#i feel like thats an important part of her character and like

[vnknowcrow]

Really want to change my sole, Raymond to romance maccready in her story instead of danse because I've just fallen out of love with the paladin but there's a small problem that she is 38 and I feel like being 38 and old and mature n shit is really baked into her character and I don't think I can reasonably change it to like 26 without that certain amount of maturity feeling less real to me? I just get this weird taste in my mouth when I imagine a 38yr and a 22yr dating that is a me problem definitely but it's still there

[maroonless]

✦ template

ta da!!

not that i was active here in the summer but that was the lowest of my art progress. i didnt do a lot of full pieces this year which is a little sad, but also im not gonna kick myself while im down; i did what i wanted and could, and thats more important

if you cant tell, i got into nu: carnival around august (maybe july? i made euri in may/june but didnt really kick into gear on him until a month or two later) and it all went downhill up from there ♫

i really should start showing you guys more of Newgold, though ... ive been so focused on euri and my little one-offs like Zookeeper and Love Knockout (am i naming my "one-shots"/stories that i dont know if fit newgold? yes), but i think if any of you are actually here for stories (especially of the fantasy genre, if not the Gay Ass Shit) youd love it. theres at least 5 years worth of worldbuilding & plot built up over daresay 20+ characters ?

anyways since ill probably be lazy about doing anything immediately feel free to shoot any asks about it. trust me if you get me started i wont shut up

[jerreeeeeee]

the thing is i very much understand the appeal of lupcretia narratively bc they are foils who betray each other and then forgive each other because the force of their grief and guilt brings them to an understanding and i also understand the appeal of blupcretia bc its a three person relationship who disagree on something major and split apart leaving one party feeling abandoned when the other two agree against her and what does that mean for the fact that the rest of their lives outside a horrible timeloop are supposed to start soon Because of that decision and disagreement like i get it narratively its interesting!! but here’s the thing: i just have an unshakeable belief that lup is straight

[pyrriax]

my fav freak girl

i was going to put the other alts under the cut but instead you get a link because i am NOT figuring this out again

[jackass-jones]

The best feeling in the world is when there’s a piece of media you know you love and you’ve hyped it up as your favorite thing for so long but you haven’t revisited it in a while so you start to worry if it’s really as good as you make it out to be and so you go back and revisit it and it’s like. Oh this is even better than I remembered this shit rules

[waywardsalt]

now bc of that one post abt zelda getting fridged whenever that one guy directs a zelda game im thinking abt tetra just getting turned to stone in ph and like. what would it have been like if she were an actual character in ph. what would she have done how would this have changed the story

[sparklecur]

heehee hoo i love anxiety i love being anxious over people not reblogging my stuff

[poobit]

i have many thoughts on how Mouthwashing handles the themes of abuse and the symbolism around it especially as a survivor ... im not gnna hold back so -

first of all i think since its clear the point Jimmy is dismissive of Anya´s personhood and his perception is warped towards what he does as a Captain rather than what he does as a man, it makes sense she doesnt get her own labyrinth or such , i cant argue around that because its realistic he´s so male focused he cant even bother to truly think about what he did to her, i would love it if Wrong Organ decides to do a side story vignette of her own perspective and view in the future if the game proves its successful enough for side content like that.

Assault is something usually not handled with subtlety in games, i think what struck me the most was how real the dialogue of her coping and suicidal ideations and how Curly responded to it felt , the dancing around the subject, the deflection, the "whats next" of the ever impending consequence of pregnancy, how Anya pleads for help from the person she trusts but nonetheless a man unequipped and too emotionally attached to the abuser to be able to confront him, its so real, Curly´s lack of initiative is something Jimmy fully takes advantage of the moment things dont go his way, he turns everyone against him even as a helpless body on a bed because he needed to be in control of the situation, thats what abusers do.

A more sensationalistic game would have easily played Anya´s helplessness and assault for shock for sure, because it would be easy, she is the archetypical victim trope, shes modeled in Wendy Torrance likeness from The Shining, shes meek and unsure of herself and Jimmy shoots her down from the very beginning to make her feel unqualified and cornered, but the furthest the games goes is making Jimmy terror towards the pregnancy and the baby as a boogeyman that crawls and tramples over him. No sights of bleeding legs or her crying or screaming and much less present objectification of her body (which is something that i always think the horror genre has such a struggle not grabbing onto, sexuality is mostly always played up in assault stories especially if the victim is an adult woman), she remains a fully clothed figure and maintains the agency to her own demise, away from Jimmy and beside Curly, which is tragic and obviously still a symptom of horror´s proclivity to back female characters into corners of self inflicted punishment, but the alternative would have been that sooner or later, Jimmy would have killed her.

Its clear to me that the game used Curly´s state as a way to put a barrier between Jimmy and Anya, we dont objectify Anya, but we objectify Curly, Anya doesnt just feel pained and unable to handle Curly´s medication because shes in a sensitive state, her comments about his noises and such draws a line between her trauma and her perception of things as Her fault, she cant handle hearing his struggles and cries trying to swallow a pill because it reminds her of her own helplessness, so she leaves the task to Jimmy, someone who has no qualms in forcing someone down, the emphasis of every treatment as a repetitive process and the sound design is all very poignant and for me, a great way to handle assault as a metaphor, Curly did not consent to being in this position, it is very much still Jimmy´s fault and the fact that Jimmy is basically keeping him alive against his will even to the last moment of the game says everything, Jimmy doesnt love Curly the same way he doesnt love Anya.

The horses are not lost on me, i think horses as animals are often seen as "viril" symbols, strong and often volatile, they can be often hard to mount but when one does the rider and animal are seen as this one all powerful entity, like centaurs, which also carry symbolism of assaulters mind you, so while maybe not intentional on the dev´s part i think it still points to the Horse as a symbol still important in the game, the only spoken audio lines of dialog come from the Pony Express mascot Polle itself, and they are the first to actually confront Jimmy´s self centered line of thought and over-focusing on Curly, if the Tulpar is akin to a beast of a burden then Jimmy beat the dead horse way long ago.

All in this to say that Mouthwashing was a really good experience and i really hope the dev team is interested on expanding a bit more on it because i trust their vision.

[1lovepeace]

I genuinely agree with your take. It's true that the trauma Rayla experienced doesn't excuse her actions, but it deeply explains the reasoning behind it. And in a way, you see Amaya soften up after seeing herself in Rayla in terms of being stoic, strong, and lonely in handing things alone. She's opened up more. Callum refuses to let Rayla push him away, that everything they do and face, they do it together, accepting his help and leaning on him for support. Little by little, she's growing and maturing, and I'm proud of her. There's still a long way to go for her, but she will get there.

With all the time that all four of Rayla's parents have spent self-reflecting, whether in the coins or while being alone and self-isolated from the community over the last two years, I sincerely hope that it can transition to all five of them reconciling, healing and repairing their broken, fractured family. No doubt that all 4 of her parents are incredibly scarred, haunted, devastated, and extremely hurt by the failures and negligence committed. Imagine the uncontrollable, horrifying nightmares they must be having of Rayla, being tormented by her memory every night. Their hurt, pain, heartbreak, emotional/psychological torture, and suffering are perhaps far worse than we imagined. I wouldn't even know where to begin with addressing Moonfam's family issues. But they deserve to have their family again after all they've been through.

But Rayla also has a right to feel and express her anger, resentment, disdain, animosity, and even her rage towards all four of her parents for what they put her through. Let her say what she needs to say. Let Rayla be angry and messy.

Seeing people crap on arc two Rayla genuinely makes me sad. I don't think many people truly realize the depth of Rayla's isolation. What happened to all the characters in arc one was horrible (I am not down playing that), Callum and Ezran lost their father, and Soren lost his family, but they all had Katolis to go back to. Their home. Rayla lost EVERYTHING. She lost the assassins who she grew up with and trained her, she lost her home, and worst of all she lost her parents. She lost Runaan and Ethari in one go, only months after her parents. And all she had to remember them by was what they taught her. And they taught her self sacrifice, they taught her to do questionable things in the name of protection and the greater good. Viren threatened everything she loved which WAS Callum and Ezran, and she thought he was still alive. She was stuck in fight or flight mode, she was bathed in trauma. And she had a point in TTM, everyone was just moving on, and didn't take or let her have anytime to truly grieve. She was in such a dark place in TTM and it influenced her decisions. She knows she did something wrong, she knows she hurt Callum. She hasn't brought herself to apologize yet, but why did we stop treating her as human? (Or elf, as it were)

Also hi, I've recently been liberated from TDP reddit

[ennabear]

i beg of you to write more mean abby.. i reread all of ur mean abby works religiously i swear i just love her too much ૮ ˶ᵔ ᵕ ᵔ˶ ა

ʕ≧ᴥ≦ʔ NONNIEEEEE STOP THIS JS TOO SWEET!!!! IM BLUSHING IM BLUSHING I LOVE YOU SO MUCH!!!!!!! sorry this is a lil bit messy, i haven’t really had time to lock in on anything official I HOPE THATS OKAY!!!! here are some thoughts… 18+

i think mean!abby is one of those people who are discreetly rich. she’s not the type of person to go on big fancy vacations, or buy expensive sports cars, or to always have the newest technology. before she met you, she probably spent most of her money on books or expensive brands of tea imported from countries she’s never even heard of. after she met you, though? she’d swipe her card a million times a day to see you smile.

the best way i can describe her personality is like some old cranky grandpa, the scary guy on the block who never smiles but is very confrontational. if you’ve seen her around, you’d know that she’s always wearing a scowl, only leaves her penthouse apartment early to go to the gym, and has beef with most of her neighbors. but if you know know her? she’s a sweetie pie. she loves spontaneous sweet treats, slow dancing to 70’s music, old horror films (mean!abby letterboxd goes CRAZY i just know), and most shockingly, her cats.

and she LOVES those fuckers. it’s so perfect how she can have a companion who’s quiet and small and independent, and two of them? barely any responsibility. they have an automatic feeder, entertain each other, and only bug her about once a day for attention.

as for her job, i could see her having two possibilities. one being an extreme workaholic. maybe an office job or a surgeon or something?? (NOT a nurse because they’re supposed to be good at talking to people…) OR she only really works part time, some freelance job that doesn’t really have any rules. a photographer or a tattoo artist or some sort of small business that she can mostly manage on her own. money has never been an issue for her, coming from a family of doctors. her ass was spoiled rotten as a kid, and after her dad died she inherited all of that money.

she’s the biggest protector in the world. someone was talking shit about you? she’s breaking their nose right now actually. i think the biggest reason she’s “mean” is because she actually just has anxiety. the last time she felt a love this strong, it was for her dad. she can’t afford to lose you like she lost him, so she always has to make sure you’re safe and sound. it’s not like she’s trying to be controlling by texting you every half hour, she just worries that maybe she won’t be able to protect you for once, and it’ll be at the worst possible time.

ok lock in here are some nsfw thoughts :3

you know that trope that’s like “big mean stoic character is actually the subbiest bottomest little puppy in the whole world.” yeah…. if you don’t agree what are you still doing here.

it definitely took her a while to be this vulnerable, but jesus christ is it worth it!!! the way you get to watch her squirm and whimper underneath you, knowing that you’re the only one who can make her feel this way. to give your big protective guard dog girlfriend a night off, to take care of her in return for all that she does for you.

and she lovessss being tied up!!!! something about the intimacy of knowing you’re gonna give her a good time makes her submit to you almost instantly. she has to trust you on this, has sit back and relax and let her brain melt because she physically can’t do anything about it.

when she does dom i imagine she’s a pretty big brat tamer. c’mon, not everyone has the luxury of having a girlfriend like her. if you don’t act grateful she’ll whip you in to shape. literally. she’s not afraid of a good spanking.

also she’s strapped up 24/7 but this is canon in every universe… no matter what she’s doing or where she’s going or who she’s gonna meet, the strap stays ON!!! just in case she may need it….

but she’s the aftercare QUEEN. of course. apart from the basics like food, water, cuddles, etc. she has tonssss of knowledge on proper aftercare. you’d never have to worry about being hurt or getting a uti or feeling unloved because she’s read every forum to exist about aftercare!!! i just know this bitch runs a tumblr kink blog like it’s the military… 🤦

that’s all…. going to eep now……

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[pinksilkribbons]

MAMA SAID: Yandere! Jason Voorhees x F! Reader

CW/TW: bullying, sort of stalking (?), ableism, kidnapping, canon divergence, death (not mentioned in detail at all)

i might make a part two if you guys want it idk. also the end is kinda rushed sorry lol. i love jason sm and i really tried to explore his character a bit here, specifically younger jason.

Yandere! Jason Voorhees who you met at camp.

This was your first time attending and you were pretty nervous. Your whole life you've always been a little shy around new people, and your mother decided it would be the perfect opportunity for you to make some new friends.

No matter how much you whined and begged she was dead set on you going. You even faked a fever, and she still wouldn't budge! And so, here you were: Hot, sweaty, and carrying an overpacked duffel bag.

Yandere! Jason Voorhees who has been to camp crystal lake a few times now. Thanks to his past experiences he knows his way around pretty well. He also knows who to avoid and not mess with. Since a lot of people like to pick on him, he's kind of took it upon himself to be prepared for anything.

Thats why he makes sure to hide behind some trees, closely watching the entrance. It's important that he knows what to expect or, in this case, who to expect.

First comes in Mia and her twin brother Mikey. The two of them don't really mess with him much so there isn't much concern there. Next, Terri. Terri was pretty mean to him, but she never got physical. As long as he stayed quiet and out of her way things should run smoothly.

A few more campers who he isn't familiar with walk through. A sick feeling sets in his stomach. The kind that tells you something bad is going to happen. His mother warned him of this. They were expecting far more campers than usual this year...he wishes he could say it excited him.

To his dismay, the last few campers rush through. A terrible chill runs through his body at the sight of his bully. Or, well, bullies. There's a small group of kids who especially get a kick out of messing with him.

Last year they set up a "prank" in his cabin and poured an entire bucket of water over his head while he slept. When he started choking, they just ran off while giggling. If his mother didn't come to help him who knows what could've happened.

Among the group is a new person. A girl, actually. A pretty one at that. Jason zeroes in on the pretty girl as they all walk in together. The leader of the group, Alex, is walking much closer to the girl than anyone else.

Of course, she's probably his girlfriend. I mean, they're pretty young but he's seen a few people claim to be dating anyway. But he's noticed it's a different kind of dating compared to what the counselors do. Kind of weird.

Jason sometimes wishes he could have a girlfriend. Maybe even just a friend. He just wants someone to talk to. Someone to play with. Someone to look at him and not be disgusted or scared.

"Jason! I made your favorite!" His mom calls from a distance.

As weird as it may seem, Jason feels a connection to the girl already. If he worked up the courage, he'd like to speak with her...even if it's just once. He really wanted to stay and watch her some more, but he knew better than to worry his mama. So, he walks through the woods and makes his way towards the cafeteria.

Yandere! Jason Voorhees who has been discreetly searching for you. Most campers are near the campfire making s'mores, but you're nowhere to be found. As risky as it is Jason makes a decision. Besides, there's a camp counselor not too far from here so he should be safe.

"Hey, Alex? Can I ask you s-something?"

The blonde swifty turns back and scowls at him. Jason already feels a sense of fear creeping up his neck. "What do you want, freak?"

With a deep breathe he continues. "Uhm...what happened to your friend? The...girl?" The last part comes out as if he's questioning if he saw correctly. If that girl was even real at all.

Alex's face seems to get even more annoyed by the second. He jumps up and hands his friend the pack of marshmallows he was holding. The bully glances around, clearly checking to see if any adults or counselors are within range. The two of them meet eyes and there's an unspoken agreement.

He won't do anything when a counselor is just over there.

A leaf crunches under his shoe as he moves closer. Jason wants to move back, every inch of his body is ushering him to get away, but his fear keeps his feet right where they are.

"Listen to me, mama's boy", his words come out venomously, "[Name] is my cousin and if you know what's good for you, you'll stay away from her." Tears surface near the end of Jason's eyes at the harsh tone. He feels ashamed for even crying anymore. It's happened so many times that he should be used to it by now.

Alex and his friends cackle loudly. Whatever they're saying he's sure it isn't nice. No matter, though. Jason already feels himself cheering up. He speeds up and swings open the cafeteria door, making his mother jump in surprise.

The boy can't help the wide grin taking over his face.

"Goodness, baby! Knock next time. I almost had a heart attack."

His mother's words don't even register in his mind. He may not know where the girl is, but he knows her name now. That's a win in his book!

Even her name is pretty.

Yandere! Jason Voorhees who finally sees you again during lunch. A few of the newer campers were calling him names so he ran off with his sandwich in hand. He finally came to a stop once he was a little deeper in the woods, and there you were, sitting against a tree and drawing a sketch of the lake.

A blush rushed to his cheeks and he nervously ducked behind a nearby tree. Unfortunately, you'd heard him and jumped up rather quickly.

"Who's there?" You asked, eyes scanning for anyone nearby. He stayed quiet and hoped you'd just dismiss the sound.

"I'm serious, Alex. After that stunt you pulled last night you're lucky I didn't tell anyone." You seemed to pause, as if you were waiting for a response. "Hello...Alex? Is it you?"

Jason felt a bit bad when he seen you so scared. You held the sketch book to your chest tightly and your legs were trembling in fear. His mom taught him to always be honest and true so, maybe he should just come out. "Uhm. It isn't Alex..." He said, slowly peeking his head from around the tree.

"Oh."

The two of you stood there awkwardly taking in each other. To his surprise you didn't seem disgusting or scared. Just curious, if anything. He felt a little nervous being looked at so thoroughly. You hated him already, didn't you?

"Sorry about that. I'm [Name]. Jason, right?" You tucked the sketchbook under your arm and reached out with the other, offering him a shake. Jason's hand trembled against your own, yet still firmly shook all the while.

You hadn't spoken with him much, but he has quite the reputation at camp, so you've heard of him. No good things unfortunately. He didn't seem like a bad guy to you though. Just a different one.

Yandere! Jason Voorhees who you became friends with ever since that handshake. He introduced you to his mom and she was more than excited to learn her son made a friend.

Yandere! Jason Voorhees who you sneak into the cafeteria with at night to steal some sweet treats. The two of you haven't got caught once since the counselors are never doing their job anyway.

Yandere! Jason Voorhees who you defend from bullies. Including your cousin Alex. Sometimes it ends with the both of you bleeding, but you don't care about that! Jason is your friend and you're not going to stand by and let him get bullied!

Yandere! Jason Voorhees who loves watching you draw. At night after scoring some cookies, the two of you sit near the lake and he watches you sketch. His favorite was a self-portrait you drew, and since he liked it so much, you signed it and let him keep it.

Yandere! Jason Voorhees who can't find you at breakfast time. When he asked him mom she simply told him that she didn't know. So, he decided to go check on you. As he approaches the girls cabin a counselor stops him with a strict look on her face.

"Can I help you?" Jason fails to mask his look of annoyance. Since when did they start caring about the kids around here? "M-my friend [Name]. I couldn't find her at breakfast and wanted to make sure she's okay."

"Oh, her. Yeah, she's sick. For some reason they're making me watch the kid." Her emphasis on 'me' made it seem like it was an insult for her to have to watch [Name]. How stuck-up.

From this alone Jason could tell today would be a rough one.

Yandere! Jason Voorhees who suddenly gets ambushed by Alex and several other campers when he walks back near the campfire. They rush towards him and begin pulling the white mask off his face, shouting insults all the while.

"I heard [Name] got sick! Bet he gave her the cooties!"

"Ew, look at his face! I can see why he wears that thing around."

"You're such a mama's boy. Too good to hang out with the rest of us, huh?"

A terrible feeling settles on his chest. He'd been bullied before, but so many people throwing insults at him all at once was a lot to handle. Too much to handle.

With newfound adrenaline Jason runs off, not even realizing that he's nearing the dock. All he can think about is getting away. He just wants it to stop. He hates himself. He hates his face, his personality, he hates all of it. A part of him wishes he was never born.

He just wants to be left alone!

The voices of the campers get louder. They're Approaching. They're getting closer. And suddenly, Jason is right back to that same day.

That day where he approached Alex and asked about [Name]. That same day he couldn't move and was just frozen with fear. He hated how he felt then. And he never wants to feel that way again.

He has to move! He has to do something!!

So... he jumps into the lake.

Yandere! Jason Voorhees who misses you more than anything. He misses his mother too, of course, but she was still with him. In spirit at least.

"You should go find her, Jason", his mother tells him.

And He wants to. He wants to find you. He wants to hug you again. He wants to eat cookies with you again. He wants to sit by the trees and watch you draw again. He misses his old life. He misses you.

"So go find her and re-live that life."

If he leaves then who will watch over camp? Forget it. It would be selfish of him to leave their home unattended for his own desires. Anything could happen while he's gone! Besides, there's no telling how long it'll take him to find you.

The voice of his mother laughs a bit. "You're so sweet, my son. I will lead you to her. A quick trip. Here and back."

Jason was still hesitant to agree. But if mama said it'll be okay, then it should be okay. Right?

Yandere! Jason Voorhees who finds your apartment quicker than he expected. Judging by the boxes scattered throughout different rooms, he's assuming you've only just moved in.

He snoops around a bit out of curiosity. Can you blame him? It’s been years since you’ve seen each other. He finds a picture of you graduating high-school in the living room. He realizes then that he’s never met your parents.

Moving forward, he creaks open the door to your bedroom. In the corner he spots a canvas with a few strokes of paint on the surface. He isn’t sure what you were trying to paint, but it makes him happy to know you’re still into art just as much as back then.

Luckily you live alone. He was a little worried about having to kill someone in order to bring you back with him. He didn't want to ruin your clothes with blood or anything like that!

The second he sees your sleeping face he feels a warm feeling hug his heart. It had been too long. You lost all that baby fat and now had a mature, even more beautiful face. Not that he expected any different. You were always so gorgeous to him.

Yandere! Jason Voorhees who grabs you out of bed and throws you against his shoulder. You wake up pretty quickly and start kicking and squirming as soon as you register what’s going on. Who the hell even is this?!

“Hey! L-let me go!!” You start banging your fists against his back but it doesn’t even seem to affect him. He just keeps walking and walking, not speaking a single word the entire time.

Eventually, you begin sobbing. Your throat goes dry from how much you’ve been screaming. It is pretty late, but how come no one is coming to save you? Why can’t anyone hear you?

The cold air is eating at your legs since you slept in a cami top and some shorts. Your captor still has yet to speak. He also has a super tight grip. It would definitely bruise. If you even make it out of this alive.

“Please…” You beg, slowly losing hope. There are no street lights, cars, houses…nothing. He was taking you to a secluded area to do who knows what to you. This was the end. This was how you’d die.

After a few more minutes the man grunts and swings open a door. It’s pitch black outside so you aren’t exactly sure where you’re at. “Please, just let me go.”

He stays silent and lays you down on a bed surprisingly gently. Before you can even blink he’s binding your hands against the headboard with some rope. His hands move fast to make sure you have no chances of running away.

You feel more tears fall down your cheeks. How could this happen to you? Why was this happening to you?

Yandere! Jason Voorhees who feels bad for tying your hands up. He didn’t miss the way you winced in pain. Mama said it would be necessary until you get used to living here though.

When she says it’s time, he’ll allow you to take them off.

“She’s so beautiful, Jason. It’s only a matter of time until she gets comfortable with you again. Until then, she’ll have to stay like this. . .”

He hates this. Jason just wants to untie you and hug you like old times! He hates seeing you so sad, so scared. He feels bad for even doing this in the first place.

He trusts his mama, though. So for now, he’ll stay patient and wait for you to come around.

Just like mama said.

[crazylittlejester]

i don’t know if this is something Jojo is doing on purpose, or if it was an intentional detail but i grabbed and ran away with it, or if I’ve just completely read far to into things and entered the realm of just making shit up, but Warriors and his little crooked smile are so GODDAMN important to me and I am shaking him like a squeak toy (gently)

(big yap/analysis under the cut)

disclaimer, i just have a lot of thoughts, probably way too many thoughts, and 97% of them are about Wars so I might be insane, and what you’re about to read provided you’ve stuck around so far might be the equivalent of your high school english teacher yelling with tears in their eyes about how the curtains were blue to “symbolize her sadness”. also my apologies for weird spelling mistakes or oddly misspelled words, i am dyslexic 💔 but with that being said:

Warriors to me comes off as someone who’s constantly acting larger than life. He masks a LOT in front of the chain, he acts overdramatic and a bit ridiculous on purpose, and to an extent he just is a bit ridiculous, but his reactions to things are sometimes blow way out of proportion or are just larger than life in a comedic way where it just seems like he’s doing it intentionally. He comes across as a very extroverted, talkative person, and he seems like he’d honestly be a bit loud too (whether that’s who is REALLY is or what he’s REALLY like is a yap for another post). His (physical) image and the way his character/personality is perceived by others both seem like things that are not his CORE values or the things that mean the most to him, but they do seem to be at least a LITTLE bit important to him just based on how he presents himself and the way he acts. And to an extent, the whole thing with him caring so much about his looks is canon in LU, with that one sketch of him and Legend where he’s looking at his eye in a reflection of a shield and Legend says “alright break it up you two” being the first thing that comes to mind (which is in the post “Mirror Shield”, click the name for the link)

To me, from what I’ve seen and from my perspective, there are very few times we see an actual genuine smile from Warriors, and when we do it tends to be in moments where he’s not in the spotlight, he’s not trying to command the center of attention, and/or the focus is NOT on him. It tends to be moments where he just seems genuinely happy or at peace, and those seem pretty rare. He smiles a LOT, but the majority of his smiles seem big and flashy and performative, and not that that means he’s not happy AT ALL in any of those moments, but those smiles seem a lot more controlled and closely managed because he’s aware of the attention on him and therefore thinking about how he’s perceived. (I’ve made some posts in the past and I’ll probably make others in the future about how I think Warriors puts on this “Captain” or “Hero of Hyrule” persona because of how an entire war was started because a sorceress found him beautiful, and how he feels like him being just him isn’t really good enough for that and how he feels like he needs to fit in and look/act/seem like the legendary heroes he’s being compared to. He’s created this idea of what he COULD be and that’s what he presents to others, fake it till you make it and all that, but thats another yap for another day)

However there are these little moments where we see him smile, and the same one side of his mouth is pretty consistently always just a little bit higher no matter which way his head is facing (here’s a few examples):

@/linkeduniverse, from the 2023 monthly art, “January- Cold Sunrise”

@/linkeduniverse, both from “Dawn pt. 2”

And the thing that really started this whole headcanon of mine that his REAL smile is crooked was this specific part of Dawn pt. 2 where Warriors sees that Twilight is gonna be find for the first time after most likely worrying about him and being up all night:

That middle panel, to me at least, is probably the most genuine expression of a positive emotion we’ve seen from him this entire time. No one’s focus is on him, no one’s really looking at him, he doesn’t have the pressure of being the center of attention on him, and honestly even if that WERE the case, the genuine relief that hit him once he was Twilight was gonna be okay probably would’ve been enough to get a genuine smile out of him anyways. But the second he walks into the room officially, he kinda, for lack of a better way to put it, announces his presence and starts “acting” again (also from Dawn pt 2):

And while that same one side of his mouth does seem a bit higher and not very straight, it’s definitely more even than it was just five seconds previously

Now, acknowledging there is an art style, and that I also just might be insane, but Warriors’s smiles for the most part (when they seem controlled) appear to be a Lot straighter and more even to me than when it’s a more genuine moment and he doesn’t seem like he’s “acting” so much (and just a note: it certainly isn’t EVERY time, but in general, in moments like these his smile seems consistently straighter unless he’s just flat out smirking. and im not saying it’s PERFECTLY straight either, just noticeably more even). When he’s being more dramatic or intentionally obnoxious or the attention is on him, it really does feel like his smile is more controlled: here are just a few examples, obviously this isn’t every single time he’s smiled in all of LU

@/linkeduniverse, from “Swords”

@/linkeduniverse, from “Shady Escape pt 2”

@/linkeduniverse, from “Divine Dark Reflections pt. 8”

@/linkeduniverse, both from “Magic Sword”

am i looking too far into a little thing? probably. am i insane? yeah. but i just really love the idea that when Warriors is truly, genuinely happy, the part of himself that he tries to hide, the sweet and caring person he hides underneath all the dramatics, that true self he’s probably kept hidden away since the start of the war who’s been buried under insecurity and hidden because of the fear that who he is just isnt ENOUGH peaks through, and that person comes out through his happiness in the form of his smile. and yeah it does probably mean nothing and Jojo might not have done any of this on purpose, but i’m crazy, and Warriors’s crooked little smile is so so important to me *insert image of a guy crying face down on the floor because unfortunately i’ve hit the image limit*

[certifiedducky]

whenever i see a post/merch/ad of the "main five" and its zoe instead of chloe a part of me dies a little AND ITS NOT BECAUSE I HATE ZOE

im a queen bee defender until i die, but i like the idea of zoe. the reason i hate seeing promos of ladybug, chat noir, rena rouge, carapace, and VESPERIA is because she sticks out like a sore thumb. she holds little to no weight in the overall story(which the same could be said about nino but thats an entirely different issue and a rant for another day)

chloe is a big character, she has a lot of development and complicated relationships with our protagonists. she earned her spot, narratively speaking, to hold one of the Seven main miraculous. zoe did not. zoe showed up during one of the later seasons, did nothing but serve as a replacement, and is treated like she holds as much weight in the story as chloe. AND ITS TO THE DETRIMENT OF HER CHARACTER!!! again, if chloe has no fans im dead, but they could've made zoe work, there was a lot brought to the table when they introduced chloe's illegitimate sister, but they did nothing with it. and you can feel the void every time vesperia gets called on screen and she's this piece of cardboard with a backstory about being scared to be nice or something but she's being treated like an Important Character.

[possiblylando]

HTP; Ghoul Lore Audio Log Spoilers/Analysis/Discussion

Dude holy shit uh Spoiler barrier and then all in cause

Okay Okay fuck where to begin this episode literally changes everything okay I guess lets start at the Draught. Based on what we know about this unique Draught, it means Grimal might not be the ghoul?? If the ghoul potentially has this Draught (which I vaguely doubt will come into play in this arc specifically) it could mean anyone could be the ghoul so long as they were only in a place without 1 other person. Atleast I assume so because if they could use this high power Dominate on multiple people simultaneously then this whole operation would be cooked from the start. While I was very mixed on the idea of Gloria as the Ghoul previously, I think its far more possible now. This high level Dominate (Lets assume 4 dots) This ghoul could have access to Rationalize or Forgetful Mind, Or any others in that category. If Grimal is was being commanded to act that could explain why everything is so suspicious around her. Have someone else go in and take care of Occam while the ghoul sits with someone else and has the perfect alibi. So now I think the possibilities for Ghoul are; 1. Grimal is the Ghoul (The Draught is a red herring and simply setting up something in a future arc instead of this current one.) 2. Gloria is the Ghoul & has this Draught; this is based more on Vibes and the fact Gloria doesn't actually do too much in part 1 outside checking Occam's pulse. If she's the ghoul and commanded someone (Namely Grimal) to attack Occam, she would have a vested interested in knowing if the attack was successful. Okay thats about it for my thoughts on the Ghoul right now. Onto the far more important bit of this episode. Because this was not simpyl a Ghoul Lore episode, THIS WAS A MARCKUS LORE EPISODE TROJAN HORSE.

But before the deep Marckus shit- Markus was 12 in 1988. Door was present and seems to be in his 20s or 30s. Boy has not been born yet and Boy is 11 in 2006 so he was born in like 1995. So I think its reasonable to place door as being in his 20s here, having Boy in his 30s. This means Door is probably 8-15? (Maybe) years older than Markus which would make him roughly 40 in modern day. D does look markedly younger in these photographs but I'm not sure if thats art style or actually because he's aged. It does put a damped on my thoughts about D being MUCH older than he seems. But we do know his previous Ex-Wife Rozalia (The Ghoul) is roughly 108 in modern day. It seems to be implied D had met & later married her after she was pretty deep into being a ghoul so there probably was a large age gap already. But it still kinda stands out to me. D is very afraid or Marckus becoming a Ghoul because he sees himself in him. I don't necessarily think D was a ghoul (thought it could explain his weird age). Thought all this might be confirmation Bias as in the more recent episodes D's hair has been more consistently colored with grey streaks when compared to earlier episodes where it was more like a sheen in his hair. It just feels like D has done too much to only be roughly in his 60-70s and very fit. While older people can certainly be in good physical condition it doesnt seem like D has suffered any real negatives from aging? He's MINIMUM 18 years older than Door who is in his 40s but again that's a low ball. I don't know. Alright time for the Marckus stuff. So its rather basic background knowledge that HTP's main cast is inspired by the cast of Warhammer 40k TTS. Now up until this point I had thought it was mostly a baseline thing. Only really carrying over personalities and vague relationships between characters while having the freedom to change them with that background knowledge. But based on this episode it appears to be more relevant.

Whatever the fuck Marckus managed to summon, It was something not even D understood. This is in directly parallel with 40k's Magnus who Marckus is based on. For those who don't know about 40k lore (I don't blame you its VERY long.), Magnus is a Primarch (Emperor's special kids) who ended up being manipulated by 40k's god of trickery and ended up fucking up literally everything because of his lack of thinking things through and the influence of said trickster god. Gods in 40k are manifestations of humanity (and alien's) collective subconscious minds and often take the forms of their most volatile negative aspects. They're entited formed from 'The Warp' which is the source of magic in 40k. Magnus is very naturally tuned to the warp. Almost all the issues in TTS (and 40k) relating to Magnus are because he has a MASSIVE complex. He craves parental affection and affirmation but in TTS every time he thinks hes denied it, some shit goes wrong. When he actually gets that parental affection (Earlier season 2 iirc) he mellows out alot until finding out the only reason the emperor (D's counterpart) brought him back was so that Magnus would act as a pawn and decoy in his 5d chess game to deal with political enemies. Magnus is not happy about this. With all this background information, whats present in this episode slots into place. Marckus seems to have forgotten about the incident yes. The better case is that he blocked out the memory due to trauma. But the worse possibility is that a seed was planted. One that's been festering within him since that time. D may be planning to tell Marckus everything in a few months, But I get the feeling before those months are up, That seed will sprout. In one form or another, Marckus will be given the option to go down the same path of darkness as his predecessor. I don't think Marckus would go for such a path without a push but the one providing that push might be D, even if unintentionally. D is so focused on the forest that he's missing the trees.

[thewertsearch]

Anonymous asked: i really love how all the ancestors have 8 letter titles which is so clearly just because our Primary Source on them is mindfang. like she absolutely did that on purpose. you know already that homestuck plays around with metanarrative and stuff, and i just love how many characters in homestuck we can learn about through the way they tell stories/serve as an author, either in small ways or large ways. like… vriska trying to Retroactively Make Herself More Important by Inserting Herself Into Various Important Moments is a way of trying to "be the author of her own story" right? but at the same time, she's largely trying to follow imitate mindfang, who she only knows about through the way SHE told stories, so she can't try to imitate what mindfang was really LIKE in life even if she wanted to, she can only imitate the way she AUTHORED that. and because vriska (unlike us) doesn't have the luxury of experiencing her own life as a story, i think thats part of what makes her so prone to Bad decisions, because things that seem The Most Dramatic in stories (like how mindfang wrote her own story down, likely embellishing for flair) aren't actually great decisions in real life.

Marquise

Orphaner

Summoner

Redglare

Sufferer

Expatri8 (Expatriate)

Looking at the Ancestors who've been namedropped so far, it really does feel like Mindfang deliberately twisted Zahhak's title into an eight-letter word. If she did have some sort of system, though, it seems to have fallen apart when naming the highbloods. Neither the Empress nor the Grand Highblood have any known eight-letter titles.

Edit, because I can't count: The Condesce does, in fact, have an eight-letter title. The Highblood, I believe, does not.

Also, that's such an interesting take on why Vriska's Like That. She's modelling herself off an embellished version of Mindfang - in other words, a completely fictional character.

And here she is, looking down on Tavros for trying to imitate Rufio. Glass houses, Vriska!

@manorinthewoods asked: On the subject of the Radio Troll… Communer, Conveyor, Observer, and on the names front, Hermitia or Voxcraft? Can't come up with any more, sorry. ~LOSS (10/9/24) Anonymous asked: The hostess is such a cool name :0 There's so many doc scratch parallels you could do with it. Well, like, anti-parallels. Perpendiculars? We'll workshop that one. You get what I mean

Right - in light of the eight-letter Ancestor titles, should the Hostess have a different name? It seems like more of a general trend than a hard rule. Maybe I'll come up with one later.

I am fond of the Reporter, but I'm not sure if I prefer it to the Hostess. I didn't even think about drawing parallels between her and Scratch, but that's an idea with real potential.

@ben-guy asked: Very exciting to finally see you reach the ancestor introductions! Fun fact: The English VA for Deku was once well known in the HS voice acting community if I'm remembering correctly. His most well known contributions are still spoilers as of me writing this, but I will say it involves the ancestors!

Wait, really? It's always wild when I hear about any real-life celebrities who are in any way involved in Homestuck. I'm still reeling about the fact that Zuko's voice actor is a fan.