#i had to use SO many reference images for this you have no IDEA

[justchillandshipit]

Allow me to take a moment here. Tim just acknowledged couch theory?

Moving on to Buck and Tommy’s breakup, talk about your approach to it. Why was Tommy sure that Buck would break his heart?

Tommy’s older and Buck is very new to this, and whether Tommy was correct or not, I think what he felt like was exactly what he said: I’m not your last, I’m your first, which is a special thing to be, but as Tommy says, it doesn’t usually end up being the same thing. And I think based on what we know of Buck, he’s maybe not wrong. Buck’s a little impulsive when he’s feeling a certain kind of way. He’s like, move on in, bring your couch. So I just think because Tommy’s a little older and wiser or maybe at some level he feels like he doesn’t deserve Buck, I don’t know. But I think he accurately diagnosed Buck. Buck’s still figuring himself out, and boy, that would be quite risky to move in with that guy as much as you would love to.

---

We have a couch reference.

---

Somewhat unrelated but relevant:

I also think that I have finally caught up on all the articles. In every article, someone says Eddie is straight. I want to say about four articles have a reference or a mention of straight Eddie, and there is one in-canon statement from Eddie. So what do we think about that? I instinctively want to say that to have that many denials is sus, but I also have to acknowledge that the question was asked before the response was offered. I honestly don't know what to believe when it comes to the show's direction. I'm still here though and sticking with my original plan to give them until the end of Seasn 8 to move Eddie out of the closet. I will not accept the demise of this ship a moment sooner. It doesn't help that actors are excellent liars. Oliver always makes me second guess myself. lol For now, I'm still here and still clowning.

Other things to consider in favor of Buddie:

There was one article from TVInsider where the interviewer reminded the reader that Eddie said he wanted a beard. Most of us know the gay coding of that word, and that was promptly followed by the Priest pointing out that Eddie was wearing a mask/disguise. This is all within the same conversation where Eddie assumed the Priest was hitting on him, and he called himself straight.

I'm also low-key wondering about the possible conflict between Eddie and Buck coming up. I need more info on that. What?? These two haven't had beef since Buck sued Bobby in Season 3 and Buck and Eddie argued in the grocery store. We all know how Eddie served c#nt like a professional in that fight. Eddie ended up forgiving Buck soon afterward, but Buck was still apologizing four episodes later. lol

I saw in another post where someone compared the image of Eddie in the confessional with the image of Eddie seeing Buck through the peephole of his door. (Hint, both looked like confessional images.) That has to be deliberate.

Tim's comment above referenced Tommy and a couch in a similar context to Eddie and Buck's conversation when Buck said his last few couches came with girlfriends, and Eddie corrected him to say his girlfriends came with couches.

@stagefoureddiediaz 's color theory is still proving accurate as well.

Updates

Buck looking less than thrilled at seeing Laker tickets. Tommy tells him he can use the gift with Eddie and Buck perking up at the idea, only for Tommy to say nope. Joking. (On a second watch, I think I read too much in to this one, but I'm keeping it on the list as very loose interpretation.)

Oliver admits that Buck looked Eddie up and down when he opened the door and knew something was going on with him, but then the whole sit in silence thing. (I know the breakup was on Buck's mind, but I swear he looked like he was trying not to think about Eddie being half naked beside him.)

Also, Eddie was half naked just sitting beside him. I can't help but think of them sitting there like that. Buck and Eddie are going to the same place, but they are taking totally different paths to get there. At some point, they are going to meet each other face to face and be like, you're here.

(I saw a theory. You always have to take these with a grain of salt, but I can't deny the theory sounds good. there have been a lot of parallels that are relevant for Buck and Eddie with the exception of Eddie's shooting.) I did read one interview, it may have been TVInsider, where the interviewer said they hoped Buck wouldn't be in danger. Oliver hinted that Buck was always putting himself in those situations. I think it might be a hint for what is to come. Also, if Buck is putting himself in dangerous situations again, this might be something that has Eddie angry with Buck. I think there is a lot of room for this theory. We'll have to wait and see on that one.

In a previous interview, Oliver told us there was an upcoming scene where Buck and Eddie sat in silence and that it was a testament to their friendship. In the latest interview in Variety, he talks about the scene again but this time he says "that it speaks volumes about their relationship that they could be going through things and handling it so differently but still be there for each other with little need for words. (This is the same interview where Oliver admits that Buck looked Eddie up and down.) At the end of this question, he reiterates that it speaks volumes that they were in different places and could still be there for each other. He says, "I think it really speaks volumes to the strength of their bond."

[verathena14]

yknow what? screw you. *twst-ifies your kh*

i think an overblotted sora would be so interesting, especially considering the way that overblot works and how similar it is to sora's anti/rage form (triggered by overuse of magic and/or buildup of strong negative emotions)

(full/colored sora sprite under the cut)

and i put sora in savanaclaw because of course i did. he's so catboy-coded

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[monstersflashlight]

Day 5. Monster-kinktober: Ancient God + Branding/Uniform

A/N: Using they/them pronouns bc angels have no gender (but his earth manifestation is a priest so he/him when referring to him like that). This turned out very poetic and I’m not sure I fully like it, but hopefully it’s good. Enjoy!

Gn!Biblical angel x fem!reader || branding, mind control, heavy dub-con || tw: murder, manipulation

You died. You don’t know how or when or even your name… But you died. You passed away and you were walking through a clear path ahead. No destination in mind, you only knew you needed to keep going. You walked and walked. And after what felt like days, maybe years, you saw a light on the horizon. Then you ran and ran, instinctively knowing there was your answer, that light had all you needed even if you didn’t even know what that was.

As you approached, you expected the figure to become more humanoid, more god-like maybe, but it didn’t. In front of you, there was a big ball of light surrounded by thousand of eyes. No, not a light creature… an angel. A true biblical angel that looked so bright and ethereal you had to close your eyes because their beauty was too much to hold, but not a second later you had to open them to see if they were indeed that beautiful. It pained your soul to look directly at them, it was too pretty to be looked with your poor human eyes, it was too much but at the same time you couldn’t look away for even a second, your eyes unable to blink as you stared at them.

“We meet again, my little lamb,” a voice in your head said.

You knew that voice, you didn’t know from where or why but you knew it. You knew them… You knew you were safe with them, no memories, no many thoughts in your head, but the only thing you were 100% sure about was that they were there to take care of you. To answer your questions and to alleviate the pain in your soul.

“I promised you’d always be safe, and here I am here to collect what’s mine to protect.” There was an edge to their voice, a growl in the way they said mine that made your skin prickle with goosebumps. But you still couldn’t look away.

Something akin to a hand, maybe a ray of light, you weren’t sure, reached around him to get to you. And in that simple touch against your chest, a fire so big you couldn’t hold back a scream rose from within. Little by little you started remembering pieces of your mortal life. You started to remember his voice, his smell… but most of all you remember his clothes. You remembered seeing him on a priest uniform, always so proper with everyone until you rolled around.

He never touched you, but you didn’t need him to, he always had this aura around him that made you go weak in the knees and made you want to sin. You told him everything, even how he made you feel like you were depraved for having dirty thoughts about a priest. He just laughed, dismissing your concerns and telling you how you were his little lamb and he would always protect you. But he never judged you, not really. He was always there when you needed it. And every single time he showed up for you, you fell a little harder for him.

By the time you were so deeply in love it hurt to see his face, he pushed you softly and you hit your head… right at church. Right in front of him. The last imaged burned on your retinas was him with a halo around his body, almost like an angel, almost like a death angel coming to earth to retrieve your soul. And when you came to be, the memories in your brain were fresh and painful, but they were in front of you, waiting, expecting... but you had no idea what.

“Did you kill me?” You asked, confused, the images of him pushing you and the halo around him so fresh it still hurt your heart.

“I did what needed to be done so we could be together forever, little lamb.” Their voice was deep and unbothered, like that simple fact was enough to justify everything.

“Did you kill me?” You asked again.

“I did,” they accepted. “Now we’ll be one in eternity.”

“How?” You loved them, the feelings were still there, but he killed you… That was fucked up.

“I branded you in your mortal life, little lamb, and when you died you became one with my soul,” they tried to explain, but you didn’t understand anything.

“And if I want to leave?” You ventured to question, already expecting the response.

“You won’t, little lamb. You are mine.” There was a dangerous edge to their voice. “And I am yours,” they added in a softer tone. “I will make you happy, forever…” They reached to you, and you tried to move away, but you couldn’t. There was a force beyond yourself stopping your movements. You were trapped inside your body and they could control all your movements. “Follow me, little lamb, let’s walk into eternity.”

Eternity was how they called their home, an empty space without anything but light. It was so warm you almost wanted to take off your clothes, but you could still only follow them. Your foot moving on their own accord as your angel levitated a couple steps ahead.

At some point they just stopped, everything around you looked exactly the same, but for some reason they decided to stop right there. “It’s time to enjoy what mortal pleasures we refused ourselves in your past life, my little lamb,” they said, cryptically.

“What… what do you mean?” You let out, breathless with the effort to talk when your body was not your own anymore.

Instead of answering, they made your clothes disappear. You stood before them, naked and unable to cover yourself as they stared at you. You wished more than anything that they had a face so you could at least try to figure out how they were feeling, too. And above all, you wished their voice and their touch didn’t make you as hot as you were, already dripping, your body betraying your head for them in an instant.

They made you lay down next, flat against the white surface under you. “Open your legs, let me see you, little lamb.” You wanted to say no, but your hands moved on their own. You reached down and parted your legs, exposing yourself completely to them. “Such a pretty pussy, my pussy, all wet. Touch yourself, let me hear how wet you are.” Your fingers moved on their own accord, the resulting sounds were filthy and you blushed. “Yes… I like when you are so desperate for me you can’t contain yourself from dripping with desire. Rub that tiny bundle of nerves, lamb. I want to see you fall apart, for me.” Their voice was deep.

Your mouth was tightly shut and they spoke inside of your head, telling you what to do, what to feel… And you couldn’t avoid it. You couldn’t say anything about it. But at the same time, you didn’t want to. Their touch felt like a betrayal, but the comfort it gave you made everything worth it. You danced between the dichotomy of needing their touch and being repulsed by it.

“You are going to finger my pretty pussy and when you fall apart for me, I’ll enjoy it,” they ordered.

You wanted to refuse, but you found yourself nodding along as your hand found your wet entrance, your fingers moving on their own accord as your other hand played with your clit. You knew half of those movements weren’t yours, you knew they could control you completely and you were at their mercy, but for some reason that didn’t bother you as much as it should.

They kept talking. “I promised you I would take care of you, and now I can, now that you know everything… we finally can do all you wished. All those dirty depraved thoughts you had and confessed drove me wild with desire, little lamb, and now we are going to make all true.” Your fingers accelerated, pushing against your G-spot in the perfect angle. “Let me remind you some of those… Let me remind you how you wanted to be bent over the altar and fucked until your pussy was so full you were overflowing.” Their words made you shiver as you rubbed your clit faster. “Let me remind you how you told me all about how you would fall to your knees and suck my dick until you were absolved of all your sins. Tsk. Such a dirty little lamb wanting to blackmail a priest.” The insult was soft, but it made your blood boil. But they weren’t done. “Let me remind you how you came to church without panties and exposed your sweet, sweet pussy, my pussy, in the first row… tempting me. You were a sinful little lamb, and you deserve to be punished.”

Their voice became dark and dangerous at the end, and you weren’t in control of your hands anymore. They controlled all your movements, and rapidly you were coming around your fingers, your body trembling as they stared. But you realized it wasn’t your body anymore, nor your fingers... You fell for them in their human skin, when he was dressed as a priest, and you were okay with that. You were depraved enough to confess all your dirty fantasies… and now you would be punished for them.

You were depraved enough to fall for a priest, and the priest was depraved enough to brand you to own your soul forever. They acted like your guardian angel… but they became a demon for you.

[deathbxnny]

Alrighty cool, thank you for clearing that up (and in such a timely manner too)!

So, lemme cook here... with some Angst + Hurt/Comfort >:D

Arlecchino with a Fem!S/O who's the "Mother" to the children of the House. She was among the survivors of the previous Knave's regime over the House of Hearth. With her and Arle having had perhaps a kind of mutual crush that was only truly pursued after Arle killed "mother".

Basically, the scenario for the request is when Arlecchino' and her's S/O are taking care of one of the kids of the House after they're badly injured after a mission, and... needles to say... they don't make it. And during when Arle and S/O are visiting the kid's grave to pay their respect's, S/O begins to muse "you'd think I'd be used to having to bury children, after..." before starting to break down.

(Part two) (Part Three) (Part four) (Part five)

Ooooh, I love your brain, Anon!! Thank you so much for this great request!! I have to admit that whilst writing this, I actually liked the idea of making this super angsty and kind of bitter (like most of my fics lmao-) so I hope you like it despite the lack of comfort anyway-

Content: Heavy angst, vague mentions of past child abuse, murder, death, reader is Female and referred to as "Mother/wife", mentions of heavy injuries and blood, controlling behavior from/ooc Arlecchino?, kind of bitter ending, children dying, grief Reader has she/her pronouns ((Not proofread!!!))

Buried angels and that odd wish to live. (Arlecchino x Fem!Reader)

In a way, you often wondered why the young ones often wished to live when they knew that their end was nearing. Their eyes would widen, breaths becoming sharper and shorter, mouths closing and opening in panic before they'd whisper those words you had heard so many times. Their deaths always followed closely after, eyes dimming, their soul finally disappearing with the blown out candles, the sweet scent mingling with the smell of blood and burnt flesh. In the light of the moon filtering through an open window, you'd see the grim reaper staring at you in mirrors and your crimson stained palms, a thoughtful look on her face, one asking a simple question she might forever ask you.

"What did you expect?"

And you'd reply by looking away from your own image, away from the guilt and self-doubt and into the eyes of the woman who made all these children utter that odd wish in the first place.

Your hands shook, held up high as you peered into the crime of a mother who couldn't save her child, raised as though pleading for the forgivness of a god that was mightier than the one you worked for. One that was less cruel, despite the heart everyone claimed she had. And yet, they were enveloped by a towel instead, that wiped away the sins and hurt, even if just for a moment. "There is... nothing we could have done to save her, Mother." Lyney whispered quietly to you, perhaps afraid of being too loud and disturbing someone who couldn't even ever bother to hear him anymore. He tried to be reassuring, but it did little when you just couldn't look away from your wife.

Arlecchino. The Knave. A highly ranked harbinger, whose heart always belonged to you from the start, although with great difficulties that took you years to overcome.

The first time she made you stain your hands with blood was when she killed the woman that raised you two, the first and only woman you ever called "Mother." Although the gentleness and nurturing part of her title was just a simple facade, it still shaped you both greately. You had sworn to do better, to become a better mother to all the children you both took in after marriage and Arlecchino... she seemed to have trned against that title. She believed that being a "father" was more fitting. The right way to raise the children of the Hearth family. Cold and detached, yet firm and guiding.

It made you opposites at times. Painfully different opposites. You became a secret haven of safety for the children, a place they can hide away in, whenever their "Father's" wrath came after them. And you've fought so hard to be this gentle. You killed, murdered, slaughtered your way out of fate. You dragged yourself out of hell, you bled, you cried endless tears. You wanted to prove that you could do better and you ultimately did now... or so you thought. You began doubting it years ago, and it's what made you find their wish to live so odd. Was it an instinct, or did they actually view their life's with you two as desirable, something to live for, when all they did in the end was suffer?

"Mother." Lyney said again, this time a little louder, this time enough to make you glance up at him. His face was a blurry shadow, the light falling over his shoulders and illuminating his head like a halo, as he pushed the towel rather hastily into a nearby laundry basket. You'd never get the stains out, and so it would most likely be thrown away, perhaps burried with the young girl. "Let's... get you cleaned up, okay? I... we will take care of the rest." The change in his wording made you press your lips together. It wasn't anyone's job to do this except your own, and for a moment, you imagined yourself curling up next to the child that died crying and begging for you to save it.

You stood up only barely on shaking knees, trembling hand reaching out to close the small girls eyes, and you could feel the cold tears and skin stinging your palm. "It is alright, Lyney. Your father and I will take care of her ourselves..." You looked over your shoulder at the woman who had yet to move or say anything ever since she silently entered the room a while ago. You could see the cold glint of her eyes in the dark, her face otherwise covered by the shadows as she sat calmy and collected in her chair. She knew it was over the moment the girl was brought in by a couple of Fatui agents, th failure of her mission being crystal clear by the deep wounds and burns on her body. She never stood a chance. She wasn't experienced enough, not skilled enough. But the weak get eaten, as the Knave would often say.

Lyney gave you a hesitant look, his mouth opening to protest before he stilled at his Father crossing his legs expectantly. He understood the silent order. "... Ofcourse, Mother. Call my name if there is anything I can do for you." He said, a hand on his chest as he bowed before quickly taking his leave. When the door creaked open, you could have sworn to see the flickers of Lynette and Freminet staring back at you solemnly before they disappeared in the presence of their brother. You stared at the closed door for an unknown while, nearly zoning out, until you let out a shaky sigh. "Make her grave beautiful, perhaps with a blue ribbon attached to it. She loved those." You muttered, the exhaustion finally hitting you full force and making you feel faint. Your body felt heavy, feet dragging across the floor as you also made your exit, the only awknowledgement you received being in the form of the woman leaning her head against her palm idly whilst she closed those cursed eyes of hers.

---

There wasn't much of a funeral for the child.

A couple Fatui agents simply made a hole in the ground like they did with all the others and then lowered the small casket into it, before tossing dirt back in until it disappeared and only the stone with her was left as proof that the child ever even existed. It was a routine at this point, one everyone was used to. Everyone but you. Perhaps the years had made you soft. Perhaps the love and gentleness you gave these children had made you weak. But here you were, standing under the rain and staring at the grave for hours now, unmoving. The water had drenched through your clothes, ran down your face, made you shiver from the cold, despite feeling too numb to fully realise that. Arlecchino stood at your side, an umbrella laying in the wet dirt by her heeled feet from when you pushed it out of her hands and away from you defiantly.

The silence was deafening, filled with the constant tapping of water against your clothes, the metal on the Knave's uniform, and the stone of the sea of graves around you. "How many..." You whispered weakly, trying to form words through incoherent thoughts and the lack of sleep you've had lately. "... do I have to see die before it's enough?" Arlecchino said nothing, and you were nearly convinced that she didn't hear you if it wasn't for her hand twitching.

You let out a disbelieving laugh, a hand covering your face, trying to ease the pain that plagued you deeply. "You'd think that I'd be used to burying children by now... but I... it hurts me." You didn't want to break. In fact, you had never broken before. But as you stood there amongst the many angels that you burried, the many angels that had all once stained your hands red, you began to wonder why you ever even agreed to this. You weren't like your wife. You couldn't be a "Father". You just didn't want to be one.

You buried your face into your hands, imagining the suffocating feeling of their final wish being the same as the pain of strangulation. They reached for the skies and reached for freedom they could only brush shortly with their fingertips before they were covered in dirt to never see what they desperately yearned for again.

"We always took pride in having become something better, different than her... and yet look at us, Peruere! We just became exact copies of her instead! Oh, the shame!" You whispered through strained sobs, voice distorted as you crumbled to the ground in guilt. You had been defeated, and yet Arlecchino still stood so tall, her eyes staring at your shivering and trembling form. She didn't say a word, or perhaps she didn't know what to say. "How many children will you make me stain my hands for?" You asked finally, but the silence told you all.

Peruere loved the children you raised together. But Arlecchino, the Knave, had an objective, a mission. Eat or be eaten, a reality that even hurt her deep down. And yet the curse she had since birth prevented her from feeling it any further than a passing acknowledgement.

"... Stand up, (Y/N). We need to get home... our children await us." She simply responded after your heavy breaths became shallow, and you simply laid there limply at the foot of the grave. But her voice conveyed a certain gentleness she only ever extends to you. It was like the warmth of a summer rain, refreshing and light as it rippled through your heart. With swollen eyes, you watched her reach an ungloved hand out to you, her gaze expectant and yet so unreadable. You felt like a child that powered itself out after a tantrum, the exhaustion and defeat crippling your soul, when you finally just took her hand after what felt like a long moment of consideration.

She hummed a gentle praise against your ear as you slumped against her, face pressed to her shoulder whilst you trembled now from the cold that nipped at your skin through your drenched clothes. Arlecchino wrapped an arm around you, her pensive and yet still so stern gaze drifting through the graveyard filled with those buried angels, as you often called them. Perhaps it was a moment of calm reflection, that made her grab onto your face and wipe away a tear.

"You are nothing like her." And yet, the Knave didn't deny that she might have fallen to her fate herself. Just not you. Never you. "These tears, this hurt you speak of, they are all proof of it. You shed tears for them, for us. Only a good mother could do such a thing." The words she spoke had a deep meaning, one only you two understood, and that made your heart flutter. You looked away, trying your best not to burst into tears again at the tragedy of the situation, but it was so hard when Arlecchino got like this. She only rarely showcased such blatant affection, such blatant declaration of her deep yet rather complicated love for you as her wife. "Please... Let's go home..." You simply whispered, which made her nod in approval.

You gazed up at the skies as you walked away, sunlight beginning to filter through the thick clouds and making you frown bitterly as it warmed your face. Arlecchino's hand meanwhile rested against your back, her watchful eyes gliding across the endless meadows you passed by, and for a moment, she could hear her children laughing, squealing and frolicking through the tall grass. They chased each other in a game of tag, running as fast as they could away from the two of you, over a hill and into what the Knave imagined to be their freedom far from her cold and stern ways. She cracked a bitter smile, one of acceptance as she glanced down at your tired, silently crying and trembling form.

Arlecchino was perhaps wrong after all. Maybe in the end the children did need a loving, nurturing mother instead.

What a shame, that it was too late to go back now.

Alright, so this took me all day to write, and I'm not sure if it's good, because I'm still very sick... but I still hope you liked this, Anon, and thank you again for the request!!!<33

[naughtyneganjdm]

Leather and Latex

Summary: Every year Negan throws a Halloween party at The Sanctuary and this year he asks you to be his date. Endlessly, Negan has asked you to be one of his wives and you have turned him down. So for the Halloween party he tries to get you to dress as one of his wives, but you have something else in mind.

Characters: Negan & the reader (OC, second person)

AO3 Link: https://archiveofourown.org/works/59504641

Warnings: 18+, Swearing, Smut, rough sex, unprotected p in v, Halloween themed, no use of Y/N, female reader, little to no plot, leather, latex, Batman references, praising kink, spanking, edging, etc.

Notes: This is day 4 to go with this kinktober list. The prompts I chose were Leather or Latex and Sensory Deprivation.

You never really pictured Negan to be much of a fun guy. Or a good guy for that matter. But when Halloween came around, it was shocking how much The Saviors and Negan loved to throw a good Halloween party. For the most part, Negan did it for the children, which he’d never let people openly know. He had an image to uphold, but over the last few months you had really gotten to know a different side to Negan.

Tonight Negan had asked you to be his date for the party and you accepted. You couldn’t exactly turn down the leader of The Sanctuary. Even though, recently, you had turned him down many times before. Especially considering the situation at hand. For the last few weeks, Negan had been desperately trying to get you to be one of his wives, but you turned him down every time. It was driving him crazy and you kind of loved it. You reminded him time and time again that you didn’t want to be sitting in a room, wearing a black dress like some mindless drone waiting for him whenever he wanted you. No, you wanted to be making a difference. You wanted to be someone that people respected. And to be respected? You couldn’t be one of Negan’s wives.

So the only thing at this point you had really done with Negan was kiss. But you would quickly stop things and shut him down. Hell, you liked Negan, but you had to make a point with Negan. You weren’t just someone who was pathetic and needed him to take care of you.

Tonight, when he brought you your ‘costume’ it had only fueled you more. Negan was specific in what he wanted you to wear. And that costume was a black dress and a nice pair of shoes so that for one night, you could be one of his wives. You played along with it, but when the opportunity arrived for you to pull one over on him, you did. Many times you and Negan had talked about things you liked before the world fell to shit and Negan stressed that he was a big fan of Batman. So when you had gone on a run with the saviors and found a Halloween store that had an extensive Batman costume, you made a deal with Negan. You wouldn’t be upset if he put that on. Even though he originally wasn’t planning on wearing any costume.

So that’s where he was. In the bathroom attempting to put on the costume that you had asked of him. At first, he was uncomfortable with the idea since it had extensive amounts of latex and leather. And he didn’t know if he could fit into it.

Laid out on Negan’s bed, you hadn’t let him know that you were out to surprise him with something while he had been locked away inside his personal bathroom that was in his bedroom. The loud music from the party that was already going on downstairs filled the air and it made you smile.

“You know, this is fucking awesome, but I think I’m going to need some help with putting on all the pieces,” Negan’s voice began, stepping into his bedroom to reveal that he had the cowl on along with a long-sleeved black shirt and the full batman pants set up. At this point he only had on half the costume, but you really didn’t give a shit. Once his eyes fell on you, he came to a quick stop and gave his classic Negan lean. “What in God’s name are you doing?”

“Me?” you questioned, looking down at yourself. While Negan was away in the bathroom you had grabbed a pair of his pants, one of his crisp white t-shirts, his red scarf and his leather jacket that he had set aside to get changed. On your right hand you had snatched the leather glove that Negan often wore and put that on too. Swiftly you had changed out of the classic Negan wife get up and into this which had his hazel eyes gazing over you. “Can’t you tell who I’m going to the party as? If you let me borrow Lucille, it would complete the set.”

“Where’d your dress go?” Negan looked around to see that the dress was laying on the floor at the foot of the bed. “Damn darlin’ you really wanna test the limits with me, don’t you?”

“No, I just really wanted to be Negan for Halloween,” you pulled yourself to the edge of the bed, biting down on your bottom lip. Curling your fingers around the bed, you gave a simple shrug and looked up to Negan with a sense of innocence. Wiggling your finger at Negan had his jaw flexing and in the Batman cowl, it actually looked incredibly sexy. Stepping forward toward the bed, Negan stopped when he reached the area before you. Outstretching your hands, you hooked your fingers with his and heard him growl. “You know…I always had a fantasy about having sex with Batman.”

“I don’t have the full costume on,” Negan pointed out with your eyes gazing over the parts of the costume that he already had on. The top was clinging to his body showing every part of his slender torso and the pants already looked good on him. Taking your hand, you reached out to palm in over the front of the pants eliciting a loud grumble from Negan’s throat.

“Is that you or the costume?” you wondered, licking your lips and dropping your palm between his legs to cup his testicles firmly. Wincing out, Negan tipped his head back and the prominent vein was visible at the side of his neck.

“That’s all me,” Negan responded, sucking in a sharp breath of air. “What about the Halloween party?”

“I think we can have our own party in here,” you suggested, standing up from the bed before Negan. Sliding your palms up over the lengths of his torso, you curled your fingers around his shoulders to get him to lower down closer to you. “Unless of course, you don’t want to have sex…”

“Lucky for you I always had a fantasy of fucking myself,” Negan mused with an arrogant bob of his head. It was such a ridiculous line and the way he delivered it was so cheesy that you couldn’t help yourself with laughing. Grasping your hips firmly in his hands, Negan snickered and drew his tongue out over his bottom lip. “This was a bold decision.”

“I’d like to think of it as smart,” you reasoned with him, tipping up on your toes to press kisses over his jawline. Groaning out, Negan tipped his head back and allowed you to pepper his throat with wet, teasing kisses. “I’m Negan already, so why shouldn’t I look the part?”

“No one gets to wear that leather jacket, I hope you know that,” Negan was letting you know that you were somehow special in the way that he wasn’t angry with you for wearing it. “I will worn you though, this was a bitch to get on, which means it’s going to be a pain in the ass to get off.”

“Well good thing I’m determined and have patience,” you slurred, purring out when Negan’s palms slid in over your sides toward your bottom to give it a firm squeeze. “I’m still not going to be your wife. I need you to know that.”

“No, this is purely Batman and Negan having sex,” Negan snorted and it drew attention to his eyes. Negan had already put the black makeup around his eyes to fit with the cowl and you couldn’t help but smile in how serious he took this whole thing. It really brought out the color of his beautiful hazel eyes and you were actually kind of glad you did this.

Tipping up on your toes, you brought your lips together in a hungry sweep that had Negan clinging firmly to you, pulling him flush against you. With every caress of his lips, you felt your heartbeat growing stronger.

“Fuck me,” Negan grunted, dropping his head down to look between the two of you. “My dick is only just starting to get hard and these pants are killing me.”

“We’re going to have to get them off you then,” you worked with the belt realizing what he meant with it being so many pieces. It took a lot to get them undone and you had to use a lot of strength to tug at the material when you dropped to the edge of the bottom of the bed. Getting the material down to his thighs made you smile when you saw his semi-erect length before your eyes. Caressing your hands up over his thighs and toward his hips had him sucking in sharply. God, his incredible v-line looked twice as amazing in what he was wearing. “Look at the weapon you were hiding on you this whole time Batman…”

“Weapon?” Negan repeated with an amused rumble, humming out when your fingers curled around his shaft. With gentle strokes over his body, it had him growing harder within your grasps. “I like that. It’s both a weapon of mass pleasure and destruction. Because tonight, I’m gonna absolutely destroy your pussy.”

“Now that better be a promise,” you purred, reaching around to grab his small ass in order to tug him forward. A wicked smirk tugged at Negan’s arrogant features when you let the tip of his cock drag over your full lips. Extending your tongue out ever so slightly against the ridges had him breathing loudly. “I’d hate to be let down by my favorite superhero.”

“Oh, that would be a catastrophe,” Negan agreed, his head nodding slowly and his gloved hands hooking around you to grab firmly at the back of your head. Wetting your lips, you pressed teasing kisses over the head of Negan’s cock that turned to gentle flicks of your tongue over the swollen tip. You didn’t want to jump right into this. No, you wanted to make him suffer with continuous wet, hot kisses at the tip that would grow more in strength. So that way by the time you finally did take him into your mouth, his legs were uneasy with his breathing broken. Watching Negan was the key to all of this with you lapping at the underside of his cock and then taking him further back toward your throat. “Y’know, I’ve never missed a Halloween party.”

“There is a first for everything,” you pulled your mouth away with a wet sound, your lips glimmering as you pressed them up to the tip. Extending your tongue out had Negan growling out. “If you’d rather be at the party.”

“Shut up and suck my dick,” Negan scoffed getting you to chuckle against his flesh. It had him tremoring and stepping in closer to you. His free hand wrapped around the base of his erection bringing his cock to your lips. Sinking it between your lips, Negan started to rock his hips back and unhurriedly forward toward your throat. Grasping at his hips, you allowed him this. You knew how bad he wanted this whole thing so you were going to give it to him. It was a mix of him letting you pleasure him and him fucking your throat. When he thought you’d need to catch a breath, he’d loosen up before urging you down his cock firmly. “Good girl.”

After a few firm thrusts to the back of your throat with a gagging sound following, Negan pulled his hips back and away from you. It had a line of spit connecting your lips and his cock. An amused sound escaped him when he pushed into your shoulders to get you to lay back.

“I’ve never given head before with something like this on my head, but let’s give it a shot,” Negan pulled at the pants you were wearing and it didn’t take much to get them from your body. Tearing at your panties had you gasping out, but Negan didn’t take his time. Dropping to his knees, his hands forcefully pushed your thighs apart and it was pretty immediate that you had his head between your legs. A rough, forceful kiss was pressed against your folds causing you to arch your back up toward him. Humming out, Negan dragged his tongue out between your folds teasing at your sensitive body. Slurping faintly at your clitoris had your fingers reaching down in search of his hair, but you realized that he was still wearing the cowl and it made you laugh. “What?”

“This is just new for me Batman,” you liked the smile that he gave you with his head tipped back. This was both incredibly sexy and ridiculous at the same time, but you weren’t going to complain. Dropping his head back down, Negan was very dominant in the way that he ate you out. It was no time before you were a shuddering mess beneath him clinging at whatever you could grab. You may have preferred to see Negan’s face and not so much his Batman mask, but you were making it work. “Negan…”

With your moans, Negan kept up the pace of his mouth and tongue working to bring you right to the edge of your orgasm. Bouncing your hips toward him, you were in desperate need of the orgasm that he was working up inside of you. It had been so long and he was surprisingly doing such a good job even with that cowl on.

Negan’s fingers hooked with yours right when you were about to come and you threw your head back into the pillows. It had an amused rumble falling from Negan’s throat when he sat down at the bottom of the bed. Your thighs were tremoring, your eyes slammed close leaving you with the sensation of spinning. Even though you were trying to catch your breath, Negan was ready to keep going.

In a haste, he pulled you in over him. Together the both of you shakily worked to pull the tight material of the long sleeve that he was wearing up his body to toss it to the floor. Crawling further in over his lap, you curled your fingers around his neck and it felt strange with the way the cowl felt against your fingertips.

“Wait,” Negan demanded, reaching for the red scarf that you had put on. Lifting it, he wrapped the material around your eyes and it had you releasing a shuddering sound. By his low rumble of a laugh, you could tell that he was amused. By taking your sight away, you couldn’t see a thing and he knew that. Maybe just simple shapes, but that was it. Gasping out, you tried to keep yourself balanced by holding onto his shoulders when he firmly tugged the white shirt up over your breasts and yanked down the cup of your bra. Negan’s mouth was quick to cover your breast, his tongue circling the nipple eagerly. “So fucking perfect.”

Whimpering out, you felt the length of Negan teasing at your entrance and you bucked up against him wanting to have him enter you, but he wasn’t giving you the satisfaction of that yet. Instead he continued to pamper your breasts with kisses until he hooked your arms behind your back in one of his hands.

“You are my prisoner after all,” Negan nipped at your neck, having you cooing out at the sensation. You could feel the leather of Negan’s jacket hot against your exposed flesh with Negan firmly rolling you over onto your stomach. Pulling your hips to the bottom of the bed, Negan roughly pushed into your lower back before kicking your legs apart. The warmth of Negan covered you with him wrenching your arms behind your back. “You are a naughty girl.”

“I’m so naughty,” you purred out with Negan’s cock hovering over your bottom. A soft tapping was felt against your cheeks before Negan led his cock to your entrance. In a swift, fluid movement Negan filled you completely having you throw your head back. A loud cry fell from your lips when he pulled his hips back and then firmly smacked forward. The movement was so strong that it had you bouncing forward up the bed. “Fuck!”

“I did say I’d deliver on a promise of destroying your pussy,” Negan growled in your ear and with your sight taken away from you, you felt everything in so much more detail. Every powerful thrust had you moaning out, your cries not being held back with Negan pounding into you with reckless abandon. Loud smacking sounds of your flesh filled the air and he wasn’t letting up on the grasp of your arms behind your back. “Such a tight pussy. It feels like it was made for only me. Who does it belong to?”

“It’s yours,” you whimpered, biting down on your bottom lip with every powerful forward thrust he made inside of you. It was hard to form words with your face buried against the bed and your eyes covered. What Negan was doing to you was both incredible and mind blowing. It wasn’t romantic, but that was never really something you pictured Negan being.

“I asked you who it belongs to,” Negan finally released one of your arms, giving your ass a firm smack. Whimpering out, you clung tightly to the comforter on Negan’s bed.

“Negan,” you were quick to answer wincing when he dropped your other arm. Both his hands were squeezing at your ass while he led you back over him repeatedly. Plunge after plunge of his body was rough, powerful and had you attempting to crawl upwards, but he would pull your hips back to him.

“I know this big cock has to be new for you sweetheart, but you’re going to take it like a champ,” Negan assured you, his right hand reaching out to press between your shoulder blades to keep you in place. Leaning over you, his weight braced against his arms that were beside you. Hooking his left hand with yours, Negan squeezed his fingers tightly with yours when he started rolling his hips forward, his lower abdomen smacking against your bottom. “Good girl.”

There was some racket downstairs from the party, but you were so lost in this that you didn’t care. There was a heat growing in your belly with every deep thrust Negan left you with. Negan’s mouth was covering your shoulder, neck and jawline with hot kisses.

“You feel so fucking good,” Negan growled in your ear, drawing chills throughout you. Turning your head just enough had you begging for his lips to cover yours. Giving you what you wanted, Negan stole a kiss from your lips that had you desperate to kiss him back. “Are you going to come?”

“Yes,” you panted, your body bouncing back into Negan’s thrusts. He had you trapped beneath him, but you liked the way it felt with him surrounding you. The smacks of his testicles against your clit felt amazing with him plowing into you. Grunting against the side of your neck, Negan bit at your jawline and hissed when your body started to tense up. Feeling your body contracting around his, Negan’s hips seemed to falter leaving you with a cry. “Please. Negan!”

“Not yet,” Negan snickered, pushing up and away from your body. The drag of his cock from your warmth was agonizing with him leaving your body. He seemed amused with your whining as he flipped you over onto your back. Crawling in over you, he urged your right leg to curl around his waist and you frowned. “You’ve teased me this whole time and you can’t wait a few extra minutes to come?”

“It hurts,” you frowned getting a deep rumble of a laugh to fall from him.

“And now you know how it feels when you’ve sent me packing with the blue balls every time you made out with me,” Negan breathed against your lips, amused when your hips arched up toward him begging him to enter you again. “You’re a greedy little thing.”

“I thought Batman was supposed to be the good guy,” you reminded him with Negan snickering against the side of your neck. “You’re going to leave a lady aching and in pain?”

“Batman isn’t liked by everyone you know,” Negan reached between the two of you, his lips hovering over yours. Leading himself back into you with ease had the both of you moaning in unison. At first, the roll of his hips was slow. It was almost torture with the slow pull back and the unhurried push forward. It was having him fill you completely and then almost leave your body before smacking forward again. Your arms hooked around his shoulders, you fingers digging into his flesh. “Give me what I want and I’ll let you come.”

You didn’t respond. He wanted you to be his wife, but there was no fucking way. Your silence didn’t bode well for him with his thrusts becoming more forceful having you bounce upward with every movement, “It’s not that hard to just give me what I want.”

“I won’t be one of them,” you denied him, your nails biting into his skin with how hard Negan started to fuck you. It had your back arching with you crying out his name again and again. You were thankful that the music was loud downstairs or otherwise you would have drawn the attention of someone in The Sanctuary. It was so fucking good, but just like before right when he got you to the edge, he stopped leaving your heart hammering in your chest. “Goddamn it Negan.”

“Only good girls get to come and you’re being very bad,” Negan slurred, his mouth covering your exposed breast. Nipping at the taut bud had you purring out, your fingers sliding up toward the back of his head where that fucking mask still was on him. And then he started moving again. Sharp, torturously slow movements that had you gasping with the sensation. “You wanna come? Give me what I want.”

“I’d be miserable,” you whined, your throat tensing up with Negan kissing up over your chest toward your neck to bite at the side of it. That would certainly leave a mark. “I want to be beside you, not waiting for you to return.”

“Goddamn,” Negan snarled, pulling away from you again, but this time he was tugging the blindfold down to get you to look at him. Trying to get the cowl from his head, you helped him when he hissed out and managed to get it off. Tossing it aside made you smile. He was soaked, his messy hair clinging to his head with him rolling you over so that you were on top of him. “If you don’t want to give me what I want then make yourself come.”

You weren’t going to fight that one with you bracing your hands over the center of his chest. Negan’s palms cupped at your breasts while you started to bounce yourself eagerly over his hips. You wanted to feel all of him and you were so desperate for that release. Winces were falling from Negan’s throat, his hazel eyes narrowing while you had your way with him.

Breathy pants were falling from your parted lips. Negan’s hips were meeting yours with every downward thrust you made over him. Your motions went from careful to forceful with Negan grasping to your hips to help you rock over him in swift movements. Your face was hot, your heart hammering when you threw your head back finally reaching that orgasm that Negan had held off from you for so long.

“Don’t stop,” Negan hissed, pushing up so that he could kiss over the side of your neck, forcing you to continue to move your hips over his even though you were already weak from how hard that prolonged orgasm took to get. Grasping at his wet, dark hair you knew he was looking for that same kind of euphoric feeling you allowed yourself to have. Short, pronounced winces were pressing against your throat. A few more powerful thrusts beneath you had you clutching to Negan when his cock twitched inside of you filling you with the first line of his cum. Bouncing up toward you, Negan clung tightly to you until the end of his orgasm, his breath warm against your lower neck. His arms were holding tightly to you and you were clinging to him. “I don’t know why you don’t want to be mine.”

“Because I can be yours without having to be your wife,” you hushed him, dragging your thumb across his bottom lip. Nipping at the pad of your thumb, Negan’s hazel eyes hooked with yours and it made you smile that he still had the Batman make up around his eyes. “I’ve been yours this whole time Negan. You’ve just been too blind to see it.”

----

Tags: @slutlanna976​ @fuckthis-and-fuckthat @jennydehavilland @pixelb4rbie @ibelongtonegan

@smallsadjellyfish @labyrinthofheartagrams @msjamesmarch @thebeautysurrounds @hotfornegan

@redmercysugar @caprithebunny @tuttifuckinfruitty @emoryhemsworth @a-girl-interupted

@akumune @stoneyggirl2 @xsarcasticwriterx @haleygreen23 @xhannahbananax03

@sanctuaryforthelost @burningredaffair @killaweiser @dead-of-niight @ayumi-wolf

@promiscuousbarnes @tone-stark @lanadelnegan @peachihellcat

[atomicami]

special snapshot

tattoo artist!abby anderson x fem!reader

- summary: you decide to tease abby before she meets an important client at her shop by sneaking in a special photograph of yourself. once she finds it during her shift at work, she decides to have a private photo session with you in the bedroom.

- content: smut MDNI, no outbreak/modern au, vegas living, established relationship, a bad australian impression (sorry aussies ily), lots of picture taking, strap usage (r!receiving), possessive dom!abby, submissive headspace (r), abby’s custom strap (if ykyk), abby refers to her strap as her cock, use of nicknames towards reader (angel, princess, sweet girl etc), edging, overuse of the words ‘inked’ and ‘tatted’ bc i can’t think of anything else

- author’s note: the wait is finally over, you asked and i delivered. here is my first tattoo artist!abby one shot! this is the first idea that came to my mind at the time, but i might make more of these if y’all like this one.

if you’re new to my page and haven’t seen my original post about tattoo artist!abby, you can find that here. a lot of references i’ve made in this fic come directly from my hc post.

also, i have a masterlist now so y’all can easily find my fics and see what i’m currently working on :)

- middle pic creds to @abbystanaccount

“Come on, come on…hurry up already…”

You were pacing around the bathroom floor, impatiently waiting as the image below you still appeared white. Your girlfriend was running late for work right now because she’d spent the past 10 minutes endlessly searching throughout her apartment for something that was currently in your possession.

“Babe! I still can’t find it! Are you sure you haven’t seen my camera anywhere?”

Abby’s looked around every single area in her apartment so many times that she’s lost count. Every single area except the four walls that surround you right now. Her Polaroid camera was there, sitting on the bathroom counter in front of you, right next to a photograph that was still waiting to develop.

You grabbed the photograph and began to shake it again before setting it back down. After a couple more attempts, it finally began to develop. You smiled as you picked up the photograph, shaking it one last time for good measure before seeing the fully developed image you took of yourself. The plan you had come up with today was sinister, and you were all in for it.

“Babe! Have you checked for it in my room again?”

Abby’s footsteps were approaching the bedroom, causing you to quickly grab your pants from the floor and put them back on. You then grabbed the photograph and carefully placed it in your back pocket before taking the camera and leaving the en suite bathroom. By the time Abby walked in and saw you, you still had her camera in your hands.

“There it is!” She exclaimed before sighing in relief. “Where was it?”

“You left it by the window over there.” You reply, pointing over to her bedroom window with your free hand.

“Wow, you have a good eye, babe. I never would have guessed it’d be there.” She took the camera from your hands and wrapped her arms around you. This brief moment allowed you to take the developed piece of film out of your back pocket and quickly slide it into the back pocket of her dark wash jeans. Luckily, your girlfriend was too distracted about today to even notice.

“I’ve got this first-time client coming from Australia today to get a tattoo…” She began as she broke her hug from you. “He said he loves my work and wants—“ She cuts herself off as she checks the back of the camera. “Damn it, I’m out of film…” She let out a sigh once she saw the little 0 appearing in white next to the film cartridge compartment. There were no more shots left on her camera.

Well, there was one left…but you already used it.

Abby didn’t think anything of it though. She figured that she used up the last 10 shots between her past clients and her previous photo sessions with you in the bedroom. “I’ll have to pick up some film on my way to the shop, hopefully I’ll get there before my client comes in…” You watched as Abby opened up the back of the camera and took out the empty film cartridge before tossing it out and closing the compartment. She looked up and smiled at you, quickly rushing in to kiss you. “Thanks again for finding it, babe. I’ll let you know when I’m back from work, yeah?”

You nodded in response, kissing her back. “Of course babe, good luck with the client today!” Abby shot another smile back at you before leaving her room. Once you heard her keys jingle and the front door closing, you let out a breath of relief. If it weren’t for Abby being so distracted by this big client flying over halfway around the world just to get a tattoo done by her, she most definitely would have caught you a lot sooner. But luckily, she took the bait.

Now all you had to do was wait for her to find it.

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ── ── ⋅ ⋅ ── ✩ ── ⋅

Abby hurriedly got out of her car upon arriving at her shop. Once she entered inside, she saw her special client there talking to Nora at reception. She was super relieved to have made it in time.

“There she is!” Nora exclaimed once she saw her. “Speak of the devil, we were just talking about you.”

Abby raised an eyebrow at her as she approached the reception area. “All good things, I hope?” she said jokingly before looking over to her client. “I’m Abby, you must be Nathan?” she asked, extending a hand for him to shake it. “I hope I didn’t keep you waiting for too long.”

Nathan shook his head in response as he shook her hand. “It’s no worries mate, I just got in a few minutes ago.”

“Sounds good, I can get you started over here.” She brings Nathan over to her station to get himself situated. “I was working on your piece last night and came up with a few options for you to choose from.” Abby sets her things down at her desk while turning over to him and pulling her phone out of her pocket. Her back pocket. The same pocket that you slipped the photograph in less than an hour ago.

But what Abby didn’t notice was that the photograph had slipped out of her back pocket and onto the ground right behind her.

Abby didn’t notice it, but Nora sure did.

Nora was just passing by to give Abby some transfer paper when she saw the photograph lying face down on the floor. Clutching the transfer paper in her hands, she quickly copped a squat to pick it up. “Abby, you dropped one of your—oh” Nora cut her own words off once she accidentally caught a glimpse of the photo, causing Abby to turn around and face her. “You okay?”

“Yeah, um…I’m guessing this isn’t meant to go on your wall…” She replied as she handed her the photo face down, her voice quiet enough so that her client wouldn’t hear.

The blonde furrowed her brows in confusion when Nora gave her the photo. “Not on my wall? What are you—“ She flipped over the photo to take a look before quickly flipping it face down and hiding it in her palm. Now she understood what Nora meant by that.

It looks like Abby’s camera did have one shot left after all.

Abby was startled when she felt Nathan tap her shoulder, causing her to turn back around. “Everything alright?” he asked, his tone slightly curious.

“Y-Yeah, yeah everything’s fine! Just excuse me for one moment.” She briefly excused herself before speedwalking to the back of the shop and locking herself in the first room she could find. The photograph remained hidden in her palm.

Taking a deep breath, Abby lifted the photograph to take a better look. It was of you, front and center on the camera, wearing that same black skin-tight shirt she saw you in this morning. Despite the quality, Abby could tell you didn’t have a bra on because she could easily see your nipples poking through. Along with that, you were also wearing something else— a matching thong with rhinestones on the waistband. It must’ve been new because Abby had never seen you in that before.

It was taking Abby everything right now to not drop what she was doing and leave to go home and fuck you senseless. Seeing this photograph alone was already causing her boxers to dampen. But she needed to work on this client. She’s been planning on doing this piece on him for months, she can’t back out of this now.

Abby took a deep breath, giving the photograph one last look before putting it back into her pocket and turning around to exit the room. She walks back to her station and sees Nathan patiently waiting for her in the chair.

“Alright, let’s get started shall we?”

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ── ── ⋅ ⋅ ── ✩ ──⋅

You don’t hear back from Abby all day.

You figured that it could’ve been because of her special client, along with whoever else shows up to get a tattoo from her. But what really happened was that Abby decided to take the rest of the day off after finishing with her client and was waiting for you to come into her apartment.

You unlocked the door to Abby’s place with the spare key she gave you and entered inside before closing it shut behind you. To your surprise, you see Abby sitting there on the couch. She was manspreading, with one of her tatted arms perched over her knee so she could rest her chin.

“Hey babe, you’re home early…” You set your things down at the counter before walking over to her. “How did it go with the client?”

Abby lifted her head from her hands, looking up in your direction. “The client went great, actually…he loved the piece I tattooed for him.”

“That’s good, um…why are you home so early?”

You felt the need to ask her right off the bat. There was a feeling that you were getting. A sense of knowing that she found the photograph.

“No reason…just felt like taking the rest of the day off.”

You simply nod in response before slowly heading over to her bedroom. And as if you could feel her presence approaching, Abby soon followed behind you, closing the door once the two of you were inside. There was a brief moment of silence before Abby decided to speak up. “Did you think I wouldn’t find it?”

You turned around to face her. She stood there, her tatted sleeves crossed in front of her chest, with a smirk plastered on her freckled face.

She found the photograph. You know she did.

But you still decide to play dumb.

You furrow your brows in confusion. “Find what? What are you talking about?”

“Don’t play silly with me now, princess….” You watched as Abby reached into her back pocket, that same back pocket you slipped the photograph in, and saw her pull it out. The delicate photograph of your body stood in between her inked fingers, fully on display in front of you.

“So much not having any shots left on my camera, right?” She said as she began to slowly step forward in your direction.

“Do you not like it…?” You ask her quietly, quickly looking down once she’s right in front of you. You start to feel like doing this to her wasn’t a good idea after all.

Abby’s expression softens for a brief moment. “Oh, baby…” she lifts your chin up with her free hand before leaning in to plant a kiss on your cheek. “Of course I love it. You look so fucking sexy in this.” She looks back down at the photograph before directing her attention back at you.

“But do you remember the rule I told you about these?” She asks sternly, holding the piece of film in front of you.

You avert your gaze away from her and back to the ground. “Your eyes only…” you mutter out to her.

Abby lifts your chin back up once again to face her. “That’s right, angel. My eyes only.”

She points the photograph towards her and taps the corner gently on her chest, just a few inches above her chest piece in reference to herself.

“Mine. No one else’s.”

She slowly lets go of your chin and looks back down at the small piece of film. “You’re lucky it was only Nora who found it…if it were any of the guys, I would’ve gone insane.” She takes a closer look at the photograph, remembering the new thong you had on in the photo before looking back at you. “Are you wearing it?”

You nod.

Abby hooks an inked finger on the belt loop of your pants and gently tugs on it. “Off, princess. I want to see you just like how I saw you in this picture.”

You follow her command, bringing your hands down to the waistband of your pants and slowly unzipping them before pushing them down your thighs. Once they’re at your feet, you step out of them and take a step towards her. She then slips one of her hands under your shirt until they stop at the hem of your bra, gently tugging it down as well. “This too.”

Reaching underneath your shirt, you quickly unhook your bra, pulling the straps off of your shoulders before taking it out completely and dropping it on the ground. Abby took a step back to take in the sight of you. “My sweet girl…You look so good for me right now..” She muttered quietly. You feel her run her tatted hand through your body, starting at your hip and making its way up to one of your tits.

She looks back at the photograph for a brief moment, noticing you had one of your hands covering that same one. An idea flashed through her mind, you could tell because that same smirk was starting to appear on her face again. Her hand lets go from your breast and drops back to her side. “Don’t move. I’ll be right back.”

Abby leaves her room for a moment before quickly returning, now with her camera in her hands. “How about we recreate that pretty picture of you, hm? Would you like that?” You nod to her in response, biting your lip to hide your smile.

“Words, princess.”

You nod again, a little quicker this time. “Yes, I’d love to do that.”

Abby walks over to you and sets the photograph at the corner of her bed before turning her camera on. Once it was ready, she pointed the camera right in front of you with one hand and used her free hand to gently grab your breast, placing her thumb on top of your hardening nipple. She looked into the viewfinder, adjusting the angle and position before a quick flash went through your eyes.

The photo slowly whirs out of the camera. But Abby doesn’t even bother to check it out yet. Instead, she sets the camera to the side right next to the original photograph of you and begins to undo her jeans. “Kneel for me, princess.”

By instinct, you drop down to your knees in front of her. You already know what’s about to happen next.

As soon as the zipper of her jeans goes down you can already see it. The bulge underneath her black boxers, with a sliver of light tan with black marks peeking out of it. The thought of having that piece of silicone inside you was already making you desperate.

Once Abby’s jeans are pooling at her ankles she brings down her boxers in one swift motion, causing her strap-on to spring free right in front of you. You could already feel your mouth watering at the sight of it alone.

Abby notices your dumbfounded expression and smirks. “Look at you, princess…already drunk just by looking at my inked cock. Do you want it inside you, angel? Is that what you want?”

You look up at her and nod quickly while clenching your thighs at the same time. “Please, Abs…need it so bad….”

“I know you do, my sweet girl…” Her hand comes down to her side and gently holds your jaw, tilting your head up to look at her. “How about you get it wet for me, yeah? Get my cock ready so I can fuck that pretty pussy of yours.”

Without even thinking twice, you wrap your hands around the strap-on, your fingertips covering over some of the fake ink that was plastered on it. The tip of it was practically face-to-face with you. You position it towards your mouth before opening it wide and taking in as much as you can down your throat. The strap barely reaches halfway, so you begin to stroke whatever your mouth can’t reach with your hands while bobbing your head up and down simultaneously.

Abby keeps her gaze fixated on you, then briefly looks over at the camera that is sitting on her bed. She brings a hand down to the back of your head, slowly guiding it up and down her inked strap. “That’s it, princess, just like that…” She mutters out to you as she quickly reaches over to grab her camera off of the bed. In doing so the strap accidentally lunges itself forward down your throat, causing you to gag. You take your mouth off of Abby’s strap for a moment to take a deep breath before looking up at her, now with the camera in her hands again.

“Smile for me, princess.”

The flash of the camera passes through your vision again. Another photo whirs out of the slot.

You get back to sucking on her strap, even harder this time out of pure desperation to have it inside your walls already. Abby pulls the photo out and tosses the camera aside, beginning to quickly shake it to see the final product.

You hear her let out a quiet groan once she sees the fully developed piece of film. “God…you look so beautiful like this, angel…sucking my cock like the good girl you are.” She sets the second photograph aside and gently grabs your head again to pull your mouth off of her strap. Her strong tatted hands then grab at your waist, effortlessly picking you up and placing you down on the center of her bed.

Abby tugs down at the hem of your shirt as an indication for you to take it off. “Take this off, princess. I need to see all of you.” You oblige, taking off your shirt and tossing it to the ground. Abby does the same with her muscle tank and sports bra, exposing the rest of her patchworked body to you. At this point, the arousal in between your legs just keeps growing and growing, along with the urge to also be completely ridden of the little black piece of fabric that was pressed against your pussy right now. You bring a desperate hand down to the jeweled band of your thong to take it off, only for it to be lightly smacked by Abby’s tatted hand.

“Except this. This stays on.”

You nod in response, setting your hands aside, and letting your girlfriend do the rest of the work for you. You spread your legs open while Abby positions herself on top of you. The tip of her inked strap falls right on the damp fabric covering your crotch, causing a whimper to escape from your mouth. She then hooks a finger under the fabric and shifts it to the side, revealing your gushing wet pussy to her.

It takes a minimal amount of effort for Abby to insert the tip of her strap inside of you before pushing in the first couple of inches. “Fuck, princess…look how it's going in…you’re always taking my cock so well…”

You look down to see the piece of inked silicone connecting your bodies. With a desperate need to be filled, you bring a trembling hand down to your pussy and use two fingers to spread your folds open so Abby could keep pushing her strap inside you. Your jaw drops in pleasure as she slowly pushes in a few more inches, and the two of you still don’t take your eyes off of it, both watching as the tattoos on her fake cock slowly disappear as it makes its way into your cunt.

Abby lets out a groan once she bottoms out before tightening the harness on her strap, making sure it's pressed closely against her cunt. You feel your pussy start to clench around the strap as it sits there inside of you. Your body was practically begging for some movement to happen.

“Abby, please…I-I need you to move…” You whimper out to her, looking down at the base of her strap that was resting below your heat. Within seconds you began to feel it moving inside you. Abby starts to thrust in and out of you slowly, but that slow pace progressively turns into a rapid one.

Before you knew it, you were gripping onto the sheets to keep yourself from possibly getting slammed against the headboard, despite Abby’s firm hands holding your hips down. Your tits and thighs were bouncing and jiggling uncontrollably. Moans and whimpers were escaping from the two of you. But most importantly, Abby was hitting that special spot inside you with every single thrust.

She wasn’t stopping her pace at all…until that familiar phrase slipped from your mouth.

“Abby…I-I’m getting close…”

That’s when she stopped. That’s when she pulled her strap out of you. That’s when you snapped back to reality…for now.

You quickly shook your head as you watched her inked strap practically pull itself out of your pussy. “No….no no no no, Abby! Why would you do that?!” You whined out in protest. You let your hands go from the sheets and brought them to her hips, attempting to bring her closer to you so she could slip herself back inside of you.

Unfortunately, your attempt to do so was unsuccessful. Abby shook her head and pushed your hands off of her hips. “I’m sorry angel, but I’m not letting you cum like this. Not after that stunt you pulled today.”

You felt your body break at the possible feeling that you weren’t gonna be able to finish tonight, but you understood that you still needed to be taught a lesson.

“So…You’re not gonna let me cum at all tonight?” You mutter out to her quietly. The smirk that shows up on her face once again tells you something different.

“Oh, my sweet girl…I didn’t say that I wasn’t going to let you cum at all…” She brings a hand to your jaw and gently strokes it with her thumb. “You’re going to cum, but you’ll do it my way. All fours, princess.”

That statement alone had you flipping onto your stomach in an instant. At this point, you were willing to do anything to get a release, even if it meant having to do things her way.

Once you were on all fours, you soon felt Abby’s lips start kissing at your shoulder, slowly making its way down to your lower back. “You have no idea…how good you look for me like this…” she murmurs in between kisses. She plants some more kisses on your lower back, specifically on your tattoo that rests above the band of your thong. Your first tattoo. The one that Abby put onto your body the first day you met her. It gave Abby so much pride to see her work on you, especially in the position you’re in right now.

You feel the weight of the bed shift around for a bit and look over your shoulder to see Abby reaching for her camera again. She brings a hand to your waist to keep your back straight. “I want you to stay just like this, princess, okay?” You nod in response, resting your head on the pillow as you perk your ass farther up in front of her.

With her camera in one hand, Abby uses her other hand to shift your thong to the side again before positioning her inked strap at your tight entrance. Given how soaked you were at this point, it slides in with a lot less effort the second time around. You let out a whimper once she bottoms out, causing you to involuntarily jerk your hips at her.

As a result, Abby gives you a light smack on your ass. “Stay still, angel…I need this one to come out perfect.” She hovers the camera on top of you and looks through the viewfinder, making sure you’re perfectly centered.

You hear the flash behind you once again, followed by the whirring sound right after.

Abby sets the camera aside and places both hands at your hips, beginning to thrust into you at that same slow pace she was doing before. It didn’t take long for Abby to speed it up. Now she was back to hitting your g spot with every single thrust of her strap.

“Fuck…look at you, my sweet girl…taking my tatted cock so well..” She tells you in between her thrusts. “I bet you wish…someone could get a picture of this, hmm?”

The pleasure Abby’s giving you is so intense that you can barely decipher what she’s saying to you. She keeps talking you through it, but her voice slowly starts to fade through the blood pumping in your eardrums and the feeling of TV static filling your brain. You find yourself slowly slipping into a newfound headspace as Abby continues to pound herself into your pussy.

Regardless of how drunk you were feeling from it, you try your best to form a response to whatever she tells you.

“F-Feels s-so good, Abs…D-don’t stop…” you slur out to her.

Your entire body feels heavy right now, but you make an effort to extend one of your hands behind you and hold one of hers. You grasp onto Abby’s hand tightly as she keeps fucking you.

Abby notices and clutches your hand into hers as it remains on your hips. “Don’t worry princess, I got you, just stay with me, yeah? I promise you’ll get to—fuck—“ Abby cuts herself off, moaning at the feeling of the leather harness rubbing against the small barbell that rested above her clit. This motivates her to thrust even faster into you, now with a desire to chase her release.

As her pace gets faster, you start to get closer. Your cunt begins to repeatedly clench itself around her strap, indicating that you were going to cum. You try to tell her that you’re about to cum, but you were already getting so fucked into this headspace that you were struggling to get the words out of your mouth. As a result, you start to dig your fingers into the back of Abby’s hand to get her attention.

Abby felt your nails digging into her hand, which were already forming crescent indents on her inked skin. She looks over at you, seeing your fucked out expression with your mouth agape against the pillow and your eyes rolling to the back of your head. “Are you gonna cum, angel?” she asks, only receiving a slow nod followed by a few desperate gasps from you as a response. “I-fuck, I’m gonna cum too…Just let it out for me, princess, you deserve it.” While keeping one hand on your hips, she brings her free hand around your waist to rub quick circles on your throbbing clit as she continues to fuck you relentlessly.

And that’s what sends you over the edge. A string of whines and mewls escape from your mouth once you get there. You dig your nails deeper into Abby’s hand while your other hand fists the corner of the pillow. Your thighs begin to tremble, and your cunt pulses a few more times around the strap before fully coating it with your slick. Abby finishes right after you with a loud groan, completely cumming inside the harness. She keeps herself inside you for a little bit before slowly pulling out, letting out a quiet grunt at the sight of the string of slick connecting between your pussy and the tip of her strap.

Your body was completely limp at this point, and Abby could tell. She guides your lower half back down onto the bed so you’re lying down on your side. As you bring yourself back to reality, you feel the warmth of her hand stroking your jaw, leading you to slowly blink your eyes open. The first thing you see is her eyes scanning yours, making sure you were okay after your intense release.

“There she is…” she says quietly, smiling right after. “Are you okay, angel? I didn’t go too hard on you did I?”

You slowly shook your head in response, smiling back at her as you try to catch your breath. “Of course not, Abs…you felt amazing…” you pant out to her.

Abby lets out a sigh of relief before leaning in and planting a kiss on your lips before kissing your forehead. “I’m gonna get you cleaned up now, okay?”

You watch as Abby gets off of the bed and takes off her strap before slipping her boxers back on and heading into her bathroom. You hear the sound of the water running in the background, knowing that she was drawing a bath for you right now.

As the water continues to run, Abby jogs out of the bathroom and heads over to the bed to pick up all of the developed photos that were spread out on the sheets. She looks through each one of them before pulling out her wallet and storing them inside. You can’t help but let out a giggle over it. Her wallet was so full of your photos that you could easily see the thickness of it from the side.

Abby looks over to you as she closes her wallet. “What’s so funny?”

“Don’t you think you have too many pictures of me in there?”

She shakes her head in disagreement. “Nonsense. there’s no such thing as too many pictures of you.” You watch her walk over to your side and feel her lips planting another kiss on your cheek.

“Besides…they’re for my eyes only, remember?”

requested tags 🏷️: @tokkismari @onlinelesbo @elliens4 @thepurplebutterflyysblog @kindtim3

2023 © atomicami | all rights reserved. do not copy, modify, or translate any of my works.

[under-lore]

First impressions on the new Asriel letter

So...

It seems we finally have some new Chara content in 2024 !

At the end of the latest newsletter, Toby shared one more letter with us, which contained some very interesting things.

Let's try and dissect it a bit.

First, to start with the obvious, this is a letter written by Asriel about Chara. We can see this from such as things as :

Using the term "best friend"

But also because 9 is already a number associated with Chara.

Of course, it is present with them rather strongly during the genocide route. Such as during its ending, but also through things like the statistics given to some items associated with them in the route.

The same can also be said for Narrator Chara too. Such as how new special dialogue appears from the narrator if one were to attempt to talk to Asgore precisely 9 times.

The idea that it would be their favorite number thus comes fairly naturally.

Next, the few following lines rationalise this association, all the while phrasing it in a way that reminds of their speech at the end of the genocide route.

Finally, we have a few more minor implications.

Asriel & Chara with flowers together may call back to this image :

But it was also a very old concept, that could be found way sooner in Toby's concept arts for the game.

While Chara's "creepy faces" are openly mentioned in-game.

The friend is also refered to as "they", which may be noteworthy.

As for laughs...

The letter ends with

...But alright, what can we learn from it ?

Quite a few things, actually.

First, obviously, Chara's favorite number being 9 feels more like confirming some trivia or association that had been noticed by fans a long time ago than actual true new information.

But it isn't the only noteworthy thing in this letter.

Here are some lines that i had cut earlier on :

The last few lines feel somewhat unprompted from that initial context. But they may have secondary meanings.

First, they may be used to indirectly refer to a type of numbness brought upon by killing mentioned by Sans in his neutral judgments.

However, while that hint may have been intentional on Toby's part, it surely wasn't the main thing that the "in-world" Asriel who wrote this letter was trying to suggest.

The main "in-world" intended meaning of this section was far more likely refering to this :

While Chara did not ever tell Asriel exactly what happened in their past, Asriel seems to believe that the humans they had known did not make a good impression on Chara. Suggesting that they may have been abused or even have come to the mountain to disappear because of them. Regardless, this was all something that had worried Asriel regarding his best friend.

Of course, in the original game, those things remained mostly implicit or speculative. Asriel did not know these things for certain. And neither did we.

But bringing it back up today after so many years certainly feels like a very interesting choice on Toby's part...

Of course, this is all still from Asriel's point of view, which is limited. But metatextually, this is saying more than it looks.

Asriel associating Chara's favorite number the idea that with it, "Nothing can hurt you anymore" is a much more direct way of saying that he believes Chara was hurt by humans in their past than we'd seen before.

Again. This content comes from Undertale's 9th anniversary. It was pretty much Toby's one special occasion to show us content about Chara again. Which he actually did with this letter.

He only disposed of a limited number of characters or lines to either tell us something new about them, or give more precision/information about something which he believed was important for us to see.

From the metatextual context of asking "What was Toby trying to do by showing us this letter ?", him choosing to give more detail on Asriel's belief that Chara may have been abused of all things would serve no other purpose than to volontarily insist on pushing forward his line of reasoning to the fandom.

This suggests that Toby is very likely trying to tell us that Asriel is at least largely correct, and thus that the idea of Chara having been hurt in some form by the humans in their village is now significantly more likely.

Indeed, this had been an issue in some parts of the fandom. While that interpretation had been largely popular amongst most of it for a long time, there had been some voices calling out to the lack of clean proper evidence pointing to that which weren't somewhat speculative. So this seems a lot like Toby attempting to point us in the right direction. Seems like the simplest answer may be the right one, Occam's razor strikes again.

A new questions also now asks itself : Is this meant to suggest that this was Chara's motivation for power ?

Having power, so you are no longer weak ?

Not being weak, so you can no longer be hurt ?

A way of feeling "in control" ?

There were already some implication of Chara disliking to show weakness to others in the past. This would be coherent with those.

In such case, the genocide route may be a macabre recontextualisation of this original motive on Chara's part.

It might also be made relevant in the context of Chara's plan, though that deserves its own future post.

Besides, Asriel saying this highlights how much he cares about Chara. Which is always nice to see.

As a side note :

Between the demo and the final version of the game, the flavor text for the faded ribbon was changed from a regular one to one which raised a few eyebrows :

While some people had tried to use this line as evidence of Chara having been abused, many other voices had (fairly rightfully) pointed out that this piece of "evidence" was quite fragile, due to things like other interpretations of it being just as plausible, the fact that it specifies " 'monsters' won't hit you as hard" which wouldn't fit Chara all that much, or simply the lack of other similar implications elsewhere in the game.

Now that we do have such implications, this argument, whilst still a bit of a long shot, is at least not quite as far fetched as it used to be anymore. The item is a thing which gives you DEF (increases your numbers), and prevents you from being hurt.

We are not quite done yet, though :

These lines feel like they also have meaning.

Once again, there is an indirect reference to the genocide route, with 99 being the maximum value for things like HP, or the next required EXP to gain LOVE. When you have them, you cannot get any more. It is the absolute.

However, there seems to be another strange connection to make here.

What is the opposite of a so called "good memory" ?

The bad memory is an item obtained from the memory head amalgamate.

It feels noteworthy as it, along with the "Last dream", are the two items in the game who's effects are theorised to have something to do with NarraChara in the way they are presented/work. (Suggesting that the memory/dream may come at least partially from Chara.)

For a reminder, the bad memory is a item that actually decreases HP by 1. Unless it is eaten on the brink of death, in which cases it restores all HP instead. Bringing it to the "highest number".

On top of that, this item also had a strange specificity to it :

It is impossible to drop it.

With this additional context, one may draw parallels between the Bad memory item's effects and what Asriel is saying, only in a reversed way, and applied to Chara.

In the same manner as previously. The previously existing theories trying to tie the bad memory to Chara now find themselves being rendered more plausible. In fact, given that these lines directly follow the previous ones, you may even associate them to make the argument that the memories could be of Chara's past on the surface hypothetically. Though that would likely be stretching it.

Also :

39 left.

Pretty impressive, the way every last line in this letter can be read as a genocide route reference one way or another.

And... the code of the page describe the contents of the page as "Here's a letter".

This is also the wording used in the lines with which Toby introduces us the letter.

This wording of this feels very significant considering who the letter is talking about...

So i suppose that makes for even more NarraChara fuel to have Toby writing down such things.

For one last thought, those couple lines.

If one were to follow a certain interpretation of things such as "Mr Dad Guy", the "future of humans and monsters", and Chara's relationship with the concept of "efficiency" & "usefullness", then they might be readable as an allegory for pre-death Chara's view on their role within monsterkind & one of their motivations regarding their plan. (along with their hate of humanity).

And this odd insistance on the term "happy" throughought the message..Is there a chance it could be refering to those secret lines, stored within the game's code in the echo flower room number #9999 ?

Some of the things mentioned in this post are somewhat stretchy admittedly. I am not yet certain of which ones of these would i actually argue for and which are only a product of first impression brainstorming.

Nevertheless. There are many many new ideas to explore regarding Chara now.

Thanks, Toby !

[boxbug]

A Canary’s Final Flight

My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real

Process notes under the cut! (I struggled a lot so it's a bit of a novel)

So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.

This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.

So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)

At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)

And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.

I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.

(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)

So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!

Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!

[ayeforscotland]

What is Dataflow? Part 2: Diagrams

This is the second part of a couple of posts about Dataflow, particularly why it's important for the world going forward and relating to the Crowd Strike IT disaster.

Read the first part here.

Before I get into this one today, I wanted to address a couple of things.

Firstly, Dataflow is something that nearly every single person can understand. You do NOT:

Need to have a degree in Computing Science

Need to work in IT

Need to be a data analyst / Spreadsheet master

If any of you see the word 'Data' and feel your eyes glazing over, try and snap out of it because, if you're anything like me, Dataflow is much more approachable as a concept.

Secondly, what do I mean by IT?

Traditionally in most of our media the all-encompassing 'IT department' handles everything to do with technology. But every business works differently and there are many job titles with lots of crossover.

For example, you can be an infrastructure engineer where your focus is on building and maintaining the IT infrastructure that connects your organisation internally and externally. This is a completely different role from an Application Portfolio Manager who is tasked with looking after the Applications used in business processes.

Both are technical people and come under the banner of 'IT' - but their roles are focused in different areas. So just bear that in mind!

Now that's out of the way, let's begin! This one will be a little bit deeper, and questions welcome!

An Intro to Diagrams

You probably do not need a history of why pictures are important to the human race but to cover our bases, ever since we put traced our hands on a cave wall we have been using pictures to communicate.

Jump forward in time and you have engineers like Leonardo Da Vinci drafting engineering schematics.

You get the idea, humans have been creating diagrams (Pictures) for thousands of years. Centuries of refinement and we have much more modern variations.

And there's one main reason why diagrams are important: They are a Common Language.

In this context, a Common Language helps bridge a language gap between disciplines as well as a linguistic gap. A Spanish electrician and a German electrician should be able to refer to the same diagram and understand each other, even if they don't know each other's language.

The reason they can do this is because they're are international standards which govern how electrical diagrams are created.

A Common Language for Digital?

Here's an image I've shown to clients from governments and institutions to global organisations.

Everything around us, from the products we use to the bridges we drive over and the buildings we live, work, enjoy and shop in had diagrams backing them.

You would not build a skyscraper without a structural engineering diagram, you would not build an extension on your house if an architect couldn't produce a blueprint.

Why is there not an equivalent for the Digital World and for Dataflow?

Where is the Digital Common Language?

This is the bit where the lightbulb goes on in a lot of people's heads. Because, as I mentioned in Part 1, the flow of data is the flow of information and knowledge. And the common mistake is that people think of dataflow, and only ever think about the technology.

Dataflow is the flow of information between People, Business Processes *and* Technology Assets.

It is not reserved to Technology specialists. When you look at the flow of data, you need to understand the People (Stakeholders) at the top, the processes that they perform (and the processes which use the data) and the technology assets that support that data.

The reason why this is important is because it puts the entire organisation in context.

It is something that modern businesses fail to do. They might have flow charts and network diagrams, and these are 'alright' in specific contexts, but they fall to pieces when they lack the context of the full organisation.

For example, here is a Network Diagram. It is probably of *some* value to technical personnel who work in infrastructure. Worth bearing in mind, some organisations don't even have something like this.

To be absolutely clear, this diagram will hold some value for some people within the organisation. I'm not saying it's completely useless. But for almost everyone else, it is entirely out of context, especially for any non-technical people.

So it doesn't help non-technical people understand why all of these assets are important, and it doesn't help infrastructure teams articulate the importance of any of these assets.

What happens if one of those switches or routers fails? What's the impact on the organisation? Who is affected? The diagram above does not answer those questions.

On the other side of the business we have process diagrams (aka workflow diagrams) which look like this.

Again we run into the same problem - This is maybe useful for some people working up at the process layer, but even then it doesn't provide context for the stakeholders involved (Are there multiple people/departments involved throughout) and it doesn't provide any context for technical personnel who are responsible for maintaining the technology that supports this process.

In short, nobody has the big picture because there is not a common language between Business & IT.

Conclusion

So what do we do? Well we need to have a Common Language between Business & IT. While we need people with cross-functional knowledge, we also need a common language (or common framework) for both sides of the organisation to actually understand each other.

Otherwise you get massively siloed departments completely winging their disaster recovery strategies when things like Crowd Strike goes down.

Senior Management will be asked questions about what needs to be prioritised and they won't have answers because they aren't thinking in terms of Dataflow.

It's not just 'We need to turn on everything again' - It's a question of priorities.

Thing is, there's a relatively simple way to do it, in a way that looking at any engineering diagram feels simple but actually has had decades/centuries of thought behind it. It almost feels like complete common sense.

I'll save it for Part 3 if you're interested in me continuing and I'll make a diagram of my blog.

The important thing is mapping out all the connections and dependencies, and there's not some magic button you press that does it all.

But rigorous engineering work is exactly that, you can't fudge it with a half-arsed attempt. You need to be proactive, instead of reacting whenever disaster strikes.

[thr0wnawayy]

Midoriya's Delusion

This is post that builds upon my previous one, I've copied many of the points I made there to here. Albiet with some corrections and tweaks.

To summarize, I have a bit of a crack theory that chapter 430 isn't as real as we've been led to believe. (As for when this actually takes place, that's up to you but I like to imagine the start of his third year marks the beginning of his mental decline.)

(As an update, I find it dubious whether 8 years have actually passed or if that's also a part of the fantasy. I can see Midoriya becoming so attached to the lie that his reference of time begins to warp)

This theory mostly comes from some inconsistencies in regards to the hero rankings and some other things I've found.

Corrections:

It's left ambiguous whether Best Jeanist and Endeavor are still active. However the fact that people view these two in a postive light (especially after Dabi and the war) still seems absurd.

2. Midoriya wasn't outright abandoned, rather their busy schedules make it hard for their days off to coincide. This falls apart when you look at this panel

"The rate of new villains keep decreasing and the number of heroes have stabilized"

Besides Ochaco who's funding a quirk counseling project, the rest of the class should be able to make time. Again it's stated that they aren't actually fighting.

There's no real threat to face. Besides PR and Community Service there's bot a whole lot else (besides the occasional natural disaster)

One could argue it's because the scope of what heroes do is increasing, thus keeping them busy. But again, we see heroes doing exactly what they did before, PR, Advertising and (implied) Showboating.

This leads me to believe that the lack of contact is based in reality, to some extent.

Whether it was by choice or forced by their (1A's) respective PR teams to preserve their images (can't be seen around the "freaks" for too long, now can we?).

The lie comes in the form of busy schedules.

Now whether that's what Midoriya tells himself or what he's been told, I cannot say for certain.

Disturbia:

For those of you who didn't read my last post, you may be wondering, so what's going on?.

Simply put:

Midoriya's having a breakdown fantasy to cope with the fact that he won't be becoming a hero due to the loss of his quirk.

Im aware it sounds crazy but consider the following:

1. Midoriya subconsciously knows the way he's been treated was wrong.

This manifests within the escapists fantasy in Bakugo's drop in the rankings + the attitude surrounding him (as well as his damaged hand never fully healing)

He meets a kid who just so happens to be in a near exact same position as he once* was (and still is to an extent). One could take this as his mind's way of trying to cope and heal itself, by having Midoriya do what he does best and help others, henceforth working though his trauma by using the kid as a stand in.

*Even the kid's "bully" seems to be a warped version of Bakugo (perhaps this is how Midoriya tries to fool himself into believing how it was)

2. We see Kota.

I believe that here, Kota serves as what Midoriya thinks he could have been had he not failed. Kota is the idealized version of Midoriya here, the unobtainable.

3. A lesson ignored

Apparently people forgot the connection between Endeavor and Shoto. You'd think this would be a good thing as Shoto would be able to become his own person.

This falls flat when you remember that also includes people forgetting the reason and happenings behind Shoto's existence, it feels like Midoriya is trying to have his cake and eat it too

To elaborate, this is a major copout, it allows Shouto to be unaffected by his family's past bith career wise and emotionally. While also feeding into Midoriya's rather toxic belief that forgiveness is required to be a good person.

(The fact that killing Tomura violated this only adds to my theory that this whole thing is an escapist coping mechanism.)

(You can also add the idea that Tomura didn't forgive society for what they did to him and his friends. That likely broke all the "rules" that Midoriya knew.)

4. The Mech Suit is a massive cope, it's the dying whimper of Midoriya's childish hope that All Might will save the day.

This time there's no magic quirk, no garrish mech suit, no plot twist.

No. There's only Midoriya and the consequences of his, his classmates and hero societies actions. It doesn't matter how shiny and seamless the illusion, how sweet the lie.

You can't hide the blood.

Concerning Aspects:

That was mostly the revised stuff, let me introduce you to some new points

1. A Frozen Lake

Something I noticed was certain characters seem to be almost frozen in time, as if someone tried to continue a story using scraps of the original text.

The curious case of Rei Himura:

This scene seems almost stagnant, what was most noticeable was Enji's bandages still being on and Rei still being there.

It's as if Midoriya hasn't seen them in years (or perhaps doesn't want to acknowledge what happened). So his mind uses what he last saw/heard of them, creating a sterile, static scenario. Little better than props.

Those surrounding her (with the exception of Hawks) also seem to be stuck in the past.

It's definitely strange.

2. See No Evil, Hear no Evil, Speak No Evil

Shigaraki is a representation of Midoriya's repressed guilt and his fears. I believe deep down Midoriya knows that, inevitably the cycle will repeat, so long as the system is allowed fester and wallow in it's complancy.

I find the fact that he's behind Midoriya to be ironic, as if to say: don't look back, don't think about what you've done.

A Symbol of Stagnation:

I should warn you that it does get lengthy from here, however I think it's important to get the full picture. Even if I tend to ramble here.

It's implied here that Lemillion's the top hero. This is awful for a variety of reasons. Mirio is a horrible symbol.

All Might was flawed for a variety of reasons, but a majority of these were byproducts rather than directly being his own doing.

Mirio on the other hand, has such a cancerous philosophy that it actively harms all who interact with it.

Mirio is a follower, he follows orders first and asks questions never.

Eri is the best example of this. Even after Nighteye's death, Mirio never truly reflects on the damage his actions could have caused ( only saved by the narrative, seriously it's a miracle Eri trusts anyone besides Midoriya after being abandoned like that)

You see, the difference between Toshinori and Mirio lies in their actions and principles.

Mirio left Eri to die, all for the sake of the "mission".

For all the heroes knew, Eri could have been a trafficking victim and either have been killed or relocated. But no, appearances and "gotta catch em all" take priority even after knowing Eri is in the Yakuza's clutches.

Lemillion made the worst decisions possible. He followed a known murder into a secluded, restricted area (with a hostage mind you) bringing his pupil with him.

Willingly ignored blatant signs of abuse (just look at the girl) and played hooky with thre leader of a criminal organization, who is known for his short fuse and willingness to kill.

He did all of that, when he could have easily detained Overhaul at any point (his quirk being a direct counter)

Toroshinori would fight tooth and nail in that situation. Consequences be damned if it meant saving Eri.

Part of the reason Toroshinori was so effective as a hero was 1. His sense of justice and 2. His compassion.

Mirio is a symbol that can be controlled, a weapon if you will.

The fact that Mirio is at the top shows that things haven't changed and are even beginning to decline. So this brings me to my next point

You may be asking, if Midoriya's losing it in his own mind, what's the outside world look really like?.

Allow me to set the stage.

4. Speculation

Within Midoriya's muddled mind, Lemillion represents both his toxic optimism and a subconscious understanding that nothing has changed. It represents denial and acceptance, a dysfunctional middle ground that's easy enough for Midoriya to stomach.

The truth of the matter is, delusion or not, the reality is soon to sink in.

Something that I don't see discussed is the lack of reactions from other nations or really any insight into how they were affected by everything that happend.

Here's the idea: Most likely they are foaming at the mouth.

Particularly it's the countries who suffered under Imperial Japan in the past (Korea, China, Singapore etc), however this also applies to every nation Nedzu brow beat into aiding with the rebuilding efforts, albiet their reaction would be latent.

Not not only is the attitude painfully reminiscent of how Japan handles it's past atrocities, Japan has had them clean up their messes. seen below:

(you cannot tell me Big Red Dot over here is having a good time)

From an outside pov. The Commission never told anyone about AFO, rather they suppressed any information, locked him up in Tartarus and then sat on the whole situation until it blew up in their (read: everyones) faces.

He then proceeded to: kill over 8000 people (+ those killed during the Blackout period), kill the top hero of one of the world's most powerful nations and incite mass panic. Destroyed massive amounts of infrastructure and transport nationwide, broke thousands of criminals out of prison, destroying those prisons in the process.

Meanwhile the heroes:

Abandoned civilians in mass by quitting in the middle of a war.

Left the public in the dark for months and allowing crime and paranoia to grow rampant, even (forcibly) bringing someone they knew was being targeted by AFO and his forces to the one place they could find shelter.

Mutilated a seven year old girl. Who has a history of being mutilated for the gain of others and patted themselves on the back. (Also having no holdup on how that may effect her physically via her quirk or mentally via her trauma)

Mic: tried to kill a docile prisoner who could be considered in comatose, based off of his emotional attachment to a dead man + viewing it as justified if it meant Spinner couldn't get to him.

Used hospital staff and patients as meatshields (Central Hospital) during a riot.

Most had no qualms supporting a child beating eugenicist and implied marital rapist, even with his one of his victims exposed him and citing it as his main reason for turning to villainy.

Held an illegal questioning* with said abuser while ignoring his main victim (Rei, who is probably the most reliable source of information there)

(*which effectively is like conducting an investigation on yourself and declaring you are not guilty)

And so much more! (But this post is getting too long)

My point is by the time everything was said and done, it seemed everyone but Japan was paying for it.

It's outright stated that the US president risked national security by sending every hero they had to help Japan. (Impeachment worthy if you ask me)

Endeavor's little plan to kill himself and Dabi in a blaze of death ended up disrupting the weather. Very likely it'll end up resembling an El Niño phenomenon, only vastly off schedule and even more destructive than normal.

For Reference [https://oceanservice.noaa.gov/facts/ninonina.html]

Very likely it'll lead to an agricultural drought in the northern America's and mass flooding in southern America's, likely starting at the west coast and bleeding inland. Leading to a domino effect where cost of living surges due to the sudden displacement of people and the rapid loss of products.

Worse still, because the US had no heroes (likely for months on end), crime has likely surged in the America's, which will further impact the rest of the world.

The rebuilding efforts likely emptied the wallets of most participating countries, leaving them unable to help anyone, including themselves.

Also keep in mind that Japan incriminated themselves with the Business Course footage. I don't think the general public (outside of Japan) is going to take too kindly to a known murder and abuse apologist being in charge of a system already known for it's corruption.

The end result is likely be a world that detests Japan, either from a moral perspective (Rei's treatment + the treatment of those society abandoned), a financial perspective (we can't afford shit and you contributed to that) or historical perspective (you do this everytime and ignore the consequences).

A world divided by struggle and united by an immense loathing for the Commission's Japan and the culture surrounding it.

Oh, don't forget there's no finding left for quirk research. Meaning that it's very likely no one will be prepared for quirk singularity to start manifesting in the upcoming generations (Thanks Nedzu).

_______________________________________

Update: Can I just say that Aizawa's lack of ownership infuriates me even though this is likely a fantasy and not grounded in reality.

Like what the fuck do you mean "with the way he talks, it was pointless" Fantasy Aizawa.

Because "Hey Asshole", You deliberately ignored his attitude and offenses!. And what? Now your just gonna shrug it off like it wasn't your fault. To hell with that you had two years, most teacher are said to only get one. As you so graciously mentioned at the start of this shit show of an epilouge.

Heres the moment I'm referring to btw:

While we're at it. Are you telling me it was too hard to get Momo some proper attire all three fucking years she was at UA for.

Not to mention Toru is still naked, how the fuck hasn't she died yet, she is literally exposed to the elements (and lord help her of she gets a cut)

Kirishima's costume is still his biggest liability considering it exposes his chest and back (also seeing as even when hardened he can't repell bullets)

Does Denki still fry himself with his quirk?

Before we move on Aizawa. How's that daughter you neglected, her horn still broken?.

Speaking of which let's look at the rescue team:

What the hell is this!?

Let's see, we got a guy who can only do damage (and his sweat detonates on contact, destroying whatever it touches.)

A brainwasher who only got into the hero course via nepotism and who can only brainwash people who directly respond to him!. A person trapped underneath rubble either frantic or groaning in pain isn't going to be able to respond or even just give consent.

(On a side note what are the laws regarding mind control quirks, does some sort of waiver have to be signed, can a person sue for being controlled against their consent?)

Oh, but wait there's more.

Midoriya running headlong with experimental tech that has, very likely never seen the light of day. Let alone preform in an actual high stakes situation before.

You're trying to carry someone and oops! Something malfunctioned or was miscalculated, now there's an even bigger mess (hooray!)

Who could forget Mezo "they'll come for your kids" Soji. Who climbed the ladder and pulled it all the way up.

Yeah forget that Heteromorph's were getting hate crimed long before the war, ignore the fact that you yourself were maimed by an angry mob after doing one of the most heroic things a person can do. Dismiss Spinner's comment about being sprayed with Pesticide for walking in public.

Nah screw it, let's all sing Kumbaya while the Creation Rejection Clan runs wild outside the reach of the cities, then ignore that the discrimination still is prevalent in the countryside and it's only a matter of time before somone gets fed up and takes matters into their own hands. (talons, claws, you get the picture)

But your a hero now Soji, you got your's. So fuck the rest of 'em

And don't even get me started on Hawks. Congratulations you ignorant bastard, way to kill time and by that I mean for everyone but the heroes.

"Yeah life is great!, everyone hates us, we're rapidly falling into debt from all that rebuilding 8 years back."

"Speaking of which some of those buildings are staring to fall apart due to being rushed to meet deadlines set within the month they were started."

"Social darwinism is on the rise and people are becoming more complacent that ever before due to heroes applying bandaid solutions on decade long, deeply ingrained problems."

"All so the average person doesn't have to think about what's festering beneath society's floorboards, so thank you Safety Commission. Here's your star of positivity ⭐️." - Some random anti-hero civilian

So much for greatest heroes, huh.

_______________________________________

UPDATE 2:

A dark thought I just had, is that the main reason Izuku killed Tomura was because Tomura broke the rule of "Forgiving Your Abusers makes you Good".

When Tomura refused to relinquish his hatred, when he stood his ground, that is when Midoriya decided he had to die. If not to "stop" him, then to preserve Midoriya's perception of the world .

Shigaraki + The LOV by their very ideals went against everything Midoriya has had beat into him by Bakugo and Aldera over the years.

Makes me wonder how'd he react to a person refusing to forgive their abuser. If he interacted with Natsuo or Rei, I could see that delving into a complete mess.

Now that I think about it, The Midoriya we know now, he would have never tried to hold onto Eri back when they first met.

Ironically, he became what he named himself after, a Deku. A puppet attached to thorns of liquid gold, glistening and burning hot.

A slave to his own biases and belief system, now trapped in a stage of his minds own making.

First bound by his past, then by legacy and finally, now by his own hand.

木偶.

[tainbocuailnge]

I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

[bubbleberryuniverse]

- GHOST PERI AU -

(AKA Petrified!Peri because that name is cool as FUCK.)

REFERENCES ALSO AVAILABLE HERE!

REGULAR COLORS / HIS BODY [NOT GHOST]

GHOST COLORS / HIM AS A GHOST

SO. You may be asking, "what happened to him?" And I am here to EXPLAIN! :]

This AU is still a fairly [pun unintended] big WIP, so some details are still all over the place/undecided, and some may change over time; constructive criticism, opinions/thoughts, questions, are all appreciated!

The general idea is, well... divergent from the finale. What if, after the chip is grabbed and Hazel, Wanda, [and maybe Cosmo? I don't recall if he goes with them/ends up somewhere else] go to fix the wand, Peri explodes. And it gets undone when Hazel wishes to fix Fairy World. Buuuttt... not quite!

It wasn't her 1 Millionth Wish that she used up on Fairy World— which is why it Doesn't Quite Fix Him Going Kaboomey. But I imagine that having 1Mil Wishes had a mild influence on What Happened and why exploding DID get fixed... sort of. [I need to brainstorm specifics on this.]

ANYWAY.

Peri looks GENERALLY normal most of the time, except for, well, *gestures at reference.* Outside of THAT [cracked wand, cracked crown [crack hidden by the glow], slightly off color pallete], there's some other stuff that's just a Hint of Wrong.

Like coughing up confetti and/or rainbows [without any other sign of magical backup [which he can't experience anymore because he did technically already die via backup.]] And sometimes the funny silly wacky expressions that happened during buildup [big ol' eyes/pupils, star shaped pupils, funny faces [like when he was talking to Dev.]

Throwing this in here. Sometimes he just stares like the TBH Creature. It's kinda silly kinda funny. I need to make a Petrified!Peri TBH emote because that fits well.

I was ALSO thinking about the idea that sometimes limbs can detach [the ghost fairy in that one ep is what gave me this thought], mostly for expressive purposes/fun silly purposes. It can be seen in this image here! Still DEBATING on this, though.

ANYWAY.

ANYWAY.

Cosmo and Wanda Don't Know He Died [because of not being right there] But something Is Off. Peri probably doesn't at first either until they [themself] put it together through context clues, and then they're like, "ooohh no, mom and dad probably don't know I exploded!" And he gets REALLY nervous about them finding out because that'd be A Lot and he doesn't want to Worry Them [because... he fucking died.]

So. There's a lot of him just trying not to Act Suspicious. Which only makes them both concerned! I have so many silly funny interactions between them that I imagine, actually!

Like...

Peri: *Talking. Suddenly... star pupils!*

Wanda: Um. Sweetie?

Peri: Hey do you see that?

Cosmo: Oooh, see what?

Peri: Over there! *Points.*

Cosmo + Wanda: *Looks over.*

Peri: *Disappears.*

WHICH. YEAH. SO. GHOST FORM. They're completely hidden when they're actually a GHOST, and has no wand/wings when they're a ghost, either [they do have wings normally, I just forgot to include them in the reference.] And I imagine whenever they poof into their ghost form that they leave a tiny bit of confetti behind!

ALSO.

He reassigns himself to Dev on his own [who didn't forget after the finale.] And his magic is kind of fucked up. Cause he's DEAD and look at his fucking WAND. So wishes kinda get fucked up when granted a bit sometimes ehehehaha...

ANYWAY.

I am also dumping my Peri headcanons onto him. They're transmasc nonbinary and use he/they pronouns and they're also aroace! :3

PLEASE. PLEASE send me any asks if you have any questions! You don't have to ask to draw them, either— just tag me in any art if you ever make any, please! :]

[books]

Writer Spotlight: Jamie Beck

Jamie Beck is a photographer residing in Provence, France. Her Tumblr blog, From Me To You, became immensely successful shortly after launching in 2009. Soon after, Jamie, along with her partner Kevin Burg, pioneered the use of Cinemagraphs in creative storytelling for brands. Since then, she has produced marketing and advertising campaigns for companies like Google, Samsung, Netflix, Disney, Microsoft, Nike, Volvo, and MTV, and was included in Adweek Magazine’s “Creative 100” among the industry’s top Visual Artists. In 2022, she released her first book, An American in Provence, which became a NYT Bestseller and Amazon #1 book in multiple categories, and featured in publications such as Vogue, goop, Who What Wear, and Forbes. Flowers of Provence is Jamie’s second book.

Can you tell us about how The Flowers of Provence came to be?

I refer to Provence often as ‘The Garden of Eden’ for her harmonious seasons that bring an ever-changing floral bounty through the landscape. My greatest joy in life is telling her story of flowers through photography so that we may all enjoy them, their beauty, their symbolism, and their contribution to the harmony of this land just a bit longer. 

(Photograph: Jamie Beck)

How do your photography and writing work together? Do you write as part of your practice?

I constantly write small notations, which usually occur when I am alone in nature with the intention of creating a photograph or in my studio working alone on a still life. I write as I think in my head, so I have made it a very strict practice that when a thought or idea comes up, I stop and quickly write the text in the notes app on my phone or in a pocket journal I keep with me most of the time. If I don’t stop and write it down at that moment, I find it is gone forever. It is also the same practice for shooting flowers, especially in a place as seasonal as Provence. If I see something, I must capture it right away because it could be gone tomorrow. 

(Photograph: Jamie Beck)

You got your start in commercial photography. What’s something you learned in those fields that has served you well in your current creative direction?

I think my understanding of bridging art and commerce came from my commercial photography background. I can make beautiful photographs of flowers all day long, but how to make a living off your art is a completely different skill that I am fortunate enough to have learned by working with so many different creative brands and products in the past. 

(Photograph: Jamie Beck)

Do you remember your first photograph?

Absolutely! I was 13 years old. My mother gave me her old Pentax 35mm film camera to play with. When I looked through the viewfinder, it was as if the imaginary world in my head could finally come to life! I gave my best friend a makeover, put her in an evening gown in the backyard of my parents’ house in Texas, and made my first photograph, which I thought was so glamorous! So Vogue!

You situate your photographic work with an introduction that charts the seasons in Provence through flowers. Are there any authors from the fields of nature writing and writing place that inspire you?

I absolutely adore Monty Don! His writing, his shoes, and his ease with nature and flowers—that’s a world in which I want to live. I also love Floret Flowers, especially on social media, as a way to learn the science behind flowers and how to grow them. 

How did you decide on the order of the images within The Flowers of Provence?

Something I didn’t anticipate with a book deal is that I would actually be the one doing the layouts! I assumed I would hand over a folder of images, and an art director would decide the order. At first, it was overwhelming to sort through it all because the work is so personal, and I’m so visual. But in the end, it had to be me. It had to be my story and flow to be truly authentic. I tried to move through the seasons and colors of the landscape in a harmonious way that felt a bit magical, just as discovering Provence has felt to me. 

(Photograph: Jamie Beck)

How do you practice self-care when juggling work and life commitments alongside the creative process?

The creative process is typically a result that comes out of taking time for self-care. I get some of my best ideas for photographic projects or writing when I am in a bath or shower or go for a long (and restorative) walk in nature. Doing things for myself, such as how I dress or do my hair and makeup, is another form of creative expression that is satisfying. 

What’s a place or motif you’d like to photograph that you haven’t had a chance to yet?

I am really interested in discovering more formal gardens in France. I like the idea of garden portraiture, trying to really capture the essence and spirit of places where man and nature intertwine. 

Which artists do you return to for inspiration?

I’m absolutely obsessed with Édouard Manet—his color pallet and subject matter. 

What are three things you can’t live without as an artist?

My camera, the French light, and flowers, of course. 

What’s your favorite flower to photograph, and why?

I love roses. They remind me of my grandmother, who always grew roses and was my first teacher of nature. The perfume of roses and the vast variety of colors, names, and styles all make me totally crazy. I just love them. They simply bring me joy the same way seeing a rainbow in the sky does. 

(Photograph: Jamie Beck)

[ro-is-struggling]

The Princess and The Wolf || PART 3 || Geralt of Rivia x Reader

Summary: Geralt returns to see his princess once again. Only this time he is not alone and after a year without communication he does not know if he will still be welcome.

Warnings: slow burn, grumpy x sunshine (or more like grumpy x disney princess lol), miscommunication, angst, hurt/comfort, fluff, mutual pining, me trying to write domestic stuff, mentions of past trauma (for both Ciri and the protagonist/reader), Geralt Ciri and reader being a family, canon typical violence, my attempt at creating an original monster, some very long dialogues (sorry! I hallucinated half of the story and I couldn’t leave any part out apparently), FEM READER (the protagonist is referred to as woman/she-her/princess/sunshine)

Let me know if I missed anything! (I definitely did, I've been writing this part for so long there's probably a lot of stuff I forgot lol so just lmk)

English is not my first language

Word count: 21.800 (I'm not even sorry)

Notes: I’m sorry it took me so long to post this! I promise you I’ve been working on it since the moment I posted the last part but everytime I wrote a scene a new idea came to mind and I just had to add it so here we are. That moment with Ciri wasn’t in my original idea but I just had to include it cause that poor girl needs a hug! Besides, it was a nice way to explore a little bit more about the protagonist background 

I have a few ideas for the next part but please send me yours! (SEE THE END OF THE POST FOR MORE)

PART 1 || PART 2

The cat was the first to sense his presence. Even before he knocked on the door or the sound of the horse's footsteps echoed through the hut, the cat was already meowing and pacing back and forth, going from the door to the window and back to the door. He always did that when he felt Geralt was near. He was possibly the only cat on the continent that didn't hiss and hide in the presence of a witcher, quite the opposite in fact. The feline knew he was good and trustworthy because she trusted him, so he ignored all his instincts and gave Geralt a chance. They became friends almost immediately —even though the witcher used to pretend otherwise. The cat loved Geralt as much as his owner, and had missed him almost more than she had.

More than a year had passed. A year without news of him, without a visit or a letter to let her know he was well. A year of uncertainty in which the mind of the poor princess had done nothing but think about what might have happened to him. On good days, she accepted with a broken heart that he was not going to visit her again after the disaster that turned out to be their travel together. It pained her to think that she had missed her chance with him. She felt alone and lost, but that was better than thinking that his absence was because something really bad had happened to him. Dark were the days when she woke up wrapped in sweat, with images of Geralt bloodied fixed in her mind. She had lost count of how many nightmares she had had about it, how many different monsters had been responsible for ending his life and taking away the man who made her happy and gave her purpose. So when that was the alternative, convincing herself that he had simply stopped loving her was more bearable to her poor tormented mind.

“It's not him, darling. He's not coming back here” she spoke to her cat, bending down to stroke his head. The feline meowed, as if to answer her, and jumped up onto the window sill. She let out a tired sigh and pulled back the curtains to open the latch to let the animal out.

It was then that she heard the murmurs and footsteps of a horse in the distance. The cat meowed once more and jumped out of the window, running into the darkness of the night. She followed him with her eyes, looking for him in the shadows to try to find out what it was that had him so agitated. In the distance, moving through the bushes and trees, she recognized the unique white hair of the man who had occupied almost all of her thoughts for the past year. She ran to the door, flinging it open and taking a few steps outside to ensure that her eyes were not deceiving her.

Geralt was there, not looking a day older than the last time she had seen him. She noticed that he didn't look hurt or in bad shape, so she couldn't help but wonder what was the reason for him showing up at her house after such a long time of complete silence. Though her questions were pushed aside when his eyes made contact with hers. All the pain, fear and uncertainty she had accumulated for almost two years dissolved the moment she felt his warm gaze rest on her figure. Her heart began to beat faster than it had in a long time, her stomach, full of butterflies, was twisting and turning because of her nerves.

She realized then that she had no idea how to react to his presence. What was she supposed to say to him? Was she supposed to pretend that she hadn't had the worst year of her life? Was it worth scolding him for his absence when he had finally decided to come back? Happiness and anger began to fight inside her with every step the witcher took towards her. Memories of them being happy were followed by images of the nights she had cried herself to sleep because of him, creating a conflicting narrative that did nothing but confuse her.

“Geralt...” She called his name when he was close enough to hear her. “What are you doing here?” The question sounded more accusatory than she expected, but she didn't have time to take it back —or double down on her complaints— because he stepped aside, revealing the figure of a young girl. It took the woman a moment to focus her gaze on the child since she was almost entirely hidden behind Geralt's broad shoulders. She had long blonde hair and pale skin, though her nose and cheeks were reddened by the cold wind of the approaching winter. In her hands she carried her cat, who purred happily at the gentle caresses she gave him.

The confusion about her own feelings was soon replaced by confusion about the girl and her relationship with Geralt. Her eyes traveled back and forth a couple of times, trying to piece together the reasons behind her presence and the explanation as to why Geralt was traveling with the girl. She couldn't have been more than thirteen years old, so it was hard to imagine that he had decided to travel with her of his own accord. Not after the things he had said to her on their journey together. She thought then that perhaps it was someone he had saved along the way, a young princess he had to rescue from the clutches of a monster or a poor girl who had gotten lost.

Whoever it was, Geralt didn't feel the need to tell her. “We need a safe place to stay.” Was the only explanation he provided her. She didn't insist either, ultimately she didn't need a reason to let him into her home. She stepped aside without a second thought, making room for them to enter and making sure to lock the door behind her back.

“You know, for someone that claims to not have friends you sure do have a lot.” She laughed and Geralt gave her a rather unamused look. “Who's this beautiful young lady?”

The girl looked up at Geralt, wide eyes looking up at him for his approval. The witcher nodded his head, a movement so subtle it was almost imperceptible. She only picked up on it because she knew Geralt so well and was already used to that kind of reaction, which told her that the girl knew him very well too. It was as if they communicated without speaking, just a quick glance was enough and they knew exactly what the other was thinking. It was impressive and she hadn't seen anything like it before, especially not with Geralt. It only increased her curiosity even more.

“I'm Cirilla.” The girl introduced herself with a shy smile, lowering the cat from her arms.

It took her a few seconds to understand why that name seemed familiar. When reality hit her, wide eyes flew to Geralt with an expression of confusion and surprise mixed together. He had once told her about the feast Jaskier had dragged him to and the way the event had ended. The last time they had talked about his child of surprise he seemed to want nothing to do with that matter. When she had presented her concerns to him he had told her that he had assured the child's family that he would not claim her. And honestly she had thought it was for the best. With the way Geralt approached life she couldn't imagine him raising a child.  That's why she didn't understand why he was now showing up at her house with her. What had made him change his mind?

She managed to compose herself quickly from her surprise, her eyes returning to Cirilla almost immediately so as not to make her feel uncomfortable. “That's a beautiful name, Cirilla!” She complimented her with a smile. “I'm sure you must be cold! I can run you a hot bath and then we can eat something. What do you say?”

“That sounds wonderful, thank you!” Cirilla's eyes lit up at the mention of the bath, desperate to feel the hot water against her cold skin. Since she had met Geralt her situation had improved considerably, but the cold outdoors was still something she was having trouble getting used to.

After leaving Cirilla alone in the bathroom with everything she needed to clean herself and restore her tired muscles, the young woman returned to the table where Geralt was sitting, ready to answer the thousands of questions he knew were swirling around in her head. Some of them —especially the ones about Ciri— were easy to answer, but others... he did not even want to think about it.

“I thought you didn't want to have anything to do with her.” she said, dropping into the chair across from him. “What made you change your mind?”

Geralt hesitated before answering. He wanted to tell her the truth. He wanted to tell her that the last few months he had spent running away from her had been the most miserable of his life. That every day he spent away from her was agony. That he woke up hearing her laughter in the wind, missing the warmth of her body, longing to smell the perfume of her hair. He believed it was best for both of them if he stayed away. They could never be together and persisting in that fantasy would only hurt them. He thought he could do it, that he could forget her if he spent enough time away from her charms. He knew it wouldn't be easy and that it would hurt, but he was convinced that it would be the best for both of them in the long run.

However, months passed and the emptiness in his chest only grew heavier with each passing day. Geralt couldn't close his eyes without seeing her smile. He couldn't sleep without dreaming of having her by his side. He couldn't see a deer in the forest or a rabbit hopping around without thinking of her, of how happy he would be in her company, of the way she would take the animal in her hands and make him stop to play with it. His days were gray and dull, cold even under the hottest summer. Without her —without the promise of feeling her hands on his body or the hope of hearing her sweet voice call his name one more time—  life lost some of its luster.

He realized then that he could never forget her. She was the woman he loved, the only one who occupied his mind and heart, the only one who could make him seriously question his future as a witcher. She was his destiny, their paths had crossed for a reason that day in the forest. They were bound together by ties stronger than their own will, so there was no point in fighting against it. It was not worth running away from destiny if the only thing he gained was to deepen the emptiness that pressed on his chest. And she was his destiny, as well as Ciri was. He realized that if he wanted to stop feeling so miserable he had to stop fighting against what he could not change and face what destiny wanted from him.

But instead of admitting his feelings and being vulnerable in front of her, Geralt chose the easy answer: “Her kingdom was invaded. All her family was killed. I just couldn't leave her alone after that. She's in danger, she needs my protection.”

“So why bring her here?” She snapped back at him, sounding harsher than intended.

She wasn't upset with his presence, in fact she was glad to know that he still saw her home as a refuge where he was willing to bring Cirilla to make sure she was protected. All she wanted to know was why it had taken him so long to show up. Was he angry with her? Was their relationship broken beyond repair? Had he been preoccupied with his travels? Had he been avoiding her? Did he still love her? Those questions had been eating her up inside all these months. She thought she would never see Geralt again, so she had tried hard not to think about it. But he was there with her now and she needed those answers in order to ease her mind.

“I'm bringing her to Kaer Morhen with me, she'll be safe there. But she was getting tired and cold and since we were close I thought... We will leave in the morning if our stay causes any trouble for you.” Geralt assured her, trying not to cause a disturbance.

He should have figured that he couldn't just reappear in her life and wait for her to welcome him back with open arms. She had every right to throw him out if she wanted to, he had behaved like a complete bastard. But when he decided to seek refuge in her hut, Geralt wasn't thinking of him or her, but of Ciri. But now he understood that maybe he was asking too much of her. He was so used to using her home as a shelter that he didn't consider that the doors might be closed to him one day.

“I don't want you to leave. I want you to tell me why it took you so long to come back. I want you to tell me that there is a good reason for leaving me in the dark all this time, wondering what could have happened to you and if I was ever going to see your face again.”

“Sunshine, I...” Geralt tried to respond, but stopped in mid-sentence. He couldn't find the words to express how he felt, to explain to her how stupid he had been and how sorry he was for his mistake in a way that wouldn't make things worse. He didn't want to hurt her, even though he knew it was a little late for that.

She felt her heart squeeze at the mention of that nickname. She hadn't realized how much she had missed hearing his voice calling her by that name until that moment. It reminded her of the simpler, happier times they had shared, of long nights spent sleepless as they talked about life. It reminded her of how much she loved being called that by him and how her heart had skipped a beat the first time he had used it. She never knew what had prompted him to call her that in the first place —and she'd always been too embarrassed to ask—, but she was glad he had. It made her feel special, loved.

“Forget it.” she said as she noticed the internal conflict reflecting in Geralt's eyes. She didn't know what was making him so hesitant, but she began to think that maybe she didn't want to hear the answer to his question. Maybe it was better to live in ignorance after all. Maybe living on happy memories and moments that would never get back was better than living in harsh reality. All this time she had thought the uncertainty had been the worst, but seeing the doubt in the witcher's yellow eyes made her think that maybe the truth could be worse. She didn't know if she was ready to know that he didn't love her.

“Tell me about Cirilla. You said she is in danger, why?” She sought to change the subject, desperate to find a topic of conversation that would quell those thoughts.

“There's people after her, a black knight that has been following her since the fall of Cintra. She dreams about him every night.” Geralt explained, remembering the way the little girl tossed and turned in her sleep because of the nightmares.

“I can give her something to help with the nightmares so at least she can have one good night of sleep.”

“That's not all... she has magic.”

“Like her mother?” the woman asked curiously. She still remembered the details Geralt had told her about the feast that night where his and Cirilla's destiny had been linked. The magic that the young girl's mother had demonstrated was something she had never even heard of before in her life.

“I don't know what the extent of her power is, she doesn't talk much about it.”

“And you want me to do all the work for you, huh?” She guessed before Geralt could even hint at it. It was a long shot, but if anyone was going to be able to break through the barrier Ciri had created around her to protect herself, it was her. People always tended to open up to her, her sweet and charming nature sparked trust in even the most reclusive and distrustful person.

“You don't have to do it if you don't want to. I just... she's scared, I understand that, but I can't protect her if she doesn't tell me the truth. I thought that perhaps you could get through to her better than I can. You have magic too, maybe she'll be more inclined to talk about it with someone that understands what she's going through.”

“I'll see what I can do.” She promised him, unable to refuse to help a frightened little girl who had lost everything.

The young woman couldn't help but notice the protective way in which Geralt spoke of Ciri. She wasn't sure how long they had known each other, but from the way he cared for her she would say quite a bit. The witcher's trust wasn't easy to gain —it had taken her a while even after saving his life—, but the girl seemed to have done it in record time. It was heartwarming to see the way they acted around each other. She always looked at him before answering some of the questions the young woman asked him during dinner, as if she needed Geralt's confirmation to reveal certain information about her. It was clear that they trusted each other, in a way reminiscent of a father and daughter. Which made Ciri's reluctance to open up to him even stranger.

It was strange to see Geralt in such a position. He always acted so tough, like a lone wolf who didn't need anyone's company. Seeing the way he cared for Ciri —how he urged her to take the sleeping potion she offered her, warning her how important it was for her to get a good night's sleep— was almost jarring. Even in her wildest fantasies she hadn't imagined Geralt being a father. Now that she saw it, though, she liked it. It suited him. She only wished he had given himself the chance to explore that side of him much sooner. She couldn't deny that it pained her to know that she had always been right, the two of them could have worked out if only he had let it happen.

After they had dined and chatted for a long time, she, like the good hostess she was, escorted Ciri to the extra room she had unoccupied, telling her that it would be her space for as long as she wished to stay there. “Any friend of Geralt is a friend of mine. You're welcome to stay for as long as you want.” She smiled sweetly, trying hard to show the girl that she could trust her. Ciri thanked her before she closed the door behind her, making sure she knew she appreciated her hospitality.

When she left the girl's room, she didn't find Geralt anywhere. She didn't worry too much about it, assuming he would be out with Roach or securing the perimeter of the property to make sure Ciri could get a peaceful night of uninterrupted sleep. She let him do his thing, opting to tidy up the house and get ready for bed. She waited for him in bed, one last candle burning as she read a book. She assumed he would come to sleep with her as they had always done. Now that Ciri was occupying the only free room, the other alternative was to sleep on the floor. But time passed, the night grew dark and cold, and Geralt did not come. So she put on a cloak and went outside to look for him.

It didn't take her long to find him, she just circled the property and stumbled upon him in the makeshift stable she had at the side of her garden. He was sitting on a pile of hay, chatting with Roach while stroking the animal's fur. He had his back against the wooden wall and seemed to be settled there, as if he had no intention of moving. When she approached, he fell silent, so she couldn't hear what he was saying to the horse, although she had a good idea.

“What are you doing out here? It's freezing!” She said, crossing her arms under her cloak to keep her body warm. While it hadn't yet snowed for the first time, there was an icy dew in the air that looked a lot like it. And while she understood that Geralt had a higher tolerance for extreme weather thanks to his mutations, that didn't mean she liked the idea of him being cold in the stable when there was a warm bed waiting for him inside.

“It's not that cold.” he replied and she looked at him with a raised eyebrow, not believing for a moment that he truly didn't feel the cold. She had been outside for a couple of minutes and could already feel the cold starting to dig into her bones. “I was taking care of Roach.”

“She seems fine. Come inside before you freeze to death.”

“You know that won't happen.”

“Geralt, please.”

It was a gentle plea, with a hint of desperation. All she wanted was to have Geralt by her side during the night again. She wanted to lie down and find that she felt the same comfort she always had, that his presence made her feel as safe and comforted as she remembered. She wanted to feel his strong arms wrap around her at night and know that the doubts were only in her head and completely unfounded. She wanted to know that he still loved her and that it had all been a big misunderstanding. She was desperate to find a way to move on, to let go of all the pain that had haunted her. But she was terrified to talk about it, so all she had left was that. If Geralt didn't accept her offer then she knew all was lost.

“I don't want to impose...”

“You're not,” she interrupted him before he could blurt out any excuses. “I'm asking you to come inside with me.”

Geralt couldn't refuse that request. Even though things between them were weird, he still couldn't resist her charms. There was something in the way she looked at him, a glint of desperation growing in her eyes, that made it impossible for him to say no to her. It gave him hope. He thought she was angry with him, and she was, but inside her still burned the flame of love they had once shared. Maybe all was not lost. Maybe he could still make things right.

He followed her back into the house, pulling off his wet cloak and muddy boots before entering the room. It looked exactly as he remembered it, not a single object out of place. It was as if time had not passed. The flowers on the window sill were still as colorful and full of life as in the spring, the books stacked in the wooden trunk at the foot of the bed did not seem to have changed their order. The air smelled of her, that intoxicating mixture of floral perfume and wet earth that he had come to miss so much.

However, the reality of the situation hit him as he laid his head on the pillow. There was no goodnight kiss or silly talk before bed. She simply laid down on his side of the bed and settled down with her back to him before blowing out the candle that lit the room. They were only inches apart, but Geralt had never felt so far away from her before. Even when he was miles away, purposely avoiding her, he still felt close to her. How could he not when images of her wouldn't leave his mind? He kept seeing her in his dreams, reliving their happy moments every time he closed his eyes, fantasizing about hearing her laughter and feeling the warmth of her body once more. But now that he had her by his side, he felt nothing but a cold emptiness pressing on his chest.

He wanted to reach out to touch her. There was nothing he wanted more than to be able to wrap her in his arms and never let her go again, but he didn't know if he could —or if he should. He understood her hesitation, she had every right to be angry with him after the way he had reacted. He wanted to give her some space, some time so they could get their relationship back on track. He didn't want to pressure her, so he kept his hands to himself even though it hurt. He had to think of her first. He had no right to suddenly come back into her life after he had unilaterally decided to leave her, and demand the same treatment from her as before.

But what Geralt didn't know was that she wasn't avoiding him on purpose. She wanted to run into his arms, curl up on his chest and sleep wrapped in his warmth. But she didn't feel like she was the one who had to make the first move. Her feelings for him had never changed. She had been the one who had tried to make their relationship blossom. She had tried so hard to show him that they could have a future together. Geralt had been the one who had run away without explanation, so he should be the one to make the first move if he wanted to. She didn't want to pressure him, to make him feel like he had to do or say things he didn't want to just to protect her feelings. If he reached out to her, she needed to know that he was doing it because he really wanted to.

That was why his distance hurt her so much. Clearly there was something broken in their relationship and the most heartbreaking thing of it all was that she didn't know what to do to fix it —or even if she could.

The morning brought more pleasant weather conditions with it. The silent tension that haunted Geralt and the princess disappeared almost completely, mainly because they both sought to focus their attention on Ciri to avoid dealing with their own problems. Looking for an excuse that would give her the opportunity to spend more time with the girl, she asked Ciri to accompany her on a walk through the forest to replenish her collection of medicinal herbs. The winter was fast approaching and soon there would be nothing left but the plants she grew stored inside her house. Ciri agreed and Geralt joined them under the guise of hunting their lunch, although he had the decency to keep his distance so that they could get to know each other better.

It was a beautiful morning. Even though the autumn sun was not strong enough to counteract the cold breeze, there was no freezing mist that morning and that was already a reason to celebrate. Besides, Ciri was no longer wearing wet clothes and was well rested and fed, so she felt capable of accomplishing anything. The young woman guided her through the forest, telling her the details of the plants they needed to collect —their appearance, their medicinal uses, the potions and ointments she created. Ciri listened to her intently, fascinated and intrigued with the new information she was being presented with, wondering if she would be able to accomplish something like this someday.

“So you're a mage then?” Ciri asked, looking up at the woman walking beside her smelling a white flower.

“Not exactly.” she replied, earning a look of confusion from the girl. “I have an aptitude for magic, but I wasn't officially trained. I was taught by a healer everything I know, but magic is far more complex than what I know or the things I can do.” She hastened to explain as she knelt down in the dirt to pick up a couple of valerian leaves and put them in her basket.

“Is that how you met Geralt? Through your powers?”

“My abilities did play a part in the story of how we met, yes, but not in the way you're probably thinking.” The princess lost herself in her memories for a moment, images of that day flashing before her eyes. It felt so close and yet so far away at the same time. It was amazing to look back and see how far she had come both as a person, as well as their relationship. “He didn't tell you about us, huh?”

“He said you were an old friend, but didn't answer any of my questions. He's not particularly chatty.” Ciri said with a chuckle and she couldn't help but laugh too. If there was anyone who knew how difficult it could be to get a topic of conversation out of Geralt, it was her. She could almost imagine the girl's effusive curiosity running into the witcher's frustrating monosyllabic responses, just like it used to happen to her.

"Oh trust me, I know."

Geralt could hear them talking, but decided not to intervene. Instead he watched from a distance as they laughed together, feeling happy that they were getting along. Not that he thought it would be difficult, Ciri was a lovely girl and his sunshine was one of the sweetest and nicest people that existed on the continent. But still, it was nice to see them conversing so comfortably. It made him feel a strange warmth inside, a strange feeling unlike anything he had ever felt before. But he liked it, he found it comforting.

“We met after I escaped my home.” The princess began to tell her story, thinking carefully about every word before she said it. It was a great opportunity to build trust with Ciri, to let her know that she could understand her better than anyone else since she had also been a child frightened by her own powers. “You see, a long time ago I was a princess, just like you, trapped in a kingdom that had forbidden magic long before I was even born. I had to learn everything I know in secret, hiding from my parents and my own kingdom. Ruling wasn't my calling, especially in those conditions, so one day I decided to run away.”

Ciri's interest was piqued, her eyes growing wide with curiosity as she listened intently to the story the young woman told her. She told her about the monster that prowled the forests of her kingdom and how she used it to fake her death so she could escape a future she didn't want in a kingdom that didn't appreciate her. She also told her that was the reason Geralt showed up at her town, having been hired to kill the monster and avenge the death of the princess. But instead of encountering a beast, he found the young woman hiding in the forest.

“He could have taken me back to the castle. My parents probably would have paid him more to return their presumed dead daughter and heir to the throne home, but he didn't... he listened to my pleas and had mercy on me. He saved my life... everything I am today, everything I have, I owe to him. Geralt gave me a second chance in life and for that I will be eternally grateful.”

The princess smiled, remembering the details of their first meeting. Geralt had truly saved her life. She had failed to properly prepare for her escape, acting hastily and recklessly after an argument with her father that ended with him yelling at her that she was a disgrace to his family for not wanting to marry a lord who didn't love or respect her and only saw her as a way to gain more power. No matter how well she knew those woods, she could not have gotten very far on her own. And if anyone else had found her, they would have returned her to her parents without a thought, condemning her to a life of misery.

But Geralt had not done so. He had taken pity on her, putting her well-being above gaining greater wealth even when he did not know her. He had given her the opportunity to discover herself in complete freedom, far from the demands and mandates of her parents. Everything she was, was made possible by him. That's why she was always willing to help him, no matter how angry or upset she was with him. She couldn't let go of the hand of the man who had taken hers and pulled her out of the dark pit that was her former life.

“He saved my life too.” Ciri said with a sad smile on her lips. “He's the only family I have left.”

“I'm sorry about that,” the young woman offered a smile, resting her hand on the girl's shoulder and giving it a supportive squeeze. “You shouldn't have to go through all that violence and pain, no child should. But you are in good hands with Geralt, he's going to take good care of you. Don't let the big, grumpy frown and the stories about witchers fool you, he is a big softie with a heart of gold.”

They shared a few chuckles and continued on their way, searching for the herbs they had yet to gather. The princess told Ciri about the Celandine plant and its medicinal properties —telling her to keep her eyes open in case she saw a four-petaled yellow flower—, and about the Eyebright plant and how it had cured an eye infection in a girl's eye in the village. She also shared with her some of the stories of her life, how she had practically grown up in the forest and the peace she felt when she was in contact with nature.

Ciri liked to hear those stories, especially when she told her about the difficulties she faced in understanding and learning to control her powers in the beginning. It made her feel less lonely to know that she wasn't the only one who had to go through something like that alone and without much guidance. It gave her hope for her future. Watching as she bent down to heal the broken wing of a bird on the side of the road, Ciri thought that if she had managed to understand and control her powers then there was still hope for her too. Maybe one day she would stop being afraid of her own abilities. Maybe she would come to understand what was wrong with her and the purpose of her powers.

“Why did they prohibit magic in your kingdom?” the girl asked curiously, marveling at the healing capabilities of the runaway princess' powers. It only took a touch of her hands and the utterance of some words she did not understand for the bird to recover, flying from her hands to get lost in the treetops. Ciri could not understand how something as wonderful as that could be seen as a bad thing. Her powers were nothing like hers, so it was hard for her to think that they would be viewed as displeasing to anyone.

“No one really talked about it, and I was always too afraid to ask. But from what I understand, magic ran in the royal family, but it had never brought the kingdom any luck, only chaos and destruction.” she explained returning her attention to Ciri now that the bird had disappeared from her vision. “Apparently it made people too unstable to rule. My great grandmother was the last one to have magic before me and she was the reason it was banned, but no one really talked about it so I don't know exactly why. For the most part everybody just pretended magic didn't exist, especially my parents. I think they knew that I inherited my great grandmother's abilities and they thought that maybe if they didn't mention it might go away. But the only thing they accomplished was to isolate me.”

She paused in her story and Ciri could notice in her eyes the pain those memories caused her. The joyful and sweet expression that graced her face was replaced by a sad and melancholic look. It was only for a second, but her face changed so much that she looked like a completely different person from the one who was standing next to her minutes before. Ciri wondered what kind of horrors she would have had to go through in her old home and if that expression was so different because it belonged to the princess she had left behind.

“When I started showing the first signs of chaos, I didn't know what was going on with me. I was terrified.” She cleared her throat and then her face lit up with its usual sweetness again. “If it wasn't for the new court physician I would have never learned the truth. She was a mage on the run, hiding in the last place she thought they were going to look for her. She noticed the signs immediately and took me under her wing, taught me everything I know... how to control my powers, how to use them in the art of healing, and more importantly, she taught me to not be afraid of them, to not let the fear of others influence me.”

She gave Ciri a small smile, hoping she understood the meaning behind her words. She wanted to be that positive figure in her life, to pass on to Ciri the knowledge and confidence that had been passed on to her in her training. It wasn't much compared to what other mages could teach her, but it was a start. She was willing to be the guide she so desperately needed, if Ciri would let her.

“Were they afraid of you because you were different?” The girl asked, looking at her with wide eyes full of curiosity. It was a question she was asking both the woman beside her and herself. The princess recognized that, so she stopped in her tracks and turned to look Ciri in the eye. It was important for her to hear and understand what she was about to tell her.

“Probably, yes.” she admitted with a sigh. Ciri lowered her gaze and she took a step forward, reaching out to grab her chin and make her look up. “But you have to understand that fear is one of the most common reactions people have to the unknown, to that which they don't understand. It's not personal, they just can't help it. One important thing I learned over time is that reaction is something you can't control, there is nothing you or I can say or do to stop those who don't understand magic from fearing it. But what we can control is our own fear. And it is important not to let the fear of others affect one's perception of oneself.”

“But what if they are right?” Ciri's voice was close to a whisper, almost as if she struggled to utter those words aloud. As if she was afraid to admit what her mind had been repeating to her since the fall of Cintra, fearing that saying it would make it real. “What if magic only brings death and destruction?”

It was clear to the princess that Ciri was referring to her own powers. She didn't need to know her too well —or even know the details of her powers— to understand, she could see it in the tears that had gathered in her eyes. It broke his heart to see the little girl in that state. She was just a child, it wasn't fair that she had such dark thoughts clouding her mind at that young age. Fate had been very cruel to her, taking away her family and home in a single act of terrible violence that she had had to witness without being able to do anything to prevent it. Not only that, but now she had to face her future and the development of her powers with no one to guide her. No child should have to go through something like that. All she wanted to do at that moment was to hug Ciri and tell her that there was nothing wrong with her, to assure her that everything would be alright and that her life would get better. But before she could even utter a word, a strange sound echoed throughout the forest, distracting her attention from the girl.

Her gaze instinctively searched for Geralt, who was already alert. His eyes searched the surroundings as his hand slowly approached the handle of the sword resting on his back. She felt Ciri's hand squeeze hers and returned her gaze to the girl. She was met with her expression of terror, which only got worse as the rumbling of what could only be described as a deafening shriek was heard.

“Geralt!” The woman called his name, hoping he would give some sort of explanation for what was happening.

Though he didn't need to say anything, because at that instant a figure came into view in the distance. It was a monster, but not one like anything she had ever seen or read about. It was large, with multiple legs and eyes, and a long tail that ended in a sharp point. It was like a strange, disgusting mix between a scorpion and a centipede, a large creature that towered tall above them. It stood still for a moment, keeping a relative distance, as if searching for something specific. The princess pushed Ciri behind her, instinctively seeking to protect her. The creature shrieked again and Geralt pulled out his sword.

“Run!” He commanded them before advancing towards the beast with his sword held high.

The princess hesitated for a second, feeling the need to reach out to him to help him, but Ciri tugged on her hand and reminded her that she needed hisprotection. They ran through the forest holding hands, helping each other keep their balance when they stumbled due to their nerves. She tried to keep Ciri safe, positioning herself a few steps behind her to protect her from a possible surprise attack with her own body. From time to time she looked behind, searching the horizon for the figure of Geralt or that monster to know in which direction to flee. But it was difficult to follow the fight when she was also worried about looking after Ciri. She needed some sort of vantage point that would allow her to observe the enemy so she could prepare for its attack.

“Is it gone?” the girl asked in fright as she tried to catch her breath. They had stopped momentarily when they saw that the monster was no longer at their heels. They couldn't hear it screeching either, so they thought maybe Geralt had taken care of it.

“I don't know.” she answered honestly, pushing Ciri against a tree to hide in case he came back. “I don't see Geralt anywhere.”

“Should we go back to look for him?”

“No, that's too dangerous... we need to get to higher ground.”

Before she could say another word, the beast made its presence known again. It came out of nowhere, screeching and moaning, no doubt hurt by the witcher. But in spite of that, it rushed towards the direction of the two princesses with the same voracious determination. Ciri screamed and grabbed the hand of the woman at her side to start running once more, but she stayed in place.

There was no sign of Geralt anywhere and given the amount of legs that beast had, it was clear that they couldn't outrun it. Ciri wouldn't be able to escape from there without someone to give her a head start.

“Run north, up the hill and hide there. Don't look back!” she ordered and the girl looked at her with confusion.

“What about you?”

“I'll come look for you, but I need to buy you some time to run.” She explained quickly, keeping her eyes on the beast that was getting closer and closer to them. “Go, Ciri! Now!”

The girl hesitated, finding the scene all too familiar. The number of times she had had to leave someone behind to save her life was more than she would like. It never ended well and she felt responsible for all the lives that had been sacrificed to get her there. She hoped Geralt's friend wouldn't join the list, she didn't know if she could tolerate one more death on her conscience.

As soon as Ciri started to run, she concentrated on attacking the monster that was chasing them. She moved out of the girl's way, seeking to draw the beast's attention to her to distract it. But to her surprise, it didn't seem to care. It continued on its way in the direction of Ciri as if she were not in that forest. And if it wasn't because she invoked the sign of Aard the beast probably wouldn't have bothered to attack her. It was clear that its target was Ciri, although she could not understand the reason.

She used what little knowledge she had of magic outside of healing to attack the monster. She relied on the Quen sign to protect herself when the beast came too close, just as Geralt had taught her. And she summoned Aard's power to throw the beast away from her, slamming it into every tree and rock she could find in hopes the impact would stun it and give her a chance to escape. She put up a good fight, but it was clear that she couldn't beat him with her limited skills.

Luckily, she didn't have to. Geralt appeared just in time to save her, crossing his sword with the beast's pointed tail before it could hurt her. They shared a simple, quick glance, but that was enough for them to communicate. Geralt's eyes assured her that he would take care of the beast and asked her to protect Ciri. She nodded to him, letting him know that the girl's safety was her priority before running after her.

It didn't take her long to find Ciri, she knew that forest like the back of her hand. She was hiding in the bushes, ready to attack anything that came near her. The girl almost hit her in the stomach with a log when she approached her hiding place, fearing it was an attacker coming to hurt her. She stopped just in time though, wide eyes looking at the woman in front of her with surprise. She hadn't expected to see her there —not after learning the fate of all those who had stayed behind to give her a chance to escape danger—, but she was glad she was all right. Ciri felt safer with her by her side.

“Where is Geralt?” asked Ciri worriedly, looking behind the woman's back for her protector's white mane.

“He's fine.” she assured her, approaching the edge of the hill to look down for movement that would indicate Geralt's whereabouts. But she saw nothing. Nor did she hear the shrieks of the beast pursuing them. All was quiet, almost too quiet. It gave her a bad feeling. “Come on, we have to keep moving.” She indicated to Ciri, taking her by the hand once more.

But before they could get more than a couple of steps away, the monster reached them, cornering them against some rocks and the ledge. It was so sudden, that the princess could do nothing more than create a protective energy field, enveloping her and Ciri's figure in a semi-transparent whitish bubble that kept the beast away from them. She pushed the girl behind her and told her to prepare to run when she gave the signal. Ciri protested, refusing to let her face the beast alone, but she assured her that she would be fine. The truth was that she didn't know, but she had no choice but to stand between the monster and the girl it so desperately sought to attack. She was going to fight to her last breath to protect it because it was the right thing to do —and because it was what Geralt expected of her.

However, her countdown only reached two before a sword pierced the beast's body. It let out a shriek of pain and tried to lunge at its attacker, but Geralt plunged his sword even deeper, giving it one last thrust before withdrawing it to let the creature bleed out. The beast collapsed to the ground, spreading a viscous dark green liquid oozing from its mortal wound onto the earth. It writhed a couple of times until it stopped moving, signaling that life had left its body.

The princess let out a sigh of relief, breaking the energy field now that it was safe for Ciri. The relief didn't last long, however, because Geralt collapsed next to the beast, dropping his sword with a loud clang. She and Ciri ran to him, calling his name with concern. He was still conscious when they knelt beside him, though he looked weak.

“Let me see.” she asked when she noticed Geralt squeezing his thigh with one hand. He moved it, allowing her to inspect the wound closely.

There was a tear in his pants and beneath it the skin of the witcher's thigh was swollen and reddened. There was a puncture wound that leaked drops of blood mixed with a thick black liquid. Making a closer inspection, she noticed the small black lines branching out, veins standing out on his skin as they slowly began the work of spreading the poison through his system.

“Fuck!” she muttered under her breath as she tore a piece of the skirt from her dress.

“What?” Ciri asked worriedly, watching as she tied the piece of cloth around Geralt's thigh, just above his wound, and tied a tight knot that caused the witcher to groan in pain. “What is it?”

“Poison.” she replied simply, picking up Geralt's sword from the ground and using it to cut the stinger from the tail of the monster lying lifelessly beside him. Then, she removed her cloak and used it to wrap the tail in it, making sure it was safe to carry without coming into contact with the poison the stinger held. If this was a new monster —or at least, one she didn't know about— she was sure that having the direct source of the poison would be of vital importance to save Geralt's life.

“We need to get him back home. Now.”

Luckily, Geralt was still lucid enough to walk. The slow beating of his heart and the tourniquet she had improvised with part of her dress helped keep the poison from spreading through his body quickly, but it still needed to be treated urgently. Ciri helped her carry him, each of them putting one of Geralt's arms around their shoulders and holding him tightly to help him move with more ease and speed. They were not far from the hut, but it was not easy to travel with Geralt in that state, so it took them longer than usual to get there.

Once home, the princess settled Geralt on the bed, just as she had done so many times in the past, before running to get her potions and ointments to treat the wound. Ciri sat beside him on the bed, looking at her protector with concern as he mumbled in pain. She noticed that the wound on his leg was getting worse with each passing second and for a moment she was afraid that something bad was going to happen to him. She couldn't lose him, not after going through so much to find him. Geralt was the only thing she had left, her only hope, she couldn't lose him.

“Ciri, could you help him drink this?” The woman asked, handing her a small glass vial with a yellowish green liquid inside. The girl was grateful to have been entrusted with a task, something she could do that would help her feel her presence was useful. “It will help his body battle the effects of the poison.”

Ciri took the bottle with one hand and Geralt's head with the other, lifting him slightly off the bed so he could drink the potion. While she brought the bottle to his lips, the princess tended to the wound on his leg. First she carefully washed it, using warm water and a clean cloth to remove the blood and drops of poison that remained on the skin. Then, she spread an ointment of her own creation on the wound while uttering an incantation in the ancient tongue.

She concentrated all her energy on him, repeating the incantation with increasing strength and conviction. She was treating it as she would any wound infected with poison, but the reality was that she didn't know if that would work. The creature that had attacked him was new to her, so she didn't know if its poison would respond to conventional treatments. So she devoted all her energy to him in the hope that it would be enough to save him. And while arranging some herbs on the wound before bandaging it, she prayed to the gods that her beloved would wake up.

Geralt heard her sweet voice in the distance, and felt the warmth of her fingers brushing the skin of his leg. He tried to let himself be carried away by the warm energy that she transmitted to him, to drown the pain he felt in the peace that her voice awakened in him. He tried to concentrate on her so as not to faint, clinging to the scent of her skin and the melody in her voice as if his life depended on it. But even his stubbornness and unwavering willpower were not enough to combat the effects of the poison. And though he fought against it, eventually his eyes closed and everything went black.

The last thing he heard before he slipped into unconsciousness was the sweet voice of his sunshine telling him, “rest.”

Ciri did not move from Geralt's side. She insisted on taking care of him and controlling how his condition was progressing while the princess investigated the stinger she had extracted from the beast. She began by extracting some of the venom that was still inside it, being very careful not to let it come into contact with her skin while she transferred it to a glass vial. She did some tests with it, studying how it reacted when in contact with different herbs and medicinal plants, as well as some of the potions she had in her catalog. None of the results she got were what she expected, so she began to worry. Maybe this thing was different after all. Maybe she couldn't save him this time.

“I think something is wrong!” Ciri suddenly exclaimed, breaking her concentration. The princess didn't ask her any more follow-up questions, she simply followed her into the room and approached Geralt to examine him.

He was definitely not looking like he should. He had been resting for a few hours, yet his physical appearance had worsened. He looked paler than usual and his breathing was irregular. A thin layer of sweat adorned his skin, and when she reached up to touch his forehead she discovered that it was hot.

“This is wrong.” she muttered to herself, undoing the bandage so she could examine the progress of the wound on his leg.

“What's wrong? What's going on?” Ciri questioned the woman, desperate to hear her professional opinion.

Lifting the bandage, she discovered that the wound had only worsened. The skin was swollen and hot to the touch, and the black veins stood out even more against the pale skin, extending until they were lost under the tourniquet that was still tight around the witcher's leg. “He's getting worse...” she murmured, concern and confusion mingling in her voice. “He's not responding to the treatment.”

“There must be something we can do!” Ciri insisted and the woman looked at her, not knowing what to say. She didn't know of any other ways to treat a wound as such, at least not ways that weren't pure legends. She could always research and try some alternative method, but she wasn't sure she had enough time for that.

“Kaer... Morhen...” Geralt stammered weakly, struggling to keep his eyes open. “Vesemir will know what to do.”

She just gave Ciri a look and the girl ran off to the stable to prepare the horses for the journey. She stayed behind with Geralt, grabbing a couple of her remedies and the beast's tail before carrying the witcher on her shoulder once more, dragging him with some difficulty to the door. When Roach saw the state his owner was in, she lay down on the ground to allow him to climb onto her back more easily. She gave the mare a few gentle pats and kind compliments before helping Ciri mount Brego, the horse she had personally raised after finding him badly injured and forgotten on a road. Once the girl was safe and settled, she mounted Roach behind Geralt, wrapping her arms around him to hold him in place as she took the reins and they set off.

She didn't know the exact road to Kaer Morhen, only that it was south of where she lived. She had a few clues that gave her more details from the stories Geralt had told her about his life, but that was all. She had never asked him much about it, she knew that after being attacked the witchers kept to themselves and she didn't want to pressure him to reveal those details. She thought that maybe, if someday he felt comfortable enough with her to tell her about his home, he would. But now she was regretting not being more nosy.

Geralt was going in and out of consciousness, so while he could give directions from time to time, he was not the most reliable source. Ciri also didn't know the way since she had never been there before. However, Roach was a very smart horse who had traveled those roads many times in the past. So when they came to a crossroads, the mare advanced along the left-hand path with confidence. And before they knew it, they had reached Kaer Morhen.

“We need help!” she shouted and a middle-aged, white-haired man ran to meet her, startled by the commotion. His eyes fell on Geralt and she noticed the concern in them as he reached out a hand to touch the witcher's forehead.

“What happened?”

“He was attacked by a creature. He's been poisoned and I don't know how to stop it from spreading.”

“Get him inside!” At his command, a group of men grabbed Geralt and carried him inside. The young woman grabbed Ciri, holding the girl against her body so as not to lose her as she very timidly followed the others.

Both she and Ciri refused to leave Geralt, so Vesemir —the name given to them by the man who received them— had to work under the watchful eye of the two. He asked them about the attack and the young healer explained as best she could the details of the beast that had chased them. She didn't know whether to be relieved or terrified to discover that an experienced witcher like Vesemir didn't seem to know what kind of creature she was describing.

“This may help.” She said, pulling the beast's tail covered in an old cloth from her bag. “I tested the poison against every plant and healing element I know of and nothing seems to work.”

“That's not the only problem.” the man said, gesturing for her to come closer. “You see this inflammation here? It's full of the creature's venom.” Vesemir lightly pressed the lump on Geralt's skin and a couple of black drops escaped from the puncture wound. “The venom is lodging there for some reason, spreading slowly to maximize the damage. No treatment is going to work until we extract it.”

“How can I help?”

“Hold him still.”

Vesemir rummaged through a drawer and pulled out a leather bag containing a couple of syringes, needles and other useful artifacts for healing a witcher's wounds. He took the middle syringe, with a relatively long needle, disinfected it and then rested his gaze on the young woman in a silent way of telling her to get ready. She nodded slightly, tightening her grip on Geralt's leg to make sure he didn't move it. Vesemir then inserted the needle into the wound very carefully. It was important that he didn't accidentally burst the bubble of poison that had been created under the skin or it might end up spreading faster.

Geralt mumbled in pain and his body twisted as Vesemir began to extract the poison, but the young woman kept a firm grip on him. And when that wasn't enough to keep him still, she resorted to talking to him, just as she always did when he showed up injured on her doorstep. She murmured sweet words of encouragement and her soft voice seemed to be enough to bring peace to the witcher. His body stopped writhing and his rapid breathing gradually calmed down.

When Vesemir finished extracting the poison, the young woman watched in horror as the dark liquid almost filled the syringe. She wondered how that beast had been able to inject so much poison in such a short time and worried about Geralt's condition. How much poison had made it through his system? She liked to think not too much since he was still breathing, but the amount of viscous liquid trapped in the syringe worried her. Vesemir didn't seem particularly worried, but she wasn't sure she could read the expert witcher's emotions as easily as she could read Geralt's.

She watched him rummage through a cabinet full of elixirs until he came across a dark-colored one. He ripped off the cap with his teeth and poured some of the contents on the wound on Geralt's leg, who groaned in pain but did not open his eyes. Then he passed the bottle to her.

“Make him drink this.” Vesemir instructed him before disappearing out the door.

The young woman was assisted by Ciri in the task. The little girl helped her hold Geralt's head high enough so that he would not choke on the liquid while she parted his lips and placed the spout of the bottle between them. The witcher coughed a little as the liquid touched his throat, but it was only for a moment.

“It's alright, you're alright... everything is going to be fine.” She murmured words of encouragement as she emptied the elixir down his throat, though she wasn't entirely sure to whom she was directing such phrases, Geralt or herself.

When Vesemir returned, two other witchers accompanied him. At the man's request, they took Geralt and led him to his quarters to rest.

“Is he going to be alright?” a very worried Ciri asked as she watched the weak and fainting body of her only protector being carried away.

“Only time will tell. The next few hours are critical, if he makes it through the night I'm sure he'll make a full recovery.” Vesemir was honest, perhaps a little bit more than he should have been with a girl like Ciri. He was already busy analyzing the extracted poison and the tail of the beast that had attacked and almost ended the life of one of the best witchers left on the continent, so he didn't realize the impact of his words on her until he turned and met the expression of fear and worry on the girl's face.

“Geralt is strong, he's not going down without a fight. I've seen him pull through worse things.” He tried to reassure her. “You are invited to stay here, if you are friends of Geralt you are always welcome. Although I'm afraid I won't be able to accompany you, I have to study this thing in case Geralt's condition gets worse.”

“I can stay with him.” The young woman offered. “Keep an eye on him and call you if anything feels off.”

“Sure, that will be of much help. Thank you. Just ask one of the boys to guide you to Geralt's chambers.”

The young healer was very interested in learning about the elixirs and other things Vesemir had in that room. Some things she could recognize, some she had an idea of what they were and some were completely new. She was a curious person, especially when it came to her area of expertise, so she had a million questions to ask Vesemir. She would have loved to stay and see what tests he conducted on the poison and what things he looked for in the animal's severed tail. But her priority now was Geralt. She needed to know that he was okay and she wouldn't rest until she saw him open his eyes again. So she took Ciri's hand and headed for the door, but not before thanking Vesemir for the hospitality.

At first Geralt thought he was dreaming. His eyelids felt heavy and he was disoriented. The world around him was a blur and he could hear a ringing in his ears. He couldn't remember where he was or how he had gotten there, and the harder he tried to recall any images of the last few hours, the more difficult it became. It was like trying to remember a dream, the blurred and confused images escaping from his mind as he struggled to capture them. Yet somehow, in the midst of the chaos that was his mind at that moment, he found her. She was lying next to him, curled in on herself in the small space on the bed that he did not occupy. Her beautiful, delicate face was partially covered by her hair, but he didn't need to see it to know she was asleep. He found her before anything else, a beacon of clarity in the midst of the darkness clouding his mind. Only then, his mind decided to cooperate, recognizing images and patterns around him that helped make sense of where he was.

And yet, Geralt remained focused on her. If the dizziness didn't make him feel like in a dream, seeing her like that, so relaxed and peaceful next to him, definitely did. It was a scene that almost didn't seem real after a long year of distance and yearning. It was a sight he hadn't had in a year, her curled up beside him, sleeping peacefully next to the warmth of his body. There was no weird tension in the air or unspoken discomfort like that other night. She genuinely looked comfortable and calm next to him and Geralt couldn't help but smile.

But beyond that, her figure sleeping next to him was a beautiful sight he had never had the pleasure of having in his own home. Their encounters always occurred outside, in the maelstrom of the real world or in the calm of her hut in the forest, but never in his home. Geralt had awakened many mornings with the young woman in his arms, but none had been in his own bed, covered by his own blankets, hidden in the safety of his own room. He discovered then that he liked the feeling of sharing that space with her. It made everything he felt for her feel more real. It made his longing to stay by her side seem more feasible. She was there with him, caring for him and keeping him company, and the world seemed right again.

Geralt tried to sit up in order to better admire her beauty, but instantly regretted it when he felt a sharp pain in his leg. He let out a low grunt, bringing his hand to the bandage wrapped around his thigh with a grimace of confusion. Then flashes of the last few hours overwhelmed his mind. He remembered fighting the monster that chased them in the forest. He remembered the sharp sting of its tail and the burn of its venom. He remembered Ciri's worried look and reaching Kaer Morhen. But most of all, he remembered the gentle touch of his healer on his fevered skin and the sweet sound of her voice lulling him to peace as she always did. Her voice echoed in his mind and the mere memory seemed to be enough to silence the ringing in his ears and ease the pain in his weak and tired body. That didn't surprise him, though. Geralt had long since ceased to be amazed by the effect she had on him. He had learned to accept it, just as he accepted the day turning to night or the winter turning to spring. She was his light, a warm sun on the first day of the equinox that lengthened the day and melted the ice to allow the fields to bloom. She was his sunshine and he realized now that he had spent the last year living in an eternal winter to which he never wished to return.

The movement of the bed beside him brought Geralt out of his thoughts. He leaned over just in time to see his princess open her eyes as she stretched slightly. He could admire the confusion in her expression for a few brief seconds as her sleep clouded mind struggled to figure out where she was. Then her eyes opened wide and her gaze fell upon him. He was glad to see a glint of joy in them at finding him awake and had to bite the inside of his lip to hold back the smile as he saw her jump up in bed.

“Geralt! Are you okay? How are you feeling?” She questioned him with a strange mixture of excitement and concern in her voice.

“As if I had died and was brought back.” He replied with his classic dry humor, though it wasn't that far from the truth. His injured leg still ached when he moved it and his muscles felt tired as if he had spent all night battling a striga.

“You're not that far off.” She shrugged, rising from the bed to pour him a glass of water. Geralt accepted it gladly, drinking the contents in a couple of long sips. Boy was he thirsty!

“How long was I out?”

“Considering you've been in and out of consciousness since the attack, I'd say almost two days.” Geralt was surprised by that answer. In his mind it had only been a couple of hours, but apparently he remembered less than he thought.

Then, Ciri's worried face presented itself in his mind. “Ciri!” He exclaimed, jerking upright. He regretted moving once more, though, when the pain forced him to let out a grunt.

“She's alright!” The young woman hastened to say as she helped Geralt sit up. She took the pillows and stacked them carefully against his back, giving him a softer surface to lean on. Then she helped him recline on them, taking advantage of the moment of proximity to run her hand over his forehead and check for fever. “She's sleeping in the room next door.” She explained as she arranged the blankets so he wouldn't be cold. She knew he had grown up there and was probably used to the cold temperatures, but boy was the witchers' lair cold! “That girl refused to leave your side! I had to fight her to get her to go to sleep. She wanted to be here when you woke up, but I didn't want her here in case...” she trailed off. In case he didn't wake up was what she was going to say, but she couldn't bring herself to utter those words. Although she didn't have to, Geralt knew it when he noticed the sudden sadness that flashed across her face. “Anyway, I had to promise her that she would be the first one I would look for when you woke up to get her to go to sleep. And even then she stayed for another hour here.”

Geralt laughed, that sounded like Ciri. “Thank you... for keeping her safe.”

A silence formed as she took it upon herself to check his vitals. His breathing seemed normal, the same with his pulse —well, normal for a witcher. He no longer had a fever and when she uncovered the wound on his leg she noticed that the skin around it was in better condition. There were no more black lines or reddened areas. It was still somewhat swollen, but the skin was no longer warm to the touch, which was a good sign. Geralt enjoyed feeling her hands on his body, traveling from his forehead to his cheeks and gently brushing the skin of his leg. He swore the warmth of her fingers was all he needed to make the pain in his body go away. He felt a little more alive with every caress, every accidental touch. The magic of her touch slowly melted the hard layer of ice that had formed around him after a long year of harsh winter, but this time Geralt didn't fight it. He wanted her to do it, he wanted her light to finally allow spring to come. He was done running away from her.

“I'm sorry,” she said in a soft, almost inaudible voice as she changed the bandage on his leg. “I should have done more to help you... I just... I didn't know what to do.”

It took Geralt a few seconds to understand what she was saying, not because of the low volume of her voice, but because he found it incredible to hear the guilt in her words. “You saved me.” He pointed out as if it were obvious and she let out a snort.

“You almost died because of me!”

“I almost died because I was too slow and I got attacked by an unknown creature. I didn't expect you to know what to do, even I wouldn't have known what to do. But you brought me here in time and you keep Ciri safe, that's all that matters.”

The young woman smiled, not as big of a smile as Geralt had hoped, but enough to know that his words did have some sort of effect in easing the guilt that for some reason he didn't understand, she felt for what had happened. “That's nice of you to say.”

“It's the truth.”

“Whatever,” she said as she put away her leather case of ointments and healing potions. When she sat back down on the bed, Geralt noticed she had a nervous look on her face. “I would like to stay here with you and help you get back on your feet. I feel like I owe you that. It wouldn't be for too long, I mean, you had a great recovery so far and I'm sure you'll be alright, but I wouldn't feel right leaving you before I know for sure that you're okay... I know this place is... special, I guess, and that you don't let many outsiders in... and I wouldn't want to intrude, but I just couldn't leave without making sure you're okay.”

Geralt found her nervous rambling adorable. He would like to say that the feeling she felt was unfounded, but after how he had treated her he understood why she would be uncomfortable talking about such a thing. The last time she had made an effort to bring their worlds together he had rejected her. And not only that, but he had completely disappeared from her life for a year. He completely understood her nervousness and felt terrible knowing it was his fault.

“I want you to stay.”

Those simple five words were enough to arouse a sense of joy she had not felt in a long time. Those were the words she had waited all this time to hear, the confirmation that Geralt was willing to share some of his world with her after all. She would be lying if she said she didn't feel somewhat special. She knew that not many people had the privilege of walking through the gates of Kaer Morhen not having been raised there and she felt honored to be one of those few. A small smile tugged at her lips and Geralt knew then that his words had had the desired effect.

“Besides, I think your presence can be a good influence on Ciri. You can help me guide her on the right path and keep her safe.”

“I'll try my best, but I don't know as much about magic as other mages.”

“That's not the only thing you can teach her.” 

Geralt knew very well that she had not been professionally trained. She had never gone to Arethusa to have her talents molded and sharpened, but that wasn't important to him. Geralt valued her for more than her magical abilities, he always had. For him one of her best traits was her personality, her way of facing the world with courage and optimism. She was one of the strongest people he knew, and he wasn't sure she knew it. Ciri needed someone like her, someone who could guide her through the dark shadow of tragedy and loss that clouded her path to reach the side of light. He could give her the tools to defend herself and face her fears, but she could teach Ciri to see the world from another perspective, a more positive and joyful one, something she desperately needed.

“I think it will do her good to have someone like you around.” Geralt smiled, his hand reaching for hers on the blanket. He felt the energy coursing through his body as they touched, her warmth melting the ice around his heart. The atmosphere in the room changed, suddenly more intimate and special. He wanted to tell her that her company was good for him too, but regretted it at the last moment. He didn't want to overwhelm her or sweet-talk her into forgiving him. If she decided to stay by his side, he wanted it to be her own decision.

The moment was cut short when the bedroom door opened, revealing a freshly awakened Ciri. The girl's eyes lit up with joy as they met the figure of a very lucid Geralt sitting up in bed. She uttered his name in an exclamation of surprise and crossed the room in a matter of seconds to throw herself into his arms.

“Careful!” the young woman warned her, “He's still hurt.”

“You were supposed to call me!” Ciri ignored her, choosing to scold her for not waking her up.

“I was just about to come get you.” She laughed, stepping aside so the girl could sit next to Geralt on the bed. “But since you're here, I'll go let Vesemir know Geralt's awake so he can come take a look at him.”

Contrary to popular belief, witchers were capable of feeling human emotions. That was something the young woman already knew, although living in Kaer Morhen surrounded by the last remaining witchers on the continent allowed her to appreciate the degree of emotions they felt. They were a strong brotherhood and cared deeply for each other, as evidenced by the tree of the fallen, as she called it. A place where the medallions of all the witchers who had perished hung, with more being added with each passing winter. But besides that, she learned that they were quite a fun group. Perhaps it was because they were in the safety of their home, resting after long months of hard work, but their attitudes were not at all what she expected. They kept telling jokes and playing tricks on each other, admittedly rather ordinary for her taste in some cases, but they didn't fail to make her laugh.

They were respectful to her —she suspected Geralt had something to do with that—, but still made her feel welcome in their home. She found it interesting to be surrounded by the most intimidating and roughest looking men on the continent and feel as safe as she did in her own home. She was sure that if her first encounter with many of them had occurred outside the walls of Kaer Morhen, her opinion would be different. Just as when she first met Geralt, it was very likely that the imposing figure of the witchers would have intimidated her and it would have taken her a long time to discover that they were actually very nice people. Lambert and Coen were her favorites, their constant bickering always amused her greatly. Although sometimes she had to confront them to make them be nicer to poor Ciri. They were training her along with Geralt just as Vesemir had trained them and it was the woman's job to remind them that she was just a child.

Vesemir was very good to her as well. Not only had he not complained when Geralt announced that she would be staying with them, but he agreed to indulge her curiosity. He let her watch him work on the analysis of the tail of the monster that had attacked them, even asking for her assistance in some things. They did not reach any satisfactory conclusions, but it was interesting to participate in the process. She learned a lot about the witchers and their creation from Vesemir, as well as the elixirs that helped them on the battlefield. He was a very wise man, and she was honored that he trusted her with his knowledge.

However, her favorite thing was seeing Geralt so relaxed and free, laughing with his siblings and acting like a father to Ciri. It was a side of him she didn't know. Of course he laughed and had fun with her when they spent time together in her hut, but that was different. Their encounters were always filled with this... tension in the air, tainted with unspoken feelings and silent longings. It was a constant countdown, the black cloud of reality always near no matter how hard they both tried to ignore it. From the moment Geralt walked through the door of her home, she knew that the clock had started ticking and that the happiness that was invading her at that moment would come to an end sooner or later. But there was no such thing in Kaer Morhen. There was no rush and no time, so Geralt could relax and be himself. And thanks to that she had discovered a much more... playful and joyful side of him. And she loved it.

What she also loved was the nickname that others had for him. The first time someone had called him wolf, she thought she had heard wrong. They were eating at a table all together and the shouting made it hard to even hear Ciri sitting next to her. But the next time it happened there was no noise to block her hearing. She and Geralt were in the kitchen since this time it was his turn to prepare dinner. He had gone hunting in the morning and now he was in charge of skinning the animal for her to cook. She didn't pay much attention to the conversation Geralt had with Vesemir when he appeared in the kitchen, focused on cutting the vegetables for the stew without hurting her fingers. But her ears pricked up when she heard him utter that nickname.

Wolf

The word echoed in her mind for a while, drowning out whatever was going on around her as she cooked. It was a fitting nickname for Geralt now that she thought about it. Everything about him screamed wolf, both externally and internally. Beyond his imposing presence, great hunting skills and impressive agility, he often hid behind a cold and hostile appearance. When he entered a room he could evoke the same fear and respect in people who did not know him that a wild wolf evoked in a traveler who stumbled upon it unexpectedly on his journey. The witchers had a certain reputation among the common people, built on myths and lies long spread across the continent. And while they were not true, Geralt found them convenient. It was easier to travel the world when people feared him —at least, most of the time. But that cold attitude was a sham, a shield protecting who he really was. He liked to present himself as a lone wolf who didn't need anyone, but in reality he cared about people, especially those closest to him. And just like a wolf protecting his pack, Geralt was willing to do anything to care for those he loved the most. Sometimes she thought that was exactly why he decided to stay away from people. He cared too much and that could be terrifying, not only because of the state of vulnerability it left him in, but also because of the degree of atrocities he would be willing to commit to protect his own.

“Wolf, huh?” She muttered as Vesemir left. She discovered she liked the nickname even more as she uttered it aloud. It was sweet and it felt good to finally have something to fight back with when he called her sunshine. “I like it,” she smiled, ”It suits you.”

“How so?” Geralt arched an eyebrow, wiping his hands on a rag before taking a few steps towards her. The woman pushed aside the knife she held in her hands, looking up to stare at the witcher.

“Well, you're imposing and agile as one... you're incredibly observant and great at hunting... and you're willing to fight tooth and nail to protect your own.” She spoke thoughtfully, listing characteristics as they came to mind. Geralt admired her with a slight grimace of amusement, thinking how much he missed having those kinds of conversations with her. “You're like a big scary white wolf who acts all tough but that's all for show, lots of bark and little bite.”

Geralt let out a snort. “It is?” he inquired and she nodded, even though she knew it wasn't technically true. He was quite capable of actually following through on his threats when he made them, but it was much more fun for her to tease him about his soft side.

“Yes! I mean, it took me a couple of weeks to earn your trust and then you were rolling over and showing me your belly like a dog asking for pets.”

Geralt let out a sarcastic laugh, but the truth was he couldn't quite say anything to contradict her. He wished he could wipe the smug smile off her face, but she was right, he had taken a liking to her rather quickly. And worst of all, it had happened without him noticing until it was too late. He became accustomed to her company — to wake up to the sound of her voice and listen to the sweet melody of her laughter— to such an extent that when she was gone the world felt wrong. He could not pinpoint the exact moment he fell in love with her, one day she was a frightened girl asking for his help in the forest and the next she was the ray of sunshine that brightened his days. Just like that, without warning, she had made a place in his heart that she refused to give up no matter how hard he tried to push her away.

“But it's okay, I like that duality.” Her voice snapped him out of his thoughts. “You're my big, scary, but surprisingly gentle white wolf.”

The young woman smiled tenderly as she used her fingers to push a lock of hair away from Geralt's face. It was an unconscious thing, a movement engraved in the memory of her muscles after having done it so many times in their long nights of conversations. When she realized it, she felt the urge to move her hand away, embarrassed by her audacity. Their relationship was in a very gray area, things were not clear at all. She was no longer angry with him, but things between them had not yet returned to normal, so the intimate gesture seemed out of place.

Or at least that's what she thought until she saw the way Geralt leaned over her hand. It was probably an unconscious movement as well, but she used the moment to test the waters. She let her fingers trail along his temple, slowly making their way down to his cheek. She did not dare to look him in the eye, so she focused her gaze on the movement of her hand, admiring the marks and scars that adorned the witcher's skin. She noticed that there were a couple that were new and couldn't help but wonder about the stories behind them. What kind of adventures had he had while he was distanced from her? What monster could have caused those injuries? How had he healed them? Had it been him or maybe it was someone else's work? Had someone else taken her place in the time that had passed?

She didn't like where her thoughts were going, so she covered the marks with her fingers, cradling Geralt's cheek. Then she mustered up the courage and looked up, curious as to what might be going through his mind at that moment. She found the witcher's golden eyes were fixed on her, admiring her with longing and, dare she say it, love. There was a warmth in his gaze that drew her to him. It made her feel seen in a way she hadn't felt since the moment he left. He was the only one who could make her feel that way, so safe, so desired... so loved. And he was the only one she wanted to look at her that way.

She didn't realize how much closer she had gotten to Geralt until she felt his nose brush against hers. His warm breath mingled with hers as it escaped her half-open lips, caressing them with the promise of that long-awaited kiss that never came. She wanted to move, to close the little distance that separated them and finally discover what it would feel like to kiss him, but it was impossible for her to do so. She was trapped under Geralt's intense gaze. Like a moth to the flame, she was lost in the golden glow of his eyes, waiting expectantly for his next move.

But the kiss never came. Only this time it wasn't because she backed down or because he regretted it at the last second as had happened in the past. This time it was Ciri's interruption that broke the moment and forced them apart.

“Lambert sent me to help you because he says you're taking too long so- OH! Sorry, sorry!” The girl blushed upon finding them in such a compromising position. She instinctively backed away, ready to run out the same way she had come, but the woman stopped her.

“It’s fine, Ciri! Stay, please. I’m definitely going to need some help cooking enough food to satisfy those gluttons out there.”

“Come on, focus! I know you can do it.” The woman tried to encourage the girl, who was having trouble generating any kind of magical reaction from the moment they had started the lesson.

She didn't know much about magic outside of healing, so that was her starting point. From what Geralt had told her about Ciri, the girl had much more power than she did, so she figured that teaching her to channel her magic in one aspect gave her enough tools to begin to control other aspects of her powers. She began with easy lessons, remembering the things her mentor had taught her when they were just starting out. She had previously told her about the potions she made and the type of plants she needed for each as a way of easing her way into things. But several lessons ago she had moved on to more complicated things that involved more active use of her powers.

They were sitting in the common room, near the fire. It was a cold day, though that hadn't stopped Ciri from going out to train with her wooden sword. Geralt was the one who had to drag her inside to meet the healer for her magic lessons, and she didn't seem very enthusiastic about it. For that very reason she had given the girl a relatively simple exercise, the same one they had been practicing for two lessons. In a pot was a dried plant. Its stems were still green in some places, but much duller, and the leaves were withering more and more with each passing day. The goal they were working towards was to revive the plant, although she would settle for any kind of progress. The woman remembered that the same exercise had taken her quite some time, so she showed patience to Ciri. But on the other hand, the girl was supposed to have much more power than she did, so she was slightly concerned about the lack of response.

Ciri snorted. “I'm trying! It's not easy.” It was clear that she was frustrated but she had to keep pushing if she wanted to get any kind of reaction from her.

“Not hard enough!”

She was not referring to Ciri's efforts in her lessons, it was clear that she gave everything she could. The problem was that she always arrived tired, if she arrived at all. She wasn't giving her magical training the attention it deserved, preferring the sword and the training ground outside to mastering her natural abilities. She understood it to an extent, it was easier to train the body than the mind, but she needed to see how important it was to learn to manage her powers. Those were the ones that would be with her for the rest of her life, the ones that could save her in a situation of extreme danger, and she needed to know how to use them to her advantage.

“You're focusing too much on learning how to fight when this is just as important.”

“Maybe I am because at least that's where I'm making progress.”

“I know it's hard, Ciri, but you have a responsibility. Your powers are something extraordinary, but you owe it to yourself and everybody around you to learn how to control them.” Her voice was not accusatory or dismissive. On the contrary, she made an effort to sound soft and empathetic. She wanted to make the girl understand the importance of her lessons and knew she would not succeed by making her angry. Besides, she knew very well how frustrating it could be when things didn't go as expected, she had gone through that too when she was the one learning to handle her powers.

However, Ciri didn't take it as kindly as she had hoped. “What do you know about responsibility? You abandoned your own people! At least I'm trying to fight to avenge mine!” The girl raised her voice, jumping up from her seat and giving her mentor an angry look.

“Ciri!” Geralt, who was sitting in the corner of the room fixing his armor, wanted to intervene. However, the woman waved him to stand aside. She understood that it was misplaced anger and didn't need him to jump in for her.

“It’s fine. You are right, Ciri. I abandoned my own people because it wasn’t a safe place for me… or anyone like me, if I’m being honest. It was the hardest decision I ever had to make… Realizing that my own home wasn’t safe for me was heartbreaking, but strangely liberating.” The girl's gaze softened and she resumed her place beside her. “I was trapped in that place, surrounded with people that hated me for who I was, for things I couldn’t control. My own parents thought I was a disgrace… they hid me, silence me, broke my spirits in the hopes I wouldn’t become my great grandmother. And for the longest time I let that get into me. I let them define who I was. I hated myself and my powers because everyone else did… and the more I tried to ignore them, the more I tried to suppress them, the worse they got. I had to learn to let go, to stop focusing on the negative things because it was doing me no good.”

Ciri looked at her with glazed eyes, the anger in her expression slowly morphing into sadness. “How do you do it?” her voice was almost a whisper that broke the woman's heart. She could hear so much pain in those simple words that she couldn't help but reach out to entwine her hand with hers. Suddenly, the girl's inner struggle was evident on her face. She could feel the sadness and weariness that overwhelmed her. She had been through so much at such a young age, it wasn't fair. “I can't let it go.”

“You don't have to… you just have to take control of yourself and stop letting your fear and anger control you.”

“How can I do that when everyone I love is dead… when everywhere I go I bring blood and destruction?”

“You make a choice about who you want to be because you are the only one that has the power to do that, to define yourself.” The woman moved a little closer to Ciri, lightly tightening her grip on her hand in support. “You see, magic is extremely connected to our emotions, to our most instinctive reactions. If you see it as a bad thing, as a burden, a curse… if you see yourself as a monster, a murderer that can only create chaos and destruction, then you are letting your fear define who you are. You are limiting your abilities and the chance to explore your potential.”

“How are you so sure that I'm not… a monster?” 

A tear rolled down Ciri's cheek and the woman was quick to wipe it away with her thumb. She had to hold back her own tears, focusing on being a support for the girl at that moment. But she would be lying if she said she wasn't able to see herself in the frightened eyes of the young princess. She knew that fear very well, she had experienced it firsthand and that's why she wanted to help her overcome it. It was not fair that she was going through it, no one deserved to go through the horrors she had gone through at such a young age. Ciri was alone, homeless, without family, and forced to discover the terrifying foreign world at the same time she was discovering herself. It was an extremely vulnerable position to be in, but the witch would try her best to accompany her every step of the way. She didn't have to go through it all alone.

“Because nobody is born a monster.” The girl said with gentle simplicity, a sweet smile growing at the corner of her lips. “I grew up ashamed of who I was. My parents dreaded the day I was old enough to take over my kingdom. They couldn't wait to hand me over to the first nobleman who seemed competent enough, so that if one day I became unstable and dangerous because of my powers he could stop me from destroying everything they had worked so hard to build... No matter how hard I tried to make things right, they trusted a stranger more than their own daughter. Most of my childhood was clouded by this dark shadow of sadness and loneliness, until I realized that was exactly what they wanted. They wanted me to be afraid, to be alone and ashamed because then they could control me, mold me into whatever they wanted me to be. Choosing something else... choosing to be happy with who I am, choosing to help others and use my powers for good was a decision I had to make... it's a decision I make every morning when I wake up, and it's not an easy one. The easy thing is to be consumed and paralyzed by fear. Seeing the good in life and in yourself is a conscious decision that you have to make. It is one that only you can make, but I promise to be there for you when you need me. You don't have to be alone in this.”

Ciri threw herself into her mentor's arms and she held her tight against her chest for as long as she needed. She buried one hand in the girl's blonde hair and gently rubbed her back with the other until she could no longer feel her sobs against her shoulder. Her eyes searched Geralt's with a worried expression. Ciri had so much bottled up inside her that suddenly the potential danger of her unexplored and uncontrolled magic ceased to worry her. However, when her eyes met the witcher's she found nothing but calm in them. He admired their embrace with a knowing smile and she knew then that he approved of the way she had handled the situation.

Seeing the way Ciri opened up to her, Geralt was glad he had asked for her help. Swallowing his pride had definitely been the right decision. The girl didn't just need protection. She needed guidance, support and an understanding that he, as much as he wanted to, could not give her. But his sweet sunshine could, she was always open to help whoever came to her door. Geralt knew from the start that he had to take Ciri with her, not just because of her knowledge of magic or her empathic abilities, but because she was the one he always turned to when he needed guidance or a reason to keep fighting. She had a way of brightening people up that was unique. He used to think it was part of her nature, her warm, positive personality that was finally able to shine through once she was out of the prison she used to call home. Although after hearing what she told Ciri, he realized that brightening others and making them feel at peace was an effort she made every day precisely because she knew the dangerously cold and dark depths to which the mind could descend when there was no such support.

“You can rest for now, my dear. It's fine, you have done enough for one day.” The sweet voice of his sunshine brought Geralt out of his thoughts. He watched as she patted Ciri's back as the little girl wiped away her tears.

“No, it’s okay. I want to try it one more time.”

“Are you sure? You don’t have to, we can continue the lesson tomorrow after you have a good rest.”

Ciri insisted so she stepped aside to let her proceed. The girl took a couple of deep breaths, trying to calm her emotions as her mentor had taught her. She raised her hands to the plant that withered with each day she failed and closed her eyes. She tried her best to quiet the voices that always echoed in her mind, the ones that scared her and held her back every time magic was mentioned. She erased the images of Cintra in flames, the figure of the dark knight chasing her and the horrors that followed her every time her powers were activated. She replaced those dark visions with her mentor's words of encouragement, repeating them over and over in her mind as a way of convincing herself that all would be well and that she had nothing to fear.

Then she felt a warmth tickling her fingers and heard the gasp of the woman sitting next to her. She opened her eyes instinctively, concern already written in her expression as she looked around for answers —and to make sure she hadn't hurt anyone. The woman smiled at her and motioned with her head to look at the potted plant resting on the table. The plant itself hadn't changed much. It still looked dry and dull, but the stems were a brighter green and some of the leaves had turned from dark orange to an almost greenish yellow.

“You did it!”

“I did it!” Ciri threw herself into her mentor's arms once again, only this time with a big look of happiness on her lips. When she pulled away, she took the pot in her hands to admire her work more closely. “Geralt, look! I did it! I finally did something!”

Geralt joined in the celebrations, giving Ciri a pat on the back and a few words of encouragement to let her know he was proud of her unbreakable spirit. She fit in so well with the rest of the witchers that he was starting to get a little scared. She was as stubborn and broken as most of them. But she was also as hard working and fierce as they were. He could see a lot of himself reflected in her, in fact. She had the same eagerness to go out and prove herself in the real world that both he and his brothers had when they were just starting their training. That same impatience that Vesemir had fought so hard to quell and that reality had finally destroyed. He had to keep an eye on that.

When the moment of euphoria was over, Geralt sent Ciri to rest. “You have done enough for one day” he told her and this time the girl disappeared up the stairs with a smile on her lips, happy to have proven herself.

“I was nice what you said to her.” Geralt spoke once he was sure Ciri could not hear them.

“I just told her what I wish someone would have told me when I was her age.”

“You never told me about it… what your parents did to you.”

“Well... it's a part of my life I don't like to remember often.” She shrugged, leaning her hips back against the table as she stared at a fixed point on the wall in front of her, lost in thought. Geralt admired her delicate profile, and with a heavy heart he wondered what kind of sad memories might be swirling through her mind at that moment. “Although, in a strange way, it made me who I am today, so I guess something good came out of all that shit in the end.” She also thought that thanks to her parents' mistreatment —and her consequent escape— her path had crossed Geralt's and she would always be grateful for that. However, she decided not to mention it.

“Just when I thought I couldn't love you anymore, I discover that your act of rebellion against the world that treated you horribly is to be the kindest, sweetest person on the continent.” Geralt let out a laugh, returning his attention to his half-repaired armor that had been left forgotten on the table. But she remained silent, frozen in place.

Geralt had not thought carefully before speaking —something that happened to him more often than he would like to admit when he was with her. He didn't even realize the implications of his words until it was too late. He just stated a fact, a simple fact that had been on his mind ever since he had overheard her talking to Ciri: finding out that after all the bad things she had been through she was still the sunshine she was, made him love her even more. Geralt had always known that she was a strong and extremely brave woman, but this was the first time he really knew the extent of that strength. He had seen honest men be consumed by resentment and hatred for far less, so the fact that she strove to be a source of light and positivity not only for herself but for everyone who crossed her path was a reason to admire her.

He was so entranced by her that he didn't notice what he said —what he inadvertently admitted— until a few seconds later, when he wondered at her sudden silence. When he looked up, he found her eyes fixed on him. Those beautiful eyes that normally brought him peace, now put his insides in knots. And for the first time in what felt like forever, Geralt was paralyzed. His mind was completely blank, not knowing what to do or say, as he waited for some sign from his sunshine.

“I-” She started to speak, but before she could say anything else the doors to the hall opened, ushering in a group of noisy witchers who had just come in from hunting for dinner.

After the moment was broken, neither she nor Geralt brought up the subject again. They both thought about it countless times, wondering in the nights before bed what would have happened if they hadn't been interrupted. However, they were too afraid to face the situation, so they let the tension linger in the air, increasing with the growing list of unanswered questions.

Another great thing she had discovered about living in Kaer Morhen was that there was a pack of wolves nearby. The first time she had seen them was one afternoon walking around the fortress with Geralt. He hadn't let her get close, of course, claiming it was too dangerous since they were wild animals. That hadn't stopped her at the time and luckily it had never resulted in any injuries, but one never knew when their luck might change.

“That's why you're here,” she had replied, ”you'll save me if they try to eat me.”

“I don't know, will I?” He had joked in his characteristic dry tone. “If you get hurt after my warnings it is entirely on you.”

She snorted and punched him in the arm, though a smile tugged at her lips. “Of course you will! You can't live without me.” She had said that as a joke, but it was much closer to reality than she probably imagined. He was willing to do anything to keep her safe because he truly couldn't live without her. He had tried for a year and had been miserable every second he was away from her.

After having to drag her away from the wolves that day, Geralt really shouldn't have been surprised to find her playing with them weeks later. He knew her and the effect she tended to have on animals, but even so, he found it impressive the way the wolves reacted to her touch. She was sitting on the cold ground covered by a thin layer of snow. Next to her rested an adult wolf who closed his eyes with pleasure every time she stroked his head. In her lap a puppy let her scratch its belly, stretching out on her with every movement of her fingers as if preparing to take a long nap. In the distance the rest of the pack watched the two brave –or foolish— enough to approach a human, making sure they were safe.

She was speaking to them, Geralt could see in the distance that she was moving her lips, and hear the whisper of her voice on the wind, but he could not make out what she was saying —though he could almost imagine it, he had been through a few similar situations with her in the past. He was lost in thought as he admired her playing with the wild animals like they were mere domesticated dogs. A smile formed on his lips as he thought that at least he wasn't the only one completely enraptured by her aura, the entire animal kingdom joined him in that sentiment. Even his own horse loved her more than him. But he understood Roach, she was someone special and he had been lucky to cross her path.

“I see why you like her.” Vesemir's voice startled him, when had he arrived there? “She is a lovely woman.”

“She is indeed.” Geralt agreed without looking away from his princess, who was now laughing in amusement at something the wolf cub in her lap had done.

“Are you sure you're doing the right thing?” The older witcher spoke again and Geralt's brows furrowed in a mixture of confusion and concentration. “Are you sure she is compatible with our way of living... with our life's mission? There's less of us every winter and something big is coming, I know it... I can lose you, wolf.”

Geralt was silent for a moment, contemplating Vesemir's words. The gods knew that he had asked himself that same question multiple times since he had met her. The answer always changed depending on his mood. Sometimes —especially when he spent a lot of time with her in her hut— he was sure that his future was at her side and that nothing could ever keep him away from her. Other times, when the pressures of reality forced him to abandon his fantasies, he recognized that their relationship was complicated at best and impossible at worst. But all that had changed after she was attacked by a Bruxa.

After failing to protect her that time he convinced himself that their relationship should end, not because it was incompatible with his life itself, but because he was too afraid of losing her. The images of that attack had not left his mind in the year he had spent away from her. It plagued his nightmares when he slept and his thoughts when he was awake. He was so horrified at the thought of losing her because he was unable to protect her from danger that he was willing to endure a life of misery just to make sure she was all right. In his experience, missing what could never be was better than mourning the loss of those who were gone and could never come back. So he endured the gray days and sleepless nights, finding comfort in knowing that his princess was safe and sound in her hut, far from the danger he represented.

Geralt had convinced himself that this was for the best because it was the simplest option, the clearest solution to his problem. Keep her safe by staying away from her and wait for the time to pass and help him forget about his feelings. But now he was not so sure. Maybe it was the thrill of being reunited with her after yearning to feel her touch for a year. Or maybe it was the optimism of his sunshine speaking through him, but Geralt was beginning to consider that maybe there was a future for them where neither of them had to suffer. It probably wouldn't be easy, but life's hardships hadn't stopped her before, so why should they stop him?

“We can make it work.” He finally said and for the first time since she had entered his life, Geralt felt a sense of certainty as he spoke those words.

Vesemir didn't answer him, although Geralt didn't give him much time to do so because seconds after those words left his mouth, he was walking towards her. When he approached her, the first thing she did was make excuses for what she was doing, expecting Geralt to scold her for not listening to his warnings. But he wasn't interested in that, he had far more important revelations to share with her.

“I know what you are going to say, it's dangerous and all that, but they came to me for help!” she hurried to say while petting the wolves to make sure Geralt's presence didn't disturb them. “This little one was hurt! I couldn't let him die, he's too adorable and fluffy! I saved his life and now they like me.”

“Do you remember what you told me when I arrived at your home with Ciri?” Geralt ignored her rambling. She looked up from the puppy gently nibbling her fingers to meet his eyes. He wasn't sure if the look of confusion on her face was due to his sudden question or because she didn't know the answer, so he continued speaking. “You wanted to know why it took me so long to come back... I've been thinking a lot about that, especially after hearing you talk to Ciri the other day.”

The woman rose on her feet from the cold ground, leaving the wolf pup next to his brother. “Geralt, what is this about?” she inquired, wide eyes watching him curiously and somewhat warily, like a deer startled by the presence of a noisy stranger.

“All my life, the one I remember at least, I’ve worked towards one goal and one goal alone… kill all monsters on the continent. It’s what I was trained to do and I never questioned it… I never wanted to do anything else, until I met you. What I feel for you…” 

Geralt paused, struggling to find the right words to describe the way his day brightened with her mere presence, how his mood improved if he saw her smile.

“I never felt anything like that before,” he let out a sigh, resigned to the fact that he could never explain in simple words what she made him feel without even realizing it. “That scared me. I was scared of what it could mean for the future, but more importantly, I was terrified of losing you. So I convinced myself that running away from you, from what I felt, was the right thing to do to protect you and keep you safe from all the shit I bring along... Now I know I was just protecting myself. You tried to tell me, but I wasn't ready to listen.”

She took a step toward him, looking up at him with wide eyes that sparkled in the weak winter sun. “Geralt, what are you saying?” She needed to hear him say it. After so much time of feelings left unsaid, she needed to hear the words coming out of his mouth so there would be no more conflicts or misunderstandings. She needed to be sure of what he felt.

“I'm saying I'm sorry... I'm saying I love you and I want you at my side, If you still want me too.”

She replied in the most direct way she could without using words. With a quick step, she closed the distance that separated them and joined her lips to Geralt's. As much as she had longed for that kiss, it was a timid one. Her lips barely brushed his, their noses brushing against each other as they leaned in a soft, intimate caress. She closed her eyes, allowing herself to enjoy the warmth that flooded her body as she felt Geralt reciprocate her kiss immediately. Their lips moved slowly, savoring the moment. It didn't last long, but it was enough to take her breath away.

When they pulled apart, she looked up at Geralt through her eyelashes. She met the amber of his eyes shining in a way she had never seen before. His hand rested on her cheek, calloused fingers caressing the soft skin. It was nothing new, yet the way he was looking at her made her cheeks warm. There was a softness in his eyes that she did not recognize. He admired her as if she were a lost relic, something of priceless value that he couldn't believe he had in front of his eyes.

And in a way, that was true. Even though he had just bared his soul to her. Even though she had kissed him. Even though deep down, he always knew his feelings were reciprocated. Despite everything, Geralt still couldn't believe that a woman as wonderful as her would choose to love him. Of all the people on the continent, of all the places that existed, she loved him and wanted to be by his side. As happy as he was that she did, it didn't feel real. Geralt did not feel worthy of the love of such a good woman, but he was willing to work hard every day of his life so that she would not regret her decision.

Geralt was the one who initiated the second kiss, which was much more confident than the first. His hand remained on her cheek while the other found its place on her waist, holding her close against him. Her lips were soft and warm against his, like a summer morning breeze —just as he had imagined them. When he sucked on her lower lip, she let out the subtlest moan, her hands clinging to his shoulders for support. Geralt became addicted to it instantly, feeling a strange sense of pride at having elicited such a reaction from her. He repeated the action, taking a mental note of the way she reacted to every little movement of his lips. He was desperate to know more about her, to find out the other sounds she made and the various ways her body would respond to his touch, but he restrained himself from deepening the kiss any further. They would have time for that.

“That was...” She tried to speak when they broke apart, her mind clouded with euphoria struggling to find words to describe what that kiss made her feel.

“Late.” Geralt finished for her, resting his forehead on hers.

“I was going to say 'better than I imagined', but 'late' works too.” She let out a chuckle. “So, what now? How do we go on from here?” It was a genuine question she had. She had fantasized many times about this moment —the big confession, the first kiss, the way it would all feel—, but it never got any further. It felt so far away, so impossible, that she had never really spent time thinking beyond happily ever after.

“Well, we can start by getting you out of the cold.” Geralt smiled, finally pulling away from her to start his way back to the fortress. He took her hand and noticed how cold it felt against his own.  “Come on, we need to get you inside so you can warm up.”

She smiled playfully. “Only if you help me.”

I hope you guys liked it! Sorry for the long wait, but it wil probably happen again lol

I have a few ideas for the next part. Without spoiling too much, I think it's time Yen makes an appearance to explain some of the gaps it the timeline when Geralt was away... so, lots of jealousy and angst coming!

BUT I'm not 100% sure of how thing are going to play out, so if you guys have any ideas of things you would like to see in the story (for this next part or future ones!) please drop an ask/message/comment thank youuu ily

[petermorwood]

Interesting post about costume here.

This paragraph in particular caught my attention...

What we think of as “peasant garb” is actually the product of a game of telephone that travels back from Romantic Revival art, and many of those (urban) artists got their idea of what rural peasants wore from opera costumes. The costumers working at the opera were not going out to the country side to take notes on what farmers actually wore, nor did they want to. Opera is show biz, you want it to be evocative, but not ordinary. Their costumes would have been based on what urban folks were wearing, with extra little touches like a shepherds crook to make it look “rural”.

... because it was Wagner's Ring Cycle that gave us horned helmets.

They didn't originate with the Vikings. They originated with the 1876 costume designs for a bunch of operas, and those designs by Carl Emil Doepler still exist.

For reference, all the horny characters are mortals.

Those helmets were probably based on archaeological finds, even though all Northern European examples are, AFAIK and depending on context, either religious headgear equivalent to a bishop's mitre, or ceremonial headgear equivalent to a crown.

In addition, every single one predates the Viking Age by a period ranging from a couple of centuries to a couple of millennia so - makes vague handwave gesture - they're more appropriate for the sorta-kinda mythic Migration Era setting of the Ring than any Vik who ever inged..

Doepler's designs also feature WINGED helmets, worn by immortals like Wotan...

... and the Valkyries.

Something else I encountered when looking for pics to illustrate this was that other clichéd armour error, the boob-plate.

Here's dramatic soprano Karin Branzell wearing one...

...while here's heroic tenor Fritz Vogelstrom also wearing one.

He's singing the role of Siegfried but wearing the costume of Brunnhilde, at least that's how it looks to an operatic Philistine like me.

Anyway...

Winged helmets are even more historically dodgy - no archaeological evidence at all - yet are actually more feasible as working combat helmets.

The difference is that horns, being heavy, need sturdy mountings so a horned helmet both provides catch-points for incoming blows and handles for an enemy to grapple, while a winged helmet does neither. The wings, being light, wouldn't need solid fixtures so would just shear off under a weapon or come off in an enemy's hands.

I'm well aware that other times, places and cultures - Indo-Persia, Poland, Japan etc. - had helmets with wings, horns and all sorts of other stuff, but this is about how the popular image of Vikings that headgear came from opera.

And went all over the place... :->