#i dont think this one is as good as yesterday's

[the-acid-pear]

Alright so that was a movie. I'm pretty upset with the ending. It arguably kinda ruined the experience for me. Them suddenly acting like we're bad people for watching a movie is very silly.

Up until whatever that goofy shit was, this movie was fun and interesting!! I really enjoyed Peter and Paul's dynamic and character. Little enjoyment to get out of the family but, thats kinda the point innit? ^_^

Well, probably not, but that's what _I_ got from it. The emotional distance we have from them, and the boring silent scenes, they SERVE the movie even if i had to play subway surfers. Unlike Tom n Jerry over there these were a normal family, and as that they were just... boring. Slow. We never get to know them past their torture, the most intimate we get is in the car, and even then the scene gets corrupted by the metal.

So when we are in some of the most emotional scenes of the movie it just feels... utterly vouyeristic, as i said. You have no connection to these people. Even if you can see them cry and understand the pain they must be going thru you have little reason to care. Because you have not met them, they're strangers. If anything you're miles closer emotionally to Beavis and Butt-head than you are to these two.

And that's really cool!!! Because this is a REAL issue in so many movies (even the one i watched yesterday!) but here it felt done on Purpose.

It was also really cool and a nice choice how they barely show violence on screen, the only time it REALLY happens is with Peter, AND when we see Anna undress. The later example i can understand easily, being taken from a SHOKCING scene to a mundane scene, while the first example i mean... i dont know entirely but that's fine.

This movie is not a Normal one by any means. Its purely symbolic and meta. You cannot treat it like a regular movie, and with such lenses i think it does a great job! And the actors are nothing shy of amaizing too, all of them <33

So, is Funny Games a good movie? Yeah, i think so! Mostly at least. The ending is really weird in its guilt tripping, i insist on that, but everything else (and, the little game they try to set up with the audience, if of that im right, especially). Do i recommend it? Honestly, yeah!! Again, its not a normal movie, but i think its not trying to hide this. I think it is pretty faithful to what it is and understands this.

I'll be watching the remake soon, and, by all means, i still believe me and my ex could pull this one out Easy. ♥

Time to watch funny games, the og one, of course. I have managed to avoid all spoilers of this movie so I genuinely don't know what to expect ^_^ aside from the scariest experience of my life I guess, whatever that means.

[dawnthefluffyduck]

2h Portrait, charcoal and sanguine

[naggingatlas]

a bad dream about glitchhunting

[skitskatdacat63]

2023 Qatar Grand Prix - Sprint - Oscar Piastri

[buwheal]

In all seriousness though, did you pull something? It'd definitely be easy enough, especially with all the hardware you have to move between locations. Eugh

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[randompajamaalt]

oh my god i just finished high noon over camelot and.. i am feeling things

i cant even

i cant even process all that

holy shit yall

johnny sims does NOT like happy endings

[littlehatmouse]

i finished this in the last 20 minutes of lesbian visibility week after not drawing at all LETS GO

[jrueships]

im going into my new work tomorrow, first time ever😐

[strawberryseeded]

i wish we had gotten more of kugisaki nobara. i just watched dis vid and all my contained RAGE abt dis topic suddenly HIT ME LIKE A TRAIN GOD IM UPSET

ive talked like 32893882 times already (and its still NOT ENOUGH) abt how upset i was abt nobara's death cos she was such a good character, with so much potential!! i really REALLY liked her. she was funny, strong, confident and kind!!!! i loved her char design!! her cursed technique and weapon were cool as hell!!!!!!

and her (recently SOMEWHAT(?) confirmed(?)) death sucked so fucking much!!!!!!!!!!!!!!!!!!

she was just. fucking fridged. as much as it pains me to admit it. from a narrative standpoint, she died so yuuji would get upset and further develop his character & then move the plot along. even mahito admits that he wants her to die to make yuuji suffer. like yeah he also recognizes her a strong opponent (ofc. cos she is) but at the end of the day he wanted to kill her just to wreck yuuji. and he succeded.

nobara has no say on the way she dies. she's just.. slapped, kinda. its so sudden. its so... weird. not that she's accepting of it (we already know that she knows she can die at any moment and she's ready for it (cos she's a freak like the rest of the sorcerers lol)), but its weird bc its like its not a personal moment for her. yeah we get a flashback & her speech about how, even tho she always was a person who refused to let other people affect the way she is and decides to live, there still are people who, by being accepting of her, managed to gain a place in her heart... and she's happy for that. its rly beautiful.

but its the impact her death has on yuuji what the story really cares about here.

and like. thats fine! im not even saying killing nobara is a bad choice or that its bad if her death also developed yuuji's character. but the way it was done, its like her death only had that purpose. its a way too transparent device, that's what i dislike abt it. i dont mind being upset bc a character i love dies? i like feeling strong emotions when i engage emotionally with art/stories.

but i think she was killed off too soon. we didn't get to properly say goodbye to her. both her character arc and her death were rushed.

she could have been developed so much more! it feels like she was taken away way too soon in the story. i wanted her to fight sukuna along the others. i wanted her to use her cool technique to help yuuji nail sukuna's soul. i wanted to see just how much stronger she could get. i wanted her to finally meet saori. I WANTED HER TO HAVE A COOL EYE PATCH!!!!!!!!!!!

why is she barely mentioned after she dies??? she was one of the 3 main, dude, are u kidding me? yuuji's the only one who mentions her but he's almost afraid of talking about her. its like the whole world forgot about her!!!!! and what about maki?????? werent they girlfriends?

what is nobara's LEGACY? why did gege not make her death matter in the narrative? even if she (for whatever reason) came back(??) at the end, id still be rly mad & sad abt it cos i wanted to see her DO STUFF!! i wanted to see her kick some ass!!!! i wanted to see her grow!!!!! to open up with others!!!!! I WANTED TO SEE MORE OF HER. IM SO UPSET I WANT OUT

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[musicalsiphonophore]

my workload this year is absolutely absurd (1.5x as much hw time as class time in maths, and since it’s double maths i have 8hrs of lessons weekly so that is A Lot, and probs as much hw time as class time in french and bio, but then i put extra time into bio myself). so i would expect to be deeply unhappy about this. but i’m not and i’m actually quite enjoying it. which is odd.

i guess it makes sense though. it has always been that in my spare time, i work on my hyperfixationy stuff, making notes on random crap or working on flute; i have never done nonworking free time stuff like watching tv (except going on tumblr ofc). and now a good half-odd of my school work is hyperfixation stuff. so i am, strangely enough, thriving under these conditions

[yxstxrdrxxm-a]

Just a reminder with asks to not send me any if it's for another person. I'll delete it if you do. I'm not your messenger, even if my blog theme (right now) is one.

Thanks.

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[martinskiseyes]

.

[thegeminisage]

perpetual chicken and egg question are you not writing fanfiction because you're depressed or are you depressed because you're not writing fanfiction. write fanfiction and find out today