#i hate still feeling anything about it

[doctorjubbs]

I'd beg you to hold me one more time. I'd beg you to dig your nails in, to cut me deep, to leave me some mark that reminds me I had something. To have something that reminds me I can be had. I remember what it is to touch, but if you could remind me one more time, maybe I can sleep.

I wish I could have anger, just so I could give it to you.

I'd look in the mirror and trace those scars with my eyes. I'd say it's nothing. I'd beg once more for more.

I wish I could forget what we did.

I will continue to ask to have my heart held, and I will forget again where I put it.

I wish you let it end.

I miss who I was before you, but I love who I've become.

I'd give anything to be able to cry like that again.

I wish you knew this.

This one goes out to some old feelings I don't have anymore about someone I don't care about anymore and who I don't think about anymore.

I don't think about them when I flirt with people. I don't think about them when I'm drunk. I don't think about her when I hug my friends.

[pencilmint]

Sunset in Shinjuku

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[poorly-drawn-mdzs]

The dog days are over.

[First] Prev <–-> Next

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[sceletaflores]

working it out (on the remix)

pairing: art donaldson x patrick zweig x fem!reader

summary: you sit in the angry silence, gears slowly turning in your head as you look between your boys. you should have known that this wasn't going to work, clearly just talking isn’t going to get the three of you anywhere.

—or: three tennis players walk into a hotel room.

word count: 5.5k

contains: 18+ SMUT MDNI, swearing, smoking, fighting as foreplay, mean!reader my beloved, the patrick and art gay agenda, threesome, p in v, rough sex, unprotected sex (wrap it before you tap it y'all!), not quite hate sex more like angry sex, double penetration, oral sex (m!receiving), choking, finger sucking, degradation, creampies, lowkey sub!patrick coded, switch!art ofc, porn with a plot, no use of y/n.

author’s note: oh em gee part three is here!!! i literally always say this but i had so much fun writing this one lol thank you so much for showing this series so much love right off the bat! i've loved loved loved reading all the ideas you guys have sent me for future chapters and trust when i say that i'll definitely be featuring as many as i can. okay bye! hope you love it! xoxo mwah.

tftw series masterlist!

Art is fuming. You keep glancing over at him to check that smoke isn't starting to blow out of his ears. It doesn't, but he's just as mad every time. Standing in the doorway huffing and puffing, arms crossed over his chest as he stares Patrick down from across the room. 

Patrick is the complete opposite, all relaxed body language and easy half-smiles as he coolly stares back. You’d make a fire and ice joke if you didn’t think it would send Art over the edge.

He’s sitting in the room’s single chair, window cracked open so he can smoke. He’s practically naked, wearing an unbuttoned long sleeve and the tiniest boxers you’ve ever seen. His bare feet are propped up on the corner of the bed you’re sitting on. 

You’re perched cross legged on the mattress, basically stuck in the middle of them.

You’re still surprised you even got Art to show up at all. You thought he almost flipped the table when you brought up Patrick at lunch, casually mentioning that you’ve been texting him for the past couple of days and you think the three of you need to talk. He was quiet for a long time before he finally asked if that meant Patrick was, has been, in town. You just shook your head yes.

You didn’t tell him you and Patrick slept together, you didn’t need to.

He went quiet again, stood up from his chair with an excuse of being late to class and stomped out of the dining hall. You texted him the address to Patrick’s hotel an hour later.

Art never responded, but his jeep was still waiting for you outside the biology building after your last lecture got out. He would always drive you back to your dorm since you’d get out so late, but this time he turned out of the campus lot and silently drove until you realized he was going to the hotel.

Now you’re here, and it's been almost ten minutes since you knocked on the door to Patrick’s room. And no one has said anything the entire time. No one has even moved, only Patrick every so often when he needs to flick his ashes out the window. A thick blanket of tense silence falls heavy over the three of you. It makes the room’s temperature feel that much hotter. The shitty air conditioner hums faintly in the background.

“So,” you say slowly, voice finally piercing through the quiet, “Am I gonna have to be the first to talk again or–”

“God, I don’t know,” Art cuts in tersely, not looking away from Patrick as he does, ”I can’t believe I don’t have anything to say to the guy that fucked my girlfriend.”

“Girlfriend?” Both you and Patrick ask sharply, opposing tones of shock and amusement blending together.

Art's eyes narrow, a storm brewing in the blue of them. He’s still looking at Patrick, talking about you like you’re not sitting right in front of him. "Yeah, my girlfriend. Did I stutter?" His chest is puffed out just enough for you to notice, his mouth pulled down at the corners in a deep frown.

You blink, caught off guard. Art’s never asked you to go steady with him, you’ve never even been on a date. Unless you count fucking in the back of his jeep at a drive in theater a date, then sure, you’ve been on one date. Regardless, the possessive timbre of his voice has something warm simmering under your skin.

Patrick laughs, loud and abrasive. “Well, this is fucking news to me,” he says through a chuckle, eyes flicking between the two of you bemusedly, “I didn’t realize you guys were playing house, but that does makes a lot more sense now.” He gestures to your chest with his free hand, pointing out the dark blue sweatshirt you’re wearing.

‘Mark Rebellato Tennis Academy’ is stitched across the front in thin black thread; you'd stolen it from Art’s closet when you slept over at his dorm a few nights ago. He never asked for it back.

“It’s cute that you kept my shirt, Donaldson.” Patrick teases, lolling his head to the side lazily so he can look at Art through his lashes. A plume of smoke billows from between his lips, slipping through the open window slowly. “Even after you tried to turn my girlfriend against me and fucked her behind my back first–”

“Fuck you, Patrick–” Art starts, face twisted in a scowl. His hands ball into fists at his side, jaw ticking with anger.

Patrick doesn’t look deterred, leaning forward in his chair as he tries to talk over Art, “You’re such a fucking hypocrite–”

“I’m not anyone’s girlfriend,” you cut them both off, brows drawn together in frustration, “—and I’m not going to let this turn into some weird pissing contest between you two. We’re here to talk.”

Art scoffs agitatedly, casting his eyes to the ceiling. “Looks like the two of you have done plenty of talking without me,” he says bitterly. “Do you get off on this shit or something? On sticking your dick where it doesn’t fucking belong?”

Patrick smirks, leaning back in his chair, arms draped lazily over the armrests. “God, you really do think you’re innocent in this,” he laughs incredulously, leaning back in his chair. “You’re acting like you’ve got some moral high ground, but you don’t. You’re just as guilty of playing the game as I am.”

Art’s face darkens further, anger threatening to boil over. “This isn’t a game to me, Patrick,” he spits, tone hard and low, “I’m so sick of you treating everything like a goddamn joke.”

Patrick’s smirk doesn’t falter. “I never said it was a joke,” he says with a shrug, tone easy and nonchalant. “I’m just saying, maybe you should take a good look in the mirror before you start pointing fucking fingers. I’m not the only one who’s played dirty here.”

“Patrick–” you warn, sitting up straighter. You can feel the way the air changes, the way the animosity gets turned up. The last thing you need is for them to start throwing punches.

Art cuts you off, shaking his head in contempt. “You’re so full of shit. You don’t fucking care about her. You never did. You just want to win, because you can’t stand the thought of losing to me.”

Patrick groans loudly, throwing his head back with it. “We’re really going back to this again? Jesus Christ, give it up man. It’s not like she was ever really yours to begin with.” He takes another slow drag from his cigarette, eyes never leaving Art.

The jab hits its mark, you can see it on Art’s face. In the way he physically recoils, the way he takes a ragged breath through his nose, the way the muscles of his jaw work furiously. For the first time since you fucked Patrick, you feel like a fucking bitch. The familiar feeling of guilt wraps its tendrils around you, weighing you down into the mattress like a physical force.

It gives you an idea, the guilt. It's a filthy idea, one that has heat stirring between your legs at just the thought. It’s a good way to make this whole situation up to Art, a good way to let him get under Patrick’s skin the same way he’s getting under his.

You sit in the angry silence, gears slowly turning in your head as you look between your boys. You should have known that this wasn't going to work, clearly just talking isn’t getting the three of you anywhere.

You sigh, overly dramatic and long suffering, scooting down until your legs are hanging over the edge of the mattress. Art and Patrick watch you the entire time, eyes finally leaving each other to watch your hands settle on the hem of Patrick’s sweatshirt.

“You guys are being so difficult. Why did I think that you could behave enough to talk this out like big boys?” You tug it off in one swift move, tossing it to the side carelessly. Two sharp gasps ring out, two sets of greedy eyes roam the bare expanse of your torso. You hadn’t worn a bra today.

You smirk, standing from the mattress and hooking your thumbs in the waistband of your sweats. You push them down your legs slowly, making a show of it until you're only in the pair of light purple panties you slipped on this morning. Patrick smirks, flicking his cigarette butt out the window and yanking it closed. He goes to stand, Art pointedly takes a single threatening step forward as he does but you stop both of them in their tracks. 

“No.” Your voice rings through the small room, loud and commanding. Patrick sits back down almost immediately, his brow raising in confusion. Art does the same, freezing with one foot in front of him. They’re both hard, cocks tenting the fabric of their bottoms. Their boners point towards each other, you bite your lip to hide your smile. 

“You’ve been so bad, Ricky.” you scold softly, voice syrupy sweet as you lean back on the bed. “Dressed up like an easy whore in here waiting for us, being so mean to Art, fucking his girl…” You trail off boredly, palms braced flat on the bed behind you so you can lean back as casually as you can muster. You let your legs fall open, spread enough to let Patrick and Art see the wet spot slowly seeping into the fabric.

You can hear Art’s sharp inhale from across the room at your words, his girl. You’re still careful not to say girlfriend, that’s a whole other talk. Patrick squirms in his chair, practically itching with the need to say something. You level him with a hard look, a firm shake of your head keeps him quiet. When you finally turn your attention to Art, he meets your gaze easily, eyes already blown out and glassy. Even from here you can see the way his pupils swallow the pretty blue color.

You smile, lips curling up in a wicked smile. “Art,” you coo softly, reaching your hand out in offering, “come here.” 

Art’s walking towards you without a second thought, crossing the room in just a few large steps. You smile at him, patting the spot next to you. The bed creaks as he sits down, the mattress dipping under his weight slides you closer to him. ”I think,” you say slowly, resting your hand high up on his thigh, so close to the hard line of his cock straining against the fabric, “that we need to teach Patrick a lesson on manners.”

“What! No fucking way, that’s bullshi–” Patrick fusses from the corner, sitting up straighter in seat, the armrest gripped tight in his left hand.

“Shut the fuck up,” you snap, whipping your head to the side to glare at him. “This isn’t about you.”

He frowns, pushing out his bottom lip like an actual child. You just barely fight the urge to roll your eyes, an evil smile spreading across your face as you watch him honest-to-God pout.

“This is about Art,” you slide your hand up higher, cupping him through his loose shorts. You can hear his sharp intake of breath, a quiet ‘fuck’ falls from his lips as you apply more pressure to where your hand is steadily rubbing him up and down. “Plus, you’re already in the cuck chair,” you aren’t able to stop the small chuckle that falls from your lips, “you’ve got a perfect view.”

His pink lips part ever so slightly, eyes going wide and hungry at your words. You throw him one last devilish smile before you’re sinking to your knees in front of the bed. The scratchy carpet digs into your knees but you don’t care, not when Art is towering in front of you with the ceiling lights shining around him like he’s an angel.

You smile up at him, dragging the palms of your hands up and down his thighs. “Take your shirt off,” you encourage, slipping your hands up to toy with the hem of his shorts.

He complies beautifully, pulling his shirt up and over his head and tossing it aside, revealing the lean, toned muscles of his torso. You let your eyes linger on him for a moment, appreciating the sight before returning your attention to your task. Your fingers deftly undo the drawstring of his shorts, and start tugging them down. Art lifts his hips enough for you to drag them all the way down his legs, taking his boxers with them to free his hard cock.

Again, you slide your hands up the bare skin of his thighs, inches away from where he wants them. He’s so hard, cock standing straight up in an angry red line against his stomach. The tip drools pre-cum that leaks down the length of him slowly.

Art's breath hitches, his eyes locked onto you with a mix of anticipation and desperation. Your fingers brush lightly over his upper thighs, before you wrap your hand around the base of his cock, feeling the heat of his arousal pulse against your palm. His gasp is sharp, and you silently revel in the power you hold over him in this moment.

You glance over at Patrick, who is staring wide-eyed, his earlier irritation replaced with a raw, unfiltered hunger.

Your lips curl into a smug smile at the sight of his flushed cheeks and the way his chest rises and falls with each heavy breath. “See something you like, Patrick?” you taunt, giving Art a slow, deliberate stroke that has him groaning softly. Patrick’s eyes narrow, his jaw clenching, but he stays silent, his gaze locked on the two of you.

Art's hands grip the sheets beneath him, his knuckles turning white. "Fuck," he breathes out, his voice strained, "you're killing me."

You laugh softly, a dark, melodic sound, and lean forward, letting your tongue flick out to taste the bead of precum at the tip of his cock. Art moans, the sound vibrating through you. You glance up at him through your lashes, seeing the way his head tilts back, his eyes half-lidded in pleasure.

You slide your lips up the length of his leaking cock, teasing and slow. Art stares down at you, not breaking eye contact as he breathes raggedly through his nose.

“Tell him how it feels,” you whisper against the pink tip of his cock, sliding it back and forth across your lips teasingly. Art swallows hard, skin flushing in embarrassment.

“So good…” he whispers, eyes still locked onto yours. His blush goes from his cheeks all the way down to his chest, spreading pink and warm across the strong muscle of his pecs.

You smile, shaking your head softly. “Don’t tell me, tell him.” You jerk your head in Patrick’s direction once before you sink down until your nose is nestled against the soft blonde hair at the base of his cock, working your throat around the length of him. 

Art moans loudly, his hands coming up to tangle into your hair. You keep going, fighting his grip on you as you start to bob your head over his cock in a steady rhythm, working your hand in time with your mouth.

He forces himself to look at Patrick, catching his eyes.

Patrick looks fucked, lips slick and dropped open as he stares back Art, hungry gaze not wavering. His cock is still hard, pressed against the seam of his boxers and leaking a steady patch of wetness around the head. 

A silent challenge seems to pass between the two of them.

We doing this or what?

Art refuses to back down, hardening his resolve. “Feels so fucking good,” he groans, not looking away from Patrick, “her throat’s so tight, so– God, it’s so good. Best I’ve ever had.”

He’s rambling, not even making any sense but you hum in approval all the same, your tongue curling around the crown. Patrick doesn’t look like he minds too much either, pink tongue coming out to swipe along his bottom lip. "Please," he whispers, almost too quiet to hear. "Let me..."

You pull off Art with a wet pop, turning your head as best you can with his hand still tangled in your hair to fix Patrick with a steely gaze. "You don't get to make requests," you say, your voice hard. "You get to watch and learn."

Patrick's eyes darken, his lips pressing into a thin line, but he doesn't protest. Art lets out a low growl, his hand tightening its grip on your hair and dragging your mouth back to his cock.

“Stop fucking talking to him,” he demands, hips thrusting to fuck back into your mouth. You choke on the sudden fullness, wetness floods your panties as you moan around him.

Yes, you think, eyes squeezing close as you force your throat to relax around his cock, this is what I wanted.

You were waiting to see how long it’d take Art to snap, he lasted longer than you thought he would. The head of his cock punches against the soft, spongy part at the back of your throat. You fight to not gag around him, hands scrambling for purchase on his thighs. His balls slap against your chin roughly, sticking wetly to the drool that's starting to fall from the corners of your lips.

Art meets Patrick’s eye again, a smug smirk on his face as he jerks his head in a clear invitation, “Come here.” He grunts simply, dragging you up and down the length of his cock by his tight grip on your hair.

Patrick practically sprints from the chair, ripping his shirt off while he tries to kick his boxers off before he reaches the bed. He sits next to Art, chest heaving as he stares down at where your lips stretched obscenely over his best friend's cock. 

Art pulls you off by your hair, holding your face a few inches away from his spit covered cock. He tuts at you sympathetically, tilting his head to the side with a tiny frown at the sight of you all teary eyed. “Bet you feel real empty, right?” he asks sadly, shaking your head back and forth like a dog. “That greedy pussy wants our cocks stretching her open, doesn't she?”

You whine loudly, nodding your head as best you can as the meaning of Art’s words sink over you. You feel far away, like you’ve already been fucked six ways to Sunday. You cunt clenches around nothing, aching for Art and Patrick’s cocks bullying their way inside you. You’ve never done anything like that before, taken two guys at once, but God do you need it.

Art nods back, brows pulled together in faux pity. “Pat and I will help baby,” he says sweetly, “You just gotta get nice and stretched out first, need to fuck yourself open on Patrick’s cock so you can take us.”

“Fuck yeah,” Patrick breathes, already moving up the bed to lay flat on his back agasint the pillows. His cock sticking straight out from his body, pointing to the ceiling desperately.

Art lets go of your hair, cupping the side of your face tenderly. His thumb rubs against the soft skin of your cheekbone a few times, you know it’s a question. 

Do you want this?

You smile, nuzzling his palm and giving his thumb a playful nip. The answer to his question written all over your face.

Fuck yes.

Art smiles back, nodding his head once. You take the hint, rising from your knees to climb onto the mattress. You slide your panties off, tossing them aside as you crawl up the length of Patrick’s body, straddling his hips and wasting no time in sinking down on his cock.

Art settles next to the two of you, hand loosely gripped around his cock as he starts to lazily stroke himself to the sight of you and Patrick.

“Fuck!” Patrick hisses, his hands coming up to grip your hips fiercely as you start to ride him, not giving either of you anytime to adjust. The stretch burns, the lack of prepping before hand makes it sting. You don’t mind, too worked up to care. 

“God, you’re such a fucking slut,” He tries, but you cut him off bringing your free hand to wrap around the column of his throat just like he did to you back in the shower.

“You’re the slut,” you growl, fingers digging into his skin roughly. His eyes widen, plush lips going slack. You speed your hips up, the loud smack each time you drop down onto him echoes through the room. “You’re the easy fucking whore that soaked your panties watching your best friend fuck my throat."

Art huffs out a breath, hand slipping over his cock faster as he watches you ride Patrick. His eyes are trained on the way your hand is wrapped against Patrick’s throat. He slips his free hand down, pressing two fingers against Patrick’s cock so you slide down onto them on the next bounce.

“Fuck!” You keen loudly, grip tightening on Patrick’s throat. Art’s fingers add to the sting of your cunt, but your hips don’t stop moving, even as he slips in a third just as fast.

You get lost in it, in the feeling of Patrick’s dick fucking into you so deeply you swear he’s hitting your cervix with every roll of your hips, Art’s fingers stretching you that much wider.

Suddenly, Art drops his cock so his free hand can latch onto your hips, his strong grip forcing you to stop your desperate bouncing. His fingers slip out of you, you immediately miss the stretch.

Patrick groans in displeasure, his hips buck up like he’s trying to slide back into the warmth of your fucked open cunt. His leaking head bumps against your sensitive clit a few times before Art’s dropping his hand down, gripping Patrick’s cock to line it up with his own.

Art slides up behind you, his sweaty chest pressing firmly against your back. “Should be stretched out enough,” He whispers into the nape of your neck, pressing both tips against your fluttering hole.

The shock of it has your hand slipping off Patrick’s throat to anchor onto his shoulders in a feeble attempt to brace yourself. He sucks in large gasps of air, chest heaving as he stares down to where his cock is pressed snug against Art’s, his hand big enough to almost wrap around them both. He throws his head back against the pillows, eyes screwed shut, “Fuck, I can’t watch,” he gasps, voice low and ragged. 

Art laughs smugly, but it’s breathy around the edges and you can feel the way his hand shakes on your hip. “Close already, Pat?” He asks condescendingly, as his fingers dig in a little tighter. “You’re not even doing any of the work.”  

You try to focus on the sensation of Art’s grip, but your mind is a haze of overstimulation and the throb of Patrick’s cock against you. Art’s mocking tone sends a shiver down your spine, making you acutely aware of how close you are to the edge yourself. Your greedy cunt clenches around them, trying to suck them in you.

Patrick’s breath stutters, his hips jerking up involuntarily, making a strangled noise that’s half-groan, half-whimper. “Fuck you, man,” he manages to grind out, but his voice is trembling and strained, the bite in his tone gets undercut by how wrecked he sounds. You can feel the barely there twitches of his hips, like he’s physically pained from having to wait any longer.

A sharp cry rips from your throat as they finally start to slide in, both heads popping into your tight hole all at once. Your eyes screw shut at the stretch, thighs shaking where they’re spread over Patrick’s hips.

“Someone kiss me,” you gasp desperately, chin lowering to your chest. Art’s moving before the words finish leaving your mouth, gripping a fistful of Patrick’s hair and dragging him up to your lips. You whine into his mouth, letting his tongue slide between your lips to claim your mouth.

The familiar feeling of his lips on yours relaxes you the tiniest bit, letting Art lower you down a few more inches. It feels like hours as you sink onto them, Art’s big hands gently massaging your hips while Patrick’s greedy fingers pull and paw at your thighs.

It’s the quietest you’ve ever heard Patrick. His lips going slack in awe against yours as Art’s cock slides up next to his, moaning into your mouth when your hips go flush with his.

They feel so huge inside you, so thick you swear you can feel them in your stomach. Bullying your insides into making more room for the both of them.

“Fuck," you gasp, nails digging little crescent moons into Patrick’s shoulders. Every inch of you is alive with sensation, a burning mix of pleasure and pain. Art’s breath is hot and ragged against your ear, whispering sweet encouragements, “It’s okay baby, you’re okay, taking us so fucking good–” 

You nod, slowly starting to grind your hips back and forth, gasping when they rub up against the soft spot inside of you that has you clenching in pleasure– practically choking them off at the base. A high moan falls from your lips, hips swirling the tiniest bit faster that have both Art and Patrick growl out matching groans of approval.

“Just like that,” Art whispers into your ear, his breath hot and ragged. “Gonna make him come first, or are you gonna beat him to it?” The challenge in his voice sends a jolt of heat through you, your thighs starting to shake with every pass of them over that spot.

“God, ah! Art– fuck, mh, Patrick–” You slur, head already starting to go fuzzy

“Fuck,” Art gasps out your name sharply, pushing you down onto Patrick’s chest so he can start fucking into your loose, sloppy cunt. “God, you’re so fucking tight,” his hand grips the back of your neck to pin you down, throwing all his strength behind the snap of his hips.

“Shit, look at you,” Patrick chuckles weakly pinching your hips hard, trying to seem less affected than he really is. “You’re so fucking gone. All that attitude needs is some dick to fix it, huh?”

You crack your eyes open, blearily searching until you zero in on his face. He’s smiling smugly, eyes blown out and hazy.

“Shut the fuck up,” you spit weakly, raising your hand to shove your index and middle finger between his parted lips. You push back far enough to feel his throat constricting against your fingers, letting him gag on you. Your eyes trace the side of his face, down the slope of his nose to where his cherry red lips are lewdly spread around your fingers. 

You can distantly hear Art groan behind you, his hips speeding up impossibly faster. His hand squeezes your neck, fingers digging into your sensitive skin meanly. You hook your fingers behind Patrick’s teeth, dragging his face to the side to meet your eye. Patrick moans around your fingers, gazing at you pleading through half lidded eyes. Drool leaks from the corners of his mouth and down his chin, drenching your wrist. His hot, wet tongue sliding along the pads of your fingers feels scalding.

Patrick's hands are everywhere, pulling, pinching, caressing, his touch a maddening mix of rough and tender. The feeling of him inside you, alongside Art, is almost too much to bear, making you gasp for breath. Your moans are a symphony of pleasure and desperation, each one a plea for more, more, more the closer you get the edge.

“Shit, ah, Art, ah!” Your feet scrabbled uselessly against the sheets, the fingers of your free hand twist Patrick’s hair roughly. “I’m gonna come— Mm, ah! I’m gonna—”

“Do it,” Art goads, the rhythm of his hips not faltering, “Come on baby– fuck yeah– fucking soak these dicks–”

Your mouth falls open in a silent scream as you come, your vision whites out around you as the entire world shrinks down to the stretch of your gushing cunt around Art and Patrick. The slight burn of them, the fullness, the unrelenting pace of Art’s hips stinging the skin of your ass on each thrust. 

Patrick bites down on your fingers with a broken whine just as Art sinks his teeth into your neck, both of them groaning so loud it’s all you can hear. That and the faulty rhythm of Art’s hips snapping against the meat of your ass in loud ‘cracks’. 

They come together, and you can feel it.

You can feel every twitch and jerk of their cocks inside you as they spray the walls of your cunt with their releases. Spurt after spurt of hot come claiming you as theirs, filling you to the brim. Art doesn’t stop, working the three of you through your orgasms. Each thrust fucks more of their come out of you, the lewd squelch of it leaking from of your loose hole to gather around the base of their cocks in two matching creamy rings makes your ears burn.

Just as it gets to be too much, when the pleasure starts to give way into biting overstimulation, Art stops. You’re slumped against Patrick, shaking like a leaf when Art starts to pull out as gently as he can. You hiss when the head of his cock slips out, thighs clenching together.

“Sorry,” he whispers sweetly, giving your shoulder a gentle kiss. He practically man handles you off of Patrick’s cock, lifting your hips up and off of him.

Patrick groans, stomach twitching in oversensitivity as your slick walls slide against his spent dick. Finally he slips out, his drenched cock falling to slap onto his stomach. There come rushes out of you, dripping sticky and thick down your inner thighs. 

There’s sweat dripping down your temple when you fall onto the mattress, your back sticks to the sheets but you’re too out of it to care. Art collapses next to you, sandwiching you between him and Patrick. The three of you are quiet, chests heaving as you catch your breath. Patrick’s hairy thigh is pressed to yours, firm and toned. Art’s got an arm slung over your waist, his breath puffs hot against your neck.

“It doesn’t have to be one or the other,” you say breathlessly, voice raspy and hoarse. “It could work. We could make it work, the three of us.”

Art and Patrick are quiet, their silence heavy with contemplation. You keep your eyes trained on the ceiling, more nervous bringing this up than you thought you’d be. The room is filled with the sounds of your collective breaths, mingling with the lingering scent of sweat and sex.

Patrick chuckles, you can feel his curls brushing against your shoulder as he shakes his head in dry amusement. "Yeah, because everything about this screams 'healthy relationship,'" he quips, a smirk tugging at the corner of his lips.

Art lets out a soft, exasperated sigh, his grip on your waist tightening just a little. "We don't have to decide anything right now," he says, his voice low and steady. "Let's just...see where this goes."

You feel a rush of relief at his words, but Patrick’s hesitancy still gnaws at the edges of your mind. Patrick shifts beside you, his hand skirting lightly over your arm in a rare moment of tenderness.

"Guess we're in uncharted territory, huh?" he murmurs, his tone uncharacteristically serious. 

You laugh, finally daring to glance at both of them, a tentative smile forming on your lips. "Yeah, but maybe that's not such a bad thing."

Art and Patrick look back at you with matching grins wide enough to show their teeth, blonde and black hair fanning around their faces like halo’s under the room’s shitty fluorescent light. Your heart swells under the intense stare of two pairs of eyes, one blue and one green. You can feel the room start to fade away until it’s just the three of you and nothing else seems to matter.

Art leans down, giving your right shoulder a quick kiss. “If we’re doing this, we have to be honest with each other.” He looks between you and Patrick pointedly, but he’s still smiling. “No more bullshit games.”

Patrick snorts, letting his head fall back onto the pillows, “Yes sir.” 

You nod, not bothering to hide your smile. "No bullshit, no games," you agree, moving to squeeze Art's hand. He squeezes back in a silent promise.

The three of you lie there in a comfortable silence, the weight of your decision settling over you. It's definitely not going to be easy, but maybe, just maybe, it could work.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[nazumichi]

sighs dreamily twirls hair so there’s this guy who likes to be boiled in oil

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[sergle]

there is something so quintessentially modern about learning about fiberglass filler in mattresses from tumblr dot come and ruining my bedtime by:

Finding nothing substantial on my mattress label.

Frantically scouring the internet for more information and the mattress website is all sof t blues and greens and smiling heterosexual couple and has a bullet point list with

+made without formaldehyde❤️✨️ +made without mercury or lead🥰💖 +low emission (???)🤩💗💯 and only under a company run blog "home sweet foam" do they say

❤️yes❤️ we do use fiberglass💅💖🌟 (gobbernment told us we cant use asbestos anymore😢😔)

[ahaura]

im sure its been said already but as the election draws near more and more liberals will come out of the woodwork to shame people with a conscience to give away their vote to the democrats for free. i'm already seeing posts saying "why aren't people more concerned about a trump presidency?" you want to know why? it's because people already know he's bad. everyone already knows what he is and what he's done and what he'll do. there's nothing to discuss. he's a racist despotic worm of a man. there's nothing else to say.

biden is currently president. the genocide is happening under his watch. he's the one funding isra*l and arming them; he's sidestepped congress more than once to give them weapons. by oct. 27, the biden administration already knew that "Israel was regularly bombing buildings without solid intelligence that they were legitimate military targets." the state department/biden have engaged in atrocity propaganda, cast doubt on the legitimacy of the death toll recorded by the gaza health ministry, and so on. the united states is currently in the process of trying to pin the "war in gaza" on netanyahu (see sen. schumer's speech) after months of backing blatant genocide as a means to act as if they're "doing something" about the genocide (Instead of, say, threatening to cut off all aid to israel with the condition that all hostilities in gaza, the west bank, and occupied jerusalem are halted immediately and permanently, allowing palestinians freedom to travel, allowing aid into gaza, etc etc etc.)

the long and short of it is that liberals view their own lives as being worth more than palestinians'. that's it. they'll vote for another 4 years of the guy ushering in genocide and supporting apartheid + settler colonialism because he isn't outright attacking them (despite various laws and rulings happening both at the supreme court level and at the local level all over the country that will endanger people). they'll settle for the illusion of safety and security and shame anyone with a conscience and accuse them of "supporting the republicans" when in an actual democracy you would be able to use your vote as leverage to extract concessions from those who want to be elected. that's how it's supposed to fucking work.

democrats are not owed people's vote. if biden loses, it will be biden's fault; it will be his campaign's fault; it will be the democrats' fault. trump is bad; the republicans are bad. we already know this. this is not an endorsement of either. but if democrats are too cowardly and feckless and servile to the motivations of the american empire and never do anything for their constituents then why the fuck should anyone vote for them. you want to get mad at someone, why don't you do something useful and stop worrying about team-sports with a purely selfish basis and start hounding the people in power who are supposed to serve you, the voter.

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[5hrignold]

this is all i got

[peace-hunter]

The Haunted AU is taking over my brain /pos

What are Megatronus's thoughts on his helm being the decepticon logo + that people keep taking his fucking t-cog?

hehehe >:3

oh he's furious about it. no way around it, he's incredibly angry that his name, his face, his legacy is being used to hurt his people.

he dedicated his entire life to guide and protect cybertron along his family, being a guardian to those under their care and died trying to end a war that threatened to destroy their world.

and now someone is using him as a symbol for a group that thinks being stronger gives them the right to oppress those weaker than them. to start a war they'd rather destroy their planet for than lose. his name will forever now be tainted and linked to the destruction of their world.

he's pissed. but also hurt and mournful for the way his memory is being used.

as for his t-cog... he tries not to think too much about it. because if his name and face was already bad enough, knowing that one of his own components, a literal part of himself, is being used to hurt others... it's pretty rough.

he hates that his strength and power, the ones he used to protect and care for his people, keep being taken by others to use to harm the world and people he died trying to keep safe.

at one point during the war, he considers asking optimus to destroy his t-cog if he ever has the opportunity. to just. stop it from causing more harm. he doesn't, but only because he knows it would pain optimus to do this in more ways than one. but. it's constantly on the back of his mind.

every time megatron hurts someone, every time he destroys a little bit more of their world, every time he commits more damage that threatens to become irreparable... he knows it is his strength, his power, that he's using to do it. and it weights on him like little else does.