#or whatever the story needs

[spectral-phases]

Tim Drake as Rook (and Blackbird)

I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.

One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.

(Artist's recreation of the above described image)

So I made it.

(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)

Design choices and everything below. Very stupidly long.

Rook first because I know the color is going to be a sell.

Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).

Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.

And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.

https://www.tumblr.com/thattimdrakeguy/190044791065/would-you-consider-tim-the-heart-of-the-batfamily

Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.

Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.

We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.

Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.

See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."

Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.

And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.

I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green and "I'm in dangered" my way out of the Joker color-combo.

Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.

If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).

(If the notes are hard to read, they will be in text at the very bottom)

Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.

And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.

Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ¯\_(ツ)_/¯

I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).

(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)

(Red Robin References)

(Robin References)

And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.

Notes (from top left to bottom right, grouped by what they're describing):

Shoulder Shot: "We're bringing back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."

Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."

The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."

The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."

The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[egophiliac]

tsum events really are just the best, huh

[dxkjf]

Crappy dinop doodle blast everyones dying

[mocabre]

Tillivan school au ideas

[sorrelpaws]

They make such a nice couple. The king and queen are pretty nice too. Heheheh.

[chalkrub]

thank you for a great art fight! here's some of my final attacks. had a blast, already missing it - see you next year!

[magicicephoenix]

portable son!

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[openthefobwatch]

"The doctor should be asexual and aromantic" not in a 'the doctor should never be in a relationship' way but in a 'the doctor's feelings for rose go so far beyond the traditional human structures for relationships that they cannot begin to be defined in those terms' way

[childrenofcain-if]

Oh my beautiful British royal M 😭 I love them so much, they've become one of my favourite Ros of all time ❤️

With my MC being an idiot sandwich (Gordon Ramsay hates to see them coming) of a cook, would M still appreciate the horrible dishes we cook for them 🥺

you woke up slowly, the world filtering in through the haze of sleep. a pale, golden light trickled in through the slatted blinds, painting the room in streaks of honey and shadow.

the first thing you noticed was warmth—the steady, undisturbed heat of another body beside yours. then came the sound: the faint rustle of sheets, the thrum of a radiator doing its best against the january chill. finally, your eyes fluttered open, and there they were.

M, still tangled in their dreams.

they laid on their side, their face half-buried in the pillow, their lips slightly parted in the vulnerability of sleep. you let your gaze wander, drinking in the details as though you were committing them to memory for some far-off day when their face might only exist in the corners of your mind.

their tawny brown skin glowed faintly in the morning light, warm and inviting as a hearth fire. thick brows arched naturally, perfectly framing their face, softening their otherwise regal features. long lashes, dark as ink, cast tiny shadows against their high cheekbones, delicate crescents that you found yourself wanting to trace with your fingertip. and their hair—oh, their hair: silky black even in their sleep, it spilled across the pillow in soft waves, catching the light in a way that made you think of ocean waters at midnight.

you couldn’t help but stare. how could you not? M, always so poised, so impossibly polished, looked achingly human like this. even now, with sleep slackening the angles of their jaw, the curve of their mouth, they carried a quiet elegance.

your gaze lingered on the faint rise and fall of their chest, the way their lips parted just slightly with each breath. it was a rare, unguarded moment, and you let yourself marvel at it, at them.

eventually, though, the tug of wanting to do something nice for your royal partner grew stronger than your desire to stay still. with a quiet sigh, you slipped out from under the covers, careful not to jostle the bed. M stirred slightly, their brow furrowing for a moment before smoothing again as sleep reclaimed them.

the air was warm against your skin from the radiator as you padded barefoot across the floor, your eyes drawn to the details of their space.

philosophy dominated the collection on their shelves—aristotle, nietzsche, kant—but there were other titles too on history and poetry. a worn copy of ‘pride and prejudice,’ bookmarks riddling a lot of its pages. a cookbook with smudged pages and handwritten notes in the margins.

a stack of notebooks, their spines worn with use, sat on the desk by the window. you could imagine M bent over them, their umber brown eyes focused, their hand moving in careful strokes as they wrote in their cursive handwriting.

your gaze fell on a framed photograph perched on the right side of the desk, and you picked it up, smiling softly at the image. it was a family portrait of the whitlock-singhs.

their mother, crown princess victoria, stood at the center, her regal bearing softened by the warmth in her eyes. beside her was ranveer, M’s father, his hand resting on her shoulder, his smile wide and infectious. on either side of them were charlotte, M’s older sister, her chin tilted with confidence, and jesse, the youngest sibling, grinning like they held a secret.

and there, in the middle, was M, caught grinning almost as wide as jesse. it was a side of them you rarely saw—a pure, unfiltered joy that made the corner of your lips lift even more.

you then set the photograph back down and tiptoed toward the dorm’s attached bathroom.

it was colder in here, and you shivered as you splashed water on your face, brushing your teeth with one of the extra toothbrush M had stashed under the sink just for you. you found yourself almost laughing to yourself at the sight before you hushed up since you didn’t want M to wake up.

when you returned to the dorm room, M was still asleep, their form barely stirring beneath the covers. you hesitated for a moment, wondering if you should slip back into bed, but you knew that this was probably the only rare one of times you’d wake up earlier than them and you just had to make breakfast for your partner this once.

the kitchen of the suite was as pristine as the rest of the dorm, its sleek countertops and gleaming appliances untouched by the impending doom you were about to unleash on them.

you opened the pantry, your fingers brushing against cans of soup, bags of rice, and then there it was: a can of baked beans.

yes, you were about to make the quintessentially british breakfast classic: beans on toast.

you’d noticed the recurring dish, of course, tucked on their plate in the dining hall during mornings despite their protests that they “absolutely do not like it that much.” but the familiarity in the way they ate it, the subtle contentment, had not escaped you.

you knew better. you knew them better.

you gathered the ingredients quickly: bread, beans, butter, some spices. then, on a whim, you searched the cupboards for tea leaves.

you remembered M’s story—how their father, ranveer, used to make masala chai on cold mornings, filling their paternal home in birmingham with the scent of spices and steam. it seemed like the kind of thing that would definitely be a good start to the day.

the kitchen was soon alive with sound and motion—the clatter of pots, the soft scrape of a knife as you buttered bread. you followed a recipe on your phone for the masala chai, measuring out spices before that quickly gave way to guesswork. cinnamon sticks, cardamom pods, ginger.

but it turns out, you’d find ways to reach a newer low with your culinary skills—or the lack thereof.

you misjudged the measurements, poured too much milk, and somehow managed to spill the cinnamon sticks across the counter. the scent of cardamom then filled the air, mixing with the faintly burnt smell of beans you’d left unattended.

the chai boiled over, spilling onto the stovetop in a hiss of steam. you scrambled to clean it up, only to knock over the box of sugar in your haste. the bread, forgotten in the toaster, began to blacken, smoke curling up in ominous spirals.

by the time you finished, the kitchen looked like it had survived two world wars and a great depression. the fire alarm went off in a sudden, piercing wail, shattering the morning quiet. you froze, your heart leaping into your throat as the kitchen filled with a thin haze of smoke because of the charred bread.

before you could do anything, M burst into the room, half-dressed and disheveled, clutching a fire extinguisher like they’d just woken up from a dream where they were a firefighter.

“what the bloody hell is going on?” they demanded, their accent even more prominent in their panic.

you held out the plate of completely burnt beans on toast with a sheepish grin. “breakfast?”

their gaze shifted from the plate to the mess behind you—the scorched pot, the spilled sugar, the faintly smoking toaster. they arched a brow, their lips twitching as though they were trying really hard to look exasperated as they set the fire extinguisher down.

they wordlessly moved to turn off the stove with a practiced ease. they then waved a dish towel at the smoke detector until it stopped its shrieking before turning to you.

M stared at you for a long moment, then let out a breathless laugh, the sound both incredulous and amused. “you almost burned the place down trying to make beans on toast?”

“and masala chai,” you mumbled.

they shook their head, running a hand through their dark hair to make it a little less dishevelled. “you’re an absolute menace, love.”

but there was a softness in their eyes, an amused smile tugging at the corners of their mouth.

the charred remnants of your attempted breakfast lay discarded in the trash bin. M had asked you to clean everything up while they freshened up in the bathroom, and you had complied happily as you did not want to lay your sights on the bioweapon you’d created.

when M re-entered the kitchen, they looked slightly more composed, though still half-dressed, their dark hair damp from a quick rinse, and their face glowing with renewed energy.

but even like this—rumpled and unfinished—they looked like they’d stepped straight out of a portrait.

you, on the other hand, with your flour-dusted hands and the faint smell of singed toast clinging to your clothes, felt more like the before picture in one of those ‘before and after’ glow-up makeover shows.

“right,” M said, surveying the semi-clean kitchen with a raised brow. they rolled up the sleeves of their ralph lauren ivory quarter-zip, revealing forearms you definitely didn’t stare at for longer than a second. “let’s salvage this. i’m teaching you how to cook.”

“do i have a choice?” you muttered, your lips tugging into a reluctant smile.

“not if you plan to survive in this kitchen unsupervised,” they replied dryly.

M wasn’t just good at cooking—they were extraordinary at teaching. they explained things with a clarity that no cookbook or youtube tutorial could ever achieve. their movements were precise, graceful, like choreography, and you tried—emphasis on the ‘tried’—to mimic them. but for every moment of triumph, there were at least three close calls where M had to swoop in to save you from some imminent disaster.

they caught you when you tried to add oil to a pan that was already too hot, yanking the handle out of your hand just before the smoke billowing from it could turn into an inferno. they stopped you from using a knife incorrectly—“oh my days, don’t hold it like that unless you want to lose a finger or two”—and gently redirected your attempts to measure spices with a far more practiced hand.

“this,” they said, holding up a spice jar, “is cumin. you don’t just throw it in like it’s fairy dust. measure it. smell it. taste it if you must. but don’t—” they caught your hand mid-shake, their fingers wrapping around your wrist—“dump it all in like you’re salting a driveway.”

their touch remained a moment longer than necessary, their fingers warm against your skin. you tried to focus on the lesson, nodding shakily as they released you and went back to demonstrating.

despite their guidance, there were still mishaps. a nearly burnt slice of bread here, an accidental poke at yourself from the knife there. each mistake was met with a sigh and a gentle correction, M’s patience never wavering.

by the time you finished, the final product was… well, ‘edible’ felt like a stretch, but it was at least recognizable as food. the toast was unevenly browned, the beans slightly overcooked, but the chai, thankfully, had turned out well—mostly because M had taken over halfway through.

M stood back, surveying the meal with a critical eye.

“you know,” they said, “i never thought teaching you how to cook would be this hard. you’re good at everything else—what happened here?”

you shrugged, a little embarrassed, wiping your hands on a dish towel. “never had to cook growing up. we had private chefs for that. i didn’t exactly have it as a priority either since i was mostly focusing on my academics and extracurriculars.”

their lips quirked upward, amusement lighting their features. “that explains it. well, we’ll have to change that, won’t we?”

you groaned, leaning against the counter. “what if all my cooking ends up like this? what if i accidentally poison someone? or worse, what if it’s so bad that even pigs won’t eat it?”

how could that be possibly worse than poisoning someone, M didn’t ask. they simply chuckled, shaking their head. then, before you could react, they stepped closer, brushing the edge of your lip with their thumb. it took you a moment to realize they were wiping away a smudge of burnt toast that you had to taste test, their touch lingering just long enough to make your breath hitch.

their umber brown gaze met yours, encouraging and affectionate, and when they smiled, it felt like the first sip of tea on a cold morning—comforting, slow, and impossibly warm.

“if it comes to that,” they assured, their voice low enough that it felt like the words were meant to be tucked away in the most intimate corner of your heart, “i’ll cook for you every day. if that’s what you’d like.”

your face burned, a wave of heat surging from your chest to your ears. in all the time that you’ve been alive, no one had ever said something like that to you before. you tried to muster a response, but all you managed was a nod and a small smile that you were sure looked ridiculous to an outsider looking onto the scene.

“um… thanks,” you mumbled, your voice small as you tried not to propose marriage to them right then and there.

they laughed softly, stepping back to set the table. “come on, let’s see if this breakfast of yours is as bad as you think.”

finally, the two of you sat down to eat. the product of your combined efforts sat between you—a plate of beans on toast that looked... decent enough, you suppose. the masala chai was the star of the show, thanks to M.

overall, the food wasn’t great, but it didn’t look like it’d immediately give you indigestion either—a victory, considering your earlier disaster.

you took a bite, only to wince at how bland it was.

“i swear i put spices in,” you muttered, poking at the toast with your fork as though it might reveal where all the seasonings went to hide under scrutiny.

M, to your utter shock, ate the meal without a single complaint. this was particularly astonishing given their well-documented distaste for most americanised version of indian or british food.

they always had something to say about the lack of proper seasoning, the over-reliance on processed ingredients. but now, here they were, eating your lackluster beans on toast with all the enthusiasm of someone dining at a michelin-star restaurant.

“not bad,” they said finally, setting down their fork.

you stared at them in disbelief. “you’re lying. it’s terrible. come on, you can be honest.”

“the fact that you even tried to make breakfast for me is more than enough,” they said as they leaned back on their chair. “yes, your culinary skills leave much to be desired, and no, i don’t think anybody is going to let you within ten feet of a restaurant kitchen anytime soon, but...” their smile softened, their eyes crinkling at the corners. “if all my meals were made with this much love, i’d eat whatever you make for me every day, meri jaan.”

you stared at them, your chest tight, your heart tripping over itself in an unsteady rhythm. the sincerity in their voice, the way they looked at you like you were something so precious to them—god, it was almost too much.

“though,” they added, a playful glint returning to their eyes, “i’ll definitely have to help you season the food next time. for both our sakes.”

you laughed, the sound breaking the moment’s intensity but not diminishing its warmth. and as you sat there, the morning sunlight streaming through the window, M across from you, their smile brighter than anything else in the room, you couldn’t help but think that maybe almost burning down the kitchen was worth it after all.

[monkayy]

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[egophiliac]

Tl;Dr - I stopped playing the game but I like the characters and I wanna draw them but idk if the wiki I use is up to date for cards

Do u know any wikis that have up to date cards for all the twst characters-

Asking specifically bc of Malleus cause I can't tell anymore if he has any more new cards bc HE DOESN'T EVEN HAVE A 100 DISNEY ANIVERSARY CARD IN THE WIKI I USE 😭

Like compared to everyone else in Disanomia, he has 12 cards (in the wiki I use) and then Lilia has 17 cards 💀

Cause I think Malleus has a Bean's Day card as well, but that could just be a fanmade one, I don't have JP twst nor ENG twst anymore so I can't confirm it myself urhghrhevw 🫠

Malleus doesn't have a Beans Day card, so that would've been fanmade! and the 100 anniversary cards are actually the new round of birthday cards, so most of the characters don't have 'em yet -- Malleus should be getting his in a couple of days, when his birthday event starts! oh god my keeeeeys

I think the wiki.gg stays pretty up to date? it looks to me like they have everything that's currently up through JP, at least. :O I did go through and do a quick count just because I couldn't believe Malleus only had 12 cards, but. he really does have the least...defeated only by Silver with 13...astonishing. we need his gargoyle club wear immediately.

[yume-fanfare]

a blanket of snow

[racke7]

Ectoplasm and Jason Todd

Danny is wandering around Gotham (visiting, chasing a ghost, running from GIW, attending college, etc) and stumbles across Jason.

Jason who is flaring his ecto-signature like a madman (is he trying to get into trouble?).

Danny drags the guy into a nearby alley to give the guy some kind of crash-course on how not to do that.

Jason isn't sure why this guy grabbed him and dragged him into an alley, but if it's a fight he wants, Jason would be able to fight more freely in an alley, so he doesn't struggle. (Does he know that Jason is Red Hood? Does he think that Jason is a random civilian? Is it just him, or does this guy have really cold hands?)

Jason isn't sure why this guy is now trying to... ask him to meditate? The fuck is going on? But if it's not a fight, then... maybe it's fine to just listen to the weirdo? Taking a few deep breaths isn't going to hurt him.

Danny is very proud of himself for guiding the ecto-flaring guy through how to not flare his ecto-signature. He's such a good teacher.

And then Jason collapses.

Turns out, Jason has been using his anger to create a feedback-loop that artificially raises his ectoplasm-levels.

Ghosts need ectoplasm to live, but they'll also produce ectoplasm when feeling strong emotions. For most ghosts, this a bit like saying "everyone needs a good cry every now and then". For Jason, he's been basically aiming a gun at his own face for the adrenaline-rush. Constantly.

So, Danny is now holding onto a barely-conscious person who desperately needs more ectoplasm. As in, this is a medical emergency, and every second probably counts.

Danny, being that he wasn't planning on needing to carry around some kind of ectoplasm-container at all times (who the fuck does that? His parents, that's who), is now desperately trying to problem-solve this.

Danny realizes that, actually, even in his human form? Danny has a lot of ectoplasm in his body. Enough that he could probably save this guy by... feeding him his blood.

Cue intimately sexy reverse-vampire scene.

And oh boy, if Danny's blood doesn't taste fantastic to Jason's ecto-starved self.