#i feel completed

[joanvisitsrome]

CHAT RUBY CRUZ'S INSTAGRAM IS PUBLIC???

THIS IS THE BEST DAY OF MY LIFE (and not a drill)

AHHHHHHHH

it's guzzlingplastic1000 incase yall don't know

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[ibtisams]

Palestine Flag Greeting Cards to Help Dina’s Family!

I am going to do a small fundraising campaign to help my dear friend Dina get closer to her goal! If you donate $15 CAD (or more) to Dina’s gofundme, I will send you a greeting card with the beautiful medieval style Palestine flag design drawn by my wonderful friend Miles @werewolf-transgenderism 🤍

I had gotten a ton of these cards from Miles’ Inprnt for a fundraising campaign I was going to do to honour my sister in July, but as you may know by now, that did not end up happening. These cards should not go to waste and I want to something to help Dina.

I will ship them anywhere! And I will write you a fun note in them :)

To receive one:

Donate at least $15 CAD to Dina (be sure to screenshot your proof of donation)

Fill out this google form

I have 100 cards available, so if I get to mail out all of them it will mean $1,500 CAD is raised for Dina!

[curioscurio]

I'm rewatching Steven Universe and I will never forgive Fandom for what it did to her

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[diamondzart]

Work stuff 👀

[daeyumi]

made a fake boxart for my zelda au 🌟💫

[chaiaurchaandni]

have humans developed a language that can accurately describe the intensity of this grief?

[noirandchocolate]

Several weeks ago one of my coworkers called me over into her cubicle and gave me a very unexpected gift. Her mother passed away recently, and she'd been packing stuff up at her condo to give to relatives and sell, so the home could be sold. The mother was an avid knitter and crocheter, and when my coworker came upon her stash of equipment, she told me, she "immediately thought of me as someone who might get some use out of it."

So, I have inherited a varied collection of knitting needles and crochet hooks, cable needles, sewing needles, and, best of all, now-out-of-print pattern books, mostly for blankets, because that was what this lady loved to make most. Plus, I also have a bunch of gauge swatches she made, pinned to little bits of card covered in perfect schoolteacher handwriting setting out the patterns they were made to test.

And also...

My coworker brought another bag, full of yarn and...knitted blanket squares. Her mother's last started project, before she got too sick to continue. And she asked if there was anything I could do with it.

It turned out, there are twelve completed squares, and I quickly located the pattern book they are from amid those given to me. It's a book of 60 patterns, meant to be put together however the maker wishes into blankets of 20 squares. I figured out which of the numbered patterns were already made, and selected eight more that I thought might go well with them.

So now! I am working on completing! My coworker's mother's last knitting project!

And I really am feeling very good about doing it.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[aarchimedes]

for context: I read the hobbit first over the course of two years when I was like 13, but I'm only now starting to read lotr. having a blast tho!

anyways, reblog if you feel like it 🙌🏻

[seagiri]

the guy

[holymaccaronii]

PART 2 OF THE WYD WHEN MY GANG PULL UP IMAGE 🗣🔥

We’re welcoming AM and HAL into the family this time c: , I’ll continue this family photo series as I release new papercrafts lol