#i feel like thats an important part of her character and like

[autisticjoshrusso]

ok ok ok. a post about josh, buck, and maddie at dispatch as promised. (and because i dont feel like writing a whole separate post or repeating myself etc, if im pointing something out as evidence for my autistic josh headcanon, it'll be in parenthesis like this) also this is long because im going basically line by line in some places so just be prepared for that and such.

the first thing i wanna say before anything else is that like... as far as how this conversation fits into the larger narrative, i was fairly disappointed, due to the way that including this scene like this is kinda implying that the racism was fine because of being closeted etc. HOWEVER. luckily for my sanity it is pretty clear that from a character perspective, that's not at all what's being said by josh himself here, and we can be pretty certain that he is not aware of tommy's past behaviors. in fact he has almost no facts or context about the situation, which i'll get into later.

now that the disclaimer is out of the way, im gonna move onto character analysis and will not be touching on what i think the narrative might have meant etc. any further. like this is going to be purely talking about character dynamics and dissecting the dialogue etc.

we start out right away by skipping all the exposition right into a hard cut of maddie reacting to the news that tommy and abby were engaged. LOVE this set up we get right into the important part quickly and we as the audience only have to hear information that is new to us, not the information being repeated back to the character for whom the information is new.

and oh maddie. i love you so bad. she's like DAMN thats crazy, and then makes the obvious turning people gay joke. her energy here is sooo like it didn't make sense until looking at it in retrospect, but she's shocked and invested yet not taking it very seriously as a concern for buck, because well, she's having a baby and this is objectively not that serious comparatively <3 but i do love that she sees buck's reaction and quickly reins it in and is like woah im kidding im not actually being homophobic holy smokes. which. it kinda still is a little. but i think she's allowed <3

and then... josh enters the scene. he apparently only walked in as buck was saying "-kissed a boy" so of course he had to be like huh? gay shit? something gay? boys?? what's going on over here? and i love that for him. and i love that maddie immediately is like oh hi bestie i catch u up to speed on the tea <3 the maddiejosh bestieism is so back we never lose <3 and that fact that she's like. feeding in the facts in a way to dramatically amp up the tale i love it. she really said man the things my baby brother gets himself caught up in are wild.... anyway <3 true sibling behavior is finding the perfect balance between being supportive and being so so annoying <3

and she is supportive still. like when it becomes clear that there's something deeper going on here she does try to help him work through it. and its so interesting to me the way she is sort of seriously contemplating his words and is shocked when josh not only speaks up but is being very serious and equally focused on the problem at hand. it's like... she's trying so hard to figure out how to help her brother with something she doesn't fully understand that having someone else speak up to help them kind of shocks her and boy does that say something about their lives and the buckley sibling dynamic!

side note, the way josh is jokingly like "she didn't bring her personal life to work, unlike SOME people" and maddie's little look of mock offense?? they're so cute i cant handle it.

i also really love how the shots are framed during this conversation. at first, even when she's not talking and is just listening to josh talk, maddie is still in frame, we're still getting her reaction, she's an active participant in what's going on. and then there is the one shot where she's talking and josh is out of frame, hidden by buck, because whatever reaction he might be having isn't important, it's a buckley sibling moment. (he's not an active participant at that point; he's entirely observing and reacting and gathering information, not dictating the direction of the conversation whatsoever.)

it's only when josh gets very serious and it starts to turn into a heart to heart moment just between him and buck that maddie is allowed to leave the frame. it still goes back to her in very brief cuts when her reaction is relevant, but she steps back out of focus and let's josh handle the conversation. and i love that so much. thank GOD someone else is helping buck sort out his problems that isn't his parentified sister or just generally someone more marginalized than him. it was kind of getting irritating to watch, as much as i love buck so much. like dude... the emotional labor. watch it.

and man. this conversation guys. everything about it makes me an insane crazy person. ive already mentioned this in the tags of some other posts but like... its so fascinating because on the surface it is such a cohesive conversation, but when you really break it down and analyze both of their expressions and body language alongside what they're saying, you can start to see the cracks in it. what one of them is saying is not what the other one is hearing, in both directions. they are having two different conversations and i think it's critical to analyze both of those conversations and how they are interacting with each other. what josh says, what josh hears, what buck says, and what buck hears are four entirely separate things happening alongside each other.

the first part is josh trying to get a sense for how serious this relationship is to buck. when buck falters at the question of "do you love him?", he elaborates with follow-up questions that, to josh, define "love" or close enough to it. answering "yes" to those questions is close enough to a "yes" to the question of "do you love him?".

(which. ok. the particular choice of questions makes me insane because they do essentially boil down to "do you prefer this person to solitude and grant them an equal or greater importance to yourself?" which is sooo... it's said from the point of view of someone who greatly values their solitude and would not easily grant someone that level of importance.)

unfortunately, well, buck is NOT someone who greatly values his solitude, and puts other people before himself quite easily. buck would answer "yes" to those questions for basically anyone. josh does not know or understand this about buck and takes buck's answers at face value, while buck is taking this as sort of... it's hard to explain, and i think others have done a better job of capturing buck's perspective already tbh. he's convincing himself that he loves tommy here because josh is unknowingly handing him that information and expectation, and buck loves to mold himself to fit an expectation etc.

and then comes the second part, which... i think this is where it is most critical to realize that josh has none of the context about tommy, abby, and buck and those respective relationships. by his own admission, he didn't really know much about abby or about her breakup with tommy beyond the fact that it was upsetting. he didn't hear the way tommy talked about abby to buck at dinner, and he definitely didn't get to see any of the real fallout and damage to her psyche that tommy leaving her caused.

but buck did! im not inclined to rewatch s1 to get any exact quotes or anything but from what i remember, she either outright said or implied that she was so heartbroken because tommy left her because of her mother's illness. buck is understandably very upset because he understands exactly what she went through and how, unless abby was lying to not out him, he didn't exactly come clean with the breakup, and left her feeling like it was her fault, like there was something wrong with her or she was being weighed down by caring for her mother. he calls tommy's behavior exactly what it is: dishonest and cruel.

but josh doesn't know this. all he is hearing is a young, freshly out bisexual calling a gay man "dishonest and cruel" for having been engaged to a woman for his own protection. and he responds exactly how you'd expect! he reminds him of queer history and the fact that he doesn't really have a right to judge the people who grew up and had to survive in a world that was much less safe to come out in.

(and i said in my other post that's still doing numbers that "pre-Glee/post-Glee" is an actual queer discourse talking point and makes sense that it'd be used here, as awkward and cheesy as it seems, but it's also a win for my television/film/popular media/hollywood culture/etc. as a special interest headcanon. <3 we love to see it)

and it kills me because of course buck is just going to take this at face value and decide he needs to stop feeling the discomfort he's feeling, leading to the subsequent doubling down and over committing that is typical of his unhealthy relationship patterns.

(and then at the end of the speech josh has to literally announce that he's leaving DSJFHJKDSKJ. because walking away/ending conversations is so awkward and difficult and the easiest way to mitigate that is to lean into the Dramatic Homosexual Stereotype mask or whatever <3 i've long been of the opinion that josh is someone who uses the behaviors associated with queer men and queer masculinity as the blueprint for his neurotypical mask, which is why he often comes across as being just a little bit off from the Funny and Bitchy Gay vibes that it seems like he's going for. and boy did his exit from this scene just reinforce that headcanon so hard!)

they wrap the scene with a little bit more levity too which is kind of nice to like. move on from that. because it got kind of heavy there for a second.

overall i do like what this scene accomplished, but like i said at the start, i think it has some really unfortunate implications that weigh it down for me. still, always nice to get more josh content, especially when it's pretty consistent with his character as established AND not at all related to doing his job. we got to see him and maddie being goofy and maddie being allowed to let someone else deal with buck's problems for a second. and the whole thing was very well shot! excellent camera work going on throughout.

i don't actually know how to end this post so yknow. im gonna make a dramatic exit now or whatever <3

[kirkwallguy]

i rly think DA's companions peaked with rivalries lol, like that can create such interesting dynamics, when rivaled these people are still following hawke and you can still romance them, Interesting!! THat's cool! why are they doing that, staying with someone who's disagreed with them the whole time or done things they find objectionable - you get different dialogue in cutscenes too, they react to how you treat them (thinking with Merrill you can just chose to not give her the thing to fix the eluvian and you get a different scene after the quest) You can be mean, you can support them or not and they respond to that, it feels like your choices are affecting the characters around you. (diff game but alistair confronts you about Isolde and if you killed her, the kid, or got help, i'd have loved more of that!! more characters going "hey this was fucked up of you, why???" or "I'm glad you handled this" and then you can talk about it more, the companions having Thoughts on your good or bad behavior and actions and voicing it!) also I think not being able to just chat with the companions was a silly choice, especially with the fact that rook can be a crow or shadow dragon etc, wdym we cant just talk about that with the gang??? ask for their thoughts on it all and they ask for rooks, rook could voice support or question what the group is and what they're doing (kinda like with Wynne and mage warden, you can talk about the circles and voice your dislike or support for them), rook could ask for more information and if they know they could share, or they won't if rook isn't a part of that group and it's all meant to be secret or something - and maybe if you ask again when they have high approval they'll tell you anyway cause they trust you, more opportunities for lore and worldbuilding as well as exploring the characters a little more??

idk im :/ rambling lol, i just really enjoyed how much you could say and do in other games, dav feels limited? And like nothing was perfect in the other games but I feel like there were so many more opportunities to learn about everything and the characters felt so much more involved? I do love that the companions talk to each other at the lighthouse like thats great we get to see those dynamics more outside of party banter!

i LOVE the rivalry dynamic and it really helps with each playthrough feeling unique, a hawke who is besties with merril is so different emotionally to a hawke who rivals merril, and it feels like there's a near-endless number of combos? also being able to push back on companions is something people have been complaining about a LOT in dai and dav, being able to spend the entire game disagreeing with a character and still see their entire story (WITH extra dialogue and sometimes entirely different cutscenes to acknowledge the fact that you don't have a good relationship?) it solves such a fundamental problem with relationships in rpgs and i don't get why it isn't more frequently used lol

and yeah i can understand if they wanted to save money not doing chats in the lighthouse (tbh. the inquisition skyhold dialogue options were just annoying and useless to me especially when you had to exhaust them to trigger certain quests), but it just feels like it creates a distance between you and the companions when they can all have conversations with each other at the lighthouse but you can't speak to them? it just feels like such an important feature for the genre and the only other game in the series that doesn't have it is the one that was made in like a year

[vnknowcrow]

Really want to change my sole, Raymond to romance maccready in her story instead of danse because I've just fallen out of love with the paladin but there's a small problem that she is 38 and I feel like being 38 and old and mature n shit is really baked into her character and I don't think I can reasonably change it to like 26 without that certain amount of maturity feeling less real to me? I just get this weird taste in my mouth when I imagine a 38yr and a 22yr dating that is a me problem definitely but it's still there

[jerreeeeeee]

the thing is i very much understand the appeal of lupcretia narratively bc they are foils who betray each other and then forgive each other because the force of their grief and guilt brings them to an understanding and i also understand the appeal of blupcretia bc its a three person relationship who disagree on something major and split apart leaving one party feeling abandoned when the other two agree against her and what does that mean for the fact that the rest of their lives outside a horrible timeloop are supposed to start soon Because of that decision and disagreement like i get it narratively its interesting!! but here’s the thing: i just have an unshakeable belief that lup is straight

[pyrriax]

my fav freak girl

i was going to put the other alts under the cut but instead you get a link because i am NOT figuring this out again

[hecksupremechips]

The best feeling in the world is when there’s a piece of media you know you love and you’ve hyped it up as your favorite thing for so long but you haven’t revisited it in a while so you start to worry if it’s really as good as you make it out to be and so you go back and revisit it and it’s like. Oh this is even better than I remembered this shit rules

[waywardsalt]

now bc of that one post abt zelda getting fridged whenever that one guy directs a zelda game im thinking abt tetra just getting turned to stone in ph and like. what would it have been like if she were an actual character in ph. what would she have done how would this have changed the story

[yuridovewing]

results are in!! im skipping the rest of avos. yay :3

[theygender]

Yeah sure growing up abused may have left me with permanent scars on my psychological state that I'm still working to unpack, but on the bright side it gave me the ability to give a thoughtful in depth analysis of Roald Dahl's Matilda and all of its adaptations

[poobit]

i have many thoughts on how Mouthwashing handles the themes of abuse and the symbolism around it especially as a survivor ... im not gnna hold back so -

first of all i think since its clear the point Jimmy is dismissive of Anya´s personhood and his perception is warped towards what he does as a Captain rather than what he does as a man, it makes sense she doesnt get her own labyrinth or such , i cant argue around that because its realistic he´s so male focused he cant even bother to truly think about what he did to her, i would love it if Wrong Organ decides to do a side story vignette of her own perspective and view in the future if the game proves its successful enough for side content like that.

Assault is something usually not handled with subtlety in games, i think what struck me the most was how real the dialogue of her coping and suicidal ideations and how Curly responded to it felt , the dancing around the subject, the deflection, the "whats next" of the ever impending consequence of pregnancy, how Anya pleads for help from the person she trusts but nonetheless a man unequipped and too emotionally attached to the abuser to be able to confront him, its so real, Curly´s lack of initiative is something Jimmy fully takes advantage of the moment things dont go his way, he turns everyone against him even as a helpless body on a bed because he needed to be in control of the situation, thats what abusers do.

A more sensationalistic game would have easily played Anya´s helplessness and assault for shock for sure, because it would be easy, she is the archetypical victim trope, shes modeled in Wendy Torrance likeness from The Shining, shes meek and unsure of herself and Jimmy shoots her down from the very beginning to make her feel unqualified and cornered, but the furthest the games goes is making Jimmy terror towards the pregnancy and the baby as a boogeyman that crawls and tramples over him. No sights of bleeding legs or her crying or screaming and much less present objectification of her body (which is something that i always think the horror genre has such a struggle not grabbing onto, sexuality is mostly always played up in assault stories especially if the victim is an adult woman), she remains a fully clothed figure and maintains the agency to her own demise, away from Jimmy and beside Curly, which is tragic and obviously still a symptom of horror´s proclivity to back female characters into corners of self inflicted punishment, but the alternative would have been that sooner or later, Jimmy would have killed her.

Its clear to me that the game used Curly´s state as a way to put a barrier between Jimmy and Anya, we dont objectify Anya, but we objectify Curly, Anya doesnt just feel pained and unable to handle Curly´s medication because shes in a sensitive state, her comments about his noises and such draws a line between her trauma and her perception of things as Her fault, she cant handle hearing his struggles and cries trying to swallow a pill because it reminds her of her own helplessness, so she leaves the task to Jimmy, someone who has no qualms in forcing someone down, the emphasis of every treatment as a repetitive process and the sound design is all very poignant and for me, a great way to handle assault as a metaphor, Curly did not consent to being in this position, it is very much still Jimmy´s fault and the fact that Jimmy is basically keeping him alive against his will even to the last moment of the game says everything, Jimmy doesnt love Curly the same way he doesnt love Anya.

The horses are not lost on me, i think horses as animals are often seen as "viril" symbols, strong and often volatile, they can be often hard to mount but when one does the rider and animal are seen as this one all powerful entity, like centaurs, which also carry symbolism of assaulters mind you, so while maybe not intentional on the dev´s part i think it still points to the Horse as a symbol still important in the game, the only spoken audio lines of dialog come from the Pony Express mascot Polle itself, and they are the first to actually confront Jimmy´s self centered line of thought and over-focusing on Curly, if the Tulpar is akin to a beast of a burden then Jimmy beat the dead horse way long ago.

All in this to say that Mouthwashing was a really good experience and i really hope the dev team is interested on expanding a bit more on it because i trust their vision.

[1lovepeace]

I genuinely agree with your take. It's true that the trauma Rayla experienced doesn't excuse her actions, but it deeply explains the reasoning behind it. And in a way, you see Amaya soften up after seeing herself in Rayla in terms of being stoic, strong, and lonely in handing things alone. She's opened up more. Callum refuses to let Rayla push him away, that everything they do and face, they do it together, accepting his help and leaning on him for support. Little by little, she's growing and maturing, and I'm proud of her. There's still a long way to go for her, but she will get there.

With all the time that all four of Rayla's parents have spent self-reflecting, whether in the coins or while being alone and self-isolated from the community over the last two years, I sincerely hope that it can transition to all five of them reconciling, healing and repairing their broken, fractured family. No doubt that all 4 of her parents are incredibly scarred, haunted, devastated, and extremely hurt by the failures and negligence committed. Imagine the uncontrollable, horrifying nightmares they must be having of Rayla, being tormented by her memory every night. Their hurt, pain, heartbreak, emotional/psychological torture, and suffering are perhaps far worse than we imagined. I wouldn't even know where to begin with addressing Moonfam's family issues. But they deserve to have their family again after all they've been through.

But Rayla also has a right to feel and express her anger, resentment, disdain, animosity, and even her rage towards all four of her parents for what they put her through. Let her say what she needs to say. Let Rayla be angry and messy.

Seeing people crap on arc two Rayla genuinely makes me sad. I don't think many people truly realize the depth of Rayla's isolation. What happened to all the characters in arc one was horrible (I am not down playing that), Callum and Ezran lost their father, and Soren lost his family, but they all had Katolis to go back to. Their home. Rayla lost EVERYTHING. She lost the assassins who she grew up with and trained her, she lost her home, and worst of all she lost her parents. She lost Runaan and Ethari in one go, only months after her parents. And all she had to remember them by was what they taught her. And they taught her self sacrifice, they taught her to do questionable things in the name of protection and the greater good. Viren threatened everything she loved which WAS Callum and Ezran, and she thought he was still alive. She was stuck in fight or flight mode, she was bathed in trauma. And she had a point in TTM, everyone was just moving on, and didn't take or let her have anytime to truly grieve. She was in such a dark place in TTM and it influenced her decisions. She knows she did something wrong, she knows she hurt Callum. She hasn't brought herself to apologize yet, but why did we stop treating her as human? (Or elf, as it were)

Also hi, I've recently been liberated from TDP reddit

[ennabear]

i beg of you to write more mean abby.. i reread all of ur mean abby works religiously i swear i just love her too much ૮ ˶ᵔ ᵕ ᵔ˶ ა

ʕ≧ᴥ≦ʔ NONNIEEEEE STOP THIS JS TOO SWEET!!!! IM BLUSHING IM BLUSHING I LOVE YOU SO MUCH!!!!!!! sorry this is a lil bit messy, i haven’t really had time to lock in on anything official I HOPE THATS OKAY!!!! here are some thoughts… 18+

i think mean!abby is one of those people who are discreetly rich. she’s not the type of person to go on big fancy vacations, or buy expensive sports cars, or to always have the newest technology. before she met you, she probably spent most of her money on books or expensive brands of tea imported from countries she’s never even heard of. after she met you, though? she’d swipe her card a million times a day to see you smile.

the best way i can describe her personality is like some old cranky grandpa, the scary guy on the block who never smiles but is very confrontational. if you’ve seen her around, you’d know that she’s always wearing a scowl, only leaves her penthouse apartment early to go to the gym, and has beef with most of her neighbors. but if you know know her? she’s a sweetie pie. she loves spontaneous sweet treats, slow dancing to 70’s music, old horror films (mean!abby letterboxd goes CRAZY i just know), and most shockingly, her cats.

and she LOVES those fuckers. it’s so perfect how she can have a companion who’s quiet and small and independent, and two of them? barely any responsibility. they have an automatic feeder, entertain each other, and only bug her about once a day for attention.

as for her job, i could see her having two possibilities. one being an extreme workaholic. maybe an office job or a surgeon or something?? (NOT a nurse because they’re supposed to be good at talking to people…) OR she only really works part time, some freelance job that doesn’t really have any rules. a photographer or a tattoo artist or some sort of small business that she can mostly manage on her own. money has never been an issue for her, coming from a family of doctors. her ass was spoiled rotten as a kid, and after her dad died she inherited all of that money.

she’s the biggest protector in the world. someone was talking shit about you? she’s breaking their nose right now actually. i think the biggest reason she’s “mean” is because she actually just has anxiety. the last time she felt a love this strong, it was for her dad. she can’t afford to lose you like she lost him, so she always has to make sure you’re safe and sound. it’s not like she’s trying to be controlling by texting you every half hour, she just worries that maybe she won’t be able to protect you for once, and it’ll be at the worst possible time.

ok lock in here are some nsfw thoughts :3

you know that trope that’s like “big mean stoic character is actually the subbiest bottomest little puppy in the whole world.” yeah…. if you don’t agree what are you still doing here.

it definitely took her a while to be this vulnerable, but jesus christ is it worth it!!! the way you get to watch her squirm and whimper underneath you, knowing that you’re the only one who can make her feel this way. to give your big protective guard dog girlfriend a night off, to take care of her in return for all that she does for you.

and she lovessss being tied up!!!! something about the intimacy of knowing you’re gonna give her a good time makes her submit to you almost instantly. she has to trust you on this, has sit back and relax and let her brain melt because she physically can’t do anything about it.

when she does dom i imagine she’s a pretty big brat tamer. c’mon, not everyone has the luxury of having a girlfriend like her. if you don’t act grateful she’ll whip you in to shape. literally. she’s not afraid of a good spanking.

also she’s strapped up 24/7 but this is canon in every universe… no matter what she’s doing or where she’s going or who she’s gonna meet, the strap stays ON!!! just in case she may need it….

but she’s the aftercare QUEEN. of course. apart from the basics like food, water, cuddles, etc. she has tonssss of knowledge on proper aftercare. you’d never have to worry about being hurt or getting a uti or feeling unloved because she’s read every forum to exist about aftercare!!! i just know this bitch runs a tumblr kink blog like it’s the military… 🤦

that’s all…. going to eep now……

[liyawritesss]

ʟᴏᴠɪɴɢ ᴋᴇɴᴊɪ ꜱᴀᴛᴏ ᴡᴏᴜʟᴅ ɪɴᴄʟᴜᴅᴇ...

-> synopsis: what would life be like to love the worlds baseball darling and secret superhero Ultraman, Kenji Sato?

-> pairing: kenji sato + black!gn!reader

-> from: ultraman: rising

-> contains: pure fluff, gender neutral, mentions of emiko and emi, 2nd person ('you', 'your', 'yours')

-> a/n: these animators need to stop making these kid movies with fine ass main characters bc whyyyyyyy is he so cute??? why do i wanna baby him in my arms and tell him everything will be okay? LET THIS MAN KNOW PEACE PLEASE!!!

-> join my taglist!

-> tags: @badass-dora-milaje @uranometrias @lees-chaotic-brain @jacuzziwaters

Kenji Sato who loves loves loooooovveeesss those subliminal couples pictures. The ‘private but not secret’ ones. They’re so aesthetically pleasing to him and they allow him to show you off to the world while still maintaining an air of privacy that he cherishes deeply from the media. Kenji is proud to call you his, and wants to show that in all ways possible.

Kenji Sato who is heavy on the couples jewelry. He’s already got a couple of notable pieces in his collection beforehand, and they only expand when you come into his life. In fact, the speculations of his love life come from the fact that people were noticing that he was wearing pieces from brands that were specifically designed for couples. Of course, when asked about it, he never goes into depth about it, and just recites how he thinks they look nice on him…and on someone else.

Kenji Sato who introduces you to his mom only after he’s sure that he wants to be serious with you. I have a feeling Emiko is the type of mom to get attached to their child’s partner in the sense of already viewing them as part of the family very early on, and Kenji wouldn’t want to get her hopes up if something were to happen - he can’t stand to see his mom upset. But when he does introduce you to his mom, you two become the best of friends! So definitely expect to be sent on girls day adventures by Kenji, cuz he’ll definitely be treating the two most important women in his life like royalty.

Kenji Sato who requires a lot of patience to deal - I mean, the man has a lot going on. Being the number one baseball player in the world, saving Japan from threats as Ultraman, and caring for the large kaiju baby Emi is more than a lot on anyone's plate. Kenji’s gonna need someone to understand that his schedule is never solid, and plans may fall through from time to time, and thats not because he’s not trying, but it’s because spontaneity runs his life and things can change at the drop of a hat, out of his control. It’s not the life he asked for, but it’s one he must take on.

Kenji Sato who doesn't exactly know how to bring up the topic of him being Ultraman, much less about Emi, early on in the relationship. I mean, how often do you tell someone that you're Japan's legendary hundred-foot tall superhero or that you're the surrogate parent to a twenty foot tall baby dragon kaiju? As much planning that he does on telling you, it ultimately happens in the worse way possible - you end up finding him mid-transition with Emi in tow...now that's gonna be an interesting story to tell. Spoiler: you stay with him, but now he's subjected to jokes about how is ego isn't the only thing that blows up to an enormous degree.

Kenji Sato who appreciates a partner that can not only deal with spontaneity, but is also rather spontaneous themselves. Surprise dates, random gifts, adventurous propositions out of the blue, I think those kind of things are right up his alley. He’s learned to live life in the moment and to the fullest, because it can be taken from you within an instant, and he wants to cherish every moment he has with you.

Kenji Sato who would spend his money on you religiously. He’ll sit in the dressing room with you as you try on armfuls of clothes, only to hand you his credit card at the end of the haul with a kiss to your temple, encouraging you to buy it all if you desire. And don't let you look at something too long in a display window, because he will have it shipped to your address in two business days. Endless trips post-baseball season in secluded locations so that the two of you can optimize the privacy you desperately crave.

Kenji Sato who’s a little bashful and nervous in the beginning, but eases into the relationship as time goes on. He doesn’t wanna mess up something so good that he has going on. Opening up takes some time, as he’s got some high walls that are hard to climb, but once you do get him to open up and bare his heart to you, don’t take it for granted. He doesn't do this to everyone, only the people he feels will truly return the care and compassion he has - so don’t prove him wrong.

Kenji Sato who seeks your comfort in the middle of the night when sleep evades him, leaving him restless and anxious. Most times, its about his mom and her disappearance, a mystery that's never left his mind. If you don't wake up to find him sitting up in bed deep in thought, or trying to tire himself out in a simulation, he finds comfort in just cuddling you, admiring your sleeping form, and talks about the most random things until the sun begins to peak over the horizon.

Kenji Sato who’s sort of in between the serious lover and the playful lover - he’s maturing in his emotions and how to deal with his past, learning how to communicate better and express himself healthily. Simultaneously, he’s a goofball and a jokester reliving a bit of his childhood in his love with you. Playful banter, jokes and teasing are equally as present as the late night talks and the deep conversations the two of you share.

Kenji Sato who tucks the chain that has his promise ring on it close to his chest, and on game days, rubs his thumb over the gold band for comfort and assurance before he heads up to bat. During championships, he'll ask you to kiss it for good luck, and when he wins, he of course accredits it to you being his 'good luck charm'.

Kenji Sato who loves deeply and fervently, with compassion and the entirety of his heart, who will do his duty and love you unconditionally an proudly while shielding you from the cruel and prying eyes of the public, letting you know time and time again that it will always be you he chooses, no matter what.

If you enjoyed, please leave a like, comment, and reblog for others to see! And don’t be shy to send in a request!

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[crazylittlejester]

i don’t know if this is something Jojo is doing on purpose, or if it was an intentional detail but i grabbed and ran away with it, or if I’ve just completely read far to into things and entered the realm of just making shit up, but Warriors and his little crooked smile are so GODDAMN important to me and I am shaking him like a squeak toy (gently)

(big yap/analysis under the cut)

disclaimer, i just have a lot of thoughts, probably way too many thoughts, and 97% of them are about Wars so I might be insane, and what you’re about to read provided you’ve stuck around so far might be the equivalent of your high school english teacher yelling with tears in their eyes about how the curtains were blue to “symbolize her sadness”. also my apologies for weird spelling mistakes or oddly misspelled words, i am dyslexic 💔 but with that being said:

Warriors to me comes off as someone who’s constantly acting larger than life. He masks a LOT in front of the chain, he acts overdramatic and a bit ridiculous on purpose, and to an extent he just is a bit ridiculous, but his reactions to things are sometimes blow way out of proportion or are just larger than life in a comedic way where it just seems like he’s doing it intentionally. He comes across as a very extroverted, talkative person, and he seems like he’d honestly be a bit loud too (whether that’s who is REALLY is or what he’s REALLY like is a yap for another post). His (physical) image and the way his character/personality is perceived by others both seem like things that are not his CORE values or the things that mean the most to him, but they do seem to be at least a LITTLE bit important to him just based on how he presents himself and the way he acts. And to an extent, the whole thing with him caring so much about his looks is canon in LU, with that one sketch of him and Legend where he’s looking at his eye in a reflection of a shield and Legend says “alright break it up you two” being the first thing that comes to mind (which is in the post “Mirror Shield”, click the name for the link)

To me, from what I’ve seen and from my perspective, there are very few times we see an actual genuine smile from Warriors, and when we do it tends to be in moments where he’s not in the spotlight, he’s not trying to command the center of attention, and/or the focus is NOT on him. It tends to be moments where he just seems genuinely happy or at peace, and those seem pretty rare. He smiles a LOT, but the majority of his smiles seem big and flashy and performative, and not that that means he’s not happy AT ALL in any of those moments, but those smiles seem a lot more controlled and closely managed because he’s aware of the attention on him and therefore thinking about how he’s perceived. (I’ve made some posts in the past and I’ll probably make others in the future about how I think Warriors puts on this “Captain” or “Hero of Hyrule” persona because of how an entire war was started because a sorceress found him beautiful, and how he feels like him being just him isn’t really good enough for that and how he feels like he needs to fit in and look/act/seem like the legendary heroes he’s being compared to. He’s created this idea of what he COULD be and that’s what he presents to others, fake it till you make it and all that, but thats another yap for another day)

However there are these little moments where we see him smile, and the same one side of his mouth is pretty consistently always just a little bit higher no matter which way his head is facing (here’s a few examples):

@/linkeduniverse, from the 2023 monthly art, “January- Cold Sunrise”

@/linkeduniverse, both from “Dawn pt. 2”

And the thing that really started this whole headcanon of mine that his REAL smile is crooked was this specific part of Dawn pt. 2 where Warriors sees that Twilight is gonna be find for the first time after most likely worrying about him and being up all night:

That middle panel, to me at least, is probably the most genuine expression of a positive emotion we’ve seen from him this entire time. No one’s focus is on him, no one’s really looking at him, he doesn’t have the pressure of being the center of attention on him, and honestly even if that WERE the case, the genuine relief that hit him once he was Twilight was gonna be okay probably would’ve been enough to get a genuine smile out of him anyways. But the second he walks into the room officially, he kinda, for lack of a better way to put it, announces his presence and starts “acting” again (also from Dawn pt 2):

And while that same one side of his mouth does seem a bit higher and not very straight, it’s definitely more even than it was just five seconds previously

Now, acknowledging there is an art style, and that I also just might be insane, but Warriors’s smiles for the most part (when they seem controlled) appear to be a Lot straighter and more even to me than when it’s a more genuine moment and he doesn’t seem like he’s “acting” so much (and just a note: it certainly isn’t EVERY time, but in general, in moments like these his smile seems consistently straighter unless he’s just flat out smirking. and im not saying it’s PERFECTLY straight either, just noticeably more even). When he’s being more dramatic or intentionally obnoxious or the attention is on him, it really does feel like his smile is more controlled: here are just a few examples, obviously this isn’t every single time he’s smiled in all of LU

@/linkeduniverse, from “Swords”

@/linkeduniverse, from “Shady Escape pt 2”

@/linkeduniverse, from “Divine Dark Reflections pt. 8”

@/linkeduniverse, both from “Magic Sword”

am i looking too far into a little thing? probably. am i insane? yeah. but i just really love the idea that when Warriors is truly, genuinely happy, the part of himself that he tries to hide, the sweet and caring person he hides underneath all the dramatics, that true self he’s probably kept hidden away since the start of the war who’s been buried under insecurity and hidden because of the fear that who he is just isnt ENOUGH peaks through, and that person comes out through his happiness in the form of his smile. and yeah it does probably mean nothing and Jojo might not have done any of this on purpose, but i’m crazy, and Warriors’s crooked little smile is so so important to me *insert image of a guy crying face down on the floor because unfortunately i’ve hit the image limit*

[possiblylando]

HTP; Ghoul Lore Audio Log Spoilers/Analysis/Discussion

Dude holy shit uh Spoiler barrier and then all in cause

Okay Okay fuck where to begin this episode literally changes everything okay I guess lets start at the Draught. Based on what we know about this unique Draught, it means Grimal might not be the ghoul?? If the ghoul potentially has this Draught (which I vaguely doubt will come into play in this arc specifically) it could mean anyone could be the ghoul so long as they were only in a place without 1 other person. Atleast I assume so because if they could use this high power Dominate on multiple people simultaneously then this whole operation would be cooked from the start. While I was very mixed on the idea of Gloria as the Ghoul previously, I think its far more possible now. This high level Dominate (Lets assume 4 dots) This ghoul could have access to Rationalize or Forgetful Mind, Or any others in that category. If Grimal is was being commanded to act that could explain why everything is so suspicious around her. Have someone else go in and take care of Occam while the ghoul sits with someone else and has the perfect alibi. So now I think the possibilities for Ghoul are; 1. Grimal is the Ghoul (The Draught is a red herring and simply setting up something in a future arc instead of this current one.) 2. Gloria is the Ghoul & has this Draught; this is based more on Vibes and the fact Gloria doesn't actually do too much in part 1 outside checking Occam's pulse. If she's the ghoul and commanded someone (Namely Grimal) to attack Occam, she would have a vested interested in knowing if the attack was successful. Okay thats about it for my thoughts on the Ghoul right now. Onto the far more important bit of this episode. Because this was not simpyl a Ghoul Lore episode, THIS WAS A MARCKUS LORE EPISODE TROJAN HORSE.

But before the deep Marckus shit- Markus was 12 in 1988. Door was present and seems to be in his 20s or 30s. Boy has not been born yet and Boy is 11 in 2006 so he was born in like 1995. So I think its reasonable to place door as being in his 20s here, having Boy in his 30s. This means Door is probably 8-15? (Maybe) years older than Markus which would make him roughly 40 in modern day. D does look markedly younger in these photographs but I'm not sure if thats art style or actually because he's aged. It does put a damped on my thoughts about D being MUCH older than he seems. But we do know his previous Ex-Wife Rozalia (The Ghoul) is roughly 108 in modern day. It seems to be implied D had met & later married her after she was pretty deep into being a ghoul so there probably was a large age gap already. But it still kinda stands out to me. D is very afraid or Marckus becoming a Ghoul because he sees himself in him. I don't necessarily think D was a ghoul (thought it could explain his weird age). Thought all this might be confirmation Bias as in the more recent episodes D's hair has been more consistently colored with grey streaks when compared to earlier episodes where it was more like a sheen in his hair. It just feels like D has done too much to only be roughly in his 60-70s and very fit. While older people can certainly be in good physical condition it doesnt seem like D has suffered any real negatives from aging? He's MINIMUM 18 years older than Door who is in his 40s but again that's a low ball. I don't know. Alright time for the Marckus stuff. So its rather basic background knowledge that HTP's main cast is inspired by the cast of Warhammer 40k TTS. Now up until this point I had thought it was mostly a baseline thing. Only really carrying over personalities and vague relationships between characters while having the freedom to change them with that background knowledge. But based on this episode it appears to be more relevant.

Whatever the fuck Marckus managed to summon, It was something not even D understood. This is in directly parallel with 40k's Magnus who Marckus is based on. For those who don't know about 40k lore (I don't blame you its VERY long.), Magnus is a Primarch (Emperor's special kids) who ended up being manipulated by 40k's god of trickery and ended up fucking up literally everything because of his lack of thinking things through and the influence of said trickster god. Gods in 40k are manifestations of humanity (and alien's) collective subconscious minds and often take the forms of their most volatile negative aspects. They're entited formed from 'The Warp' which is the source of magic in 40k. Magnus is very naturally tuned to the warp. Almost all the issues in TTS (and 40k) relating to Magnus are because he has a MASSIVE complex. He craves parental affection and affirmation but in TTS every time he thinks hes denied it, some shit goes wrong. When he actually gets that parental affection (Earlier season 2 iirc) he mellows out alot until finding out the only reason the emperor (D's counterpart) brought him back was so that Magnus would act as a pawn and decoy in his 5d chess game to deal with political enemies. Magnus is not happy about this. With all this background information, whats present in this episode slots into place. Marckus seems to have forgotten about the incident yes. The better case is that he blocked out the memory due to trauma. But the worse possibility is that a seed was planted. One that's been festering within him since that time. D may be planning to tell Marckus everything in a few months, But I get the feeling before those months are up, That seed will sprout. In one form or another, Marckus will be given the option to go down the same path of darkness as his predecessor. I don't think Marckus would go for such a path without a push but the one providing that push might be D, even if unintentionally. D is so focused on the forest that he's missing the trees.