quietly raising your hands to cradling his face.

He doesn’t look at you for too long, not allowing the weight of the situation to settle quite yet, selfishly roving the expanse of exposed skin, feeling your hands grip his own to guide them to your hips.

“Does it matter?” You ask, dragging your thumb along his beard, rubbing at the bare patch of skin on his cheek, “Would it make you feel better if I said yes?”

“No.”

A small sliver of tongue peeks through your teeth as you bite down, grinning openly at him and his sheepish gaze.

“You’re my first—is that what you wanna hear?”

You can feel the bluntness of his nails dig into your skin at your words—oh, he that is exactly what he wanted.

“I’m just—M’not sure what I’m supposed to do here, sweetheart.”Joel responds instead, licking his lips before they pull together in a tight line.

“Would whiskey help? I got whiskey,” You respond cheekily, “I’ll get you some. Stay put.”

Joel chuckles nervously, “Yes, ma’am.”

You climb off his lap and disappear into your kitchen, reaching into the cabinet for a glass before crouching down to retrieve the liquor hidden away, hearing the soft and subtle rustling as Joel adjusts more comfortably on the couch, his shoes now removed and tossed haphazardly toward the coffee table. 

“If you—if you haven’t done this before,” Joel pauses as you return, making immediately room for you on his lap as you press the glass into his waiting hand, “why’d you offer?”

“Men pay me to boss them around, plenty of men like you,” It was a loose description, but it was the one strong suit you’ve prided yourself in, corralling stubborn men, “I like it and I’m good at it.”

“Clearly.” Joel comments under his breath, a small scoff of astonishment slipping past your lips as you force the glass to his own lips in a silent command.

“I don’t make it a habit to have sex with them, f’that is what you’re really worried about. They’re all married, miserable, but married. And I don’t like the mess of getting involved. Any time I’ve moved on it’s been because of that.”

Joel continues to drink by your aid, downing the rest of it as you continue to speak.

“You’re not married, you’re not complicated. You’ve been respectful. This isn’t you approaching me—I made that move, I just gave you an offer. One, which, you can still bail on and I won’t be upset. I won’t quit, either.”

As the liquor takes hold, Joel seems to relax, the tension in his body dissipating as you slowly trace the lines of his face and body with your fingers, explorative within reason.

“I guess we should set some ground rules,” Joel grunts at the mention, slightly more handsy as his fingers meet at your back, dipping a centimeter below the waistband, “If we do this—I’m in charge, completely. That’s the only way this works, or helps you. And it should be a given, but I’m clean and on birth control. But, it that reassures you—I’d rather you hear it.”

“Jesus Christ,” Joel groans, feeling the immediate loss of his touch as he rubs his hands over his face before stretching them out over the back of the couch.

“I’m just…covering the bases, I’d rather not have the question come across when you’re an inch away from putting your dick inside me, you know?”

“Coverin’ your bases?” Joel echoes, slightly amused.

You grin, climbing off of him slowly as you reach for your phone, fumbling through your playlist before you find a slow, sensual tune to fill the quiet air.

Hey, little girl, is your daddy home?

Did he go away and leave you all alone?

I got a bad desire

Oh, oh, oh, I'm on fire

“Do you dance?” You ask curiously, wandering toward your kitchen for the open wine bottle, half-empty and begging to be consumed.

“Not much—not…not anymore,” Joel doesn’t know he words it so cryptically; he danced, just not well. 

“Tommy told me how, at least, before the girls, how often you two would go line dancing,” Joel’s fingers curl around your hand as it extends, bring the wine bottle to your lips with the other, “now that I have to witness.”

“You and Tommy sure do talk a lot,” Joel notes, looking down at you as your fingers drag along the hair at his nape, “anything else he told you?”

You shake your head nonchalantly, bottom lip jutting out slightly as you sway your hips in time with the lyrics, Joel’s hand covering the full expanse of your own as it wraps around, constantly mesmerized by the sheer size.

The goal was to shake his nerves out, but he seemed to stiffen with your progressive movement as you twirled yourself around, one long gulp of wine before you set the bottle aside and relent, dragging your finger up the fabric of his shirt before you squeeze at the collar, pulling him closer.

“Either you dance with me,” You begin, “or I’m dancing for you—your choice.”

His non-answer is enough, forcing him back onto the couch before you’re shoving the table out of the way and turning up the volume to the rhythmic tune.

You’d convince him eventually, dying to see those skills come back to life, even if it was just a glimpse.

“Put your hands under your legs,” You instruct him casually, eyes tracking up as you watch his chest puff out with the motion, fitting his hands under his thighs without argument.

Huh, that was easy. 

Time was a teller, though, and you were curious how long it would last. 

—

He’s seen glimpses of it before, the soft hum under your breath as you sing the catchy tunes playing on the radio in his office, a subtle sway as you flip through a stack of paperwork or at his desk, the tiniest movement.

But here, now, he’s mesmerized.

He gets it, this is what you wanted.

Joel’s fists have balled up under his thighs, watching you turn away as you dance, the swaying movements pulling at the already short fabric as his eyes follow the way you bend, giving him a full glimpse of your ass.

You giggle softly at his lack of reaction, which wasn’t entirely true, watching his knees widen at the action, subconsciously making room for you despite your distance. 

Yearning. He was yearning for you.

You drop to your knees, crawling toward him slow under the low, ambient light of your living room—a faint glow of pinks and purples, transforming into greens and blues, filtering slowly through colors as your hands grip his knees, sliding up the inside of his thighs tantalizingly slow. 

“So…” Your finger trails around the drawstring of his pants, “at any point that this gets too much or you’re not feeling it, just say stop.”

“That ain’t somethin’ you gotta worry ‘bout.”

“Communication is a good thing, Joel,” You explain, “it’s important—to make sure we’re both benefiting from this. I’m not enjoying this unless you are, alright?”

Joel nods, a raised eyebrow offered in return.

“Yes,” His voice cracks slightly, clearing his throat, “uh—yes, ma’am.” 

“A simple yes would have worked, but I appreciate the manners,” You tease him, knowing he’s always been stuck in his ways, old fashioned and polite. It comes naturally.

Your fingers fold around his waistband and tug, his hips rising at the motion and you hear the breath he’s holding release as his cock springs free, leaking at the tip and begging to be attended to. You grinned, tongue peaking out to lick along the head and around, salty precum hitting your taste buds as you look up at Joel, his eyes falling shut as his hand wraps around your forearm in desperation.

You pull back instantly, gently moving his hand away.

He seems to realize his misstep, silently tuck his hand away under his thigh again as you nod, pulling his pants the rest of the way down and off before you’re licking him from base to tip, fingertips wrapping around his shaft and squeezing alongside the delicate suction of your mouth.

He groans, so deep and guttural you think he might come now, peeking your eyes open to see his head resting back, eyes closed. The sight was too much, having to force some reprieve on himself as you worked your mouth down his cock, head bobbing at a slow, tortuous pace until your throat can relax and take him fully, nearing around eight inches and thick, feeling the stretch of your cheeks alongside the ache in your jaw.

You pull away with watery eyes, a long string of spit connecting you to him, speaking, “If you feel like you’re about to come, say it, don’t lie to me.”

With that, your thumb rubs over the slit of his head, feeling his cock pulse in your hand, squeezing at the tip while his face contorts, lips parting as he breathes out shakily. 

“Oh, fuck—yes—yes fuckin, ma’am.”

He’d rip the stitching in your couch if he gripped it harder, losing his hold on reality as he watches your head move through bleary eyes, the buzz of alcohol tingling his brain as you gag against his cock, held in the back of your throat before he’s stammering out desperately, the familiar tug in his gut that proves just how long it’s been for him, ready to come after only a few minutes of your mouth on him.

He’s embarrassed, the words falling from his lips in a rush, “Stopstop—fuck, stop.”

You pull away quickly, the urgency in his voice startling you as your face contorts in concern.

“Fuck—not like, stop. Jus’ I was about to come. Sorry—sweetheart, I panicked.”

It calms your worry, nodding in response to his words.

“I’ve…actually I have an idea, if you’re okay with it that is.”

He’s suspicious of the glint in your eyes, rising on sore knees as he sat there naked from the waist down, your eyes dragging over his firm, muscled legs before they took in the sight of his cock again, standing proud as it rest against his stomach, the shirt slightly bunched at his chest.

You make the short trek to your room to retrieve the item you were looking for, coming back to Joel massaging his sore wrists, a subtle worry in his eyes that he’s done something wrong.

He eyes the bag in your hand suspiciously, brow raised. 

There were a few items, but the one most notable he reaches for initially, dangling it between two fingers as he asks, “You have that just layin’ around?”

It was a cockring, flexible material that he stretched his fingers before you politely snatched it away.

“What? I picked out a few things. Besides, I couldn’t get you anything for your birthday so consider this a late gift,” He sees right through the sickeningly sweet smile, pushing the bag into his hands as you straddle one thigh, the silk material of your shorts dragging along his bare skin.

“I dunno,” Joel’s hesitant, but not entirely close-off to the idea, “s’that even safe?”

“It is,” You assure him—Joel doesn’t really question it either, “You trust me, don’t you?”

He tries to stifle the small chuckle at your act, batting your lashes as you reach for his hand, settling it against the center of your chest underneath your shirt, the soft press of your breasts squeezing his hand and Joel has to resist the urge to explore further, rifling through the bag one-handed, pulling out a thick piece of cloth, a rich, plum stained fabric. 

“You’re in good hands,” You smile, leaning forward to brush your lips along the shell of his ear, “I promise.”

–

He does touch you now, though careful of his hands wandering too far, spreading you out on your bed sheet with hesitance, sensing that this wasn’t just a moment of uncertainty, but rather unfamiliarity.

“It’s been so long,” He admits, not lost on you, “I’ll try—jus’ might need some remindin’.”

Be vocal, he pleads without asking. Let me hear you.

Done and done.

His hands grip at the back of your thighs, pulling you near the edge of the bed before they’re pushing up, forcing your legs apart as he settles on his knees, stripped of his top and nude, a stark contrast to your clothed state as he pressed his face into the fabric of your shorts, his nose prodding at the seam of your pussy, teeth biting lightly into the fabric.

His eyes trail up, the bottom half of his face obscured as he pressed his mouth into the heat of your cunt through the silk, awaiting your command.

“Grab,” You sigh, his kisses trailing along your thigh and down, lips kisses at the sensitive skin of your ankle, “the bag—the bag,” You point vaguely, forcing him away gently with your opposite foot. 

You’d dropped it on the floor beside Joel in the mess of limbs, the bag hidden underneath his disposed shirt and as he thrusts the small paper bag into your hands you fish for the binding balled up at the bottom of the bag, tossing the rest of the bag aside as you sink to match Joel’s position, gently grabbing his wrists as you guide them behind his back.

“Just to make sure you keep your hands to yourself,” You inform him, face heating under his heavy gaze, looking up at him innocently as you knot the fabric blindly behind his back, tugging when you’re satisfied enough and rising to meet his face, nose brushing against his own at the close proximity, “Do you want a taste, Joel?”

“I’ll take whatever you give me, sweetheart.”

In this light, under the soft glow of streetlights that spilled over into your room, it was like you were seeing a different man, not at all the confident and defiant man you challenge on a day to day, but a man dedicated to you, an eagerness in his expression that you’ve never seen.

“Oh, honey—you’re gonna work for it.”

You crawl back on your hands, rising to perch on the edge of the bed with your legs spread, one foot perched against the mattress as Joel shuffled forward slowly, “Can’t taste you through those shorts, might help if you—”

“Get creative,” You urge, haphazardly pulling your top over your head and throwing it aside for incentive, breasts bouncing softly with the movement and spotting the way Joel swallows, hard.

It made him feel young, this desire that didn’t show itself often. He’s resigned himself to months, years of handling himself; jerking himself off with his hand to satisfy that urge, but never more. He rarely had time then, lucky if he could manage a full eight hours of sleep. 

He leans forward, his teeth digging into the fabric at your hip as he pulls, wrestling with the material as he drags it down your thigh—innovative, you think. You giggle softly at his steadfast gaze, a stubbornness in his scowl as he rips the fabric off. 

Joel doesn’t waste time, licking a long stripe through your already damp underwear, accumulated slick ruining the fabric as he greedily laps you up through the garment, but he hisses when your hand grips into his hair, pulling him back as his scowl grows deeper.

“All of it.” You demand.

You watch as his teeth gripped at the front of your underwear before he’s dragging them down, tossing them aside even more impatiently, like a dog with a chew toy, before he’s pressing his face into your cunt, leaning most of his weight into you as his strong, angular nose presses against your clit, his tongue dipping inside of you instantly, like he was trying to consume you.

A mix of a broken laugh and gasp leaves your mouth as he groans, a slight shake to his head as he attempted to force himself deeper, the movement shifting his nose of your clit in a way that has your entire body curling in on itself, his eyes closed, lost in the taste of you and the warm cradle of your thighs around his head, foot smoothing over his back as you pull him in.

He suckles at your clit as he shifts up, the wet expanse of his tongue sliding over the sensitive bud, responding with a soft noise as your fingers dig into his hair and tug, ““Fuck, you love it like this, don’t you?”

Joel responds with a noise, ignoring your question as his tongue swirls over your clit, repeating the motion repeatedly as your breath hitches, gasping loudly.

“I asked—asked you a question,” You interrupt, pulling him back defiantly, “I’d like an answer.”

“M’sorry, I do—I do,” Joel apologizes, mouth shining with your slick, his beard wet and his cheeks flushed, “jus’ taste so good, sweetheart. Wanna make you feel good—am I doin’ alright?”

“So good,” You tell him softly, your hand cradling his chin as you slide your thumb over his wet lip and through the dampness at his chin before you’re pushing your fingertip into his mouth, letting the pad of your thumb press against his tongue, closing his lips around you finger to suck, “You’re always so messy, you know that?”

Joel chuckles, pulling his mouth away as you slowly guide him back toward your cunt, pulsing around his tongue as it dips inside of you once more, like a tease before he returns the attention toward your clit, groaning as your thighs squeeze tightly around his head, feeling the creeping sensation of your orgasm as it coiled in your gut.

“A damn good meal if ‘ya ask me,” Joel comments, too entranced to chastise his comment as your orgasm spills over, the rush of fluids hitting his tongue as you cry out, his unrelenting tongue making your vision go white.

“That’s good, baby, keep doing that. Just like that,” You encourage weakly, legs shaking with overstimulation as he glares up at you through his half-lidded gaze, his nose smushed against your cunt.

Your fingers sift gently through his hair as you come down, feeling the weight of his head against your thigh as he speaks, “You’re shakin’ like a leaf, sweetheart—y’alright?”

“I am,” He can hear the elation in your voice as you rise slowly, “does it hurt?”

Joel pulls at the binding, loose enough that there's no straining or pinching, he shrugs noncommittally and answers, “If I say yes will you take ‘em off?”

You tilt your head at his subtle mischievous tone, “As long as you’re being truthful.”

“I wanna touch you, if ‘m bein’ honest,” Joel admits.

He’s such a smoothtalker, even now. 

“Fine—but, I’m not finished,” You warn him, “so don’t get any ideas.”

“Oh, yes ma’am.” He agrees wholeheartedly, feigning seriousness. 

It shouldn’t be this easy with him, but it was. 

–

“I’m tryin’ to help you out,” You tease him, fitting the ring around his cock, settled underneath his balls as he stifles the groan of your touch against his overly sensitive skin, having been so close to the edge and losing focus that he’s fallen soft, resting back on his palms as you rub your hand over his chest and down, fingers rolling along the underside of his sack before your fingertip trails along the seam and up, following the thick vein that led to the head of his cock, “Is it good when I touch you here?”

“S’good,” He answers shakily, watching your hand press flat against your tongue before you’re gripping his cock tight, jerking him firmly, his hand flying to your hip, trailing up blindly as you press your chin against the top of his head, feeling his hand tangle into your hair, cradling your face with a desperation, “I’m fuckin’ sufferin’ here, sweetheart.”

“Not yet,” You counter, leaving his now hardened cock to bounce freely against his stomach as you reach for two items sprawled on the bed, gripped in your fists as you straddle him, his cock sliding through your wet folds and nearly sending him over the edge, “which one?”

Choices, he thinks. He hated making a decision.

Sight or touch, he debates the two items.

“If you don’t pick I’m choosing both,” You warn him playfully.

“Not bein’ able to see you feels like a punishment,” Joel admits.

You hum thoughtfully, “You’re right—and what a good boy you’ve been, huh?”

“Real good, sweetheart,” He agrees desperately, feeling his cock pulse against your cunt, fighting the restraint it was taking him not to sink into you now and plow you into the bed underneath him, but that wasn’t the point of all of this.

So, the decision is made.

Joel settles against the headboard as you restrain his arms behind his back in a similar manner, his eyes following your movements carefully as you leave soft, light kisses along his skin before you straddle his hips, hovering over him for a brief moment before you’re wrapping your hand around his cock and sinking down onto him slowly, adjusting to the stretch as his eyes flutter shut, face pinched up.

‘It’s not too tight, is it?” You ask, moving your hips at a tortuous pace as your fingers curl around the back of his neck, his head shaking at your question, focusing so innately hard he can’t answer, as much as he tries.

“S’probably the only thing keepin’ me together,” Joel forces out, “all I could think about at dinner earlier was you—this, s’fucked up, ain’t it?”

Your eagerness wins over, bouncing on his cock at a quicker pace that has him panting into your skin, a pathetic whine ripping from his chest, “And I spent—spent all evening thinking about how you’d look when you came—and how stubborn you’d be—”

Joel chuckles pathetically, moaning weakly against your chest as you grip the headboard above him, the sharp slap of skin against skin as you ride his cock.

“Turns out you’re pretty receptive,” You continue, “‘s’good—I like it.”

Joel murmurs an acknowledgment as his neck strains back, slamming against the headboard as he forces his eyes open, panting heavily as he watches your body stretch above him, one hand sliding down to spread out against your thigh as you head falls back to mirror his own, moaning loudly as his cock pulses with need, your walls fluttering around him.

“So fuckin’ beautiful,” Joel speaks drunkenly, mesmerized, “M’never lettin’ you go.”

“I’m not going anywhere,” You assure him, watching him nod as his eyes squeeze shut, that familiar ache in his gut growing as his cock throbs with the need for release.

You lean forward, working your fingers through the knot of the restraints and speak softly against his ear, “Y’gonna listen? Yeah, like a real good boy?”

Joel nods fervently, sighing with the release of his hands as they immediately latch onto you, still and unmoving but like a relief for the both of you as his hands press hot against your skin.

“What should your reward be, huh?” You coo, “Should I let you come?”

“Sweetheart, please—”

You lean back slightly, riding him with fervor as you nod your head, cradling his lulling head between your hands, “Tell me how good you’ve been,” You encourage gently, his skin damp with sweat as you slide a hand down his chest, dangerously close to the point where you’re joined together, “let me hear it.”

“So good, sweetheart. Bein’ such a good boy for ‘ya,” Joel complies, his breath hitching as he feels the tight ring around his cock loosen, thrown to the side, slipping out and back in without skipping a beat, like you’d never left.

“Right there,” He warns, “fuck—baby, I dunno if I can—”

“It’s okay,” You whisper softly, hearing the pain in his voice and the way his arms wrap around you like a vice, “I’m gonna make you clean it up, anyways.”

Joel groans at that, nearly lifting off the bed as his hand steadies behind, pumping his hips into you jerkily as he comes inside of you and coats your walls, gasping sharply at the feeling of his blunt nails digging into your skin, riding him gently through the aftershocks before he falls lifeless against the bed, panting heavily.

You sigh with elation, though exhausted, slowly moving back as you lean on your elbows and gently poke at his thigh, his hand covering his softening cock as he grunts, grumbling some unintelligible. 

“You’re not finished,” Joel chuckles lowly, his hand wrapping around your ankle as he pulls himself up, eyes immediately locking on your swollen cunt, cum spilling out as your walls squeeze, your own fingers spreading through the mess before you’re dragging it toward your mouth, licking your fingers clean before reaching for his hair, mused from sex as you yank him closer and demand, “clean up your mess.”

“Gonna need you to schedule another week off for me,” Joel admits, dipping his tongue inside of you without hesitation, his hands squeezing around your thighs to pull you in, “and you.”

“Why’s that?”

Joel grins as you glance down, speaking confidently against your cunt, “Got a few messes I wanna make, that alright?”

You pause, a moment of hesitation, “I’ll consider it.”

Joel growls into you, nipping gently at your clit as you squeal loudly.

You relent quickly, swatting his head playfully.

After all, he was still your boss.

[stxneflxwers]

I saw your post and came running 👀 I've been thinking about this since the end of December bc I really did not get into the holiday spirit until after it was over lmao BUT for any characters you want to write for: what are they like during the holidays? What traditions do they like to do? What gifts do they give you?

(Extra ideas you can take or leave if it helps your inspiration at all — How does Aventurine feel when you tell him you don't need any of those expensive gifts, just time with him? How does Sunday react when you sit him down to tell him he's stressing himself out too hard trying to find a perfect gift for you and that all you want is for him to be happy? How does Dan Heng respond when you tell him that the only gift you want for the holidays is him?)

^ I've just been rotating the hsr boys in my head all day at work lol so I have a lot of Thoughts™

gift of love.

summary. the greatest gift of all is his love.

a/n. tysm for the request!!! i decided to settle with gift-giving ideas you offered, since it sounded interesting and cute!! im just gonna stick with aven and sunday for this tho... i wanna test how sunday writes for me.

characters. aventurine. sunday.

cw. first time writing for sunday (this is more of a test with how much i enjoy writing him, sry for any OOC-ness). gift-giving. all lowercase. established relationship(s). PLS NOTE THAT I HAVEN'T DONE THE NEW TRAILBLAZE MISSION STILL CUZ I'M A LAZY MFER...SORRY.

aventurine.

tries to be soooo sneaky about figuring out what you like as gifts. he wants all of his gifts to be a surprise, after all! it doesn't work. you see right through his game plan. he's a smidgen disappointed (with himself), and might be a bit surprised depending on the kind of person you are.

he still ends up showering you in expensive gifts of things you enjoy. he tries to find the most expensive edition of any of those things even though he, of all people, should know that expensive ≠ well-made. you have to tell him to chill out.

he immediately believes you're angry with him (why wouldn't you be?). but you're not, and you can see the panic flash in his eyes for the tiniest of moments. you sigh softly with a wary smile. you briefly give him some space before talking to him about it.

you tell him that all the most expensive gifts in the world are nothing in comparison to quality time together. you remain patient with an open-mind and a listening ear – you know he needs a wealth of both. you make sure to tell him you miss him.

his mouth hangs open in silence when you tell him that, for once he's at a loss for words. his mouth closes and he smiles. he takes you into a soft hug and whispers, "i miss you too."

he makes an evident effort to be around you more often when he does have the time. you know, instead of wasting half of it out in the casino.

and it makes all the difference.

sunday.

the most perfectionist to ever perfectionist. stop him before he literally keels over from stress.

thankfully, you notice how weary he's been. and you ask him what's wrong. because at this point – everyone knows, everyone notices how he's been stuck in his head (more than usual). he frets over little things, as usual. but now he seems almost snippy. birdie is cranky.

when he eventually gives in and confesses that he cannot find the "right" gift for you, you're smiling and shaking your head. you give him a very long moment of silence, testing him – seeing if he catches on what you'll say next.

he doesn't catch on "quick enough", much to his dismay. perhaps he hasn't adjusted to your praises and reassurances...yet.

you tell him that the greatest gift of all would be for him to be happy. to be relaxed. to be in the moment. you throw in a little whisper, "maybe by my side, too."

he's silent – his mind running amok with what to say next. he settles for an awkward yet genuinely affectionate, "thank you..."

and then he asks for your forgiveness once he collects himself. you laugh softly and forgive him, you've gotten used to him asking for your forgiveness rather often. only yours, though.

at some point, you're going to need to tell him that forgiving himself is far more important.

[catscraftsandcommentary]

From the POV of the fae:

They sent their lil kid over to, like, the neighbors for the weekend, and when they get home, they learn that their kid WANDERED OFF into the home of their ARCH NEMESIS (obvs kid has no idea about the family feud).

(Or what family he should belong to)

So now the fae have to figure out a way to break in, rescue their kid, and break back OUT before a) the evil horrible merciless witchers find out who their sweet lil golden bard child really is and hurt him b) their ENTIRELY CHARMING and not at all annoying darling somehow pisses off those (terrible, boring, dull) witchers into doing something awful, like punting him down a mountain in a blizzard or denying him shiny things.

Meanwhile, Vesemir is like "all I wanted. Was ONE quiet winter. Without worrying that my boys are hurt, or hungry, or missing, or FUCKING SOMETHING DANGEROUS ESKEL YES I MEAN THE SUCCUBUS - AND YOUR CAT, LAMBERT, I'M NOT THAT DUMB. And instead I get a baby fae whose family WILL come to collect him, probably sooner than later."

Also Vesemir: *ruffles Jaskier's hair and slips him a few knives* If Geralt hasn't taught you already, you need to know how to defend yourself. *leaves old but interesting trinkets out where Jaskier will find them*

It's Jaskier's first visit to Kaer Morhen, and he's brimming with excitement as Geralt brings him along for the winter. In his enthusiasm, he fails to notice the trails of mushrooms sprouting in his wake.

Unbeknownst to him, Jaskier is a changeling, and his dormant Fae nature is beginning to awaken. This shift has not gone unnoticed, drawing the attention of nearby Fae who have become aware of his presence.

Believing that Geralt has abducted Jaskier and is keeping him captive, the Fae are determined to breach Kaer Morhen to "rescue" him.

[hexedwinchester]

What the later seasons of Supernatural are Missing?

It's no secret that as Supernatural added more seasons, the quality of the show deteriorated and the only reason it ran so long was because of Jared and Jensen. This dilution is attributed to a lot of reasons: Kripke's era coming to end, change of writers and show runners, poor writing on the part of new writers, focus of the story shifting from Sam and Dean to supporting cast. But here's something I don't see folks mentioning a lot and that is it lacked a good villain and not just that but rather a good villain with personal interest/vendetta with our boys. Let me explain..

Season 1 and 2: Though season 1 starts off with the boys looking for their father, the plots twists into Yellow Eyes chasing Sam down for personal reasons. He is invested in Sam, personally. That's what makes it beautiful

Season 3: Stakes are high as Dean is on the clock to walk the red carpet to Hell. While that's a major crux, Lilith who holds Dean's contract is also making the vendetta quite personal

Season 4: Sam is pumped on Demon blood being manipulated by Ruby to kill Lilith to stop the apocalypse with a side of getting some revenge for dragging Dean into Hell. See what I mean? Personal again. It's all about the boys

Season 5: it can't get any more personal than Lucifer and Michael twisting the guys to say yes to being their vessels. While the angels try everything to get a yes from Dean, let's put that aside for a minute and focus on Lucifer. His first interaction with Sam is in the form of his dead girlfriend. His obsession with his vessel is so fucked up, as if he knows Sam inside out, like he already has crawled under his skin. One look at Lucifer will tell you he only has eyes on the prize: The Great Sam Winchester. That's what made this season great!

Season 6: This is where it subtly starts to go downhill. While the Soulless Sam storyline holds interest, the whole find the purgatory feels like a side quest i'd be happy to skip because the prize is not our boys' journey. Frankly, I don't care a damn about the war between Heaven and Hell

Season 7: Probably in the top 5 of my least favourite seasons. Leviathans were lame with their world domination plan by buying real estate and their leader Dick Roman sucked. It seemed like a USA problem than Sam and Dean problem. The worst of it all? Borax kills them?! Say what?! Wut?! The oldest creatures with a weakness of cleaning agent?! What's next? Shedim are scared of hyaluronic acid? Let's squirt them with moisturizer!

Season 8: This was one of those seasons without a proper antagonist. And yes, the angel/demon tablet fiasco. Nothing against advance placement student Kevin but I didn't enjoy the prophet storyline. It would have been interesting if they made it personal to the boys. I loved the Trial Sam storyline and what would have made it better would be if instead of Kevin if Sam could translate the tablet after spending all those years in Hell, you know?

Season 9: Though Gadreel wasn't the main antagonist, his possession of Sam was good. I would have loved it if they extended the part when he doesn't get out of Sam, made it personal, something like Meg!Sam situation. On the other hand, I was happy with Metatron. He was sneaky, cruel and power hungry and it was personal after he got Kevin killed.

Season 10: Somebody jog my memory of what Season 10 was supposed to be other than Demon!Dean and Mark of Cain. I have already made a post on how Demon!Dean was not utilised to a full potential and i stand by it. And that's all I have to say about this season.

Season 11: Darkness and her personal connection to Dean. Now, see the idea sounded good in theory. But sadly, they never exploited this personal connection. It could have played so well but no, they made it about God and his sister. This season also provided a gateway to bring back Lucifer but...

Season 12: it brings us to the season I hate the most. We got Lucifer back but he was no longer obsessed with Sam? (Yawning!) We got BMoL but oh god they were nothing more than a bunch of snobs in suits or as Sam rightly said "accents in a pansuits". Like seriously, what could they do to him? Nothing, that's what. Then whole Lucifer's son plot was so weak, it makes the entire season difficult to watch.

Season 13: things get very blurry for me from this season onward, so bear with me if I don't get everything right. Probably second on the list of SPN seasons i hate. This is the AU plot right? It was interesting when they mentioned Michael lived in AU but oh god they should have made Michael obsessed with Dean. Stalking him, torturing Sam to get the yes. But nope, none of that.

Season 14: we get Michael!Dean but see it's missing that personal grudge. It feels like a random possession. They could have played this so well, perhaps given us the OG Lucifer vs Michael battle.

Season 15: God? The villain? Again one of those plots that sound amazing in theory but the success lies in the execution. At least, they made it personal so that was really great. What I don't like about this season is the finale. And no, I don't mean the whole who dies, who lives. Or the rebar. Or the safe life with blurry wife. I mean the epic showdown between God and the Winchester that we all were expecting. That storytelling was missing. I don't want punches, I want a freaking battle!

Simply saying, what do you think makes Joker or Moriarty or Lord Voldemort a good villain? It's not just their power. It's their obsession with the protagonist. You take them out, that's the end of it. (I'm looking at you, Sherlock, BBC show)

In conclusion, when the show stopped making the battles personal to the brother, stopped writing the hero's journey, skipped the storytelling element and wrote villain that weren't quite as obsessed with the brothers, that's when it started falling apart.

[alacants]

inspired by that ask: i guess this begs the question of what jannik is to carlos, what he sees/saw in that man that nobody else did etc like. does carlos ever resent him / their rivalry / janniks sometimes lack of reciprocity? is it complicated for carlos too? what is it about that carrot that is so compelling to someone like carlos

boy have i had a lot of thoughts about this one. presumably during that one magical night match in alicante there was tennis chemistry. as a tennis savant himself carlos can sense the It Quality in someone else. but the response, as a promising young player, to identifying  talent in another player is not by definition that you talk them up constantly for the next several years. it is not by definition to call them your one and only rival. so carlos doing so could be because of something very special about jannik himself. (for rpf purposes: love at first sight, soulbond, overwhelming thirst, you name it.) or it could be because of a more general hunger. 

namely, the hunger for someone else who gets it. a hunger which would only intensify the better you get. if you are a prodigy, no one else is going to understand your exact experience but another prodigy. (this is 1. the kiss of death for runeraz 2. juanki & carlitos bedrock. in whatever way you wish to take that.) 

hopefully it's obvious that this does not mean that's the only path to a meaningful relationship—you can take this idea, or this assumption, and go a million places with it. (what if the two of you shared the same experiences but have diametrically opposite takeaways, what happens when you stop being a prodigy and they don't, what does it mean that someone who doesn't get the experience still gets you.) but it is undeniably a very very specific experience. and it's pretty normal when you're early in the process to think, my friends and loved ones don't get it, and i really really really want someone to get it.

meanwhile, jannik has expressed, more than once, doubt about the worth of the relationships he's formed after becoming successful—he's said that he knows his old friendships are the real thing because they have nothing to do with tennis. he's said that thanks to clostebolgate he knows who his real friends are. he's experienced a rapid version of the prodigy hype/backlash cycle: this kid is a surprise talent??/this kid doesn't have it after all/grand slam vindication/doping backlash. he does not trust this environment, or most of the people in it.

i see it as: carlos has never experienced real serious negatives as a result of his talent and passion for tennis. (broad generalization but: stayed close to family, supportive and stable coaching environment, financial stability, quick and overwhelming success, no serious injuries or psychological breakdowns or reputational scandals. so far!) tennis is inarguably a good thing, and he wants more of a good thing. whereas jannik's experiences with tennis have been much more emotionally ambiguous—significant personal sacrifice leaving his family at a young age and struggling to secure finances, the choice between a close personal relationship and the professional success that would validate those sacrifices, clostebolgate. 

so one take on this is that carlos feels that tennis is more real than real life, and therefore his non-tennis loved ones are missing out on something essential, and jannik feels that tennis is less real than real life, and therefore his non-tennis loved ones are the only ones whose love he can trust. (interestingly it's probably darren and simone who are doing the most damage to this emotional barrier over the past six months. but in rpfdom carlos would sure as hell be trying haha.)

i think what i'm saying is that i really want to read the jannik/tennis slowburn, where tennis is carlos???? 

drifted pretty far from your ask here so to end on a lighter note. it has to be the tennis, because if you put aside the tennis, WITH LOVE AND LIGHT TO JANNIK, you're left with lanky floppy carrotman vs teen thirst trap machine. (i love lanky floppy carrotman. im just saying.) this is something that only further sells me on the ship, the fact that i honestly do NOT really see it but carlos apparently does. there is a thing my friend and i refer to as "seeing CarlitosVision", which is when a certain photoshoot/styling choice/video angle/trick of the light captures jannik in such a way that he looks, like, objectively hot. the difference is that jannik looks like this to carlos all the time. 

(yes jannikblrs i know that he also looks like this to you guys all the time. that is exactly the point.)

[mollywog]

What are your thoughts on Possibility of Peeta in Canon feeling guilt over a perception that he forced Katniss into the Star crossed lovers?

Oooo -Thank you for giving me an opportunity to talk about this.

One of Peeta’s main survival tactics is his ability to read people and situations…. And he’s pretty good at it (which probably was helpful to him far before the arena with a volatile mother but that’s maybe more the stuff of HCs so moving on)

With that in mind:

One of the first things Peeta says to Katniss upon her discovering him in the arena is:

"Lean down a minute first," he says. "Need to tell you something." I lean over and put my good ear to his lips, which tickle as he whispers. "Remember, we're madly in love, so it's all right to kiss me anytime you feel like it."

Even in his fevered state, Peeta is aware that this is an act (at least on Katniss’s side)

Later - when he’s trying to convince Katniss not to go to the feast and she claims that she isn’t, he says:

"You're such a bad liar, Katniss. I don't know how you've survived this long." He begins to mimic me. "I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going." He shakes his head. "Never gamble at cards. You'll lose your last coin," he says.

‘I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going.’ -> all moments he (accurately) clocked where Katniss wasn’t being 100% honest if not outright lying

The ‘I don’t know how you’ve survived this long’ part is particularly interesting to me but I digress.

So then fast forward to after the feast where Katniss risked her life to save him:

"No! Just don't, Katniss!" His grip tightens, hurting my hand, and there's real anger in his voice. "Don't die for me. You won't be doing me any favors. All right?"

I'm startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. "Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren't the only one who ... who worries about ... what it would be like if ..."

I fumble. I'm not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread

"If what, Katniss?" he says softly.

I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I'm feeling, it's no one's business but mine.

"That's exactly the kind of topic Haymitch told me to steer clear of," I say evasively, although Haymitch never said anything of the kind. In fact, he's probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.

"Then I'll just have to fill in the blanks myself," he says, and moves in to me.

In this moment Katniss inwardly acknowledges that she has real feeling beyond the act and Peeta, again, reads those feelings correctly.

This is the turning point for him.

So, then imagine his surprise on the train tracks (and all the self doubt):

"It was all for the Games," Peeta says. "How you acted."

"Not all of it," I say, tightly holding on to my flowers.

"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.

(Just picture Peeta replaying the games in his head and trying to figure out where he missed the tell.)

We often joke about Peeta being oblivious to Katniss’s feelings for him in Catching Fire, but really: He’s been burned by ‘misinterpreting’ her before and he’s trying not to make the same ‘mistake’ again.

In a way

“You love me. Real or not real?

Is a remnant of that doubt.

Anyways - back you your original question:

There wasn't a single person in Panem expecting the Gamemakers to allow for two winners prior to the rule change... 73 years of one Victor: It's unprecedented.

The star-crossed lovers strategy, under normal game circumstances,

Benefits them both. The romance makes them both fan favorites to sponsors. But, at the end of the day, there can only be one Victor. So when one were to die, public sympathy would swing sponsors towards the broken hearted other.

Relied very little on Katniss; she didn't have to opportunity to state her feelings for Peeta to the audience after the interview and in the arena, up until the rule change, she barely saw him. Had he died before the (unprecedented) rule change, there wouldn’t be much for her to do but appear sad. The star-crossed lover but is eventually just a sound bite.

No one could have predicted that both Katniss and Peeta would be crowned victors and have to maintain the strategy indefinitely.

So yes, on top of believing he mistook Katniss’s feelings for him in the arena, he then discovered they’d have to maintain the pretense of lovers for the rest of their lives… I’m sure he felt all sorts of miserable ways about that.

[read-write-thrive]

Charles Rowland Week Day Two - Chorb/Comfort

After over three decades as ghosts, you would think that Charles and Edwin would have a good grasp on what ghosts can and can’t do, or even what ghosts could or couldn’t feel, so, etc. Like, ghosts can eat, but it tastes awful. Ghosts can’t sleep at all. That sort of thing. Edwin called them “ghost rules”. Charles also called them ghost rules, but he did his best not to talk about them at all unless directly asked. He’d opened up about missing being alive and all that baggage, yeah, but no need to poke at it, alright?

But lately they’d discovered a new ghost “rule” (ability? Function? Who knows) completely on accident. You see, after the entire fiasco with Esther (and the following quest to get Niko back) the boys had been, frankly, exhausted. They’d done a lot in their thirty years but never so much in so little time. It was weird, to say the least.

“Are you guys sure you’re okay? We can stick around—“ Crystal had tried as they all but herded the girls out of the office. It was past midnight and they should’ve left hours ago, but the boys must look especially bad if their looks were anything to go by.

However, this exhaustion was wearing on the boy’s patience (well, Edwin’s, but Charles had to mediate so it was getting to him too) and frankly, they needed a break. Charles was happy to say as much.

“Nope, all good here! In fact, I think we’ve all earned some time off, so maybe take the next few days to rest, yeah? You sure you don’t want us to walk with you to the tube?” Even his face hurt from smiling, which hasn’t happened since long before he died. There was an alarm bell in the back of his head, but he felt too exhausted to have a proper look at it. He just needed a break is all.

The girls shared a look again. Is this how people felt when he and Edwin did that? Charles didn’t realise it was so annoying.

“We’ll be fine. You have my number right? If anything happens?” Crystal pulled on her coat and helped Niko with her accidentally inside-out sleeve, “And you’re sure that ancient landline even works?”

“As I’ve said, the phone was enchanted to work even without electricity. Barring extremely dire circumstances, it works.” Edwin snapped, lighter than his proper angry tone but still on the edge.

“Do you want us to call you before coming back?” Niko asked towards Edwin, but with a significant, pointed glance at Charles. Charles knew there was something in that look, too, but thinking felt a little difficult at the minute. His head kinda felt like the jar of bees. Maybe he should fish it out of the backpack to compare.

Edwin replied to Niko kinder than he’d been with Crystal but not by much. Crystal snapped at him, probably about his tone with Niko, and then those two were arguing again. Charles really should break it up so the girls could get back to their flat.

God, was this a migraine? Could ghosts get migraines? It’d be just his luck, too. Was there ghost paracetamol he could take? He’d have to dry swallow it since the drink would taste like sand—

There was a hand waving in front of his face. Someone grabbed his arm and shook him. Suddenly Edwin grabbed him by the shoulders, staring him down intently. He was saying something, too. Charles moved to smile and nod, even as he had no idea what was going on, but that seemed to make the pain spike again. He flinched against it. He crossed his arms across himself, though he couldn’t say why. Comfort? Warmth? Guess it didn’t matter much, really.

Several sets of hands were pushing him somewhere—oh, the sofa, right. That seemed like a good idea. Weren’t the girls going somewhere? Or supposed to be, at least. He assumed they were some of the other hands pushing and pulling him along.

He landed on the sofa with little grace, the bouncing making something pulse in his brain is a not nice way. Edwin was there again, hands on Charles’s cheeks and forehead as if checking for fever. It was silly—surely ghosts couldn’t get fevers, if they didn’t have bodies. Edwin knows that.

They were talking to him again. It sounded like he was underwater, sound carrying but only barely. Oh, right. Ghosts weren’t supposed to have whatever was happening now, either. That would explain Edwin’s furious note taking and fussing. Niko was up and about helping him, which meant Crystal had to be the one next to him. Turning his head felt like a bad idea, so he was glad they only had so many people in the vicinity. Process of elimination and all that.

Pain struck at his abdomen next, dull ache turning stabbing in the matter of minutes. He curled in on himself, bringing his feet up onto the sofa and his knees to his face. Clutching at his stomach, Charles squeezed his eyes shut and pressed his forehead into his knees. Maybe if he just curled up tight enough—

It was like his ears popped and every joint cracked at the same time. Charles was pretty sure it was an audible pop! too. But suddenly everything was peaceful, like he was stretched out and condensed into the best full-body hug at the same time. The world was a warm yellow, bright but comfortable. Sure he couldn’t see his friends anymore, but it was blessed relief from whatever the bloody hell that pain was and Charles was absolutely going to bask in it.

After a minute or two of adjusting, Charles realised he could almost hear what was happening in the office. Crystal and Edwin were fighting again, though now Niko seemed to be— cooing over something? Muttering reassurances? He couldn’t catch all the words, but he was pretty sure that was her “finding a literal creature and/or inanimate object adorable” voice. Who/what was she talking to? Shouldn’t she be splitting up the other two? Actually, weren’t the girls supposed to be heading home?

He wanted to ask all of that, but this blissful state didn’t grant him the power of speech, apparently. Charles’s questions came out as a humming noise instead. Surely this should be worrying him—no sight, no speech, hell he’s pretty sure no body—but it was hard to feel worried, or frustrated, or sad here. He felt so good, why would he ruin it with all that? Besides, taking a step back and being relieved of his headache gave him the chance to carefully consider what had just happened.

And he would do that. Definitely. At some point. Look, this was probably the closest he’d gotten to sleep in over thirty years, you can’t blame him for wanting to bask in it for a while, alright? Just a little bit, so Edwin doesn’t kill Crystal (or Crystal somehow double kills Edwin). A bit of rest then he’d figure out how to go back.

~

When Charles “popped” again, returning to the mortal plane or whatever, it was to a pile of blankets and pillows in the middle of the office, wood burning stove lit and his three best friends circled around him. Thankfully they left him enough room to not pop on top of someone.

The girls were asleep, but Edwin was instantly focused on Charles. He went so far as to scurry forward, kneeling between Charles’s flailed legs to, again nonsensically, press at his face for a fever that wasn’t there.

“Charles, you’re back! Are you alright? Do you know what happened? Lord, I— we were worried.” Edwin admitted, dropping his hands and rocking back on his heals to create a smidge more distance.

Charles, genuinely smiling this time, decided he wasn’t a fan of this embarrassment or shame or whatever it was Edwin was dealing with. So, naturally, he leaned forward and threw his arms around his best mate.

“Oh, mate, it was brills…”

—

Day two of @charles-rowland-week !! I am vvvvv sleepy rn so if there’s mistakes no there isn’t 😌 hope y’all enjoyed!

[spectral-phases]

Tim Drake as Rook (and Blackbird)

I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.

One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.

(Artist's recreation of the above described image)

So I made it.

(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)

Design choices and everything below. Very stupidly long.

Rook first because I know the color is going to be a sell.

Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).

Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.

And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.

https://www.tumblr.com/thattimdrakeguy/190044791065/would-you-consider-tim-the-heart-of-the-batfamily

Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.

Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.

We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.

Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.

See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."

Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.

And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.

I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green combo and "I'm in dangered" my way out of the Joker color-combo.

Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.

If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).

(If the notes are hard to read, they will be in text at the very bottom)

Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.

And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.

Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ¯\_(ツ)_/¯

I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).

(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)

(Red Robin References)

(Robin References)

And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.

Notes (from top left to bottom right, grouped by what they're describing):

Shoulder Shot: "We're brining back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."

Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."

The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."

The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."

The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."

[raycatz]

some more LU things that throw me for a loop,,

An artist I follow, wilimia, started a LU dnd AU, and then mentioned wanting to make it it's own thing. Shortly after, they received an ask,

"I'd be down for un lu-ing the dnd boys cause I got lu blocked ad hate how it affects most links meet aus, so yeah. If you do that I'd reach non lu audience. Most loz fandom doesn't follow lu blogs"

and idk, I get it, but it's also hard to read. So much of Wilimia's art is LU. It seems like something they found, and still do, find joy in creating for--and for years, too--longer than I've been in the fandom. "Most loz fandom doesn't follow lu blogs." Most loz fandom wouldn't have any interest in the majority of the art Wilimia's shared? Anon would prefer it to be non-lu? It reads to me a little like putting down or dismissing the art just because it's LU. Wilimia's art is amazing. I admire it so much. Their ideas are wonderful, too. And like many other pieces of LU fanart, there's a lot of exploration of comparing and contrasting the games, or analyzing the games, borrowing the LU cast, without explicit connection to the events of the comic itself. So much incredible creativity missed, because it is LU. LU's not for everyone. To each their own, I guess.

But I feel like so much interesting insight into the games is lost if LU fanwork is disregarded simply for being LU.

I also struggle with feeling like I have to choose an audience. I have ideas for pre-LU comics that would tell stories of fun moments from the games, during an adventure--but I want to use the LU heroes because I care more for those interpretations of Link. I'm blending my own game experience and opinion of that Link with what's been provided by the fandom.

I think the stories are fun and worth sharing! However, what tag do I use? It's the Linked Universe design and character, but it's also me, but it's also not Linksmeet or the LU adventure, really. It's LU, it's not LU, it's gen loz, it's both. And yet you'd get scolded for posting LU in the gen loz tags. I feel as though I must choose a side.

For example: there's a moment in OoS where a woman asks you to help her in exchange for a shovel. I got the shovel and then immediately dug up the entire map chunk surrounding her house. It would make for a good comic! But do I make it LU inspired or gen loz? I'd probably use a slightly more generic design for Link (Legend) anyways because he would be younger. Honestly, I could probably get away with barely changing the design at all, tag it as gen loz, and be praised for it.

There's a huge double standard when it comes to LU and Linksmeets. Both argue that not everyone has played all the games. All the interpretations and designs are unique and, at times, should be read as their own aus without worrying too much about adherence to the game or specific comic canon. Characterization and knowledge varies by writer. At the same time, no one person owns specific design elements or traits. Don't worry too much about being too similar. Let people make what they want. Every new instance adds to the wider understanding of the character and is therefore valuable.

Yet, by the people who dislike LU and its fandom and favor other Linksmeets, in LU fandom it's seen as an excuse, and in Linksmeets and gen loz it's seen as a strength.

The character of my comic could barely be LU Legend, and yet if it is LU even in name only, it is disregarded and unwelcome. The character could draw strong influence from Jojo's designs or LU fandom, and if I change one thing only but claim it as my own, it would be praised and defended.

Analysis and discussion in the LU fandom (especially from around 2020) brought me a better appreciation and understanding of the heroes and game similarities then any other kind of online fan created material had.

So for my mini comic- and going off of the anon's ask- what do I do?

I want my work to be seen. I feel like it is valuable to be seen by anyone who enjoys the games. I want to inspire people who see the comic to think more about the games and to create. I don't particularly care through what lense they connect with my gen loz / nebulously LU work--if they apply the situation to their own game experience, gen loz, or to any Linksmeet--if my work has connected with someone- has broadened someone's understanding of a game or character- then my goal has been met. Obviously use the correct tags and credit where credit it due, but if I am making pre-adventure or gen loz stuff, then I want to inspire. Write fic! Add the headcanon to your own! Just like- if you make something based off an idea of mine, include me! We are all building off of each other's stories. It is all inspiration. It's all the same soup.

There is no Linksmeet element. And yet, in my heart, I know the character will become some personal variation of LU Legend, influenced by a variety of fanwork, because that's the interpretation I favor.

If it's tagged gen loz it reaches the broader loz and Linksmeets audiences. If it's tagged LU then it stays within the sub fandom I know and care for. The thing is--it's a pre-adventure story, so it's not solidly one or the other. I don't want to tag it gen loz and have LU fans feel they aren't allowed to think of it as LU Legend. I don't want to tag it as LU and have it be missed by so many people, or have gen loz / linksmeet fans feel they aren't allowed to think to think of it as their own characters either. However, also, why should I be creating for an audience who would disregard so much of my and other's works?

Mina of Mina's Linkverse's recent posts have thrown me for a loop again. She's shared a headcanon post about Twilight Princess Link that delves into how Link, given his background in Ordon, might feel about turning into a wolf. What struggles, but also acceptance and joy, can be found in it. It's beautiful. I'd love to add it as another perspective into my understanding of TP Link--both solely within the game context and also more broadly across a variety of Linksmeets. It's one more way to further appreciate things I already enjoy. However, Mina opened the post with "Dont tag as L/U". Okay, don't tag, but am I allowed to borrow this and apply it to LU Twilight? I relate to it most strongly through that lense. It's a general loz post, and LU is loz. What if I were to apply it to Mina's Fangs, or Em's Wolf, or Frulle's Twilight? If I were to write a LU fic or draw a comic and tagged Mina as inspiration would she take offense? Would it be less of an offense if it was anything but?

Am I as a LU fan allowed to take inspiration from this and put it into LU fanwork? What about LU fanwork that goes more strongly into exploring these themes or situations from the games instead of the comic itself?

It just feels kind of feels like a whole perspective or group is being excluded. I feel like I am being excluded and that I am unwelcome. But, maybe that's just me being an entitled LU fan who thinks everything belongs to them and needs to learn to stay in their lane.

I've considered making multiple versions of the same comic. One that uses the LU design and tag, and one that does not, so that I'm able to reach and be appreciated by both audiences. But, I don't want to have to choose. There would be no difference in the comic but character design and name. And yet, that's all the means necessary to be completely disregarded.

[microwavesaferat]

I'm so unexcited for the Christopher Nolan Odyssey Film.

There's so many things I'm just dreading, like as a mythology buff (admittedly, not an expert, just a bit of a special interest), I'm gonna lose it if a film guy starts mansplaining about Homeric hymns to me. Like, keep talking about how the suitors were actually doing what was right for the time and I will kick you in your shriveled nutsack.

I also saw the cast list and nearly shed a tear. They all have fucking iPhone face. I'm sorry, Tom Holland as Telemachus (potentially)???? Like, oh it's so sad your dad is missing and stuff, but did you remember to take your ozempic today? Like all the cast have iPhone face. Unless this is gonna be a weird modern retelling (which also worries me), I won't be able to imagine Zendaya as Athena (potentially) without her whipping out a Google pixel to text Zeus.

I was talking to people and we ended up making our own cast list of some of the major roles.

Cast List

Odysseus - Antonia Banderas

My mother saw him in Paddington 3 and has instructed me to include him as he is, in her words, "fit". In my opinion, someone like Liam Neeson, Mads Mikelson or Michael Fassbender. I just don't want a poorly disguised American accent. Like I get you might not get a Greek actor or even one with a similar accent, but please not a straight American accent or badly done accent.

Penelope - Michelle Yeoh

Nolan is rumoured to have cast Anne Hathaway, which I am also kind of fine with, so I'm not too worried about that. I think Michelle would be great as a cunning, loyal wife to Odysseus and I also think she could channel a great amount of contempt towards the suitors. I never find Anne Hathaway to be convincingly angry in scenes, distraught and afraid, yes, but I think Michelle could really embody that disgust Penelope has.

Athena - Cate Blanchet

I think Athena needs to be played by an older actor. I get the Gods are ageless, but she needs to give the appearance of wisdom and I think Cate Blanchet always looks like she's planning and thinking. The issue with Zendaya is not just that she has iPhone face, but she is too young. Your mind immediately says that she's too young to be that wise. It's a trait commonly associated with older people as it relates to experience, and Zendaya just doesn't look experienced.

Poiseiden - Gerard Butler

Hear me out, I think the Gods (other than Athena) should only appear in voice and not in person. For the scale of things, an actor floating in the air with cgi waves doesn't really look that menacing in the scale of things, especially compared to 50 boats. And I don't want a big cgi water monster thing either. I think the voice should carry on the waves, a shout accompanied by a crash of water, the temper rising as does the waves. I think it's more threatening to hear his voice booming as the boat is rocked, there's a fear of pissing him off more cause, if he gets much louder, you might just capsize. My mother wanted to also say, in a perfect world, it would actually be Billy Connolly, but he hasn't acted in years now due to Parkinson's. The rumour is that Nolan has cast Robert Pattinson and, while he was threatening as the Batman, I don't think it's the right kind of threatening required for the role. If he was doing this as a voice acting role, maybe, we know he has amazing range from the Boy and the Heron.

Zues - Patrick Page

Listen to Little Songbird or Hellfire and tell me he doesn't sound like Thunder. Moving on.

Circe - Nicole Kidman

Circe is a complex character and I think she needs to be portrayed that way. I don't want a young actor who beguiles older Odysseus with her youth. I need Circe to have that wisdom and experience that Penelope also has. I think it could be an interesting idea to even have them played by the same person. This all depends on how close the movie will be to the original epic anyway. My main stipulation is that she needs to remind Odysseus of Penelope.

Calypso - Lupita Nyong'o

The articles I've read actually suggest her as Circe, which I wouldn't mind either, I just wanted someone older for Circe. I think Calypso is also a complex character that must be portrayed as such. Essentially I think Lupita would be able to embody both the woman madly in love with Odysseus and also the Goddess keeping him here for her entertainment. From seeing her in Us, I know she has an amazing range and is able to show the threatening side to Calypso required. It doesn't work if it seems like Odysseus has the upper hand at any point.

Telemachus - Thomas Brodie Sangster

I really struggled here cause a lot of young actors look too modern for a lot of period pieces. It's also important that Telemachus isn't some chiseled, huge guy. I also think, given we would probably check in on him multiple times during the movie, Thomas is good at looking young and old at the same time. Another option would maybe be Joe Locke.

This post is long already so I'm not doing the rest of the characters. I have nothing against the actors Nolan has gone with, I just don't think they fit well. I'm also heavily biased from listening to Epic and Hadestown a lot.

Lmk your suggestions, as always, these are just my thoughts and a lot of them aren't even well thought out.

[voxofthevoid]

Yo, it's Demon/Hunter Horror Wednesday #16—first WIP Wednesday of the year, technically, since the last week ended up being excerpt games.

I still don't have any straight-up porn to post (only two such scenes left in the whole fic, and the next two chapters should cover those), but I did write two interlinked scenes featuring Yuuji, Gojou, and Tōji that should be entertaining on their own—and maybe tease some of the missing context 👀

“So he did come,” Satoru murmurs. “We have a guest, Yuuji.”

Yuuji drags his mind to the present—and the man lounging on Satoru’s front steps. “Tōji-san?”

A lazy wave. “Yo. Playing favorites, Six Eyes?”

“H-huh?”

“Not you, kid.”

“Nothing of the sort,” Satoru says pleasantly. “I’m perfectly willing to involve Megumi. Are you?”

Tōji continues to stare up at them, his eyes narrow slits despite the angle. When Yuuji looks at Satoru, he finds a bland smile that gives nothing away.

“Involve Fushiguro in what?” Yuuji asks. “Guys?”

“Training.” Satoru’s the one who replies, and it’s the same tone as before but…different somehow. “Tōji here would make a better teacher for you than for Megumi, but I’m far more versatile. There’s a lot I could teach your cute little son—isn’t that right, Papa-san?”

“Don’t push it, you little shit.”

Satoru’s grin widens unsettlingly. “Is that a no?”

“You know damn well you’re not touching that brat for three more years. Or did you get fucked so hard you forgot to count?”

Heat rushes to Yuuji’s face, but Satoru only laughs.

“Wouldn’t you like to know?” he says.

“What the hell is going on?” Yuuji grits out.

Two pairs of unfairly intense eyes snap to him. Yuuji holds Tōji’s gaze and ignores Satoru’s. Both these men are intimidating, but Yuuji’s been surviving Sukuna and his freakshow for fucking months.

“Heh.” Tōji stands up—and up and up, unfolding his entire immense bulk. He finishes it off with a leisurely stretch of his arms above his head; the fabric around his biceps cries for help. “At least you’ll be more fun than all this grunt work. Don’t disappoint me too much, pinkie.”

“Careful,” Satoru chimes in. His hand comes to rest on Yuuji’s shoulder, the touch light but the weight heavy. “You’re not allowed to break Yuuji.”

“How stupid do you think I am?”

“Stupid?” Satoru tilts his head, the movement oddly liquid. “Not at all. You do, however, have a track record of trying to kill hapless teenagers.”

Tōji snorts. “Hapless my ass. You and your dead boyfriend were monsters.”

Satoru’s hand flexes on Yuuji’s shoulder, tightening briefly before relaxing with a deliberation that makes Yuuji’s own knuckles ache. “Takes one to know one.”

“Sure does.” Tōji’s eyes sweep back to Yuuji. “Let’s see where you fall on the spectrum. Training wheels are off, kiddo. You’re playing with the big boys now.”

“Uh…” Yuuji looks between the two of them; Satoru’s smile tells him as much as Tōji’s sneer does—absolutely nothing. “I have no idea what you two are talking about.”

“Don’t worry, you’ll do fine. Tōji’s here to train your body. I’ll take over later to hone your spiritual senses. Ideally, I’d do both, but I have a demon to corral—and you two get along well enough. Still, don’t let him bully you, Yuuji.”

“You’re one to talk,” Tōji drawls. “The kid looks like he’d crawl out of his skin to get away from you.”

Yuuji freezes.

At his side, Satoru does too. Then the hand on Yuuji’s shoulder falls away.

Yuuji doesn’t miss it; he doesn’t.

“I’ll leave you to it then,” Satoru says blandly, stepping back and out of Yuuji’s peripheral vision. “Yuuji has a key. I’ll be back before nightfall.”

There’s a soft, strange noise—displaced air, with an electric crackle. Yuuji’s heard it exactly once before, in that deserted road in front of Sukuna’s church a second before Satoru showed him it wasn’t so deserted after all.

When he turns around, Satoru’s gone.

“Idiot,” Tōji scoffs behind him. “Come on, pinkie. Let’s beat you into shape.”

-

The spar with Tōji ends very predictably.

There was a moment there at the start when Yuuji thought he might be able to put up a better fight. Sukuna is a lot more formidable than the high school bullies and yakuza wannabes who had been the extent of Yuuji’s fighting experience the last time he’d tangled with Tōji, and Yuuji’s never once won against Sukuna either, but he’s learned a lot.

He’s changed, in ways he can sometimes feel like stains in his soul.

But one second was all it took for Yuuji to realize just how much Tōji had been holding back the first and no-longer-only time they’d done this, and then he was getting real closely acquainted with the bark of a tree.

That first and no-longer-only fight feels like a joke now. It must have felt like one to Tōji. And it’s not like Yuuji had walked away from that either, but he’d felt all warm about Tōji’s appraisal afterward, and there’d been a fun thrill to the way Fushiguro had looked at him, his expression grudgingly impressed despite how he’d warned Yuuji away from his dad’s antics.

What just happened feels more like utter slaughter. Yuuji’s bones are unbroken and there are no holes in his body, but even the worst Sukuna had done to him hadn’t been so one-sided.

A pair of feet enter his peripheral vision.

Tōji’s dark eyes peer down at him. His expression is…no different than what he wears when he greets Yuuji at the door. Boredom, mostly, but with an edge to it that warrants straightened spines and ready hands.

He says, “You fight differently.”

Yuuji tries to ask a question, but all that comes out is a weak croak.

Tōji lets out an amused huff and raises a hand. It’s clutching a bottle of water. When did he—

“Ack—” Yuuji gasps and sputters as the water is poured onto his hot, swollen face, and some of it goes inside, soothing his throat almost by accident. It’s a miracle none of it ends up in his windpipe. “Tōji-san! Cut it out!”

“Look at that, you’re alive,” Tōji drawls, but the stream of water cuts off. “Just watering you. Hydration is important.”

Yuuji glares up at him. “I’m not a plant.”

“You’re about as useless as one right now.” Tōji crouches down, and Yuuji tries to brace himself, an instinct violently obtained in the last handful of minutes, but those hands don’t reach for him with the intent to hurt, just dangle between Tōji’s spread legs while he surveys Yuuji with unreadable eyes. “Eh, I guess you’ll do.”

“What did you mean?” Yuuji asks, blinking hard to make his eyes stop stinging from the water assault. The cuts all over his face and neck burn, but that’s easy enough to ignore. The rest of his body feels like one big bruise. “How am I fighting differently?”

“You’ve learned what real pain feels like.” Tōji’s voice is low, his eyes unblinking. “And it doesn’t bother you much. It shows. It always does.”

“…Oh.”

“Don’t let it get to your head. You’ve still got a ways to go.” Tōji cracks his neck, veins bulging along the thick column of it. “At least training you won’t be a total waste.”

Yuuji bites his lip, reminded of something he’d thought of in scattered bursts in the couple of minutes between Satoru leaving and Tōji laying into him. “Tōji-san, is it really alright to leave Fushiguro out of this?”

“Out of what? This ain’t some super cool club, pinkie. You’re here to get beaten up till you’re a little less likely to shit yourself and die if one of those fuckers that go bump in the night looks at you wrong. What, you want company in your misery?”

“No, that’s not—” Yuuji takes a deep breath, trying to figure out what he does want to say. “It’s nothing like that. I’m just worried. Sukuna knows him, he’s—sorry, it’s my fault, I should’ve—”

“Can it.” Tōji pulls a face, blowing out an explosive breath. “Kids these days. You didn’t do shit. This is just the ugly, festering face of reality. Most people just can’t see it. Sometimes, they’re lucky for it. Sometimes, they’re just dumb cattle. That’s the way it is.”

Yuuji can’t help thinking of what Satoru said yesterday about monsters and people—about food and feasting.

“Won’t he be safer,” he asks quietly, “if he can protect himself better?”

Tōji blinks, a languid motion that leaves his eyes heavy-lidded. “Is that what you think he’s doing with you?”

“H-huh?”

“Gojou,” Tōji clarifies, except it doesn’t explain anything at all.

“I don’t—”

“Make no mistake, kid—this is a farce. I don’t know why he’s bothering. I can guess, but I don’t really give a fuck. Just take what you’re given and hope you’ll live long enough to use it. It won’t be here. It won’t even be this year. I know too well what it takes to make a hunter worth the air they waste.” The base of the plastic bottle, still heavy with water, is brought to rest against Yuuji’s stomach. It taps idly, once. Then it presses unerringly into a bruise, and Yuuji’s left breathing slow and soft past the burst of pain. “At least you’ve got a good body. You even know how to use it. It’s still not enough. Megumi? He’d need to eat the thing in the church to even taste his own damn power. Now call that a fucking birthright.”

Yuuji swallows, tasting blood, and that’s just the cut inside his mouth from when a punch shoved his flesh against his own canine, but the undertone of rot is something else, isn’t it?

“Tōji-san…”

“You’re just brats who’d be useless in this fight.” Tōji rises to his feet in one fluid motion, turning away from Yuuji. “So stay brats.”

Yuuji breathlessly watches him take a few steps toward the open back door of Gojou’s house.

Then— “Satoru said you tried to kill him.”

Tōji pauses, doesn’t look back. “Sure did.”

And Yuuji’s not surprised, not really. He heard what these two said. But it was a lot, and he still doesn’t know what to feel about hapless teenagers and dead boyfriends and monsters.

He can still see the shape of a story; it’s not a good one.

“Was he my age then?”

“Who knows.”

“He was still young.”

“He was a brat too, if that’s what you’re getting at. Should’ve been an easy kill. Would’ve saved us all some trouble if I’d finished the damn job.” Tōji sticks a finger in his ear, giving it a violent shake. “Whatever. This pays better.”

[tokiro07]

Ichi the Witch ch.17 thoughts

[Lemme Get That Neck]

(Topics: character analysis - World Hater, speculation - narrative progression)

Hoo boy, this was a good chapter for both of our guys!

I was really worried about how Ichi was going to deal with the backlash of using Ultra Amplification since he hasn't had an opportunity for resistance training, but to think he'd find a way to use it to his advantage!

Playing Possum

By making of a show of passing out from exhaustion, Ichi deliberately gave World Hater an opening to get in close, which in reality created an opening for Ichi to strike. An extremely risky move, since not only did Ichi have to fall out of the air for it, he also had to rely on a) stabbing himself in the leg to actually keep him conscious, and b) for World Hater to care enough to check on him afterwards

Fortunately, Ichi's read was spot on: even World Hater has a sense of pride, and having his Lancemen stopped in their tracks was enough of a slight on him that he had to make a point of telling Ichi his efforts were wasted. Ironically, in trying to chastise Ichi for his hubris, World Hater showed his own, believing himself to be so far above Ichi that he didn't even consider the possibility that Ichi was luring him into a trap

But being overconfident comes with the territory of being a villain with godly powers. The part that really interests me is what comes after Ichi stabs him

A Crack in the Facade

I've spent the last two reviews going over how dispassionate World Hater looks to be, his complete lack of expression or interest in what anyone says or does, but this chapter adds a whole new dimension to it!

After Ichi gets a good hit on World Hater, he passes out for real, and misses World Hater's face finally showing an expression: he smiles. Not a huge toothy grin or a sinister smirk, but his lips undeniably curl and, though subtle, his eyes flash, not unlike the sparkle we frequently see in Ichi's eyes

For the first time, there's passion on World Hater's face, intrigue even, like he's finally found something he's been looking for

But it doesn't stop there, or rather, it does stop there - the smile doesn't simply fade once the moment passes, World Hater covers it up. He brings his hand to his mouth, like he's either trying to hide his feelings from the world or like he's trying to suppress them from himself. He either doesn't want anyone to see him feeling, or he doesn't want to feel at all

The next panel focuses on the return of his scowl, his lips once again turning downward as he returns to business. Whether he's taken a liking to Ichi or sees potential in him, World Hater ignores his feelings and proceeds to dole out Ichi's punishment: by specifically warping him out first

But again, World Hater is taken by surprise! Whether he was distracted by Ichi or simply not concerned with the possibility of a sneak attack, World Hater is stabbed through the back and subsequently blown up by none other than Desscaras!

Ceiling Battle

I don't know about the rest of you, but this is the moment I've been waiting for! I've said before that Desscaras vs. Uroro was a ceiling battle because it was billed as the strongest Witch vs. the strongest Magik, but it didn't really accomplish what a ceiling battle should because we didn't actually get to see the extent of what either of them could actually do

This time though, there doesn't seem to be any restrictions like "only men can hurt me," so while there is almost certainly some hidden mechanic to this fight, both parties should be lobbying a good portion of their best moves at each other. Even if World Hater barely breaks a sweat, all that matters is that we get to see what it really means for Desscaras to be the strongest Witch and get an idea of how she earned that title

My guess is that we'll get some narration from Shirabedonna and Monegold about how many Magiks she's acquired and some discussion about one of her most impressive feats, similar to what we saw for Togeice a few chapters back, culminating in her using her strongest ability to force World Hater back in a way that even Ichi couldn't manage

We'll also likely hear about Desscaras' backstory with World Hater, though it's hard to say how much detail we'll get right now. It could be an entire chapter dedicated to the full event from her perspective, or it could just be a vague description with some inconsistencies to be elaborated on later. Either way, Desscaras is undoubtedly about to get a lot more interesting

Now that we have an established antagonist, I expect we can say the same for the plot as well

The Aftermath

Once Desscaras saves the town from World Hater (though possibly not without some casualties), the question of what to do about Ichi will remain. His actions will ultimately be what allowed Desscaras the time to break into the dome and fight World Hater, but technically World Hater's point stands - Ichi could have guaranteed saving some lives if he'd focused on doing so, but instead he focused on his own gratification and went for an attack that, by all logic, was destined to fail. He prioritized his own bloodlust over helping people, and thus put more people at risk than he needed to, so even if things turned out "for the best," his decision-making is still highly questionable

The introduction of Togeice and her concern for Ichi's personality always struck me as kind of oddly timed. Not only was Ichi's reveal being proposed after one mission, but an ice-themed Witch was being introduced immediately after Ichi acquired an ice-themed Magik. It felt kind of...redundant, in a way, to pit Ichi's most recent acquisition against someone who specialized in that very field without doing anything to draw comparison between them. I thought maybe Togeice was just mad that he beat her to Uruwashi, but no, it was never brought up

I think with this week's chapter, though, my question has been answered, and all the pieces are falling into place. The world doesn't know about Ichi, but you know who they do know about?

The Silver Snow Witch

The townsfolk didn't see Ichi squaring off against World Hater, they saw an army of giant monsters approaching them only to suddenly be encased in ice. Moreover, those same townsfolk already know that Togeice is present, and saw her summoning an ice dragon to destroy the giant mushrooms that were previously threatening their town. For all they know, Togeice is doing all the work

Ichi's acquisition of Uruwashi was merely a convenient setup for Nishi to cover up his battle with World Hater, allowing Ichi to fight his hardest without revealing himself to the world as a whole and undermining Togeice's concerns and challenge

If I'm right, then I'm pleasantly surprised how elegantly this allows Nishi to transition into the training arc phase without compromising the logical progression of the story. Ichi's nature is still a worthwhile concern while also being more nuanced than Togeice anticipated, Ichi has the opportunity to see and accept how he needs to grow, and the fight that facilitates both is executed in a way that neither point is invalidated! My assertion from early on that Ichi the Witch is a masterclass in story structure seems to once again be relevant!

Assuming I'm right, of course

Until next time, let's enjoy life!

[raiiny-bay]

some WIPs from the 80s AU i never finished

[hikaruchen]

WIP

[theanonymousninja247]

✨ Star Friends ✨

When I found out that @chessman-protocol boy Crit liked Astronomy, let’s just say I was beyond estatic and immediately planned this little comic. Here’s to my boy Vincent doing his best to make friends with folks who share similar interests 😅💙

Funny enough, I didn’t realize I put this in Vincent character’s until I looked at the whole thing, but Vincent very much shares the lack of stranger danger the way I did/ I do to this day. To quote one of my past managers I’m “abnormally friendly” or whatever

I can’t tell you how many times even as a small child (drove my parents nuts) that I saw a cool person with whatever connecting factor and I just straight up walked to them and was like “Ok cool. We’re friends now.” And nobody’s really stopped me? So apparently I have friends now. 😆

Vincent however is just a wholesome baby boy who doesn’t realize he’s actually an intimidating hunk of a turtle and randomly walking up to strangers and not saying anything can be taken the wrong way.

Like I said, he’s trying his best. He wasn’t exactly the most socialized if you can’t tell, but he does love dearly and is certainly a boone of a friend to have once you get past the inevitable social awkwardness. He’s loyal to put because he really doesn’t know better, and I adore him for that. Anyway, dunno if Crit knows any ASL or not, but either way Vincent is just excited to meet somebody else who likes space ✨🌌 💙

[hellsingmongrel]

Man, so I'm not normally the biggest fan of Modern AUs, nor am I overly fond of fiction focused on kids, but...last night, my sleeping brain decided to concoct this Trigun (Stampede-flavored) Modern AU that now is living rent free in my damn brain! I want to get it out of my head and into the ether. I don't know if I'm going to do anything long-form with it, and I'm having to translate dream weirdness into more coherent storytelling, but here we go.

So it's modern day Earth, like 2024 or some shit, right? And that's when this version of Earth had just begun fucking around with Plant cloning. It's early enough that the SEEDS project hasn't even left the planet, the scientists haven't yet figured out how to put Plants in bulbs and use them for fuel, none of that! But they've already had Tessla happen, and the boys have already been born. Since they're not in space, even though they had to have found out about their sister, Nai hasn't had a chance to literally nuke humanity from orbit, and I guess Rem has had a chance to try and curtail some of his trauma, so he's...more stable? Ish? Stable enough where he's not actively trying to murder everyone. And the boys are "older," like we see in the flashbacks for the time Vash encountered Nai during the Last Run, so probably around 6 years old but looking 16 or so.

Rem has managed to fudge their paperwork so they've started going to school with human kids, to try and give them a normal childhood. Nai isn't as eager to play ball with the whole "being human" thing as much as Vash is, but Vash has got so many friends, Meryl and Milly and Lina are there and they're like the cutest, most stupidly adorable group of friends, just a bunch of little goofballs, like kids that age are. And the school has a field trip to a theme park (it was Disneyworld in my dream because my school actually did this, but ours was a band trip) and Vash manages to convince Rem to let him go. Vash and Nai and Rem are still paranoid about humans figuring out who they are, so you know, he's told to be extra careful and take care of himself, and Nai gives him one of his blades or something for self defense, just in case something happens. Even though Vash would never, that boy has trauma around knives and trying to defend himself, if you've read Trimax, iykyk. But he takes it anyway, and somehow, he manages to sneak it into the park. Maybe the metal doesn't register on metal detectors or something, who knows.

But he's a kid, and kids are dumb. Especially when they're 16. Especially if those 16 year olds aren't actually 16 and don't have the actual lived experience to know better. So he starts playing with the knife in front of the girls, showing off and just being a silly little guy. And then the knife slips. Bad. We're talking "this is how he probably lost his arm in this AU" bad. Blood everywhere, the girls are panicking and take him to the school chaperones and it's like "HOLY SHIT WTF DUDE, We're taking you to the ER, someone call his mom!"

And he hears that, pictures the doctors finding out he's not human, remembers what happened to Tessla, and panics. Boy does a runner like only Vash can do, and he manages to get away from them, out of the park, and escapes from security. And when parents get involved in trying to find him, the authorities start looking into the incident, and someone in the government overseeing the Plant research is able to recognize the elemental make up of the blade he dropped, and they start having suspicions. So the feds get involved, and it just goes from bad to worse, right?

Meanwhile, loopy from blood loss and panicking and a little sobbing mess because he feels dumb about slipping up and he's afraid he'll never get to go home to his mom and his brother again and is spiraling the way kids do when they panic, he gets lost in the city and ends up stumbling over teenage Wolfwood, who lives on the streets and has a few street kids that he looks after on his own with Livio. They never got to live at the orphanage, but that also means that the Eye (in whatever form it takes in this AU) never got ahold of them, so yeah, shits fucked for them, but it's actually a whole lot better for them than it might have been. And it's Wolfwood without all of the EoM trauma, so you can just imagine what he does when this delirious, bloody, terrified, severely injured kid runs him over in the street, sobbing about being caught by the adults and taken away.

Big Brother Nico do what Big Brother Nico do.

At that point, I ended up waking up, but damn if my brain didn't give me enough details to come up with a dumb AU idea that I kind of love and want to do something with, but I don't know if I have the time or spoons to do so.

Ideas I'd had following this beginning to flesh itself out in my head; Luida and Brad are Plant researchers brought onto the project to help the feds figure out wtf is going on with this whole situation, and when Luida is told to talk to Rem, because she's not giving them anything they can use, the two of them reach a secret accord to bring Vash home safe and sound and cover everything back up nice and squeaky clean the way it should have stayed.

Vash's arm is bad enough that he can't really heal it very well on his own without medical care, Plant healing or no. He's doing better than most kids would, but it still begins to go septic, and it forces Nico and Livio to make the really hard decision to find adults they can trust to bring him to so he can get the care he needs. He still ends up losing his arm, though.

At the end of everything, Melanie ends up taking Nico and Livio and the other kids in, so they still get to have their momma figure, even if she comes in later. Maybe she's the one that they find to help them. Is she maybe someone they've known was mostly safe but was never able to get them to stick around long enough to take care of them? Either way, the boys get Vash to her, and it starts the process of getting him home and the kids finally staying at the orphanage.

Meryl, Milly, and Lina all end up sneaking away when they realize that Vash is in more trouble than the adults are letting on, trying to go find him, since they know him better than anyone other than Rem and Nai. Eventually, they meet up with Nico and Livio while everyone is trying to avoid federal agents.

Obviously it's lovey-dovey Vashwood and Insurance Girlfriends and Polygun-flavored, but in the "these kids are too oblivious to think about sexy things, yet" sort of way, because I really do headcanon that at least Vash is ace, Wolfwood is probably demi, and also I am not writing children getting intimate like that. >8/ But kids having little crushes on each other is adorable and I can't not have Vashwood and Insurance Girlfriends be the eventual outcome, once those idiots all grow up and get their heads screwed on straight.

Also, because Nai hasn't had a chance to murder everyone, Rem's managed to work with him enough that he's very slowly overcoming his trauma and regaining his ability to trust that he's not in permanent danger. He'll probably grow up to be a Plants Rights activist or something, lbh. Or a politician. But he's not going to murder people, so either way, it's a win/win!

Because Nico's been living on the streets with him, Razlo either hasn't had to manifest as strongly for Livio, or hasn't manifested at all. Livio is still the sweet, shy, crybaby teddy bear we see, and maybe Razlo only comes out when the feds start getting closer and almost managing to grab the kids, and because he's been able to bond with Nico and the other kids so well this time, Livio is close enough to them that the thought of them getting hurt or taken away is enough to make him want to protect their little group instead of just Livio.

Wolfwood absolutely grumbles about how alike Vash and Livio are. Both a couple'a crybabies, geez, what the Hell you two??? But he also is very much a teddy bear who gives the best hugs when one of his little band of gremlins is upset, so he probably spends more time in a cuddle pile than anything else, now that there's two of them to lose their shit at the drop of a hat.

Vash was totally the one very sweet boy in a clique of girls that everyone who'd known him realized, when they were adults looking back, that he was very much the sweet gay kid hanging out with the girls because it was safer to be himself around them than it was to be around the other boys. (This isn't meant as a stereotype of gay kids, this is based on actual kids I grew up with. My friend group honest to God adopted them because we were all a bunch of momma bears.)

Vash is also...not trans? Because he's a Plant and Plants don't work the same way humans do, but he's also not what humans would think of as a cis boy. He expresses a masc presentation, but probably the closest equivalent would be an intersexed kid. Nai, too, tbh, though he's probably more of the "I don't give a fuck" opinion when it comes to his own gender identity. He uses he/him because that's what humans think when they see him, but he doesn't care any deeper than that.