#Toga Himiko critical

[harukamitsuki]

had a couple of reblogs on my last post, mentioning toga being a failed yandere and a bad character as a whole, specifically by @mikeellee @amethystoceandespiser and @kite2013 so this is for you guys.

and, yes, she is. she is both a bad example of a yandere, and a bad character.

when you think of yanderes you think of yuno gasai from mirai nikki or monika from ddlc, or even ayano aishi from yan sim or every single girl in higurashi.

and they're all excellent examples of yanderes.

the term 'yandere' comes from two words: 'yanderu', meaning "to be sick", and 'deredere', meaning "lovestruck". together, it the loose translation would be 'sick with love'.

yuno gasai is the best example of a yandere, encapsulating it in every way possible. she's sick and twisted, ready to sacrifice everything, herself included, just to be with yuki. she acts sweet and caring, but is truly a jealous, overprotective, dangerous girl underneath all that.

one of the first things she says to yuki is that she is willing to give up everything for him.

yanderes are supposed to be obsessed with love, and more specifically, with the target of their love.

love is the only reason they have to keep going.

and toga is not it.

because when she's first introduced, it isn't love that's her driving force. it's admiration. some may say it's a form of love, but it doesn't matter. yandere's are obsessed with romantic love specifically, and toga was not introduced as such.

even if she developed into a yandere after meeting izuku, or perhaps her nature was revealed far later, as was the case with homura from pmmm, it wouldn't matter as we still don't know who she's devoted to.

yeah, she's into izuku, but we don't see that devotion. a real yandere would have abandoned everything just to be with their love, but toga doesn't.

she is not a yandere, but horikoshi presents her in such a way, because they're one of the most popular tropes in Japan, and even in the west. appearing adorable and speaking cutely, and obsessed with blood.

what, are we supposed to assume her 'love' is blood? no, her obsession with blood is as a result of both her quirk, and how she envisions love.

blood is how she expresses her adoration. there's a stark difference in how she wants to see izuku's blood, and how she wants to see overhauls. with izuku, her face is flushed and she's almost shy in the way she says it. but with overhaul, she's full of fury. it isn't about wanting to become closer with him, it's about getting revenge for mangne's death.

so, yeah. terrible example of a yandere.

if i were to write her to be a proper yandere, i'd have her obsess over twice, who canonically had feelings for her. i'd have her destroy everything just for twice.

and i'd have izuku's appearance challenge her. suddenly, she can't tear everyone and everything else down, because she can't hurt him. maybe she'd have a mental breakdown over it, trying to figure out who to fight for, if it's okay to love more than one person, maybe even coming to the conclusion that it was never love - it was obsession.

i'd have her be a proper deconstruction of the yander archetype. not this failed version of a yandere.

as for her character...

her writing is really bad, which doesn't say much when most other characters in mha are badly written, but we're focusing on her today.

we are first introduced to her after the hosu arc, where she joins the lov due to believing stain was working with them.

why did she love stain? what specifically drew him to her? we don't know, and we never find out.

why is she so attracted to izuku? the many injuries he gets? but what was it specifically that caught her attention? no clue.

did she ever love twice back? why did she stick with shigiraki? how close is she to the villains other than twice?

we don't know.

there were so many ways to develop her. maybe she, dabi and spinner would reminisce about how they first found out about stain, which would also further delve into all of their motivations. maybe they would find out stain rejected the lov, and struggle on deciding whether to leave or not.

it'd be far more interesting if she actually wanted to damn everything to join izuku, but maybe he rejected her and so she turned against him.

maybe she could have been a good deconstruction of the yandere trope, maybe she could have been a well-written character, but she wasn't.

[doodlegirl1998]

Oh my god...

I just realized something about how some characters are treated, so I'm gonna quote Joshscorcher from one of his fails videos

"You aren't a person, you ARE a disability! You're not a human, you ARE a skin color! You're not alive, you ARE a checkbox!"

Doesn't that just fit some of the characters in BNHA to a T?

We got the crazy yandere! The hotheaded rival! The hardass teacher with a heart of gold! The black guy!

And of course! The disabled kid who magically gets cured to be like everyone else!

Hori seems to believe that if he just adds pieces of representation or tropes that people like, they will just eat it up without question.

Not even considering or bothering to think about actual backstory, personality, goals, likes or dislikes.

You know, things that make a character an actual character!

Hi @theloganator101 👋,

This fits how MHA treats it's characters to a T or at the very least they develop from Nuanced characters to a stereotype which is never what you want from a series. Also Hori even fails at fitting these characters into the cookie cutter molds he tries to contort them into at times.

Let's give a few examples based on what you have said above:

"Crazy Yandere and Token Bi" = Toga (which the LGBTQ fans of MHA should be offended by, because having a Yandere who is coded very creepily (yet also not condemned for her creepy behavior in general or how she groped Uraraka without consent) as prominent representation is not good...

"Sweet generic shonen love interest" = Uraraka (well this is what Hori intends for her with IzuOcha endgame even with how weakly its built in the series. And Uraraka herself denying her feelings for Izu and freely simping for Toga. I feel so sorry for Ocha fans, how she has been written with Toga is a complete mess.)

"Hardass Teacher with a heart of gold" = Aizawa (or this is what Hori intends for him realistically a lot of his actions under a critical lense read as malice at worse and negligence at best but go off about how he cares about his kids, Hori. Despite dropping a building on them and making them believe their parents are kidnapped by villains. Or the fact that he expelled tonnes of other students prior to 1A without a care - what makes 1A so special?)

"Hot headhead rival" = Bakugou... (Well this is meant to be him, narratively speaking, but rivals are meant to inspire and respect each other. Bakugou doesn't respect Izuku, Bakugou abuses Izuku and acts as his parasite. Bakugou brings Izuku down at every opportunity.)

"The 'token black/ blasian' characters" = Rumi and Rock Lock. (While I'd say Rock Lock is good black representation. Rumi... She's not my favourite. I like strong female characters but the way she's so aggressive and violence hungry as a hero - that rubs me the wrong way. Realistically, I could see her killing a villain by accident through use of excessive force. And I can't ignore that she's used as a stick for Hori's gore porn fetish which isn't a great look as one of Hori's few Blasian characters.)

"The disabled kid who gets magically cured to be like everyone else." - Midoriya Izuku. (You could say this is the case for All Might and Aoyama too but Izuku is the most prominent example as the main protagonist.) Izuku's story and the lack of how his backstory is touched on is one of the one that's the most upsetting parts of MHA to me. Personally, I have a disability and mine can't be fixed, while I accept and embrace it now, I didn't when I was Izuku's age. I would daydream about getting "fixed" and being like everyone else so I could fit in. As an adult, I have now achieved many things that I was told that I could not hope to ever be able to do - and I didn't need to be "fixed/ made normal" to do it. Instead, I worked my ass off to achieve those things.

Izuku's story would have been way more powerful if he trained relentlessly with All Might, stayed quirkless and achieved as much as his quirked peers.

OR, if he had to gain OFA, the cognitive dissonance between how he was treated then in his backstory vs now should heavily influence him. Either way, he should have grown out of "Kacchan" and told Bakugou, his bully and abuser, to fuck right off.

The fact that Izuku isn't allowed to think of his backstory or one negative thought of Kacchan severely limits him. And it's one of the things that has stunted him as a character. All Izuku is now is OFA 'generic shonen protagonist' who will save Shig and destroy All for One. What a waste.

TLDR - developing good characters is like nurturing a particularly fussy plant, you can put down the right soil (backstory) to get readers hooked but if you get lazy and don't water it regularly (develop plot points, think through what is in character rather than what you as the Author want them to do, have them show up regularly) it (the characters) will never grow.

[palesweetscherryblossom]

Toga fr let all of her gripes about Heroes go when Ochako called her smile pretty.

(Twice is rolling in his grave)

@theuntamedangel

@theloganator101

[embers-of-the-league]

Okay, so here's where we're at apparently

Tomura is dead

Toga is dead (or, let's just call it as it is, she committed suicide) - this is despite the fact that if she died other characters (read: heroes) should have died as well, but didn't (Bakugo and Edgeshot for example)

Dabi is presumably still in the hospital (since we didn't see a funeral), unable to move or do anything on his own

Spinner wrote his book, but where he is and how he's actually doing is unknown - presumably he still has to deal with multiple quirks that aren't his own and are tearing at his body

Compress is alive but where he currently is is unknown - he read Spinner's book (and that's it)

Kurogiri exploded?? And nobody has bothered to mention anything about him since

Twice has been dead for a while, but his murderer is not only free of charge but also the head of the HPSC (which still exists btw)

Other things:

The hero ranking system still exists

Seemingly no real changes have been made which would help victims like the LOV before they felt like they had to turn to villainy to be heard/seen/understood

Deku gets to be a hero again by the power of ~technology~ - kinda making the whole deal about him losing his quirk feel pointless

Not from this chapter, but I still feel like it's very important to point out that it's heavily implied that Rei is just gonna take care of Enji (her abuser) now and probably for the rest of time

The few good things:

Ochako bringing more focus on mental health

That was it, I have nothing else

[haine-kleine]

after sitting with my thoughts about the epilogue for some time, I think the thing that broke the story had started right after Dabi's dance. said thing is LOV' utterly out of character treatment of each other and Shigaraki specifically.

them just standing there and passively observing the scene makes absolutely zero sense, if you use anything from their previously established relationships within the organisation for reference. especially with All for One's creepy comments. Spinner even points out shortly before this chapter that AFO!Shigaraki seems nothing like his normal self and this person is not the one he had chosen to follow.

and yes, Spinner does approach screaming Shigaraki and tries to help him, and his concern later leads him to seeing Shigaraki's mutated form in the cave, and on its own this development for Spinner is in line with his character and all around fine. pretty reminiscent of Toga and Twice, too.

(except Spinner is not allowed to really help Shigaraki in any way, unlike Toga was allowed to help Twice, and this entire thing between Shigaraki and Spinner only ends with Spinner's regrets and survivor's guilt instead of anything good or meaningful that isn't meaningless angst porn)

it isn't Spinner approaching Shigaraki that is the issue, it's the other's complete lack of action or even reaction besides appearing mildly disturbed. this is simply out of character for all of them, just judging by Twice's example who had similar breakdowns and wasn't plainly ignored by the others until his fit stops. this reaction makes even less sense, when you take into account the current state of the League. Twice had just been murdered by Hawks, the double agent who had infiltrated the League via Dabi, and Mister Compress had just sacrificed himself to give the League a chance for escape, and was sent to Tartarus immediately after his condition was no longer life threatening. Kurogiri is also being held captive by the heroes. there are only four of them left, with two dead and two captured. and none of them even mention the dead or the captured outside of the context of Kurogiri and his quirk.

this straight out makes no sense if you look back to the Overhaul arc and remember how far Shigaraki and the rest of them were willing to go to avenge Magne's death and Mr Compress' destroyed arm. this was important.

the event had motivated Shigaraki to be a better leader, because he had realized these people depend on him, and he won't let them be hurt under his protection. it had started the seed of self-doubt in Jin which would eventually grow to the desperation that allowed him to overcome the mental block against his quirk in the MVA arc, because he wanted to do everything he possibly could to help the League. it allowed him to make his clones despite the crippling trauma, because he saw Toga's hurt, bleeding body, and he didn't want her to die.

even fucking Giran, a broker whose very profession requires him to care about himself and his own well-being first and foremost, had sacrificed all of his fingers to prevent Redestro from getting his hands on the League. because he wants to protect them, to save them. and then we never actually see his mutilated hands or hear anything from him ever again.

and when Twice actually dies? all we get in response to that are two upset faces from Dabi and Toga's fury. that's it.

i really want to stress how out of character this barely-present reaction is, because Magne's example is right there and when Overhaul had killed her, the League knew each other for no longer than a month. this League has been together for at least half a year, had been through thick and thin together, had spent months on the run, homeless, having no one but each other to rely on, has defeated the Meta Liberation Army, quite literally, with the power of their friendship. they all cared enough about each other and Shigaraki specifically to stay with him during those months they had to fight Gigantomachia with barely any breaks for rest, still homeless, barely scraping by. it was imperative that they all survive through this together, especially for Shigaraki, who had went on this quest of getting stronger at least partly so that he would become a more reliable protector for the League. and when Twice falls victim to the hero who had murdered him in cold blood, because no one except for Dabi was there to save him, Shigaraki doesn't even get to react to Twice's death, and possibly never even learns about the fact.

on topic of Dabi, his reaction being exactly two frames of sad expressions and including the footage of Twice's murder into his broadcast, and ending immediately after that, also makes no sense. Dabi is someone who holds himself accountable and despite his declarations, cares about the League, it's the very reason he was keeping Hawks from the League and sprinted to Twice as soon as he realized Hawks' intentions with him, to protect him. Dabi's unsuccessful attempt to save Twice is another iteration of Overhaul, a combination of Shigaraki and Twice's roles in the tragedy. but unlike Shigaraki, who had steeled himself into taking care of his subordinates and becoming a responsible and strong leader, or Twice who had never forgotten about his role in the incident, Dabi just somehow forgets about the entire thing as soon as the first war is over. Toga is the one whom the narrative allows to actively react to Twice's death and express her grief. it makes sense that her reaction would be the strongest, as she was the closest with Twice, but why are two LOV members no longer allowed to care about the same incident at the same time? why aren't they allowed to protect each other anymore, when Giran, who is not even in the League, had made that sacrifice for them?

These are pretty small things, but it's these instances of Toga and Dabi preventing Machia from being injected with the sedative, protecting the League that are sorely missing in the second war.

and the biggest act of devotion and protection to the League, which was the last time we saw anything like this for them, Mister Compress' last moments with the League.

Mutilating his own body just to buy them five seconds to possibly escape. Because he loved the League, because he wanted all of them to be happy and achieve their dreams, to be free, and to live.

and in return for the favour, not only do they not come back for him like they did for Kurogiri (because his quirk is important for the plot, while Compress' isn't), but none of them mention Compress ever again. same with Twice (with the exception of Toga), same with Magne. from this point onwards, none of them are allowed by the plot to even care about the League of Villains. the interpersonal relationships between two individuals still shine through, occasionally, like Spinner's devotion to Shigaraki (and him alone), Dabi and Toga's pyromaniac trauma lane visit to her house and him giving her Twice's blood, Kurogiri reaching out to Shigaraki in the very end. but what about the League? ahd what about the dead members of the League, or Mister Compress?

somehow, at the point of the final war it boils down to the generalized conflict of heroes vs villains and the morality gymnastics involved in the concept. on its own, this would have been an okay development, if the examples the story was using to prove its point weren't people who had become very close friends and who had lost four people to this war against the heroes.

if the individual conflicts, like Toga's desperation to be acknowledged as human being deserving of affection, Dabi's familial abuse trauma and Shigaraki's lifelong manipulation by All for One not giving him any chance to be saved at all, were the finishing line of the villains' story development, why join them within the League at all? LOV is a separate concept functioning as a collective uniting all these villains, giving them a place to belong and people who give a fuck whether they live or die. except not anymore, because for some reason after the first war this concept is scratched completely.

so why not make them mere acquaintances who sometimes collaborate to bother the heroes together, if the bond between them got in the way of the story and wasn't the point of the story? why prove the depth of their bond with the Overhaul and My Villain Academia arcs? why make Shigaraki develop relationships and a sense of responsibility for these people at all, if in the very end his desire to save these people is denied by the author himself?

the previous arcs have spent a great deal of effort establishing that the villains are human too. they have human feelings, human desires and human relationships. so why is it that in the final arc their ability to experience human emotions towards each other is turned on and off manually by the author? at the very end even the author stops pretending like anything happening to the villains is evaluated on the scale of human experiences (unlike the heroes, whose injuries and deaths are talked about and mourned in great detail) and Kurogiri and Shigaraki are wiped out like plot inconveniences rather than important and well written characters.

honestly? it's ironically meta that the story ended up proving the very point it has spent 400 chapters arguing against.

[newtscamandersbf]

saw this ss on twt and im sorry but im starting to think some of yall actually like when characters are predators cause first it was accusing afo of p3dophilia / sa (despite the fact grooming can be non-sexual) and now its this shit 😭😭

like this is actually crazy yall we are told MULTIPLE times that toga feels safe with the league because they are the only ones who accepted her for who she was 😭😭 its not like she was the only woman or kid in the league either like at some point there were magne and mustard. the league lets anyone in regardless of background this is soo ..

[sammy-the-dead-dumpster]

I mean, listen.

This death wouldn't hurt so much if it weren't for:

-Toga committing suicide -Toga committing suicide in an exceedingly preventable way -Toga committing suicide because she felt like she wasn't meant for this society and like she had no other options, which nobody disavowed, not even Uraraka directly -So many other characters with way worse odds surviving (like Bakugou, Nagant, Edgeshot?? Dabi???) -Seriously, why did she have to die? Let her be comatose, at least?? -Hawks being all like, 'Yeah, I shouldn't have killed Twice, the villains shouldn't have to die' -Hawks being nearby at the time, right? And of the same damn blood type? -Anyone willing to help nearby, actually -Didn't they put her on the helicopter? You're telling me that Dabi survived the stretcher ride, but not Toga? -It being. so preventable. not like Dabi's path toward destruction, or Shigaraki turning his body into a vessel for a greater evil. she was just a girl who was helping someone she'd hurt. and didn't need to give up all her blood to do it. -She didn't need to give up all her blood to do it. (Bakugou survived worse. Uraraka would've been fine.) -Her being seventeen -Her death feeling so meaningless, as the theming could have been accomplished by Shigaraki's death alone, except as a conduit for Izuku and Ochako to hold hands together. Which stings. My film professor would be completely unsurprised. -Bury Your Gays -Bury Your Unconventional Love Interests (thanks, film professor!) -the frustrating positive tone of some parts of the epilogue, with no real address of the character's failures and emotional struggles -Not even Uraraka gets to monologue about what this means for her future? Izuku's just slapping an emotional bandage on this? Really? -What even is Izuku's characterization right now? -Is Shoto really the only one who more or less Saved, in addition to Winning?

[linkspooky]

TOGACHAKO VS. FUFFY: How To Save Your Evil Girlfriend

So, once again My Hero Academia has failed to deliver on its promise of saving / redeeming one of the main villains of its story, and victims of its ficitonal society. This time I'm going to make the added argument that not only does failing to save Toga make the story worse, it also makes Uraraka's character almost completely hollow. While you can dismiss Deku's lack of character development as him being a shonen protagonist, both Uraraka and Shoto had arcs and Ochako's is effectively ruined by her failure to save Toga.

In order to make my point I am going to compare it to a villain redemption arc in another piece of media that does it right, Faith's character, and her strained relationship with Buffy in Buffy the Vampire Slayer. A series which is overall anti-state punishment and pro-redemption and delivers on practically all the themes MHA promised us.

MORE UNDER THE CUT:

THE GOOD GIRL and THE BAD GIRL

There is a reoccurring dynamic between two female characters in media, usually between a heroine and a female villainness that I like to call: The Good Girl vs. Bad Girl complex.

However, if you were a Freudian you'd be calling this a Madonna Whore Complex.

To explain the Madonna Whore Complex, one of the biggest examples in other Media is Aronofsky's Black Swan. The entire movie is themed around the Madonna Whore complex, and the impossible double standards the male perception imposes upon women.

"The white swan and the black swan are not merely characters, and not merely characters that are relevant to Nina. The black swan and the white swan are archetypes of women. They are emblematic of the Madonna and the Whore [...] . The white swan is the Madonna, she is pure, innocent, the ingenue. The black swan is the whore, she is cunning and deviant. The seductress. Nina and her ballet counterpart Odette are characterized as perfect ingénues. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity. She is the fawn eyed damsel in distress and in literary films she's often the heroine or protagonist. On the other side of the coin from the ingenue, we have the seductress, embodied by Lily and her ballet counterpart Odelle. The seductress is characterized by her promiscuity, cunning nature and sex appeal. She is the alluring femme fatalle, willing to do whatever it takes to get what she wants. She's most often framed as the village. These draw parallels to Freud's psychoanalytical theory, a theory that suggests in the minds of some men they struggle to fully see women as fully realized and rather view them in archetypal categories." [SOURCE]

Black Swan is also a movie where Natalie Portman attempting to live up to the impossible expectations society has placed on her to be both the White Swan and the Black Swan goes insane, and quite possibly dies at the end of the movie.

Considering that Toga's entire story is that she is a shapeshifter who went mad because she could not fit both her parent's and society's expectations of being a "normal girl" then you can see why the Madonna Whore Complex is relevant, with the oversexualized, vampish, femme fatalle Toga quite obviously playing the part of the whore.

Before you call me a fraud for citing freud though, let me prove my point that the Madonna Whore Complex is quite literally everywhere in media.

I could literally keep going if this post didn't have an image limit: Jean Grey and Emma Frost, Jean Grey and Madelyne Pryor, Starfire and Blackfire, Raven and Terra, The Two Sisters from Ginger Snaps, t's literally everywhere all the way back to Lilith and Eve.

More intelligent takes on this trope play with the concept of the Madonna Whore Complex (MWC) to either present the archetypes as two fully rounded people (Catra and Adora) or demonstrate that it's impossible for women to fit into these two dinstinct categories (Natalie Portman in Black Swan).

Buffy the Vampire Slayer is a work that challenges the MWC, by allowing both its good girl, and bad girl to be fully realized characters. My Hero Academia plays the MWC straight to a sexist extent by not allowing Uraraka and Toga to escape their categorization of Good Girl and Bad Girl, and also going out of its way to punish and kill the seductress for her sexuality like this is a slasher horror movie. Actually, it's worse than a horror movie because at least Jennifer's Body plays with the MWC in a clever way.

It's not just bad writing anymore Hori's writing has crossed over into actively murdering female characters to enforce puritan values, but let's not get into that just yet we'll talk about the writing portion instead.

I'm going to outline what BTVS accomplishes, demonstrate how it does this below, and then go on at length picking apart how MHA fails.

BTVS:

Shows Buffy and Faith as fully realized people

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Breaks down those two categories

Redeems it's bad girl

With that out of the way let's get the ball rolling.

HOW TO (NOT) SAVE YOUR EVIL GIRLFRIEND

This is the part where everyone in the audience is going to gasp. Even though I'm using Buffy and Faith as a positive example of deconstructing the MWC and redeeming a villain, Buffy does not save Faith. The two of them reconcile in the end, but Faith is not redeemed or saved by Buffy, and in fact Buffy is in part responsible for Faith's fall.

So, why would I say Buffy and Faith are a better example of villain redemption then Uraraka who at least did everything she could to offer a helping hand to Toga?

Because Buffy not saving Faith is THE POINT and Faith receiving redemption even though Buffy gave up on her is also THE POINT. Lemme explain, by starting at the beginning.

BTVS is a story that exists to flip both horror tropes, and the idea of the chosen hero on its head. The concept started out with Joss Whedon noticing that the Cheerleader is always the first victim in any given horror movie, and wondering what it would look like if the Cheerleader could fight back. If the Cheerleader was the thing that monsters ran away from.

Which leads us to Buffy Summers. Buffy is chosen by the universe to slay vampires, she is hero with super strength that can easily take on legions of vampires and often has to fight even tougher villains for each season's conflict. Buffy carries all the classic features of both the ingenue and the chosen one protagonist rolled up into one:. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity.

However, after dying in the first season, and having to kill her boyfriend in the second season after he turned evil and inflicted a lot of psychosexual abuse on her Buffy has also got a whole lot of trauma. Which is when Faith appears on the scene. One of the first ways that the show challenges the idea of the "Chosen One" is that there are actually two Chosen Ones, Faith being the other Slayer.

Buffy much like Deku has a case of protagonism brain rot, but in her case she was actually chosen by the mystic powers that be to be the protagonist of reality. Buffy, who views herself as the hero of the story as a coping mechanism (we'll get back to this later) is suddenly challenged when the fates chose yet another chosen hero, challenging her pre-conceived notion that she is the hero of the story. If Buffy is not the only hero then who is she? What is all the suffering she's endured so far if it's not a part of her own personal hero's journey?

Buffy begins to dislike Faith on sight for projection reasons, before Faith does anything wrong. In a way Buffy herself the female lead is enforcing society's standards of the MWC because all the reasons Buffy decides to disturst and dislike Faith on sight are because she exhibits qualities of the seductress.

Faith is openly promiscuous, often comparing the art of killing vampires to sex, she is also someone who is proud of her power as a a slayer and uses it for her own purposes. She is a slayer for selfish reasons (apparently) while Buffy is the selfless hero. In the first episode Faith appears in, Faith, Hope and Trick Buffy is almost immediately hostile to Faith who has so far done nothing wrong for, trying to get along with Buffy's friends, getting a little bit too into vampire slaying and openly relishing her strength, and like occasionally making lood comments.

FAITH: Don't… touch… me…! BUFFY - yanks Faith off the unconscious vamp with one hand, stakes the vamp withher other. Then she turns to Faith who is breathing hard, high on adrenaline, rubbing her fists. BUFFY: What is wrong with you? FAITH: What are you talking about? BUFFY: I'm talking about you living large on the great undead here. FAITH: Gee, if doing violence to vampires upsets you, I'm pretty sure you're in the wrong line a work… BUFFY: Or maybe you like it just a little too much. FAITH: I was getting the job done. BUFFY: The job is to slay demons. Not mash them into sloppy joes while their

Buffy then escalates to like ableist slurs towards Faith within half an episode for getting slightly violent in a fight against vampires that were trying to kill her.

GILES: Well, Buffy, you have to realize you and Faith have very different temperaments… BUFFY: I know, mine would be the sane one. Giles, she's not playing with a full deck. She has almost no deck. She has a three. GILES: You said yourself she killed one of them, she's a plucky fighter who got a little carried away. Which isnatural, she's focussed on Slaying,she doesn't have a whole other lifehere like you --

The twist this episode is that no matter how much Faith tries to present herself as a free-spirit, she's actually a scared homeless girl who just happened to become the Slayer. Unlike Buffy she does not have a watcher, a mother, or friends to support her. She lives in the cheapest motel in sunnydale. The reason she's so violent against vampires is because she is understandably having a trauma flashback because her mentor was murdered right in front of her by a different vamp.

This is repeating pattern throughout the whole season, Faith is shown to be a victim of trauma, and occasionally acts in ways that are understandable for a victim like her to ask, only for Buffy to start mischaracterizing her as someone violent and insane and throwing the slurs.

You can compare both Faith and Toga as characters who are complex victims of trauma who society turns their back on and become bad victims, but Faith is a special case because we actively see her turn to the dark side. Faith starts out trying to be a hero like the rest and she practically does nothing wrong for half a season, and when she does finally make a mistake and become a bad victim it's the hero's desire to punish her and castigate her that turns her into a villain.

We actively see Faith's fall happen onscreen, and it's like totally Buffy's fault. Buffy throws her completely under the bus, because she's so desperate to see Faith as the Bad Slayer and Buffy as the Good Slayer. Faith is almost pushed into evil because of the MWC, the characters around her can't see her as a fully fleshed out human being so they are quick to demonize her when she starts acting like a bad victim.

So the two episodes appropriately named: Bad Girls and Consequences depict Faith's fall. In that episode Faith and Buffy are fighting vampires, and one human is mixed among the vampires. The human grabs Faith by the shoulder, and Faith thinking that the human is a vampire turns him around and stakes him.

It's a complete accident, something that Giles even says later on is an accident that can happen to any Slayer on the job and is completely normal. It's a murder that Buffy herself could have committed.

GILES: This is not the first time something like this has happened. BUFFY: It's not? GILES: A slayer is on the front lines of a nightly war, Buffy. It's tragic - but accidents have happened. BUFFY: What do you do? GILES: The council investigates, meters out punishment if punishment is due… I've no plan to involve them,however. That's the last thing Faith needs right now. She's unstable, Buffy. She seems utterly unable to accept responsibility. Shows no remorse.

However, even in the same breath Giles explains that it's an accident and not Faith's fault, he's also calling Faith unstable and irresponsible. Basically when they're not calling her a psycho (just hitting her with the ableist slurs), the protagonists all lowkey imply that Faith is somehow inherently violent and unstable because she displays symptoms of a bad victim.

I might also remind you Faith has not done anything to earn any of these accusations, until she kills someone in a complete accident. A complete accident that Giles once again said wasn't her fault and wasn't really a big deal.

FAITH: My dead mother hits harder than that.

Faith is stated to be a victim of physical abuse, heavily implied to be a victim of sexual abuse, and is homeless (none of the main characters offer to let her stay in her house she spends half a season in a terrible motel). However, Faith is quickly demonized by the white wealthy main characters for acting in ways that are completely typical for a homeless teenager.

The moment she commits one mistake they all turn on her and use that mistake as proof of these violent tendencies they all want to accuse her of having. Faith can never be the ingenue so she must be the seductress, because she can't just be a person.

Buffy: So, I, uh... (sees Faith scrubbing) How are ya doin'? Faith: (still scrubbing) I'm alright. You know me. Buffy: Faith, we need to talk about what we're gonna do. Faith: (looks at Buffy) There's nothing to talk about. I was doing my job. Buffy: Being a Slayer is not the same as being a k*ller. Faith has nothing to say. She's finished scrubbing. Buffy: Faith, please don't shut me out here. Look, sooner or later, we're both gonna have to deal.

It is essentially two episodes of this, Faith after killing someone on accident in a life or death fight is constantly called a murderer by others. She wasn't even like, drunk, or high, or being especially reckless she was being a normal slayer.

FAITH: So the mayor of Sunnydale is a black hat. Shocker, huh? BUFFY: Actually - yeah. I didn't get the bad guy vibe off him. Faith shakes her head. Scoffs. FAITH: When you gonna learn, B? It doesn't matter what kind of "vibe" a person gives off. Nine times outta ten he face they're showing you? It isn't the real one. BUFFY: I guess you know a lot about that. FAITH: What's that supposed to mean? BUFFY: Look at you, Faith. Less than twenty four hours ago you killed a guy. And now you're laughing and scratching and zipidee doo dah. That's not your real face, and I know it. I know what you're feeling because I feel it too. FAITH: Do you? So, fill me in. I'd like to hear this. BUFFY: Dirty. Like something sick creeped inside you and you can't get it out. And you keep hoping what happened wasjust some nightmare…

Faith is dirty, faith is disgusting, faith is unstable, Faith is sick for... killing a guy on accident in a way that Giles said was a perfectly understandable accident, and not showing clear guilt because the moment she did it everyone around her jumped on her and started accusing her of being a murderer.

Why do the selfless main characters suddenly start demonizing this girl before she even did anything wrong - well it's because she's poor problem solved.

No, but it does play a factor. Why do most american white middle class look down on the homeless? Because, they must have done something to deserve it, right? If Faith killed a man, that clearly is an indication that she was violent all along and the heroes don't have to sympathize with the fact she's homeless or you know lift a finger to help her.

Now, this makes it sound like I hate Buffy, but Buffy is actually my favorite character in the whole show. The thing is Buffy's complete lack of sympathy for Faith makes her a better character. Buffy needs to demonize Faith and throw her under the bus, because Buffy is a victim of sexual abuse too. Her boyfriend turned evil after having sex with her once, and spent an entire season stalking her and terrorizing her the entire season 2 Buffy / Angel plotline is a thinly veiled groomer metaphor.

The thing about Buffy is she's not allowed to show any kind of reaction to her trauma. The episodes preceeding Faith, Hope and Trick are Anne, an episode where Buffy runs away from home after being sexually abused (stalking is sexual abuse) by Angel for a whole season and feeling like no one would understand her, and Dead Man's Party, an episode where every single one of Buffy's loved ones ruthlessly criticize her for having run away. Like, how dare a teenager not react perfectly to being horribly stalked by a serial killer after she had sex with him for like half a year.

JOYCE: Buffy! You didn't give me any time. You just dumped this… this thing on me and expected me to get it. Well -guess what? Mom's not perfect. I handled it badly. But that doesn'tgive you the right to punish me byrunning away. BUFFY: Punish you? I didn't do this to punish you XANDER: Well you did. You should have seen what it did to her. BUFFY: Great. Would anybody else care to weigh in? What about you? By the dip. XANDER: Maybe you don't want to hear it, Buffy. But taking off like that was selfishand stupid. Buffy's breaking down. It's all too much. BUFFY: Okay - I screwed up! I know it - alright!? But you have no idea. You have no idea what happened to me or what I was feeling

The reason Buffy is so hard on Faith is because everyone else is equally hard on her. The label of the ingenue is so difficult for Buffy to maintain, because she has to be pure, and without any flaws, especially when reacting to trauma that she throws Faith under the bus for her bad victim behaviors.

The white middle class demonize the homeless because they don't want to face the reality it can happen to them, Buffy doesn't want to reflect on all the things her and Faith have in common because she could very easily become Faith. Buffy is the victim of extremely similiar trauma to Faith, and being pressured to be the perfect victim of that trauma in a way that's destroying her mentally slowly.

FAITH: It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho BUFFY: No FAITH: See - you need me to tow the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you... ( Something snaps in Buffy. She rears back and POPS Faith a good one. Faith falls back, but she's smiling as she puts a hand to her bleeding mouth. ) FAITH: There's my girl…

Buffy is suffering under the expectations of the MWC too, but in her desperation to make Faith out to be the seductress instead of... like... a csa victim... Buffy is reinforcing those standards on both herself and another woman.

The entirety of Bad Girls and Conesequences is Faith being called a murderer by several people, having another trauma flashback to a sexual assault because Xander came to her motel room under the guise of "helping her", getting hit over the head and chained to a wall, then getting the swat team called on her and almost dragged to London for trial. Then the heroes do nothing to help her. The first thing Faith does is go to the main villain, who buys her an apartment AND A PLAYSTATION. So... the evil main Villain of the show helped Faith with her homelessness situation while none of the main characters lifted a finger.

it sounds like it sucks but it doesn't because it's all intentional. Buffy cannot process her own sexual trauma so she is just awful to people who are also domestic abuse victims. here's one of my favorite scenes, Buffy yells at a girl being beaten by her boyfriend with a visible black eye.

Buffy: Where can we find him? Debbie: I-I don't know. Buffy: You're lying. Debbie: What if I am? What are you gonna do about it? Willow: Wrong question. Buffy takes her by the arm again and pushes her up against the sink in front of the mirror. Buffy: Look at yourself. Why are you protecting him? Anybody who really loved you couldn't do this to you. She takes a few steps away. Debbie turns around to face them. Debbie: Would they take him someplace? Buffy: Probably. Debbie: (shakes her head, sobbing) I could never do that to him.(Willow sighs) I'm his everything. Buffy: (disgusted) Great. So what, you two live out your Grimm fairy tale? Two people are dead.

That poor girl gets her neck snapped like five minutes later and Buffy just kinda, moves on even though it would have been an easily preventable death.

Buffy getting mad at an abuse victim for showing textbook behaviors of abuse victims in bad relationships. Buffy is a good character because she is a hero, she can be empathic, but she really only understands heroism in term of defeating the bad guys, and when called to relate to people with complex trauma, especially trauma that reflects her own trauma she can't! She just can't process it! The expectations of being the ingenue, the perfect hero are so crushing she can't cope with a messy reality so she needs to have a black and white view of herself and other people.

Buffy needs to be firmly in the good category, and Faith needs to be firmly in the bad category in order for Buffy's brain to keep working.

Not only does Buffy's conflict with Faith characterize how much Faith suffers for being a bad victim, it shows how the pressure to be a good victim destroys Buffy mentally to the point where she starts using Faith as a punching bag.

Literallly.

It's all intentional too, Buffy gets called out on it, Faith always gets the last word and the final episode of the season makes out Buffy to be a hypocrite. After Buffy literally threw Faith under the bus, called her disgusting for murdering a man, Buffy is completely willing to murder Faith to get a cure for her vampire boyfriend who's been poisoned.

All human life is sacred and needs to be protected, but Fuck Faith I guess.

Faith: I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream, I'm not sure what it means, but in the dream the self-righteous blond chick stabs me, and you wanna know why? Buffy: You had it coming. Faith: That's one interpretation, but in my dream, she does it for a guy. Faith: I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life, but she's forgotten about the chick she nearly k*lled for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean? Buffy: To me? Mostly, that you still mouth off about things you don't understand. (Sirens) Uh-oh. I guess somebody knows you're here.

So the show goes to great length to show you that there are two sides to this conflict, Buffy demonizes Faith, because her friends expect her to be the perfect hero. Faith reacts badly to trauma because she has no support system, and the people around her have no empathy for her because they're too privileged to imagine the things in Faith's life ever happening to her.

Buffy and Faith are fully realized people.

Buffy and Faith are presented to the audience as the ingenue and the seductress but they're both fully realized characters. Buffy's not the ingenue because she's just as capable of murder as Faith is. Faith isn't the seductress because she's a homeless teenager. They are both victims of sexual trauma, though one reacts in what people consider an "acceptable way" and the other is a total slut about it.

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Buffy throws Faith under the bus specifically because the pressure in her life to be the perfect slayer is so immense that it could be her that takes the fall so she needs to believe in black and white concepts like she is inherently good and Faith is inherently bad to justify the bad things that happen to Faith and therefore convince herself said bad things could never happen to her. "You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you..."

Faith: Angel said there was no way you were gonna give me a chance. Buffy: I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has -ever- made me a victim. Faith: And you can't stand that. You're all about control. You have no idea what it's like on the other side! Where nothing's in control, nothing makes sense! There is just pain and hate and nothing you do means anything. You can't even.. Buffy: Shut up!"

Buffy needs to fit her and Faith into neat little boxes because she cannot face the inherent senselessness of the world (and also that she is a victim too "you made me a victim")

Breaks down those two categories

Even in Seasons where Faith is not present she haunts the narrative, because the writers were well aware that Buffy and Faith are the same person under different circumstances.

All of Season 6 Buffy is faced with many of the same situations that Faith was, she suddenly becomes poor and in danger of losing her house, she has extreme depression from coming back from the dead (long story) she can't share those feelings with any of her friends because they treated her much like they did Faith - having no sympathy for imperfect victims. Buffy even gets into an unhealthy, sexual relationship, and like Natalie Portman basically changes from the ingenue into the seductress.

A relationship she has to keep a secret because once again, Buffy must fit into the box of the ingenue in order to be loved by her friends. This leads to her committing several bad behaviors, and at times borderline emotional abuse towards her sister (and debatably her boyfriend) and all comes to a head when Buffy is faced with the exact same situation as Faith.

Buffy in Season 6 believes she has killed a person accidentally while being the Slayer. It's a repeat of Bad Girls with several paralels, including someone trying to hide the body only for it to turn up later, and Buffy insisting she has to turn herself into the police and face jailtime.

However, in this version Buffy unlike Faith has friends who try to stop her from turning herself in and explain to her the murder wasn't her fault - and Buffy still reacts the same way Faith does. She basically borderline quotes Faith.

Faith: Shut up! Do you think I'm afraid of you? [Faith grabs Buffy and throws her down, then sits on top of her and starts punching her.] Faith: You're nothing. [Punch. Punch.] Faith: Disgusting. [Punch. Punch.] [Faith grabs Buffy's hair with both hand and bangs her head.] Faith: Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] Faith: [Switches back to punches] You're [Faith is now crying.] disgusting.

This is an earlier scene which plays out as an exact parallel to this scene:

BUFFY: You can't understand why this is killing me, can you? SPIKE: Why don't you explain it? She hits him a few more times. He takes it, not fighting back. SPIKE: Come on, that's it, put it on me. Put it all on me. (She kicks him) That's my girl. BUFFY: (yelling) I am not your girl! She hits him hard. He falls back onto his butt. Buffy gets on top of him and begins hitting him over and over. BUFFY: You don't ... have a soul! There is nothing good or clean in you. You are dead inside! You can't feel anything real! I could never ... be your girl! She continues hitting him throughout this. Now Spike goes back to human face. He's looking very bruised and bloody, but he doesn't fight back, just takes it. Buffy hits him again and again, looking angry and desperate. Finally she stops and looks at him in horror.

So if Buffy can react the exact same way that Faith does, when faced with the same trauma there is no good girl or bad girl, there's only two people who are complicated human beings.

The story *gasp* lets the hero be a bad girl.

Redeems it's bad girl

Faith's redemption is a shocking contrast to MHA the plot of BTVS does not allow Faith to commit suicide in order to redeem herself. In fact, her entire arc is an argument against the "put her down like a mad dog" trope. Starting with the fact that the heroes who are partly responsible for Faith's fall in the first place, are all too willing to just let the homeless teenager fall by the wayside, and then put her down for her own sake.

As I stated above, the inherent hypocrisy Buffy shows in her calling Faith a murderer and irredeemable for killing someone on accident because all human life is sacred to her, and then going on to try to murder Faith at the end of the season already shows the "put her down like a mad dog" argument doesn't work. Faith isn't too far gone, it's just Buffy who sees her that way. And because Buffy has given up on Faith she's failing at being a hero.

As I said above, Buffy is not the one to rescue Faith. In fact, in the episodes where Faith's redemption arc starts, Buffy is the one trying to hunt her down and enforce punishment on her. The episodes "5x5" and "Sanctuary" are both focused on Buffy going to LA to hunt down and interfere when Angel is trying to help Faith get back on her feet. The two episdodes basically explore the concept of redemption vs. punishment and how punishment saves no one.

5x5 depicts Faith's spiral as she runs away to LA to escape Buffy who is hunting her down, and accepts a job to assassinate Angel, which if she succeeds will get her rich and also get the cops off of her trail. We're led the whole episode to believe Faith has learned nothing until the confrontation with Angel at the very end, which you should really watch because it's great television.

Faith: You hear me? - You don't know what evil is! - I'm bad! - Fight back! Faith keeps whaling on Angel, sometimes he ducks, sometimes the hits connect. Angel grabs a hold of her: Nice try, Faith. He tosses her away from him. Then walks after her. Angel: I know what you want. She hits him and he hits back dropping her. She comes back up hitting and screaming, but not making much of a dent. Wesley leans out of the window and sees Faith beating up on Angel. He goes into the kitchen and grabs a butcher knife, then heads for the door. Angel as he dodges another hit: I'm not gonna make it easy for you. Faith throws herself against Angel screaming: I'm evil! I'm bad! I'm evil! Do you hear me? I'm bad! Angel, I'm bad! (She begins to sob, grabbing a hold of Angel's shirt and shaking him) I'm ba-ad. Do you hear me? I'm bad! I'm bad! I'm bad. Please. Angel, please, just do it. Wesley comes running out of the house. Faith sobbing: Angel please, just do it. Just do it. Just k*ll me. Just k*ll me." Angel wraps his arms around her shoulders and pulls her against him. She over balances them and they sink to their knees, Angel still holding her as she cries. Angel: Shh. It's all right. It's okay. I'm here. I'm right here. Shh.

Faith tries to take the Toga approach to commit suicide in order to atone, but Angel actively understands that is what she's trying to do, and denies her the chance to die to redeem herself and instead holds her until she calms down.

Angel doesn't just save her once though he spends the entire next episode defending Faith from Buffy who has come to LA to take her revenge, and trying to talk Faith into believing she can still keep on living in spite of all the bad things she's done.

Faith: Are you saying I got to apologize? Angel: Think you can? Faith: I don’t' know. - How do you say 'Gee, I'm really sorry tortured you I nearly to death? Angel: Well, first off I think I'd leave off the 'Gee.' And secondly I think you have to ask yourself: are you? Faith: What? Angel: Sorry. Faith: And what if I *can't* say it? There are some things you can't just take back, no matter how sorry you *are*, right? Angel: Yeah, there are. I've got some experience in that area. Faith: Right. And you've been doing this for a hundred years! I'm not gonna make it through the next ten minutes. Angel: So make it through the next five, the next minute." Faith: "I don't think I can. Angel: Yes, you can. Faith walks away: God, it hurts. I hate that it hurts like this. Angel follows her: Oh well, it's supposed to hurt. All that pain, all that suffering you caused is coming back on you. Feel it! Deal with it! Then maybe you've got a shot at being free.

Angel's advice is "Guilt is supposed to hurt but if you face your pain you can try to find a way to be free of it" which is something much more profound then any of the forgiveness crap they peddle in MHA. More importantly though, the conflict the whole episode goes out of its way to show that revenge is bad, and punishment doesn't save a soul.

Angel: I didn't - I didn't think it was your business. Buffy: Not my business? Angel: I needed more time with Faith. I'm not sure... Buffy: You needed - do you have any idea what it was like for me to see you with her? That you went behind my back... Angel: Buffy, this wasn't about you! This was about saving someone's soul. Buffy: I came here because you were in danger. Angel: I'm in Danger every day. You came here because of faith. You were looking for vengeance. Buffy: I have a right to it. Angel: Not in my city.

Faith's suicidal ideation is a recurring theme that carries through her character arc in the following season - she does in fact go to prison for awhile (Elizabeth Dushku had to go make Bring it On) but Buffy remains anti-state punishment because going to Prison doesn't help her whatsoever. In fact, she just breaks out when she has to save Angel and spends the rest of the season free.

There are two episodes that actually are dedicated to showing prison didn't help, and what Faith needs to redeem herself is to spend every day of her life trying to be good, not just accepting punishment.

ANGEL: Faith, wake up! FAITH: (wakes) I've rolled the bones. You for me. ANGEL: I used to think that. That there'd be a point when I'd paid my dues. Angel and Angelus are fighting in the alley again. Angel leaves the fight and goes over to Faith's side, holding her up in his arms. ANGEL: Faith, listen to me. You saw me drink. It doesn't get much lower than that. And I thought I could make up for it by disappearing. FAITH: I did my time. ANGEL: Our time is never up, Faith. We pay for everything. FAITH: It hurts. ANGEL: I know. I know. ANGEL: Get up! You have to get up now. Faith, you have to fight. I need you to fight. Do you understand what I'm saying?

So you have one manga series where the teenage girl who did bad things commits suicide because she believed she was going to be in prison for the rest of her life and had no future, and you have the other where the teenage girl tries to commit suicide - only for Angel to stop her and encourage her every step of the way that there's still a future for her even if she can't be "forgiven".

One work ends Toga's life because she's done "unforgivable things" and the other tells Faith that the things she should feel guilty for the things she's done, and she should feel that guilt so she can keep working to be a better person every single day.

One of these is a good message to send to your teenage homeless trauma victim, the other is incredibly harmful. With that out of the way let's switch to BNHA.

HOW TO BURY YOUR GAYS

Now I'm going to attempt to demonstrate why MHA fails to truly deconstruct the MWC, and this not only ruins any potential character development for Uraraka, it also sends a deeply harmful message with Toga's death.

I think I've gone to great length above explaining how BTVS communicates it's stance of being anti-punishment and pro-redemption and even goes as far to demonstrate how punishment does not save anyone. Yet, here is the manga about heroes saving people that completely fumbles those exact same themes.

MHA:

Doesn't show Toga and Ochako as fully realized people

Doesn't show the pressure to conform to the "Good Girl / Bad Girl" label.

Doesn't break down down those two categories

Doesn't redeem it's bad girl

So let me start by saying outside of the context of the story Ochako and Toga both had the potential to be great characters. Unforunately this isn't Gacha, so the way the characters are written in the story, and the quality of their story arcs affects how well they are characterized.

Toga is much better off as a character as opposed to Ochako who sort is reduced to a satellite that revolves around Deku, but their story arcs and the way they conclude does a disservice to both of them as characters. They fail entirely to be shown as fully realized people by their narratives, because of the narratives desire to force them into the good girl and bad girl box.

More or less, Ochako isn't allowed to have flaws, and Toga isn't allowed to redeem herself in any way that doesn't involve killing herself.

Let's get to the characters though, the basic premise of the comparsion between Toga and Ochako is that Ochako perfectly fits into the mould of what society considers a "good, nice girl" she perfectly embodies the ingenue. Whereas Toga was horribly abused for most of her life until she snapped, because she was unable to simply pretend to be the normal girl that Ochako is naturally.

One thing I will give credit to MHA for, it does Toga being pushed to the margins and eventually falling off the edge of society as a young eventually homeless girl that no one cared enough to help about as effectively as Faith did. Toga and Faith were also both demonized before they did anything wrong, and were further demonized because they didn't act the way good victims were supposed to act.

The manga is almost masterful at portraying how much being forced into the box of the ingenue caused Toga's mental decline, until she eventually snapped and became the seductress instead.

Toga hasn't even done anything yet, she's already being punished and demonized simply for appearing deviant. Because once again the categories of Ingenue and Seductress aren't for viewing women and girls as fully realized people, you are either a perfect, innocent, girl, or you're a whore.

Toga is also hypersexual the same way Faith is. Of course it's not done with any of the same amount of nuance of BTVS because Hori has a habit of using Toga for fanservice, but Toga does have a habit of sexualizing herself, in a way that would be classified as deviant love. We also in the manga first view her as nothing more than a shallow yandere who creeps Uraraka out with her blushing and hot desire for blood, only to be shown she's actually capable of being an emotionally intelligent and caring individual when it comes to how she relates to her friends.

Toga viewing sucking blood as love is a clear metaphor for deviant sexuality, or even hyper sexuality, it's something that makes her a literal vamp. Toga being overly sexually aggressive and suggestive with the way she sucks blood is something the society she's in demonizes her for, Deku even makes a thoughtless comment that pushes her off the edge that he'd never even think of hurting someone he loved.

Faith is a CSA victim who is constantly trying to play off her trauma, so she's totally into sex guys, she loves sex, she loves it rough, she goes to clubs and grinds on guys, she's all into sex and violence and safety words are for chumps.

Toga was told her way of expressing love and attraction was wrong and deviant from a young age, and as a result of that the same way that Faith embraces hypersexuality, Toga embraces her femme fatalle / yandere persona and plays it up. Well everyone was right about her, she's fine with being a monster, so she just wants to live as a monster stabbing people randomly and taking their blood before moving onto the next victim.

They can't ever be the ingenue, so Faith and Toga embrace being the seductress instead. Yes, Hori does use Toga for fanservice, but at the same time you can't deny she's deliberately playing up her sexuality like a femme fatalle in a way that is not healthy (Faith is a hypersexual teenager too, I'm saying it's a trauma response for both of them).

MHA also shows much like with Faith how Toga despite being just a teenager is someone all of society has given up on - the same way that everyone gave up on Faith for being a homeless teenager. Then further demonized her for acting in ways homeless teenagers act, until she at last finally committed one crime and they turned on her.

Toga's first crime was committed after her mental breakdown, but it's revealed much later on that Toga wanted to ask Saito for permission to drink his blood, and if she'd just been granted it or at least the emotional abuse heaped on her had stopped she never would have had her breakdown.

For Toga it was Saito, for Faith it was killing by Mistake, after being abandoned they endured violence that further radicalized them with no help from the heroes.

Toga's character also textually acknowledges that the heroes are not going to help her, and are likely going to kill her, whereas in Buffy it stays subtext. Which isn't a problem, it trusts it's audience to go "Oh, the good guys are being jerks here" however, it's a direct facet of MHA's worldbuilding that Toga has watched the heroes kill her best friend, and now thinks she has to fight to the death because the heroes will kill her too. She can't back down and let herself be saved, because the heroes don't even see her as human.

Buffy can't forgive Faith for accidentally killing some random guy because all human life is sacred, but also she tries to kill Faith multiple times, because Faith's not human I guess. Uraraka and Deku believe themselves to be heroes but they actively support people like Hawks, who murdered Toga's best friend and have done absolutely nothing to show her that they won't kill her.

Toga reflects a lot of Faith's suffering for being a bad victim that society allowed to fall through the cracks, and a Seductress who needs to be punished for expressing her sexuality. In fact if it were just Toga, you could call it at least an effective deconstruction of the "seductress/whore" because Toga is a fully realized character and her entire backstory is about how society's expectations for her to be a perfect ingenue, and then punishing her when she wasn't a perfect ingenue is what led to her complete mental breakdown. She couldn't be the white swan or the black swan, so she became the blood-soaked swan instead.

Where the comparison starts to fall apart is Ochako. Toga is a character, and Ochako is not. Just like Deku Ochako more or less just kind of morphs into a plot device that exists to save the villain counterparts to prove what good heroes the kids are - and then she doesn't even do that part. Failing to save Toga is the final nail in the coffin for Ochako being a character and not a plot device to show how good and virtuous the heroes are.

BTVS goes to painstaking extents to establish how Buffy and Faith are the exact same girl in different circumstances. They are both victims of sexual abuse. They're both the Slayer. They both lose their mom at different points in the story. They both struggle with the fact that slayers are also killers, they're both the "chosen one". They both have issues that makes them conflate sexuality with violence.

Buffy is put through several situations that parallel Faith, she loses her mom, she becomes financially destitute, she starts exploring her sexuality in a very faith-like way. The two of them swap bodies at one point and nobody can tell the difference.

There's no strong parallel between Ochako and Toga to give the audience a reason why we should care about the relationship between the two girls in the first place. Ochako's connection to Toga tells us nothing about her character, because there's no strong parallel as shown to us by the story.

There are some parallels, the story attempts to tackle the emotional repression angle of how much the ingenue suffers because she's forced to repress her emotions and how much she envies Toga's free expression.

Why does Ochako think that way? Why does she focus on Toga in particular? The plot tells us why Buffy feels she has so much in common with Faith, they're both the chosen one but Buffy feels like she's under such intense pressure to be perfect that seeing Faith get to act out and express herself makes her jealous.

The manga tells us that Ochako is emotionally repressed, but it doesn't show us, because there are never any real consequences for Ochako repressing her feelings. Natalie Portman in Black Swan, and Buffy both experience mental spirals because the pressure to be the perfect woman is too much for them - to meet the impossible purity standards of the ingenue while still being a sexual creature.

In Uraraka this is the extremely simplified belief that she can't have feelings for a boy, while also being a hero because those beings are selfish and she should be focused on saving people. However, we never see her suffer because of these feelings. We don't even get the bare minimum of having her angst over unrequited love.

I don't want to give Ochako too little credit, there are several things that could have been a connection to Ochako, but they all turn out to be non-starters. Ochako is poor and often makes remarks like "The best way to save money is to not eat" in omake and she hangs out with mostly rich friends. She had early angst about the fact that her friends were becoming heroes for mostly altruistic reasons and she became a hero for money.

That could have also connected to the scene where Ochako witnessed the scene of a hero quitting amongst all of the destruction after the end of the first war arc, to show her the consequences of all the heroes who were heroes for less than altruistic reasons.

Ochako could have even told Toga something along the lines of "I was poor, I know how it is to struggle" especially since Toga spent a good portion of time homeless after she was throne out by her parents.

Instead that goes unaddressed except in this scene which makes it look like Toga is ignorant for assuming Ochako never suffered.

Toga and Ochako both feel like they need to repress their feelings but Toga was emotionall abused by her parents, then experienced psychiatric abuse, and then was disowned after her mental breakdown led to a violent incident. Uraraka feels like she can't tell the boy she loves how she feels. One of thsee things is not like the others.

There are more possible connections that you could draw between them, Uraraka gives a big speech about how the heroes have it rough too guys and at that point it cuts to a picture of Toga crying and that could have led to a revelation that if Ochako is asking the common people to see heroes as human beings, then they should try to see villains as human beings too.

This could also couple well with the fact that Toga believes Ochako wants to kill her the same way that Hawks killed Twice. Both of these facts, Ochako originally only being a hero for money and watching heroes for money quit, and also Ochako learning about Twice killing Toga's friends could lead to some self-reflection on the hero system and Ochako could listen to Toga and be the one to convince her that heroes will save her.

However, none of these happen so we don't know why Ochako feels compelled to save Toga, other than the fact that Ochako is just that nice.

It is really a repeat of Deku's writing, we are told that Himiko just really, really, really wants to save Toga, but not only are we never given an in character reason why that is, but we're also supposed to ignore all the evidence that contradicts this.

Ochako wants to reach out and touch the sadness inside of Toga, but she never actually does anything to try to understand or talk to Toga until the last possible minute. In fact, it's Toga who reaches out several times and Uraraka who ignores her. It is Ochako who insists several times that Toga's deeds are unforgivable and then the conversation stops there.

There's also the scene where Deku and Ochako are looking over the cliffside and Ochako is actively reminding herself of the damage that Ochako caused as a reason that she doesn't have to think of her as a human being.

Ochako doesn't even go in with a plan to take down Toga non-lethally like Shoto did with Toya, nor does she even think about what she wants to say to her until the last possible moment.

Ochako's actions make her more like Buffy, someone who actively doesn't empathize with the villain and doesn't want to save her because of her own personal hangups. (However, we're given no personal hangups for why Ochako, the most perfect hero ever wouldn't want to save Toga). Her actions are like Buffy's, not reaching out a hand to Toga she only gets worse and worse, but we're told the opposite. That she's someone who wants to reach and touch Toga's sadness.

It would be better if Ochako DIDN'T want to save Toga, because at least there would be an arc to it. The lack of empathy would be a character flaw on Ochako's part, something that she needs to overcome to be a proper hero. It would be better if Ochako DIDN'T want to save Toga, because then she'd need an in character reason why she doesn't empathize with Toga, like Buffy does with Faith.

Ochako is supposed to be deconstructing the ingenue, but she's not allowed to have any flaws, or be anything other than the perfect, empathic hero and because of that she ends up reinforcing the Ingenue instead. The ingenue isn't allowed to be anything other than perfect, and the Seductress must be punished.

Doesn't allow the Bad Girl to be redeemed:

Toga's death ends up reinforcing basically every backwards double standard about the MWC including the need for men to punish and villify women who freely express their sexuality. Toga's entire character arc is asking the question if soemone like her is allowed to live in this society, if the heroes will save the life of someone like her and the answer we receive is: no she can't live.

Toga can't live in this world, she has to die. Not only does Twice die and never receive justice and his murderer get off scott free, Toga who asks the question of if she's going to die too, the answer is yes.

In both of these plotlines you have young woman who have done bad things but are still teenagers, who are struggling with suicidal ideation who believe their only escape is death. Faith is told that the guilt of the things she's done is painful, but she has to live in order to make up for it because that's the only way to free herself. Whereas, Toga comes to the conclusion that there is no future for her other than being in jail for the rest of her life and therefore it's not worth living.

Toga has to be punished by the narrative in a way that's completely unnecessary, because characters like Bakugo and Edgeshot somehow survived doing open heart surgery in the middle of an active battlefield, but Toga dies from a blood transfusion.

One of these narratives is telling a troubled young abuse victim who's still a teenager to live, and the other is telling her to die. Now which one of these plotlines would you want a young girl to read?

[atlasofoverthinking]

The Problem with the League of Villains

this is just me ranting after reading many people say that the lov deserved a better ending (i agree with them don't worry). most of that stuff has already been said but i'm bored and need something to write

so why is everyone disappointed?

by definition, an antagonist is someone that goes against the main character(s) and a villain is someone who does immoral and/or illegal things (wow, shocking)

so by definition, the league of villains is aptly named. shigaraki and dabi are mass murderers, toga is a killer too, and even if the others are 'less dangerous' they're all guilty of terorism and kidnapping a teenager.

not nice, right? then why would anyone would want them to have a good ending?

long story short: horikoshi made the league too sympathetic and relatable

when horikoshi has decided to make them funny, he's decided to make them likeable. that's not enough though. you can find a fictional villain funny and not root for them (for some reason the examples that comes to my mind are the disney villains. captain hook is hilarious but no one wants him to win)

the cause of everyone's disappointment is the relatable part. everyone in the league has gone through stuff viewers can relate. touya, shigaraki and toga have been abused; twice has mental health issues (and stuggling to get a job is relatable too lmao); spinner has been discriminated against... you get the idea

and even without knowing their backstory, most of the league's fights can be considered noble: they want to change society and make the world a better place. to take a more precise example, the league kidnapped bakugou because they thought he had gone through similar struggle as them

(this is mr compress talking in chapter 85) as far as i've seen, most of the fandom either think bakugou being chained and muzzled at the end of the sport festival was just comic relief or agree that it was fucked up

so yeah, you can't put a group of people rejected by society, who just want a better world and expect people to not like them

and that's why their ending is disappointing (the rest contains heavy spoilers of the last few chapters of mha)

they're all either in jail or six feet underground. we rationally could understand it, they're all criminals/villains so of course they wouldn't get a happy ending and face consequences for their actions. the only one who could have gotten away with it is shigaraki because of all the grooming/brainwashing he's gone through and maybe toga because she's a child

but if you relate to a character, you want them to get a happy ending. of course fans would want dabi to be at peace, but instead he's forced to spend his last moments being stared at by his abuser). of course fans would want shigaraki to be free from afo (but instead his only freedom was death). of course fans would want toga to be understood and cared for (but she never had that opportunity)

that's not very 'save to win' out of you horikoshi

maybe it's just a shortcut made by the fandom, but the league are seen more as victims of abuse than actual criminals. i mean, what's more important in dabi's story? the fact that he burned himself alive after overworking himself to get his abusive father's attention, or the fact that he's burned people alive? probably both, but there's more focus on the first element.

and obviously we would want abuse victims to get a happy ending

basically, their ending isn't coherent with what we've seen of them, and that's why people are disappointed

btw, the same logic applies to stain. some fans agree with stain's reasoning bc he's fighting against corruption. of course, his logic is stupid and he's delusional but he's introduced not long after we've discovered shouto's past. you can't say "one of the most popular heroes is abusing + all he wants is to get n°1 to satisfy his own ego" and then follow with "see that guy fighting against corruption? he's bad, don't do that"

the clever way to make sure no one would agree with stain would have been to make the heroes fight against injustice with good methods. i live for the fanfics in which izuku takes down the hpsc

okay i'm done ranting thanks for reading

[whileyoureinschoolidothisallday]

Fixing MHA's Ending So It Follows Through With Its Core Themes (And It Basically Fixes Itself)

I don't like retconning at the best of times, but turning what started as essentially a Hope focused narrative into a "realistic" tragedy at the very last second is some wild work.

So I'm gonna do what I do best as a fic writer and fix it!!!!!

The Summary

So, I'm pretty sure all of us were on mostly the same page up until the very last panels of the Shigaraki fight (Having AFO being just "born evil" was probably the start of things not being great, but I'm willing to let that slide because it doesn't really effect the overall function of the story that much). Once that and the epilogue started is where I mostly saw people being like ????????? to a lot of choices, so I'm going to focus on those two sections only.

We're gonna be rewriting:

-The deaths of the Villains + Kurogiri (obvs)

-The overall post-War actions and reactions

-The continued existence of the Commission and the Hero Rankings

-Hawk's fate

-Spinner's fate

-A liiiiitle tweak to Chisaki's fate

-Slight tweaks to the Todorokis

-and finally What to DO with the Villains + Kurogiri now that they're alive

And we'll be starting with...

Toga

Now for a battle that was so beautiful, this really did end up completely falling apart.

I'm not gonna justify every single Villain Rescue I do, but Toga's really comes down to one simple reason for me:

Her bullies literally wanted her to die as atonement.

You don't...typically make your character's fate agree with their bullies or abusers (otherwise???? why are you explicitly portraying them as bullies and abusers to the audience if you want us to ultimately agree with them?????)

Throughout most of the story prior to this, Hori made it a staple in the show that dying for the cause, hurting yourself for the cause, martyring yourself or otherwise telling someone to kill themselves for the cause is a vile thing to do. So, it makes ZERO sense why he would suddenly retcon this at such a critical moment, especially since he already set the stage for it to be wrong in the first place.

(also does anyone also think it was weird/creepy that Hori LITERALLY has her do this with Twice and she very explicitly says "Don't be stupid I don't have to give all of my blood away"? No? Just me?)

Everything happens the same, she still thinks she's sacrificing herself, "If only, if only", blah blah blah

AND THEN...

Hawks

This is such low-hanging fruit plot-wise it actually feels offensive that it went nowhere

Nothing happens with Hawks. We all say it, fans and non-fans alike. He is wasted potential incarnate. His story is a circle and it so easily did not have to be that way because of one simple writing decision:

Hawks and Toga share a blood type.

Up until now, it really did seem like Hawks learned nothing from Jin's death. The first thing he says when he sees the clones is, "We have to kill them now!" But then, picture him still battered and broken from his fight with AFO, wingless, but there is still SOMETHING he can do to save someone's life.

And he puts the needle in his arm instead, and before she can question it, he tells her Jin would want her to live. He's not gonna make the same mistake twice.

(I also think it'd be nice if he said something like how lucky she is, to really go full circle with the Jin story, but I'm not trying dialogue here lol)

And that leads us to...

Shigaraki (and Kurogiri!)

This is a double feature because with the way I'm doing it, I can't save one without the other.

So, something that happens during this and is super anti-climactic and seemingly pointless is Midoriya losing his hands. He gets em back in like 2 seconds, because Eri gives him a surprise rewind almost immediately after. The actual point of it was just to show the brand new rule that physical damage that happens in the vestige world also happens in the real world, so that killing Shigaraki a few chapters later would still make sense.

We're gonna get rid of that rule entirely and just say that Midoriya does not lose his actual arms in the fight, and psychological damage in a ghost world does not reflect physically in reality (or idk. If you DO want that to happen, then just say the embers of the vestiges protected him one last time or something).

And because he doesn't lose his arms, Eri still has a surprise rewind to use.

But before we get to that, we actually have to save Shigaraki. So, here's the super complicated rescue rewrite I came up with. Ready?

Kicking AFO out of his brain and giving him back full control over his body simply does not kill him.

That's it!!!! That's really all that needed to happen!! It was a very conscious choice to make that kill him! It's actually more work and details to kill Shigaraki than it is to save him!! Hori already went out of his way to say that Nana's vestige protected him so that he wasn't completely swallowed by AFO, just so he could say goodbye before fading away anyway. What if, considering the fact that hatred of Nana is what damned him, love FROM Nana actually just plain ol saves him? Full stop? We come full circle. It would make it a fantastic mirror to the Todoroki fight and solidify the theme that love from your/a family, even a broken one, will save you!!

And then further in the background, Bakugou doesn't randomly kill (?????? Even after reading it again I'm still really confused about how Kurogiri dies. I think this is what happens?????) Kurogiri, and instead starts to lose control like they feared. But then, refusing to give up on him, Aizawa hits him with the now-available Rewind Juice and it finally, finally stabilizes his mind for good.

The day is saved.

And that just leaves...

Touya

Unfortunately my stupid husband can't stop trying to kill himself for 2 seconds despite my best efforts to convince him otherwise, so there's really nothing I can do about the extent of his injuries

However, there's LOTS I can do about the way we're treating said injuries! =D

First of all, because Touya is my favorite, I do wanna allow myself the space to briefly rant about how his entire situation was handled because brother. first of all. It's so incredibly obvious that he was supposed to die on the battlefield with his comrades. That man had no fuckin eyeballs by the end of that fight, bffr. And then it was like Hori remembered the thing about the noodles and was like 'oh shit I better at least wrap that up lol' so he brought him back--eyeballs and TEARDUCTS magically intact btw so naturally the audience with reading comprehension was like 'oh he's healing somehow I guess'--just to get that specific moment on the books (and maybe just to draw Touya in his Batman Who Laughs era because I mean he does look pretty sick in the tank) and then turned around and killed him again. With no explanation what the random functioning tearducts and magical regrowth of eyeballs was about.

Like...my guy, you ain't gotta do all that. Again, it's so much harder and more complicated to kill him than it is to keep him alive. Not to mention he was killed OFF-SCREEN. WE DON'T EVEN GET TO SEE ANY--IF ANY--CONVERSATIONS HE HAS WITH SHOUTO OR HIS FAMILY, WHICH WAS THE WHOLE POINT OF NOT KILLING HIM ON THE BATTLEFIELD. INSTEAD OF THE SEXY SHIRTLESS SERVING-FACE-AT-A-FUNERAL IMAGE OF TOUYA WE COULD'VE SEEN A FLASHBACK OF THEM TALKING AND HIM SMILING AND BEING HAPPY WITH THEM FOR WHATEVER TIME THEY HAD AND THAT STILL WOULD'VE BEEN MORE SATISFYING. Y'KNOW. BECAUSE THAT WAS THE WHOLE FUCKING POINT OF THE TODOROKI PLOTLINE?????????????VSSSBBNM,.;;PUSAAXXGHIIRWDFGG

But anyway.

Fixing Touya's death is really simple. We can do two things, actually.

Work with the deus-ex Ice Quirk a little bit, make the Phoenix Theory canon. Ice heals him, the tank is a giant fridge. Lo and behold, it would explain why he magically healed eyeballs and tearducts. It's an incredibly slow process, but eventually he'd heal enough to be out of the tank and in a normal hospital setting for the rest of his recovery. It also gives him a goal to pursue for the future, I.E learning how to control the new side of his powers and mayybeeee getting interested in studying Quirk Biology in the process 👀

He simply!!!!!! Doesn't die!!!!!!!!! Out of ALLLLLLL the MHA characters, I would 100% believe you if you told me that Touya Todoroki nevertheless persisted. That's like...his entire character. You don't even need to give me a reason. His entire character up until now has been 'the one that's somehow still alive' to the point that the fucking Dr. Eggman lookin ass mad scientist that brought him back to life in the first place (in WORSE condition) was like 'yeah no idea how he's still here that's scary'. I'm sorry, the entire fucking show I've had to see A. An old man without a face with a back alley ventilator system shoved directly into his stoma that's somehow fine and talking perfectly, and B. Another old man missing his ENTIRE digestive tract for years and is still up and walking around somehow with no G-tube or colostomy bag to be seen, so I think by the power of God and Anime, Touya could probably survive his injuries and it would be within the realm of believability for the show. In fact, it's LESS believable that he stayed alive through all that by spite alone and then when he finally gets offered love and acceptance, that determination and tenacity to stay alive suddenly goes out the window. If anything, it should've made him MORE determined to live.

Sorry I got carried away with that one. But there. Everyone is saved and the core themes are intact.

Now we just have...

The Overall Actions and Reactions Post-War

Gonna sum this up really quickly:

-The cameras never turned off. They're built for Quirk resistance because they're a fucking newscast in a Hero society if their technology broke every time there were heavy Quirk exchanges there would never be any fucking news. Making them conveniently lose footage so none of the civs can see the Villains humanity is just rubbing salt in the wound and serves no narrative purpose in line with pre-established themes. Everyone saw what was recorded, and it helped the Villains' cases for rehabilitation.

-We do not censor out this battle in future history books. Everyone is very familiar with the final fight and the events and circumstances leading up to it. It is not erased from public memory as soon as possible. In fact, it's frequently studied and referenced when making new policies to avoid making the same mistakes. Hori. Wtf.

-We do not reinstate the Hero Rankings in any way shape or form, and Shouto is the biggest voice in dismantling this system. Voila, this is now actually the story of how they all became the greatest Heroes, because they aren't ranked. They're all literally the greatest Heroes, and so will everyone after them.

-This IS actually portrayed in the epilogue, but yes, let's be LESS reliant on Heroes and police and MORE invested in the community!!!!!!! Even more so than what's portrayed!!!!! Take another bit from Spider-Man: Anyone can wear the mask!!!!!! Let's make a world where Heroes have too much time on their hands and not just make more of them, right????????? Remember that????????

-WE DO NOT REINSTATE THE COMMISSION. WE GOT RID OF THEM CORRUPT HOES FOR A REASON!!!!!! NO A CHANGE OF THE GUARD IS NOT ENOUGH TO FIX IT WE'RE NOT 7YRS OLD!!!!! HORI. WTF. The only thing I want them to be in charge of is licensing Heroes. I want these fuckers to be the DMV of the Hero world and that's IT!!!!!!!

Which brings us to...

Hawks' Fate

I don't even fuck with this man like that, but he did not deserve to become CEO of the organization that groomed and abused him since he was a child when all he wanted to do was chase tail and fuck off to a beach somewhere. Considering the fact that he also, like, killed people he shouldn't have, let him retire like Endeavor, please. We're done giving the old guard power and privilege, especially when they explicitly did not and do not want it (and when they did have it, they misused it). The only thing I want this man involved with is Toga's recovery alongside Uraraka. Specifically, I want him paying for it and anything else she might need. Fuck it, you know what, make HIM Endeavor's personal aide instead of Rei!!!! He gets to be a little simp and Endeavor gets a replacement son to fill Natsu's spot. Everyone wins.

(He does deserve that hairline tho. I ain't fixin that.)

So that leaves...

Spinner's Fate

I'm not changing much here, besides the fact that now Shiggy is alive and I think they should be ✨Roommates✨ eventually (and obviously he's gonna be much less riddled with survivor's guilt). I still think he should write that book, but I also think that with his multiple Quirks, he should team up with scientists to understand how Quirks work in the body (and maybe get some of them removed from his).

And next...

Chisaki's Fate

I just think this guy needs to be in the same place as the other Villains, at least for a fraction of the time. Why is he just...out. He was also in that daycare and could definitely use some help before we just let him loose in the streets because he said sorry (Can the League just say sorry then??????????).

I do think afterwards he should get involved with something chemistry related tho, cause those bullets of his came in clutch.

And on that note...

The Todorokis' Fates

And by Todorokis I mean two of them, specifically Rei lol

Yeah, she's not gonna be Endeavor's nurse for the rest of her life lol. That man has more money than God, he can hire an aide like everybody else. In fact, they're not even living together. Do you remember how earlier in the series, he gave them a new house? So they could live away from him and he would be in the old house by himself? I liked that plan. Let's go back to that plan. I'm not gonna go as far as to make them divorce, if they're together they're together, but I think separation is a necessary must at this point because if they MUST stay together, they should at least try dating for once???????? Girl was actually bought like maybe they figure out if they even still like each other at all, or ever did.

(Also, I have to laugh as a motorized wheelchair user that Hori drew her pushing Endeavor all happy and blissfully. Motorized wheelchairs are not meant to be pushed like that lol. They have push features for emergencies and small around-the-house distances of course, but uh, mine's 350 pounds without me in it. It's not usually anyone's first choice.)

But there is one more Todoroki I have a lot to talk about, so that finally brings us to...

What Do We Do With The Villains + Kurogiri Now That They're Alive???????????

We take everything from comic books except what would actually makes sense with the story lol

Surprise!!!!!! We're doing Arkham!!!!!! This is another low-hanging fruit thing that I'm almost a little offended that it wasn't implemented. Obviously Arkham has its problems in the Batman canon that we're gonna try to avoid, but I honestly think Batman villains and the core MHA Villains are pretty similar in their execution in that they are primarily mentally ill victims of society who have done very terrible things, but the audience (and Batman himself) is actively rooting for them to get better over just rotting in jail or being killed. Two-Faced has killed sooooo many people and has relapsed a ton, but I ultimately still want to see him get better because he was Batman's best friend once and a good man, and what happened to him was a tragedy. I think all the Villains deserve a space where they can humanely heal from their issues and gain support, while also being safely separated from society while they're still dangerous to themselves and others.

Oh, but Batman and his endless money bought Arkham. Who do we know who has access to trust fund money, an investment in the mentally ill, and the bonus of a medical background that could fund such a thing?

Ladies and Gentlemen, please put your hands together for...

Natsuo Todoroki!!!!!!!!!!!!!!!!!!!!!!!

My mans graduates from college and immediately uses his money as a doctor and his inheritance to open up Rindou Sanctuary, in honor of his mother Rei and named after her favorite flower (I don't think he'd want to give Enji the satisfaction of his last name attached to his greatest achievement). He's head doctor on site and the board, and visits Touya every shift once he's healed enough to be transferred to the facility. He is very invested in his brother's treatment and refuses to lose him again--at least not until they're proper old men.

It is publicly funded by donors and taxes alike, and Enji, naturally, is always the highest donor. Call it reparations.

And there you have it! That's how to fix the epilogue. It took longer to type than think about. I could care less about canon shipping, so y'all can keep that (or not). I'm just here to fix the structural problems that have no reason to be here at this point. As I said, once I redrew lines Hori already set up and just abandoned, it pretty much fixed itself.

Hope you enjoyed it and I hope it eases the grief a little!!!!! They're alive look I fixed it!!!!!! <3

(also feel free to use anything I said in here in your own fix-it fics!!!! Just tag me so I can read them 👀)

[amiscreations]

✨Flowers underneath us now

Towers underneath us now

We walk above the city

You and I✨

[thelittlegirlinwonderland]

with the latest episodes of mha, can I just say I do not care for toga at all. yes, her backstory is tragic and her parents were awful but at some point she had to realize she was also part of the problem. people aren't scared of her because she likes blood, people fear her because she lacks boundaries and enjoys killing people.

imagine being izuku and having someone you met a total of three times(training camp, the provisional exam, and the shie hassaikai raid), and all three times included her attacking you, declare her love for you in the midst of a war. this complete stranger who has only tried to hurt you just drags you from your spot, ending in preventable deaths/injuries, to ask you to be her boyfriend. of course he thinks she's crazy. that is crazy.

i saw someone saying that toga was an example of queer romance, since her love isn't accepted by society. that's so stupid. i'm sorry. toga's idea of love is stabbing people, painting them in their own blood, obsessing over people who don't know her and when they rightfully freak out at her advances, she takes it as a personal attack against her.

maybe try not stabbing people and visit a blood bank

[doodlegirl1998]

At this point in the manga, Toga has NO sympathy from me.

She fucked up, and now she has to live with the consequences. But apparently that upsets and angers her!

And it's worse with Ochako backing down and wanting to appeal to this psycho after telling her this.

In the beginning she had the potential to be good and a window into how a quirk can negatively affect a person's mental state, but now she's just a yandere waifu for people to fawn over.

Hi @theloganator101👋,

Honestly that is a completely fair view to have on Toga, one that I agree with a lot.

This is the problem with her, Toga's quirk was meant to have driven her insane, yet she's never ever shown any conflict about what she is doing.

Toga is a mass murderer and was one prior to her involvement with the league. Regardless of what the story may say now, she was always a serious and full villain. And was one before Twice's death.

She's never shown regret of "Oh no! I didn't mean to kill them! Oh no what have I done?!" before the madness of her quirk takes over which hurts her character. This makes Toga come off as a fetish - a blood themed Yandere - rather than a redeemable character.

Despite her madness she is shown to be able to exercise restraint (sparing Camie in the Hero License Exam Arc) which makes the reader wonder why she killed all those boys before. It adds doubt to the credibility of her madness.

She's never given a hero mirror, such as in Vlad King, with similar but controlled blood urges. In fact, no other character (even those with blood quirks like Vlad or Stain) have these urges. This lack of exploration hurts her character.

Her sympathetic backstory. Were her parents abusive? Or did they just take bad advice from a quirk doctor? The scenes we see show them scolding her for drinking blood from a dead bird which would freak out any parent. The radio quote wasn't nice from Toga's parents but here's the thing - her house was wrecked when she returned to it. How did her community react to Toga's parents after she became a mass murderer? Well I bet not well. I bet they had to move and were tormented by the community until they did. I bet all that damage done to her abandoned home (such as scratching out her heights) was done by angry civilians rather than her mum and dad. She also doesn't show concern or thought about them (you would think she would even to just confirm if they were abusive or not) but she is given nothing.

The lack of exploration of her backstory. Her old friends? Toga doesn't seem to care or think about them. Her parents? Same. She doesn't seem to miss anyone before her time at the LOV yet Hori never confirms abuse occurred with her parents or if she was bullied (presumably not). Not only that but Hori also makes her largely a blank slate other than her madness (and friendship with Twice) - what is she into other than mass murdering people, blood ... or fashion I guess? This hurts her redeemability since most of what we know about her is the villianous deeds/ horrid things she likes to do. It becomes easy to read her as someone who just wants to murder who she likes and indulge in her quirk driven urges.

She is selfish in her grief. Toga is upset over Twice's death yet never once thinks that her and the LOV are killing many more civilians and heroes (causing them the same pain she is going through right now.) This moment should have been a turning point for her - she should have seen what she and the others were doing after losing Twice and begun to feel regret yet... Nope!

Ocacho is doing all the work in Toga's redemption. At the moment, Toga doesn't want to be saved or want to be redeemed she just wants to "Kill all the heroes!" It feels really strange to see Ochacho rushing after her genuinely wanting to talk about 'love' which Toga isn't interested in while she goes on a warpath.

Am I meant to feel sad she is getting rightfully rejected by her crushes for being an awful human? She is a mass murderer, an unrepentant one who is driven by her quirk coded lust like predator hunting prey. (Seriously, switch Izuku and Toga's genders for a moment and think about the scene where she drags him through the warp to ask him out again. Would anyone be condemming Izumi for rejecting male!Toga or talking about the supposed subtext of male!Toga asking for help? Or would the general response be, rightfully, of course Izumi is going to reject you - creep! There would be no discussions of that supposed subtext either.)

Hori can't seem to decide what he wants from this character. Is she a sexy blood themed Yandere, who is super bad? Or a conflicted mentally ill character who needs help and wants to be redeemed. Hori goes - why not both and makes this mess.

TLDR - Hori had potential with Toga to be a good exploration on how quirks can effect a persons mental state and cause them to lose their minds. Yet he wasted every opportunity to do this. He didn't build up her redemption properly so now we are morbidly watching Ochaco drag Toga to the heroes side, kicking and screaming about how she wants to "kill all heroes."

[tmufruitss]

⚠️ spoilers for mha chapter 429

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tw: suicide mention

Never in my life would i have thought in 2018 that the series that focuses on proving hero's can be bad people and villains are made would spit on it's own leagacy like this.

When i first watched mha in 2018 i genuinely hoped for the villains to die because back then i couldn't fathom that they were survivors of their own abuse, fighting to dismantle that very system that allowed to abuse to happen in the first place.

But now it's just so ??? What are we doing here?

Revealing afo has been controlling tenko's life before he was even born, served no point whatsoever, i think it made everything 10 times worse from a story telling perspective. The whole point used to be how anyone could turn out like Tenko, groomed and abused. That's not the case anymore though, we saw how Tenko was doomed before he was even born.

And don't get me started on the new character being set up to be Tenko 2.0 which is the most stupid shit i've ever seen. Oh wow great last time we couldn't save the abuse victims but maybe this time? Or idk maybe next generation, third times the charm. /s

The hero ranking system still exists for some reason, quirk counseling doesn't work? UA gets to continue training child soldiers like before, there are no recordings of the war and it will not be mentioned anywhere except for Spinner's comic which nobody is gonna read😭

And I would have gotten over Tenko dying at one point right but the Himiko reveal today was really the final nail in the coffin.

Killing a 17 year old child, no letting her kill herself, to save another dying child? Yes suicide is so very heroic /s (and not even giving Ochako a proper conclusion?)

"Only people that want to be saved deserve to be saved, but also not really" is basically the moral of the story here which is such an insane thing to potray in a story in 2024.

Like Nagant explodes gets to live, Bakugos heart explodes and he lives because of Edgeshot who somehow lives as well? Himiko does a blood transfusion and dies 😭

It doesn't sit right with me at all that the abused characters got killed of/ in a facility left to die.

[haine-kleine]

see, the thing about Bakugou's death is that it is pretty damn well written. On it's own, it would have been a powerful move, story wise and as a motivation for the hero characters.

But not even a minute later, we are reassured this is temporary, he is not actually dead. The heroes' narrative operates on the logic of disney deaths and consequences. When Izuku had lost his arms, it was clear he was getting them back soon. This kind of play pretend kids friendly jumpscare followed by 'just kidding' and a pat on the head would have been fine on it's own if the story maintained it's structure evenly.

But the narrative is split into two parts, which operate on completely different logic. While the heroes live in a mickey mouse world where everything ends up turning out well no matter what the odds are, the villains are isolated in a grimdark 18+ horror seinen. When they die, they don't come back. When they are hurt, they aren't magically healed.

While the heroes' narrative reassures the readers right after the injury, the villains' narrative evades giving clear answers about their fates even two chapters before the end of the epilogue. All the hope we have are a few ambitious hints and our imagination. Is the black haired wandering boy Tenko? Might be him, might be not. Is Toga dead or alive? Might be dead, Ochako clearly is upset and traumatized after what happened, but the cameras being cut off and Ochako losing consciousness from the blood loss give Toga an opportunity for escape. Is Dabi going to die? Probably, but he was supposed to die 7 years ago already, this tough cookie avoids death on pure spite. Is Hawks going to visit Mister Compress and offer him a pardon from Tartarus? Who even knows, we have more important class 2a shenanigans to spend time on.

[embers-of-the-league]

Every day I wake up and cry about how much we were robbed with the anime adaptation of the MVA arc