#if you dont want to be tagged i can take it out but i wanted to credit and thank you!

[adieutristana]

nsfw headcanons; arcane women x fem!reader

still new to writing this kinda stuff yall dont kill me. anyways, here's some general headcanons. again, i'm open for nsfw requests, just please read through the new section in my rules post!

summary; general nsfw headcanons with arcane women and their girlfriend.

characters included; jinx, vi, mel, sevika, caitlyn, lest

tags; nsfw, fluff, everything is done consensually, some aftercare (full aftercare headcanons here), fingering, cunnilingus, strap-on use, strap-on referred to as dick, degradation, rough sex, nipple play, light bdsm (sevika, lest), anal (sevika, lest), public (mel), jinx being a brat, vibrator use (jinx, caitlyn) gun play (jinx), period sex mention (jinx), usage of words like ‘slut’ and ‘whore,’ sloppy shit, p in v (lest), dacryphilia (jinx, caitlyn), wax play (lest), breeding kink (vi), orgasm denial (mel, caitlyn), thigh riding (sevika, caitlyn), blowjob (lest), shimmer (jinx, lest)

men and minors dni.

jinx;

✧.* the way i interpreted it at least, what jinx received after the fight on the bridge was a sort of shimmer infusion. she's got that stuff running in her veins, and jinx is basically 50% shimmer at this point.

✧.* i bring this up because the amount of shimmer in jinx's system gives her certain.. perks. such as her stamina being that of twenty women combined, how fast and hard she can go. she'd have fun increasing the speed, fucking you harder and harder while you're a writhing mess beneath her and can only think of the pleasure she's giving you.

✧.* even while receiving, jinx can go all night if she wanted to. she won't, because you're not as energetic as she is and she needs to let you rest (as much as she wishes you could go all night). the girl would be so damn overstimulated, but still, she'll demand that you make her cum again, and again, and again. she can keep going; she can take it.

✧.* a tit girl. she doesn’t care how big or small your boobs are, as long as she gets them in her hands and mouth! it’s probably a result of how damn sensitive her own are- jinx will be whimpering mess just from you pinching her nipples a few times.

✧.* she’s a switch, and what position she takes at what given time is just dependent on her mood. jinx is always unpredictable, always keeping you on your toes. she isn’t much different in bed.

✧.* so fucking noisy, and the dirty talk is downright filthy. it's bad enough that at times, you worry your girlfriend might lose her voice. jinx is very unfiltered in general, so you'd expect no less from her in the bedroom. she sees no point in holding back. you're making her feel good, why should she hide that?

✧.* "oh, fuck! ngh, just like that, you're fucking my pussy soooo good," she'd babble, taking every inch of your strap with impressive resolve. her lips are parted, swollen and red from just how hard she'd kissed you. obscene squelching noises filling the room while you pound into her, her legs pressed to either side of her body. "y'hear it? do you? that's me, fuckin' dripping for you. need your dick, ineeditineediti need it-"

✧.* SIZE QUEEN. jinx is a petite girl, shorter and thinner than most. yet she'd insist on you fucking her and stretching her with dildos that looked monstrous next to her. she's a whiny, squealing mess as you ease each inch into her aching pussy, but she always takes it so well. there's nothing quite like the feeling of being pried open to jinx.

✧.* along with that, she's pretty flexible so you can get creative with positions. she'll let you press your knees to either side of her body, not wincing once or growing tired.

✧.* jinx does enjoy a variety of positions- doggystyle, reverse cowgirl, the like, her favorite positions are any where she can see your face. not only does it give jinx a rush to see your flushed, fucked-out expressions, but it also gives her that sense of connection to be able to look at you while you pleasure each other. she's the type to hold eye contact with you the entire time she eats you out, and to bore her gaze into yours in missionary.

✧.* she'd be riding you, arms wrapped around your chest as you piston the strap into her. she's whimpering and squealing louder and louder with each thrust, but her eyes never would leave yours. you're fucking her at an unforgiving pace, plastic tip kissing her cervix, but she still feels so at ease and cared for.

✧.* i feel like jinx would say 'i love you' at least once every time.

✧.* a munch. jinx loves it when you sit on her face, and she's the type to be downright offended if you don't put your full body weight on her. she'd tug you down by your hips before plunging her tongue deep into you without warning, earning sharp cries from you. every time she hears those noises, her ego grows bigger, and damn. you'd allow her that.

✧.* also loves to eat you out from under her workbench. seeing you in her chair, under her desk, in her space, so willingly submissive to her- it's thrilling to her and she can't quite explain it.

✧.* "fuck yes, toots," she'd grumble, pulling back from your wet heat for just a split seconds. "you taste so damn good. so fuckin' sweet and needy f'me."

✧.* a damn brat when she wants to be. she loves to rile you up, it's like a game to jinx. not so amusing for you when you're trying to fill out paperwork and jinx is groaning, taking your pen from your hand and holding it out of your reach while she tells you to just fuck her already.

✧.* "come on! that stuff is so boring, and here i am, soaked for you," she'd pout, her knees parting more beside you on the couch. "you always have to be so responsible, and it's irritating. you could be putting those hands to better use, but noooo."

✧.* or something along the lines of, “i can’t feel anything! are you sure you’re fucking me? come on, do something!”

✧.* not so mouthy when your face is buried in her cunt, that's for sure.

✧.* very into marking. placing her claim on you. almost every time, without fail, you’ve got a new array of hickeys splayed across your neck, chest, hips, and inner thighs. also very into writing on you, with permanent marker. she’d write ‘JINX’ right above your pubic bone, draw little hearts around your nipples, draw an arrow on your inner thigh pointing to your cunt that reads ‘JINX WAZ HERE!’

✧.* a crier, especially when you overstimulate her and when she orgasms. she gets embarrassed every time and tries to explain it away, but it’s just her body’s way of processing all of those sensations. poor girl can’t hold it in :(

✧.* being with jinx, it's gonna be either her tongue, a strap, or a vibrator pleasuring you, unless you can convince jinx to cut her nails. not likely, since she takes pride in their length. sorry :(

✧.* jinx isn’t afraid to get messy. she’ll be rubbing her sticky cunt against yours, having already squirted twice- her lips swollen from your kisses, thighs and lower stomach covered in sweat and cum. but she just can’t stop grinding against you, it feels so damn right.

✧.* along with that, jinx is definitely into period sex. the first time was a whirlwind, with jinx insisting she doesn’t mind and eating you out anyways. if anything, you being on your period makes jinx want to please you more so that you forget about those pesky cramps.

✧.* squirter, and her juices are tinged pink from the shimmer running through her body.

✧.* oh, you already know the prosthetic finger vibrates. she wouldn’t tell you the first time she used it, just say something like, “i’ve got somethin’ special for ya toots! what is it? well, i can’t say just yet! but you’ll love it. i know you will.”

✧.* the way you gasp as soon as you feel the vibrations against your clit and buck your hips into the metal gives jinx all that she needs.

✧.* definitely into gun play as well. seeing your pussy stretch to accommodate the barrel of her gun, the way your eyes widen and you gasp when her finger brushes over the trigger… oh, it’s art. jinx could fully get addicted to it.

vi;

✧.* A MUNCH.

✧.* it probably sounds far-fetched, but vi could cum just from eating you out. from tasting your sweet juices, the scent of your heat, the way your face contorts in pleasure, the trembling of your thighs in her hands, the obscene noises that spill from your lips, how it feels when you cum in her mouth- vi gets lost in it every single time.

✧.* it gets to a point some nights where you’ll almost have to pry vi’s face from between your legs.

✧.* likes to switch and doesn’t have a preference when it comes to top or bottom. i take her as the type who would do both during most sessions to balance things out, she gets some and you get some!

✧.* dirty talk is crazy when she’s domming, but when vi is subbing she can barely string together a coherent thought, especially not a full sentence. she tries to talk to you, tries to let you know how good you’re feeling, but it comes out more as a choppy string of moans and ‘please’s.

✧.* “oh, that feels so- haaaah, please, mm-”

✧.* vi is strong, stronger than most. meaning she can pick you up, fuck you while holding you up against a wall, or she could use that strength to slam your wrists into the mattress above your head while her free hand works at your heat. the possibilities are endless!

✧.* not necessarily loud, but she doesn’t hold back when it comes to noises either. always some form of grunting, groaning, heaving. or whimpering, when she’s on bottom.

✧.* her tits are so sensitive. she’ll try to act like it’s nothing when your hands brush over her hardened nipples, but oh gods when your lips form a seal over one and you start to swirl your tongue around it, vi loses her mind. she’s threading calloused fingers into your hair, trying to push you impossibly closer to her.

✧.* loves giving strap- she likes to receive too, but she’s more partial to giving when it comes to strap-on usage. it just gives her a rush, being on top of you, making you take her. it’s a bit of a power trip for vi.

✧.* “yeah, fucking take my cock- ngh… such a good girl for me, such a good slut.” she’s a panting mess, pounding into you from behind. your asscheeks are sore from the swats she’s given them, and you can feel vi filling you to the brim with every thrust. yet it’s intoxicating.

✧.* vi is just so smitten with you, she’ll do almost anything if you ask nicely. any position, any toys, any kink you want to try out. she’s a lover girl at heart, and aims to please above all else. all you have to do is say the word.

✧.* due to her sweet nature, vi would be so attentive during rougher sex with you. even as she’s tossing you around, coaxing what must be your fourth or fifth orgasm out of you, calling you pathetic and needy, she’d be looking out for you. one second she’s degrading you, the next she’s asking if you’re okay and if you need a break. additionally, she does internally wince when she talks down to you, though she tries to hide it. she knows you know she doesn’t actually think of you like that, but she does hold back because she can’t bear the thought of going too far with it.

✧.*despite liking to be rough from time to time, especially if she knows that you like it and you ask for it, vi also does enjoy slow, sweet lovemaking to keep things balanced. she likes being able to pleasure you, to worship you, show you exactly how much you mean to her through her touch.

✧.* “shh, baby,” she’d whisper, kissing down the valley between your breasts, towards your sternum and stomach. “i’ll make you feel good. so good. just lay your pretty self back and take it. can you do that for me, love?”

✧.* her favorite positions are probably doggystyle and 69. doggystyle gives her room to manipulate your body, a prime angle to pound into you, room to pull your hair and force you to look back at her while you’re coming undone on her dick. 69 is ideal for eating you out, but you both get off, so it’s even better. she’d be trying to stifle moans while her tongue is lapping at your clit, sending vibrations through your core when she can’t hold back anymore.

✧.* one orgasm is never enough when it comes to vi. she wants to give you more, and more, and more. her hand would be soaked and her fingers beginning to prune from just how much you’ve already given her, but she still swears you can give her one more (those words are almost always a lie).

✧.* creamer, and there’s SO much of it. the first time you made her cum you didn’t say anything, but you questioned to yourself whether this is a normal amount. but you quickly grew to love it- seeing vi make such a mess, shaking and whining.

✧.* can somebody say BREEDING KINK. no, it’s not scientifically possible for a woman to get another woman pregnant. but vi will be damned if she doesn’t try.

✧.* pistoning her strap into you while she has you folded into a mating press, grunting and panting with her hands on either side of your head. “gonna fill you up just right,” she’d say, breathless. “please, vi-” “shh. i’ll give it to you, you’ll be such a pretty mama, fuck- take it. take it all.”

✧.* while she enjoys getting her tits played with, i definitely see vi as more of an ass girl when it comes to you. she loves eating you out from behind, slapping your ass during sex, even slapping your ass in public when you’re just trying to pay the poor street vendor. she just can’t get enough of the feeling of plush skin in her hands. the shape, the sensation.

✧.* a head pusher. practically shoves your mouth into her pussy while she’s bucking into your face, groaning and panting while your tongue laps up everything she’ll give you. the proximity does something for her, but she also just… can’t help it. it’s reflex at this point. you hit just the right spot, and her strong hand is flying to the back of your head to push you even further.

✧.* RIDE HER ABS. that’s all i’ll say.

mel;

✧.* such a devoted and sweet lover. also a switch, and she truly doesn’t mind what position she takes at what moment. usually mel lets you decide, she trusts you and the pace you set.

✧.* she’s devoted to your pleasure, but she also won’t deny herself any; not by a long shot.

✧.* however, there are times when she’s had a frustrating day at work. the councilors wouldn’t listen to her, her ideas weren’t getting anywhere, she felt a mental block growing stronger with each passing second. every minute she was in that room was like torture, and all she wanted was to get home.

✧.* so the second she does, she’s asking you to lay down so she can lower her pussy onto your face and lose herself.

✧.* “please, love, make me forget- oh, shit! aah!”

✧.* mel doesn’t really curse much, so a good signifier that she’s feeling good is when you hear her swearing. she’s always so poised, so refined in the way she speaks. careful to converse in a manner becoming of a councilor, of a medarda. so when she’s making those pretty sounds, laid back with three fingers deep inside of her and you hear her swear, you know you’ve got her.

✧.* “right there, hah, mm…” she’d moan, grabbing at one of her breasts to anchor herself. “that feels so- fuck! oh, don’t stop, don’t stop!”

✧.* she’s not necessarily loud either, just the right volume to assure you that she’s feeling good.

✧.* mel’s stamina is pretty average. she knows how to pace herself, so it’s really up to you and how long you want to go for.

✧.* she prefers lovemaking and being doted on in the bedroom rather than rough sex and being denied. that’s not to say she’s opposed to trying out something more hardcore, but generally, she prefers to feel cared for in the moment. touch her, love her, worship her.

✧.* however, when she’s topping, she could deny you for hours. it’s something to do with the power she’s holding over you.

✧.* “mpph, please, just let me come, aaah.. i’ll be so good, mel.” you’d whimper, writhing beneath her touch. “shh. you’ve been so good already, but you can hold out a bit longer, can’t you? that’s my strong girl.”

✧.* partial to body worship. take your time with her, slowly removing her clothing to tell her every little thing you love about her body. her soft skin. the swells of her breasts, her lean muscle and smooth thighs. she’ll be gasping, petting your hair and praising you, letting you know what feels right. every touch from you feels like a promise, and you’ll do damn right to keep it.

✧.* TRIBBING. she especially loves being on top when it comes to scissoring, so that she can set the pace and get both of you off just right. it checks off all of mel’s boxes- proximity, close connection, being able to see your pretty face, and the fact that you both get pleasure from it.

✧.* “oh, gods, love,” she’d grunt, grinding her wet cunt into yours. strings of arousal connecting the two of you, rutting into each other. “don’t stop, unngh- that’s so good, so fucking good.. faster. faster.”

✧.* although she’s refined and poised, mel is not above fucking you in public. you’d be at a gala together, champagne glass in hand and trying to converse with others; some of the most important figures and families in piltover. yet all you can focus on is mel, the way the white dress she chose hugs the curves of her hips just right, and the slit that runs up the side. you try to be subtle, but mel is observant. she notices. and this is one of the few times where she’s a bit more rough.

✧.* “just couldn’t wait?” she’d ask, her fingers pounding into you in an empty room just outside of the crowded hall. “almost struck a deal, a good one, before you started undressing me with your eyes. it’s distracting, love.” “i’m sorry, baby,” you’d whimper, so fucking close to your peak. “sorry isn’t going to cut it. but you’re so pretty… so wet, too. i’ll be merciful.”

✧.* mel likes to set the mood. candles, maybe some soft music crackling over a stereo as well. as i keep saying, she’s a romantic! she wants you to see the effort she’s putting in for you, to know just how much she cares. all of this is worth it to her, you’re worth it.

✧.* just one is rarely enough for mel. if you’re more the one-and-done type, she won’t try to coax more orgasms out of you- but for her, she can go several rounds. back to back to back, coming undone on your fingers and mouth and strap and loving every second.

✧.* always holding onto you somehow. her arms wrapped around your shoulders while she rides you, one arm around your waist to steady you while she fingers you against a wall, the like. however, mel’s favorite is holding your hand, interlacing your fingers together. it just feels so intimate, so loving. it’s also grounding in a way, she can squeeze your hands as the sensations grow stronger, or as a silent support while you teeter over the edge of climax.

✧.* aside from times like i mentioned earlier, mel isn’t really a fan of quickies. there are some exceptions, but she prefers to take it slow within the confines of a place she knows is safe. she wants to take her time to truly appreciate you, and she can’t do that if she’s got a time constraint.

✧.* says she loves you every time, probably multiple times. the intimacy of it all overpowers her. some people may think that saying ‘i love you’ over and over makes it lose meaning, but on the contrary, mel means it more each time she says it.

✧.* “oh, oh, gods… mm, i love you, right there…”

sevika;

✧.* have fun trying to move at all after sleeping with sevika.

✧.* she’s a top-leaning switch. she won’t deny pleasure herself, but she won’t ask for it either. she’s more than happy to just fuck you again and again, her pleasure being derived from the sight of your head thrown back in ecstasy and the sound of your pleasured screams.

✧.* sevika loves just about anything, but she’s partial to the strap. it gives her a rush of power, being able to split you open and fuck you so deep, so right. definitely gets one of the biggest dildos she can find to insert into the strap, just so she can make you lay there and take it.

✧.* rough, experienced, and doesn’t hold back when it comes to degradation. she’d pull her cock almost fully out of you, just leaving the tip- before slamming back in, drawing a borderline pornographic moan from your lips. “fuck, doll, you sound filthy. can’t even talk right now, can you? fuckin’ slut, losing her mind already.” she’d drink in all of your noises, your labored breathing and the way your eyes roll to the back of your head. “gods. i’ve never been with someone this fuckin’ desperate. i almost pity you.”

✧.* can and will manhandle you. she’ll be pushing your chest further into the mattress while fucking you from behind, yanking your hips into hers as she thrusts into you. smacking your ass so hard the sound nearly echoes through the room. she’ll flip you on your back, nearly throwing you down on the bed just to continue her relentless rhythm. she wants to absolutely ruin you. so let her.

✧.* she wants to leave you sore and tired for the next day, so that every time you try to even take a step you’re reminded of exactly what, or who put you into this position.

✧.* sevika’s stamina is admirable. exhaustion weighs heavy on her during the day, her work cut out for her. running around handling zaun, tying up loose ends silco left, and making sure jinx doesn’t get herself into too much trouble wears her out quickly. but somehow she still has so much energy when it comes to fucking you. she could go all night if you allowed her, without so much as yawning.

✧.* she’ll grab your chin to force you to look at her, holding direct eye contact while she fucks you. she wants to see every expression of yours, she wants you to see her face while you cum.

✧.* “who’s makin’ this pussy feel good?” she’d demand, grunting as she grabs a fistful of your hair. you’d yelp at the sensation, your voice breathy and bordering on whiny. “aahh! you! you, mmph- sevika, you’re making it feel so good…”

✧.* also lowkey (highkey) really into anal… being able to please your tight asshole and feel you clench around her fingers as she keeps rutting into your cunt. yeah

✧.* it’s not often that she does, but sevika likes to have you tied up. your wrists tied to the headboard of her bed, the wood creaking while she rocks into you and holds your thighs apart. it’s picturesque almost, you look so damn perfect and pliant. and all for her.

✧.* the ropes are rough and frayed, something similar to what would be used on a ship. it’s not much, and they look like they’ve been used before- they’ll definitely leave marks on your wrists once you’re done. not to worry, sevika already has ointments for once you’re done, and she makes sure to space things like this out. she loves the sight of you bound for her, but not enough to over exert your poor skin.

✧.* she loves hearing those gorgeous sounds you make for her, but sevika does have neighbors and she’s not above shoving your discarded shirt or panties into your mouth if she feels that you’re being too loud. “hush. gonna wake the whole neighborhood at this point, doll. or is that what you want?”

✧.* when she does allow you to top, she’s pretty quiet. a stark contrast to how breathy and gruff she is while pleasing you, but she’ll still make noises! just at a low volume. yet her words do still hold some of that domineering edge.

✧.* your tongue would be delicately splitting her wet folds, teasingly licking up her slit before it brushes right over her clit. a shiver runs up her spine and she groans, a breathy noise that only serves to motivate you more.

✧.* “shit, baby, like that…” she’d breathe out, her chest beginning to heave up and down. “faster, baby. more. like you mean it.”

✧.* creamer, but she’ll squirt if you coax enough orgasms out of her. when you first found this out, she was on the edge of her fifth orgasm, panting and grunting before her walls clenched around your tongue. you then felt a wet warmth splash onto your face, and your gaze flickered. something downright predatory awoke in you, making you desperate to see that again and again.

✧.* “come on, sevi, just gimme one more, mm… that was so fucking hot,” you’d murmur, bringing your face close to her glistening cunt yet again. “another? i think- aah, i’ll break,” sevika breathes out. “good.”

✧.* RIDE HER THIGH. she didn’t even know she was into it at first. you’d be kissing her, panting into her mouth as you strip her of her shirt- before pulling away. “i wanna try something,” you’d say, before lowering yourself onto one of her bulky thighs. beginning to rock your hips, your clothed clit bumping against her thigh while a sharp gasp is pulled from you.

✧.* sevika’s eyes are opened to a whole new realm of possibilities. her hands are flying to your waist to help guide you along on her thigh, feeling your arousal leak through the cotton of your panties. “fuck, dove, you really are a whore.” she says, a low chuckle following. “i wouldn’t have thought of this, but you’re just too damn eager… look at you, soaking me. you’re lucky you’re so pretty.”

✧.* before you know it, sevika is asking you to ride her thigh regularly!

✧.* sevika’s neck is her weak spot. kiss up the expanse of it, suck dark marks into her pulse point, and she’s a damn mess. she’s tilting her head back so you have easier access, melting from you just touching her neck. it’s kind of adorable, honestly.

✧.* switches up the second you’re done- is so sweet and loving during aftercare. making sure that you’re okay and taken care of before she even thinks of doing anything for herself, making sure she didn’t go too far and you’re not too wrecked.

caitlyn;

✧.* switch with a slight preference for topping. she’s been in control most of her life, usually having the upper hand and hardly ever not getting what she wants. she doesn’t expect much less in the bedroom- that, and she loves seeing you fall apart beneath her, knowing that she’s the one responsible.

✧.* caitlyn has long and strong fingers, perfect for reaching all the spots that you’ve never been able to reach yourself. the second her middle finger brushes against that spongy spot that makes your vision blank, her eyebrows shoot up and her mouth is open in a ‘ah, gotcha!’ expression.

✧.* “yeah, darling? you like that? should i keep going, hm?” you’d nod frantically, panting and flushed beneath her. “then keep being good for me. you can do that, can’t you?”

✧.* BRAT TAMER. you might be able to get away with being mouthy with others, but never with cait. she’s a patient woman, but you learn after a while of being with her how to push her buttons just right. wearing that very patience thin with every word and sway of your hips. you’re giggling, until caitlyn is pushing you against a wall and clawing at your clothing, ordering you to spread your legs.

✧.* “i thought this was what you wanted? what you were begging for, not even a minute ago?” she’d grunt, slamming her purple strap into you at an alarming pace. ragged gasps and moans are pulled from your parted lips, and hot tears begin to stream down both of your cheeks. caitlyn would let out a low chuckle, tutting. “what, you’re crying now? come on, it’s not that bad. just a little lesson for you.” she’d coo.

✧.* there’s also been several times when you haven’t been able to behave yourself in her workplace, and she’d whisk you to her office to bend you over the hard wood of her desk, fucking you right then and there.

✧.* part of caitlyn delights at the sight of your tears. it’s exhilarating, in a way. seeing you so desperate, so wanton, knowing it was her who took you apart so expertly. seeing you so bared and vulnerable for her is a moment she wishes she could frame every time.

✧.* caitlyn can be such a temptress. she’s beautiful, anyone can see that- and she uses that beauty to her advantage. you’d come home from a long day of working harder than you ought, to be greeted by your girlfriend in white lace lingerie that leaves very little to the imagination. she knows you can’t resist, and she’s internally celebrating the moment you pounce on her.

✧.* “how was work, love?” she’d ask, voice low and smooth. “you look like you’re starving. maybe i can do something about that?” she’d muse, fingers teasing under one of her thigh garters.

✧.* when subbing, caitlyn is loud. she’s not screaming out in pleasure, but she doesn’t hold back any noises. she wants you to know how good you’re making her feel, to hear it on her lips and in her choppy words.

✧.* likes clitoral stimulation best, i think. don’t get me wrong, she thoroughly enjoys the feeling of penetration- but something about having her pretty clit played with until she’s an aching mess is just better.

✧.* also likes to be praised when she’s on bottom. tell her how beautiful she is, tell her that you’re taking her just right and she sounds so pretty right now. not only does it provide an ego boost, but it makes caitlyn feel so loved.

✧.* she’s a bit embarrassed to admit it, but she likes being on the receiving end of orgasm denial. so fucking close, her body strung thin like a bowstring. each nerve ending nearly on fire. but she can’t cum, not until you give her the green light, and it drives her insane.

✧.* “please, i’m losing my mind,” she’d cry out. “i need- mmf- i need to cum, pleasedarlingillbesogood,”

✧.* not opposed to quickies, but doesn’t opt for them. however, there are occasions where she’ll steal you away just before you have to leave for work, her fingers working as quickly as she possibly can to get you off- giving you something to think about the rest of the day.

✧.* something about your hips draws caitlyn in. maybe it’s the plush skin against them, the way they’re perfect for her nails to dig into, the feeling she gets when they rut against her, the rush she gets from gripping them to guide you as you grind against her thigh, or the way they sway when you walk. she can’t quite pinpoint it, but she also doesn’t care to.

✧.* “fuck, darling, keep moving,” she’d breathe out, gripping the tops of your hips as your wetness spreads over her thigh- folds glistening, head tilted back as lewd moans fill the room. “you look beautiful like this. so damn perfect, like you’re made for my viewing…”

✧.* she enjoys pet names a lot, but i think one of caitlyn’s weaknesses would be just addressing her by her name. especially if you usually call her by pet names outside of the bedroom. it feels so intimate, so personal.

✧.* “such a good girl for me, caitlyn,” you’d whisper, holding a bullet vibrator to her wet clit. “look at this pussy, so desperate for me. i can’t get enough.”

✧.* her favorite places to have sex are her bed and her desk. simple, but they work- her bed is a sanctuary, and it’s comfortable. optimal. her work desk serves many purposes, but her favorite is pleasuring each other.

✧.* caitlyn’s eyes are hypnotic, her gaze piercing. she’s big on eye contact during sex, demanding that you look at her the entire time. even as you’re fighting to not let your eyes snap shut or roll to the back of your head, the commanding tone in her voice keeps you grounded. it’s an ego boost, but it’s also a way of connecting to you.

✧.* gets rough when she’s especially stressed, which is often. she’s an enforcer and one of piltover’s most powerful figures; caitlyn is basically a walking manifestation of stress. slapping your tits, grabbing your chin, degrading you, shoving her fingers into your mouth and down your throat to shut you up.

✧.* that’s not to say that she doesn’t enjoy gentle love making from time to time- she absolutely does. she loves those nights where you take your time with her, truly conceptualize your affections for her. just how much you love her. she just gets carried away in the moment more than she’d like to admit.

lest;

✧.* switch with a preference for subbing. she will dom you if you ask her to, but most of the time, lest likes to lay back and bask in the feeling of you touching her. the scent of incense thick in the air, hair freed from her scarf and fanned around her as she lets out soft moans.

✧.* her voice is so smooth, so calming. the kind of voice you could fall asleep to. lest isn’t necessarily loud during sex, but she gets pretty vocal. and her noises, her words sound almost heaven sent.

✧.* “oh, keep doing- aahh!- that, darling…” she’d breathe out, her tone soft and buttery with desperation. “i need it, i’m so close-”

✧.* lest is definitely experienced, so she knows well and good what gets her going. she’ll tell you as well, guiding your hands to exactly where she needs them and describing in vulgar detail what she wants you to do to her.

✧.* “play with my tits with one hand, stroke me with the other,” she’d breathe out, placing your hands over both her perky breast and twitching cock. “pinch my nipple, hard, run your thumb over the tip- oh, fuuuuck…”

✧.* the tip of her dick is easily the most sensitive part of her body. it’s so sensitive, it’s almost comical- but lest can’t help it. you know how to pleasure her exactly the way she needs. as soon as you take it into your mouth, teasing your tongue over the head before taking her full length, she’s already fighting the urge to buck into your mouth. it draws sharp gasps from her throat, her fingers gripping at the bedsheets.

✧.* but her tits aren’t meant to be neglected, either. plump and soft, sitting so pretty on her. her nipples are definitely pierced, usually adorning gold bars with dangling chains. play with them, suck on them, place clamps on them. she’ll eat all of it up, praising you all the while.

✧.* definitely enjoys being tied up during the act, and she’d likely want to try shibari at some point. she has the nice ropes: purple woven silk, soft against her wrists and ankles. the feeling of being bared open before you, completely powerless and at your mercy can’t compare to anything else.

✧.* i think lest is really into wax play, but can’t participate as much as she’d like to because wax is a pain in the ass to get out of fur. she’ll gasp at the feeling of hot, sticky wax on her tits and stomach, a shiver running through her body involuntarily. you like to indulge her from time to time, relishing in her every reaction. again, it just can’t be as often as you’d both like because of the aftermath :(

✧.* lest can’t exactly finger you since she uh… has claws. but she’s so skillful with her mouth, the thought of what you might be missing doesn’t even cross your mind. she’d take your clit between her lips, teasing over the bud with her tongue before sucking. brushing her silky hair over her shoulder and angling her jaw so she has even more access to you, drinking in every sound you make.

✧.* “you taste amazing, darling,” she’d murmur. “stay still, mm.. you want to cum, don’t you?”

✧.* lest could grow addicted to just eating you out. the feeling of your release on her tongue is a high she never wants to come down from. she’ll draw orgasm after orgasm after orgasm from you on just her tongue.

✧.* praise her!! tell lest how good she’s doing, how beautiful she looks between your thighs and how lucky you are to have her. it only makes her more eager to please you.

✧.* “gods, you’re beautiful,” you’d whisper, “that feels amazing, you’re amazing, you’re perfect-” before feeling her tongue slip from your clit to your wet hole, prying you open.

✧.* LOVES to be pegged. she’s also partial to cowgirl, but lests’s absolute favorite is doggystyle. she craves the sensation of you slamming into her hole, gripping her plump asscheek with one hand and yanking on her tail with the other. she’d let out a sharp yowl, her chest almost collapsing into the mattress at the feeling. but it feels so fucking good, even though it’s sending pain up her spine.

✧.* “oh, yes, yesyesyes,” she’d babble, so bravely taking every inch of your strap. “don’t stop, go harder- fuck, ow!” she gasps, her soft tail in your grasp as you pull. “sorry,” you’d wince, slightly loosening your grip. “no. keep holding it, it- aahh! feels damn good.”

✧.* she cums pretty quickly when you strap her down. she’s a bit embarrassed about it, but she just can’t help it. your strap rubs against her g-spot so perfectly, your rhythm is exactly what she needs and you fill her up just right.

✧.* alternatively, lest loves when you ride her. seeing your face while you’re on top of her, claws digging into your hips while she bounces you up and down on her length… oh, it’s gold. and the sight of your tits bouncing is always a welcome bonus.

✧.* sometimes lest will have her pipe with her while you ride her, in which case she’ll allow you to shotgun hits. your breaths mingling with one another and lips almost touching as magenta smoke is passed between the two of you. it only serves to further heighten your senses, bringing you even greater pleasure.

✧.* “you’re divine,” she’d breathe out, hips rocking into you with fervor. “take it. take everything, just like i know you can. you’re a damn work of art.”

[nakylvr]

back car seat sex with gp sophia 😵‍💫😵‍💫 you thought sophia is picking u up to go on a nice late night date but it turns out the other way 😮‍💨

poor bby is just so stressed abt her work that she needs to take it out on u ;(

my baby :( this is super short but here is something 🫶 also i'm trying to not use pics if its short something like this cause erm idk i dont like looking for pics sometimes ANYWAYS

warnings/tags: language, nsfw content, established relationship, g!p sophia, f!reader, dom!sophia, sub!reader, car sex, unprotected sex, mommy kink, cumming inside, breeding kink

minors dni

when sophia texted you late into the night asking if you were awake, you obviously responded. when she then proceeded to ask if you wanted to go for a drive with her, you obviously agreed. you would never deny an opportunity to go out with your girlfriend, especially with her schedules that leave some days where she can't come and see you. you thought she just wanted a nice, quiet, relaxing drive with you through the city.

well.

it was far from quiet in the car, with you on your hands and knees in the backseat while sophia was behind you fucking you at a pace you could barely keep up with. your moans echoed in the car mixed with skin slapping against each other, the car rocking slightly.

"fuck, you take me so good, baby." sophia's fingertips dig into your hips, surely leaving bruises that will stay for the next few days. "so good for me, baby. letting me fuck you like this, god."

it was obvious to tell she was stressed, she wouldn't be this rough with you otherwise. her hips snapping against yours, her nails digging into your skin leaving marks, her words she was saying, her cock hitting every spot inside you, it was almost too much for you.

"you like this, baby? you like my big cock fucking you like this?" sophia's hand moves to your hair, grabbing a handful and pulling on it forcing your head up when you don't respond. "answer me."

"ye-yes, i love it s-so much," you manage to get out past your moans. "feels so good, please, mommy," your voice comes out whiny as you push yourself back against sophia to meet her thrusts.

"i know, baby," she says tauntingly, her grip on your hair tightening while she speeds up, grunts and whimpers coming from her at the way your walls clench around her. "just a little more, princess. want you to cum with me, can you do that?"

"yes!" you try your best to nod with the grip she holds on your hair. "please mommy, 'm so close!" you whine, feeling her dick throb inside you and twitch at your words.

"fuck," sophia curses, letting go of your hair to grab your hips again, her thrusts becoming sloppy and filled with more desperation as moans fall freely from her lips. "god, you feel s-so fucking good– shit!– you gonna cum, baby?"

all that leaves your mouth past your loud whining every time she pushes back into you is a "yes" mixed with her name that you kept repeating like a mantra. "pl-please cum in me mommy, w-want you to cum in me, please!"

"yeah?" a smile grows on sophia's face at your words. "you want mommy to cum in you? fill you up with my babies? hm? you want that, princess? want me to fill you up?"

"yes, yes, please!" you feverishly nod your head, her words making your walls contract around her as your head falls down low, your moans getting higher pitched with the knot in your stomach threatening to snap. "'m gonna cum!"

"cum with me, baby," sophia tells you. as if on command, you let out a loud whine, your body shaking as you cum over her cock. within another few thrusts, she lets out a long groan, her hips stilling as thick ropes of her cum fill you up.

she rests her head on your back, her chest pressed against you while panting heavily before slowly pulling out, a quiet whimper coming from her at the warmth of you disappearing.

"thank you, baby," she murmurs softly, kissing your shoulder. "i love you so much."

[shad0wvisi0n]

Caffeinated Monster

Summary: SV3 drinks coffee for the first time in order to stay up late for SV4 gaming night, but things take a twist when the power in the studio goes out and a monster hunts in the dark.

Tags: Flashing Art, Body Horror, fluff, angst with happy ending, hurt and comfort

AU Created by @b-r-i-n-g-x and @shygirl4991

ALL ART IS DONE BY BRINGX DO NOT REPOTS

Shout out to our other Assistants @merp0515 @anartisticalniche Last Chapter Main Fic

Liko tosses and turns, flashes of SV4 injury played in her head every time she closed her eyes. She sits up on the bed letting out a sigh as she runs her fingers through her hair, she turns to see Flor floating asleep next to her. With a small chuckle, she gets up and walks to the kitchen. She groans as she looks around noticing that she used up the last of the coffee last night, the lack of sleep is killing her motivation to continue her experiments. She leans against the counter confused, she never felt this way towards something she created so why was she so haunted. She looks at the front door then to her bedroom door before she makes up her mind, she changes into her usual outfit and checks the time. “It’s not too late, maybe i could pay a small visit and make sure that kid is taking care of his eye,” she knew with SV3 around she wouldn't have to worry about how 4 was doing yet something pulled her to them.

As she gets in her car she rehearses her greeting “Hey ran out of coffee and who needs to buy some when i got you guys!” she lets out a smile before dropping it. Leaning back on the car seat she couldn't understand why these events were bothering her so much, they were just subjects she invented. Just like how she ‘fixed’ Mr Puzzle, the boys were made to please that first project and that's all.  She grabs the steering wheel and stares silently at the road ahead of her, letting out a sigh as she starts the car heading to the studio. SV3 hums letting his hair free of their constraints, he walks over to the kitchen where he hears an upset SV4 in his room. 3 giggles hearing his partner as he grabs a plate from the cabinet, looking at the assortment of snacks the man grabs a couple of SV4 favorites and places them nicely on the plate.  With a hop in his step, he walks to SV4 room with the plate “Hey 4! Got you some snacks and remember not to get too into your games, last time you forgot your pain medication your powers went pretty crazy.” SV4 takes the plate with a small smile before letting out a groan “Look not my fault the boss fight was such a challenge, you know i dont back down!” SV3 shakes his as he opens the door, he turns, staring at the bandaged eye feeling a pang of guilt hit him before he leaves. 

As he closes the door behind him the doorbell rings, confused as to who would be coming over so late he walks over to the front door. He opens the door then shuts it in a panic, the person on the other side of the door was Liko. 3 looked at his face and frowned, it was close to his normal time of sleeping meaning any trace of his iconic make up was gone. He bites his lips as he awkwardly opens the door hoping Liko doesn't ask about his face, after all someone as fashionable as SV3 isn't a fan of walking around certain people with a naked face. Liko gives him an annoying look “Can feel how welcomed I am, can I come in?” SV3 moves aside to let Liko in “I’m so sorry Ms. Liko, you caught me by surprise. You don't normally come at this hour.” He follows the scientist to the kitchen where he watches her search their cabinets. Liko sighs as she peeks at SV4 room “He taking care of that eye?” Hearing the question 3 turns looking at the yellow door, he smiles softly as he nods “Yeah, he has been good at that. Only thing he isn't good at is walking around without hitting himself against everything.” 3 frowns staring at the door, if he didnt get so angry and left the studio the way he did then SV4 wouldn't have gotten hurt. SV3 felt the sting of his tears wanting to escape, Liko turned and noticed 3’s face. She leans over the counter and pats his head. “We didn't know what that place had…only one who did was Mr puzzle, you could always do what SV4 does.”  Liko lets out a chuckle, SV3 smiles at the woman's chuckle as he turns to her “SV4 really is angry at him…I just worry about him, I don't care so much about Mr puzzle. 4 just seems different now, I can't help blaming myself for this…” 

Liko lets out a sigh as she pulls back, she doesn't need to comfort him there is no need he is just an experiment. As she continued her search in the cabinet she couldn't help herself “Look, it's only part of being alive that these things happen. Science knows that I have done a lot of stupid things out of emotions…but mistakes are what helps you grow.” She grabs a bag of coffee beans and turns to show she got her prize, SV3 eyes go wide seeing the bag of coffee. He felt his stomach flip at the site, as she put the bag on the counter “Now coffee?” SV3 felt himself break into a sweat seeing the bag, he then turned looking at the yellow door. Then turning back to Liko shaking his head in a panic, she tilts her head at his reaction “You’re not a fan of coffee?” SV3 lets out a nervous chuckle as he nods “I dont have the best history of it, I’m sorry Ms. Liko but if you're going to make a cup I should excuse myself.” She watches as he gets up and runs to his room slamming it shut, she stares at the door confused before slowly turning to the yellow door. If she wanted answers it wouldn't hurt to ask, she grabs the bag of coffee and walks to 4’s door knocking on it. 

Why did she even want answers when she thinks about it, she shouldn't get herself involved in their life. They’re experiments, something to please the first project and test her knowledge. Yet here she is watching the yellow door open as she looks down at the injured man, SV4 looks annoyed before his expression changes to one of surprise “Liko?” She shows off the bag of coffee catching his attention, he looks around before stepping out of his room “Not like you to be a friendly neighbor, what do you need? More blood for a test?”  Liko’s eyes go wide as she watches 4 slowly walking trying not to trip over furniture, he sits down in the kitchen staring at her “Or are we going to throw a pity party over me being a pirate, cause if that's what we are doing save it. I get enough puppy eyes from SV3 when I'm doing things outside of my room.”  Liko shakes her head as she walks to the kitchen to start brewing the coffee, she grabs a green cup before facing SV4 “Nothing special today, well i guess i do have one question. I wasnt a fan of going shopping in the middle of the night so I thought I would come here for coffee, SV3 seemed panicked at the bag. Any idea why?” 

SV4 sighs as he grabs a cookie from the jar in front of him, he looks at it with some excitement before taking a bite “You know how you said sugar is like a battery charge for me? Well I think I learned a few weeks ago what SV3 battery charge is…and let me tell you I lost someone important that day..” He frowns, staring at a small gravestone near his room, Liko follows his gaze and stares surprised at the spot  “How did i not notice that before?” Ignoring her 4 takes another bite from his cookie “Let me tell you a story that changed us in this studio.”

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Few weeks ago SV4 smirks as he waves a ps1 controller “Alright, the only real way to welcome you newbie is the great crash challenge!” SV3 bounces in excitement as he watches 4 walk over to his set up, he takes out crash team racing from its case showing it before popping it in the system. SV3 takes his seat next to 4 as he grabs his controller, SV4 smirks as the character selection screen shows up “Now let's have a fair race, don't get too pouty when you lose to me!” SV3 smiles as he picks Coco as his character “I won't! This is just us hanging out right?” SV4 slowly nods, hiding that he was in fact picking this game to show off, as the race start 4 made sure to use every shortcut he knew to his advantage. SV3 eyes go wide in awe seeing how fast his new partner was “Wow you really know your way around the game huh!” SV4 leans back holding back his smile  “Eh i know i trick or two,” it was strange to think not too long ago he felt so alone. He would play these games, study them and attempt the best time in order to do videos on them.  He never noticed how he felt lonely while he wouldn't confess to it outloud, he truly needed someone he could just play games with. SV4 didn't care much for SV3, the man would talk so much about how to match yellow with green and other assortment of colors. Stuff 4 didn't care for after all why would he change out of his overalls? After a couple of rounds SV3 felt himself nodding off, he looked around the room and noticed that there wasn't a clock “Hey…SV4 what time is it?” As he selected his character 4 reached over to the bedside table, picking up his phone he causally flashes the time to SV3.  Seeing the time 3 gasp “IT’S 2AM?!” it was no wonder the man felt his eyes getting heavy, he got up from the bed making SV4 frowns “Yeah so? It’s still early, plenty of more matches can happen.”  SV3 notices the excitement that was on SV4 vanishes and now replaced with an annoyed frown, feeling guilty he looks at the kitchen. Slowly an idea came to him, SV4 energy boost is sweets perhaps his could be caffeine and it will help him keep his partner company. 

SV3 attempts to mask his exhaustion as he points to the kitchen “Oh yeah totally…so we should make coffee,Keep spirits up!” SV4 face lights up before making a face of disgust “Coffee? Meh rather have soda but hey we all have our own preferred drinks, i'm sure that box head keeps some coffee in the cabinet.” With a nod the pair head to the kitchen, SV4 takes a seat as he watches 3 look around for a cup. SV3 was feeling strangely nervous as he grabs a yellow cup, he then goes to the top cabinet grabbing a bag of mocha coffee.  As he stares at the bag his mind races, he had no idea if he would even enjoy the beverage perhaps the right path was just to go to bed. He turns to see SV4 eating pocky as he reads a game guide for a final fantasy game he is playing, remembering the face the man had was enough to give  him the answer he needed. SV3 puts everything together then watches the coffee maker brew, he had to do this to bring that smile back on SV4's face. They are partners there was no way he could let 4 down, he grabs the cup of coffee and stares at it nervously. SV4 notices the silence then turns to 3, he stares at the man’s face for a moment before letting out a sigh “You don't have to drink it, not everyone can live the gamer life like i do.” SV3 lets out a soft giggle “I want to play more, plus nothing has ever gone wrong with someone drinking coffee!” with a bright smile he chugs the cup. 

SV4 nods as he gets up from his seat “Let's go then,”  SV3 nods following his partner to the room. He was feeling good, more alert he was confident that in a few minutes he would be wide awake, as they pick their characters SV3 giggles as the screen flickers.  SV4 looks at the tv annoyed as he struggles to find the shortcuts with the flickering “The fuck is going on with my tv?” SV3 was getting more into the game as his eyes slightly glowed, the static getting worse, SV4 swears under his breath. The moment SV3 made it past the finish line the tv stopped glitching letting SV4 able to see where he was, he pouts seeing he was in fourth place “Stupid television, maybe it's time to stop given my tv is acting up.” SV3 frowns hearing the comment “What? But I drank coffee to play more!” The room lights start to flicker as the tv screen showing the game goes static, SV4 gets up looking around his room confused “SV4…we are going to play more right?” SV4 shakes his head as he stares at his tv “Don't think so, something weird is going on with the power here.” Deciding to get answers he looks annoyed at the tv knowing he will have to talk to Mr. Puzzle, SV4 lets out a long sigh as he walks to the door “Hate that i have to do this but i need to bug box head about this issue, otherwise we won't be able to game.” SV3 eye twitches as 4 leaves the room “But…we were supposed to play games together….why are you leaving me?”  SV3 started to feel his body heat up as the lights in the bedroom exploded, leaving the static on the tv being the only source of light. 

SV4 stops walking as the living room goes dark, he groans as he starts to walk again only to feel something squishy under his foot. He looks down squinting to see something moving on the floor “The fuck is that?” He bends down trying to get a closer look, only to see the normal studio floor. SV4 stands up pinching the bridge of his nose, he was officially losing it. SV3 leaving 4’s room frowns as he calls out to the man “SV4! I dont get why he is so upset,” he lets out a sigh as he walks following SV4.  He noticed that the man in front of him seemed to be on edge, SV3 wasn't sure what was going on with his partner as he looked around. Determined to help his partner out he reaches out hoping his hand on the man’s shoulder would give comfort, he smiles brightly ready to hear what's bothering the man. SV4 hears steps behind him causing him to be alert “This is starting to feel like a cheesy horror film,” he feels a hand touch him causing SV4 to speed up on his walk. He is a TV guardian he knows better than to turn around and face whatever phantom is in the studio, SV3 blinks as he sees SV4 avoiding his touch. He growls as his eyes start to glow, the color in the room to fade, slowly being replaced by a strange black ooze leaking from the walls as SV3 anger grows. 

“WHAT THE STARS!? WHY IS MY OFFICE ON FIRE!” hearing Mr Puzzle yelling, SV4 runs to the office to see Mr Puzzle's desk on fire. He sighs, closing the door and grabbing the fire extinguisher, as he extinguishes the fire from the corner of his eye he notices something green.  SV4 drops the extinguisher as he approaches the green object “Thank you…wait what are you doing over here, aren't you busy with those video games?” 4 gasp as he grabs a green cloth “This looks like…SV3 sweater?” Mr. Puzzle walks up to 4 staring at the cloth confused before the lights start to flicker, remembering why he came over in the first place 4 gives an annoyed look at his boss. “Hey boxhead the power has been acting up, get shit together i have games to play!” he puts the cloth in his pocket still staring at Mr. Puzzle. The screen flickered showing confusion “The power? Given that Liko set everything up, there is no way things could be on the fritz.” SV4 sighs as he walks towards the door waving his hand to sign at the man to follow. Mr. Puzzle screen changes filled with concern as he sees the door leaking a black liquid “SV4…step away from the door.”  SV4 takes a step back and looks at the door, he stares at the liquid before reaching for the door again. Mr puzzle panics reaching out to the guardian, it was too late as he watches SV4 open the door. They gasp seeing SV3 form, Mr. Puzzle shakes his head at the sight “How..did this happen?” SV4 was shocked seeing tentacles wrapping themself around SV3 arms and legs, slowly another one wrapped around his face covering his blue eye. 3's green eye glowing staring at the pair as he gives them a wide smile, the black liquid leaking from his eyes. SV4 couldn't stop staring at the as the man reached for him, the eyes on the tentacles open looking at him, 4 feels something drop on his feet and notice SV3 gloves were stained black. 

Mr. Puzzle runs slamming the door on SV3, he then grabs SV4's hand, making him run to the hidden door in the office.  “SV4 I need you to move and tell me what happened to SV3, there is no way Liko made a mistake creating him…right?” The door opens showing an angered expression on SV3, seeing this 4 let out an awkward laugh “heh Oh hi SV3, are you…are you in there? Remember how you said you can handle coffee?” mr. Puzzle drags SV4 as they run through the dark halfway. As they run through the hallway Mr puzzle thinks over what 4 said “You're telling me that SV3 drank coffee then turned into that?” 

SV4 shrugs “Hell do i know, shit didn't start going weird till he drank coffee! If I go over what Liko told me about sugar, it's supposed to give me a boost like an energy source. We thought coffee would be the same, but I think coffee just put him into overdrive!” the pair stop running looking around. Things were quiet, making Mr. Puzzle nervous “The fact he can use this power without stars…SV3 must have come out unstable. As much as I hate to say this given I will lose a star, we might have to kill SV3 and create a new one.”  SV4 eyes go wide looking at him “What?” Mr. Puzzle screen showed a serious expression, 4 pinches the bridge of his nose and sighs “Listen box head, I could care less about him you won't see me risking my life for the man.But, isn't killing jumping the gun, plus we don't know what those tentacles and weird black ooze is.” 

Mr. Puzzle stares at SV4 before looking away, it was best that his star stay blind to the power in his body. Things will be less hostile knowing how SV4 can be about making content, he shivers at the thought of what the man would do with those kinds of powers. Then again as he looks at 4 he lets out a small chuckle, the man is too distracted by video games he wouldn't even bother using his power. SV4 turns, giving him a strange look “Why are you chuckling at a time like this?” with a shake of his head Mr. Puzzle stands up straight showing off the height difference between the two of them “My star, i chuckle because i'm surprised you claim not to care about SV3 yet you pick a route to save him? I do have to admit it would be a shame to go out and collect more DNA for one person.”

SV4 crosses his arm “Do you see SV3 as just some replaceable tool?”

Mr. Puzzle screen flickers with a charming smile as he pats SV4 back “Of course not! SV3 is my darling star with so much…talent to bring to the channel, don't you agree? We are all just a growing happy family!” SV4 squints at the Mr.Puzzle taking in his words, only to hear something approaching them. He swears under his breath “Shut it box head..something is coming.”

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SV3 knocks on the door letting out a sigh “I wonder why he is ignoring me, also strange to see him run to Mr. Puzzle wonder if something bad happened?” As he walks to the office he hears panic in the room, worried he slowly knocks on the door. He waits for a moment as he hears footsteps approach the door, he smiles brightly when he sees SV4 open the door. He stares at the pair and notices the fear and shock on their face, he tilts his head confused. Slowly he reaches out to SV4 “Why do you look so scared?” Before he could touch his partner the door suddenly slammed in his face.  Annoyed by the rude behavior he opens the door glaring at the pair, SV4 lets an awkward laugh, catching 3’s attention “heh Oh hi SV3, are you…are you in there? Remember how you said you can handle coffee?”

He pauses confused about the comment as Mr. Puzzle drags the man away, he looks around the room then himself. The more he thought about the comment the more his head started to hurt, his vision getting blurry. He felt sick as he walked over to sit down at the desk, the energy he felt at the start was slowly fading away. After a small break he gets up determined to figure out what's going on, remembering how SV4 was still talking to him SV3 knew the only way to get answers was to get SV4 alone.  He learns the same path as the others, following the hall he sees the familiar glow of Mr. Puzzle screen. 

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SV4 takes out his cell phone and turns on the light, seeing this Mr. Puzzle takes the phone from his hand “What are you doing? The light from your phone will give us away.” 4 glares at the taller man jumping up to grab his phone “Your head is literally a television, if your big ass glowing head hasn't given it away why would my small phone light do it?” Mr. Puzzle’s screen flickers, showing an annoyed expression realizing that the smaller man had a point, he hands over the phone as SV4 smirks at him. With his phone back in his hand he turns only to see a tentacle reaching out to Mr. Puzzle, without thinking he shoves the man away.

SV4 wiggles as the tentacle wraps around him, SV3 tilts his head, the black tears still falling. SV4 notices 3’s mouth moving “Want…you.” SV4 stops wiggling as he stares at 3’s mouth, then he feels a hand grabbing his “SV4 hold on i have you!” he turns seeing Mr. Puzzle grabbing on to him as his other hand was pointing at SV3. Mr. Puzzle knew he didn't have enough power to stop SV3 completely, as his view turned to SV4 wrapped in the tentacles he knew he had to still try. SV3 attempts to pull 4 closer as Mr. Puzzle grip tightens “Ow! Puzzle just let me go, I'm not going to end up in two pieces thank you!” Realizing he is hurting SV4, his view swaps from 4 to 3 unsure about letting go “And if that thing hurts you?” 

SV4 looks at the mutated SV3, his grin borderline psychotic and yet SV4 didn't feel he was in danger. 4 looks at Mr. Puzzle with an bored expression “Cause me and him are partners, pretty sure that link we have wont let him.” Mr. Puzzle sighs letting 4’s hand go, seeing the tentacle pull 4 into a hug, SV3 purrs in excitement as he runs off with SV4. Seeing SV3 start to run Mr. Puzzle starts to chase after “Not going to let anything ruin my plan, I won't let my best star get hurt.”

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SV3 gets excited when he gets closer to the pair, the closer he gets to the pair his head starts to pound. The pain in his head causes him to pause as the room begins to spin for him, the moment he sees SV4 in front of him 3 shakes his head and smiles “SV4! I wanted to talk to you, please I want to understand what's going on.” 3 grabs his arm hoping that the man would listen to him, SV4 lets out a sigh and starts to walk towards him. Finally the chase is over, that is until Mr. Puzzle grabs SV4. The tug made SV3 look at the man confused “SV4 hold on i have you!” the television screen showed a worried expression. He frowns as tears escape his eyes “Why…i don't understand…” To his surprise SV4 walked up to him, he gasped feeling the man hug him. With a soft giggle SV3 takes 4’s hand “Thank you for trusting me…come on let's talk.” As they walk away SV3 wipes his tears, he was so confused as to why the pair were acting so strange. Suddenly the room around SV3 twisted, worried he turned to check on SV4 only to gasp seeing SV4 eyes glowing red. His partner readies his fist and attempts to attack SV3, quickly he kicks 4’s legs making him lose balance. Once he hits the Floor SV3 gets up looking around for something to hold down SV4 “Is this why you two are acting weird? Don't worry I will figure this out, I will get Ms. Liko and everything will be okay!” 

--------------------------------------------------------------

SV4 hums as he is carried away in the tentacle wishing he had his psp to play with, suddenly he gets tossed across the room. His back hitting the table in the kitchen “Ow…the hell just happened?”  SV3 lets out a chuckle as he slowly approaches him “Naughty…” 4 sits up ignoring the pain in his back. SV4 knew he had to keep alert in case the coffee made 3 do something else, seeing the slow moments made 4 smirk. The coffee is wearing off the exhaustion SV3 felt earlier in the day is starting to show, he was placing a big gamble on his theory. He watches SV3 move away for a moment, he turns his head to see 3 going into this room “What on earth is he thinking?” A few moments later SV4 sighs as SV3 ties him up “You know while I don't mind being tied up, WHY MUST YOU USE MY FAVORITE PLAYSTATION 2 CONTROLLER!” 

He felt panic everytime he moved, the thought that if he did the wrong move he could damage his controller had him almost holding his breath. SV3 sits in front of him staring at him, he is able to get a better look at the form that has taken over 3. SV4 notices how the man in front of him was relaxing, a good sign it let SV4 know that his controller was safe. He needed to figure out how to save his baby before 3 snaps and breaks it, he looks at the cord feeling his heart break at the knots they were in. SV3 reaches out and starts to pet him, SV4 relaxes from the contact “Don't take this as me liking the attention, i swear if you remember things after i will deny everything in this moment.” As he relaxes from the other man's touch, SV4 thinks over the situation as he looks at the knots in front of him. 

He slowly wiggles which gets SV3 to stop petting him, 4 looks up seeing if he alerted the man only to see the man falling asleep. “There you go, just let sleep take over and things will go back to normal.” Before SV3 could fall asleep Mr. Puzzle’s kick the door open holding his finger up, he glares at SV3 who wakes up growling at him as he stands “LEAVE!” SV4 could just about cry at the timing, “Don't you worry now SV4, I wouldn't let down my star after all we have a video to make tomorrow.” SV4 blinks at him before rolling his eyes “Seriously? US MAKING A VIDEO TOMORROW IS THAT IMPORTANT?!” his eyes then go wide seeing Mr. Puzzle pointing his glowing finger at his constraints “Wait dont do it, do you know how rare this controller is?” Ignoring the guardians complaints, Mr.Puzzle fires a bolt of energy at the cord of the controller. SV4 panics and attempts to throw himself out of the way, sadly the bolt was faster burning the cord off of SV4 body. 4 sits there in shock, he slowly looks down seeing the golden controller without a cord. “You're welcome!” shouted Mr.Puzzle as he kept his eyes on the growling SV3, SV4 slowly picked up the controller, a tear running down his face “I will never have something as beautiful…again” SV3 roars seeing the tear coming out of SV4 eyes, Mr. Puzzle readies himself, his hand sparking “This isn't the time SV4, the eldritch creature is about ready to attack!” 

SV4 lets out a shake breath as he gets up and walks to a drawer in the kitchen, pulling out a knife he walks back to the spot where his controller is. Mr.Puzzle keeping his eyes on SV3 quickly peeks at SV4, his screen changes into an expression of shock as he sees SV4 digging into the studio floor with the knife “WHAT ARE YOU DOING?!” SV4 hearing the man shout just picked up the controller and showed it to him “I’m not a monster, I'm doing a grave site for my baby. SO SHOVE IT!”  Mr. Puzzle could only stare at 4, baffled at what was going on. Annoyed at being ignored SV3 summons a tentacle to attack Mr.Puzzle, he smirks as he points at the tentacle blasting it exactly as he did SV4 controller. Since the gamer wasn't planning on helping him, Mr. Puzzle knew what he had to do as he readied his hand at SV3. The moment he was going to blast the creature, SV3 charges at him then collapses. Mr. Puzzle stands there confused about what happened, hearing SV3 hit floor 4 makes a comment as he digs “Caffeine crash..along with too much power must have drained him to sleep.” Mr. Puzzle lifts up the man, the eldritch traits are all gone. No black liquid or tentacles to see, there in his arms was a drained SV3, soundly asleep. “Your theory was right it seems, ahem good work SV4 i shall place him in the room.” As he carries SV3 the dark stains along with any other signs of the eldritch power 3 was throwing around is gone, the studio went back to normal beside a couple of broken furniture. SV4 gives the makeshift grave a sad smile “I will never forget you, ah the memories of fighting for you on ebay…good times.” 

---------------------------------------------------------------------

SV3 frowns seeing SV4 struggle against the restraints “Sorry SV4, I hope you don't mind I used the first thing I found. I really want to go get Liko to help you but…it breaks my heart to think about leaving you alone like this.” nervously, SV3 reaches out and pets 4. Seeing SV4 glaring at him with red eyes, SV3 wondered how this happened when they were playing crash. For a moment he thought the game could be cursed, as he stares at SV4, notices a flicker of something in his eyes. SV3 started to feel his eyes go heavy, shaking his head he knew he had to stay awake if he didnt what would happen to his partner. He wasn't even sure if Mr.Puzzles wasn't acting strange also, the door to the room burst open catching 3’s attention. He gets up staring at the door, surprised.  “Don't you worry now SV4, I wouldn't let down my star after all we have a video to make tomorrow.” SV3 slowly walks towards him “Mr.Puzzle im not doing anything to him, please believe me i think there is something wrong with SV4!”

Mr.Puzzles lifts up his hand firing at SV4, 3 panics as he turns towards the spot “SV4!” Once the smoke cleared up SV3 relaxed, seeing that his partner was safe. Then he noticed the constraints were now broken. “Oh no, what did you do….” SV3 was ready to face the worst, he watched ready for SV4 to attack, only 4 looked down seeing his controller broken and started to cry. Seeing that made SV3 smile slightly “He is still in there, now Mr. Puzzle, it isn't nice to just blast at people!” SV4 then gets up catching SV3 and Mr.Puzzles attention, they watch as he walks to the kitchen grabbing a knife. SV3 feels nervous seeing him with a weapon, he keeps his eyes on the man then relaxes when he sees SV4 digging a hole into the studio floor “Huh…I feel terrible that I got his controller broken, but at least some of SV4 came out for this.” Mr. Puzzle sighs then lifts his finger at SV3 catching him by surprise “W-what? Mr. Puzzle please listen to me, I didn't harm him!” As his hand starts to glow SV3 knew the only fighting chance he had was to knock him off balance, after all 3 wasn't a monster that wanted to fight his friends. SV3 charges at Mr. Puzzle hoping that he can stop the blast, only his body suddenly feels drained of energy as he slams onto the cold floor, everything going dark. 

--------------------------------------------------------------------

SV3 groans as he sits up from his bed, he looks around and sees he is tucked into bed “Did I dream that up?” The door to his room opens catching his attention, he feels himself getting panicked as he sees SV4 walk in the room. SV4 looks up from his psp and looks at SV3 surprised “Hey you're not dead, someone's been sleeping for three days really like that number hm?” SV3 relaxes letting out a giggle before it clicks, he gets up startled at the comment “Asleep for three days?! How? All I remember was…” he closed his eyes thinking over everything that happened. Given SV4 is acting normal things must have gotten fixed at some point, SV4 walks up to him with his cellphone “When you grab me i didn't notice that my phone took a photo, it will be shocking to see.” SV3 tilts his head confused “Grab you?” He looks at his partner's phone and gasps, seeing himself. He felt sick seeing the tentacles around him along with the strange dark liquid that came out of his eyes and hand. “This…can't be, you agreed to walk with me and you started acting weird…right?” SV4 frowns hearing the man's panic “No SV3, you drank coffee and became this mutated creature. You went and hunted down me and box head.” SV3 sits on the bed his hand shaking as tears threaten to escape, SV4 awkwardly looks around the room unsure what to do. SV3 reaches out to hug him only to get a gentle push “I don't do hugs, but I don't blame your reaction it was pretty surprising for us to.” 

SV3 moves himself in order to give himself a hug, he had memories of SV4 acting strange. He swore he never saw himself look like that with his reflections “What…did i do? Did I hurt you guys?” SV4 lets out a soft chuckle “Nope, you kidnapped me and tied me up with my controller which broke me. Ahem you also set box head office on fire. That was pretty funny, but you didn't hurt anyone, you just kept chasing us for some reason.” SV3 stays silent hearing SV4 before breaking down crying, unsure what to do SV4 awkwardly pats 3’s head. SV3 couldn't believe he hallucinated everything while he was tormenting his friends, how much of a monster is he?

SV4 sighs looking at the photo “Would it make you feel better if i tell you, this only happens after you drank coffee?  I think your body isn't a fan of it and well this happens.” he stares at the photo before turning to SV3. The man kept crying into his hands showing no signs of stopping anytime soon, SV4 sighs as he scoots closer to SV3 giving his head another pat. SV3 looks up to SV4 as he wipes his tears attempting to hold back the rest of his tears, he lets out an awkward chuckle “I must look gross and weird without make up huh?” SV4 giggles and shakes his head “Nah you still look good, hell you slayed the eldritch look too.” They both laugh as they continue talking about the event and planning their rematch. -----------------------------------------------------------------------

Present day Liko stared at SV4 in shock, how could something this huge happen and no one bothered to tell her. She watches as SV4 places a small flower on the grave “I was never the same after that,” ignoring SV4 being sad at his makeshift grave Liko asks the question on her mind “Why did no one tell me about this?”  SV4 steps away from the grave and pouts at Liko “Heartless of you to not show empathy over my loss, but to answer you Puzzle said not to talk about it.” Hearing this she nods chugging her coffee, after cleaning her cup she marches to the front door. SV4 slowly follows after her as he watches her reach for the door “Where is the fire?” “I need to go to my lab and see what is causing this,” she turns and smiles softly at SV4 “Thank you for this information, take care of that eye cause those bandages are coming off real soon!” With that she leaves the building, SV4 frowns as he turns, staring at 3’s door. He walks over to open the door, he hums as he enters the room closing the door behind him “SV3 i know your not sleeping, i think we have shared a bed enough times that i would know easy.” SV3 slowly gets up wiping his tears, seeing this SV4 runs over to 3’s side hugging him “Hey hey you're okay, is this because of the coffee?”  SV3 wraps his arms around SV4 crying, they hold each other for a few moments before 3 pulls away “I’m scared to be that monster again, just the smell makes me worry…” 

SV4 gives a soft smile to 3 “Well if it happens again i have your back, as long as we are together coffee can't turn you into a monster!” SV3 slowly smiles before patting the spot next to him “Can you stay the night?” 4 nods as he gets up from the bed, he looks at the time and lets out a dramatic sigh “Gee i guess i could clear my busy gaming time for you,” SV3 chuckles as he watches 4 head out of the room “Hey 4…how did you know I needed you?” SV4 stops walking as places his hand to his chest “I just had a feeling, after all Liko mentioned you freaked out seeing coffee. What kind of partner would I be if I didn't come over? Now let me grab a ds and we can play some games till we sleep.” SV3 blushes as he watches 4 leave the room, he touches his face “oh gosh why did my face get so warm again…” he flops on the bed then looks at the spot next to him with a soft smile “I hope this cold doesn't stop SV4 from sleeping over…” 

[qoldenskies]

Okay okay I'll yammer about Rise!Splinter in your ask box because oh my god I cannot STAND people who legitimately villainize him on main. Like, alright, you can call him an emotionally unavailable or even slightly neglectful parent all you want, because even the show itself makes it clear that his parenting style wasn't exactly PERFECT and probably left the boys with at least a SMALL myriad of issues (Raph's parentification and Donnie's constant need for approval come to mind, though I can't say for sure whether those are entirely borne of Splinter's parenting style lmao). But I feel like so many people through trying to villainize his actions deliberately gloss over the fact that he was probably struggling with hardcore PTSD after spending a decade or more basically being forced to fight in a DEATH ARENA, not to mention probably having a good deal of body dysmorphia because he's suddenly been kind of forcefully shoved into a body that he can't even recognize as his own anymore. PTSD is a genuinely crippling condition to struggle with at times. On top of the depression he more than likely had, it'll make you not even want to get out of bed some days, and to struggle with that AND take care of four INFANTS that you've basically suddenly found yourself the sole caretaker of HAD to require a great deal of both mental and physical strength from Splinter. I'm sure he had his hard days, and the show points that out, but he was still trying his damn hardest to be there and be present for these kids, even if he fucked it up at every turn, even if he was far from the BEST parental figure that they could have had.

People can critique his parenting style as they wish (hell, even I do it), but so many depictions of him as an awful parent feel like they're glossing over the legitimate mental issues that he more than likely has, and idk sometimes I just feel like yammering about it on main

yeah like, a parent can seriously fuck you up completely unintentionally and have understandable, sympathetic reasons for it (while still not being in the right! a kid is never in the wrong for being hurt by an adult who failed them! but they're also well within their right to understand and empathize with a complicated parent who loves and changes for them!). generally im sure a lot of people who write abusive parent splinter genuinely had horrendous and abusive parents and are venting, which is why i tend not to be judgemental to people who do. characters are ultimately devices to drive a plot and if they're writing a story where they want to put them through some shit, that's one way to do it. aus are aus and allat

HOWEVER. lord does it frustrate me when people act like his behavior in the show itself is actually like that. i think its really uncharitable and unsympathetic. like if you want to see some of the things he did to them as potentially unforgivable thats fine, because if they're upset with him they dont have to forgive him, but him dealing with crippling ptsd and depression while being someone who goes out of his way to parent and change and grow while handling it just makes it idk nasty to me ,,,,

and also maybe this is just a hot take but esp. when it comes to raph and donnie i think them having more complex feelings about him makes for more compelling angst. its juicier, and i love to read stories that are empathetic towards everyone involved.

i am not a splinter defender but i will still fight splinter haters (not actually. dont fight me i will cry, i dont main tag most things anymore for a reason lmao)

[lucy---lou]

Part 17 Lucys-hdg-story

I wake up in a cocoon of vines. I feel safe and relaxed and decide to fall asleep again.

****************************

"Time to wake up little one."

"Njjjooo more cuddles", I mumble.

"Alrigth you can cuddle a bit more"

I didn't expect is her to just stand up wiith me inside her. That'll do I guess. We move put I can't see anything from inside her.

"Good morning my little Ellie, sleept well?"

"Good moring Mistress. It was alright, but Lucy wasn't there to cuddle"

I feel a pang of guilt and pull on a vine to tell Misstre Miss Duralis to let me go. The cocoon opens and I am lifted out.

"I'm sorry I - don't know what to say. I... I ehm sorry for leaving you.", I embrace Ellie in a tight hug.

"That's relly cute of you thanks, but you definitely needed the core cuddles. But you do seem surprisingly lucid."

"After a while I moved some leaves between her and my core, otherwise I don't think she would be thinking right now"

"Your core? sorry I didn't mean to go up your privates. I thought is was a big stem or something like that."

"Oh my little kitten, you and Ellie both have a very special place inside me. That includes my core"

"I .. ehm", don't know how to process that," Soooooooo breakfast? Cereal please", I distract. An eeep escapes my mouth as we are picked up on deposited at the table. Cereal is placed in front of me and I just stare at it.

"Can't eat yourself anymore? Do I need to feed you?"

"No- no need to, I was just lost in thought."

I take a spoon full and then begin to stare at it again. Not really at it more like into the nothingness behind it.

*tap* yeah cereal is good

*tap* I chew, wait - oh. I blush again and look at them dumbfumbled.

"I can-" *tap* *tap* "-feed myself"

"Well you were struggling so I'm helping you"

*tap* *tap*

"I was just-" *tap* *tap* "-lost in thought!"

"Sure cutie♡"

"Could you-" *tap* *tap* "-stop?"

"Well petal"

*tap* *tap*

"We're finished anyways", Misstr Miss Duralis smirks,"Your are a natural at receiving commands. Makes me think you want this"

"No! Why should want this. This is humiliating. I can feed myself. I can-" *prick*

"-meow mreow. miauw meow mauw. meowe mrrp mreeoowwwww", I cross my arms and - get petted. I turn away from them and still get petted.

"Is my kitty angyy, awwww", Ellie kisses me.

"skeeecchhhh", I hiss at her. Water is sprayed in my face.

"Bad kitten, we dont attack florets"

"meowwwww", I shake the water of my face and hop of the table. Well I hop of and then get gently lowered to the floor.

"What did I tell you kitten"

"Meow miau", I pout.

Ellie can barley contain her laughing. I walk over to the compiler and hope it can understand catspeak.

"mrrp meow mreau, meoww?"

"Coming up kitten", the hab chirps. Atleast the hab can still understand me.

I grab the cardboard box and lift it over me before I settle down underneath it and sulk. Great they're aawwwing me again. Even worse Ellie is full on laughing at me.

After I while my box is lifted with me inside it, flipped over and closed, tumbling me around. I get carried away.

I poke out to see where I am and spot a plushy. I lift the box grab it and hide again.

"awwww"

"so absolutely adorable, hab please tag this recording"

"Recording tagged, Miss Duralis"

"Thank you"

"grrrrrrrowoworrrr"

"Even cuter"

My pad is slid into my box and I happily accept the distraction it provides. Until Ellie texts me.

Elnolongerlonely: Hey I hope you come out soon. I'm really sorry. I miss you.

Cuddlekitten: Heyi, maybe dunno. Maybe never.

Elnolongerlonely: I won't survive that.

Cuddlekitten: Im sure miss Duralis won't let you die. Also why are our usernames different.

Elnolongerlonely: I think mistress changed them. Can I atleast join you in the box.

Cuddlekitten: fine if you have to

Elnolongerlonely: Yayyyyy, I'll be there in a sec.

The box shuffles a bit an Ellie joins me.

"Hi cutie", she giggles

"miau meow"

"Oh, oops forgot about that. You dont need it to cuddle anyway"

"moewe"

"You'll be fine", and she cuddles me. It actually helps me calm dawn and I feel my self doze of.

-Yes Lucy sleeps alot, that's her way of processing things. Also it's an easy way to start and end a chapter. Call me lazy.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[obsob]

the accolade ( the...the cat-olade...)

[wasyago]

the brainrot won

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[cali]

a lolcow is obviously a bad and harmful thing but studying weird people online is a wonderful and soul enriching experience. but if u treat the fun of it as a product and engage with them to get more of this product, if youre "milking" the "lolcow", youre fucked. youre going down the path of darkness. it needs to be aetherial and loose. the better alternative is looking at lolbirds instead which is quite beautiful cuz, like birdwatching, its a process where u do not enact power and force over ur subject to make it show u what u want, you just let them naturally come by and show off their plumage (10000 near identically composed deviantart illustrations of different kids show character crying while getting knead into dough and baked[this happened in a single episode of a show the artist saw when they were 4]) and then u maybe show some of ur favorite feathers of theirs to your close group of friends and then let them pass on with the wind and u keep them as a sweet memory ❤

[crystallizsch]

okay hi so listen hear me out

sea snake is a bit too obvious (and too boring)

so i made him based on some kind of lionfish??? (bc something something venomous marine animal) also with a LOT of creative liberties i made with how the fish looks like

let’s also give his fins some rips and tears here and there bc what are the implications of that??? that’s for you 🫵 to decide

anyways chat i lowkey dont know what i was doing

i had no other thoughts but haha funny snake man i turn into fish

[chiimeramanticore]

it's cool if I ramble about yes man unprompted right. ofc it is. i wanna talk about his capacity for violence bc I think it's one of the most interesting parts of his character

yes man is nice. obviously he's nice. but yes man is not a kind character. he helps you, sure, but that's mostly just because he likes you specifically (and even that's debatable depending on how you play). i feel like this is exemplified w his pre-combat lines– "a pulled trigger's a happy trigger!" and "woo! bang bang!" like, he's clearly having fun! he takes glee in killing people, but not because he's sadistic, but because he just doesn't realize the weight of taking a life- or if he does, it just doesn't matter to him.

he was programmed without a sense of morality or an understanding of mortality. to him, violence is second nature. to him, violence is no different from play. he's like a guard dog– he doesn't care who he's shooting or why, he's just excited to do the thing he's good at.

and on one hand, he is a fantastic guard dog. but on the other hand, six must watch how... efficiently he kills, and wonder if they'll ever wind up on the receiving end of it. he wouldn't do it as long as he likes six, of course, but... if yes man was given good enough reason to believe six deserved to die, would he even hesitate? would their history and relationship mean anything to him? or would six just be another target, forgotten about as quickly as a radroach you stepped on?

six can only hope they never need to find out.

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[freakinator]

thinking about kab and the thing about her i think is she knows just enough to keep herself safe Generally but not enough to really predict what would happen should something more... complicated??? unforeseen??? idk whats the right word to use but something not covered by someones reputation and/or vids happen, believe it or not this also affects her view of clownpierce (we'll get to that)

for example, mapicc has a reputation for being an violent, angry, & impulsive guy and nothing else which makes sense but is incredibly surface level and something that only really works if you dont have a lot of experience working with him

another is reddoons, his betrayal after the base incident while shocking is not unforeseen but his reputation as being a guy whos seen as being a reasonable person whos fairly loyal to his team made it seem like something he wouldnt do even tho it absolutely is

regarding how it affects her view of clown, since he isnt perfectly aligned with his reputation she instead pivots in the complete opposite direction and forgiving basically every crime he does even tho hes something much more mild and complicated than either his reputation or her view of him will ever be (think madonna-whore complex which is especially obvious when it comes to kabs vs woogies view of him)

another side effect of this Just Enough amount of knowledge aside from being blinded by her own expectations is that it frustrates ppl who think shes oversimplificating things (like me and seemingly several other tumblr users as well) especially when she claims that shes objectively correct and the smartest in the room at any given moment

how this roughness in her analysis affects her in the server still has yet to be fully seen but we do still have at least a couple months until the end but 'til then shes just gonna keep stumbling as more and more complicated situations pop up as is typical in lifesteal to happen and eventually shes gonna have to learn to adapt or else she'll be suffering the consequences one way or another

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.