#i had a few other panels of her i loved on here originally but i restrained myself to just this running gag | Explore Tumblr posts and blogs

felassan · 4 months ago

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Snippets. 🐺💜 DA:TV spoilers under cut.

Kala has heard rumors that there may be merch pins coming of Assan and Manfred [source]

(Previous comment for context - Dev Brenon: "You can sprint, there is also a dash/dodge move you can do for short range mobility - though I don't tend to use that much when exploring.") A user asked on this, "Will it be a push-to-sprint key, a sprint toggle, or other (to be explained later)?". Brenon replied with some more detail on this feature: "Right now it's a pseudo-toggle, you press it once (while moving) to start sprinting and then as long as you keep moving you keep sprinting. If you let got of the movement controls, you stop sprinting." [source: the official BioWare Discord]

User: "if a choice i made 30 hours ago affects me.. best believe im restarting the whole game". Brenon: "Uh oh''. User: "UH OH???". Brenon: "I mean... we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earlier... so... yeah... RIP :P" [source: the official BioWare Discord]

They hope to get a bunch more BioWare-themed emojis for the Discord [source: the official BioWare Discord]

Trick Weekes has been signing DA:TV stuff with "with love and appreciation for your patience" [source]

Carly: "theres so much id love to say, but i unfortunately can't , that being said, i hear y'all and love working on a game for such passionate people and hope y'all enjoy when it does come out 💕" [source]

Actor signing attendees report that it was amazing and that we're in good hands with this acting cast. You can see more photos from it here [source].

Dev signing attendees report that it was packed. You can see another photo from it here [source]. and here is a photo of the sign from it [source]

Another photo of the booth [source]. Sometimes at the booth the devs had a Solas statue [source] (this is done by Dark Horse). I think Dark were also displaying somewhere a Varric and a Cassandra statue too, and I think these were the ones that Dark Horse do too (Varric, Cass), but I can't find the image or video where I originally saw this anymore, sorry >.<

The companion tarot-style art from the website was shown on the big screen at the acting panel [source]

A few more details from the actor panel, from an attendee: John Epler said that this is the best group of companions written because of their relationships with each other, not just Rook. They can become friends, lovers, rivals with each other. Zach thought that Lucanis was the coolest character he gets to play. It sounds like he mentioned Illario [I'm assuming] by name. Lucanis is quick-witted. Neve is a bit of a romantic. Jessica found voice acting freeing as it felt like playing pretend when she was little. In her role, she felt like she could embrace being very powerful. Neve is passionate. On Emmrich, "wisdom, calm to group, warm-hearted, loves learning". Emmrich has some fantastic lines. Along with working with Varric to track down Solas, Harding has also been working with Rook and Neve. Ali talked a lot about how much collaboration there is between BioWare, the actors and the material they're given to work with. Harding has been through some things and has more of an edge to her, but they can't talk about it! [source]

A few more details from the actor panel, from an attendee - Jessica Clark: "A lot of the time, we kind've really all bonded in the way that we were intended to, you know? And that's why we've been so excited all week and all weekend, because we can be like 'oh my god you're here', 'oh my god you're here, you're here, you're here', finally, you know? You know, I know on a lot of projects people are like 'oh yeah, we're all like, we love each other', but we really do, we really really do, and it just evolved so organically, and there was something magical about it just being our voices in the beginning, you know, like, sort've taking anything else out of the [equation.]" [source]

A few more details from the actor panel, from an attendee - Nick Boraine: "I think I've been preparing for Emmrich all my life. I was very attracted to the role initially, and I was so, I was so, I was overjoyed when I got it, because I think it was, the writing of Emmrich is really fascinating, it's this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that, that ability to enable people to transition and the investment that he gives in that sphere, which we don't give in our own lives. I was immediately attracted to that and I thought that that was, I'd never seen that before, so to go in these two ways, to talk about death and to talk about it in a way that is kind, and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too." [source]

A few more details from the actor panel, from an attendee - Zach Mendez: "[before they started shooting] I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don't wanna say nervous, because I don't say I'm nervous, I say I'm excited. And so, before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn't have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really. And when I got home, I thought to myself, 'Zach, did you darkspawn hard enough?' I was just worried. You know, and within an hour I got texts from Jeff, who's a part of this cast as well, and G, telling me what a great job I did, and then I'll never forget, I got a call from Ali Hillis down here, and I'll remember that conversation, because for thirty minutes she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forwards. So thank you, Ali, so much, I still remember that." [source]

[Character limit text break!]

Varric and Manfred: "not romanceable" [source] ?

Neve mostly eats deep-fried fish [source], it makes up the bulk of her diet [source]

Bellara loves pan-fried fish [source]

John on SDCC: "thank you to everyone who came out to the signing. thank you to everyone who came out to the panel. thank you to everyone who said hi, swung by the booth, or otherwise expressed how excited you were about the game. absolutely amazing experience. was wonderful to see you all" [source]

There's a lot of lovely concept art for DA:TV [source]

Trick Weekes: "One of the things I was proudest of was inviting leads from other teams/departments into writing peer reviews and having them later say, "Wow, those critiques went deep, but everyone stayed professional and compassionate the whole time." My junior-most writer knew she could tell me I was wrong." [source]

Violet: "As we get closer to DATV, I just want to send out a reminder Var lath vir suledin 😭" [source]

Derek on the casting department: "They really did an incredible job! Every single one of these folks deliver such amazing performances." [source]

Derek: "a lot of great talent doing awesome stuff from KY nowadays. I count myself extremely lucky that I can work on such an amazing project with such a wonderful team straight from my home state!" [source]

Michael Gamble: "i know a few people on the DA team, and i want them to have a nice time." [source]

User, on the recent word count news: "Sooooo , when will I (we) get to hear all these words". Michael: "hopefully when the game is out." [source]

User, on the news of no microtransactions: "This is great news that I hope survives past the review period". Michael: "it will" [source]

User: "What class have you been playing as in DAV mostly?" Michael: "mage. i light everything up. everything." [source]

DAMP / multiplayer mode is not returning [source]

Ghil: "Im very sorry for the teasing tweet but to be very real, i really miss playing veilguard and to stop THERE and have to wait over a year is killing me tbh. Im bothered. My crops are dying. I am withering. I want to know what happens" [source]

A user asked a question around if there are dialogue options and choices available in the game that indicate a mixed or less favorable positive perspective on Solas. Bria, a Councilmember, shared: "As an Egg Cracker, I was pretty satisfied with what we saw. I don’t want to go into spoilers but I was able to play my Rook the way I wanted when it came to the Sad Egg Man." [source]

User: "would you be able to tell us if you can change your perspective while in a fight? Those circles we saw on the video were kind of hard to see from that angle". Ghil: "Like a bit- no promises but they told us a lot of stuff like that would be in an accessibility feature. I get pretty motion sick so I remember talking about backing it up a bit." [source]

Kala: "The amount of gasping, screaming, @/ElbenherzArt having to lay on the floor, @/hattedhedgehog and @/chaosbria having to stand up from excitement and us just being in shock the whole time. Yeah 🔟 😎" [source]

Kala shared that there are moments in the game that she knows people will freak out about [source], that in terms of marketing, she knows that the devs have more things planned [source], and that she found Bellara endearing, despite not usually vibing with optimistic and energetic characters [source]

Kala shared that she feels that the Lighthouse is way cooler than Skyhold [source]

Also, in early May 2024 Zach appeared on a podcast:

Zach: "I'm very excited because it looks like at the end of this year, the video game that I've been working on for about three or so years is gonna come out, and I'm really excited for that. I'm gonna come back on and I'm gonna promote that, you guys, you will have no choice, I'm coming back on." Host: "Does the video game feature dicks?" Zach: "I can't say too much about it, but it, it doesn't ignore dicks, you know what I mean? It doesn't, you know what, there might be, yeah, there's, it's a sexy video game, it's a hot video game." Host: "So are you a character?" Zach: "I'm a character in the video game." --- Zach: "I'm gonna come back on to promote the hell out of that, because I'm really excited about that. I'm still working on that, and that's been, like, I'm super grateful for that, because that's been going on for like three years and it's been consistent work." --- Zach: "I'm super excited about it [...]" "Other people help you make really amazing things, when humans get together they make pretty stuff, and this game looks amazing"

[source (acting career segment. source link isn't work-appropriate. I don't recommend the podcast)]

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #solas #long post #longpost #cassandra pentaghast #my lady paaldin

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bicth-and-in-that-order · 1 year ago

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Rambling thoughts of various Yuri manga I’ve read

1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima

notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship

If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.

And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.

Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:

Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???

And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.

2. Tamen De Gushi by Tan Jiu

Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀

So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.

However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:

Like go girl give us nothing

If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔

Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;). Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.

Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :

3. Beauty and the Beast Girl by Neji

my personal favorite and the BEST yuri I ever read

So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.

Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.

At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.

Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.

Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.

Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:

There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”

The art says:

And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭

Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.

4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime

Well, at least there are no blondes

So imma just abbreviate to SiL btw

Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.

When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:

Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.

And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:

Girl…yall were “””enemies””” for 10 panels.

Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.

Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.

5. Yamujiburo/Kianamaiart’s Hanamusa webcomic

This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀

So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!

I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!

Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:

(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)

This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.

And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:

no thoughts, head empty

Final Thoughts

Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.

#Yuri #yuri manga #long post #Anime #manga #lgbt #lgbtq+#wlw post #kase san and morning glories #tamen de gushi #beauty and the beast girl #superwomen in love #hanamusashipping

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genericpuff · 3 months ago

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This might be kind of a stupid question, but in total, how many times did Rachel retconned LO? I clearly remember Hypnos being trapped for 10 years and then it getting retconned to "a few days"

Also, Hera, Demeter, Hestia going from friends to sisters

Did something else get retconned…?

UHHHHHHHHHHHHHH-

this question got me thinking so hard i consulted the UnpopularLO crew, here's what we were able to come up with but there are almost definitely more examples:

Melinoe claims she's only been trapped for a few days but this contradicts what Hypnos told us about Kronos using a child deity to overthrow the Underworld in the first place. Unless this just means Persephone showed up just a day or two after everyone fell into a deep sleep, but considering the state of the Underworld when she arrives and other things we're told after the S2 finale, there's no way this is the case.

Speaking of Melinoe, the whole concept of "the interloper" was clearly something Rachel came up with on the fly and didn't have an actual solution to because when we're first told about them, they look nothing like Melinoe:

The weird replacement of Hades' imagined childhood self with Melinoe as a dream child who was actually "always present" throughout the first two seasons. Like, why is Hades so familiar with the ghost child 'checking in on him' if this was some random thing that started happening due to Kronos messing around with the timeline?

The sudden 'reveal' that Ouranos was the one pulling the strings and manipulating Apollo since the very beginning even though that makes zero sense and was completely unnecessary to explaining Apollo's motivations. Apollo himself even constantly flip flops between being some evil mastermind out to get Persephone for a very specific purpose (overthrowing Zeus) and being just a completely oblivious obsessed asshole who doesn't understand consent and actually believes Persephone is in love with him. After all, why would Apollo go on a date with Daphne and then ask her if she'd be willing to cut her hair to look like Persephone's if the goal was to get his hands on Persephone specifically for the purpose of using her powers to overthrow Zeus? How in the world does Daphne factor into that?

Throughout S1 and 2, the gods claim that the mortals are largely disposable and easily replaceable, but then when Persephone causes the plague, suddenly mortals need to be protected because their beliefs and rituals are necessary to sustaining the gods (funny how Hermes bounces between the mortals being necessary to save at all costs but also just inconvenient to live without, like which is it lmao):

The whole "plan" to overthrow Kronos bouncing between being Hera's idea and being Zeus' idea. Rachel just couldn't seem to decide if she wanted a strong female character like Hera to be a victim manipulated into abuse or willingly choosing to put herself in harm's way for the "greater good". IIRC it's written out in the end that Hera and Zeus couldn't even remember who came up with the plan first (but don't quote me on that, I need to find the panels, they do stick out in my mind but I don't know which episode they're specifically from)

The reveal that Hera was the missing fertility goddess depicted on the mural when the original reveal of the mural looks nothing like how it looks later in the flashback sequences. This is the same as the Interloper problem where Rachel was clearly grasping at setting up some kind of mystery box that she didn't know the contents of.

The reveal that Zeus and Metis had a relationship which is what allowed him to use her powers in the first place (because within that same episode Rachel revealed that a bond of love was necessary to using them, but then clearly realized that meant Zeus and Metis had to be in love)

Zeus consuming Metis was changed into some plan to "protect Hera" from being used as a fertility goddess power battery, but then Zeus just went ahead and slowly drained Hera of her powers anyways.

Metis becoming a star after being eaten by Zeus because reasons.

The text messages from Leuce and Hades were retroactively changed into a "manifestation board", probably to absolve Hades of "fooling around" while Persephone was trapped in the Mortal Realm, but all at the expense of a woman who was now retconned into being delusional just for the sake of strengthening the main ship and giving Persephone someone to bully.

The reveal during the trial that Eris was the cause of Persephone's wrath when there was literally zero reason for that to be the case.

The reveal during the trial that Thanatos was actually Hades' adopted son, which really doesn't look good on Hades considering how much of a dick he was to Thanatos throughout the entirety of the first two seasons without any impression given that they might have a canon father-son dynamic.

Apollo and Artemis WEREN'T originally going to be children of Zeus in LO, as Rachel didn't want to create any possibilities for incest within the messy family tree of the Greek gods, but then she decided to make them the children of Zeus anyways as a "plot twist" which is really silly considering 1.) most people would assume they're Zeus' children anyways due to being his children in the myths, and 2.) she still designed them to look just like Zeus.

The subtle but very present SA retcon. This one's so egregious and in-depth I wrote an entire essay about it.

Minthe was originally written with BPD which Rachel decided to "move away from", probably because she realized how shitty it made her look to give BPD to the one character she was pitting the audience against as the "mean other girl" who we all knew was eventually going to be turned into a plant.

Edited panels and changes in the physical books. This is unfortunately not something that I can fully document here, I'm planning on making an actual dedicated post for it, but people have caught changes both in the webtoon version of the comic AND the physical prints that point to Rachel trying to quietly retcon things in the wake of her own bad writing, one of which is present in that aforementioned SA erasure essay in which a scene was added to make Persephone seem more sympathetic towards Apollo. That said, there's also a scene in the trial arc that was changed in the webtoon version, in which Rachel retconned Eris' dialogue from revealing that Hades was the reason Demeter wasn't queen of the mortal realm to reminding her that Hades was the reason (because obv later on we'd get a flashback sequence showing us what happened between Demeter and Hades, which implied that Demeter knew all along what Hades did because he did it right in front of her):

(isn't it funny-weird how Persephone never asks about this despite being in the courtroom when Eris mentions this?)

There are almost DEFINITELY more examples of Rachel absentmindedly and/or intentionally retconning things throughout LO, but that's what we were all able to come up with and should at least get the gears moving in our heads when thinking about other instances of it throughout the comic. Granted, some of these are arguably less 'retcons' and more so just logical inconsistencies / plotholes / etc. but they all still point towards Rachel doing a very bad job at keeping track of her own comic's narrative, its characters, and its twists, even in spite of having multiple other people working for her who all seem to enjoy LO (including heyitsjaki, who is also a webcomic creator), an editor with a background in television writing, and a massive and dedicated fanbase that actively keeps track of her story and its themes arguably more than she does. At that point it feels less "oopsie daisy!" and more just deadass not giving a shit. I don't want to accuse her of intentionally doing this, but it's like she knows her fanbase will just go with whatever she tells them even when it doesn't align with other things she's told them or make sense within the overall narrative - and she'll still be rewarded with Eisner awards regardless - so she doesn't bother to actually try when it comes to the writing, it's just about meeting that panel quota and giving people more H x P fluff.

The simpler answer though, even outside LO, is that Rachel just can't write.

#ask me anything #ama #anon ama #anon ask me anything #lore olympus critical #lo critical #anti lore olympus

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gyusimp · 3 months ago

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OMG I saw you write for Kenji Sato omg can I request one where instead of the reader being Kenji’s manager the roles are switched? :DD

Reader is a women’s baseball player (basically kenji but its the reader right?) and Kenji is her (private) manager that doesn’t have a social media presence so one day when they get seen together the media assume they’re dating but in reality they’re not(?) hehe I also feel like it would be way more interesting if you added your own twist to how to end it 🤭

𝑨𝒔𝒔𝒊𝒔𝒕𝒂𝒏𝒕 𝑲𝒆𝒏𝒋𝒊 𝒙 𝑩𝒂𝒔𝒆𝒃𝒂𝒍𝒍 𝒑𝒍𝒂𝒚𝒆𝒓 𝑹𝒆𝒂𝒅𝒆𝒓 [ᔆʷⁱᵗᶜʰ ʳᵒˡᵉˢ ᴬᵁ | ᴼⁿᵉ⁻ᔆʰᵒᵗ ] 3.7k words

In the end I ended up making Kenji your assistant instead of your manager lol I hope you don't mind. Btw, this AU was so fun to write! I had a lot of ideas with the original plot of the movie so the one-shot was getting so long that I had to think about making a second part for it. I hope you like it! ❤

You were in your dressing room, touching up your hair and makeup before the press conference that started in 30 minutes. Nothing out of the ordinary, just a few questions after having won the last game thanks to you, scoring a homerun in the last minutes to give your team the victory.

“It’s time, you better go take a seat.” It was Kenji, your assistant who told you, peeking through the door before knocking, holding his cell phone in his hand.

“Ok, I’ll be right there.” You put your phone aside and stood up to go to the room where all the press was, the camera flashes shining on your face as you greeted everyone with a confident and flirtatious smile before taking a seat in front of a back panel full of logos and a table with several microphones pointed at you next to a small table tent with your name written on it and the logo of the team you are part of.

The night and the conference went by smoothly and normally, confidently answering each of the questions about your profession and a few jokes with the interviewers. A woman stood up from her seat to greet you, introducing herself with the name of the company she worked for. “Can I ask you a few questions?”

“Sure, go ahead.” You smiled as the girl adjusted her glasses before reading her notes and speaking. “Everyone here is talking about the success of your latest game but I would like to know something more personal about you.”

“Ok, what is your name?” To which the woman replied as Ami Wakita. You didn’t see anything wrong with her comment, people usually ask you questions about personal things like a hobby, beauty secrets or the like. “You’ve been seen very close to the same boy lately, but he’s not just any boy but your assistant Mr. Sato. Is there something more between you two than just a mere work relationship?”

Everyone was talking in the background, pointing out that this wasn’t the time for gossip and other comments until they noticed your expression and delayed response to the question. Your expression turned serious and slightly irritated, you took the bottle of cold water in front of you and drank from it to wash away that bitter feeling in your mouth.

“Ms. Wakita, no? I would love to answer your question but I’m afraid I have another event to attend to right now. It was a pleasure being able to talk to all of you.” You said with a fake smile for the general public as you finished, to stand up and say goodbye to everyone present.

The hustle and bustle of the people was heard less and less until it almost completely disappeared through the hallways until you reached your dressing room and met your assistant Kenji again, you took your things and both returned to your large house away from the rest of the city.

“Hey, everything okay? You seem a little upset since the conference ended” Kenji said, sitting on the couch next to you, handing you a canned drink.

“Yeah, just some people and their out of place questions, you know.” He nodded in response as he took a sip from his can. “I see… well, don’t pay attention to them. They’re always like that, right? Maybe they do it just to annoy you.”

“Yeah, maybe.” You stretched out on the couch and then stood up. “I’m tired, I think I’ll go to sleep. Could you remind me of my schedule for tomorrow?”

“Sure.” Kenji took the iPad next to him on the couch to check your chores for tomorrow while leaving the can on the couch coaster. “You have training from 9:00 - 11:00 am then at 3:00 pm meeting with your trainer, another meeting from 4:00 - 5:30 pm to sign your endorsement contracts with Maybelline…”

“Wow! That means free makeup?” you commented excitedly.

“Maybe, that happened with the last campaign, right?”

“Yeah, I hope it happens again. I could use some waterproof foundation or something. That’s all?”

“No, you have one last interview at 6:00 pm at Ami Wakita’s house.”

“Her name sound familiar, where is she from?”

“She works for a sports channel, but her name also appears in the attendees of this afternoon’s press conference. I didn’t get to see you today, did you talk to her or something?” Ken asked seeing the look of disinterest on your face.

“Damn…something like that. Actually, she was the one with the awkward questions. Can’t we cancel?”

Kenji checked a few things and then shook his head. “I don’t think so, she had already requested to speak with you several weeks in advance.” Kenji’s words discouraged you but the commitment was already scheduled and you had no other option.

You went to sleep hoping that the next day it would be easier for you to think about going but as the day went by you realized that you longed for the hours to pass more slowly so you wouldn’t have to go. Kenji accompanied you to the last meeting with the sponsors and when it was over you told him he could go home after having done so much for you, which he wasn’t sure about at first but after your insistence he ended up accepting. You arranged to attend the interview with the woman at the press conference at her house, you wondered why it would be at her house and not a different place like a set or studio at her workplace.

Did she want to ask you more strange questions or continue to insist on the last topic? Thinking about that made you a little nervous, about the reasons why you could be related to Kenji in that way. Your assistant wasn't a public figure unlike you, just a normal boy a few years older than you who came to Tokyo a few years ago to help his father with some family matters and get a new job while he wasn't busy with it. He doesn't even use social media much but being the personal assistant of a celebrity, it's impossible for him to go completely unnoticed. Besides, it's been a few years since he works for you, years where he has shown himself to be a trustworthy, friendly, kind and very considerate person, it's incredible the way your whole life is in perfect condition and safety in the hands of that man, making both of you become very close friends over time and even making you develop other kinds of feelings for him.

Both of you became so close that you even offered him to move into your spacious house after seeing the constant arguments with his father. It’s normal for both of you to be seen together in public, whether it’s just doing his work by your side or having a drink together after a tiring day, but that didn’t mean anything else. The guy doesn’t even know you’re attracted to him and now the media wants to tell him and make up stories before you can even say anything? Never. It was time for the interview so you decided to arrive about 10 minutes early so you could leave faster.

“Good evening, thank you very much for coming.” Ami greeted you. “Please have a seat.” You sat at a small table in front of her in the living room of her house. Your first impression with her had been bad yesterday, you didn’t like at all her way of invading you in front of everyone asking questions unrelated to the topic so now you could say you were a little in boss bitch mode but not so happy. You limited yourself to a simple greeting and kept your sunglasses on. “Well, I have some questions,” she said, taking her cell phone. “Do you mind if I record?”

“Not at all, go ahead.” You said, expression neutral but very nervous deep down as the woman spoke.

It was more random topics at first to get comfortable, comments about your games and such until the topic of talking in confidence between two girls came up. “Well, I guess you didn’t answer my question the other night,” she smiled, searching for answers. “Is it possible that you could answer now?”

“Again with that…” Your head tilted slightly and you sighed tiredly. “Ms. Wakita, aren’t you supposed to work for a sports network?”

“Yes, that’s correct.”

“Then why don’t you ask questions that fall into that category?”

“I thought you liked talking about yourself.”

“I like talking about myself, however, I only tend to do so in the right place with the right people,” you replied, leaning out of your seat to look at her over your sunglasses. Letting a brief silence settle in as her phone counted down the seconds of the recording. Her expression grew more serious, however, you continued talking. “Listen, I’m one of the best female baseball players alive in my age range right now. There are thousands of questions to ask an athlete of my level but despite that, you prefer to continue with the same subject as if we were in high school. I'm a professional and I think your questions should start being one too, don’t you think?”

You smiled sideways and adjusted your glasses on your head. You stood up and thanked her for the gesture of having invited you directly to her house while you began to walk out and go home in your car.

“I’m going home” you wrote a text message to Ken before starting the engine and driving. Not even 2 minutes had passed when you received a call from Kenji, you answered putting the call on speaker so you could talk while driving.

“Wow, that was fast. Everything in order?”

“Neither good nor bad, but please say no to anything that is related to talking to that woman again, understand?” You joked with Kenji to which he also laughed telling you that he would take it into account for future occasions. “Hey, do you have plans for tonight or are you already dressed in your pajamas?” He laughed again, making your smile curve further.

“I was thinking we could order something to eat since your plans changed,” Kenji suggested.

“How about I pick you up and we go get something to eat?”

“Are you sure? Aren’t you tired?”

“It’s Friday Ken. Get ready, I’ll pick you up in 20,” you told him before hanging up the call. Talking to Kenji made you feel a lot better, even downplaying the interview from a while ago.

You went to your house where Kenji was waiting for you at the entrance, got in your car and drove to a nice place to hang out with him. You loved hanging out with him, being able to talk and laugh by his side was so relaxing and always made you feel good. Now at dinner, it’s like all the tiredness you carried was slowly fading away as the two of you talked, that was the effect Ken always had on you. After your little date, you returned home to rest, tomorrow there weren’t many things to do so you could both sleep later.

Saturday’s rest had been worth it, today you had a game to play and you were already in the locker room, getting ready to go out onto the field where you would be greeted by a crowd excited about today’s game. “Hey girl, I didn’t know you two were dating!” It was the voice of one of your teammates. Her tone wasn’t mocking but rather surprised, like a friend happy to see you in a relationship.

You looked at her confused as she showed you a news story that was trending in searches. It was a picture of you and Kenji at that restaurant the other night, along with a headline speculating about a love affair between the female baseball star and his assistant. Your mouth was agape.

“No! We-we’re not-” You were about to clear things up when you were interrupted by your coach, indicating that it was your turn to go out and play. You were upset, confused, and nervous. This couldn’t have happened at a worse time. Right about to go out onto the field, with millions of eyes on you both in person and through the televisions while Kenji Sato was the only thing going through your head. You grabbed the bat almost automatically and positioned yourself on the base to get ready to hit.

What would Kenji say about all this? Had he seen it already? He likes to keep a low profile and now he’d be on everyone’s lips along with you. Would he be upset? Would he ask you for a break? Or much worse. Would he quit?

Strike 1

You didn’t see the ball go past you, wondering who could have gotten those pictures. Wasn’t it a more private place? They’re supposed to guarantee that privacy when the prices for that place cost a fortune.

Strike 2

They sold those pictures to the media? That was for sure. How did they do it so fast? Would you just have to ignore all of that or come out and deny it? What if hypothetically Kenji secretly liked all of this and denying everything disillusioned him? You looked ahead as you heard your coach’s voice and the sound of the crowd, just in time before the ball was thrown again.

You adjusted your feet, held the bat tightly while keeping your eyes on your target as you then swung with all your might, scoring a perfect homerun. You threw the bat in another direction and began running towards the other bases as fast as you could. The crowd was cheering you on, but you noticed how the screams of excitement were starting to sound different and all the screens turned the atmosphere in the stadium red, announcing a kaiju alert in the city. You stopped in the middle of the field not knowing what to do when everyone started running and getting up after a helicopter almost collided with the gigantic creature that appeared in the back of the stadium, making the ground rumble with the roar it let out from its throat.

You decided to run in the opposite direction and return to your team in the locker room, where the security guards would take them to a safer place. You quickly grabbed your things and grabbed your cell phone to watch the news while you walked with your briefcase on your shoulder. Fortunately, Ultraman was already at the site near the stadium, surely everything would be under control with his presence. Suddenly Kenji came to your mind, most likely he was on his way to pick you up after tonight's game. Without thinking twice, you dialed his phone number.

“Kenji, you have some calls” said Mina, the AI that her father had given him a few months ago after making some improvements to her. Your name was displayed in her database every time he received a call from your number. “Do you want me to answer?”

“No, I’m kind of busy right now Mina. I’ll talk to her later.” You were moved to another safer part of the stadium after seeing that Ultraman had managed to take Gigantron to another part far from the city with the KDF.

You tried to call Kenji again but you still didn’t get a response and when the alerts were deactivated after a while you didn’t hesitate twice to go look for him yourself. Almost 3 hours had passed and you weren’t going to wait any longer but just in case, you called Kenji again while you were walking outside the stadium.

“Yes?”

“Kenji! I’m so relieved to hear you, are you okay? Nothing happened to you? There was a kaiju very close to here and you weren’t answering my calls!”

“Yes, yes. I’m fine, calm down. I was just leaving the house to go get you. Where are you?”

“Leaving the stadium, I’m going to where you are?”

“No, just stay where you are. I’ll be there, send me your location okay? I’ll see you in a bit.”

“Ok, thanks. Be careful okay?” A lot of things had happened in these hours, too many things.

Kenji was sure that he would lose his job tonight, what other reaction if not firing him would you have when you saw that he locked a baby kaiju without your permission inside your house and now it was living in your basement? He was very nervous and needed to think of a surprising excuse for all this. The baby kaiju appeared next to her mother and he had to lock her in here? Or maybe… not. Nothing was justifiable, each excuse he thought sounded more stupid than the last. For now, he took it upon himself to pick you up and go home hoping that Mina had managed to calm her down in the meantime. As a last option he would call his father but only if it was really necessary.

Both of you entered your house, you didn’t stop talking and Ken’s nerves increased with every sound coming from inside the house, hoping that it wasn’t the baby who had woken up.

“Damn today was an exhausting day. I’ll be upstairs taking a bath” you told him, going up the stairs to your room. Ken knew that you took things seriously when you decided to relax.

You turned up the music in the bathroom and closed the door for hours to do your skincare, hair and whatever routine before taking a bath with warm water and filling the bathtub with things. You would be distracted for a while and that would give him time to go down to the basement and think of a solution before you noticed the giant pink lizard inside your house. Ken stood in the middle of the living room, shouting your name over and over again trying to get your attention as a test in case you heard something but he got no response, he could simply hear your voice singing in the distance along with your favorite playlist which gave him the confidence to go down.

“Ken, it’s good that you’re back” Mina said, just showing him that the baby had just woken up almost 20 minutes ago.

“And this!?” Inside the containment unit there was a whole mess of food thrown on the floor, food that you had bought that you would surely deduct from his salary for having wasted it in his games of being a kaiju’s mother. “Mina, I told you to try something little by little so that she would eat.”

“I did, but she rejected each thing in the end.”

The baby was desperate, she moved her little legs demanding something to eat until her attention was fixed on something else. Some fish around on the other side of the glass made her look at them anxiously, indicating what she want to eat. “Do you want fish? “Okay, I’ll get you some fish.”

It didn’t take any effort for Kenji other than turning into Ultraman to go out and get a good amount of fish to feed the baby. You were upstairs in the bathroom, you continued singing inside the bathroom after having taken a shower. You found yourself sitting in front of the mirror of your vanity, a towel wrapped around your body and another around your hair while you put some products on your face. You let your hair down, you let it down and combed it after moisturizing it, now you only needed the hairdryer but you couldn’t find it anywhere. You searched the shelves, the furniture and sliding doors but it wasn’t there, suddenly you remembered having used it with Kenji to dry his hair for the last time, after he was caught in the rain one night where he had to go out to take care of something after his watch made a strange sound. You took off the towel from your body, put on your underwear and a sleeveless nightgown before putting a thicker robe over your body and tying it around your waist and searched for Kenji all over the house without finding him either until you heard his voice coming from the basement. It turns out that you found the dryer while looking for him around the house but you still wanted to know what he was doing. It wasn't common for him to be alone downstairs, there wasn't much to do there.

"There you go, eat as much as you want" Kenji said, still as Ultraman. Opening the lid of the containment unit to empty several kilos of fish into it to feed the baby who began to eat happily. "Do you think that's enough?"

"We hope so" Mina replied.

Kenji sighed in relief and returned to his usual height in less than 1 second. His figure jumped slightly when he heard a noise of something falling. He turned around and there you were, having dropped the dryer on the floor causing it to break as you watched in amazement as the approximately 40 meter tall hero of Tokyo was in your basement, it was your assistant and friend Kenji Sato and also, he was feeding a kaiju.

Let me know what do u think and if you'd like a Part two! Also, if u want to be tagged in Part 02 too when i post it 😁

#ken sato x reader #kenji sato x reader #kenji sato #ultraman rising #ultraman netflix #ultraman ken #ultraman #ken sato #kenjisato #kenji x reader #kenji sato x you #kenji sato x y/n

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your-name-is-jim · 1 year ago

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TOS fans, you may want to read this comic series!

Sooo I recently read this series of comics called Star Trek: Year Five, published in 2019-2021 by IDW Publishing; I heard it was good, but I didn't expect it to be that good!

If you haven't read it, I suggest to check it out! (it's also not hard to find it if you get what I mean)

The art overall is great and, more importantly, the characters act like themselves and there are several references to their canon backgrounds, past and future experiences! What I absolutely loved was also seeing a lot of "old faces" from TOS show, as well as mentions of events from the series and the movies.

As the title suggests, the story takes place during the last year of Kirk's five-year mission on the Enterprise. I'd like to tell you more, but I enjoyed the surprise of a lot of things I didn't expect, so first of all I'll post a few pics without major spoilers from the first 11 issues (there are 25, so you still have a lot to discover!):

I especially love how Bones and Sulu are drawn, they really look like them! Scotty and Uhura too, but that depends on the artist. Speaking of them, if you like a little Scotty/Uhura, this series has something good about it!

The joke about Kirk thinking there's something strange with the way the Klingons look now cracked me up. LOL

Also, I'm not sure Chapel would call McCoy "Bones", but she is very right in that panel. :)

The last panel is classical James T. Kirk's ass appreciation lol

Sulu has a love story with an alien who doesn't understand human genders and uses they/them pronouns. As someone who headcanons TOS Sulu as attracted to any gender, that was great to see :D

I'm also posting this "end-of-the-episode" panel because it's just perfection. TOS in a nutshell. Aww, look at Kirk and Spock just looking at each other! <3

I must say, you may be a little disappointed if you expect to see many moments with Kirk and Spock together, BUT the scenes they have together are really good! I won't say anything more, just read until the end and you'll see! :D

By the way, this series has a Valentine's Day extra, which is the only part where Kirk has a love interest (a female original character). Yeah, you heard me: in the main story, Kirk doesn't have new romances with anyone; Sulu is the one who gets all the action! ;)

The Valentine's Day issue is not linked to anything else and I don't think Kirk's female love interest is mentioned outside that story, so you can easily skip it if it's not for you. However, even if I can't say I'm especially happy with that story, I personally found something interesting there, for example this:

I think I saw this out of context once, but I didn't know where it was from, so sorry I'm just going to lose my mind thinking about ladies or GENTLEMEN in Kirk's life and Kirk not correcting her about his sexual preferences. Anyway, I might make a separate post someday about this special from a Kirk/Spock shipper's perspective, because I do have a lot of thoughts about it :)

So, if you haven't read Star Trek: Year Five, I hope I convinced you to check it out! I hadn't been lucky with other Star Trek comics before, so I had almost lost hope to find something good… and then here it was! Something that made me feel like it was really written with a lot of love for The Original Series! I really needed it!

If you decide to give it a try, I'd love to see your thoughts and see your favorite parts! I hope you enjoyed this little review. :)

#star trek comics #star trek the original series #star trek tos #star trek: year five #idw publishing #james t. kirk #spock #leonard mccoy #montgomery scott #nyota uhura #hikaru sulu #pavel chekov #star trek year five

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darkdemeter · 11 months ago

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Y/N “WOLFIE’S” PANEL

—- not my gifs, credit to original posters! -—

(Platonic) Avengers cast x GN/Female/Male Reader Feat. on the panel: Elizabeth Olsen, Chris Evans, Sebastian Stan, Anthony Mackie & Robert Downey Jr.

A/N — So this was delayed at first because I'd kinda gotten second thoughts, then did a bit of research (just watched some of the cast in interviews and stuff). And then I thought "fuck it, write it." So I did just that. Though I'm not counting on this being "top tier" and very well may be the only time I do this sorta thing. Because I have come to realise when writing this... I CANNOT write celebrities, so great kudos to those who can, and also they make it look so easy!

WORD COUNT — 1.7k

READER DISCRETION — Nothing that should be potentially triggering— maybe slight insecure reader? Nothing really, just that little "did I do good?" y'know? — just Y/N with the avengers cast— Y/N being a little blushing, embarrassed mess

SUMMARY— You meet your fellow cast members on the panel for Comic Con, the debut for the final instalment to Habits of Mother Nature's Will releasing that weekend at the premiere.

You can read the columns here — HABITS OF MOTHER NATURE'S WILL HABITS OF MOTHER NATURE'S WILL II HABITS OF MOTHER NATURE'S WILL II: AFTERMATH

You never thought you would hear anything louder than the sound of applauding fans and cheers as your name was announced by the panel moderator.

You swaggered onto the stage, your outfit was casual but styled in a way that could pass for formal dress easily. Your hair styled to what you favoured most.

You raised your arm up and waved to the crowd who roared with such vigour, you silently admitted to yourself it was a tad bit intimidating. But you were excited for this panel. To be beside your cast members who you had bonded with over the course of production, and to finally meet those who loved the project as well.

The Avengers series had been a cinematic hit and when you signed the contract, had anyone told you that the three part short series would have been a major hit for audiences, you would have scoffed.

Your co-stars each turned and greeted you with grins as they waved you over. “There they are!” Chris announced into his microphone with a wide grin.

You were assigned to sit between Lizzie and Chris. Anthony sat on Lizzie’s other side.

“Where you been, Y/N? We missed you,” Anthony questioned you with a pout, hands forming a heart over his chest. You chuckled and held up your other hand that held a cup of coffee.

“I needed my fix, leave me alone,” you grumbled. Lizzie squeezed your shoulder lightly with a shake of her head, ushering the others to stop picking on you.

“And you didn’t bring me one,” Anthony tutted and Seb called after him, “the betrayal.”

The crowd laughed and cheered.

“So we were just about to get to the fans' questions, Y/N, and I don’t doubt a lot of them have questions about your character in particular,” the moderator said to you and you nodded.

“Prepare yourself for marriage proposals, Y/N. There is always at least ten for each of us,” Robert said, his voice deep and calm over the mic system.

Your face went bright red. “Well…” you wanted to swear out of habit, but you held your tongue, your head fell forward. “Dammit.”

More laughs came from the audience. The microphone was set up and any fans who had questions were directed to stand in the queue.

The first fan was a young woman, probably about college age. You leaned forward, your arms folded on the table and made your clothes pull against your frame and you looked intensely focused on the fan. Engaged with what they had to say.

The very act made quite a few people swoon and scream, only your eyes flickered to your cast mates with a raised brow.

“I think the proposals have increased quite a bit now,” Chris said with a smirk. It didn’t help relieve the flush in your face when a few whistles of agreement followed his statement.

The girl giggled nervously into the mic in front of her and you refocused your attention on her. “Hi,” she said through her giggles and you nodded, hand lifting slightly to wave.

“Hey, how are you?” you asked and she nodded, “good thank you. I just want to say personally I’m a huge fan of the character, C/N, and I just wanted to ask you how you felt when you got the role to portray them?”

You raised your brows under the weight of the question. You smiled and thanked her for the question. “Hmm, well, I’m not gonna lie it felt scary that I wouldn’t be able to portray the character, but the script writer and director - along with my cast members - they really helped me where I felt I lacked in providing the performance that C/N would. So yeah, thank you for that question, and I’m glad you enjoyed my take on the character, other than that it was a lot of fun.”

She beamed from ear to ear and nodded eagerly. She thanked you profusely and expressed her excitement to see Aftermath in cinemas. Elizabeth patted your hand with a smile. “You did good,” she uttered away from the microphone and you nodded in thanks.

Another fan walked up and greeted the cast. “So I want to know, who would win in a fight against each other: Bucky or C/N?”

“Uh, the correct answer, obviously, would be Ironman.” Robert’s interjection made the crowd fall into a frenzy of hysterics. You grinned, the act natural and your own that you made signature component for your character.

“Remember who killed your parents,” Sebastian taunted and Robert smirked down the table his way. “Uh,” Sebastian began as he leaned back in thought for a moment, “I kinda want to say Bucky. I don’t think C/N could bring themselves to hurt him. So I think he’d use that to his advantage.”

When the fan inquired about your opinion, you shrugged with a tsk. “I think C/N would only win if someone hurt Wanda.” Your answer made the fans giddy, the uproar of cheers enough to bring the roof down like an earthquake.

“I have to say that the fight sequence was so intense, I was on the edge of my seat the entire time. The cinema I was in was in such a state, I thought it was gonna get shut down,” the next fan began with a giggle. You and your fellow co-stars couldn’t help but chuckle and smile. It really did make you happy to know that you had done well to provide fans with such excitement. The Avenger films were great and adored by the fanbase, your only wish was that you wouldn’t let the dedicated members of the production and the fans down.

“The fight choreography was brilliant and I wanted to ask what you could share about what went on behind the scenes? Like, how was all of that done?”

Oh, that was a loaded question. “Well…,” you chuckled, “let me first tell you that the entirety of my character fighting in their ‘wolf form’ was me. I did all the motion capture for that–” The room was filled with applaus. “Thank you. Yeah, my stunt double thought it would be funny to visit their family overseas and leave me to do all the motion capture. So I have them to thank for the harness that was riding my ass for the next couple of days,” you answered, though everyone could tell you only meant to tease, that you didn’t mean anything ill about it all.

The experience of doing all the intense choreography was actually one of the most fun aspects you’d ever done in any of your productions thus far.

Anthony laughed into his mic then. “I kid you not, we all have a video around twenty minutes long of Y/N doing the motion capture from the gag reel. And it’s hilarious,” he sighed at the end and earnt a laugh from the crowd.

“It wasn’t easy, man,” you whined, “but– but when I had to do scenes that required a more realistic build, I was saved the embarrassment and actually we had my dog, D/N, do all the motion capture for that.”

A photo of your German Shepherd appeared on the screen above, your arms encircled around them, their head tilted and long tongue hung from their mouth.

“They’re so cute!” a fan in the crowd shouted and you chuckled. “Damn adorable, I love them. I had to be on guard, I was scared Chris would take them home.”

Chris leaned over in his seat, hand slapped to his chest with a toothy grin as he cackled to himself. “I love that dog so much, what can I say?”

The fan thanked you for your time and walked back to their seat. The next fans were two girls, again around the age of college students walked up together. “Hi!” one of them greeted and the other looked incredibly shy, her friend held her close around the shoulders.

“Hey there, how are you?” you asked again. You always asked how the fans were, a habit that was just natural. Human. Kind.

“We’re good thanks. Uh, so this is my friend, Taylor,” she said and indicated to the other girl next to her. She waved and mumbled a meek hello into the mic. Your cheeks folded out into a smile, adoring the girl’s shyness. It was adorable. “And it’s her birthday and I want to ask if you could give her a little birthday present as your character, C/N, please? And with a cherry on top, add your wolf voice?”

Your tongue danced over your teeth as fans left, right and centre cheered and hollered. You could tell it was as much wanted by them as the fans asking for it themselves. “Just out of curiosity, who else is here for their birthday?” you asked and quite a large amount clapped in answer, a view yelled their response.

“Okay, so you can consider this a gift to you guys as well.” You sat forward and rolled your shoulders, getting into the mind of your character.

“Happy Birthday, Taylor.” You stopped to let the fans burn out their screams before you continued. “Told you, marriage proposals all of them,” Robert commented just as you went to speak and you broke out of character for a moment, face palming your hand.

“Go on, Wolfie, you gotta appease the fans,” Robert uttered with a wave of his hand to usher you on.

“I hope you have a wonderful birthday. Wanna play fetch some… sometime in the park?” Despite the momentary hiccup, unable to contain the embarrassed giggle in your throat as your face brightened, you finished.

Even some of your castmates imitated getting flustered, even Lizzie herself fanned her face. Taylor hid her face in her palms and her friend thanked you.

The other beauty of your performance was that the sound editors had little to do with mixing your vocals for the werewolf voices, you had a knack for making it naturally guttural and animalistic.

Anthony snickered playfully. “So I think we can agree that Y/N “Wolfie” has taken over the panel. Can we get a shout or clap if you enjoyed Y/N’s performance of C/N?”

You don’t know how it was possible, but that was the loudest you’d heard the fans.

#marvel #platonic avengers x reader #gn reader #male reader #female reader #sebastian stan x reader #elizabeth olsen x reader #robert downey jr x reader #anthony mackie x reader #chris evans x reader #comic con panel #x reader #imagine #mcu

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thequiver · 6 months ago

Text

So Let's Talk about Pietro and Crystal...

In this meta I am going through Pietro Maximoff's relationship with Crystalia Amaquelin. This meta is not just going to focus on their interactions with one another but also on the ways that they talk about one another and on the culture/societal structure of the Inhumans and Crystal's privilege which are both major factors in this relationship. This reading list is going to have to be in parts just due to how much there is to talk about in these issues and I want to be able to share images freely! The only edits to any panels have been to arrange them in such a way that they easily fit in a tumblr post and to condense panels from the same comic into one image. The content of any panels has been unchanged, and all panels within the same image are displayed in they order they are found within the original printed comic.

Meta below the cut! This one's a doozy.

Pietro and Crystal's first meeting and then subsequent early courtship happens entirely off page between the events of The Avengers (1963) #104 and The Fantastic Four (1961) #131-132. Within The Fantastic Four (1961) #131 we get like little flashbacks in a handful of pages telling us that this has happened and giving us vignettes into how, but it doesn't really provide us with any particular details- which means that going into Fantastic Four (1961) #131, we know about as much as Johnny Storm (The Human Torch), Crystal's boyfriend.

The Fantastic Four (1961) #131

Which is to say that we know that he's come back from a mission only to discover that his girlfriend has been getting cozy with another guy. To Johnny's credit here, he's first mad at Crystal and not at Pietro who as far as we the reader can tell, had no idea that Crystal was dating the Human Torch. Pietro however.....despite clearly realizing that he's the side-piece is still defending Crystal and it's only after his defense of Crystal's decision to be a messy cheater that Johnny decides the two men have beef.

Within #131 we learn that Crystal found Pietro following some intense injuries sustained in a battle with a Sentinel (during a period of comics in which the Maximoff twins keep miraculously losing access to their mutant abilities at the drop of a hat for plot reasons?) and had nursed him back to health and during the days she spends at his bedside helping him recover, in which Crystal apparently decides he's the one while he's unconscious as the other Inhumans (particularly Medusa) around her begin to call her out on her reasons for wanting to stay by Pietro's bedside.

Crystal and Johnny have a conversation where she begs him for more time, and he reminds her (not unfairly) that she's had years of their relationship to think it over and that "if you don't love me- and only me- by now, it's time for me to read the handwriting on the wall." I'm not saying Pietro didn't see the red flags, I'm just saying he might be colorblind.

Within this issue we also get a taste of the Inhuman practice of slavery, wherein they place "Alpha Primitives" beneath them and we get to see the beginnings of an uprising (yay!), the uprising is presented as a bad thing and we're supposed to sympathize with the slavers (boo!). Johnny is portrayed here as being pro-slavery while Pietro is significantly more sensitive to the whole reality of their being enslaved. This being said, Pietro is still upset that the Alpha Primitives have taken Crystal captive and plans to save her, calling her "the girl I love." Johnny pretty rightfully points out that it's been only a few weeks of Crystal and Pietro knowing one another and Pietro....well...by this point we know he rushes into things. Pietro and Johnny run accidentally headfirst into each other during the revolt and Crystal is only concerned about Pietro's wellbeing and almost makes a threat against Johnny, even though it was Pietro who ran into the Human Torch.

The Fantastic Four (1961) #132 ends with Crystal basically going "this massive enemy that we've been fighting is powered by our own inherent guilt over being greedy enslaving racists (a guilt which has not been shown on page at ALL)." Somehow calling this out and actually triggering guilt does not at all further power their enemy but instead leaves him as an immobile statue and a reminder of how fucking racist they are- and then the Alpha Primitives are sent back down into the caves they live in without any form of reparations: "While the Alphas, free men now, return to their nighted catacombs...their own world...dark, but theirs no less for that. One day, they'll come again into the light and take a proffered brother's hand. One day...but not today." It should be noted, that the Inhumans do absolutely NOTHING to "proffer a brother's hand" in this issue, they just walk away from the Alphas and the Alphas go into their dark caves. In fact, the only Inhuman who seems to have had any kind of fondness for the Alphas is known shit-stirrer, Maximus who is kept in a perpetual open-air prison because none of them trust him. And Maximus was the one who built the machine that's supposedly powering Omega (the big enemy) but it's implied up until Crystal's speech that it is actual physical acts of violence against the Alphas that powers Omega.

Pietro ends this first big Crystal saga, brooding and moping because Johnny Storm has friends and he doesn't (he does...sorta, they're just not with him right now) , and Crystal breaks up with Johnny. And Johnny...does a complete 180 from #131 and is like "oh yeah actually I'm not at all upset that you cheated on me and I was hoping you'd break up with me and actually I have a date with my ex girlfriend tonight." Johnny does cry when he sees Crystal with Pietro, but that's really all we get for the end of their relationship. And for whatever reason the narrative seems to wrap itself around Crystal to make her look good.

Literally one issue later in The Avengers (1963) #110- this happens:

The Avengers (1963) #110

Within this issue Steve Englehart makes the BOLD move to position Pietro as some domineering patriarch when for literally every other appearance he's had with Wanda he has never ONCE positioned himself as "the head of our family." Pietro has up until this point been firm that he and Wanda are equals and just a few issues prior had issued the statement that he would never again even jokingly refer to her as "little sister."

Then in The Avengers (1963) #127, Pietro fails to invite the Avengers to his wedding with Crystal because he's fighting with Wanda and is deemed an "arrogant, posturing fool" by the Inhumans, we're told that Gorgon has "endured a great deal from Quicksilver...for many months." There's only one problem with that, in the blink and you'll miss it Pietro appearances that happen between The Avengers (1963) #110 and the current issue- (Marvel Team-Up (1972) #11 and The Incredible Hulk (1968) #175) We have seen Pietro be nothing but helpful to the Inhumans. And we have seen his help and expertise ignored when it comes to enemies he has fought previously. We have no indications whatsoever that Pietro has been anything but loving and focused on Crystal. It should also be noted that when Gorgon finds out that Pietro didn't invite the Avengers he starts nearly destroying Avengers Tower.

At the wedding, we learn that CRYSTAL HAS INVITED HER EX-BOYFRIEND, JOHNNY STORM, TO HER AND PIETRO'S WEDDING. Johnny is very much a mature adult about things and tells Crystal that if she's happy, he's happy for her. Which is great and lovely and another tick on the box for why I'm a Johnny Storm fan BUT-

The Fantastic Four (1961) #150A-B

Crystal is about to get married and is now suddenly confused about if she's happy or not? That little vague anxiety is never resolved in this wedding arc and in Fantastic Four (1961) #150B, Pietro and Crystal are married. But even the comic is aware that readers might not be thinking this is a happy ending and have an entire panel dedicated to trying to convince you this is happy.

The Fantastic Four (1961) #150A-B

Regardless, these early Pietro/Crystal appearances offer us even more insight into the bigotry on New Attilan. At the beginning of The Avengers (1963) #127, we're told that Black Bolt (who cannot speak) has issued a number of reforms meant to create equality between ALL Inhumans. But upon our first looks at the Alphas, the former slaves of the Inhumans, we see that they're talking of genocide. The genocide mention isn't really resolved here either.

We find out in Fantastic Four (1961) #158 that Pietro marrying Crystal was not enough for him to gain acceptance among his wife's people but that he had to be made an Inhuman by special decree. And yet- Pietro is chained and is willing to die for the Inhumans. "I am an Inhuman since the day of my marriage. From that day until forever, I will live or die- an Inhuman!" This is a sharp contrast to Pietro's issues with the concept of mutant identity that have previously been expressed in: Avengers (1963) #16, Uncanny X-Men (1963) #27, Avengers (1963) #45-49, and Uncanny X-Men (1963) #43A-45A. It's safe to assume that part of Pietro's undying and unearned loyalty to the Inhumans is based around his rushed relationship with Crystal.

I've mentioned above that I don't think Pietro didn't see the red flags, but that he might be colorblind and I'm going to go a little further into that here. Pietro falls in love with Crystal because she is kind to him and nurses him back to health and he's obviously very attracted to her. Crystal falls in love with Pietro while he is unconscious and dependent on her. Even though Pietro is aware that he's essentially Crystal's side-piece in this whole relationship kerfuffle from Fantastic Four (1961) #131-132, he's emboldened by the fact that Crystal chose him. Pietro struggles with self-worth issues (we can see these manifested as well in those mutant identity issues listed above) despite his bluster and pride, and we can see some of that desire and craving to be picked, to be worthy, to be loved, come through in The Amazing Spider-Man (1963) #71. But we've also seen so far, how Pietro's loyalty and love for these people who "picked him" by virtue of their princess "falling in love" with him, is largely one-sided as the Inhumans do NOT share his sentiments.

Case in point for Pietro's feelings and attachment to Cyrstal.

The Fantastic Four (1961) #159

Pietro interacts with the Avengers again in Avengers (1963) #137 where he's informed of Wanda's marriage to Vision and is asked to return to the Avengers and leave Crystal because of that marriage. It doesn't go as planned for the Avengers and Pietro refuses. He's putting Crystal above his old friends and family, and we're seeing that he's been interacting more with Crystal's friends and family than his own since they've gotten together.

With the advent of Inhumans (1975) Pietro starts to vocally realize that maybe... just maybe...the Inhumans don't like him very much. And Crystal tries to convince him otherwise.

Inhumans (1975) #3

A few issues pass, Pietro and Crystal are held for ransom, Pietro barely talks at all, Black Bolt screams and destroys the Great Refuge- and then randomly and all of a sudden, Crystal and Pietro are placed as regents of New Attilan? But even with this regency, it's clear that the Inhumans don't like Pietro. Crystal thinks that Pietro is "beyond reason" for questioning Black Bolt and the way that the Inhumans interpret his silence as royal edict. When Pietro makes solid points about how Black Bolt doesn't talk so he can't say anything.

Inhumans (1975) #7

And then in Inhumans (1975) #12, Crystal asks Pietro why he doesn't trust their new leader, and he speaks of the man's lust for power and Crystal goes "well even if his motives suck, he's making progress." She doesn't really take the time to even think through Pietro's point of view, instead meeting him with a "hope you're wrong." Spoiler alert- Pietro was not wrong as we discover in The Fantastic Four (1961) # Annual 12. And even in that issue, where Crystal is telling the FF about how Pietro was right and how valiantly he fought to ensure the safety of the Inhumans against one who only wanted power- she refers to him as "not a true Inhuman," and in the same breath refers to herself as "I, his loyal wife." And in this same issue Pietro even says, echoing Crystal's earlier wording (which he wasn't even around to hear), "I may not be a true Inhuman, but these people are now my family and no one gets away with killing them." He's continuing to position the Inhumans and particularly the Inhuman royal family as his family, while they continue to keep a distance between them, with his wife referring to him as not a true Inhuman, and others making it clear that he is merely tolerated due to his marriage to Crystal.

Crystal isn't completely without merit here though, her words definitely shine light on one part of her thoughts on her husband, but she also shows extreme care for him and prioritizes finding him over the rest of her family when he's captured in The Fantastic Four (1961) # Annual 12. This does however fall into her growing pattern of caring for Pietro more when he's dependent on her than when he's able to make his own choices.

And then, at the end of The Fantastic Four (1961) # Annual 12, we see Crystal grab Johnny Storm's face, look like she's about to kiss him (while giving him "fuck me" eyes), and tell him that she's never going to stop loving him. Pietro sees them, and Johnny is clearly uncomfortable with Crystal's actions (as he has been this entire issue), and he and Pietro make "peace" despite neither of them being the issue here when Pietro basically tells him that he's okay because he's a friend of Crystal's and hopefully a friend of his too.

The Fantastic Four (1961) # Annual 12

With the dawn of Korvac Saga, we get further confirmation that Pietro is deeply, deeply committed to Crystal. We start The Avengers (1963) #170 with Pietro gazing over New Attilan in a way that's recognized as sad, and then the following exchange happens:

The Avengers (1963) #170

Crystal makes a really great observation about how Pietro's marriage to her has tied him down and changed his life dramatically since his days as an Avenger, but Pietro refutes her concerns saying that what matters to him is that he has her, that he can support her in her place among her people, and is about to say that he'd never leave her when he's teleported elsewhere by agents unknown (at this point in the story at least ;)). This is literally the healthiest their relationship has been to date.

At some point after the Korvac Saga, Pietro rejoins the Avengers, sort of- he's an Avenger again for like a single issue, the whole rejoining thing happens off page, and then come Avengers (1963) #181, he's been kicked off the team and then passes out. In reality we find out that Pietro's soul has been stolen by Django Maximoff who has imprisoned his and Wanda's souls in wooden puppets of themselves. Pietro and Wanda go on a soul-searching journey with Django to discover the truth about their childhoods, learn more about their parentage and then return to Attilan.

It's on Attilan in The Avengers (1963) #188, that Pietro finds out he is going to be a father.

The Avengers (1963) #188

Following the pregnancy announcement, in Marvel Two-in-One (1974) #71, is the first time we see an Inhuman who isn't Crystal be spontaneously kind/nice to Pietro when Gorgon and Karnak invite Pietro to play a game with them. Crystal is also heavily pregnant in this comic so it's safe to assume that some time has passed and that as the pregnancy has continued the Inhumans have warmed some to Pietro's presence among them. With the importance we've seen them place on blood ties and Inhuman genetics in particular, this makes a lot of sense as Pietro is now not just married-in to the family, but is the father of the new member of the royal family.

The next time we see Pietro and Crystal is during Fantastic Four (1961) #239-240, where Pietro has become the sole defender of Attilan in a time of war when all of the Inhumans have come down with a mystery illness. During this time, Pietro continues to be extremely devoted to Crystal and deeply concerned about her health and the safety of their unborn child.

The Fantastic Four (1961) #239

During this great conflict when it seems to be resolved in Fantastic Four (1961) #240, we get another glimpse into the racism in Attilan. The Inhumans freeing those they formerly enslaved is described here as a "mistake," a "failure," and a "noble experiment." The Alphas are still inherently described as being "mindless drones" and as "less-than-human."

The Fantastic Four (1961) #240

It is into this continued dehumanization of the non-Inhuman on Attilan that Luna Maximoff is born. And Luna, is fundamentally not Inhuman nor Mutant at the time of her birth. But for now, Pietro is just concerned with his wife and daughter's health. He looks like the Grinch, but he's happy and that's what matters.

The Fantastic Four (1961) #240

Pietro's bond with Wanda has been repaired and his anger against Vision for existing has dissipated by the events of Vision and the Scarlet Witch (1982) #4, where Pietro encourages Vision to hold his daughter. We get a really great moment of seeing that Crystal and Wanda have started to form a friendship and that Pietro's two families (the one with his sister, and the one with his wife) are becoming closer.

Vision and the Scarlet Witch (1982) #4

But this is where things start to get a little dicey. Magneto, having recently discovered that he is the father of Pietro and Wanda, has now sought them out on Attilan (now moved to the moon) and is determined to try to once again get his children to join his Brotherhood of Evil Mutants (he's not picking up on the message they keep putting down smh). And throughout this fight, Wanda, Pietro, and Erik all make it clear that Erik has severely mistreated his children and that still, knowing he is their father, he is willing to harm and even kill them. Crystal is there- she is witness to this.

Vision and the Scarlet Witch (1982) #4

And what does Crystal do? But let Magneto hold the baby, before Magneto has even revealed himself to be Pietro's father.

Vision and the Scarlet Witch (1982) #4

Within the pages of Vision and the Scarlet Witch we don't really get to see Pietro's whole reaction to this incredibly traumatizing series of events, but never fear, Wanda recounts more of the story in Avengers (1963) #234 (TW- G slur).

Avengers (1963) #234

Again, all of this is happening in front of Crystal. There is absolutely no way she gets out of this conversation without the knowledge that Pietro and Wanda have been horribly abused by their father and that Pietro is on some level afraid of turning into Magneto and is aware of the temper he shares with the older man and has been actively combating it. It would be reasonable to think that Pietro might need time to process this information.

When we next see Pietro and Crystal it is during a battle on Attilan against the Avengers in Avengers (1963) # Annual 12, inspired by Maximus. Maximus is spared, as always, because Black Bolt loves him too much to actually do anything about the consistent and ever present threat the man poses to the safety and security of their people. (This is a surprise tool that will come back to bite them in the ass). And once again, this issue presents the Alphas as Maximus' allies, continuing to have the formerly enslaved be shown as enemies of the "good" Inhumans.

Pietro and Crystal's relationship goes from bad to worse in The Thing (1983) #3. In this comic, Pietro wishes to partake of his right as an Inhuman father and in the fashion of the Inhumans, his adopted people, expose Luna to the Terrigan mists to spark forth her Inhuman abilities- Crystal does not agree. Crystal brings in Ben Grimm (The Thing) to stop Pietro from following her people's customs in regard to their child, and sends her dog, Lockjaw (who is technically an Inhuman himself but that's never really explored?) to teleport the baby away from Pietro. Crystal's reasoning for not wanting to expose Luna to the mists? She's afraid her daughter will become ugly.

No seriously, that's the reason. Pietro is worried about his daughter's life as one who is both mutant and Inhuman, what her humanity will bring her among her two super-powered peoples. Crystal is worried about her looks. Pietro acquiesces to his wife's wishes following the testimony of their dog/friend(?) and Ben Grimm and is thoroughly painted in the wrong for wanting to raise his daughter as an Inhuman among Inhumans. At least the rest of the royal family was on his side this time?

Anyway, let's remember that Lockjaw is a person and has been a person this whole time and then think back on how Crystal has treated him. Based on Ben and Pietro's reactions to Lockjaw speaking it's also pretty clear that nobody who isn't an Inhuman was aware that Lockjaw was a person and not a dog......anyway....

The Thing (1983) #3

We get a completely different idea of Pietro's feelings towards the Inhumans in Marvel Fanfare (1982) #14B than what we've seen previously. In this issue, Pietro is openly critical of the bread and circus approach the Inhumans take with their ruling, and in a shocking turn of events from the last 20+ issues, explicitly says "I'm no Inhuman, and I give no obeisance to Black Bolt...or to your foolish traditions." Pietro is accused of stealing a royal scepter because he made a comment about not being a monarchist (based) and is lured into a trap by someone he thought was his friend who he has had to twice this issue turn down a proposition for sex from.

Marvel Fanfare (1982) #14B* *editorial says this issue takes place before Attilan is moved to the moon, however, Luna's birth occurred after the fateful move and she was named for the move which puts the actual chronology of this issue in question, but I'm keeping it here for an easy publication order chronology

We get a clear image, even clearer than it's been in the past that the Inhumans hate Pietro for...not being an Inhuman.

Do we all remember when Crystal literally brought in people who aren't even related to her child to stop Pietro from exposing Luna to the Terrigan mists because she might turn ugly? We all remember this? Okay great- because she's now adopted Pietro's anxieties in Avengers (1963) #243.

The Avengers (1963) #243

And though Crystal apparently doesn't trust Pietro's parenting choices she's come around to his same anxieties about Luna's human-ness. Pietro tries to support her and then she goes "well none of us have experience with a human baby, what if we just.... didn't deal with that and hired a nanny." And Pietro goes along with it, trying to track down Bova, his minotaur-esque nursemaid from his own childhood who he's only just learned about and has met but once.

We see Crystal and Pietro together again during the wedding of Black Bolt and Medusa, in Fantastic Four (1961) # Annual 18. Where we see Pietro brooding over the wedding festivities. Here we learn that Pietro was given no role in his sister-in-law's wedding and that he is still continuously feeling like an outsider, despite all of the efforts we've seen him take in past appearances to be as much of an Inhuman as possible he is still kept at arms length even by these he considers family. Even Reed Richards (Mr. Fantastic) wonders at the differences between Pietro and Crystal's wedding and the wedding of Black Bolt and Medusa- and Reed wonders if the difference can't be attributed to the fact that Crystal chose to marry someone who was not an Inhuman. And it's a fair question. Pietro even asks Crystal if it's okay that he and their daughter stand beside her during the wedding.

The Fantastic Four (1961) # Annual 18

In Vision and the Scarlet Witch (1985) #5, we see that Pietro has decided to introduce human traditions to the Inhumans with trick or treat, and that he plans to take Luna on her rounds, Crystal along with them of course.

Vision and the Scarlet Witch (1985) #5

Then in Vision and the Scarlet Witch (1985) #6 (that fateful Thanksgiving with the surprise Magneto appearance), we begin to see some strife between husband and wife. According to Crystal, she is "used to being alone." (She is literally a princess in a close-knit family who didn't even stop dating Johnny Storm to start dating her now-husband). And she adds that.

Vision and the Scarlet Witch (1985) #6

The militia, being something Pietro had discussed with Wanda briefly in #5, is a new responsibility of his entrusted to him by the Inhumans. He is now responsible for training a militia intended for the protection of Attilan. It's the first real job he's had since getting with Crystal and the moment he has responsibilities and focuses outside of her, she's not happy. Also yes, Luna does look like a Renaissance baby in this panel.

A month later, in Vision and the Scarlet Witch (1985) #7, we discover that Crystal, who started her relationship with Pietro by cheating on her then-boyfriend, is now cheating on her current husband.

Vision and the Scarlet Witch (1985) #7

Now, I've shown you all the lead-up there is to her cheating. I've covered all of the Pietro and Crystal interactions, and touched base with every major Crystal appearance leading up to this. There isn't any rhyme or reason to this aside from, Pietro has a job and he's doing it. And beyond this, as we move into #8, we learn that Crystal is planning on spending more time on Earth, and from Pietro's perspective it's to spend time with Wanda, but really it's to cheat on him. Once again, the militia (Pietro's job) is very much cited as the reason for this.

Vision and the Scarlet Witch (1985) #8

While Pietro runs off with Wanda, Vision, and Luke Cage to make sure that Wanda is safe for the duration of her pregnancy (it's a demon thing, Scarlet Witch stuff y'know?), we discover that Crystal is taking this opportunity to cheat on her husband again.

Vision and the Scarlet Witch (1985) #8

Crystal's affair goes on for MONTHS, and even her boyfriend is more worried about what all this is doing to Pietro than she is. She overdoses on anti-pollution potion in order to continue to see her boyfriend, and Pietro spends the vast majority of his time at her bedside frantically trying to get someone to wake her up in deep concern for her wellbeing.

In #10, Crystal calls out her boyfriend's name in her sleep, confessing to the affair, and Pietro tries to kill him. He's stopped by Vision and the Inhumans, and then tries to rally his militia against Norm the real estate agent, the man who has stolen his wife's affections. Wanda confronts Norm and he gives her a sad speech about how Pietro is "neglectful" of his wife's needs and ends it with "I'm not making excuses for deceiving you, but you like your brother better than a lot of people do." Essentially saying "It's okay that she cheated on Pietro, because he's Pietro." Wanda then talks to Crystal's spirit and Crystal says "I cheated on Pietro! I'd do it again!"

Pietro and Vision talk and Pietro comments on how Crystal doesn't allow him to pursue any of his own interests, which tracks with what we've seen that now that Pietro is spending time with the militia she's determined him neglectful and is using it as justification to cheat on him. Throughout all of this too, the Inhumans confirm to Pietro that they think lesser of him because he isn't one of them.

Pietro decides that he can't take Crystal back after this betrayal of his trust (fair and reasonable) to which Crystal calls him a "self-righteous pig" and even Wanda insists that he must take her back because he loves her. And in issue #11, Vision claims that Pietro has "run out on his wife" and Wanda thinks poorly of him for establishing a boundary of not wanting to be around a woman who cheated on him. Meanwhile, Pietro is having a mental breakdown about the fact that nobody actually loves him and that the loyalty he shows to others is not reciprocated.

Vision and the Scarlet Witch (1985) #11

And rounding us out in #12, Crystal tells Norm that she wants to keep seeing him and celebrates the fact that if Pietro stays away for a bit longer she'll be granted a divorce.

Here ends part 1 of the meta (stopping close to image limit at a good rest point) and I'll reblog this post with even more commentary at a later date!

Reading List so far:

The Fantastic Four (1961) #131-132 The Avengers (1963) #110 The Incredible Hulk (1968) #175 The Avengers (1963) #127 The Fantastic Four (1961) #150A-B <- Wedding Issue The Fantastic Four (1961) #158-159 The Avengers (1963) #137 Inhumans (1975) #3, 7, 12 The Fantastic Four (1961) # Annual 12 Avengers (1963) #170, 188 The Fantastic Four (1961) #239-240 Vision and the Scarlet Witch (1982) #2, 4 The Avengers (1963) #234, Annual 12 The Thing (1983) #3 Marvel Fanfare (1982) #14B Avengers (1963) #243 The Fantastic Four (1961) # Annual 18 Vision and the Scarlet Witch (1985) #5-12

#pietro maximoff #quicksilver #magnet family #wanda maximoff #scarlet witch #the inhumans #inhumans #crystalia amaquelin #crystal amaquelin #crystal #comic meta

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kpopfanfictrash · 1 year ago

Text

The Horrible Un-Haunting of Elliot House

Author: kpopfanfictrash

Genre: Ghost!AU / Romance / Comedy (?)

Pairing: Seokjin / Reader (she/her)

Synopsis: Some houses are harder to sell than others but you, Y/N, are determined to find the (supposedly) haunted Elliot House a new owner. That is, until it's very real and very hot exceedingly well-dressed ghost decides to make himself known. If only you didn't find yourself enjoying the knowing.

Rating: PG-13 (kissing but nothing beyond that)

Word Count: 6,214

Author's Note: hope you enjoy this random Halloween "drabble"! This got oddly angsty? I suppose that happens with ghost love LOL

[ Cross-Posted to Wattpad ]

“Through here,” you say, leading the Gundersons through an arched door. “You’ll find the most adorable sunroom.”

The Gundersons both gasp, appropriately awed by the tall walls of windows. Each panel is topped with stained glass, casting colorful patterns across the checkered floor. Technically, the sunroom isn’t part of the original house – it was added in 1975 during a brief period the address was owned by a cult – but you rarely disclose this fact during tours. Most people don’t care which parts of the house are original, so long as they can say they bought a 19th century Tudor.

Not that you blame them. Most people (or at least, sane people) appreciate the romanticism of an old structure without actually wanting to live in one. Modern amenities are the top benefit of progress, after all. The government couldn’t pay you to live without modern heating, plumbing, or refrigeration.

“Margaret, did you see?” Arthur Gunderson, a slightly rotund lawyer, and husband of said Margaret, gestures emphatically. “I’ll be damned if this stained glass isn’t Tiffany! See there, see that stamp in the corner?”

“Good eye, sir!” you chirp, barely glancing up from your clipboard.

Truthfully, you aren’t sure whether the glass is authentic. The cult that installed could hardly be called profitable (they sold the house at a loss after less than ten years, although this likely had more to do with crimes committed on said property than their income, but you digress), so you’d be hard-pressed to believe they could afford real Tiffany.

If this is what convinces the Gundersons to buy though, you’re hardly a realtor to look a gift horse in the mouth.

Ticking a box in the upper right corner – sunroom – you look up. “Right, well. That’s most of the lower level.” Pivoting on your heel, you head towards the corridor. “If you two will follow me upstairs, we can –”

“What’s that?”

Steps slowing, you stare at the plaster wall. A moment passes, then two before you convince yourself to turn around. When you see where Arthur Gunderson points, a relieved breath leaves your lips.

“Oh, that?” Floorboards squeak as you cross the room, sounding almost like laughter. “That’s the cellar. I’d offer you a look but unfortunately, the staircase isn’t quite up to code. You’ll need someone to look at that ASAP if you buy.”

Hovering at the wooden door, you grasp its bronze knob and pull. Tugging the cord for the light, you briefly scan the stairs but spot nothing unusual. Mostly convinced, you dutifully step aside.

“Feel free to look,” you say brightly.

The Gundersons crowd the landing you vacated.

“Careful, honey,” Arthur warns, holding Margaret’s elbow. “These stairs are steep.”

Standing on tiptoe, Margaret peers beyond him into the basement gloom. It could be your imagination, but she almost seems disappointed. A few cobwebs and shadows line the staircase, but nothing more sinister.

Hiding a smile, you check the next box. Cellar. Sometimes, people request to see this house not because they’re interested in buying it, but for the thrill. Entering the haunted Elliot house and surviving will make a great tale to tell their friends over cocktails.

Lowering your clipboard, you glance upward. So far, everything has gone to plan, which is partly the problem. You must’ve shown this house thirty times and always, something has gone wrong by now. Before being assigned its realtor, you believed in the paranormal, but only in a theoretical way. Not because you’d witnessed anything spectral.

Your opinions since then have changed.

Turning sharply, you plaster a smile on your face. “Shall we?”

Stepping back, Margaret pulls wiry frames from her jacket pocket. “I must admit,” she says with an embarrassed laugh. “Based on what our last realtor said, I was expecting far worse from this property.”

Although your smile tightens, you nod. The other realtor had a point – Elliot house could be temperamental, at best. Downright petulant, at worst. You glare again at the ceiling.

“We get that a lot,” you say, ushering them down the hall. Best not to linger. “Whenever a house sits too long on the market, you know – people talk. Lots of rumors!”

“Oh, sure,” Arthur says, passing you with a chuckle. “We’re not superstitious, don’t worry.”

“Oh?” you say lightly, remaining behind. “That’s good to know. Now, if you head down the hall, you’ll reach the foyer. All the crown molding you pass is original. The house’s first owner and builder, Daniel Baker, was something of a craftsman. He –”

Abruptly, you cease talking and stare at the stairwell. Halfway down the steps, where before there was nothing, sits a perfectly ripe orange. Eyes narrowed, you stare at this a long beat before yanking the light cord down and shutting the door.

Glancing upward, you hiss, “Not today, I swear to – well, whatever hellish being you worship.”

The wind sounds almost like laughter, but you don’t stick around long enough to find out if that’s true. Shaking your head, you traipse down the front hall in search of the Gundersons. Luckily, they’re too busy taking pictures of the aforementioned crown molding to have noticed your absence.

“Shall we?” you say, gesturing at the front stairs.

Pocketing their phones, they begin their ascent. You wait at the bottom, giving them space to discuss the house. From personal experience, buyers tend to appreciate when you don’t hover.

Besides, the grand staircase is your favorite feature – equal parts artwork and functionality. From your place at its bottom, you admire the craftsmanship. Starting the climb, your fingertips skim whorls in the wood and for a second, you feel a phantom hand rest over yours.

Scowling darkly, you yank your palm away. Reaching the landing, you clutch at your clipboard tighter and walk forward.

“This way!” you say, practically shoving the Gundersons into the first bedroom.

While they ooh and ah about the bay windows, you tick another box on your spreadsheet. Master bedroom.

The second you’re done, the pen slips from your grasp and hovers in mid-air. It then turns, point-down, to scrawl something in the margin.

‘Master’ bedroom? Kiiind of racist, don’t you think?

Teeth gritted, you snatch your pen back. “I wasn’t the one who created the spreadsheet, okay?” you whisper. “And while, yes, I agree, and other realtors are moving away from that language, I don’t–”

“Pardon?” Arthur Gunderson peers, confused, over his shoulder.

Somewhat manic, you smile. “Oh, nothing,” you say, the words sounding high-pitched, even to you. “I was just reminding myself to show you the main bathroom. Beautiful claw-foot tub.”

“Oh. Sure,” says Arthur, returning to his wife.

Head whipping sideways, you glare at the most likely place Seokjin would be. A chuckle drifts past your ear on the other side, and your scowl deepens.

Once an appropriate amount of time goes by, you usher the Gundersons into the next bedroom. Hovering outside, you calculate how quickly you can convince them to leave. The longer they stay, the worse the so-called haunting will be.

You should have known better than to show them this house, but they were insistent. Or at least, Arthur was. Margaret seems reasonably paranoid, which you deem a positive quality. Everyone within a hundred-mile radius has heard of the haunted Elliot house.

Even the name is confusing, since it doesn’t bear the name of its builder, Daniel Baker, nor its longest resident, Mr. Josiah Whitley. Instead, it’s named for Nathaniel Elliot, the cult leader who murdered a man on its premises in 1978. Obviously, this fact wasn’t known to the public until after the cult sold the house and moved far away.

Eventually, Mr. Elliot was tried and found guilty of murder, but this was much later. Wincing a little, you glance at the ceiling. Seokjin has said many times that ghosts can’t read minds, but you wouldn’t put it past him to lie for a punchline. Even if he can’t read your mind, the faint scent of cedar lets you know he’s nearby.

Quickening your stride, you show the Gundersons the next bedroom. “This is one of my favorites,” you say, pulling hard on its warped door. “The view from that window is stunning. You can see all the way to the brook!”

Taking the bait, Margaret crosses the room. “Oh, look, Arthur!” she exclaims, leaning forward. “There’s a gazebo!”

He follows at a more leisurely pace, frowning when he spots a lone cobweb in the corner. Sighing, you swipe at this as you pass, almost certain the web wasn’t there this morning.

While the two converse, you pull out your clipboard and run down the list again.

Most days at your job are like today – running down lists and waiting for other people to make their own life decisions. Becoming a realtor wasn’t so much a choice as it was thrust upon you. When your mom got sick your senior year of grad school, you returned to take care of her and finished your coursework remotely.

There were only so many jobs with flexible hours, and you ended up getting your realtor’s license to support her on the side. When your mom passed, you stuck around to sort out her paperwork and affairs. Two years later, everything is in order and still, you remain. Stuck in a holding pattern, showing houses and too afraid to try your hand at anything different.

BANG.

The sudden noise from above plunges the room into silence. Both Arthur and Margaret swivel, wide eyes landing on you.

Margaret’s glasses chain trembles. “What was tha–”

“My assistant,” you blurt, backing towards the door. “He mentioned he would stop by to drop off some keys. That must be him – I’ll go and check!”

“But…” Arthur stares. “The noise came from above.”

“Be right back!” you call, stepping into the hall.

As fast as possible without raising suspicion, you rush down the hall. “Seokjin,” you hiss, hand skimming the banister as you descend. “Stop that right now!”

No one responds – not that you thought he would. Crossing the foyer, you reach the cellar door and yank it open. Flicking the overhead light, you see the orange has disappeared. Rolling your eyes, you shut the door.

“This isn’t funny,” you huff out loud to no one.

Far above you, a low groan shakes the house. Honestly, it sounds more sexual than scary, but you suppose that only makes it more sinister. Reaching the foyer, you slow your pace and set down your clipboard. Suppressing a sigh, you glance at the clock. This has happened enough times that you can predict things to the minute.

Crossing your arms, you tap your foot and count down in your head.

One – increased groaning. Sometimes from the cellar, often the attic and, during one memorable visit, from behind a locked bathroom door.

Two – shuffling feet while the Gundersons (insert buyer’s name here) debate whether to run or wait it out. They hastily whisper, wondering if it’s their minds playing tricks.

Third – laughter. Seokjin will say it sounds lilting but to you, his laughter is more akin to a car’s windshield wipers. Today, said laughter drifts from the main bedroom, immediately followed by the Gundersons’ screaming.

Directly above you, Margaret’s heels pound wooden floors. Wincing, you make a mental reminder to buff the scuffs from the wood.

“ARTHUR!” she calls, her voice pitching upward.

“Right behind you!” he bellows.

When the lights in the foyer flicker, you lean against the grand railing. In your experience, there’s nothing you can do now to save the showing. As soon as Seokjin reveals himself, it’s only a matter of time.

“Whoooo dareeessss to disturrrrrb meeeee!” he wails, and you try not to laugh. “This is MYYYY homeeee and you are nooooot welcomeeeee! OoOOOOooooOOo!”

Arthur is first down the stairs. Reluctantly, you step forward – as their realtor, you’ll try to calm them down and get them out. All part of the plan. What’s not part of the plan is Arthur’s blind panic, elbowing you – hard – in the stomach as he runs past.

Concaving, you stumble, your foot catching on a loose floorboard as you fall backwards. Suddenly, a pink cushion slides between you and the floor. You land in the middle of it, shocked but unharmed.

Arthur yanks open the front door. “You!” he blurts, whipping around to point. Blinking, you fight the urge to glance over your shoulder. “Yes, you,” he scoffs, spittle flying as Margaret runs past. “I don’t know if this is your idea of a sick joke or what, but your manager will be hearing from me!”

Before you can formulate a response, Arthur is out the front door. You hear the sound of their car starting, exhaust billowing behind them as they speed down the street.

Propping yourself on one elbow, you release a sigh. The house has fallen silent, almost sheepish in its total lack of sound. Head lolling back, you glare at the ceiling.

“You are so annoying,” you groan, well-aware you sound crazy. “I honestly don’t know what you’re looking for, Seokjin. The Gundersons were fine.”

The front door slams.

An outline of a person materializes between you and the living room, seeming composed of dust motes and sunshine. Turning your glare in their direction, you tap your fingers against the oak floor.

Seokjin solidifies fully, rakishly leaning against the paneled wall. He’s dressed in the same navy three-piece suit he wore when he died, albeit with his hair styled in this century’s fashion. Seokjin once said ghosts are able to change their appearance, but most choose not to. There’s little point to it, and it wastes precious energy.

Sadly, he shakes his head. “See, that’s where you’re wrong,” Seokjin says, his deep timbre resonating through floorboards beneath you.

“Show off,” you mutter.

Lips twitching, he crooks a finger. The foyer light ceases to flicker, and Seokjin straightens. Dusting invisible dust from his shoulders, he walks forward.

“The Gundersons were tiresome,” he says. “I would’ve been bored of them in months, started haunting again, and this house would’ve gone right back on the market. Really, I saved you trouble in the long run. You can thank me later.”

“Oh, no,” you deadpan. “Two commissions on the same property. What a horrible fate.”

“Exactly. You’re welcome.”

Fighting an eye roll, you push yourself upward with cushion in hand. At least Seokjin was kind enough to break your fall, even if he caused the circumstances which led to it in the first place.

Brushing the dirt from the cushion, you shake your head. “You do know that eventually, someone will buy this house and you’ll have to make peace with that fact. Right?”

When Seokjin doesn’t immediately respond, you look up. His dark gaze lingers a second longer than necessary, briskly looking away when he catches you watching.

“I know,” Seokjin says, turning around. “Might I point out though, that I don’t have to make peace with anything. Ghost,” he adds, pointing at himself. “Not making peace with things is our bread and butter.”

“People have owned this house before, though.”

“Boring people,” Seokjin mutters.

“That didn’t seem to bother you back then!”

Seokjin enters the living room. “Ugh,” he groans, dropping onto a chaise. Dust motes spiral around him, as though he were solid. “If I must be trapped on the material plane, Y/N, the least the material plane could do is provide some entertainment. And the lovemaking of two seventy-year-olds doesn’t count,” he adds, fixing you with a glare.

Stifling laughter, you follow him into the parlor. Fluffing the cushion, you replace it on its chair and survey the room. Seokjin lounges dramatically and it could be your imagination, but he almost looks solid. More so than the first time you met, anyways.

He nearly scared the shit out of you, back then. Everyone at the firm warned you this house was haunted but were purposefully vague on the supernatural. The warnings they gave you were borderline mundane.

Oh, yeah, that house has been on the market forever. People say that it’s haunted, but I’d honestly be more worried about rats. Or asbestos – popcorn ceilings didn’t age well for a reason. And I don’t know if it’s true, but I heard a convict once lived in the basement for three months before the cops caught him. Watch out for that!

You entered this house with more than your usual trepidation, pepper spray in one hand and a flashlight in the other. Apparently, the wiring wasn’t all up to code – something you’ve since rectified with the city.

The sound of the door creak could’ve been written by the Brothers Grimm themselves, textbook gothic. Your flashlight swept over dusty floors, faint footprints remaining to remind you of its past. Spine steeled, you forced yourself to continue.

Finding a light switch, you flicked upward, and the chandelier came to life. The lighting was dim, barely enough to see by on a rainy day. Keeping your flashlight, you wandered into the parlor and came to a sudden stop. Forest green wallpaper lined the walls, remarkably intact for its age. Stunned, you turned in a slow circle.

Moody maximalism was one of your favorite design styles, and this room was made for it. With a slightly better attitude, you resumed your walk-through, discovering a hidden cupboard in the kitchen and a dumbwaiter to nowhere. The second-floor entry point had been boarded up, but that could be rectified.

Some of the woodwork of the house was scuffed, and a few corners held fallen leaves, but overall, it was in great condition. None of the realtors had prepared you for that – you arrived expecting a war zone and were pleasantly surprised.

On the second floor, you found a library – or what had once been the library, given the shelving was empty – that made you audibly gasp. Blue-black custom shelves extended along three of the walls. Closer to the door, a bright square of color remained from where a painting had hung.

Curious, your fingers traced the edges. “This place is unreal,” you murmured to yourself.

“I know, right?” said a voice directly in your ear.

Like any sane person, you screamed and jumped skyward. Your flashlight fell, its beam rolling over and over until it hit a baseboard. You didn’t stick around to find out, turning fast on your heel and bolting into the hall.

Thundering down the front stairs – wincing as the wood groaned – you nearly reached the foyer when Seokjin appeared.

“Boo,” he said calmly, between you and the door.

Coming to a shuddering halt, your hand gripped the railing. The ghost was impeccably dressed, if slightly invisible, and raised a dark brow in response to your flight.

Gaze darting sideways, you sought a second exit but all you could recall was the cellar and that wasn’t an option. Years of training from watching scary movies kicked in at that point, and you slowly straightened. Running away would do nothing – a ghost could follow you anywhere – so, maybe reasoning with him would be the best option.

“What do you want?” you asked, masking your fear to plant both hands on your hips. “Who are you?”

Surprise flared in his – admittedly attractive – gaze. Some of the shock had worn off by then, and you could admit to yourself (if to no one else) that the ghost before you was hot. Even thinking this felt ridiculous, and you wondered if your already-fragile grasp on reality was slipping.

Taking a single step forward, the ghost cocked his head. When you stumbled back, his lip quirked, and he appeared by your side.

“Who am I?” he mused, walking in a slow circle. “Awfully strange to ask me that, when I’m the person that died here, and you’ve never stepped foot in this house until now. I would know.”

Started, you turned your head.

This was a mistake since it allowed you to see every ridge of his features. The rounded tip of his nose, his enviably full lips, and a curve to his jawline which could likely cut glass.

Forcing your gaze upward, you found him focused on you. “You… died here?” you asked before you could think better.

His lips thinned. “You know, it’s very rude to ask a ghost how they died. It’s personal.”

“Oh,” you said. “Sorry, I didn’t know.”

“You didn’t ask,” the ghost replied with a sigh.

Your eyes narrowed, hearing barely hidden laughter in his tone. This ghost was making fun of you. The audacity!

Incensed by this, you lifted your chin. “Wouldn’t asking you whether it’s polite to ask about death be asking you about death, though?”

“Fair enough.” He shrugged, slipping both hands in his pockets. “There really isn’t a good way for you to bring up that conversation.”

A laugh escaped, despite yourself.

His gaze flickered, as though oddly pleased. Quickly, the ghost scanned you from your shoes to your face, where he lingered.

“I’m curious,” he mused, resuming his walk in a circle.

Despite your discomfort, you forced yourself to stay still. Even though you could feel each place his gaze lingered – your shoulders, your collarbone, tacing the slope of your cheekbones.

“What are you curious about?” you asked, pushing the words past your lips.

He stopped between you and the door again. Slipping both hands from his pockets, he crossed his arms over his chest. The way his biceps strained against his suit was intriguing, implying there was something to strain against. Dimly, you wondered what a ghost’s gym routine looked like.

Your lips twitched at the thought, and the ghost scowled.

“Stop that,” he commanded. “You should be terrified. I was curious about why you haven’t run yet. Anyone else would’ve by now.”

“Would they?”

“Based on my experience, yes.” He tilted his head. “This is the first time I’ve introduced myself to someone and they stayed. Well,” he amended through teeth. “Stayed without crucifixes, holy water, and a priest.”

“Does that really work?” you wondered, genuinely curious.

“Does what work – exorcism?”

You nodded.

“Clearly not.” He waved a hand down his body. “At least, not in my case. When I first died, I wanted to move on. I was even excited when the first priest arrived, but he did nothing, and neither did the next one… eventually, I stopped hoping. Started haunting, instead.”

“Well, sure,” you said, dazed.

His lips twitched. “My name is Seokjin, by the way. Not that you asked.”

“That was literally one of the first things I asked!”

Ignoring this, Seokjin stuck out his hand. “And you are?”

“Y/N,” you said, ignoring the impossibility of what you were about to attempt while extending your palm. “Nice to meet you.”

Your hands met in the middle and, instead of passing through, you felt your palms brush. For a moment, you touched calluses and warm skin, smelling the faint scent of cloves.

Seokjin went utterly still.

Chin jerking down, he stared at your joined hands. “That’s… never happened before.”

Retracting swiftly, you said the first thought that came to mind. “What? Never touched a woman?”

Scowling, he retracted his hand as well. “I was thirty when I died, Y/N. Not thirteen.”

“Could’ve fooled me,” you muttered, then paused. “You… haven’t been able to touch anyone since you died?”

“Things, yes. People, no.” A thoughtful look crossed his face. “A psychic visited me once. The owners at that time brought her, wanting to see if she could get rid of me.” Seokjin snorted. “She got them to pay her, then said, ‘No.’ Hilarious. And interesting,” he added. “She told me she’d met other ghosts, ones that could interact. Never seemed to work for me, though.”

You blinked, unsure how to respond. For it being your first encounter with the supernatural, nothing about this had gone as imagined. You weren’t sure how to converse with a ghost who, for all intents and purposes, seemed fairly normal.

Except for the whole ‘being dead’ part.

“Well.” You shrugged. “There’s a first time for everything, I guess.”

His expression remained inscrutable, but for the faintest of seconds, you thought Seokjin looked intrigued. After a moment, he moved closer and leaned in. You caught the faintest whiff of orange, cloves, and cedar on what could have been his breath.

“I suppose there is,” he murmured, and then disappeared.

Since then, Seokjin has appeared each time you returned. The second time, you were halfway convinced your first visit was a hallucination. A theory Seokjin seemed content to feed into, refusing to show himself until you were about to leave. Then, he jumped through the hall closet to yell, “MUTINY!” and cement his presence in your mind.

Seokjin doesn’t dress the same every time. A few weeks into your friendship (if one can call it that), he informed you he could change his appearance but hadn’t done it much. It took energy to appear on the mortal pane, more so if his appearance was altered.

Still, you’ve learned Seokjin will do pretty much anything to commit to a bit. His brand of haunting tends to border on comical. Putting his arms on backwards, headless juggling, vomiting wine – really anything is fair game if not truly grotesque. By now, you’ve seen his whole gambit, which is how you can say today’s performance was lackluster.

Sprawled on the chaise, one foot dangling, Seokjin looks every bit of the tragic lothario. Again, you can’t help but wonder whether he’s gained permanence since the last time you saw him. You could almost swear the chaise sinks under the weight of his frame.

“What is it?” he demands, lazily pushing himself upward.

Something in your chest flutters, although you ignore it. Arms crossed, you fix him with a look of disdain. It’s sinful for Seokjin to look as good as he does – and the worst part is, you know it’s not an illusion.

After you met the third time, you Googled his name along with the house and found multiple hits. Seokjin Kim was killed on October 31st, 1978, by Nathanial Elliot, the leader of the Sunny Days cult. Both Seokjin’s parents joined two years prior, and he’d tried unsuccessfully to convince them to leave by mail and phone.

Eventually, he visited in person and convinced them to go – unfortunately, Nathanial caught wind of the situation and killed Seokjin before this could happen. You saw photos of Seokjin from then and can confirm he was always devastatingly handsome. Often, you’ve wondered if he left someone behind – a wife or a girlfriend – but can’t bring yourself to ask. You aren’t sure which answer would hurt more.

Regardless, you know Seokjin was missed. His parents were the ones who took down the Sunny Days cult, putting their leader behind bars for killing their son. Seokjin admitted once that they tried to tear this house down. They didn’t know he was tied to the grounds, and he didn’t want to tell them. It would’ve been harder for them to move on, he explained, and your heart broke a little.

Not long after that, you accidentally let it slip that Seokjin had a scent. It made him howl with laughter, nearly falling down the front stairs – not that this would’ve hurt him. From then on, Seokjin showed off his growing ability to move solid objects by leaving oranges for you in the house whenever you came. Only another of his practical jokes but lately, it’s made your skin hot to think of.

You realized you felt more than you should for him last month when he saved you from falling. Determined to clear out the cellar, your entire foot went through the first step and Seokjin pulled you to safety.

“Careful,” he murmured, one arm wrapped around your waist. Gently, he eased you backwards and onto the landing. “The top step is rotted through. You’ll need to call in someone to fix that.”

Unable to speak, you nodded and quickly disentangled. Each place he had touched, your skin tingled, and not at all unpleasantly. Since that day, your feelings have only worsened. Sometimes, you wonder if he knows.

Sometimes you wonder whether he feels the same, no matter how hopeless it is.

Heaving a great sigh, Seokjin stands from the couch. Lifting both arms, he stretches this way and that like an overgrown cat. The end of his shirt comes untucked, displaying a flat strip of skin you refuse to acknowledge.

Forcing your gaze to his face, you lift a single brow. Weeks after meeting, you considered Seokjin your friend, or at least an acquaintance. Now, you can’t call this friendship, but not because things between you have worsened. It’s because the more time you spend together, the more you find yourself wishing for something impossible. Something more.

“You know what,” you tell him. “There’s no need to scare off every potential buyer.”

Seokjin pauses, then lowers his arms. “There’s a need when they’re terrible. I’m the one forced to live with them for eternity, not you.”

“It’s not an eternity, though,” you tried to joke. “Eventually, they’ll die – or, so one would presume.”

Seokjin’s face hardens. Before you can take another breath, he’s standing before you. “Much better,” he says, his voice like steel. “I love being reminded that, while the world continues to age around me, I never will. I’ll simply stay on this godforsaken plot of land until the earth is destroyed by its own inhabitants. How long do you think that’ll take, Y/N? One decade? Two?”

Eyes wide, you stare at him in shock.

Seokjin has never spoken to you like this before. Usually, he’s far more cavalier about his reality, easily accepting the fact that he’s a ghost. Never once has he ranted about the world passing by. In fact, Seokjin frequently throws in your face that you’ll soon have more wrinkles than him.

For the first time, you wonder if all that is a front. If perhaps, deep down, all his lackadaisicalness is merely a cover for a deeper kind of fear.

Slowly, you move closer. “I didn’t mean to be dismissive,” you murmur. “Of course, I don’t want you to be forced to live with people you hate. I just meant…”

You trail off, uncertain and Seokjin’s face softens. He moves even closer, his scent comforting you in a way you can’t explain. In a way it shouldn’t be.

“I’ll never get used to this,” you sigh.

You aren’t sure why you’re speaking so softly. Possibly due to his proximity and possibly due to the look in his eyes, studying you as though you’re the impossibility, and not him. Dust motes trail through the air when Seokjin lifts a hand.

With bated breath, you watch as he reaches towards you. At the last second, he shifts and lightly brushes your jaw.

Sharply, you inhale because you feel it. You feel him.

“Seokjin,” you whisper. “What are you…”

Gently shushing, he leans in, and you feel his breath, feather-light, across your skin. Utterly shocked, you go still. It’s his breath that you feel. Breath that shouldn’t exist, according to logic.

Slowly, his gaze drops and stays on your lips. If Seokjin can’t read minds, he must hear your heart racing. The sound of it is all-consuming, drowning out rational thought.

“You want to know what I’m waiting for?” he murmurs, his gaze lifting. “I’m waiting for someone to look at this… house the way you do.”

“A lot of people have liked the house, Seokjin. People who –”

“I don’t want you to sell this house."

Startled, you stop. “Why not?”

His expression twists, revealing his vulnerability. “I think you know.”

Roughly, you exhale.

Yes. You do know. It’s the same reason you’ve half-assed the last six showings at this address. It’s why you keep people from looking, and when they insist, barely attempt to stifle Seokjin’s shenanigans. You could have come earlier today and requested Seokjin to be on good behavior. He would have done it. For you, he would have.

Which is exactly why you didn’t ask.

“I… want to hear you say it,” you say, so low, you’re surprised that he hears.

Achingly slow, Seokjin’s hand slips from your jaw to your neck. When he pulls you closer, you can feel the weight of his hand, the solid pressure that comes from his fingers on your skin.

Your eyes flutter shut.

“I don’t want you to go,” Seokjin murmurs, his lips close to your ear. “If someone else buys this house, you’d stop showing it. You wouldn’t come here again, and I can’t leave these grounds. If someone else buys this place” – his breath hitches – “I won’t see you again. I can stomach eternity, Y/N, but not without you.”

“Seokjin.” His name leaves your lips as a whisper, or prayer.

“Yes?”

“Do you ever…” Eyes opening, you look up. “I don’t want to say it out loud.”

“Why not?”

“Because.” Your voice breaks. “That might make it real. What I want can’t be real, so if I say it out loud, it might vanish and right now, it exists in this tentative space. We exist in this space.”

Lightly, his thumb strokes your throat, and you feel your knees buckle. Every callous, every touch feels so horribly real, it’s making it difficult to remember why this can’t be.

“I’ve stopped wondering what’s real and what’s not,” Seokjin murmurs, his gaze tracing your mouth. “Most people say I shouldn’t exist and yet, here I am. They say I shouldn’t be here, able to touch you like this and yet, I am. They say I shouldn’t–”

Rising on tiptoe, you cut him off with your kiss. Seokjin shudders, his lips parted and warm in the shock of the moment.

“Fuck,” he groans, breaking away to stare at you in wonder.

Before you can respond, he returns, his kiss wild and fierce. Your own desire surges, touching him hesitantly at first, and then with full abandon. Hands sliding up his chest, over his shoulders, your fingers curl in his hair to anchor him to you.

Cupping your face, Seokjin pulls your body to his. His touch is reverent, deifying while his hands travel lower to land on your waist. His body curves above yours, catching your gasps with the tip of his tongue. Seokjin feels solid beneath you – solid, and warm, and painfully real.

His mouth moves to your jaw, trailing heat down your throat and across your bared collar. Shivers of pleasure shoot through you as he walks you backwards, pressing your spine to the wall. Briefly – wondrously – you laugh, the sound caught again by his kiss.

Within minutes, you’re panting, heart beating wildly as you grip his hair tighter. Seokjin’s leg presses forward, pushing your thighs apart and you nearly dissolve. He moves harder, faster, as though scared that you’ll vanish. This is the opposite of disappearing, though.

This is together, beneath, and on top as –

“Shit,” Seokjin growls, the sound torn from his throat.

Dazed, you look sideways and realize his hand has gone through the wall.

Seokjin stares at his wrist, his chest rising and falling. Everything you can feel is solid, but his hand sinks through the wall about an inch deep. It’s hard to concentrate with him above you, looking like that. Seokjin’s hair remains mussed by your hands, proving you touched him – however briefly.

Lips thinning, Seokjin pulls his hand out. Purposefully, he lays his palm flat on the wall but it’s clear to you both that he’s concentrating. Some of his pressure dissipates.

“I – fuck,” he exhales, dropping his chin.

Gently, you soothe a strand of hair behind his ear. This is the first time you’ve seen Seokjin anything less than immaculate and goddamn, if it doesn’t look good on him. That’s making it difficult to focus on the matter at hand.

The matter at hand. Ha.

Thinking this, a snort escapes your lips before you can stop it. Stunned, Seokjin glances up with wide eyes.

“Did you just… snort?” he asks, incredulous.

You shake your head, and then nod, sheepish. “Um, yes. I did. It’s just…” Now that you’ve started, you can’t help but continue. “I can’t believe the hottest make-out session of my life ended with your fucking hand through a wall.”

Seokjin stares for a long moment before – impossibly – his chest starts to shake. Before long, you’re both laughing out loud at the ridiculousness of the situation. Once your laughter has faded though, comfortable silence remains.

Pulling you into his chest, Seokjin’s hand strokes your neck. “I don’t know what this means,” he admits with a sigh.

“Me, either.”

“I do know I want to do that again.”

“Same,” you say, pulling back.

“But…” Seokjin hesitates. “Y/N. You know I’m not… real, right?”

Your heart sinks to your shoes. “You’re real to me.”

“I know.” He speaks softly. “But I –”

Lifting a hand, you press a finger to his lips. “Don’t,” you warn. “Please. I don’t want to think about the future right now. I know I don’t have eternity, but I don’t want what I have without you.”

Something in his gaze breaks but Seokjin merely nods, letting silence fall again. You fear that he’ll vanish, leaving you alone but he merely exhales. The breath brushes your skin.

“Alright,” Seokjin murmurs, winding his hand with yours. “What do you want to talk about, then?”

The ghost of a smile crosses your lips. “What if… we talk about me buying this house?”

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