#i dont know how to process anything

[sadwetcatmk]

[hballegro]

"It's more than something. It's everything."

s8e11 "Life Time"

painted screenshot. cannot give a time estimate, i lost track long ago. still gouache brush, my beloved, with blur tools to fade edges and so on

i have to go to the zoo now and will be making the version with the clock later [i cannot express how long ive been battling with hawkeye's face, gamers]. background went very fast like i said it would lol

version 2 [as in, w/ clock] will probably be done later today, and i will edit this and add it when that happens [and prolly make a separate post too, for celebration purposes, and will link them]. i will also compile progress pics for that post. they are terrifying early on lmao

"A lot of very touching songs came outta that war" previous painting

"It was pink, and perfect, and I tossed it in the scrap bucket" previous painting

everyone say thank you to bj to being a perfect painting subject today he was very polite and he looks about how i wanted unlike SOME PEOPLE

that was me to my sibling last night, and i stayed up til 1:10ish and still didnt finish the final pass over hawkeye's eye. everything else took like 5ish minutes

also everyone say thank you to margaret and nurse kellye for also being perfect and lovely and pleasant to work with

photo used blatantly stolen from this post thank you again @remyfire i owe you my life

update edit;

clock back

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[time-slink]

out of curiosity,

*excluding media in a language you don't speak at all, even if it comes in a dub

[mephoj]

taco and mephone have fascinating parallels more people could explore if taco haters weren't biased cowards

[spinostarz]

THE WELL AND THE LIGHTHOUSE PMV/ANIMATIC

very very jean valjean centric because i love him and he deserves the world <3 im not sure if pmv or animatic would apply better to this, but either way, i hope you enjoy it!

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[wispforever]

Crucify Him

[bananonbinary]

as a certified Diagnosed Autist(TM) i cannot stress enough that i am not only pro- self-diagnosis, but also pretty anti- legal medical diagnosis. it is, at best, a cruel hoop we have to jump through so privileged people will deign to give us what we need. don't fucking do that shit unless you have to, it was disgustingly expensive, fucking humiliating, infantilizing, and dehumanizing, and would probably actively cause problems in my life if i didn't have some really good allistic (-passing) people in my corner and also wasn't so fucking disabled that it mostly doesn't matter.

literally get that diagnosis if you need it for job/school accessibility shit or SSI or whatever, and otherwise dont tell the government SHIT about yourself. there is zero good reason for them to want that information. that's between you and the people you want in your life.

[sidesteppostinghours]

I need to stop finishing fics when i have to sleep. but anway. heres 1.3k words of f!chentega, plus a bit of unnamed sidestep for funsies.

Chen is cutting Ortega's hair.

They've both settled into her living room, a bottle of beer set on the table. She's buzzed, not drunk, just enough alcohol in her system to get the words flowing easier. Chen, ever responsible, hasn't touched a drop. He focuses on cutting and brushing, mechanical hands careful not to get the comb tangled in her wavy hair. Julia, meanwhile, is talking, but about what, she couldn't tell you. Half of her thoughts are elsewhere, eyes closed as she lets Chen work.

Cutting Ortega's hair has become their own little ritual. Every few months or so, whenever her hair became long enough to bother her, she would call Wei over to cut it down to length. Sometimes she returns the favour, though that mostly entails grabbing a razor and shaving until it was completely cropped. Not like this, where skills actually mattered to make the results look good.

It was suggested to her, uncharacteristically, by Chen. About a year or so after she first cut her hair, she was lamenting to him about how she missed having short hair. She was just talking– she didn't expect him to take it seriously, but about ten minutes into her rant he had looked up from where he was typing on his computer and asked, "Do you want me to cut it?"

She had given him a look. "You can do that?"

He shrugged. "I know some styles. I can make it look decent, at least."

"Are you sure?" she'd asked, still skeptical. Not that she wouldn't be grateful, but-

"You don't have to deal with the stylists anymore," he pointed out, and that had been that. She found out later on that he learned how to cut hair from his siblings. He would mostly do it on his brothers, though sometimes his sisters too, when the money was tight or his family didn't feel like heading to the stylist.

It's nice, sitting here and talking to him like nothing else matters. A moment of reprieve to catch their breath in the pressure bomb that is their lives. Julia cracks a joke, and Chen huffs in amusement, though he doesn't stop cutting. She takes another pull from her bottle.

Maybe one day she'll ask the questions she's been meaning to. They still haven't talked about whatever this is. Neither Chen nor Ortega are good with their words, and there isn't much that isn't already said by the pocket moments they spend watching eachother navigate the world. The look in other people's eyes when somebody calls Wei "he". The way the stylists purse their lips whenever Julia walks into the studio. The understanding was unspoken but mutual, though Ortega could never place what. Chen might be able to, but until she decides to ask, she wouldn't know.

She will. Someday. Just not today, sitting in front of her TV, talking about God-knows-what and content to let him work till he finally steps away.

"Finished."

She opens her eyes, not bothering to look at herself in the mirror though its propped up on the table next to the beer. They've done this enough times already that she knows it will look good. Instead, she watches as Chen puts everything away, combs, clippers, the works. She nabs the scissors from the table, spinning it on her finger. When he goes to grab them and finds nothing, he looks up and sighs, the corner of his lip twitching at her antics.

"Julia, you're going to stab someone's eye out."

"Hey, I can dodge scissors," she insists, looking at him innocently. "Can you, Marshal?"

His face is caught halfway between exasparated and unimpressed. She chuckles and acquiesces, handing the scissors for him to pack into his bag.

It's not often nowadays that Julia gets to spend time with Wei outside of the Rangers. He was always busy as the Marshal dealing with the mess she left behind, and when she wasn't busy at the HQ or fighting villains, she was twelve balls of yarn deep into her own investigations. The quiet moments were rare enough that it feels precious to watch him like this, walls down, for once without the furrow in his brow as he worked. It makes him look softer.

It makes him look handsome.

"Hey, Wei?"

He turns to face her, still holding the scissors. "Yes?"

Julia could be completely wrong about everything, of course. He could recoil the minute she cups his face, or push her away as she pulls him in. He could, but he doesn't, and his lips are warm when they meet hers. His breath tastes better than she thought. She doesn't know why she would think otherwise– Julia was the one drinking beer the whole time. She traces her thumb over one of the scars on his cheek, rough yet soft, and a part of her wonders what it would be like to run her tongue over it.

It's a beat or two before anything happens, long enough that she worries she really did misjudge. Then, ever so slowly, Chen settles a hand on her face, careful, almost afraid. Not even touching the hair he spent the past thirty minutes working on. His hand moves from her cheek down to her chin, gently tilting her head upwards to make it easier from where he's standing. Julia wraps a hand around his neck and brings him down lower, and he obliges like putty. No trace of the hard edges she'd come to see as his staple, just a tenderness she never remembers seeing in him before.

It's harder to break the kiss than she would like. Wei doesn't resist. He's still holding the scissors. She half expected him to have dropped it, but instead he's gripping them tight enough that she wonders if they'll break.

"Julia?" Brittle. Out of breath. Still looking at her lips at first, but then his eyes flit to the side of her face, and with a breath that's not quite a huff, he tucks a stray strand of hair she hadn't even noticed behind her ear.

"Thank you," she whispers, barely loud enough to be heard in the silence of her apartment. For being her friend. For being the only goddamn woman left in Los Diablos that really got her. For caring enough to keep her hair out of her face.

She says none of this. She just turns back around, not looking to see Chen's face as she takes another pull from her bottle.

———

"I think Chen has a crush on you." 

"Oh." She stops, looking at you with an expression you can't quite interpret. "You do." The words are careful, hesitant. It's not a question, but it's not not one either. 

"I do," you say, frowning at her reaction. It's not the explosive confusion you were expecting, more a quiet "oh, shit" moment as the ball drops. She hasn't even raised her voice yet. "I'm pretty sure he has for a while." 

"Did he...tell you that?" 

"Not in so many words, but he has his tells." 

"He does," she mutters, running a hand through her hair. There's a sigh punctuated by a string of quiet curses. 

"Did you already know?" you ask, narrowing your eyes at her. She didn't react the way you thought she would. Did she pick up on it? Has she just been ignoring it the entire time? 

"In a way," she admits, looking away to the coffee machine like she wants to make herself another cup. 

"Why haven't you done anything about it?" Knowing Ortega, she should've ambushed Chen the moment she suspected that was the case. 

"It's complicated." She shakes her head, dispelling whatever thundercloud was brewing behind her static shielded mind, then turns back to you with a smile. "Don't worry, I'll talk to him. In the meantime, you can tell me why you're here?" 

You can't help but frown. She's taking this too well for something to not be going on, but from the look in her eyes, you're not getting any answers right now. 

You'll find the time to pry one of them about it. Later. It's not a secret those two can keep away from you forever.

[pansyfemme]

i am not doing so hot

[qoldenskies]

finished the outline for CW, its gonna be a total of 28 chapters! some parts in the middle im still a little iffy on but i have all the broadstrokes/know exactly where all the big important scenes are placed >:) including a lot of things im very excited for

chapter 11 in particular. them running low on painkillers is something i am setting up on purpose for the events of that chapter. this is your only warning

[thats-a-lot-of-cortisol]

I've been thinking about names re: durges (and especially Corentin)

I haven't really liked the whole "this character's name is The Dark Urge" because it's honestly...silly to me? A bit? But I saw someone else discussing their durge's backstory today and it got me thinking about the function of names a bit more.

Naming someone "The Dark Urge" is super dehumanizing. And, like, that's the point, of course. But Corentin, even at their most compliant, was always trying to eek out some semblance of individuality or control or rebellion. They were kidnapped brought to the Bhaalists at 15, after all. Even with the cult's (and Bhaal's) efforts, it's difficult to completely rewire someone who's nearly a grown adult, especially one who's fighting it kicking and screaming most of the time.

So while they lose their memories of their family due to the constant trauma, they do manage to hold on to some things. Their refusal to eat bog body stays the entire time, as does their insistence on maintaining a hair care routine (which is when they start braiding Orin's hair, too). But after they break, other aspects of cleanliness they'd managed to hold onto until that point fall to the wayside, and they stop resisting when Savorak, and Fel, and the Bhaalists call them "The Dark Urge" instead of their name. Orin still calls them Corentin for a little bit, but she stops eventually too as she gets more and more restless and insistent on gaining power.

And then they meet Gortash who, despite also being a horrible person, isn't as bad as the people Corentin had been forced to lead. At this point they know what the likely ending of the Absolutist plot is going to be (though they're still in the early stages of the plan) but being able to work so closely with someone who's sincere and, more importantly, isn't going to stab them the moment they turn their back to him, is like breathing in fresh air for the first time in a decade or more (both figuratively and literally). And they dare to hope that there's an actual, true way out of the hell they'd been living in.

So when Gortash eventually asks if The Dark Urge is really their name, they tell him no.

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[beaulesbian]

Trigun Stampede s01 || Vash + the reflection on his glasses

(edit: added one i missed)

( @crazymadredfox​ thank you for the mention of this part!)

[introspectivememories]

I FORGOT I EVEN SENT THAT ASK AND YOUR RESPONSE HIT ME LIKE A TRUCK OHMSYGODDFJDJ

I seriously love your writing so much you always put a heap of emotion into it 😭😭

also adore the idea of TIM being the one who's obsessed with bear and going to such lengths just to keep seeing him, I tend to prefer happy endings so I like to think they work it out after a while but like also the angst is amazing

god the amount of yearning in this au makes me so mmmpfhhhf

god im just so sorry that it took me soo long to reply!!! you sent just as i was taking my break from tumblr and other social media :(((

i remember reading it and thinking to myself "god if i had the timbern brainworms, i could write smth for this" but then recently they've been coming back and i was a church bored out of my mind when i was like "hmmm maybe i should respond?"

and ohhh my god, when i first got it, i immediately thought about how toxic it could get and like, personally, i feel like i can't write complicated characters? if that makes sense? to me, im not very good at writing multi-dimensional characters. which to be fair, i never set out to become like a pulitzer prize winning author. i just do this for fun haha.

and like i knew that my answer to your ask was always gonna be toxic timbern but i didn't know if i could write it? ig??? bc like tim is a good person. he is!!! he just wants bear so badly. and it's past the initial physical attraction now.

he and bear are all grown up. he likes bear's wit and humor, well the wit and humor he gets to hear when bear doesn't know he's around. but bear wont let him in!!!! bear wont open himself up and tim's apologized!!!! he did!!! he doesn't even know what he did and he still apologized!!!!! and it changed nothing. bear doesn't talk to him or look at him or anything. nothing but polite professionalism.

and then one day, he sees bear on his balcony as he's swinging through the streets of gotham. and bear isn't doing anything special, he's just sitting there in sweats and no shirt and the moonlight hits his pecs just right and his shoulders are so broad and-

well he cant be blamed for stopping to take a peek, right? and maybe when he has has time he swings by more and more. just watching for longer and longer, until one day bear catches him. and as they stare at each other from opposite sides of the street, tim thinks this is it. the cold glances and frosty words are going to come back. bear's never gonna just sit on his balcony again. he's lost this too. but then-

oh.

bear sends him a hesitant wave and tim raises a trembling hand to wave back. and bear- well bear's mouth splits into a smile brilliant enough to rival the sun. beautiful like the sunrise. the promise of a new beginning. if he closes his eyes, tim thinks he can feel the sunlight's warm rays on him.

hes' hooked after that. he comes around again and again. one day bear lets him on the balcony. weeks later, bear's hugging him. weeks after that, tim's in bear's lap. and he knows it's not right. that bear thinks he's someone else. that bear doesnt want anything to do with him but how is he supposed to let this go? how is he supposed disentangle himself from bear's arms?

so he lies and he lies and he prays to any and every god he can think of, that he'll get to keep this. plus he's not really lying to bear, he's just... not talking about it! if bear asks, he'll tell him point blank. he swears it. but that's a problem for another day. things are looking up! bear said more than 5 sentences to him the other day and yesterday? he even got a small smile. it'll all work out. he'll be fine.