#i dont regret my thoughts
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sskinlikepuffpastry · 29 days ago
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cait & vi getting into it in a freaking cell................... why my first thought was rhaenicent season 3 coded 🙂‍↕️
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gh0st-b0und · 4 months ago
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thinking abt how i wanna draw the goat hmmm
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mohntilyet · 1 month ago
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they hated illario because he was a d1 yapper who was bad at assassinating people and was so annoyingly drunk and grief stricken at his cousin’s wake that viago had to drug him to shut him up (so what if he was also the guy who set his cousin up to die/disappear) . and also for working with the venatori and selling out the antivan crows i guess.
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soup-child · 5 months ago
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Tony is the man that made Kelsey realize she didn't like men
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deoidesign · 2 months ago
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Time and Time Again comes back tonight!
Thank you all for being so patient with me, I know it was a long hiatus.
My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!
So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.
#like straight up. it's not worth it. idc how many people get mad at me#i would rather work fuckin. anything else than maintain this impossible schedule and keep hurting myself#if thats what it takes to do comics full time. then i can't do comics full time. simple as that!#i hope that for my next work i can have a healthier schedule and still make this work as my job#but if not. I'm never going back#i can't do it. 3 more years at this pace will take my ability to draw#anyways. its really good!!!#like genuinely i can feel a marked improvement in my skills#which is WILD!!! And I'm extremely happy about that!!!#just one more step into being better built to give people the quality stories they deserve.#ive not properly had the fire under my ass to finish stuff up but. its fine.#like i said? not worth it.#if i have to pause again then ill pause again. like i literally simply can not my body can't handle it#so. hopefully stuff goes smoothly but whatever happens will happen#whatever will be will be#i keep getting distracted lmfao#im excited about it coming back#and also. will. probably be distracting myself...#other creators dont read their comments. I'm like straight up not capable of that LMAOOO#i check for comments like all the time#love seeing em. love reading people's thoughts about my work#it makes me a better writer and keeps me connected to what matters most. which is my audience!#so i dont regret doing that but also. jts extremely distracting#i get straight up nothing done on big update days#cause im in the comments absolutely massive eyed refreshing.#this sounds obsessive. and it is. no jk#its just fun and keeps me in touch w peoples perception which helps me learn to write better#plus people are nice and ask me questions that i wanna answer#or if someone is being an ass. then i wanna tell them to leave (cause i cant block people) cause i consider it my responsibility#time and time again
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abhorrenttester · 8 months ago
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Sisyphus Prime actively encourages V1 during the fight ("Yes, that's it!" "Keep em coming!") because he believes that if V1 is strong enough to defeat himself and Minos, then it must be capable of doing to heaven that which he was unable to himself.
He also calls V1 "Child of Man", so I believe he sees it as though humanity is enacting its vengeance through V1, it's child. That's why he's so excited about V1's strength, because it means that heaven can experience the wrath of its creation.
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crnl-chicken-tots · 5 months ago
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Millions of people have watched Deadpool and Wolverine since opening day. that being said-
There has to be several if not hundreds, maybe a few thousands of people with one, right??? I wanna know how many Honda Odyssey owners are now haunted by the atrocities those two committed in one right now
imagine having to go to work in an odyssey and getting stuck in traffic with enough time to think about that scene and then some
Nevertheless I'm hoping Honda's sales are peaking right now, I'm rooting for them after giving us that gift
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citrusai · 1 month ago
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weekes saying all that mythal shit is up to interpretation is so weird to me because instead of worrying about leaving all of solas' past up to vague interpretation to (new) players because you're too chickenshit to stand by your established lore you could've focused on ghilan'nain and elgar'nan and who they were and what they became. elgar'nan literally let the other evanuris slay his wife and he watched on, and then he rotted in a prison made by what he referred to as his wife's "lapdog" and second in command general. and what of ghilan'nain? what is their relationship? why is it just the two of them in that prison when there were more evanuris trapped in there? why are they simultaneously this omnipotent threat capable of spawning blight at will but also two dimensional villains chasing their own tails half the game while solas just poses and speaks in his riddles in the fade. also a fragment of mythal is inside of morrigan, does no part of her gaf that her husband is literally terrorizing the world she loves? hello??
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canonkiller · 1 year ago
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or, stop apologizing for feeling emotions about something having a character you think about is not a mortal sin (mobile version rough draft)
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cxndiedvi0lets · 4 months ago
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"You can't help everyone,"
But, I have to try.
"Then, who helps you?"
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dailykugisaki · 2 months ago
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Day 335 | id in alt
Being desperate to end the fight might make you even worse off in the long run, Shoko.
#dailykugisaki#jjk#kugisaki nobara#shoko ieri#ieri shoko#utahime iori#Kugisaki opening her eye not even fully like all the way knowing her shit yet and immediately getting shot with 1 Ml of Adrenaline#Shoko actually regretting her actions for once#Kugisaki probably going through the most insane shit right now she probably cant feel any of her limbs at the moment#dont shoot adrenaline into a fresh out the coma child Shoko#The funniest part is. Shoko didn't train to actually do this medical shit she foes autopsy's bro she dosent know how much the body can#the body can take#Shoko does not know she probably gave Kugisaki more brain damage#Shes just sitting there with a fucked up girl using her technique#Because they BOTH dont know whats going on#utahime is tweaking the fuck out but shes gonna be okay(she'll be thinking about it for years)#Kugisaki was in a state of genuine disability where she had to be cared for by others that didn't know what they were doing#Shoko STILL dosent know. Its not her fault shes used to dealing with corpses#shoko becoming a presudo caretaker of Kugisaki because she feels guilty about this massive fuck up#Shoko probably thought she was just like the higher ups in that moment and had to stare at a wall#Kugisaki wigging out and shes half fucked in a state of limbo because DAMN that idle transfiguration made her believe she DIED#Anything to win the fight against the king of curses y'know#Nobody really knows about what happened except Shoko. Utahime and Kugisaki herself so. And you know theyre not gonna say anything#youd have better chances talking to a rock#why did i make this? my brain spiraled
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freaky-flawless · 2 days ago
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I'm like halfway through the first Ghoulfriends book and main three are so annoying. I'm hoping it's like a character flaw thing, where they'll recognize it and get better over the course of the series, but oof. Gitty did these ghouls so wrong.
They're beefing with Cleo for no reason...Venus flipped out on her out of nowhere (in the middle of class, unprovoked!!) for using paper bags and then sprayed her with hypno pollen, meanwhile Rochelle, who is in her own relationship, is hardcore flirting with her man!!! I wish the author had been more original when it came to giving them a "frenemy" there are so many options aside from Cleo! (Honestly Operetta would have been an interesting choice, but whatever)
Robecca's characterization is the most tolerable, but she's incredibly rambly, and the author decided to give her a bad sense of time for...reasons. And despite being British, she uses oddly Southern phrases while talking...its super strange. With Venus and Rochelle, I can see where her mind went with writing their characters, but Robecca honestly seems so opposite to her canon personality.
And her backstory was kinda mangled too. It's acknowledged that she was disassembled, and recently reassembled, and even that she previously lived with Mrs. Kindergrubber, but she's treated like a brand new student. No acknowledgement that it was Ghoulia who put her back together!
I understand giving the characters a fresh take, but it would have been pretty simple to integrate the actual canon. Robecca and Rochelle were introduced in the same movie, they were new to Monster High, just not new to all of the characters.
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wrote an essay on jayvik. fuck my stupid baka life
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hellofastudysession · 2 months ago
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am i rlly going to write a death note literary analysis when i could be doing other things
about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.
first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.
all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...
or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.
we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.
in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.
"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.
in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.
here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.
in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...
its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.
this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.
(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)
not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.
also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.
anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...
that's all.
no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.
but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.
one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!
but with the view of "mu"... it makes a bit more sense. just a little. maybe.
there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.
it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?
the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.
"there's no point at all."
of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.
and that's... actually okay, because it's over now.
yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.
there is always the end.
#*naomi was killed off bc the author thought shed solve the case too quickly. ironic. i dont think it was meant to forward a theme other than#'light evil! oh no!!!' bc it had minimal buildup and absolutely no repercussions. it is just kind of smth that happens#everything in death note is just smth that happens bc. at some point i just have to admit its NOT RLLY WELL WRITTEN#but it says something. it says many things. and i like balancing the two in my head#death note#personal#**>reduces anime ending to a footnote /j#anime ending: light regrets COMING THIS FAR- not his crimes. he sees l as another regret and dies.#another example of the tragic self (and tragic relationship) ultimately being more important than morals#l would be proud of the torment he inflicted on light if he were not fucking dead#i would also bring up the argument that the way every death note character uses the note is so extreme that its hard to compare them#to real people but lets assume that the author was trying to replicate how actual human beings work as much as possible*#you made it deep enough into the tags would you like to hear about near and mello being nonbinary—#'there is an end so why not enjoy the middle? chain yourself to a hot boy eat strawberry shortcake be bisexual and lie'#*either that or they were just explicitly trying to have fun like they said they was doing#light yagami#sure ill tag my boy#'you cant say the curtains are just blue!' well can i say the curtains were shittily made#norrie if you look at this post ever again ill death note you myself
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fiendishartist2 · 2 years ago
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my og podcast men !!
[ID: Night Vale fanart of Carlos and Cecil. Cecil is a tall white man with four eyes posing with a grin, wearing a crop top that says “I can see you,” a neon green puffy jacket, and floral pants. Carlos a long-haired brown man wearing  a lab coat splattered in colorful stains  over a purple outfit, and he’s holding Cecil’s arm with a smile. End ID]
ID by @princess-of-purple-prose thank you for the ID!!!
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cyanide-sippy-cup · 3 months ago
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Video by shesasolarbeing on Insta cause apparently unlike TikTok they don't like putting watermarks for their creators. Go check them out!
Friend sent me this and my first thought was @kianamaiart 's magical girl series. Or rather, AIKA REAL??!?1?!1
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