#i feel like so many action based series have this trope of like

[uraniumglassgirl]

I luv mahito so much hes so great

[fabuloustrash05]

Why I Love 2012 Raphael

A TMNT 2012 Character Appreciation/Character Analysis Post

If you know me or follow me here or on Instagram then you know that my favorite Ninja Turtle is Raphael. More specifically, Raphael from the TMNT 2012 series. Nowadays, this version of Raph gets a lot of unfair hate from fans (new and old), which I find to be ridiculous. So I decided to show this turtle in red some love and express my reasons as to why I love 2012 Raphael. 

To start, I wanna give some love and appreciation to Raphael’s voice actor, Sean Astin. His voice was perfect for the role. I feel so many other Raphael voices try too hard to make him sound manly and more of a giant muscular brute, often forgetting that he is just a teenage boy. Sean does a good job making Raph sound tough when needed, but still making him sound like he is a teenager. He does a great job balancing Raph’s rude attitude but also his gentle and sweet side as well. Also he nailed those girlish screams! XD I feel voice actors nowadays don’t get a lot of recognition, so I wanted to show my appreciation here.

The biggest thing I love about Raphael is his development in the show. I’d argue he had the most/best character development among the four Turtles. We all know how he is in the beginning of the series, being rude, hotheaded, constantly picking fights with Leo and other characters. The show makes it obvious that Raph in S1-2 is scared of his own emotions and feelings, the only time he truly opens up and expresses himself is when he talks to his pet turtle, Spike. The best way I can describe Raph’s character is that he is the “tough guy with a heart of gold” trope. I believe one of the show’s producers, Ciro Neili, even confirmed that was their intention when creating Raph’s character for the show. Raph is a brute, a hothead, but deep down he's a big softie. A lot of Raphael haters seem to forget or ignore that fact about his character. Yes, he is mostly known throughout the fandom to be the hothead, he is the muscle of the group, but he is also the protector. Raph knows that, so if he comes off as weak, then he loses that title. Deep down Raph, and the people around him, know that he is a big softy who loves and cares for others, but he keeps up this tough guy persona in order to protect and seem strong for the ones he loves most. 

As the series goes on Raph learns to open up to others, he grows to respect Leo as a leader and seems to control his temper way more by Season 5. On rewatch I notice in S4-5, Raph only ever gets mad for valid/understandable reasons, mainly when someone is hurting/threatening his loved ones. How did this happen? I believe Raph’s development started when he lost Spike in season 2.

Slash and Destroy is one of my favorite Raphael focused episodes and I will stand by and say that this episode was the beginning of Raph’s character development. In the episode, Raph’s pet Spike gets mutated and becomes Slash, targeting and attacking Raph’s brothers. As a reminder, up to this episode, the only person Raph could express his true feelings to was Spike. Everytime Raph ranted negatively about his brothers, Spike was there to hear it, causing him to have a negative view on Leo, Donnie and Mikey. Slash shows pure hatred for the brothers, especially Leo. After brutally attacking Leo, Slash smiles and says “Been looking forward to that for a long time.” The mutagen warped Slash’s brain, making him go crazy and viciously attack Raph’s brothers because like Raph said earlier in the episode, he doesn’t need them. Raph gets a visual representation of his words and negative thoughts towards his brothers in action through Slash. Slash’s purpose in this episode is to represent all of Raph’s anger and frustration he’s had for his brothers over the years based on what he told Spike. By the end of the episode, Splinter comforts Raph and suggests that he should “focus on the friends he has in the present''. For all of Raph’s life, he trusted and relied only on Spike, but Spike is now gone, so Splinter indirectly advises his son that it is time to trust and rely on others, to not bottle up his emotions, advice that Raph takes.

As the show goes on, Raph slowly progresses, opening up more to others, which will eventually lead to him having two great things in his life come season 4 (but we’ll talk about them later).

Casey was another part of Raph’s development that some fans don’t notice. Donnie makes a comment that Casey being around is like having two Raphaels. While Raph and Casey become best friends because of their similar personalities, Casey is also a reflection of Raph. When around Casey, Raph has to be the level headed one, the responsible one. He criticizes Casey for not being stealthy like a ninja in the S2 episode Newtralized and not planning ahead in the fight (remind you of anyone? *cough* Leo *cough*). When they first meet, Raph gives Casey the same exact advice his father gave him earlier in the episode that “anger is a dangerous alley”. Casey is a more reckless version of Raph, something Raph unknowingly sees and tries to help and protect, he has to be the mature one in their dynamic, opposite to when he’s teamed up with Leo and gets to be the rebel again. It’s like he’s getting a taste of his own medicine.

Not to mention, Raph met Casey after he lost Spike, having a new friend he can rely on. Later on in the episode Newtralized, after meeting Slash, Casey says, “Is that your old pet turtle? The one who got mutated?”. This little piece of dialogue is so important to Raph’s character but it sadly goes over a lot of people’s heads. It indirectly tells us that off screen, Raph has opened up to Casey and told him about a traumatic and hard time in his life. Progress that we will continue to see as the show goes on.

Season 3 Raph at the Farmhouse was the peak of his character development! Raphael took charge in that arc. He became the temporary leader of the group when Leo was out of commission due to his injury. After losing their father (reminder they thought Splinter was dead by this point), being chased out of their home and the city, and losing to one of their greatest enemies, Raph stepped up. He took care of everyone. He made sure that Donnie, Mikey and even April kept up with their ninja training, he was the one who is always prepared during an attack or new threat (ex: when he and the others were trapped in the geyser in the episode Eyes of The Chimera and he was the only one with a grappling hook to help them get out, criticizing his brothers for not being true ninjas and how they should be prepared for anything). April even states that for months, Raph stayed by Leo’s side when he was in his coma, refusing to eat or sleep, and when Leo did wake up, Raph was the first to help him get back on his feet, taking him out on walks to help get his strength back. 

Raph not only was there for Leo, but he was there for Donnie. After Donnie gets heartbroken when April rejects his music box gift in the episode A Foot Too Big, Mikey is sympathetic, but Raph hits Donnie with a much needed reality check. He tells him bluntly “It's never gonna happen, Donnie. We're mutants. She's a girl. You're a giant talking turtle. The sooner you get used to it, the better.” Even with that though, Raph acknowledges his brother’s broken heart and quickly tries to cheer Donnie up and get his mind off April with some training. Then later in the episode, when Donnie expresses how uncomfortable he is with Big Foot’s romantic gestures, Raph once again nails it perfectly by telling him, “Now you know how April feels.” Some may say what Raph said was mean and how he should’ve put him down more gently, but in truth this was something Donnie needed to hear and no one else was gonna do it any time soon! Someone had to open his eyes to the situation, and Raph was the perfect candidate. 

The final brother dynamic in the farmhouse arc with Mikey and Raph was little when it came to screen time, but Raph still shows how much he loves his little brother after Mikey gets captured by the Punk Frogs in the episode The Croaking. As soon as he sees Mikey, Raph drops everything mid fight to hug his brother, relieved for his safety, though the hug abruptly ends after Raph and Mikey find the situation to be “weird”, a very brotherly response if you ask me XD 

With this, we know full well how much Raph loves his brothers. Despite his “lone wolf” attitude in season 1, Raph makes it clear from the very beginning that he does care about his brothers more than anything else in the world. He's loyal, he stays by his brothers' side and has admitted countless times that he would rather die than see them get hurt. "I have no problem risking my own life, but risking my brothers?" (S1 ep14) and he states this again in the next season, “Sorry, Slash. My brothers come first, no matter what.” (S2 ep7). Raph makes it clear (to the audience) that his brothers and his family always come first (so I don’t know why fans keep saying he hates them).

Also, anyone that says that he abuses and is a bully to Mikey needs to go touch some grass because that is a big fat lie and you obviously didn't watch the show (or you're an only child). Brothers are going to fight and pick on each other. That is normal! As someone with an older brother (who is much like Raph btw), I can confirm that siblings to this and in the end we still love each other and have each other’s backs. Out of all the brothers Raph is the most protective of Mikey. The second he learns that Mikey is hurt or someone wants to harm him he is the first going in for the attack or the first one to take action to protect Mikey and bring him to safety.

I mentioned this earlier, but I love how Raph grows/learns to respect Leo as a leader, though he still questions his brother’s judgment from time to time. By season 5, in the episode The Forgotten Swordsman, Raph and Mikey are out on patrol and start talking about Leo. Mikey expresses concern for Leo to which Raph says “He just misses Master Splinter. Being sensei's hard on him. I just wish we knew-”. Raph gets cut off, so we never know what he was going to say, but I headcanon he was going to say “I just wish we knew how to help him.” Raph acknowledges Leo’s growing stress and pressure of being the new sensei after Splinter’s death and he wants to help out anyway he can, but he (and everyone else) just don’t know how. He looks up to and respects Leo and cares about him a lot more than fans and even he himself believe.

Though we see very little moments of them, my overall favorite brother dynamic is Raph with Donnie. I like how Raph is the only brother who is direct and tries to help Donnie move on from his crush on April because he worries and cares for Donnie and knows he’s sensitive when it comes to his feelings. Even when Raph shows disapproval of Donnie’s crush on April, Raph will still be a wingman for Donnie. In the episode Operation: Break Out, after rescuing April’s dad from the Kraang prison, Raph starts hyping Donnie up in front of April to make him look good. Also Donnie refers to him and Raph as “The New A Team” in the episode Arena of Carnage (Mikey does too at one point in another episode, but later he calls him and Raph “Team Awesome”). I just think Donnie and Raph are a fun team and a very underrated sibling duo of “brains and brawn” in the series. It deserves more love and attention from fans.

I’ve talked about how much Raph cares for and is loyal to his brothers, but he is the same towards his friends too. He's protective of April, being the one to go rescue her from the Kraang in the episode The Kraang Conspiracy. He’s even the one who’s words get to April when she was possessed by the alien Za-Naron in the episode The Power Inside Her, reminding April about how much she cares for Donnie which gives her the strength she needed to free herself from Za-Naron’s control. Raph shows he cares for Casey's safety when they do dangerous missions that are out of Casey’s element and was the one who made sure Casey was safe when he was cursed by Alopex’s blade in season 4, and despite their past, Raph is always worried and shows concern for Slash.

Raph shows throughout season 2 that he has faith in Slash to turn to the side of good (something Raph gets proven right about later on). Raph is even one of the first people to trust Slash when he returns with his new team The Mighty Mutanimals in season 3, despite Leo's harsh judgements and suspicion.

The strange thing is, it is usually the other way around, with Leo wanting to make allies and Raph being the distrusting one, a dynamic switch we will see again in season 4…

I can’t make a 2012 Raphael appreciation post/character analysis without talking about the queen herself, Mona Lisa! As mentioned previously, Raph is a softie, and one of the biggest examples of that is when it comes to his relationship with his love interest, later girlfriend, Y’gythgba aka Mona Lisa. When trying to survive on the ice planet, Raph is the only one to suggest that he and the others should team up with the Salamandrians to find the metal they need to fix their ships and get off the planet. Though Raph’s plan is highly motivated by his newfound feelings for Mona, he knows that it is the best option that can help save his family and friends, and despite Leo dismissing the idea, Raph sneaks off alone to convince the Salamandrians himself. 

Raph’s feelings for Mona Lisa have always interested me, specifically how he fell for her. Unlike his brothers with their love interests being the cliche “love at first sight”, Raph’s was “love at first fight”. We all know how Raph fell for Mona, they fought each other after a misunderstanding and after one good punch to the face Raph was smitten. He quickly began admiring her strength, acknowledging what a power punch she gave him, and amazed by her skills and spirit as a warrior. Raph admits right from the start that he loves Mona because she's “bigger, stronger and a better fighter than” him. He never once feels that his masculinity is being threatened when around her, and throughout their relationship never told her to not be herself. He loves that she's better than him as a warrior and can beat his shell! He shows excitement at the suggestion of him and her sparring together someday in the episode The War for Dimension X. He adores her, and never cares about others' judgment regarding his relationship with her. When Casey laughs at him after discovering his crush on her, instead of denying his feelings or getting angry at Casey and later the others for mocking him (something we would expect Raph to do), Raph instead continues expressing his romantic interest in her to everyone. He opened up about his feelings to others! If S1 Raph met and fell in love with Mona, I’m convinced he would’ve been a tsundere and just be in denial about it the entire time, not wanting to look soft because he has a crush. Raph met Mona at the perfect time in his life. He has emotionally mature. In truth, I think Mona made Raph a better man and was the key to help him continue his character growth throughout the rest of the series.

A good example of how much Raph has changed and matured is when Mona betrayed him in the episode The Evil of Dregg. Discovering that his first love, the one person he trusted “more than anyone in the galaxy” betrayed him, broke Raph’s heart and his fighting spirit. When Mona pleads for forgiveness, you can understand Raph’s anger and now he’s not quick to forgive her, but even when he’s mad at her he still loves her. Look at Raph right before Mona goes off into battle:

If he was truly mad at her, he wouldn’t be looking back, his back would be fully turned, refusing to have his eyes meet with her’s. He looks back at her but he’s not looking at her with anger or hatred, it’s sorrow. Raph still cares, he’s just hurt at the moment. Because of the betrayal, Raph believes that everything he and Mona have been through meant nothing to her, but then Mona assures him that his doubts are wrong when she tells him that she loves him for the first time, and that’s all Raph needed to hear to bring back his fighting spirit and run into battle to join her. Raph even snaps and tries to kill Lord Dregg after he harmed Mona and shows just how far he’ll go for her if someone ever tries to harm her (he does it again in S5 when Bishop insults Mona, he quickly jumps in to defend “his woman”). By the end of the episode, Raph and Mona reconcile. Him forgiving her shows how much Raph has grown as a character. S1 Raph would never have forgiven her, he would’ve held the grudge and not let go of it, but this Raph knows what Mona did was out of her control, she was blackmailed, so Raph did the mature thing, understood her situation, and forgave her. Him forgiving her shows how strong their love for each other is, and they keep on showing how much they love one another throughout the rest of the series. 

Some other little details about Raph’s character that I like is that he's an animal guy. With his first pet Spike and the rooftop pigeons, we see a side of him that everyone else rarely gets to see. This minor trait about his character speaks a thousand words. It shows that he is gentle and caring at heart despite his tough persona he gives out to everyone else. We see this not only with Spike in seasons 1-2, but also later in seasons 4-5 with his new pet, Chompy Picasso.

By the time Chompy enters Raph’s life, he has matured. The purpose for Spike was for Raph to have someone to talk to about his feelings and express himself without judgment. Spike was like a therapy dog. Chompy however is not that. Raph has learned to open up by this point in the story, so he doesn’t need Chompy to talk about his personal problems and frustration as much as he had with Spike. Yes, Chompy is there to listen to Raph but at this point in the story Raph is open and expressive and not afraid to show his feelings to others. Raph has probably mention things to Chompy he still wouldn’t say to others (like in The Tale of Tiger Claw, he talks about Mona Lisa to Chompy, seeming that this isn’t the first time he’s done this), but Chompy isn’t a pet for Raph to vent to, instead he was a way for Raph to learn a new responsibility. Chompy is just a baby who just needs someone to love him, to look after and care for him, and Raph is that someone. He took a big responsibility to take care of Chompy after it was believed that his mother, Tokka, was killed. Raph doesn’t need another therapy dog, no, Chompy needs a caregiver, and when Tokka returns to take back her baby, she sees how much Chompy loves Raph and decides that it is better for him to stay on Earth with Raph where she knows he will be safe. I will always stand by this: Raph needed Spike, Chompy needed Raph.

This is probably an unpopular opinion, but I think Raphael is more similar and a parallel to Splinter than Leonardo is. Leo may be Splinter’s “best pupil” and next in line to be sensei for the Hamato Clan, but Splinter and Raph have a lot more in common than the show’s canon or even the fandom acknowledge and it hurts to think of the wasted potential. Raph obviously inherited Splinter's temper. We see in flashbacks that when Splinter was a young man he had an uncontrollable temper that Shredder could easily manipulate, and we still sometimes see that temper blow up in the show when Splinter is upset and disciplining his sons. There’s more similarities though than just them both being hotheaded. They both have a love and appreciation for art. Splinter mentions in Lone Rat and Cubs that he always wanted to be an artist, and it’s well known he loves the renaissance artists. Raph being an artist is a cute and fun little detail about his character that I really like and you see many times in the show, but fans barely acknowledge. He’s the one who painted the Venus pin up girl on the Party Wagon, he gives his girlfriend the nickname “Mona Lisa” (which he indirectly tells her that every time he calls her Mona Lisa he is reminding her that she is a beautiful work of art), and names his pet "Chompy Picasso" after the artist Pablo Picasso. Not to mention that both men know the pain and fear of the woman you love dying in your arms. I love Raph’s relationship with Splinter in the show, and it’s honestly way more interesting than Leo and Splinter’s.

I love their little “Spike, chew on your leaf…” bit in season 1 and how they bond over the Japanese mantra to help Raph overcome his fear of insects in season 4 (btw Raph being scared of bugs was so fun, I like the trope of the big strong dude being scared of something so small and harmless). The episode ends on a fun note, Splinter tells Raph to not tell the others of the mantra cause he “might use that trick on them one day”, showing that Splinter has a devious fun side to him similar to Raph’s.

Is 2012 Raphael perfect? Not at all. No character is. He still has flaws, but I feel that’s what makes him such a fun character still. I feel he had the best and most character development in the series. I love his voice actor, I love his character development, I love his relationship with his brothers, friends and girlfriend, I love all the little character details about him from his love of animals to his passion in art. It’s just my personal opinion, but I think 2012 Raph is the best version of Raphael. He has faced injustice in this day and age with fans misrepresenting his character and hating him for the wrong reasons. You don’t have to like him, everyone has their own opinions on certain characters and I respect that, but there’s a time when not liking him goes too far with saying he’s a bully and abuses his family. The haters can go argue with a wall, 2012 Raphael is the best and I love him, and I hope this post made you appreciate him a little bit more too <3

[girlfriendsofthegalaxy]

tuesday again 10/22/2024

rare tuesdaypost with no fallow sections. i CANNOT find the exact image i am looking for (mouse-drawn person sitting on bar stool with ankles crossed and blushing with eyelashes) but i feel like i found a lot of things this week that charmed me immensely. rare many such cases of many interests intersecting.

listening

almost exactly a year ago i wrote about jolynn j chin's SHIFTED, a piano jazz piece where the time signatures change on every bar, which came with an explainer video that is, spiritually, a physics video.

she's done it again with OFF TIME and a full album of equally bonkers concepts. i have a brain that is fairly good at manipulating 2D things (yarn, fabric) into 3D things but i do Not have this kind of math brain. wild shit.

-

reading

thank you philip for overseeing the photography of this trio of DELILAH DIRK graphic novels from Tony Cliff. i saw these on the library shelf and went "holy shit i read one of these as a webcomic in high school".

very well-paced indiana jones and james bond adjacent pulp adventures, with a soupcon of steampunk conveyances for taste. delilah started life in 2007 when strong snappy female characters were far less common. this is particularly...not quite grating, but very notable in the first two books (published in 2013 and 2016 respectively). they are intended to be middle-grade (disney villain falling deaths, no tits or ass, etc), but they punch far above their intended age range. a particularly interesting reckoning with the long-suffering native guide trope. not a series overly concerned with historical accuracy, although it's certainly more grounded in real history than you might expect of a middle-grade pulp adventure graphic novel. more colonial political concerns than i remembered or expected.

the art is really killer in all three books. tony cliff really knows the effect of a good page turn spread.

he also has a very charming way of illustrating continuing action across a huge panel. all four shots are from The Pillars of Hercules (2018) bc it happened to be the last one i read and the one with by far the most ambitious art.

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watching

tubi has acquired the streaming rights to most of the batman animated movies. i keep getting served ads on instagram for an upcoming animated film about batman and the yakuza, where the premise is that a portal from real-life japan has opened up over gotham and the yakuza are pouring through like a demonic horde. this seems to be a sequel to batman ninja (2018, dir. Junpei Mizusaki)

Batman, along with his allies and adversaries, finds himself transported from modern Gotham City to feudal Japan.

batman ninja includes the lines:

I’m going to rule this country and turn it into a kingdom of monkeys and rewrite the history of the world!

and

What am I going to do with you, Batman? You’ve destroyed a perfectly good giant robot castle!

i would describe this as more of a feature-length animation showcase than anything else. the haters on letterboxed didn't even give it an average of 3 but that's bc they hate fun. this is some real weeb shit. this is not a grimdark or particularly thoughful batman entry. this is an entry to clap your hands in glee at the giant gundam vs monkey army fight. they have once again done my favorite comics boy jason todd dirty but what the fuck else is new.

so much fun even on just the like tree field guide level of identifying the six or seven animation styles. plus everyone's feudal japan looks are sick as shit.

was it Good? no. was i delighted at nearly every moment? fuck yeah.

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playing

EXCEPTIONALLY charming embroidery-based game jam game, Cross Stitched by Panzerr here for free on itch.io. made in godot. god bless.

(image from the developer) you've got your little baba yaga house gundam in the center constantly firing projectiles, and you have to keep these fucking birds back. you can WASD around the edges of the tapestry, and your health is in the top (i really love how it gets "ruined" dark chunks taken out of it as you lose health, like a piece of embroidery decaying) and the bottom black bar of motifs fills up as you make progress towards adding another level and another piece to your powerup level tapestry.

(following images from me) you do have to think about your placement and plan it out a bit, and you can't embroider over something you've already stitched. would not recommend surrounding your initial base damage motif with other motifs bc then you've sort of fucked yourself over. a really simple concept (a good bite size for a game jam) elevated by a very fun visual style and great music. really delighted me! i am so jaded by my time in the video game marketing mines that i forgot they can be fun actually!

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making

unphotographable: too many bugs in my house! tried to replace the weatherstripping on my front door and discovering that both the front door and the storm door were installed incorrectly and should probably be replaced.

in better news, the newest pathetic little waif in the office bathroom has been freshly neutered and will be going to a nice cushy indoor home next week-ish. whenever he is fully recovered. the most polite cat i have ever had in this carrier: did not piss, shit, or throw up.

KO'd by six cc's of various goops. poor man.

[willowisapillow]

👑🍑 Why Peach Is One Of My Favorite Comfort Characters 🍑👑

It’s Princess Peach Month, babes, and as a fangirl, I’m obligated to make a post like this become a reality. Feels quite sinful that I wasn’t able to jack for the month last year (aside from reposting some cringy fanart), but this year I’ll try and bring my A game this year. Was also inspired to make this post after reading some articles that are in defense of characters that are in a similar vein to Peach, like Daphne Blake and the Disney Princesses (specifically the classic ones like Snow White, Cinderella and Aurora).

Last year, I made a post where I partially went in defense of the pink diplomat, but for this post, I’m gonna go in full defense of her, and also why she’s personally special to me.

Now, where do I even begin? Imo, Peach has been one of the most unnecessarily lambasted, maligned, overhated but also misunderstood characters in not just Super Mario, video games, but also fiction as a whole.

One of the most talked about criticisms I hear about her is, “ShE’s UsElEsS, aNd Is aLwAyS bEiNg KiDnApPeD LiKe EvErY dAy”. While it kinda has become somewhat of a running gag in the series, I am willing to admit that she’s not always able to defend herself. However, I’m still here to say that’s she’s far from useless or weak, girlie clearly can defend herself, like- are y’all really forgetting the many times where she can be strong like in SM3DW, Mario + Rabbids, SMB2, SMBW, SMRPG, and so many other titles? Hell, are we really forgetting about the movie that literally just came out a year ago where she’s being a strong, dutiful leader, AND the fact that she has two solo starring games where it was her turn to save the day all by herself? Let’s also not forget the Smash Bros. series where she’s one of the highest ranked characters in three of the entries. And also, it’s not, “every day”, some of y’all need to stop exaggerating that 💀

Even when in captivity, she still manages to help out Mario by sneaking 1-Ups like in Mario Galaxy. It irks me with how stuff like this is often ignored in order to pigeonhole her into the damsel role, when she is strong in her own right. She doesn’t always get captured, and more people could understand this if they stopped degrading her for Bowser and Daisy’s actions.

Speaking of Daisy, another criticism that I hear about her is, “ShE’s A bAd FrIeNd To DaIsY, aNd BeTrAyEd HeR fOr RoSaLiNa.” Jesus H. Christ, this one genuinely makes my blood boil. Daisy is another one of my favorite characters in the series that is special to me, and it makes me upset with how her and Peach’s friendship is often portrayed in the fandom. Like, show me proof. Show me factual evidence that Peach “betrayed” Daisy that isn’t from fanart, fanfiction, animations, or anything else fanmade. This is giving the same vibes as, “Mario is a bad/abusive brother to Luigi” rumor that MatPat popularized and I hate it sm. And while we’re at it, can we not throw Rosalina under the bus, she herself gets an unnecessary and unneeded amount of hate already :/

Peach and Daisy are canonically BFFLs, and I hate hate hate how they’re usually portrayed as enemies. I remember seeing so much fanart back in the day where Daisy is bullying, fighting, or being straight up toxic towards Peach. I do see Daisy playfully teasing Peach and being competitive, but being toxic? No, honey, no 😣

And now moving on to my next criticism which is, “ShE’s ToO sTuPiD aNd GiRlY”. Aah yes, the whole, “being hyper feminine/girly is bad” trope, oh how I have not missed you. First of all, Peach is not stupid. Naive? Yes. But she’s no dumb blonde, or airhead, or ditz, or bimbo, or whatever the hell type of pejorative, misogynistic, blonde stereotype-based word you wanna throw at her. She’s clever, and has been able to use her smarts to outwit her captors. And newsflash, there's absolutely nothing wrong with loving traditionally feminine things like baking cakes, or fashion, or liking the color pink. It kinda rubs me the wrong way with how people remove the feminine aspects about Peach and the other things that make her special in order to have her be taken seriously. They just end up making her a Daisy clone. You can be both girly and badass too, y’know!

And here’s my final criticism that I hear about her, “ShE’s A sPoIlEd, StUcK uP bRaT wHo DoEsN’t CaRe AbOuT mArIo”. Look, just because she’s filthy stinking rich, doesn’t mean she’s a spoiled brat. This is yet another thing I see her being portrayed in fanmade stuff; spoiled, bratty, entitled, and bitchy, and I’m just here like, “Did y’all mistake her for Wendy, or?”. Peach is one of the sweetest, empathetic, selfless, and most wholesome characters in the series, and would never act like that.

But nope, pink = girliness, and girliness = bad, so that means we gotta make her a complete Karen/s

I get alternative character interpretations exists, but I feel like people use that as an excuse to deliberately demonize and flanderize characters for the sake of it -_-

As for Mario, have you guys even played any of the games? She clearly does love and care about him and is grateful for what he’s done for her. She thanks him for helping her, giving him kisses, baking cakes for him, and inviting him to fun places. If she “didn’t care about him”, then she wouldn’t be doing all the above mentioned stuff for him. And something I also forgot to mention in my Y2K Peach post is how people assume she has Stockholm Syndrome- which she doesn’t. She clearly doesn’t like Bowser, wants nothing to do with him, and shows 0 romantic interest in him, so how could she have Stockholm Syndrome lmao

Phew, glad I got all of that off my chest. Stuff like this has been bugging me for so long, so I’m glad to finally let it all out. Now I’m gonna explain why I find Peach to be one of my favorite comfort characters.

Ever since I was a small tot, I’ve always admired Peach. She was pretty, pink, super girly and ruled a whole damn kingdom. While she isn’t always strong, there are still times where she’s able to put her foot down and stand up for her friends and herself. She puts her subjects' needs before her own needs, and is basically a gentle soul. She’s also a jack of all trades, she’s not just a baker, but also a golfer, tennis player, kart racer, equestrian, and so much more. She’s also able to be patient with others, and sees the good in even the wickedest of people.

I especially loved playing as her in the Smash Bros. games, I’ve been a Peach main ever since the Brawl days. Her inclusion in the series just shows me that, even if you love doing unapologetically feminine things like wearing dresses, painting your nails, shopping, or cooking, you still matter. You’re still capable and strong in your own way, and you can still save the day. Embrace who you are. To this day, I still find this to be an empowering message that not just young girls, but anyone can resonate with. This is why Peach has always been a special character to me <3

Apologies if I kinda went into, “I’m 14 and this is deep” territory, but that’s just what I truly feel about Peach. She’s no damsel in distress, or a pretty face, or a walking talking prize, she’s much much more than that. She’s one of the best characters, and deserves better not just in the games, but in the fandom as well.

I’m probably gonna get crucified and clowned on for this, but Idc, I spoke my truth 😤

Before I leave, if you still dislike Peach after reading this post, that’s perfectly fine, just make sure to keep the comments respectful and please don’t start any flame wars. Thank you 💕

Thank you all for reading my needlessly long and unhinged defense of one of my favorite Princess characters, and I hope you all have a good day or night, and make sure to stay safe out there ✌️

👑 🍑 👑

[formulaorange]

2023 Fall Anime

This is honestly a loaded season full of new shows based on relatively new manga. Lots to look forward to

Spy x Family - Season 2 One of the most fun SJ series that have come out in a while. Season 1 was killer, high hopes for season 2.

Goblin Slayer 2 I didn't realize they were even making a second season. This was such a killer series. I'm really hoping they don't fall into the many mid-tier fantasy tropes out there in anime right now. I thought the appeal of the show was really Goblin Slayer himself and less about the lackeys along the way. So we'll see how it goes.

Frieren: Beyond Journey's End This is definitely one of my highly anticipated series. It's about an elf who was part of the Hero's party and her life after he dies. (Since elves live longer) Definitely a darker take on fantasy but has some really solid fantasy and adventure vibes.

Rising of the Shield Hero - Season 3 Season 2 was pretty disappointing and slow. While this looks like it'll be more fast paced, it does look like a tournament arc of sorts. I know some aren't a fan of that kind of arc, but honestly I think it's exactly what this series needs to pick things up again. We'll see.

The Faraway Paladin - Season 2 This was legitimately one of my favourite fantasy series. I thought it was really well written and didn't rush things like other series. I'm looking forward to this season.

Sequels/Continuations: Eminence in Shadow - Season 2 killer series with an anti-hero main character. Definitely worth checking out. After-School Hanako-Kun Hanako-kun spin off Dr. Stone Season 3 - Part 2 One of the best novel concept series with nothing else in it's genre to compare to. Definitely didn't drop the ball on the recent seasons and still worth watching. Dead Mount Death Play - Part 2 One that I didn't particularly enjoy, but has a decent sized manga following. Tokyo Revengers - Tenjiku Arc The continuation of the series. Might be just me but it feels like the series fell off after the first season. The Saint's Magic Power is Omnipotent - Season 2 A more mature take on fantasy isekai that just started to get into romance at the end of last season. A solid combo of shoujo genres. The Ancient Magus' Bride - Season 2 Part 2 One that I haven't had a change to check out yet but have only heard good things about. Hypnosismic - Season 2 a weirdly addictive musical/rap series. Unique characters and honestly solid rap battles. One I'll be enjoying. -- Related - Paradox Live - Music battle with what looks to be the same style of animation and solid character design. Definitely worth looking at if you're a fan of Hypmic. The Seven Deadly Sins: Four Knights of the Apocalypse A sequel of SDS. Looks like it could be a fun watch for the fans of the series. New:

Shangri La Frontier A new manga fantasy series. This may be a horrible way to describe but it is what it is - a new age SAO- full dive fantasy game. A gamer who only plays shit games, gets into a new massively popular MMORPG and is op. One that I'm excited for because it ticks all the fantasy game boxes I like.

Undead Unluck A relatively new manga series that gained a lot of traction in the last year or two. A gory action comedy that's super chaotic and a lot of fun.

Shy Brand new hero manga series about a shy girl and her anxieties and struggles going into the hero world who grows and gains confidence as she becomes a better hero.

Ron Kamonohashi's Forbidden Deductions This is a manga series that I have kept forgetting the name of so never got a chance to read but all the covers for the manga look phenomenal. Likely the anime doesn't do him justice but it is what it is. Essentially sherlock in anime form. A PI with issues and the wholesome police detective work together to solve crime. Other New Series: Green - Fantasy Pink - Romance Red - Action Purple - Drama The Kingdoms of Ruins A world where witches were hunted down by humans as science surpassed magic. A kid who was raised by a witch swears revenge on mankind. This honestly looks solid. The animations are very cool looking and the mc seems to be an anti-hero. Will be looking at this one. Under Ninja A well known manga series about modern ninjas. Definitely a unique series for this season. The Apothecary Diaries A historical medical mystery show. I've heard the name before and I've also only heard good things. Will be worth a watch. A Girl & Her Guard Dog The granddaughter of a crime syndicate goes to highschool out of town and the current young boss lies his way into the same school. Would be cute romance if it weren't for the fact she's 15 and he's 26.. Butareba - The Story of a Man Turned into a Pig What the title says. A girl finds him and the story goes from there. I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness The usual light novel title. Honestly, doesn't seem as yikes as I initially thought, might just be harmless breaking the rules kinda thing. Could be fun, also a Capybara that strikes fear into people's hearts. My Daughter Left the Nest and Returned an S-Rank Adventurer Looks like a wholesome series where an adventurer finds a baby, raises it and she becomes so strong she's busy working all the time. Just a cute father daughter relationship in a fantasy setting about her wanting to come take time to see him but being caught up in OP fantasy battles. Ragna Crimson Dragons vs Humanity - a human and a dragon team up to destroy all the dragons. Action fantasy series. Berserk of Gluttony I honestly added this because I thought it was hilarious. Looks like a combo of knock offs - the Gluttony skill from Tensura (reincarnated as a slime) and the mc being called Fate with the main girl who looks exactly like Sabre. I'll be skipping but its' here so you know.

[watchingblsnowandforever]

GMMTV lineup (part 2, mostly, with some unreleased part 1) in order of my preference: (these are only the QLs. Most of the het shows fall under my Indifferent category. If I feel like it, I'll watch them.)

The Heart Killers. Pretty sure this is #1 on most of y'alls lists and for good reason too. My reasons? Pretty simple. I love action, mafia and romcom and this is all in one. And also FirstKhao and JoongDunk so-

Peaceful Property (part 1). After TayNew outdid themselves in the beautiful soft little thing that was Cherry Magic Thailand (anyone wanna join my Cherry Magic Th propaganda?), I can't wait for this series. Also: if they give me besties, it'll be a hard pill to swallow but I'll be fine, but if they give me bromance, I'll commit homicide.

Wandee Goodday (part 1). Releasing tomorrow. I am interested to see how GMMTV will handle this trope.

My Love Mix Up! Thailand. I loved the original Kieta Hatsukoi, and I'm just a bit skeptical if they'll be able to recreate the magic of the original, but I have faith in GemFourth and after Cherry Magic I've decided to trust them.

Pluto the series. A GL? With NamtanFilm? I'm in.

Revamp. Previously: The Vampire Project. Love me some vampires <3. Also, BounPrem.

Sweeth Tooth, Good Dentist. The plot sounds super fluffy and cheesy, so of course I'm in. And no way I'm missing Mark Pakin first lead. (Also, as a dessert-loving person who had many teeth-related problems as a kid, the premise just sounds too relatable. Except the falling in love part with your dentist obviously.) But... JittiRain. I have complicated feelings for her works.

ThamePo/ My Heart Skips A Beat. It seems soft and sweet, though it does have the secret/forbidden relationship overtones.

Ossan's Love. I found the trailer hilarious, but trailers, especially pilot trailers lie. Also, I'm not hearing the greatest things about the original, but I haven't watched it so I will reserve judgement. If I like it I'll like it I guess.

Us the series. You might ask how a GL ended up so low in my list. Personally, it's a bit jarring to see BLs have this safe space/bubble for their gay bois, but GLs are proclaiming love between women as "taboo" off the bat. I also saw this in 23.5, and yeah okay I get it, wlw is seen in a much harsher eye sometimes, but in 23.5 all Ongsa did was go on repeating "But we're both girls..." without explaining the why and resolving it properly. For now, I will not think too much into it, and worry about it when the time comes.

Perfect 10 liners. What put me off in the trailer itself is the clear discrimination based on looks/physical appearances. It also seems like at this point they're just trying to give each pairing some screen time this year but have run out of plots, and are thus shoving pairings into series like it's the metro/tube/subway/whatever you call it in your country during rush hour. Will I like it? We'll see. But after We Are, I have some hope left.

Currently Airing:

We Are. It's absolutely great for my tastes and I get to detox once every week. Love it. Has absolutely no plot but has loads of fluff, and it's something I didn't know I needed in my life until I had it.

Only Boo. I kinda like it, but I have zero idea where they plan to go with the current storyline. Fluffy and cute, I'll keep watching, but it probably won't end up high on my favourites list.

[britesparc]

Weekend Top Ten #672

Top Ten MCU TV Shows 2024

Once more, with feeling, we return to the MCU. Last week I ranked my favourite MCU movies – the third time I’d done that in the nearly thirteen years I’ve been writing this dumb blog. Time passes, tastes change, and Marvel keeps making more movies. But one thing I’ve never done before is rank their TV shows.

There are two very good reasons for that. One is the simple fact that Marvel Studios haven’t really been in the TV-making business all that long; y’see, I’m not counting MCU-adjacent series such as Agents of SHIELD, Daredevil, or Jessica Jones; and as good as X-Men ’97 is, I’m also not counting the many animated series based on Marvel comics. No, I’m very specifically referring to the Marvel Studios/Marvel Television productions that are explicitly set in the MCU; so, basically, the ones they’ve made for Disney+. As a result, I can only go back as far as 2021’s WandaVision; and in all that time, they’ve only recently slipped past ten total productions (eleven series and two one-off TV specials). So I couldn’t really have done this list very much earlier regardless.

And the second reason is that I never thought of doing it till now.

So what we have here is something very simple: a top ten ranking of my favourite MCU TV projects. I say “projects” there, and “shows” earlier on, because I’ve decided to include their two TV specials into the mix here. The line between “short film broadcast on TV” and “one-off TV programme” is a very blurry one, but I do think both the Guardians Holiday Special and Werewolf By Night fall into the latter category, and therefore I think I should include them in a ranking of TV shows, rather than shoe-horning them into a movies ranking. But that’s all there is to say, really; this is a top ten of my favourite MCU TV.

Do not adjust your set.

WandaVision (2021): MCU’s TV adventure really exploded out the gate with this stunning, genre-bending, convention-defying mystery. Utilising TV tropes and formats perfectly, it gave us the tragic downfall of Wanda, allowing a slow-burn and rather uncanny conundrum to unfold week-by-week, a fantastic use of episodic TV. Mysteries, guest stars, new characters, big Avengers; it had it all, and some great theme tuns. And it set up…

Agatha All Along (2024): maybe it’s not quite this good, but my mind’s full of it right now. The best MCU show to give us an unfurling mystery since its predecessor, once again we have a drip-feed of revelations that often lead to more questions; once again we have a cool crew of characters to fall in love with. Some terrific acting, some great songs, some real emotional heft, and some overdue progressive representation. Glory at the end.

The Guardians of the Galaxy Holiday Special (2022): at once light, breezy, and throwaway, and yet also incredibly emotional and potentially essential if you want to know these characters. Something of a hangout mini-movie, it’s a knockabout yuletide lark, but also manages to bring a tear to the eye with honest characterisation and earnest, old-fashioned love. Also has not one but two genuinely very good songs.

Ms. Marvel (2022): debuting a character so perfectly formed and perfectly cast, this is Iman Villani’s show and she knows it. Kamala Khan is a joy from start to finish, and her down-to-earth world with its down-to-earth characters is a refreshing change from the MCU’s gods and billionaires. Like Black Panther before it, simply telling these stories through the lens of another culture instantly makes them feel fresh and exciting. I hope we see more Kamala and her family very, very soon.

Hawkeye (2021): essentially a PG-13 Shane Black movie turned into a TV series, this is in many ways the perfect superhero Christmas film. But, er, a TV series. World-weary Jeremy Renner – finding new shades of Clint even now – contrasts beautifully with firecracker Hailee Steinfeld, with lots of great banter and warm feelings. But it doesn’t skimp on action, with some fantastic fights and one outrageous single-shot set-piece involving a car and a ton of trick arrows. More please.

Loki (2021-23): I think you could argue that the only MCU shows thus far that essential to the overall narrative are maybe this and WandaVision. Here we totally unpick not just the central character – and Tom Hiddleston’s multi-faceted, many-layered performance is possibly the best in the entire franchise – but also reality itself. The design of the TVA is extraordinary, and when it goes weird – multi-Lokis, time-slipping, the works – it’s a wibbly-wobbly joy. And it has arguably the best single episode – certainly the best finale – of any MCU show.

She-Hulk: Attorney at Law (2022): Marvel is often funny, but Marvel doesn’t often do outright comedy; this, then, is a rare gem. A snappy, progressive sitcom in superhero clothing, we have a stand-out central performance, a ton of great cameos, lots of genuinely hilarious jokes, and some utterly bananas fourth-wall-breaking meta-gaggery. It cost a fortune and was, I believe, considered a bit of a disappointment, so we’re probably not getting any more. Savour this sweet miracle for what it was, and be grateful.

Werewolf By Night (2022): unashamedly echoing a particular style in a way not really seen apart from the sitcom pastiche of WandaVision, this is a love letter to all kinds of classic horror, with lots of high contrast shadows and keylit screaming. Manages to be a creepy and grisly thrill-ride, but also give us some nice emotional pay-off with Man-Thing at the end.

Moon Knight (2022): a show by turns masterful and frustrating, we’re here seeing something that sadly happens a lot in the MCU: a failure to stick the landing. The magical shenanigans of Khonshu are one thing, but the highlight here is the multiple personalities of Marc Spector/Steven Grant, and how their perceptions of the world colour not just our perceptions of the show but also Moon Knight himself. Meanders a bit with a woolly ending, but some of its highs are stratospheric.

What If…? (2021-2024): a really bold swing for the fences, this is an exciting adventure show that showcases different characters in new and interesting ways. Whilst you could argue that, with the whole multiverse to play with it’s rarely all that inventive or strange, it’s nice to see, say, Nebula as a detective, or a more playful T’Challa. The animation is often very good, and the way the stories dovetail is interesting. Apparently this year’s third season will be the last. Let’s hope it goes out with a bang.

[penguwastaken]

I feel like that the only good Danganronpa game was the first one. There was no brainwashing, the students were relatively realistic, the trials were short and simple, the mastermind didn't force everyone to kill someone else, the atmosphere can perfectly lead to murder, I could go on.

This feeling of the first one being one comes from a feeling that the games went downhill after the first game as there is so much with with the sequels, novels, Mangas, and anime. And I feel alone in this feeling as anyone who I told this to just dismiss it and I feel annoyed with this dismissal. Maybe I will change my mind about it in the future.

While I'd say DR1 is the most grounded, it laid the groundwork for the "unrealistic stuff" you mention. The first game has memory manipulation and the entire cast are all based on anime tropes. A character practically goes super saiyan, the weirdness was always there.

Stuff like virtual reality or brainwashing don't really feel out of place for the series because they feel like a natural evolution of the sci-fi stuff that was already present in the first game. It was really DR0 that furthered it, introducing Izuru and brainwashing.

I don't have an issue with the series getting more "extreme" as it went on, because that stuff's only natural when you expand on a series and get more ambitious. It only makes sense for a series to expand on concepts that were introduced prior, this is pretty apparent in series like Ace Attorney as well.

There are absolutely times where I think the series gets "too weird," but those moments are few and far between and are often reserved for comedic stuff, so I can suspend my disbelief.

Moving on to the other points you mention, even in DR1 motives were introduced to encourage people to kill. I can't really name a single time in DR2 where the blackeneds were forced to kill, I feel like that only really applies to DR3 and V3 but I think the context of those makes it work in those entries.

Also DR2's setting is intentionally supposed to make you feel at ease. Not only to subvert player expectations, but also because it makes it all the more shocking when someone actually does die. It lures you into a false sense of security.

DR3's setting also works really well given what it's trying to accomplish, being a more open facility with tons of objects making it perfect for the thriller action anime it's trying to be, all while maintaining it's dark, creepy vibe.

I don't think it's fair to immediately shut down your opinion, but I think it just comes down to Danganronpa not really being for you. The series was always weird, that weirdness was a huge part of the series' identity and a huge part of what made people fall in love with it. To many, even me, I feel like the series was pretty consistently solid, there's only really one entry I outright dislike.

[nieves-de-sugui]

The Story of Live Action BL in Japan

This is an extra post to accompany the history of BL post I did earlier. 

Japan has had live action BL long before Thailand entered the picture. It was however mostly melancolic stories or manga adaptations, until their own particular boom happened. I make a difference between what I would call LGBTQ+ representation and BL Live Action, because even though they have existed parallely they are fundamentally different in their conception. Here is an interview with the curator of an exhibition that was held in Japan about the history of Japanese Queer Cinema. 

The evolution of Japanese BL Live Action has been very slow, and mostly influenced by manga. It is still not a big market, but it has improved a lot in the most recent years. This is my attempt to put it into phases:

The indie like movies and bad manga adaptations

Let’s start with Boys Love (a movie), shall we? 

It is the year 2006 and up to this point there has been a small boom of gay stories in the 1990′s (the first Tokyo International Lesbian & Gay Film & Video Festival was held in 1992 me thinks this might have sprung the yaoi debates). In the 2000's, we're at the start of a new little boom on BL type movies being made. Many of which would be directly released in DVD, with a constant melancholic and tragic approach to love stories between young men. 

Homosexual love is only attarctive to the mainstream if it’s painful. Like typical japanese imposible loves that are explored because of the passion and innevitable tragedy (it’s a japanese trope of almost any kind of romance movie, up to these days). its the intensity of feelings and the poetry of it all. In Boys Love we see those elements that are now very common in BL manga. Straight men falling in love with beautiful young boys and loving them until their tragic end. The movie was released in theatres and was successful enough to get a sequel. Here is a very good review of the movie, to know more about it.

A number of similar movies (with happier endings) follow through. Then enters the Takumi kun series. Based off one of the most popular yaoi novel (and potentially the first live action novel/manga adaptation of BL), it has all the June tropes: Traumatized feminine Takumi, raped by his older brother when he was young, has developped an abberation to human touch which prevents him from making friends. He goes to a boarding school for rich kids where he shares a dorm room with Gii, the most popular kid on the premises, who has fallen in love with him. And it is through that love that Takumi gets over his illness and heals from his past. It was such a success in the BLsphere that it got 4 more movies. I believe it is the bane of @absolutebl existence. 

After the first Takumi-kun movie, the production of BL type movies, or adaptations of manga gets a boost. We go from no more than 3 movies a year to 8 in 2008, ie:

Kindan no Koi Ai no Kotodama Taiikukan Baby

And so it continues. When a manga is popular enough it either gets a Live Action, a drama CD (voice actors record the manga dialogues) or/and a series of OVAs (Original Video Animation). Because that’s how they do marketing in Japan. I believe most, if not all, of these movies go straight to DVD. It’s a treat for the fans. 

The beginning of the shift

As the manga source starts to evolve, so does the live actions. Japanese society starts being more aware of the LGBT (as the term is used for business startegy purposes). As it’s all about what is going to sell, slowly, a slight neutral realism starts to be felt. Melancoly starts to be replaced with happier moods. 

The first adaptation I genienly enjoyed at the time was Seven Days, 2015. A 2 part movie, adapted from the manga, with a very simple story (still no characters properly defined as gay, but maybe they could count as bi?)

While more LGBTQ+ movies get made, the BL Live Action movies remain in the same vein. Adpating what is popular and sticking to the tropes of the time. For example, in 2017 we get simultaneously:

BL - Hidamari ga Kikoeru. A loud and energetic college student becomes friends with a hearing impared classmate, as he helps him take notes for class. 

LGBT - Close Knit. An 11 year old girl gets tossed aside by her mother and goes to live with her uncle, who is dating a transgender woman. 

The Middle Aged Man Phenomenon

Have you wondered why office settings are so popular in japanese BL? Well, it is mostly Ossan’s Love fault in my opinion.

Besides office romances being a staple of japanese tv dramas, in 2016 two major mainstream actors (Tanaka Kei and Yoshida Kotaro) participate in a small short film about a salaryman who discovers his boss is in love with him. A simple comedy filled with misunderstandings and funny shenanigans. As the response to it was very positive, they decided to turn it into a full flegged series. And so, Ossan’s Love comes out on prime television (TV Asahi) for all to see. It is the first time we see a story like this being shown in a mainstream channel, for all and anyone to see.

A year later after the success of Ossan’s Love we get the wonderful Kinou Nani Tabeta/What Di you Eat Yesterday? (2019), which would not have been possible without Ossan’s Love. There was confidence that there was a market for such a story. Followed by the OL movie: Ossan’s Love: Love or Dead. Which was later followed by a horrible horrible second season that nobody wanted. On this year too, Mood Indigo comes out. A sequel to The Novelist/Pornographer, which would secure it’s popularity. It later got a second season.

We are now in a second boom of interest in queer stories. And the number of movies and tv shows grow. Some of the most known:

Novel adaptation - Fujoshi Ukkari gay ni kokoru LGBT Movies - His Dramas - Life: Senjou no Bokura

Queer voices have been increasingly loud and, in 2015, two municipalities put in place a partnership to acknowledge same sex relationships (not recognized outside of those municipalities unfortunately). 

And so, start mixing the homophobia free idealized stories, with more diverse queer content, with the harsh realities of LGBTQ+ people, and the cinematic interest of the filmmakers/directors. 

The rise of the salaryman and the thai breakthrought

Thanks to the appeal of middle aged men, Japan now knows there’s a market to be had in producing BLs, so the adaptations sprout like mushrooms. The ground is ready to bear fruit, and so enters thailand with the big success of 2gether at the beginning of 2020. 

Japan got to have the movie screened in their theatres. Thailand has broken the Japanese market barrier, as soon as the borders open after the pandemic, fanmeetings are held there one after the other.

And then, we get Cherry Magic in late 2020, which continues to cement that the current japanese BL boom is still going strong. 

The Aftermath

The production of BL shows and movies reaches its peak and we get 26 (shows and movies) in 2022. Movies, specials and second seasons are being made.

From Utsukushii Kare 2021 to Strange 2023. Old and new manga gets an adapation and more queer representation grows in media overall.

The story of LGBT representation in shows in Japan

As an extra, I want to put here a few examples of how queer characters, and stories have entered the mainstream of japanese tv dramas. Many mainstream actors have also taken upon portraying such characters. 

Pretty Proofreader (2016) - featured a gay side character, not relevant to the plot.  My Brother’s Husband (2018) mini series - adaptation of Gengoroh Tagame’s manga about a man overcoming his homophobia through getting to know his bother’s husband Life As A Girl (2018) mini series - the life of a lesbian trans woman  Ie Uru Onna S2 (2019) - one episode features different types of LGBT people who want to buy a house and the difficulties they face. Also had some type of side gay stoyline (a little queerbaity)? Ore no Sukato, doko Itta? (2019) - a gay man who dresses as a woman becomes a teacher at a highschool and helps with his is student’s problems.

Special mention to Residential Complex (2018). 

A drama that featured 4 families living in the same residential unit, each with their own fundamental problems. The father in the traditional japanese family was unemployed, the man engaged to a younger second wife who wanted no children ends up having to take care of his son from his previous marriage, the young newlyweds that are eager to have kids can’t concieve and the single architect is actually living with his boyfriend. It was a show that had worked with an LGBT organization to make a faithful protrayal of LGBT realities. 

Final Thoughts

Here is a list of all Japanese BL and Queer media, Japanese BL list. I recommend to check it out to see the variety of adaptations being made today. It is intersting to see the differences in plot in the shows that are adapting current manga (Our Dining Table) and those adapting older manga (Candy Color Paradox). There is also a lot of queer movies and shows worth checking out. Here are my recommendations:

Kamisama no Ekohiiki (series)

Both Me and Him are the Grooms (movie)

I think it is great that Japan is intergrating queer stories and voices to their BLs, as well as adapting more content to the screen. It is a very exciting moment to be living through, but it still feels like it might go away just as fast as it came. Japan is a very conservative country, that embraces change so very slowly. Queer vocies are making noise, but they have yet to manage to make their government listen. Japan is very setback in this sense.

I do no think Japan will be able to have a BL market similar to Thailand for its live action adaptations any time soon. They stick to what they know, which sometimes can be very good and others, bad.

I do hope for BL to keep on doing what it does best for society: subtly normalizing queer lives so that conservative people start welcoming the idea that they're just regular people (who deserve rights, come on Japan). 

Hopefully we’re headed there.  

[thesummerstorms]

wottg next day thoughts/rambling under the cut

I may not really be the intended audience for Triple Goddess at this point.

My favorite of the OG books is The Last Olympian and I loved the tone the Trials of Apollo book, especially in the later half.

I thought Heroes of Olympus was inconsistent but one of my gripes with it was that Blood of Olympus failed to commit to the actual consequences of everything that had happened.

So almost everything about WOTTG moves in like...the complete opposite of the things I enjoy most from the other series. That is going to heavily skew my opinions.

That said:

who the fuck incapacitated Rick's editor????? I'm used to a measure of continuity errors but ... This book really needed more editing.

Son of Morpheus? Leo mentioned as alive pre his return in TOA?

I ended up somewhat enjoying Chalice because I felt like the juxtaposition of Ganymede against both Percy and the Olympians had some decent emotional pay off. I don't feel like I really got that from Gale, Hecate, or Hecuba despite there being the bones of something there.

I was reading tired so I may have just missed something, but I still do not understand why the baby hellhound barks sound like "nope"???

I like the baby hellhound in theory, though I thought it was awkwardly handled in places

I could have done with 1000% less pee jokes. Like why even?????????

At least Rick finally stated outright that Annabeth held the sky for longer than Percy and that she wasn't immediately blessed or rescued by Artemis like certain folks seem to enjoy arguing

Some nice world building with the cellphones. Like we knew, but it's nice to see it actually have at least a little bit of plot consequences for once, and the time testing Percy mentioned was both funny and interesting (in that we got an actual measurement of how long it would take monsters to try to eat Percy)

I don't buy Percy taking 5 years to notice Chiron's permanent injury and intense chronic pain. It's nice to have it in canon, but it would NOT take Percy 5 years.

Nico took Percy Christmas shopping in Florence????????????? Details please???

Annabeth's characterization felt ... Oversimplified? And I hated the constant self-put downs by Percy basically saying he needed her to think for him

You can't even say it's his self esteem because we really don't get anything in the narrative to challenge the self perception other than one kind of cliche convo with Annabeth and it doesn't... Don anything really?

Percy may not be book strong, but he is clever!! He is a strategist! Wth is with the lack of balance/the diminishing of his abilities to fit in the "smart girl/dumb boy" trope

I really want to like the moment with Percy and Annabeth holding the torches together. And I do mostly out of context.

The plot just feels sloppy honestly.

I may be in a minority here based on early posts I've seen, but I don't feel like Sally's past role adds to the story so much as is neutral or detract. I don't love it.

The nymphs would have been a good chance to revisit Sea of Monsters from an older Percy's POV especially since he and Annabeth have already learned how their actions affected Reyna. But that wasn't the angle that was taken at all!

Honestly so many of the problems, as with Blood of Olympus, stem from Rick's refusal to commit.

I do generally feel like Rick did an okay job balancing between protective Percy and Percy who respects Annabeth 's ability and doesn't try to stop her making decisions. So that's a plus

We almost got a decent moment of Percy having to deal with his anger and fear and it would have been a great moment to touch on his readjustment after two wars and Tartarus. But again. RR did not commit.

I just... Could not care about this plot. Chalice wasn't life or death either, but I think it had better focus and at least somewhat more emotional depth.

[doodlegirl1998]

Oh my god...

I just realized something about how some characters are treated, so I'm gonna quote Joshscorcher from one of his fails videos

"You aren't a person, you ARE a disability! You're not a human, you ARE a skin color! You're not alive, you ARE a checkbox!"

Doesn't that just fit some of the characters in BNHA to a T?

We got the crazy yandere! The hotheaded rival! The hardass teacher with a heart of gold! The black guy!

And of course! The disabled kid who magically gets cured to be like everyone else!

Hori seems to believe that if he just adds pieces of representation or tropes that people like, they will just eat it up without question.

Not even considering or bothering to think about actual backstory, personality, goals, likes or dislikes.

You know, things that make a character an actual character!

Hi @theloganator101 👋,

This fits how MHA treats it's characters to a T or at the very least they develop from Nuanced characters to a stereotype which is never what you want from a series. Also Hori even fails at fitting these characters into the cookie cutter molds he tries to contort them into at times.

Let's give a few examples based on what you have said above:

"Crazy Yandere and Token Bi" = Toga (which the LGBTQ fans of MHA should be offended by, because having a Yandere who is coded very creepily (yet also not condemned for her creepy behavior in general or how she groped Uraraka without consent) as prominent representation is not good...

"Sweet generic shonen love interest" = Uraraka (well this is what Hori intends for her with IzuOcha endgame even with how weakly its built in the series. And Uraraka herself denying her feelings for Izu and freely simping for Toga. I feel so sorry for Ocha fans, how she has been written with Toga is a complete mess.)

"Hardass Teacher with a heart of gold" = Aizawa (or this is what Hori intends for him realistically a lot of his actions under a critical lense read as malice at worse and negligence at best but go off about how he cares about his kids, Hori. Despite dropping a building on them and making them believe their parents are kidnapped by villains. Or the fact that he expelled tonnes of other students prior to 1A without a care - what makes 1A so special?)

"Hot headhead rival" = Bakugou... (Well this is meant to be him, narratively speaking, but rivals are meant to inspire and respect each other. Bakugou doesn't respect Izuku, Bakugou abuses Izuku and acts as his parasite. Bakugou brings Izuku down at every opportunity.)

"The 'token black/ blasian' characters" = Rumi and Rock Lock. (While I'd say Rock Lock is good black representation. Rumi... She's not my favourite. I like strong female characters but the way she's so aggressive and violence hungry as a hero - that rubs me the wrong way. Realistically, I could see her killing a villain by accident through use of excessive force. And I can't ignore that she's used as a stick for Hori's gore porn fetish which isn't a great look as one of Hori's few Blasian characters.)

"The disabled kid who gets magically cured to be like everyone else." - Midoriya Izuku. (You could say this is the case for All Might and Aoyama too but Izuku is the most prominent example as the main protagonist.) Izuku's story and the lack of how his backstory is touched on is one of the one that's the most upsetting parts of MHA to me. Personally, I have a disability and mine can't be fixed, while I accept and embrace it now, I didn't when I was Izuku's age. I would daydream about getting "fixed" and being like everyone else so I could fit in. As an adult, I have now achieved many things that I was told that I could not hope to ever be able to do - and I didn't need to be "fixed/ made normal" to do it. Instead, I worked my ass off to achieve those things.

Izuku's story would have been way more powerful if he trained relentlessly with All Might, stayed quirkless and achieved as much as his quirked peers.

OR, if he had to gain OFA, the cognitive dissonance between how he was treated then in his backstory vs now should heavily influence him. Either way, he should have grown out of "Kacchan" and told Bakugou, his bully and abuser, to fuck right off.

The fact that Izuku isn't allowed to think of his backstory or one negative thought of Kacchan severely limits him. And it's one of the things that has stunted him as a character. All Izuku is now is OFA 'generic shonen protagonist' who will save Shig and destroy All for One. What a waste.

TLDR - developing good characters is like nurturing a particularly fussy plant, you can put down the right soil (backstory) to get readers hooked but if you get lazy and don't water it regularly (develop plot points, think through what is in character rather than what you as the Author want them to do, have them show up regularly) it (the characters) will never grow.

[skyland2703]

Just gonna toss some random PR at you and see what sticks now that you're out of hibernation:

MMPR #121 is out and I....hate it:

I really, really, really want to be happy that we get to see Adam and Rocky and some character development in the wake of their possession, and get an entire issue based around Billy, but it all really just goes downhill from here. The only nice thing I can say is that Hendry Prasetya's art has gotten very smooth and I quite like it compared to previous chapters.

However, revisiting old Dual MM and PR chapters has made me happy finding little gold nuggets around that actually speak to true personality:

Next to Dan Mora, Marco Renna mighty be my favorite artist for this series. At least I can stand to look at Zedd with this style.

And also: THIS ☝🏿☝🏿 I miss this kind of thing.

I know we've all had fun throwing rocks at the Eltarian War Arc, but I cannot be the only one that sees the VERY EASILY streamlined version of events where this would have been perfect for Identity Reveal, Action Survivor, Big Damn Heroes, Big Ego/Hidden Depths, The Chosen Zero, Karmic Jackpot, Kleptomaniac Hero, Chekhov's Gun, Everything is Trying to Kill You, Strolling Through the Chaos, and an Establishing Character Moment tropes for...our babies Q_Q Honestly, so much fanfic possibility. Wish I could figure out how to make it work...

Also, just random pics of the minions being CUTE.

AYIYIYIYIYIHFRBHJTFBRVDCENDFR

This is the best thing i could've gotten coming out of hibernation, tbh. THANK YOU.

what the FUCK have they done with Billy's HAIR. Why do they look like THAT. (They've drawn Adam and Rocky beautifully but wtf billy.)

Feeling SO bad for adam and rocky they look BROKEN 🥺

Who's the lady in red?? Is she a ghost?? Can nobody else see her??

Zedd looks very overconfident, and is talking about how overconfidence will be the end of them... hmmmmmmmmm

i really like Zedd's art style! Marco Renna does a GOOD JOB O.O

But seriously wtf was that with Billy's hair.

i think i screamed at this. THIS IS CHARACTER <3

7. THEY HAVE AN EXECUTION ORDER TO MELT ALPHA???? i know it's supposed to be a serious scene but THAT many eltarian soldiers for one alpha, it's making me laugh awdhydfsvfadwfrgt 8. BULK AND SKULL BULK AND SKULLLLLLL!!!!!!!! HELLO BABIES!!! I love this style for them, they look so CUTE and smushable and cheek-pullable. Skull being depressed about Candace and bulk distracting him and cheering him up AND THE WAY THEY RUUUUNNNNN *wipes stray tear from eye* BEAUTIFUL CHILDREN <3

9. who is this man. why does he look like that girl from hinger games. 10. did they melt the alpha yet??

11. THIS ART STYLE. FOR THEM. YOUR HONOR I LOVE THIS PANEL (and they're shooting Matt. Lol i love that) 12. The empyreals?? IS THAT A BLUE KATAPPA 13. Jailbreak blue lady is Candace, I assume?? (She'd have looked prettier with blue hair, tbh. Why couldn't they just make zordon the bald eltarian. Why'd they have to make ALL ELTARIANS bald????) 14. Bulk and Skull are literally interviewing aliens. I don’t know how amazing THAT is, but also i cant stop laughing at the image of Mr. Blue katappa in my head.

For reference, this is Katappa.

Angry old general man who is one of the biggest memes here.

15. ERNIEEEEEE!!!!!!!!!!!!!!!!!!!!!! 16. "Honestly, so much fanfic possibility. Wish I could figure out how to make it work..." <- you say, let me read this arc. Then I'll yell at you about it.

17. WAS THIS YOUR TRAP TO MAKE ME FALL INTO THE ENDLESS PUDDLE OF THE ELTARIAN WAR????? because i think it worked 18. GOLDAR!!!!!! Kim going "saved by gOlDaR?? I’m gonna need a minute" *cackles*

19. Taking a minute to appreciate THIS. How CUTE. AUGH. 20. and Goldar in that veryyyy last panel. BRO. GOLDIEBRO. I FEEL YOU. it's the downfall era for ALL of us. WHY MUST WE SUUUFFFERRRRRRRRRRRRRRRR

i have so many thoughts here awdsfghbdfjsvns I NEED TO READ THIS ARC!!!!!!!!!! THANK YOU AUGMENTT ASDNRGHJFDSCSEJDFG

[the-biscuit-agreement]

Answer the Questions and Tag 5 Fanfic Authors

I was tagged by @pfirsichspritzer to answer some fanfiction based questions so here goes!

1 . How did you get into writing fanfiction?

My older sister was into writing fanfiction before I was and I started reading it to begin with and then I had ideas of my own and began to really get into writing. Originally they were just for myself but then I came up with a few silly OCs and decided I craved attention and began to publish them on fanfiction.net.

2. How many fandoms have you written in?

I would say, under various accounts, there are roughly twelve fandoms I have published for.

3. How many years have you been writing fanfiction?

My earliest published fanfiction across all accounts is from 2013... Oh man, I feel old.

4. Do you read or write more fanfiction?

I definitely write more.

5. What is one way you’ve improved as a writer?

I think I have gotten bolder and more willing to experiment with ideas.

6. What’s the weirdest topic you researched for a writing project?

I don't really know. For non-fanfiction purposes, I have done a good amount of research into common law marriages in London in the 1800s.

7. What’s your favorite type of comment to receive on your work?

I love it when someone has picked out specific moments in a fic or chapter and given their reaction to it. I also love it when people give their predictions for the fic but it also sucks because I have to try to think up a reply that gives nothing away (I still love it though)!

8. What’s the most fringe trope/topic you write about?

I think the obvious answer is arranged marriage as I know that a lot of people really avoid that trope when both reading and writing (I personally do as well but like to think I put my own spin on it for Policy 8)

9. What is the hardest type of story for you to write?

A straight romance story. I am so bad at writing sustained romance without there being some sort of thrill of danger. I just find it so dull.

I also find myself really struggling with suspense.

10. What is the easiest type?

Action, probably. Hurt/Comfort is another one I find so easy.

11. Where do you do your writing? What platform? When?

I usually write on my laptop on either a word doc or a google doc, depending on if I plan to do some writing on the go using my phone. I mostly write in the evenings or early in the morning.

12. What is something you’ve been too nervous/intimidated to write, but would love to write one day?

I want to write a fic that really explores Lockwood's mental health in depth. I've toyed with it in other fics but never dared go to the depths I really want to.

13. What made you choose your username?

I misremembered a quote from the series...

Now I have to tag some people and I am terrible at this. @waitingformyhogwartsletter, @yveni (Can we just pretend that is five?)

[deathmetalunicorn1]

My Isekai opinions

Isekai trope that you love: anything wholesome, like Campfire Cooking in Another World, easy going storylines that don't throw you right into the action and is just nonstop action and fighting.

Isekai trope that you hate (unless if it's done right): characters being immediately OTP, I like the ones where the MC has to work for their power, however, certain series, like Overlord, I'm okay with, because technically he did work for his power during gameplay, or In the Land of Leadale, where Kayna earned her power through playing her game for so long. Immediately in a new world with OTP powers makes it feel a bit boring, I want to see people work for their power.

Isekai character types that you love: wholesome characters, ones that would want to hug or marry, with good hearts and good judgement.

Isekai character types that you hate: pointless fan service characters for the male (and some female) gaze who literally contribute nothing to the MC other than being something pretty to look at and have her assets out at all times. There are characters who are like this who contribute to the story, helping MC and being an enjoyable character, I'm talking about the useless wastes of space who do absolutely nothing!

Favorite isekai plots: anything high fantasy! Where humans and non-humans live side by side and work together (most of the time), and just live in a world of magic and wonder! But I do love the storylines that are a bit more relaxed and easy going, ones like Campfire Cooking where the main characters are just wandering and exploring and enjoying good food!

Least favorite isekai plots: anything super violent or graphic, like MC is immediately thrown to the wolves and has to fight to survive every minutes of the series, it's too much- the idea of isekai is exploring a brand new world, not having to fight to survive.

Isekai trope you would like to see more of: REVERSE HAREM!!! There are so many harem series out there, but where are the reverse harems?! I want to see a cute office lady who gets sent to a new world and gets her a harem of hunky looking men who all adore her and treat her with kindness and love!

If you were sent to another world, what profession would you want to be: Part of me wants to be an adventure and explore, but in all honesty, based on the isekai's I've read, I would want to open up a shop or a restaurant and give the new world something they've never had before.

[a-dream-bookmark]

a dream bookmark presents: SEP 2023

angst (noun)

a feeling of deep anxiety or dread, typically an unfocused one about the human condition or the state of the world in general.

Welcome to An Angst Bookmark, our September 2023 recommendations list with a theme around angst fics. From the start of the month, we have compiled a list of fics the community has given and prepared to give to you. We would like to provide our biggest appreciation to the people contributing to the making of this list. Thank you so much and we will announce the theme for October 2023 soon!

Do you want to know more about us? Check this out!

The list is below the cut!

MEMBER'S RECS

ATEEZ

|| arrow in the dark series by @tenelkadjowrites | requested by @writingmochi

This fic has dark/mature themes

Pairing: seonghwa x reader

Genre: wealthy seonghwa. fem pronouns for reader. fake dating trope. depictions of emotionally manipulative parents

Synopsis: Your quiet life of working at a convenience store is upended when ultra wealthy Seonghwa convinces you to pretend to be his girlfriend for one night in order to fool his parents.

What they said about the fic: this is not even considered as an angst fic but the way it captured it so well, especially the dynamics between each characters and how in each significant scene there is always another layer to be peeled before that ending. i swear to god that ending!!!

TXT

|| Mune ga hachikire-sōde by @it-rains-blue | requested by @writingmochi

Pairing: soobin x reader

Genre: event drabble, fluff, sickening angst, humour

What they said about the fic: i gotta have to mentioned this one cause it's based on one of my fav songs of all time! bro, even thinking of it just… ughhhhhhh

ENHYPEN

|| your dog loves you by @orochxi | requested by @writingmochi

Pairing: Yang Jungwon x fem!reader

Genre: Coming-of-age, hurt/comfort, melancholia, human drama

Synopsis: Jungwon goes on an arduous hike on top of a mountainous terrain by his university every morning, gently tugging the leash of an old, dumb Borzoi that he calls his. If he were to recall the past nineteen years of his life, then nothing has drastically changed between the path that he and Berlioz walked together and the hallmarks of his youth. Perhaps, as he celebrated his last walk with Berlioz as a teenager, things might be slightly different when he wakes up tomorrow.

What they said about the fic: oh god… i still remember how hard i cry to this one. gosh, even the concept of male grief is so rarely been done. and even relating this to human-pet relationship… this is just so… this fic is making me think of so many profound things even with a mundane subject...

COMMUNITY'S RECS

THE BOYZ

|| beast in a beauty series by @winterchimez | requested by Anonymous

This fic has dark/mature themes

Pairing: profiler Hyunjae x detective f!reader 

Genre: jack the ripper au, angst, violence, thriller, crime

Synopsis: Set in the year 1911 in the streets of Whitechapel, London, a place infamous for its notorious Jack The Ripper murders that haunted the nation for the past decades. Except for the fact that the killer after seemingly disappearing for a while at least, decides to strike again. It is up to you as a rookie detective, the handsome yet charming profiler Lee Hyunjae, and your group of friends to finally put the killer behind bars once and for all.

|| read your mind by @winterchimez | requested by Anonymous

This fic has dark/mature themes

Pairing: fwb Hyunjae x f!reader 

Genre: angst, suggestive

Synopsis: both you and Hyunjae had a mutual agreement to begin this whole friends-with-benefits relationship from the start, but now his contradicting actions and behaviour make you question what you both truly are at this point

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[yssa3002]

Roundtable Presentation: The Musical Will Be Televised - Schmigadoon!

Schmigadoon! (Cinco Paul & Ken Duario) is a rom-com musical about two New York doctors attempting to strengthen their relationship, and get swept into a magical land (Schmigadoon) where everyday is a musical. The only way out of this magical land is to find true love.

How does the series use dual-focus narrative as a strategic storytelling tool beyond heteronormative romantic pairings? 

Though the show is about a heteronormative romantic pairing (Melissa (Cecily Strong) and Josh (Keegan Micheal-Key)) who have been dating for four years, the show takes a bit of a turn that could possibly challenge this idea. In the first episode, they realize there must not be true love if they can't leave Schmigadoon, so they decide to breakup and find true love elsewhere. In this way, Melissa and Josh aren't portrayed as a romantic pairing, but as two people trying to learn about what it means to love separately.

The two embark on their journeys to find love while they're trapped in Schmigadoon, their experiences parallel to one another in many ways. This part of the show made me think of Robynn Stilwell's article, “Dual-Focus Strategy in a Serial Narrative: Smash, Nashville, and the Television Musical Series", when they wrote, "The dramatic expositions are based on an alternation of male and female, complementary actions that make the characters’ meeting and eventual pairing seem “inevitable" (Stilwell 384). As the show is a musical we can expect, as the audience, that it will be a happy ending for Josh and Melissa. Their separation creates a time where they can learn about their true feelings for one another only after enduring the necessary events that will lead to their "eventual pairing".

What are the “inevitable” couplings within the series and how are they accentuated through “cinematic” similarities and contrasts? 

In the first two episodes, there are two clear couples, Josh and Betsy (Dove Cameron), and Melissa and Danny (Aaron Tveit). These couples are "inevitable" in respect to the short term, as of course the long term inevitable is the reunion of Josh and Melissa.

In the first episode, Danny makes a comment upon Josh and Melissa's arrival in town about letting Melissa ride free in the Love Tunnel (a carnival ride), foreshadowing their eventual attraction to one another. This is furthered in the musical number, "You Can't Tame Me" sung by Danny that implies that she will in fact "tame" him. Later on in episode two, Melissa sings "Enjoy the Ride (Part I)" where she talks about having always played it safe with love, which contrasts with Danny's character being described as a bit of a "bad boy".

Josh and Betsy's coupling is first hinted at in the first episode when she laughs at something Josh says--that wasn't funny-- and strokes his arm while he and Melissa are ordering breakfast. In the second episode, after he and Melissa have broken up, Josh bids on Betsy's basket after she, quite seductively, insists that he do. Betsy's almost "temptress-like" character is heightened by the red color palette of her costume (bows, dress, lips, and nails). This is furthered in the musical number, "Enjoy the Ride (Part II)", where she sends mixed messages concerning her desires while on a picnic with Josh.

How does the series use musical numbers within and beyond the narrative world to replicate fairy tale, backstage, or folk musicals? 

This series reminded me of fairy tale musicals and folk musicals. In fairy tale musicals we see common tropes such as the passive female waiting for her prince, and similarity we see this sort of manifest in Schmigadoon as well. The town of Schmigadoon is one that abides by the laws of God, and employs more traditional views on marriage and gender roles. For example, "Where a man can dream dreams so big and wide/And a gal can be ever by his side" are lyrics in the musical number "Schmigadoon!". From this song, we can get a better idea of the town's social structure.

However, the musical number "Somewhere Love is Waiting For You" sung by Mayor Menlove (Alan Cumming) challenges the fairy tale trope of female passivity. The songs talks about finding love, and pursuing it rather than waiting for it to happen to you.

As far as the show's similarity to folk tales, I thought it was especially reminiscent of white musicals. Not only is the plot focused on love and happiness outside of the workspace, but it also utilizes utopianism/escapism. At the beginning of the show, Josh and Melissa are shown at work, which is filmed with greyed and more dull colors and tones. They then leave the workspace, and enter a magical land very detached from the real world where they must find true love. In the song "Schmigadoon" shown below describes the town and how it is "the most beautiful, wonderful, magical place of all" where their motto "We always strive for peace and happiness". This follows the expectations of the white musical, as the two leads will eventually get their happy ending where something (true love) has been accomplished.