#*This* fight is what the first arc has been building up to and it has *so* many incredible moments.

[sorceressofthesky]

Something that really strikes me about the Zauntrio flashback is the fact that Silco only has two lines in the entire 3-minute scene. First, he says, "Oh, you're sadly mistaken. I'm bozo 1." Then, "To Zaun, then; blisters and bedrock." That's all he contributes. He does shut his notebook and move closer to the group after Felicia shares the news, but that's it. He has no comments to make about his seemingly close friend's pregnancy. No questions, no reassurance, hardly even a reaction beyond the knee-jerk surprise and a few vague smiles.

I've seen people say that Silco's villain arc makes no sense with the context of this "happy family" scene, but the way I read it is the complete opposite. He doesn't seem particularly thrilled about kids being in the picture. He seems like he's suppressing something. Faintly smiling and throwing out vague uplifting statements but tactfully dodging the actual elephant in the room. Whatever he's thinking is something he wants to keep to himself.

By the time we've met up with them in Season 1, Silco wanted a revolution and control, while Vander wanted peace between Piltover and Zaun. It wasn't always like that, though, and the implication is that Vander's perspective changed once he became responsible for the kids. So I think what we're witnessing in the flashback scene is the very first cracks in the trio. It's Silco realising that it isn't always going to be just the three of them. It's him questioning what this all means for the bloody revolution and hard-earned independence he always envisioned.

It's only a few small fractures at this stage, but those cracks would've only grown once Vi and Powder were actually in the picture. If Vander's flashbacks as Warwick are anything to go by, Silco didn't have much of a role in raising the kids even when he was still friends with Vander and Felicia. A pseudo-family wasn't what he wanted, so he drifted apart from the trio, a force in the background trying to keep Vander's head in the game when there were so many distractions to pull him off track.

All this building tension culminates on the bridge, where Silco started the fight that got Felicia and Connol killed. That's where their paths diverge entirely; where Vander realises that family and community is his priority now, not blind violence and carnage, while Silco doubles down on his idea of revolution at all costs. Without Felicia there to hold them together, the two remaining halves split apart, and Vander attempts to drown him.

This would explain why Silco is so nonchalant about potentially killing Vi as early as Episode 3, despite her being Felicia's child. We know he believes that power "comes to those who will do anything to achieve it". I find it hard to imagine that mentality started only after Vander tried to kill him. It might have only been seeds of dormant ruthlessness back then, but it's enough to believe that this is the same Silco who threatens Marcus using his daughter and shows no regard for the death of Renni's son. Silco does not care about children or the sanctity of a new generation. He does not believe in family.

But despite all of this, I do think he recognised Powder. He saw himself in her when he witnessed Vi's abandonment and betrayal. It was easy to rationalise the decision to take her in; he recognised her potential to become an asset to their revolution. But whether there were deeper emotions there from the beginning or if those only formed with time, he definitely did not expect to love her like a parent. That was not his nature, as far as he knew. It was only after he was given the ultimatum by Jayce that he truly understood Vander's perspective, and by then, he was already undone.

[loganelfreeces]

Hey sorry I took fucking forever to reply to your post, life happened! But first of all, THANK YOU SO MUCH FOR BEING SO INTERESTED IN MY POST! I'm honoured that you enjoyed it enough to write your own in response, and that you promoted it to others with that link, thank you so much!

I agree with you about Umemiya modelling himself after Shitara's example. I mean, after his parents died, Shitara raised him and probably had the biggest impact on the person Umemiya turned out to be. Especially since Saviour kinda just gave Umemiya a major life lesson and left Shitara to help him work through the emotions after that. Like, just, look at this:

Are these not the same pannel twice? A goofy guy raging about his favourite things while his friends judge him for it. Umemiya definutely learned a lot from Shitara in his time at the orphanage and I mean, at this point he's spent at least 8 years there, so it makes sense that he'd pick up some habits.

It could also be a sense that like. Shitara probably didn't talk to Umemiya about his talk with Saviour while Umemiya was unconcious, but Umemiya likely picked up on the fact that Shitara was connected to Furin. So in a way, he was doing the one thing his second Dad wasn't able to do in his generation: unite the school and protect the town. BUT I could be wrong and Shitara did talk to Umemiya about it, after all, why else would we see that conversation in a flashback when Umemiya wasn't awake for that conversation? We can't be certain until we see Shitara turn up again.

We do know from one of Nii Satoru's sketches of Umemiya's morning hair routine that he is probably still living in the orphanage. So if ever Sakura has a reason to visit Umemiya's house, he's probably gonna deal with a bunch of little kids grabbing at him and asking him to play until Shitara shows up to distract the kids with pudding so he can talk to Sakura.

As for how close we are to Umemiya's graduation, the Japanese school year works like this: It starts in April and ends in March next year. I'm gonna make a proper timeline post later on, but it's only late July when we have the barbeque party, so it's only been 4 months since Sakura came to Furin. Umemiya's graduation is at least 8 months away, so we have a lot of story to get through first.

I can see why Saviour not having any details could throw you off, but the thing is, I do think he'll come back. Nii said in this interview that he initially planned for Umemiya to be the protagonist, so I imagine he's at least had concepts for Umemiya's mentor figures and inspirations since the concept sketches. Given that he's supervising the anime (which added more visual metaphors in the Shishitoren arc and included how Togame and Tomiyama met), I think there's a lot to the story that Nii hasn't said yet, but is slowly being revealed as we go.

I also noticed how in Sugishita's character profile which we got in the first Volume of the manga that he uses Tsubaki shampoo and guess what we saw in the most recent manga chapter?

Tsubaki giving Sugishita hair oil when he enters middle school for the first time.

From the smallest details like this, to the biggest story defining stuff like Shishitoren/Roppo-Ichiza/Gravel saving Furin and the whole A Fight Is A Conversation thing coming back in the Noroshi arc, I feel like Nii-sensei is an author who loves building on what he's already written to make it all come out better than expected. This is why I think Saviour is going to return around Umemiya's graduation.

Though I also love your idea of Nirei being the one who figures out the connection between Saviour, the Silly to his Serious and Shitara all being Furin students before Umemiya was. I also believe in our notebook boy!

As for there being no teachers at Furin, there actually are some we just don't see them because it's not relevant to the story; we know this because the character profiles list the things at school the Bofurin boys are good at (thank you @orange-cheetah for translating them). But that's not to diminish what you said about Shitara being the only responsible adult we see in the series. @begrudging-fudanshi mentioned in this amazing analysis here about how themes of responsibility and the lack of authority in the series feels very purposefully done by Nii-sensei and @perpetuallyexhaustedlibrarian has their own theories that this is due to the implied extreme poverty the town is in. I agree with the two of them, that it really does mean something that there are no adults in the town who aren't local business workers just giving the Furin guys free food.

So yeah, those are my 3am thoughts, thank you so much for sharing your thoughts with me!

hey, remember when I thought literally no one was talking about umemiya's backstory's backstory?? yeah, well this guy @loganelfreeces just opened my eyes with the most insane analysis I've ever seen, bc these characters appear in less than two chapters and I'm not really the kind to overanalyze stuff but this made me think more than Im used to and I'm grateful for it.

seriously, if you havent read their post please go, its amazing!! what I'm about to say its practically just a response to what they were saying so I recommend reading it either wya

first off i want to start saying that i cant shake the feeling that umemiya and shitara share the same personality in the sense that they act all friendly and goofy to protect others from unnecessary trouble, like if we're talking about how umemiya acts i can tell he somehow copied or adapted himself to shitara's sense of responsability when it comes to emotional support

then there's that conversation shitara has with the other caretaker about the old furin, and i did get the feeling that shitara was talking about himself in some way, tho i wasnt sure if he had been a furin student, but just some acquaintance to the people there. him being a former student makes sense given that he knows a lot about furin insights and takes responsability on what they do around town

i can see shitara playing a major role in the future, but since the last time qe saw him was when umemiya was 14 years old, i hardly think we will see him again, OR as you pointed out, when umemiya graduates.

if im not wrong, it has been aprox five months (?) sicne sakura entered furin, so i think we're close to that

the one person i really dont think will appear again is umemiya's savior. why? because he couldn't see his face, it wasnt shown, we didnt got a name, not even a nickname, and as you were saying, he's an adult probably out of town that will never appear again

it will be one hell of a twist if the savior happens to be related to someone else, like being suo's martial artist brother or sakura's acquaintance, but i hardly believe he will appear again. yes he was influential in the story, and yes he shared with us some very important information about the old furin, but that was his role at the moment, and the story was going on about umemiya and shitara.

so, yes, shitara will probably appear again in some important scene, and no, the savior will probably not appear ever again

and IF we're talking about a third party, the other guy shitara and the savior mentioned, I hardly believe they will give us more insight on this. there's still a high chance this will get more focus in the series as the events starts to unfold in something more large. i think, if anything, nirei can crack the code of this mysterious saviors and the old furin secrets, I believe in my notebook guy!! (tho I really like how you connected the "serious/calm and goofy/loud" duo, it makes total sense)

OTHER THING THAT I REALIZED I THOUGHT YOUVE POINTED OUT BUT TURNS OUT I JUST IMAGIEND was that shitara and the other girl mention that because of all the gangs messing up the town the police had turned a blind eye to all these and left the town without doing their proper job, so that lefts us with no reliable adults available to put a stop to those crimes. there's no teachers in furin even tho its a school. the townsfolk rely on the furin boys. there's hardly any picture of parents anywhere, not even in conversations. shitara is the first adult to be relied on by someone in the entire series, and i think that alone says a lot about the guy and the future of the series in general.

I BELEIVE IN NII-SENSEI TO GIVE US AN ASNWER TO ALL THESE, THEY'RE AMAZING ON WHAT THEIR DOING AND I CANT WAIT HOW ALL THESE TURNS OUT!!

aAaaAaA im done.

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[so-called-quail]

'Trapped in the end!' said Sam bitterly, his anger rising again above weariness and despair. 'Gnats in a net. May the curse of Faramir bite that Gollum and bite him quick!' 'That would not help us now,' said Frodo.

Sword in hand Sam went after him. For the moment he had forgotten everything else but the red fury in his brain and the desire to kill Gollum. But before he could overtake him, Gollum was gone. Then as the dark hole stood before him and the stench came out to meet him, like a clap of thunder the thought of Frodo and the monster smote upon Sam's mind.

Now he tried to find strength to tear himself away and go on a lonely journey – for vengeance. If once he could go, his anger would bear him down all the roads of the world, pursuing, until he had him at last: Gollum. Then Gollum would die in a corner. But that was not what he had set out to do. It would not be worth while to leave his master for that. It would not bring him back. Nothing would.

Sam and vengeance in today's entry

[heywriters]

Rescued Writing Links!

When cleaning out the HEY, Writers! Pinterest I moved some links here. The internet has changed a LOT since I started collecting these, so some links may include outdated info. All were still active when I made this, but it's been in my drafts for a hot minute.

Protip! In Firefox, check to toggle reader view when reading these (mobile: the page icon in the url bar; desktop: same icon or hit F9). This removes popups, ads, screen clutter, and often has an audio option.

Survivors of Internet Decay Award!

These active sites featured most often in my collections so they get the top of the list.

Helping Writers Become Authors

Mythcreants

Bryn Donovan

Getting Started (Ideas & Intros)

How to Start Writing a Book: Learn One Writer’s Process | Marian Schembari

How to Start a Story: 30 Opening Scene Examples | Bryn Donovan

Don’t Panic! What to Do When You Have Too Many Story Ideas | Faye Kirwin

How to Write a Killer First Chapter | Rae Elliot

How To Write A Captivating Opening Sentence

Outlining

How to Create a Flexible Outline for Your Novel | Faye Kirwin

Protagonists

How to Write Believable Characters | Bridget McNulty

4 Ways to Write a Likable Protag at the Start of the Character Arc | KM Weiland

5 Tips for Writing a Likable "Righteous" Character | KM Weiland

I Hate Your Protagonist! Want to Know Why? | KM Weiland

The Secret to Writing Dynamic Characters: It's Always Their Fault | KM Weiland

A Protagonist’s Moment of Realisation

Antagonists

Blurring the Lines: What Are Anti-Heroes and Anti-Villains?

Antagonists: Inner & Outer Demons | Kristen Lamb

How to Write Multiple Antagonists | KM Weiland

Character Building

The Epic Guide to Character Creation, Part 1 | Kylie Day

Pick Up A Bad Habit | Maggie Maxwell

How To Write Characters from the Opposite Gender | Rachel Poli

Top 4 Tips for Using Backstory in Your Novel | Diana Anderson-Tyler

Depicting Background Characters | Chris Winkle

Scene Building

The 5 Elements Of A Good Scene | Amanda Patterson

A New Way to Think About Scene Structure | KM Weiland

2 Ways to Make the Most of Your Story’s Climactic Setting | KM Weiland

8 Things Writers Forget When Writing Fight Scenes | Lisa Voisin

Descriptions

Master List of Facial Expressions | Bryn Donovan

Master List of Words to Describe Voices | Bryn Donovan

Master List of Physical Description for Writers | Bryn Donovan

Writer’s Guide to Serious Injuries and Calamities | Bryn Donovan

How to Ground Your Reader (in the setting) | Rachel Craft

The Forgotten Fifth Sense | Writer's Relief

Never Name an Emotion in Your Story | KM Weiland

Show, Don't Tell: How to Write the Stages of Grief | Ruthanne Reid

100 Words for Facial Expressions

Dialogue

How To Write Good Dialogue: Ten Tips | Irving Weinman

Seven Dialogue Don’ts | Jason Bougger

10 Keys to Writing Dialogue in Fiction | Katherine Cowley

Points-Of-View (POV)

What Every Writer Ought to Know About the Omniscient POV | KM Weiland

Motivation & Support

What New Writers Need To Know About Fear | Bryan Collins

How to Discover Your Writing Process with Gabriela Pereira | Kirsten Oliphant

Editing & Revising

18 Overused Words to Replace When Writing | Oxford Tutoring

An Easy Way to Immediately Improve Your Character’s Action Beats | KM Weiland

Want More Depth to Your Writing? | Sacha Black

How Much is Too Much Backstory? | Ellen Brock

Why Your Writing Sounds Weird (And What You Can Do About It) | Joe Brock

Self-Editing for Fiction Writers | Jenny Bravo

Favorite Revision and Editing Tricks

Short Stories & Flashfic

How to Write a Story a Week: A Day-by-Day Guide | Emily Wenstrom

How Flash Fiction / Microfiction Can Help With Your Writing | Rhianne Williams

Worksheets & Downloads

Writing Worksheet Archive

If anyone out there loves making lists and wants to transport this to another site, you have every right to do so! Just let me know in a reblog so I can share it here again :)

---

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Follow me on AO3 for fanfiction

Visit my Pinterest & Unsplash for visual inspiration

[asha-mage]

🌶️

The MCU's Spiderman is not a poor execution of Peter Parker's character concept. He's not even poor execution of Miles Morales's character concept.

He is a poor execution of Terry McGinnis's character concept.

Peter Parker and Miles Morales both have so many fundamental pieces to their characters that are just missing for the MCU's Spiderman. Familiar names are floating around him- Aunt May, Mary Jane, Ganke Lee- but the fundamental ideas that make up Peter or Miles arcs just are not there. Themes like Miles's family expectations, Peter's constant money struggles, and the balancing act of doing good vs trying to live your own life are all absent. Even the idea of power and responsibility isn't properly introduced until the THIRD MOVIE when that really should been the central theme from the beginning.

Rather the MCU Spiderman has way more parallels with Terry McGinnis. Both are young hot shot teenagers who end up being taken under the wing of established and experienced hero who is on their way out. Both have complex relationships with their mentor which in a lot of ways serves as the driving force of their character arcs. Both gain high tech suits which enable their heroism. Both are viewed (or at least supposed to be viewed in MCU Peter's case) as heirs to the legacy of this hero.

It falls apart when you get into how they are different. While Uncle Ben is implied to have existed and be dead by the time MCU Peter is introduced in Civil War it's never actually confirmed and never properly comes up. Meanwhile the death of Terry's father is essentially the inciting incident of Batman Beyond: it's what motivates and drives Terry and the murder and it's fallout are the main focus of the first two episodes of Batman Beyond.

What's more MCU Peter's relationship to Tony is grounded in the fact that Tony just shows up one day and essentially taps him to join the Avengers. Bruce by contrast initially tosses Terry out on his ear, and when Terry turns up seeking justice for his father Bruce can't offer him anything but 'go ask the cops for help', and when that goes exactly as poorly as Terry said it would, Terry breaks into the manor steals the Batsuit and goes to stop Powers himself. Terry has active agency in his own choice to be a hero, which helps define his relationship with Bruce and to heroism. While MCU Peter was doing his own superheroics prior to Tony showing up in Civil War (not that he ever does much of that in future movies) his relationship to Tony is defined by Peter's dependence on him and his quest for Tony(/the Avengers)'s approval. And because they don't even bother name drop Uncle Ben or flashback to him, we're left with the impression that the main thing driving MCU Peter is that quest for approval. His motivations are never more complexly explored, and we don't even really see him just running around Queens stopping muggings or car crashes or anything that hints he enjoys or feels the need to actually help people.

And I think that gets into the final and most important difference between the two. Gotham not only needs Batman, it visibly and obviously and terribly needs Batman. Batman Beyond leans into this because decades without a Batman have left Gotham a cyperbunk dystopian hellscape. The city needs someone to stand up to the darkness, to be a symbol of hope, to be aspirational. Terry taking up that mantel means fighting supervillains, yes- but mostly it means doing what the original Batman did. Solving murders, stopping muggings, rescuing people from burning buildings or fighting off street gangs like the Jokerz.

But even in the earliest MCU movies, New York only needs superheroes when the current world ending threat shows up. Otherwise the city is all bright shinny clean streets filled with haplessly content citizens. This is the only reason that Vision's position of 'Our very strength invites challenge' in Civil War makes any sense- because the only purpose of these Superheroes is usually to fight a threat they where somehow responsible for creating. And this problem hits 'friendly neighborhood Spiderman' the hardest because he only has a responsibility to use his great power to solve problems, if their are problems in need of solving. Most of Peter Parker's (and Miles Morales's, Gwen Stacy's, or any other Spiderperson's) day is not fighting alien armies or netherworld gods. It's stopping break ins, rescuing people from car crashes, or dealing with other small scale local threats, that none the less benefit from someone with his abilities to make them better. Either New York in the MCU is an ideal utopian city where the police have everything handled apparently (which ha!) or Peter is apparently not interested in stopping bad things from happening. He spends so much of the first movie basically begging Tony to give him superhero things to do, not realizing that he could go outside and find people that need help on his own.

In conclusion MCU Peter Parker isn't 'regular Peter Parker but not an underdog', or even 'Miles Morales but white'. He's 'Terry McGinnis but without any agency in his own heroism'.

[ann7av]

Spoilers for act 2

Isha is Jinx's inner child just as Warrick is Vi's inner monster and their mutual destruction is actually a pivotal event so they can both evolve as individuals, in this essay I will--

*start yapping*

No, I mean it, the hyper fixation kicked in and it kicked me hard. This is just about Vi's perspective in ep.5 btw but in my defense, she looks so tired

In the first arc, Vi starts to separate Powder from Jinx as a way of coping, she feels guilty about the destruction Jix caused and, as we know, Vi would never intentionally hurt her sister so the only way for her to try and stop her is to separate the two.

She can't kill her sister but she can kill Jinx (at least she thinks she can)

In ep.5 we see her spiraling into self-destruction, her entire character thus far has been taking care of others and now she has no one, and as such she doesn't think she has value simply as an individual.

Vi cannot accept change, that's her biggest flaw, she can't accept her sister's change or the change in the underground, and she begs Cait not to change in arc one. She somewhat recreated what her life in prison must've been like (she has a tiny apartment where she keeps herself enclosed, she's fighting on a daily basis, she's angry) so Vi's seeking familiarity in whatever she can find.

Now, she wakes up to Jinx in her little "protected" new reality, and her first instinct is to attack. She chokes Jinx (not her sister) and tells her off when she tells her about Vander, but THEN what happens?

Jinx starts to cry, and for a millisecond the illusion of Powder X Jinx is broken and Vi lets go of her, allowing her to say that "Vander is alive" and that "He needs OUR help".

Just like that, Vi's forced to face the possibility of change, she's not trusting that any of this is actually real and not one of Jix's "delusions" but it doesn't matter, the chance that someone NEEDS her help is enough for her to finally look at her own reflection on the mirror she broke in anger and denial, she has a choice to stay in the illusion or to take a risk.

Now, Vi follows her out and sees the mural. Not only does the mural depict Jinx (the person Vi is convincing herself killed her sister) as a hero but it also has Vander in it.

Jinx became Silco's daughter, the man who killed Vander and tore their family apart but for Zaun, she's also Vander's legacy of revolution. Vi is having to face that both things can be true at the same time.

They walk the tunnels and they start bickering, throwing things at each other's face and it's clear she's trying to avoid thinking too hard about what Jix is telling her.

Vi drops her gauntlets to make a point she doesn't need them, but her gauntlets are a physical symbol of her own emotional barriers, she takes them out when she's comfortable enough to let her guard down.

In this scenario, she's using her anger as a shield against Jinx, and anger is a safe emotion so she assumes there's not much risk, she doesn't expect Jinx to hit her, and when she does she hits back.

The thing is, that fight does not seem serious, they're not actually trying to hurt the other but rather just trying to prove their own points.

Now, Isha is serving as Jinx's inner child here and, as one would expect, she jumps in to help. But Vi's not expecting that and (as she does) she reacts.

She hits Isha (the embodiment of Powder) while fighting Jinx, she didn't mean to hurt the kid just like she never meant to her her sister all those years ago, but by fighting with Jinx (the sister she cannot accept) she does.

That's a visual representation of her inner turmoil, there's Jinx and there's Powder and she cannot see them as one, but she can't fight one without hurting the other, where one goes the other follows, they are one and the same.

Jinx goes to comfort Isha, and THAT'S when she puts her gauntlets back on, that's when she builds her defenses again, she can't allow herself to humanize Jinx or else she'll have to admit she's her sister and that she's changed.

Then we have Singed talking about Warrick (not Vander) something like:

"The beast was once a man victim of a great tragedy, but he had an incredible will to live, tolerance to pain, and was very resilient but it got lost in the bowels of the beast" - Yeah, sounds familiar?

We see in Warrick's pov, and he remembers wiping Powder's tears the same way Vi wiped Caits but Vi is blurred, her memory is still lost to him just like she's lost to herself

They find an office that belonged to Vander and Silco, and Violet takes one of her gauntlets off after she enters but keeps the other, her defenses are faltering but she's not willing to lower them yet.

They find a letter from Vander apologizing for what he did after the riot (the thing that broke them apart and later on separated Vi and Jinx)

Warrick came back to where Vander's apology to Silco was never read, he's roaming a familiar place with no purpose, desperately trying to find something he doesn't even know what means anymore.

And what guides him to the sisters is Isha's blood, the blood that was shed when Vi struck her in her fight with Jinx.

Jinx says everything might have been different if Silco had found the letter, and that same thought could apply to them.

If Marcus hadn't taken Vi away before she could come back to her sister, if Jinx had known what happened, if they had talked sooner after reuniting

Vi's defenses are crumbling here, they're both thinking the same thing and for a moment Jinx and Powder are the same, she almost comforts her with her uncovered hand, Jinx is being vulnerable, but Vi hesitates to trust her, so instead of reaching for her she reaches for the gauntlet again, putting her defenses up.

They leave back to the tunnels when Warrick finally catches on, and Vi sees this "beast" running towards them

It doesn't matter Jinx is telling her it's Vander, because Vi is still not trusting her, all she can see is Warrick and he himself is not stopping either, he can't recognize his daughters.

The only person who trusts the beast is Jinx, but she's not the person who can stop him at this moment, Vi is, and she does. Just like she has always done she gets in the way to protect the people she cares about.

Now, now, something very interesting about how this show deals with details is that Warrick was following the scent of Isha's blood so when he jumps to attack the camera focuses on the two.

As I commented, these two characters are being used to show Jinx and Vi's inner turmoil, and the fact Vi's inner monster (Warrick) is specifically aiming to hurt Jinx's inner child (Isha) is very telling.

But what is even more telling is that Vi is the one to stop him from hurting her, and by extension, she's protecting Jinx.

Just like before we see that Vi cannot attack Jinx without hurting Powder here we see that she can't protect Powder without protecting Jinx as well.

And THAT'S when we have the Jinx X Powder separation cracking

She says he's going to kill YOU, she's not worried about herself here, and the way she tries to protect them is to fight.

Vi always tries to fight her problem away by either violence or avoidance and now is no difference, she tries to fight him but here she's metaphorically fighting her own anger, the same anger that hurt her family and herself

The problem is that you can't fight fire with fire in these situations. Anger will not beat anger, punching will not stop the fight it will only make it worse.

They fight and he throws her against a wall before turning to focus on Isha but Jinx gets in the way and for a moment he recognizes Powder again

Jinx has been trying to protect Isha while making them stop and she tries again, but this time Vi is willing to hear her out,

She doesn't see Vander inside Warrick yet, and as this ginormous thing is barreling towards her she makes a decision, and for the first time, she trusts Jinx again, lowers her gauntlets and stops fighting. Vi's accepting the beast

There's a sequence where the image goes from Vi to Warrick repeatedly and they have similar expressions but then her eyes change and she calls for her father again.

Everything goes dark then, and we see Jinx completely terrified holding a lighter and looking for them. She doesn't know what she's going to find, she doesn't know if she was right in blindly believing Vander was still there.

The lights were bright during the fight but now everything is dark, and the dark is often used as a space of uncertainty and vulnerability Jinx couldn't save her sister from the beast and all she could do was try to guide her into saving herself.

Violet tried everything she knew, she tried fighting Jinx but in the process, she hurt the child, she tried avoiding the connection with her sister and by extension avoiding the family history but Warrick caught up with them again nonetheless, and when he did she tried to fight him off but the beast can't be killed by the same violence that created it.

In the end, it was the act of trusting Jinx that brought Vander back, Vi hugged him with the same gauntlets she used to hurt Warrick, she recognizes Jinx is also his daughter and by doing so she opens a door to seeing her as her sister again, even Isha got pulled into the hug.

Important to add that I do see Vander and Isha as more than just inner versions of Vi and Jinx but this show makes so many connections that everyone is everyone's inner something at one point tbh

Also, wdym both Cait and Jinx go to Stillwater and yet there was not ONE little detail of them thinking about Vi while my girl is literally hallucinating and only thinking about them? ONE MENTION

[beedreamscape]

This has been fossilizing in my drafts. And since I miss Sam, here are some calamity comments from an interview they did on Twitter.

AABRIA: I'm going to use this moment to shine a little light on Sam here, because when we first planned for the divorced couple, it was like, "Oh, what a fun little side arc, and we'll just get to snipe at each other, and it'll be cute to occasionally try to have her–" It was a knock down drag our who can hurt the other person's feelings more, and I have never been so thoroughly warmed than by Sam making me ugly cry into my own hands every episode. Okay, well, I'm fully in my feelings and I'm going to fight him in the parking lot. Tight tight tight.

SAM: Yeah. No, it was cool because I went into it thinking the same thing you were, like this is going to be fun to yell at each other and be cruel to each other, but once we started to play– sorry, I'm out of breath, you guys. [...] Once we started to play, I realized that the choices I had made in the character build, and also in our backstory, it wasn't really like a– Everyone had these dark dark dark secrets that they were trying to conceal, and I had a little one. But I just thought it would be super cool if my dark dark secret was that I just really liked you a lot. [...] And I really missed you. It felt as we got closer to the end that that was the payoff that my character certainly needed and also, in a way, yours with as lofty goals as you had, to ground it into a relationship was– I don't know. It felt like the right path to go, and you were so amazing to play off of and to yell at but also to kiss, and it was amazing to work with you and to be side by side when we did. I wish we could have been across the table from each other, just because I wanted to see your eyes more.

AABRIA: Yeah. Yeah, yeah.

SAM: But it was nice to sort of nuzzle up next to you as well.

[brucewaynehater101]

I just want good angst about Bruce desperately trying to parent Tim but realizing he fucked it up

or Bruce realizing he kinda sees tim as a father figure in a weird way

or the bats all realizing how Tim’s been forced to mature quickly so he can take care of them, and he won’t stop trying to be the adult in situations even after the bats try to make it so he doesn’t have to

There are a few fics out there that center around Tim and Bruce's relationship after Bruce realizes how bad he treated Tim. "Grudge (I hold none)" by reinersbigtits. "Just How Much I Love You" by sElkieNight60. Honestly, a bunch of sElkieNight60 fics have Bruce trying to be a better parent. Their fic "Redraw Our Expectations" showcases Bruce trying to parent Tim and the teen finds that strange, weird, and restrictive. They chat about it.

I sadly haven't seen any fics where Bruce considers Tim to be his father. I have seen a few that describe Tim as his closest confidant or mental support, but none about the father hc/au :(

If you want some quick angst about Bruce seeing Tim as a father figure, here's an idea:

Bruce is ruminating on his kids. As he's going through his mental list of the kids (perhaps trying to remember where they all are), he realizes that it's an effort to add Tim to that list. At first, Bruce clocks it as the older man being a horrible parent to Tim or needing more time with his son. Bruce wants to fix this and sets out to do so. He tracks down Tim to spend some time with him.

Halfway through the hangout, Bruce starts to relax. They are both having a good time, chatting and laughing. It only changes when he notices Tim's subtle nods, his slight mannerisms that encourage Bruce to keep talking, and the scrunch at the corner of Tim's eyes that indicate he's proud. It's an errant thought of the older man, but one that rapidly changes his worldview.

Tim acts like Alfred.

Tim acts like a father to Bruce.

Tim has always acted like a father to Bruce.

What has Bruce done?

The comment about Tim continuing to be the "adult" or "mature one" in the situation because that's all he's known hurts. If you add that hc to the one where Tim is constantly told to "be the bigger person" when it comes to being insulted by his traumatized family members, that's painful.

Alright, let's build on this hc/au. I'm going to use subtle canon background clues to create a probable psychological assessment on Tim's behaviors. The reasonings are all hc.

Tim was emotionally neglected and abused by his parents (not nearly to the extent of fanon and his parents did love him, but that doesn't change their emotional distance or the harm Jack did after his coma). One could hc that, due to the limited time he spent with them before they left again, Tim tried to keep the peace when they were there. He wanted to spend the time with his parents not fighting, even if that meant choking down his own emotions/needs, placating his parents, and overall keeping a pleasant demeanor around them regardless of passive aggressive insults (looking at Jack here).

If his parents had marital issues, like fighting and insulting each other in front of Tim, the child might have tried to mend their fights and solve their issues in order to spend more time with happy parents. It's a helpful behavior that could've been praised by Jack and Janet, leading to Tim continuously uptaking a mediator role.

This would morph into a people pleasing attitude that heavily clashed with Tim's independence and lack of authority in his life. This is what enables him to be suited for kicking a depressed, angry Bruce into his healing arc (enables, but doesn't excuse Bruce's reliance on a child nor condone it). Tim would probably insert himself into Dick and Bruce's relationship.

Unlike his parents, Dick and Bruce probably weren't happy an unrelated kid was mediating their relationship or getting in the middle of their arguments. Because of their contant rejection to Tim's efforts, the kid's behavior could morph into a more subtle and subterfuge manner. This comes in handy when Jason and Damian come around (because they for sure would not listen to Tim's advice).

Tim, because he's spent his entire life managing other people's emotions for them, would understand where Damian and Jason are coming from as they hurt him. It is painful, and he may hold some resentment towards them (and a frozen anger), but he's used to yanking back his emotions and shoving them into an overfilled box. That's the easy part.

What's burdensome for him is the family. After realizing the lengths Tim goes to in order to ensure their bonds stay strong, they keep pressuring Tim to release some of his responsibilities. They want the relationships to be more equal.

Tim can't, though. If he lets go of his tight grip on holding the family together, he'll have to face that box of emotions he shoved down. He'll have to work through all the pain, anger, betrayal, grief, and desolation all of his family members gave him. If he accepts that he shouldn't be taking on so much emotional labor, he would have to face that he shouldn't have been subjected to so much abuse (from the Drakes or the Waynes).

Tim can't do that without falling apart.

He can't keep his hold on the family's support beams either.

It's not healthy nor productive for Tim to keep his position. Without releasing the pressure from his back, Tim will collapse and take the Waynes with him. He's too scared to let go, though. Will he survive the break? Will he have a place with the Waynes if he's not holding them up?

[scribeofmorpheus]

Veilguard Review: Doom Upon the World

Warnings: Spoilers for Veilguard, very political review (considers race, gender, religion and choice consequences centred around established Thedas).

Another long post: 4k words

In my first review (Love, Wisdom and Pride), I focused on the relationships most pivotal to Solas’ arc reaching resolution: Inquisitor and Mythal (though heavily Solavellan inspired, I tried to be aware of how the Inquisitor’s role as a rival/friend outside of romance was still considered as an important relationship in his story). This review, on the other hand, will focus on the worldstate and what we lost [x], as well as my speculations on which story beats/companions/advisors I feel should have been integrated into the story for a deeper emotional payoff for past Dragon Age players (and overall story cohesion).  

EDIT: Why Dragon Age Veilguard isn't a "Cathedral" thread (very important tet-a-tet about understanding game development politics--especially what was happening in Bioware)

N.B: This review is definitely a critique of something I love, born from love, because—yes, I had expectations; yes, they were high; no, I don’t think that’s a problem; no, I do not hate the game we got, but I mourn for what the devs clearly were building towards with the last 3 games in the series, and from what we know from the internal struggles with Bioware under EA’s helm (as evidence from the development time, layoffs, staff’s disappointment, and the differences between the final game and the concept art) the only thing getting in the way of a truly epic game was corporate meddling and greed.

Spoilers below the cut.

Without further ado, the primary criticism I have is that Varric should not have been our advisor! I read a post somewhere that succinctly surmised the that Varric was chosen as our Advisor so that:

Solas would make an “irredeemable” mistake for all the Solas haters to use as an excuse to simply view him as an antagonist, simplifying the goal of the game to: stop the elf from bringing down the Veil.

Varric was used for marketing purposes rather than story depth choices; he’s popular, beloved and an easy carrot for the EA stick to dangle in front of loyal fans.

His writer has literally been trying to kill him off for the last 2 games! Varric was supposed to die in Inquisition! (lol) [EDIT: Just want to clear up one mistake I wrote here--I say Mary Kirby (Varric's Author) was trying to kill him off since D2, but I meant the scrapped Exalted March DLC helmed by Gaider, and then someone else wanted to kill him off in Inquisition (Mary, I'm sorry I accidentally passed a fib about you!)]

I firmly believe he should have been holding the blight back in Kirkwall, and that his position as Viscount of Kirkwall should have affected the outcome of the blight spreading in the South!

Advisors in the North

Right off the bat, the two best choices for advisor, (excluding the Inquisitor out of favouritism) should have been Dorian and Morrigan.

Dorian: because we’re in the North, the Shadow Dragons are by far the more “grassroots organisation against imperial power” kind of organised body the Inquisition started out as. Since we don’t have a calling to fight against like the Wardens in Origins or a family to try and keep together in a city on the brink of implosion like Hawke, or a pseudo religious-political body to inspire Hope in the faithful like the Inquisitor, Valour, Love and Hope cannot be at the heart of this story. It has to be JUSTICE [x].

Justice for the culmination of Anders’ story; for Merril and everything she endured to repair the eluvian; for Fenris, the origin of his lyrium tattoos (which according to GhilDirthalen’s post, there was a plot point linked to elves whose lyrium bodies did not possess latent magical prowess) and the slaves in Tevinter; for the rebelling elves that should have formed factions as the Dread Wolf’s Agents like the Trespasser epilogue hinted at; for misunderstood spirits hurt by mages like Cole; for the ancient elves like Abelas; for the templars who saw the corruption in their ranks but had no way out because of lyrium addiction like Sampson; for those corrupted by red lyrium that was spreading throughout Thedas with no cause or cure; for the dwarves like Branka, obsessed with the answers held in the Anvil of the Void, or Harding, or Shaper Valta who saw a Titan and witnessed the death of the Legion of the Dead; for Sandal’s prophecy!; for the qunari oppressed by the Qun, turned talvashoth, searabas, hisraad like Bull! Justice for two decades worth of worldbuilding on the part of the writers and the devs who loved telling these stories.  

Morrigan: is self-explanatory to the story they were crafting between Solas and Mythal. And what would have been even better is if they actually just explained away the Well of Sorrows’ choice unaffecting the Inquisitor because Morrigan eventually had to assimilate the essence from the well to keep the Inquisitor from going mad—like the anchor had to be tempered by Solas in Trespasser. Easy as that!

The best part is that pitting Morrigan and Dorian as foils of each other further allows the game to have greater stakes and tension because Morrigan (changed by Mythal’s righteous anger and need for justice for what was done to her by the Evanuris) could champion making choices more detrimental to Thedas but ultimately in line with Solas’ plans. And Dorian could make choices that put the safety of Thedas’ citizens at the forefront by sacrificing headway in stopping Solas and his Agents from advancing with their plans!

Best yet, we could have had a hardened vs softened Dorian depending on whether you recruited him in Inquisition, and/or did his quest.

[Inquisitor concept art by Matt Rhodes]

Favouritism Bonus Round: The Inquisitor (or alternatively Morrigan) should have been the voice to champion Rook to seek out the wolf statues, and they should have been present when discussing the memories, as it would have given them more gravitas when uncovering the literal story of "Solas is Andrastian God creating the Veil" or "the Dalish Dread Wolf is being proven to be a saviour" or "Elves originally being spirits in the beginning", or "Titans were at war with the elves" beyond comments like: “Oh, Solas regrets this” or “They were doing it”. (This is the issue with having a “couch setting” for a “war room”—discussions feel less intellectual, factions don’t necessarily bring their own unique viewpoint into the interpretation of Solas’ decisions/Elgar’nan and Ghilan’nain’s presence, etc.) Everyone is not digesting the material given like it’s a clue to stopping the world from ending but rather like gossip. With the Inquisitor, as either a friend to Solas, a rival or a romanced Lavellan, finally finding the Dread Wolf’s Achilles Heel after vowing to stop him would have rung true, closed the loop.

Sigh.

This is also why I feel the Inquisitor should have been the one in Varric’s place—like literally. I mean recovering from an injury after failing to catch up to Solas in ACT 1, possibly dispatched by Agents of Fen'Harel! Because they could then be forced to pass the mantle to hunt down Solas to “Rook”. Not dead. Or a blood magic illusion. Just, Inquisitor, wounded, making small talk, sometimes bringing up plot points from Inquisition—your Hawke on the battlements in DA:I or Alistair in the gardens with Morrigan and Keiran.

It would also make more sense for the Inquisitor to be able to use the eluvian to travel between Skyhold and the Lighthouse, allowing for believable absences during plot points where their lack of action inspite of their presence wouldn’t make sense. Not to mention more gut-wrenching if we heard about the South from Inky rather than reading 4 letters!

Previously, I stated how the Inquisitor’s presence needed more weight in the non-Solavellan endings! Some people’s Inquisitor befriended Solas, some hated him, either way, the Inquisitor should have been present for the final showdown beyond a passive observer! If the Inquisitor ended up being the last friend/former love that Solas destroys (in a bad worldstate end where you don’t collect Mythal’s essence), which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that would have added so many layers! The Inquisitor falling is the last straw for Solas too, whether friend, lover or foe, he fought beside them, stopped Corypheus with them! The Inquisitor was partially his making of a hero; his first “good” mistake! It would then make sense for him to snap, choosing to be a villain in the hopes of being stopped because he can’t stop himself, he’s come too far! Rather than the ‘I am a God’ ending they gave us.

Agency of a “Rook” on an Empty Chess Set (Factions and Backstory)

Personally, from both a writing and a viewer’s perspective, I think our protagonist should have always been linked to the Shadow Dragons (and the factions choices shouldn’t have been incorporated). This is more because, framing one’s backstory as being a member of a faction—not a people with established political positions in Tevinter—siphons the narrative of personal stakes. Imagine being a mage who could have begun with higher approval in Tevinter but lower elsewhere, maybe they’d be saved from the Venatori’s thrall that was linked to Neve’s companion story—again linked to Ashur and the Dragons. Or an elf mage could begin a storyline like that of the city elf in da:o but focused on the Shadow Dragons’ tackling slavery’s presence in Tevinter. A Qunari origin could explore being a refugee aided by the Shadow Dragons as they flee the Qun because they don’t fit in the dogmatic religion. A warden could be a criminal in Tevinter, showing us what is considered ‘rules for criminality’ in a city that corrupt and extremist.

Overall, the factions don’t add much diversity to Rook’s background, backstory, dialogue tree or influence on the world state beyond a last name that doesn’t really matter. With a Shadow Dragons’ background, the very ethos of “Rook” would have been about overcoming oppression, and then the nickname makes sense too, a name to stay concealed, to keep loved ones safe while DAV’s protagonist battles politics, blood mages and blighted gods. It would have been even more meaningful if the nickname “Rook” paralleled “Dread Wolf”, in that it was bestowed by your origin-based backstory antagonist and then used as a call to freedom (we wouldn’t even need a cutscene, this could have been revealed in part of their banter/dialogue). This simple choice would have allowed us to focus on Treviso and the Antaam’s occupation and Tevinter and the Venatori’s rise to power on a more personal level. It would also place our Rook in a position to be a foil to Solas’ “do what is necessary for the greater good” vs “be better than those that came before” plot lines. Building off this, the hardened companion status between Neve and Lucanis should have formed a parallel, with one tilting towards understanding Solas’ extreme efforts to stop the Gods, whereas the non-hardened character should have taken the role of foil. Both of whom would add balance to the tension when discussing Solas’ memories or even in exploration banter during missions (one the “devil” on your shoulder, the other your “angel” depending on where Solas’ actions stand for you since Inquisition).

Finally, the Shadow Dragons' should have been linked to Dorian more directly, potentially created with backing/support from the Inquisition’s advisors/Inquisitor directly (since their default attire is the Shadow Dragon apparel).

Companions: Cole for Compassion; Briala for Rebellion and Revenge

Cole

In my review Love, Widsom and Pride, I briefly touched on the fact Cole (whether recruited, not recruited, kept spirit or changed human) was absolutely necessary as a companion. Because it doesn’t matter which version was present in the world (RIP the tapestry), every iteration of Cole works synergistically with appealing to Solas’ spirit side:

If he wasn’t recruited in Inquisition, he could simply have his default origins as a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly.

Recruited-to-the-Inquisition Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history of corruption by preventing a spirit from becoming something against its nature.

Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. And he could still offer insight into Solas' mind via 'remnants' of the time he was more spirit.

Briala

What I enjoy about this companion head canon is that Briala is literally Solas’ direct parallel story-wise:

She’s in love with Celene, the ‘best’ choice for ruler in Orlais even though she burned Briala’s alienage. They share a great power imbalance, with Celene able to affect the fate of all elves in Orlais, yet is unwilling to free them, return the Dales, or concede power even though she claims to love Briala, too. Briala is a rebellion upstart, raised by Felassan for crying out loud. She controlled the eluvians and knew how to get around the crossroads, she has more of a bone to pick with Solas than any other NPC not close to the Inquisitor! (Celene and Mythal share many similarities as well, with Celene seen as the more benevolent of rules when compared to Gaspard the Warmonger; and if Gaspard is in power but controlled by Briala, imagine her being dethroned from her seat of power by Agents of Fen’Harel after she lost access to the eluvians, that would have been a great story arc to explore).

Sidenote on DAV's Romance, Companions and Choice Consequence

Building off having either Cole or Briala as a companion, I do think it would have been nice to have them as non-romanceable too. Don’t get me wrong, I know it's great to have options, but I do feel making everyone “pansexual” wasn’t the right way to go for all the companions. It takes away character choice, personality, taste and individualism from the companions. Dorian’s story would not be nearly as impactful if he could have been romanced regardless of gender. Solas being unwilling to romance any race/gender besides female elf (though a direct correlation to the developers being afraid of the ‘evil bisexual’ trope that was popular in the 2010s) also adds to his story; where he’s reluctant to see the world as real, to accept non-elven people as having agency, because that would mean he wasn’t walking through a see of Tranquil, but instead, he was the Forgotten One out of time.

I also firmly believe that a possible reason Cole wasn’t a companion despite there being plans in place that he’d return (Trespasser epilogue slide, I remember you), is because I can 100% see an EA big-wig being like: “He’s unfuckable. Give us someone hot and brooding and slap a demon in them and you’ve got fuckable-Cole” and then we got Lucanis.

I like Lucanis. I’m not crazy about him, but I enjoy the Machiavllian family drama. Very Renaissance Medici story beats. I adore Mary Kirby as a writer, too, but I feel the introduction to the Crows of Antiva should have been Zevran’s mantle, or he should have at least haunted the narrative and missions related to the Crow factions (of which there should definitely have been factions within the Crows). Considering the fact I romanced Lucanis, I couldn’t shake the fact that a lot of his “acceptance for being bound to Spite” beats paralleled a Human Cole having been ‘cured’ from Compassion.

The romances seem less… memorable to me than past games. The importance of choice means you have to accept the story unfolding based on the consequences of your choices; and gender-locking at least one companion would show the cause and effect of beginner choice. Taash is actually written to prefer women over men, which is vital to their arc around gender dysphoria and being non-binary, they would have been a perfect candidate! I imagine their story would also be a great way to explore how being one race attempting to romance another could have a slower progression rate (again, because of Taash’s multi-cultural background, and their complex feelings at having been raised by a mother so tied to the Qun, them being cagier around a qunari Rook romance would also have added layers!) But with everyone available to be romanced, and having no initial repercussion for early game choices despite which character model would have bruises or cuts (Neve or Harding), genuinely roleplaying as Rook, and not as someone using Rook as a stand-in for ourselves, is more disconnected than previous games. This is why the romances feel off to me. Doing the romanceable companions’ storylines seem like I’m the one trying to date them, not Rook. Maybe it’s because Rook’s established personality is the direct repercussion of a sanitized worldstate!  

Foibles of being ‘Unproblematic’: A Sanitised World

The issue with trying to make a game that won’t touch on difficult topics, is that, when you make that game a sequel to a series that was literally built on the backs of tackling real world politics, it makes a lot of the world seem plastic. A poor imitation perhaps.

The World of Thedas book actually tells us that Thedas is a fantasy setting that uses the real world as its backdrop for conflict and world building. Andraste is Joan of Arc. Andrastian faith is Christianity founded by a woman. Orlais is the French bourgeois era. Fereldan is more Highlands/Celtics region if it never had a chance to expand because of the blight. Elves are the disenfranchised (and a direct parallel to popular elven cultures that were often portrayed as the pinnacle of advanced magic/civilisation). City elves live in alienages (literal ghettos). Dalish elves (native to the land) are being run out of their homes, the Orlesian’s are trying to claim the territory for their Empire, and their numbers are dwindling, their culture and language a poor imitation of what it had been, barely surviving colonialisation! Dwarves have a caste system that determines everyone’s future! Dagna had to leave her home! Harding grew up on the surface. Varric’s whole plot thread anchoring him in act 1 of DA2 is helping his brother discover Deep Roads riches so they can get their family’s title again.

And through all 3 games prior to Veilguard, we’re told the Ventaori are monsters, the Imperium is crueller to its elves/slaves than any place in the South! The best option beyond turning Feynriel tranquil in DA2 (one of the few Dream Walker mages) is to send him to Tevinter. What becomes of a half-Dalish mage in Tevinter? Neve, our first companion beside Harding, is determined to make Dock Town a place worth living! So, to walk into Veilguard and have no slavery storylines in a place called the fucking TEVINTER IMPERIUM (modelled after the fucking Roman Empire close to collapse) is so jarring. So unbelievable. What injustice is Neve battling? What woes has Dorian been dealing with in the Magisterium?

The closest we get to seeing the darkness that exists in the world (besides the hanging corpses lining the streets of Dock Town if you save Treviso) is the side quest where a father makes a deal with a demon to keep his child alive by sacrificing so many innocents.

And then there's Tevinter's "savage" neighbours, the Invading forces of the Qun! Frightening, right? But from the blasé manner the Qun's rigidity is discussed, it is framed as though anyone can simply up and leave the Qun if they so wished it, according to Taash’s mom. Yes, Taash is being hunted, and their mom is taken prisoner, but it was all in service to a tablet that discussed fire-breathing, not about returning to the Qun. Iron Bull being deemed talvashoth holds less severity when the consequences of leaving a subjugating, dogmatic, religious-political society are simply... nothing. There's no anchor to Taash being raised in Rivain for safety reasons beyond keeping their fire-breathing secret. And what of all the elves that commit to the Qun? Why are there no elf converts among the Antaam? What about the fucked-up stuff the Dwarves of Kal-Sharok were doing before Veilguard? Kal-Sharok dwarves apparently were changed by the First Blight, and are supposed to have a ‘tainted’ appearance according to the World of Thedas concept art book. Why are they just... normal dudes in booby armour (lol)?

[Imshael! A demon/spirit of choice & Calpernia as potential companions is insanity>>!]

I possibly wouldn’t have these strong opinions if the games gave the companions more… just more ‘controversial’ stories with harder choices! Veilguard in a way feels like playing a game with child-lock on. Yes, what happens to Tevinter or Treviso looks awful when you see it, but the side-quests, companion stories, NPC dialogues and world around the ‘mise-en-scene’ don’t reflect this--it's like set dressing. The “I can’t believe the Venatori are evil” side comments by Rook in Tevinter when the Venatori takes over become whiny, child-like and “hopes and prayers” coded. Do something then, Rook. You are the hero of this story, are you not?

I am forever grateful that Lucanis is actually hardened and removed as a romance interest if you sacrifice Treviso (finally, good old dragon age consequences).

Now onto good criticism of our companions!

Companions: The Good, the Balanced and the Essential

Good: Neve and Davrin.

Neve is our eyes and heart to Dock Town, our humanising presence for the Tevinter Imperium. She is also written in a way that I find her to have the best agency as a non-romanced character than most.

Davrin is a breath of fresh air for the reputation of the Grey Wardens, he’s the genuine article. Him owning up to being young and foolhardy when he rejected the Dalish ways in search of adventure, only to be battle-hardened and then become more appreciative of the fact he was taught to live in harmony before he was exposed to the discord of the Deep Roads is such a good character growth moment.  

Balanced: Harding. Harding grows into a much more invaluable story piece when she unlocks the Stone Sense and uncovers her people’s history. It’s a rather short-sighted choice to have her be one of the Ultimate Sacrifice characters because what becomes of the story of the Stone? Who hears the song? Who will speak of the Titans to other dwarves if she is chosen to go on the final mission?

Essential: Antoine and Evka! No notes, they should have been conditional companions in a side quest! They’re fleshed out so well, and their relationship is real and built into their character, but it’s not all they are! Antoine is smart, hopeful and also tortured by the new blight. Evka is powerful, pragmatic and also caring.

The Red Herring that should have been: Bellara as an Agent of Fen’Harel! Her storyline would have worked with the concept of being found ‘suspicious’ by players if the Agents of Fen’Harel were an active group. A Veil Jumper in Arlathan whose brother got entabgled with a Forgotten One? Someone who is an outright believer in the elven pantheon? O, Bellara, the power you would have had as a possible double-agent in our midst, only for us to have been wrong in doubting her and having it be someone else! Race and position to power should have inforced so many story beats in this game, man!

Finally: Religion, Where?

I’m a little exhausted, so I’ll wrap this part a little quickly. Religion is paramount to understanding the decisions and states of mind of so many characters in Thedas. Leliana’s arc alone is one of the most intimate insights into Andrastian faith! The Inquisitor is literally responsible for appointing the Divine! The Divine can call for an Exalted March! The Black Divine is a huge plot point when discussing the differences between the Southern and Northern iterations of the Chant. Tevinter’s Old Gods (Archdemons) are blighted dragons linked to the Evanuris that whisper the will of their masters to humans. Archdemons are responsible for the Blight, our first “save the world kiddo” moment in da:o! So where is the disbelief in the streets that Elven Gods exist? Why is it always “Our Gods” are back? What about city elves who believe in the Chant of Light? Where is the Black Divine? Why is everyone okay remaining Andrastian when the fact Solas made the Veil is revealed? Where is the politics and religious civil war in the streets between NPCs?! Between companions? Why isn’t there a cultish, zealous group of extreme Andrastians following Solas around? Why isn’t there another version thinking of Solas and all elves as the second coming of Maferath? How are city elves fairing compared to Dalish elves at the reveal it’s their pantheon gunning to end the world? Again! RACE AND POLITICS MATTER! They always mattered in Thedas before, yet here they are anecdotal at best.

The Veil Should Have Come Down

It’s apparent to me, and numerous others, that Veilguard was stunted by its attempts to be an entry piece that wasn’t alienating to new players of the RPG game format, but it was also haunted deeply by it’s very EPIC tapestry mechanic (choices mattered!). Ironically, Veilguard served to be a soft re-boot of the series. This, I think, was the grandest mistake. If they meant to reboot the series for future instalments, we should have fundamentally changed the physics and rules of Thedas completely to allow the next instalment to start from the literal ground up. By bringing down the Veil, we’d finally free the Titans, introduce the concept of Dwarves with magic, awaken the Forgotten Ones and maybe allow for new species/lore/concepts to shape the future. And to work around the tapestry, they could have simply set the next sequel 200 years later. Sent our heroes to rest. Ended with a new canvas.

It should have concluded with the very ending that was prophesied by Sandal in DA2:

“One day the magic will come back. All of it. Everyone will be just like they were. The shadows will part, the skies will open wide. When he rises everyone will see.”

Bonus: Anaris should have been a DLC boss with Fenris involved!

Why, you ask? Just this data-mined codex entry still present in the game:

Truth be told, like they did with Corypheus in the Origins DLC, I think they could very well bring him back as the big bad of DA5—which I think should have always been about fleshing out the war between the Titans / the Forgotten Ones / Evanuris!

Anaris and a waking Titan?! That would have been beyond amazing!

Which… again, is why the Veil should have COME DOWN!

P.S.: I know a lot of these criticisms seem like unhappy nitpicks, but I did enjoy Veilguard, I got an ending I could live with. BUT I am so angry by how many roadblocks are placed before game devs with a clear story in mind--as is obvious with the concept art book. Obvious threads were leading to Veilguard having always been the end of the Dragon AGE! We kill the last Archdemon! The last dragon linked to the Gods and the blight! The game developers have even alluded to having fought tooth and nail with EA's suits, but could only manage to give us the game we got. And I'm beyond grateful. But MAN does it hurt!

Remember to say thank you to the writers/artists/voice actors on their socials, they deserve a little love too.

Fin!

[numberoneredriotfan]

It makes me really upset that Kirishima and Bakugou's friendship wasn't highlighted too much after season 4 or the shie hassakai arc. And I don't even mean this in a shipping sense. Kirishima was a HUGE part of Bakugou's character development even if it wasn't shown that way.

At first, Kirishima is introduced as one of the only people who can handle Bakugou and all his intensity- as well as his explosive (haha get it) personality. This is showcased more clearly in the sports festival arc.

Kirishima offers to be Bakugou's horse, because he's the only one that can handle his explosions with his hardening (which is probably the only quirk in 1-A that really effectively deflect Bakugou's explosions, so nobody else could really be in that position other than Kirishima.) Also, he without hesitation called Bakugou a dumbass and told him to remember his fucking name, even after seeing how angry he can get when provoked. And this isn't even the last time Kirishima does this. So Kirishima becomes someone who can handle Bakugou, but their friendship doesn't end there.

Most this development probably happened off-screen, but overtime Bakugou started to see Kirishima as an equal. Not just someone who could handle Bakugou and put up with him, but as someone who is able to stand by his side unwavering while also understanding his perspective to some extent (which I assume is rare for Bakugou, considering most other's view of him is either "what a jackass" or "wow he's so cool").

Which is why I really love this scene they added in the anime, which shows that Kirishima understands Bakugou, even if he seems like just an arrogant asshole. I think the only other character who understands Bakugou on that level is Deku (and of course his classmates learn to understand later on, but I'm talking about early on).

Kirishima was arguably the first person who Bakugou saw as an equal. Something I noticed about early Bakugou is that he either had a superiority complex or a inferiority complex with someone, and there was really no in between lol. That was, until Kirishima. Who came in as someone who neither above or below him. While Kirishima doesn't take any of Bakugou's shit, he also doesn't treat Bakugou like just a jerk.

This is of course, showcased best in the iconic Bakugou rescue scene.

This scene was honestly just such a good show of their bond, and how Bakugou sees Kirishima. Because as Deku pointed out, Bakugou wouldn't have taken anyone else's hand. We know this for a fact, as this was the same man who would've rather been kidnapped by villains then accept Deku's help-

So yeah. I fully believe if it was anyone other than Kirishima to reach out a hand to him, he would've straight up ignored them and would've tried to fight the villains himself. (Death is one thing but his ego is another apparently-).

It would be ignorant of me to say that Kirishima was the only one who understood Bakugou, because that's just not the case. Because as we saw multiple times throughout the series, Deku (as previously stated) understands Bakugou very well from the very beginning. However, while this opens up the gateway for a reconciliation with Bakugou in the future, Bakugou's complex feelings about Deku make it impossible for them to form a relationship based on that. Kirishima came in as a breath of fresh air, in which there was no lingering resentment or complexity involved. And of course, later in the series, we see the other members of class A understand Bakugou on that level as well. But in the beginning at least, Kirishima was the only person he could sort build that bridge of understanding with.

And even if it's never stated explicitly, I truly believe Bakugou wouldn't have opened up to relationships with his other classmates if it weren't for Kirishima befriending him. Or at the very least, it would've taken him a lot longer.

And the we have to take into accountability of how much their friendship has helped KIRISHIMA develop as a a character. As we can see, from the very beginning, Kirishima has a bad habit of comparing his quirk to the others of their class.

This isn't his fault necessarily, as in their society it's probably drilled into your head from a young age that you can only be a good hero if you have a flashy quirk.

And because of this, rather than looking at his own strength, he pays a lot of attention to how he compares to others.

So clearly, he's hard on himself and has a lot of self-esteem issues. (I am him. He is me-)

And it's clear he looks up to Bakugou a lot from just...Bakugou being Bakugou. Bakugou's a very forward person who jumps in without thinking (for better or worse), which is almost everything Kirishima wants to be. I honestly think that might've been- at least partially- what drew Kirishima to Bakugou. He wanted to be more like him, even if he wouldn't admit to himself. He, in a way, was putting Bakugou on a pedestal, even if he didn't realize that Bakugou sees him as an equal.

But then, Bakugou tells him this:

Which in the end, pushes Kirishima to reach his full potential, which came in form of unbreakable. Bakugou, who was originally someone he looked up to and admired, eventually became his motivation. His drive, even. And it wasn't just Bakugou, obviously, but Bakugou still contributed a lot.

And after all this, their friendship gets pushed to the side so we can focus on Bakugou and Deku's reconciliation. Which isn't bad! I love Bakugou and Deku's friendship as well! And I will say it holds a lot more importance to the plot of the story, and it wasn't necessarily a requirement to have Bakugou and Kirishima's relationship showcased more.

But still, I feel as though one could assume that once Bakugou got his character development from Kirishima, he didn't need anymore. Like he was just a stepping stone in order to reach his redemption with Deku. Which is just a sad way to look at their relationship :( and I truthfully believe that that just isn't the case. We did get a few crumbs, but even then we never got to see them talk one-one as friends after a while.

This isn't supposed to be Kiribaku propaganda or anything like that, and some of this will probably fall into headcanon territory and is just my interpretation of their characters. This also isn't me saying that their relationship is more important than Bakugou and Deku's, or Kirishima and Mina's, this is just more of a vent on how I would've liked to see more of their friendship.

Edit: just wanted to put this here as well

(From mha ultra analysis)

[divinegrey]

ᴘᴀɪɴᴛ ᴛʜᴇ ᴛᴏᴡɴ ʙʟᴜᴇ / ᴊɪɴx x ꜰ!ʀᴇᴀᴅᴇʀ

sorry for the wait everybody!! been writing other things in the meantime, arcane hasn't been my sole focus. also i have homework and exams. but here's something to appease all of you!! anon, i hope i did this prompt justice!

prompt: I'd like to request a Jinx x Fem! Reader. I like the idea of the reader being a follower of Jinx, as I think the dynamic could be fun. I think it could be cool to explore a follower of Jinx getting to know her and realizing that she's more than just a symbol. She's a multifaceted individual.

words: 1585

warnings: none

It started when she caught you tagging the side of a building. With her face, no less. 

With all the shit going down in Zaun in the wake of Silco’s death and every gang leftover fighting for scraps of power, it was only time before Jinx caught up to the fact that while yes, her face is plastered everywhere on wanted posters, there are about a dozen more spray-painted graffiti tags of her over them. Which was the goal of what you were doing when she dropped down from a building and walked to your side. 

All she did was look at the statuesque version of her face, washed in shades of blue, and say, “My nose doesn’t look like that.” 

And she was right.

Of course, with time, you got better at it. The wanted posters did a mean disservice, honestly. The only thing they got correct were the pink eyes, pink eyes that followed you when you went to your shitty box of an apartment and flopped onto a mattress flattened by years of use. You’d go to sleep, wake up, grab your paint duffel, and head back out again. The nice thing about Zaun is that there’s always an empty spot just waiting to be tagged. 

Somehow, Jinx always finds you. 

“You know people see you as a leader, right?” You say, shaking a can of neon pink, the ball rattling around inside the canister. You glance over your shoulder to where Jinx sits on some pipes connected to the wall, her braids dangling and the gold bullet casings wrapped around reflecting the faint light that falls through the fissures. With a gesture to your own head of hair, dyed an insane hodge-podge of bright colors, blue included, you continue, “Silco’s gone. Whole world down here has turned upside down. But for the first time in a while, we’ve got hope. Cuz of you. Cuz of what you did to those fuckin’ Pilties.” 

“For all the good it did,” Jinx remarks, a dryness to her tone you’ve come to know and love. 

“I’m serious. C’mon, you can’t tell me you don’t know the reason why I keep painting you? Why a dozen other taggers I know keep painting you? Why the color blue is nearly sold out in every damn shop?” You kneel down, arcing a curve of pink paint along the grey brick wall, moving quick and precise. Overthinking it makes it worse. “I’m not wearing spray-painted clothes in your colors for nothin, Jinx.” 

She turns, peering at you. In the shadows, her eyes seem to reflect some more, glowing like a cat’s would. “Because y’all have some weird, deluded sense that I’m a leader, or somethin’.” 

“You are. To me. To us.” You point at the other tags in the alleyway, some of them copies of the same mark you’ve seen a dozen times around town. Jinx’s name, sigils of BOOM! and explosives doodled about. You twist and take a seat on the scaffolding, your legs dangling off the side of it. “I didn’t know you when I first started drawing you. I heard what you did, and I thought damn, there’s someone out there willing to actually do something. In a single day, you did more than Silco ever did in years. Sure, we might be going head long into a war, but dying free is better than living under someone else’s boot.” 

Jinx hums. She leaps off the pipes, crossing the gap between you and her with ease, landing on the wooden scaffolding. She straightens up, gazing at the half-finished tag you’re working on. With a hum, she turns to you, and puts something in your hand. Before you have the time to look down and figure out what it is, Jinx says, “Nozzle control. Quality on some of your cans are shit, no offense. Slap that thing on it and you won’t have an issue after that.” 

“Oh, thanks—” 

“Don’t mention it!” Jinx steps off the scaffolding, landing on the ground below with a THUD. “And for the record, I ain’t the kinda person to follow.” 

“You’re gonna have to try harder than that to convince me!” You call down, grinning from ear to ear. Her brows furrow together, then a small huff, a hint of a smile on her own face. She walks away, off to do… whatever it is that she does when she’s not hanging out with you. 

It isn’t for some time that you see her again. You’d say you’re worried, but you pass through the crowds hearing whispers of Jinx sightings. Every day, it seems another head of blue hair appears, the quiet signs of revolution brewing in the heart of Zaun as the enforcers grow more and more strict, searching anyone and everyone for some hint or clue to find the one that destroyed the Council Chamber in Piltover. You’ll never say a word. 

You walk into your apartment. Work was… work, boring and mind-numbing as it always is. You wonder if you can handle another day of it, but another day will bring another chance of seeing her out there, so you decide not to fly off the handle just yet. You shrug off the soot-stained work clothes, and where you reach for your paint-splattered jacket, it isn’t there. 

Instead, a note. 

Never had anyone believe in me quite like you. The Hound’s statue, midnight. Come and get it. 

With the pink lettering and the doodles of monkeys and bombs scribbled across the page, it doesn’t need to be said just who left this note. You snatch it off the wall, utterly beaming; Gently, you fold it into fourths, tucking it into your shirt. Thank god for the late shift— less waiting!

Any of the weariness you might’ve felt before is gone as you race through the streets, taking any and every shortcut you know. The night is quiet, what with the enforced curfew put up by the Pilties to discourage wandering, not that they’ve done a good job of it. Zaun is Zaun, and the cogs down here will always keep turning, whether Piltover likes it or not. 

When you arrive at the open plaza where the statue erected to Vander, the Hound of the Underground, is, your mouth drops in shock to find the entire plaza covered, every square inch of it, in neon paint. Sigils upon sigils that you have seen time and time again, glowing in the dark. It reaches all the way to the statue, pink highlights in Vander’s hair and blue accents along his metal jacket. 

Sitting on the shoulder of the statue, paint can in one hand and your jacket in the other, is Jinx. 

“Shoulda known you’d be a little early. Good thing, I work fast,” Jinx remarks. She crooks a finger at you to come closer, and you do, taking care to step over the paint lines on the stone. You’re a little in awe of the work she’s done— how has nobody taken notice? Come to think of it, you heard there was a scuffle a few blocks away. The logistics don’t seem to matter anymore the closer you get to her. 

You arrive at the base of the statue. “How’d you even know where I live?” 

“Sweets, there are a lot of things I know about you. And a lotta things you know about me. Things that might drive other people away, but not you,” Jinx says, something like an angel as she looks down upon you from the statue. In the flash of a second and the trace of neon light left in the sky, she’s standing in front of you, your back pressed against the statue. The beam of moonlight that breaks through shines on her, her shimmer-pink eyes locked onto your frame. “You keep sticking to the inside my brain, can’t stop thinking about you.” 

“Could say the same for you,” you reply, a little breathless. “Why’d you do all this? Get my jacket and bring me here?” 

“Cuz you showed me somethin’ important. That people, for whatever crazy reason they got in their head, believe in me,” Jinx says. She holds out your jacket to you, and you take it, slipping your arms through the sleeves and fixing the collar so it stands upright. Her eyes go from bottom to top, taking her sweet time. “I wanna show em what I can do. Give those people with my blue in their hair a reason to keep going. To keep fighting.” 

“You have me. All the way, Jinx,” you say, putting a hand over the front of your jacket, where a pink heart has been painted. “So what do you wanna do? Other than all this?”

“Right now?” Jinx cocks a grin. “I wanna kiss you.” 

What? You blink, wondering if you heard that right, but her taking a step closer to you only confirms that yes, you did hear it right. You swallow the nerves, finding your cheeks hurting from how hard you’re smiling. “And then what?” 

“And then, we show Zaun all the fun we have to offer, and we tell Piltover to shove their Hextech where the sun don’t shine,” Jinx finishes, her hands grabbing the lapels of your jacket and pulling you in. Your lips touch hers, something you never thought would happen, not in your wildest dreams. 

But here you are, arms wrapped around Jinx as she kisses you in the streets of Zaun, the cry of revolution soon to come. 

~~~~~

A/N: thank you for reading!! comments are always appreciated <3

[genericnam]

Why, out of GF, Amphibia, and TOH, only Luz didn't have to leave her new world behind:

I've seen people complain about Amphibia and to a lesser extent, Gravity Falls, for having their series end with a goodbye; the main characters having to leave their found families and this world they've grown to love and return to regular life. But the thing is, the three shows all have MASSIVELY different morals, that each fit in with how the goodbyes (or lack thereof) work into the finales.

Gravity Falls has a large theme of temporary goodbyes and reconciling. Stan and Ford being the primary example. But there are others: Soos and Melony, Wendy and Robbie, even Dipper and Mabel to an extent. The show builds upon this with Gravity Falls being a VACATION, they aren't trapped there, they could theoretically go home at any time. Episodes such as Summerween and Dipper and Mabel Vs. The Future also build on the tone, telling that it's okay to both grow up and move on, but you don't have to leave behind what you once loved in doing so.

The final conflicts (Wierdmaggedon) are caused because of characters not being able to let go. Stan couldn't let go of Ford, Mabel couldn't let go of Gravity Falls, Gideon couldn't let go of Mabel.

Gravity Falls teaches the viewer that even if you love something, you have to let it go, and eventually it will return. In the words of Bill Cipher: "We'l meet again. Don't know where, don't know when. I just knew we'll meet again, some sunny day."

Amphibia has a similar theme of Gravity Falls, but it takes it further. Amphibia tells you that if you don't let go, sometimes things will only get worse. The primary example for this is the show's catalyst event: Marcy getting Anne to steal the Music Box. Marcy chose to go to Amphibia, rather than move away, and she dragged her friends into it with her. Instead of having a long distance friendship with Sasha and Anne, she took them to an alternate dimension in order to spend eternity on a massive adventure, and it got her killed. Marcy and Anne died and Sasha tried to kill herself.

And that's only Marcy. Sasha was a control freak that bordered on yandere at the height of her villain arc. Sasha couldn't accept that Anne was beginning to move on from the toxic friendship that the Calamity Trio had locked themselves into.

The trio were horrible to eachother, pre-character arcs, and they needed to focus on self improvement before they could even hope to be good friends. In the time between 'All In' and the epilog, the Calamity Trio would not have actually been able to be good for eachtoher. They say they forgive eachother, but that was forgiveness given during a WAR. Post show, the real feelings would start to bubble up. Anne's resentment for the betrayals, Marcy’s abandonment issues, Sasha's definite self hatred. The trio HAD to split up to have any semblance of a friendship.

Amphibia tells its audience that not all good things can last, and if you obsess and force it to stay, it can destroy you.

The Owl House has a completely opposite moral. It tells you to find your people, and fight for them.

Luz lived in the Human Realm, but it was never her home. Her home was with Camila and Manny, but when Manny died, Camila and Luz's relationship began to falter. That world wasn't her home. When Luz found the Boiling Isles, she was always supposed to be able to leave. This wasn't a summer trip she didn't want at first, or a one way portal. The Boiling Isles was HER choice.

Luz picked Bonesburrow. Luz picked Hexside. Luz picked The Owl House. Her home was always meant to be The Boiling Isles. She only started trying to find a way back to Earth because the choice was taken from her. Luz no longer had the choice to go back to the Human Realm. In fact, the only time Luz chose Humans over Isles was when she was PUNISHING herself for helping Belos.

Luz got to stay in the Boiling Isles because TOH tells its audience that where you start isn't where you should always stay. Find your place and find your people. And when you do, hold it dear and never let go. "Us weirdos have to stick together."

[coffeegnomee]

Mapicc just left the call and I have too many thoughts to wait until after I finish the vod.

it is so Fascinating to me how 1) Mapicc is good at communication and 2) how much he patiently bides his time.

Mapicc has been not putting his own desires (bloodlust) first ever since he ended the experiments. We saw all like last week how he was willing to not kill Kab for Zam and there was so much discussion over how much he will do anything for Zam because he just wants to be around Zam again.

And so he doesn't mind putting the bloodlust to the side as long as it makes Zam happy, because that makes him happy.

But this day Mapicc, once the imminent threat and fight was over, immediately got Zam into a call and confronted him about Derap and then, in the most, like, extremely confident and clear way, explained how Zam not letting him kill Derap made him feel.

He was up front about his emotions, did not project, deflect, or throw shade at Zam at all, and basically just let him know how he was upset that Zam got int the way of his kill and how much he did not like that.

MAPICC: "hmm. Okay. I get you're mr pacifist [..] saving people, but like, my kills are my kills.”

MAPICC: “yea I- they're like my justifications. You know what I mean? So it’s like, it sucks when like, my kills are fucked”

MAPICC: "and like if I had killed him you could have had the heart and then we could have had a better chance of killing the actual bad people. And what would derapchu have done? Had slightly less of his already way too many hearts”

After each of these point he pauses, letting Zam hear what he's saying, letting Zam process it, waiting for Zam to acknowledge where he was coming from.

And each time Zam agrees Mapicc is right. He sees Mapicc's point.

And then the most devotions comment of the conversation:

ZAM: "but should I be allowed to turn a blind eye in that sense?” MAPICC: "well I don't want to be in a situation where I can't talk about what kills I'm gonna get or what I’m doing and I have no backup, you know what I mean?”

He doesn't want to not be able to tell Zam what he's up to. He doesn't want that situation, so he's getting ahead of it and letting Zam know immediately how he feels.

I can't help but feel like this is exactly the reason why Zam always ends up with Mapicc in every season. He is incredibly good at communication and making his point and his opinion clear.

And because he has such a clear opinion on how the server works and what makes it work best, he is incredibly persuasive and Zam ends up following him wherever he goes. (I've heard whispers Zam is thinking of leaving now, haven't gotten there. will be interesting)

I've thought so much over the years how Lifesteal is about convincing other people to do your thing.

Walk into your trap, show up at a fight, yap with you, join your team, stop their lore, whatever it is, the entire thing revolves around persuasion.

Which brings me to the second point, Mapicc is incredibly patient.

The week before the experiments ended, in a muted stream that was saved on the archive, Bacon and Mapicc talk about the server, and Mapicc says his one main goal is to get all the pacifists to break. (9/4/24)

And a week before, while Zam was cleaning up the burned down tree, while talking about how quickly Flame gave up on his fight, Mapicc said, “He’s never fought princezam. He’s gonna have to learn like a new, like dedication to the sport” (8/25/24)

Now, I don't actually think Mapicc had some grad evil manipulation arc to get close to Zam and get him to break (though I'll admit at the time my brain automatically thought everyone is pulling a Spoke wormhole at all times)

But it is more that he realized he would be much more effective in getting Zam to change his opinions if he was close to Zam and could build the trust necessary to get him to see why Mapicc thought his view was flawed, and as an added bonus he would get to hang out with Zam a lot for free.

And here we finally had the perfect moment. Zam died in a fight. Because he had low hearts.

So Mapicc makes it clear how Zam's actions made him feel and then drives his point home about why Zam should think differently the rest of the conversation:

MAPICC: "it’s not cause you were playing shit it's cause you have nothing bro, and it's like, you're a crutch to yourself [..] which is like, you can be a crutch to yourself, but like mapicc is the healthcare” ZAM: "I wanna beat them in pvp. I wanna be able to take them on in a fight and win” MAPICC: “you know what you have to do for that?” ZAM: "*sigh* yea I- I do” ZAM: "and the only person who died in that fight was me” MAPICC: “[sing song] and you know why bro. Like genuinely. Like you can't keep doing this. Well, you can if you want to, I mean obviously you can if your morals, but like-... I don't think it’s the best move” ZAM: "and all I can do is just stand in the destruction” MAPICC: "yup"

Mapicc's ideology for the server is that fighting is always a good, conflict and content should happen all the time. You should kill because it progresses the server forward in some way. You should always have some reason to back up your murder, but that reason can be small, the only important thing is that you have a reason and it is something you can communicate.

He also thinks power is always a reason to kill someone.

Zam on the other hand, Mapicc's beloved friend, does not think the same way, at least not in full. Zam understands conflict should happen on the server, and that the powerful should be fought, and in those situations devotions flourish.

But Zam operates from a character motivation, which he will change season to season, and from his emotions, which means his opinion about himself and his past actions has a HUGE pull on why he does anything ever. This was literally the foundation of this entire stream starting with a 40 minute reflection on s4 and vitalasy.

They are fundamentally, for their deepest core perspectives, ideologically opposed for their opinions on how to act on the server.

Idk if they'll ever be able to be on the same team forever. Sometimes, for brief moments, everything lines up and their devotion runs wild. They work the most synergistically of any duo on lifesteal ever.

But then Mapicc's bloodlust gets too strong and Zam's emotions get too loud and things fall apart.

At least, historically.

(oh, and felt the need to add at the end here that operating from emotions is not a /neg statement. It is entirely /neutral in my mind)

[heartofbusan]

Best laid plans of stomach bugs and men.

The chemistry is the point.

Some people underestimate the effort and toll it takes on ones body and schedule to fly 14 hours to visit another person. 14 hours to spend 72 hours together means commitment. It means bro's before ho's and I am frankly HERE FOR IT.

The discourse I am seeing is extremely telling of how fickle people are about their support for jikook. People watch too much scripted reality tv 🙄 bcs they really expected this relationship, this reunion if you will, to play out in multiple angle close ups and medium shots and several wide angle shots with dramatic zooms and heavily directed post-moment recaps with dramatic silences or eye rolls to play up the drama? The lack of moments, the MUNDANITY if you will IS THE POINT. They are so real to me, so life like, so domestic goals!

Being quiet with each other. No uncomfortable silences, but comfortable togetherness.

That's what leads to horny bed fighting, which in my eyes could lead to more if not for the cameras 👀 just me?

When they said unscripted, this is what they meant. When they said unplanned, this is what they referred to. Not directed, not scripted, not fanservice 🙄 to fit a planned narrative. This is how their relationship plays out. I'd go so far as to call it a documentary instead of a reality series. While documentaries have tons of genres within itself, this genre is one where there's a broad range of planned activities, but where the narrative is constructed in post production: editing. Id know, since im an editor. This tells me that they counted on the natural chemistry between 'JeonJi' (SO CUTE) to 'lead the way' instead of a multitude of directed interactions that they (the producers) would have needed to tick a dramatic narrative box.

So what does that lead to? In my professional opinion as a director/editor the first two episodes lacked a dramatic arc. There was little directing going on to force one

the chemistry is the point

The flirting, the lulls in conversation, them being together, seeing them have fun, and reconnecting is the point. Instead of what they're doing or what they're talking about. The episodes, therefore, are kinda boring in the sense of entertainment, but wildly exiting in the sense of what we get to see play out. And it's incredibly nuanced. And nuance often flies over people's heads..again, the crowd that expects to be held by the hand when it comes to drama: reality tv.

It's a huge risk to take as a production. Let's not underestimate that! 'Are You Sure' was so unscripted that they didn’t even have a title until halfway into the second or third day. Again: they were banking on JeonJi to build upon their chaos to lead to a narrative and a title, etc. That is so telling to me. That them being together is the raison d'etre of this show. Jimin 'sacrificing' his time to fly to the US, Jeonkook making space in his busy schedule time to spend time unwinding, JeonJi making good on their need to finally spend time together after the booked and busy year they've had.

Jimin enjoying the hell out of Jungkook having fun.

Because that is who Jimin has always been: his adventurous spirit takes him places because he loves exploring and being in tue moment. He'll willingly travel to have those moments. Jungkook on the other hand doesn’t. He dislikes leaving the comfort of his surroundings because he doesn’t see the pot of gold that being adventurous brings him while he's comfortable in his home. I relate 😩 so much. Just planning trips alone makes me enter a comatose state, so I'd rather not go than sacrifice my rest to plan an adventure. I don't even know I'll get anything out of. That is, until Im actually on that planned trip and having the time of my life! They've always been like that. Jimin had to be the incentive to get Jungkook out on that trip. Take.him.by the hand if you will 😭😭

And then there's the stomach bug. YOU DAMMNED CURSED THING. It threw a HUGE wrench into their plans, and if anyone doesn’t take that into consideration, then you haven't had a stomachbug EVER while still having to face up to your commitments. Park Jimin will NEVER back down from his commitments, his promises *pinky promises* are sacred to him, and this bug took away the catalyst of this duo. Jungkook suddenly had to be the extrovert of the two, and boy, does he struggle in that role. He was to me his usuall baby elf self. So adorable and cute with his nose focused on food and Jimin’s care. But my man loves to rely on Jimin to lead the way in shenanigans and to make any moment entertaining, and you could just tell Jimin wasn't in his feels enough to overcome his lack of energy. Poor baby. Really, he's the best of us because I would have straight up refused to be filmed in that moment. A whole night of diarrhea and still showing up to film the next day?! NO MA'M NOT ME.

If you've read up to this point, I commend you. It was just supposed to be a short rant, but it became an entire essay because I can not with the overly reactionary nature some people show. Drawing entire conclusions based on two hour long episodes. I know, I might be contradicting myself here but extenuating circumstances and all. Jimin wasn’t on his game, and Jungkook was also recovering. When a show is banking on the chemistry between two people to shoulder the brunt of this show and said people are extremely sick, well then what can I tell you?

We need to sit back and enjoy the fact that we are getting such access to them, so unfiltered. Jikook enjoying each other, come rain or shine, in sickness and in health, whatever the mood brings, because that to me is more valuable than DRAMA or NARRATIVE. We'll probably get a bit more of that once they're going to Jeju, and they're both hopefully healthy. We're even getting a new element for them to play off of: Tete shows up! Like a jack in the box, and Jungkook seems to not be having it, lmao...see..unscripted and natural. I love that for them!

Idols are people first, and we need to celebrate that, not demand more.

[powdermelonkeg]

You know what? I'm gonna make a Minecraft movie

This is a plot I banged out over the course of like three hours at work so bear with me.

Movie starts. Main Guy just got fired from his job or something. He goes home to his house, greets his dog, agonizes over how he's going to pay for said dog with this development. Dog comes up wanting to play fetch, has a mcguffin in its mouth. Main Guy takes it and fiddles with it that night.

Mcguffin activates.

Guy winds up in Minecraft world. Spends a day freaking out about everything. Finds a dirt house someone else made and spends the night there to escape the monsters.

There's a map there. Takes that to a village

Meets Alex. She doesn't speak.

Alex is in the middle of saving a village from an Illager raid. Main Guy helps.

It takes a turn into a rescue mission for captured Villagers. The Illagers are hunting for a Trial Chamber with a legendary weapon (the mace).

After that arc is complete, Main Guy has an Allay as a pet and a new friend in a Villager he saved. Gang's all there, all adventures from here on out will be with MG, Alex, Villager, and Allay.

They go to Alex's home base. It's neat, but it's very clear she's not the only one that's lived there.

MG manages to convey to Alex that he needs a way home. And she's got the Ender Dragon egg, but doesn't have the rest of the equipment to get to the End and make the portal home.

Trip into the Deep Dark, ancient city, Warden fight while getting diamonds.

Villager takes the diamonds and makes a pickaxe for them.

They get obsidian and make a Nether Portal. Trip to the Nether to find a fortress and get blaze rods and ender pearls.

While they're in the Nether, they come across the Wither Briar. It's a new biome that's spreading, wither roses everywhere, with a Wither at the center.

They get the supplies they need, but the Wither catches them and attacks. They barely make it out alive; Villager gets zombified.

Rush to a witch to get Villager healed.

It gets revealed that Alex and her friends once took on the Wither, but it turned out too destructive and they lost the battle and several friends. They split up then. The Wither's been terrorizing the local Piglins and spreading the zombie infection ever since.

MG gets up, determined, gearing up and reentering the Nether. Epic battle against the Wither. The Wither Briar dies, the Piglins rejoice.

MG, Alex, and Villager start gearing up to find the Stronghold, with help from the village, Piglins, witch, etc. MG gets a unique armor trim that's not in the game.

Melancholy travel. Alex and Villager are gonna miss MG a LOT, and he's considering whether or not he wants to leave.

Stronghold leads to the End, End City fight for an Elytra.

Final fight with the Ender Dragon, hesitation, then final goodbyes. The group all jumps into the portal together.

MG winds up back home in his bed, in the real world, but he still has his gear and the sword he used to slay the Ender Dragon with.

He gets the mcguffin that sent him to Minecraft in the first place and is about to destroy it. He second-guesses it. Epic montage of him grabbing the things he needs to go.

He puts on a blue shirt and dark jeans. He packs his bag with apples, a slice of cake, and a map. He grabs his dog, a fluffy gray one with a red collar, then he activates the mcguffin again.

End poem plays, followed by the credits rolling.

Post-credits at the end with Minecraft music playing, Steve rolls up to Alex's house as she and Villager are building a beacon out of the Nether Star the Wither dropped. He helps them finish it, the beacon shoots into the sky, then they go into her house.

Alex looks at the map hopefully, waiting for her friends as the sun goes down, but all it shows is hers and Steve's icons on it…then someone else's shows up, just barely at the border. It's one of the other "default" players.

End of movie.