#i don't say this to take away from the writers

[l-starsz]

Billie convincing reader to let her eat her pussy on her period

I'm inlove with your fics, you're such a damn good writer 🫶🏽🫶🏽

a/n: this probably isn’t great because i’m SOOO tired and my head is pounding rn but i hope it’s good at least🥲 and thank you so much ml!! i’m so sorry this took ages for me to write🫶

billie and i were laying in bed together, watching a movie. her back was resting against the comfy pillows on our bed, whilst my back was resting against her front. i was sat between her legs, and her hands were lightly resting against my thighs. we were both intrigued in the movie, or so i thought. whilst i was watching, and keeping up with the storyline, billies hands began to wander. they roamed up my stomach, cupping my boobs gently, before moving down again to this time, rest against my inner thighs.

i really tried to focus on the movie, but i just couldn't with her hands all over me. i knew nothing could happen, i was on my period, which meant that i had to wait a few more days until she could touch me. i'd been so horny. i was desperate for her, but we both knew that nothing could be done about it. well, she could fix my horniness, but i felt bad for asking her to do that when i was on my period. so i waited, and somehow put up with the feeling of being unbearably horny almost all day, every day.

soon enough, i felt her pressing light kisses behind my ear, down my neck, before lightly whispering in my ear.

"can i try something, baby?"

i slightly turned in her arms so that i could see her face, before answering her in a hushed tone.

"and what would that be, hm bil?"

"please can i taste you?"

my eyebrows furrowed and i looked away as i wondered why she was even asking. she knew i was on my period. she'd practically been taking care of me for the last few days. grabbing me a hot water bottle, or holding me in her arms whenever my cramps worsened. getting me whatever food i wanted when i was craving something. making sure i was drinking plenty of water. she really was the best. i just didn't understand why she was asking this now.

"i.. baby, you know i'm still on my period."

"i know.. i just can't wait!! i want to taste you please, love. i'll do anything."

i hesitated slightly. what if i made a mess, and then she got mad? what if i didn't taste good? she must have noticed the look on my face because she began speaking again.

"if you're not comfortable with this, then we don't have to do it. but i promise you that you don't need to overthink it, there should be no what if's filling your mind. you know i love you no matter what. i think you're the most perfect girl in the world."

how did she know?

it was like she could read my mind.

"pleaseeee? pinky promise i'll take great care of you, angel. just like always. pretty please?"

if i hadn't been so horny for the last few days, i probably would've said no, but that side of my brain just took over. i needed her so so bad. i reminded myself that she would always love me. this wasn't going to change that. she wanted this just as much as i did.

"if i say yes, can you put a towel down? you know.. just in case?" i mumbled, slightly embarrassed.

"of course, angel. whatever makes you feel the most comfortable." she answered me, placing soft kisses on my forehead.

once i'd spent a short amount of time thinking about it, i looked back into her eyes and nodded.

"i need you billie."

she just smirked at my words, before sitting me up slightly so that she could move from behind me, and settle in between my legs instead.

it didn't take her long to leave the room and grab a towel, folding it slightly and placing it underneath me. she sat on her knees at first, slowly pulling my pyjamas and underwear down so that she had the perfect view of me. once our clothes had been discarded in a messy pile on the floor, she leaned down to lay on her stomach, getting even closer to my core. i let out a needy whine when all she did was lightly blow against my pussy.

she could already see how wet i was. i hadn't told her about how needy id been for the past few days, but i think that as soon as she caught a glance of how wet i was, she immediately realised. she didn't bother to waste any more time, diving straight in. her tongue ran a long stripe up my pussy, before focusing on my clit. she was trying to get me wetter, it wasn't like she needed me to be wetter, she just wanted to tease. i reached my hands down to grab her hair, pulling her impossibly closer to my core in an attempt to get her to move faster.

we both knew that i was already pretty sensitive because of how long i'd needed this, so it wouldn't take her long to get me close, which was why she was trying to drag it out as much as possible. she wanted me to last as long as i could.

her tongue flicked my clit, before licking and slurping, just doing as much as she could to bring me pleasure. after what felt like an eternity, she finally moved to push her tongue inside of me. she worked her tongue against my tight walls as they squeezed against her. my orgasm was approaching fast, and my arousal must have been dripping all over the lower half of her face. at that point, i'd completely forgot that i was on my period, and i think billie had forgotten too. we were both too focused on me finishing.

i was so close, and to add to the pleasure, she pressed her fingers on my clit, quickly rubbing circles against it, making my moans as loud as they could get. i couldn't hold it any longer. no matter how hard i tried, i was too desperate.

"billie! baby, can i cum for you? please?" i moaned out.

"that's ittt." she praised, "cum for me, my love."

as soon as i heard those words, my orgasm hit me. my moans and cries were broken whilst i let the feeling consume me. my back was arching off the bed, and my hands were still tangled in billies hair, gripping onto it tight to ground myself slightly.

as i started to come down from my high, my grip loosened on her hair, and i felt one of her hands gently rubbing my stomach to help me calm down. when i finally flopped against the bed, trying to catch my breath, billie pulled her face away from me, looking into my eyes with a proud smile. all i could see was a mixture of my arousal, and blood dripping down her chin and coating her lips.

my cheeks turned red and i covered my face, embarrassed even though i knew billie was just happy that she'd made me feel good.

i didn't even notice her come closer to my face until i felt her carefully grabbing my wrists to pry my hands away from my face, and i heard her pretty voice.

"don't be embarrassed, angel. can i go clean you up now?"

"please." i nodded and thanked her, allowing myself to be lifted up in her arms, my head resting on my shoulder out of exhaustion.

once we took a long shower, and pampered each other, it was time for us to get back in bed and watch movies for the rest of the day, enjoying each others company just like usual.

[rius-cave]

This is a Adam character question. Do you think Adam was really a misogynistic? All we see him around is women, his best friend was a woman, he took orders from women, ect. While he did call women the b word, that really had nothing to do with his character since everyone in that show swears.

I don't even personally think he was rude to Lilith because she was a woman. But because the angles told them what their roles were and Adam was probably like. "Alright, do whatever you say!" But Lilith just wasn't having it. 😭

See this is a hot debate, and I feel like not even the writers are really sure about it lol. They wrote him being around a lot of women and, like you said, showing like a decent amount of, I guess respect? towards them. But then I think he undoubtedly comes across as someone who *would* be misogynistic.

There are a bunch of threads on Twitter talking about how no!!! Adam is not misogynistic!!! He says Lute is badass and this and that!! And I feel like we forget that misogyny can look differently and even manifest differently in people.

I think Adam has what I'm gonna call (and don't cancel me for this lol) externalized misogyny LOLOL let me explain

I think if you talked more to Adam about the "concept" of women, he'd spout some pretty awful stuff LOL, mostly he would just be reciting back a lot of classic misogynistic comments that he's heard and that he's SUPPOSED to believe, that also align with his fuckboy persona or whatever you wanna call it. And of course, let's not forget how he calls women bitches and, probably worse, the c word LOL so there is DEFINITELY SOME ISSUES THERE I'D SAY

However! Yeah, he definitely seems to at least value Lute and the exorcists, he thinks they're capable killing machines, and he does take orders from his boss who is a woman. But I think that's where Adam doesn't even realize these women break the "mold" he's supposed to believe, and thus, doesn't even think of them as "women". He knows they're women, of course, but in his mind they're "his girls" or "the exorcists" and "my boss/my manager/Sera". It's like he has misogynistic views about the idea of women, but when it comes to the actual women he knows, he sees them as much more than that.

It could honestly also just be that he's a misogynist only to the women he doesn't like lmao, which is a very real thing that happens in the world lol

I think there are arguments for both sides and I have somewhat of a mixed view on it, I'm not married to either position, I tend to write Adam as just a general dick in all ways possible LOL. The only thing I don't think he is is racist because that's personally funny to me LMAO.

Sidenote, yeah I don't think it was him being sexist that drew Lilith away, like you said I also believe that he was just following what Heaven told him to do

[vonbabbitt]

Okay Von hi feel free to just ignore this if it's not a topic you want brought up and I'm not saying this was bad writing on your part since it was definitely unintentional but GOD DAMN it hurts that Watari died and was specifically burned during black history month. The cold motive being during December was a coincidence so this definitely is too but holy fuck it just hurts. A lot.

Praying it's a suicide honestly because one of these students I've grown to love burning a black woman alive on purpose during February (ik they don't know it's February but on principle it still hurts) would fuck me up so bad.

You're an awesome writer so don't take this the wrong way, it isn't a critique at all and definitely just seems like an awful coincidence to me but still. It's an awful coincidence.

(if it wasn't obvious btw I am black just so this doesn't read as some weird yt person lmao)

Thanks for making tetro anyway, hope you're in better health soon

hey anon, i wanted to address this because its a totally valid thing to bring up and your message was really really polite about it

it genuinely is just an awful coincidence unfortunately. when i first wrote all of tetro a few years ago i had zero idea of when it would be releasing or what the release schedule would look like, and things just happened to line up in a really unfortunate way.

obviously i cant speak on any matters of the case or the trial or the culprit right now, so i think a much better use of this platform and time would be to discuss ACTUAL issues of anti-black racism in japan with the focus people are now giving watari. hopefully thats a use of this platform that people will be able to take something away from

japan, historically, has had relatively limited interaction with african countries and people of african descent. the first time a black person was actually recorded historically in japan was a 16th century samurai named yasuke who was brought over by portuguese traders and eventually then served as a samurai under a 16th century daimyō named oda nobunaga. yasuke was very much a spectacle in 16th century japan, with records at the time saying that people in kyoto were fascinated by his height and dark skin. japan's interaction with black people remained extremely sparse throughout a lot of this time.

in the late 19th century, during japans early globalization, american minstrel shows (blackface performances) toured in japan, which introduced derogatory caricatures of black people to japanese audiences. it was a sort of imported imagery in that sense, carrying imported western racism with it into japan and laying foundations for japan's anti-black stereotyping in future japanese media.

during ww2, japan portrayed itself as a champion of non-white peoples against western imperialism and proposed a racial equality clause at the 1919 league of nations, which western powers rejected. while they were advertising this anti-racism approach, propaganda and attitudes within japan were actually a lot different. for example, after the war, many japanese people initially blamed black soldiers for the bombings, insisting that their skin had been "blackened" by the bomb. the american occupation of japan from 1945 to 1952 then brought a significant black presence to japan, with about 15000 black troops stationed in tokyo alone by 1946. these soldiers' interactions with japanese civilians (including romantic relationships) served as many japanese people's first prolonged contact with black people. the occupation era brought a new wave of mixed-race children that then went on to face strong social stigma in japan and the US alike, dredging up entrenched ideas about racial purity. generally, japan's historical context regarding black people is one of limited contact and imported stereotypes, setting the stage for modern perceptions.

in contemporary japan, which is still about 98% ethnically japanese, black people are an incredibly small minority, thought to make up only 0.02% of the population. because of this homogeneity, many attitudes towards black people are shaped by media images and lack of personal interaction. on one hand, theres still a curiosity and admiration for aspects of black culture in japan - mainly african-american pop culture, particularly hip-hop, sports and fashion. younger japanese people emulate black musicians and athletes, as well as certain subcultures (notably the late 1990s "B-style" trend) and at times even darken their skin to imitate black celebrities. on the other hand, deep-seated stereotypes persist. black people are often stereotyped as exceptionally athletic, musical or "cool", but also dangerous and foreign. as an example, black residents in japan will commonly report that strangers perceive them with a mix of fascination and fear. baye mcneil (who is a black author living in japan that i absolutely recommend reading the works of) notes that japanese reactions to blackness are frequently rooted in ignorance rather than malice. he notes that many japanese people fear blackness, and that their fear comes from a place of ignorance. this manifests in ways that may seem subtle at first glance - avoiding sitting next to a black passenger on the train or holding their belongings a little tighter in the presence of a black person. microaggressions against black people in japan are still extremely prevalent.

that same prejudice can also take the form of insensitive comments or questions, usually stemming from the assumption that all black people are from africa or america and fit certain tropes. for instance, a black friend of mine who visited japan recently noted that she was asked on more than one occasion if her skin colour would "rub off", reflecting a massively prevalent lack of exposure. japanese anti-black racism is strongly rooted in ignorance as opposed to the overt hatred displayed in western countries; physical attacks motivated by race are unusual. instead, social exclusion and othering are the more common issues. black people, like other visible minorities, often face the "perpetual foreigner" mindset japan still holds - no matter how long they've lived in japan or how well they speak japanese, they may be treated as outsiders. even japanese-born residents of mixed african descent can be viewed by some as not "fully japanese", as seen in public reactions to famous mixed-race individuals of such descent. to recap, modern attitudes are a complicated mix: a general polite public demeanour masking unspoken biases, a fascination with black culture coexisting with lingering stereotypes, and a lack of awareness that results in black residents frequently feeling hyper-visible yet entirely misunderstood and misinterpreted.

id also like to talk about the role of japanese media in anti-black racism in japan. japanese media and pop culture have a bit of a mixed record in their portrayal of black people. historically, representations were often steeped in caricature. in anime and manga, black or dark-skinned characters are often drawn with exaggerated features reminiscent of racist minstrel imagery, such as the very frequent use of exaggerated lips seen in many popular anime. two fairly infamous examples are mr. popo from the dragon ball series and jynx from pokemon. mr. popo is a genie-like character depicted with jet-black skin, large red lips and a turban, features clearly echoing the blackface iconography japan became familiar with in the 19th century. these designs sparked criticism internationally as well. western releases of these shows later altered the characters, such as mr. popo's skin being recoloured to bright blue in one edited instance, to downplay the resemblance to racist caricatures. the portrayal of black people in japanese media has thus been subject to intense criticism for insensitivity. many japanese viewers initially did not recognize these depictions as offensive, due to the different historical context, but awareness around anti-black racism has since been growing.

live-action media and advertising have also featured plenty of tone-deaf portrayals. blackface in comedy shows persisted in japan long after it had faded from other parts of the world. as recently as new years eve 2017, a popular comedian (masatoshi hamada) donned full blackface to impersonate eddie murphy on national TV, igniting outrage among international viewers and anti-racism activists. domestic reaction within japan was mixed, with some defending it as harmless cosplay and others (both japanese and otherwise) pointed out that, intentional or not, such images are hurtful and stem from ignorance. baye mcneil (shoutout again) led campaigns to educate the public on why blackface is offensive, especially with the 2020 tokyo olympics on the horizon and japan under greater global scrutiny. in 2020, japans public broadcaster NHK aired an animated segment about the black lives matter protests that depicted caricatured black figures (a muscular black man speaking broken japanese, with others shown looting) without any mention of police brutality - a portrayal widely condemned as racist. NHK retracted and apologized after facing backlack, showing that japanese media institutions are finally (but slowly) being called to account for promoting racist imagery and stereotyping.

there have been positive developments. the rise of internationally successful mixed-race japanese athletes and celebrities - such as tennis star naomi osaka, who is haitian-japanese, or signer crystal kay, who is korean-african-japanese - has prompted more nuanced conversations about identity. advertisers have featured more diversity in commercials, though not without missteps. as an example, one 2019 nissin noodles ad drew criticism for depicting a cartoonized naomi osaka with much lighter skin and eurocentric features. on variety TV, black personalities often appear, but sometimes in tokenized roles. notably, foreign talents like bob sapp and bobby ologun became famous in japan in the 2000s. while they gained popularity, they were somtimes boxes into caricatured personas (the "big scary black man" or the comic relief.) a quote from a japanese viewer at the time noted that "bobby ologon speaks weird japanese, bob sapp eats raw meat...it's like watching a circus show. people look down on them and it is obviously discrimination." this underscores how japanese media often plays up stereotypes (the non-fluent funny foreigner, the brute strength athlete, etc.) for laughs. however. more recent years have seen more candid discussions in media about racism. for example, japanese news programs covered the 2020 BLM marches in japan seriously, and films or other literature by afro-japanese creators, such as the memoirs of black residents, are slowly gaining more attention. overall, japanese pop culture is gradually, if slowly, moving from caricature to more authentic representation, pushed by both international pressure and a new generation that is more globally aware.

for black people living in or visiting japan, everyday life is generally safe but can be clouded by subtle discrimination and challenges. japan has no law explicitly prohibiting racial discrimination, so incidents of bias can go unchecked. a government survey in 2017 revealed that nearly one third of foreign residents had encountered derogatory remarks, and about 40% reported facing housing discrimination. black individuals often find themselves included in these statistics and often experience much greater suspicion than white foreigners. for instance, many black residents have stories of being repeatedly stopped by police for "random" ID checks or questioning, a practice linked to racial profiling. michael sharpe (a professor with the university of oxford) notes hearing of south asian and african immigrants being "stopped and harassed by police, denied housing, relegated to certain types of employment, and exploited" in japan. such profiling feeds a sense among black communities that they are being watched with particular scrutiny. a black american in tokyo reported that in his first week of living in a neighbourhood, he was stopped by police for riding a new bicycle, with the implication that a black person on a new bicycle may have stolen it.

housing and employment present other hurdles. its common for landlords and real estate agents in japan to flat-out reject foreign renters, with excuses such as language barriers or different lifestyles. black applicants, especially those from african or non-western countries, report this rejection at higher rates, sometimes hearing that neighbours or owners are "uncomfortable" renting to them. in the workplace, blatant racism is uncommon, but black professionals often face a ceiling or bias. many employers prefer hiring white westerners, perceiving them as more "suitable" english instructors or corporate representatives due to pervasive western-centric images, which can sideline black candidates. those who do work in japan might also endure ignorant comments from colleagues - for example, joking about skin colour or being compared to random black celebrities. a lack of diversity training means coworkers may not realize their "innocent" jokes are hurtful or disparaging.

social interactions can range from warmly welcoming to awkward. many japanese are genuinely curious and might ask personal questions with a racial charge behind them that the japanese fail to recognize. in more negative cases, black people may be avoided in public - a phenomenon illustrated by baye mcneil's anecdote of a man literally turning away and guarding his pockets when mcneil stood behind him in a train line. children often point or call out black people because they so rarely see black individuals, with such moments highlighting the feeling of otherness that black residents frequently experience. there have also been many incidents out outright rudeness: strangers touching black hair without permission, or making vulgar comments about the hygiene of black residents based on stereotyping.

its important to note that in the modern day, many black visitors travel in japan without incident, and many black expatriates build meaningful lives and friendships in japan. the discrimination tends to be subtle or indirect rather than open hostility. japans strong cultural emphasis on politeness often restrains open hate. however, this can be a double-edged sword. problems of racism may be denied or swept under the rug entirely. a common culture among the japanese is that "racism is an american problem, not a japanese one," which was a reaction seen when BLM rallies were held in tokyo. black residents in japan know differently - they live with daily reminders that their appearance sets them apart, for better or worse. in summary, daily life for black people in japan is usually from from violence or blatant abuse, but not free from the strain of being viewed as "alien" and having to navigate systemic biases in housing and policing that other groups might not face to the same degree.

several high-profile incidents in recent years have brought anti-black racism in japan into the spotlight and stirred public debate. one example is the case of ariana miyamoto in miss universe japan 2015. when miyamoto, born to a japanese mother and black father, won the miss universe japan title, it sparked nationwide conversation about what it means to be japanese. while many were proud of her win, a vocal sector on social media questioned whether a mixed-race contestant should represent japan. miyamoto, who was raised in japan, revealed she had faced bullying growing up - classmates threw trash at her and called her racial slurs due to her darker skin. the controversy around her victory - with comments such as "she doesnt look japanese" being prevalent - highlighted the exclusionary view some hold. her grace under fire and the support she received from others also became a teaching moment about multicultural japan.

another example is the case of tennis champion naomi osaka, who - as mentioned earlier - is hatian-japanese. while she is widely celebrated in japan, her rise came with many instances of racism. in 2019, japanese comedy duo a masso joked that osaka was "too sunburned" and that she "needed some bleach", implying her skin was too dark. they apologized after receiving harsh backlash. earlier that year, as mentioned earlier, nissin noodles released a cartoon ad where osaka's character was depicted with much lighter skin and hair than in reality. following criticism, nissin withdrew the ad and admitted they had not consulted osaka on her portrayal. osaka herself has handled these instances of racism with maturity, even joking in response to the bleach comment, and continues to proudly represent her mixed heritage.

anti-black racism in japan is a multifaceted issue, shaped by history, media representation, and japans self-image as a homogenous society. only in recent years has japanese society progressed towards a stance of anti-racism. i think whats genuinely fascinating about japans position is that we're seeing the disassembly of societal racism in real time in japan. massive civil rights strides that happened a hundred years ago in america are happening now in japan for the first time. we're seeing a new generation of japan that wants to directly oppose racism, and a generation of black japanese residents that are showing their strength and exceptionality. i really vividly remember the backlash against naomi osaka - and backlash on that massive of a scale can be terrifying. its inspiring on such a genuine level to see her demonstrating that level of strength and determination in the face of racism.

its genuinely unfortunate how the uploads happened to fall in regards to watari and black history month. however, if nothing else, im glad to have been given the opportunity to talk about black history in japan, and im glad to have been given the opportunity to witness the fight for the safety, acceptance, and love of black people in japan in real time. i know this was a bit of a long read but i had a lot i wanted to go over lmao.

as a final note, please dont be complacent. its really easy for people to reblog posts about black history and civil rights without really doing much of anything else. please always be the type of person who fights against anti-black racism. please use your voice correctly. you dont have to be anywhere near japan to have a say in how japanese racism is received by the greater world. the benefit of a global culture is that you can use your voice to affect things in other countries. when there are japanese comedians making horrible jokes about black people, and when there are japanese companies putting out ads that mock and erase black people, you have the ability to loudly raise your voice about it. so please always do so

idk how to end this but if you made it this far thank you for reading lmao. and thank you anon for giving me an opportunity to talk about this in more depth. i hope everyone has been able to have a reflective, meaningful, happy and genuinely loving black history month

[hedawanheda]

Hi! Don't know if you've seen the little 10 years of clexa kisses thread going on? Writers posting their favorite kisses from their own works

I would love to see your favorite kisses that you've written! Or any new ones yoi may have 👀

OOOH I LOVE THIS!!

First kisses are always my favorite to write, so apologies that most of these are first kisses lol

answer under cut! one for each story where they already kissed (sorry, ‘no body no crime’ and ‘hold my crown (while i go down),’ you’ll get your moments!). Link to the stories in title

8. The Babysitter

mutual pining/high school crush au that was so fun to write!

“Hey, Lexa?”

“Yes?”

“Can I kiss you?”

“Can you- what?” Lexa was taken aback. She had to make sure she heard that correctly.

“Can I kiss you?” Clarke asks again, calmly. “You don’t have to say yes,”

“I…” Lexa falters, at a loss for words. She couldn’t think straight, not with the way Clarke was looking at her with those eyes and that lip bite. God, Lexa wanted to bite it herself.

Clarke suddenly looks embarrassed, sitting up on the bed. “Um. Sorry. I don’t know why I asked that. That was weird. Forget-“

“You can,” Lexa blurts out, Clarke’s mouth still open mid sentence. “Kiss me, I mean. If you still want to. Thank you for asking, by the way. Consent is always a good thing-“

“And you call me the dork,” Clarke grins as she pushes forward, wrapping her arms around Lexa’s neck and brings her in for a kiss.

7. More Than That

friends to lovers!! secret mutual pining!! ugh love it

“I love you,” she whispered quietly. She searched Lexa’s face for any reaction, to which she found none. She felt her heart crack. “I’m sorry. I ruined it. Please forget that I said anything. Better yet, forget that you’ve ever known me. Just throw your entire memory aw-“

Clarke shut up because Lexa decided to kiss her. It wasn’t like the ones when others were around, no. This one was slower, and softer. Lexa’s lips moved with a purpose, gently pressing against Clarke’s as if she was going to break her. She pulled away moments later, gazing into Clarke’s eyes.

“You just kissed me,” Clarke said blankley. “Why did you do that?

Lexa grinned, biting her lip. “Because I’ve loved you since we were thirteen, you dope”

6. The Lighthouse

the little mermaid first kiss to get your voice back. sucker for this

She decided to take the leap. Her head moved down swiftly, connecting her lips to Clarke’s.

Her body tingled with warmth, Clarke’s lips soft against her own. She felt hands on the back of her neck, pulling her closer. Lexa’s brain felt like it was exploding. Clarke pulled back, before tilting her head and going back in. This felt right. Lexa’s gay brain turned into a pile of mush.

“Finally,”

Lexa agreed, smiling as she kissed Clarke again, and again, and again. It took a minute for her to register that that word was spoken out loud.

Lexa pulled back. Surely she imagined that, right? She looked at Clarke, whose lips were kiss-swollen and hair mussled. Clarke smiled at her widely and nodded, signalling that Lexa did not imagine that.

“Hi,” Clarke said, clear as a bell. Lexa’s mouth dropped open in pure shock. “I love you,”

5. you belong with me

my taylor swift au where Lexa professed her love to clarke on Jimmy Fallon so Clarke flies to new york to see her immediately after and they kiss in the rain

Clarke was overcome with emotion. Every one of Lexa’s songs were about her and her love for her. Clarke couldn’t help the huge smile that appeared on her face before she closed the distance between her and Lexa to meet the girl in a heated kiss. She kissed Lexa with all the passion she could muster, wanting to show the girl how much she meant to her and how touched she was from last night’s interview. Clarke swiped her tongue across Lexa’s bottom lip, asking for entrance which she was soon granted, Lexa’s tongue shyly meeting hers. They kissed in the middle of the New York rainstorm, and to Clarke, it was perfect.

4. for the love of the gods

this one’s good cause lexa is supposed to be a celibate priestess and patron goddess clarke’s like NOT ON MY WATCH

Lexa felt a hand at the back of her neck and then the next thing she knew the stranger attached her lips to Lexa, surprising the priestess in more ways than one.

You need to stop this Lexa thought to herself, trying not to think of the softness and sweetness of the girl’s lips. You made a vow, this isn’t right

“You’re overthinking this,” the girl murmured against Lexa’s lips. “Stop. Just for once, don’t think,”

You didn’t have to tell Lexa twice.

She kissed back like it was her last time (because it might be) and she felt the girl grin, satisfied that Lexa decided to give in. The girl swiped her tongue across Lexa’s bottom lip, asking for entrance that was soon granted by the brunette The girl’s hands threaded through Lexa’s hair, messing up the intricate braids that adored her hair, but Lexa didn’t care. She never knew kissing could feel this good.

3. So High School

I love this one cause Clarke thinks the kisses mean they’re best friends🤣 come on girl

“Well, Ontari is a second-year senior who probably takes steroids, and you’re just a scrawny sophomore,” Clarke smirks jokingly as she hooks her fingers in the collar of Lexa’s shirt. “Don’t worry, babe. You’ll hit puberty someday,”

She leans forward to kiss Lexa, the brunette’s eyes fluttering closed when she feels Clarke’s lips meet hers. God, kissing Clarke had to be her favorite thing in the whole world.

“You’re your own harshest critic,” Clarke whispers as she pulls away, letting go of her hold on Lexa’s shirt collar and clasping the girl’s hands in her own. “Let me be your biggest cheerleader,”

2. secret recipe

first kiss for the helpless gay chef and idiot bisexual heiress

“It doesn’t have to mean anything,” Clarke continues when there’s a lack of response from Lexa. It doesn’t have to, but I want it to. I want it to mean everything.

“Clarke…” Lexa’s heart is pounding so hard she fears it may burst out of her chest. “Are you sure?”

More sure than anything.

“Yes,” Clarke answers instead, surging forward to connect their mouths in a soft kiss.

Clarke feels her heart exploding the moment their lips touched, and she melts into the kiss. Kissing Lexa felt different than kissing anyone else, but in the best way possible. It felt right. Like Clarke finally unlocked the secret to happiness, and it was kissing Lexa Woods.

1. royally screwed

as if anyone is surprised 😂 not their first kiss but the first one with ~feelings~

“It comes from a Norse myth,” Lexa tells her wife, her palms suddenly becoming sweaty. “You see, the son of Odin and Frigg, Baldur, started to have dreams of his death, so Frigg made all of the things on earth promise to not hurt her son. He was now said to be invincible, so the other gods took joy in throwing things at him.” Lexa was staring up at the mistletoe, avoiding Clarke’s eyes. “The mischief god, Loki, was jealous of how popular Baldur was, so he searched far and wide for something that could kill Baldur. He found out Frigg forgot a simple but deadly plant: mistletoe,”

“So he fashioned a spear with the mistletoe and convinced a blind god to throw it at Balder. Once the spear hit him, he died. Heartbroken, Frigg now made it a rule that mistletoe would be used for love, and that whenever someone encounters it they show an act of love; that’s why we kiss underneath it,” Lexa took this chance to look at Clarke, who was listening intently. Her bright blue eyes were staring at Lexa in wonder, causing the brunette to realize what her wife might think she implied.

“But um,” Lexa stumbled over her words. “That’s just a superstition. An old wives tale. It doesn’t mean we have to-“

“Lexa?” Clarke interrupted softly, a bemused look on her face. “Are you going to kiss me?”

Lexa felt her mouth go dry. Her eyes widened as she but her bottom lip nervously. “Am I allowed to?”

Clarke smirked as her eyes twinkled. “Come here,” she said, cupping Lexa’s face as she stepped closer and pressed her lips to her wife’s.

This kiss felt different.

It wasn’t at all like the two passionless ones they shared on their wedding day, it was soft. Innocent. A confirmation of the feelings that both of them had. Clarke felt her already flushed cheeks burn and her stomach swoop as Lexa’s plush lips moved lightly against hers, the feeling setting her on fire.

It wasn’t their first kiss, but it should have been.

[bigsoggyboots]

Ephemeral

.

Cowgirl!Sev × Black!CityGirl! Reader

random disclaimer: sorry I dipped for like 2 weeks. I encountered major writers block for the first time and went through a stressful 2 weeks of school. Now I'm sick, had to miss a day and a half of school, and wrote this. You could probably tell what I was reading to have me make an idea like this LMAO.

wc: 774

cw: mentions of drinking.

I referenced so many songs I have to put a list:

SAY SOMETHING - TWICE

Brave - TWICE

Green Eyes -Erykah Badu

Can't Take My Eyes Off Of You - Erykah Badu

SAPPY - RED VELVET

an: I said a lot already but the image below is one i edited using Picsart for the first time. It's free to use lol.

“Who woulda’ thought..” Sevika's words brought you away from the scenery before you. She still looked ahead, gripping your hand a little tighter. “..that all I needed was a city girl to show me this.”

You looked ahead, at the rain you both couldn't bear to look away from, then back at her. “Show you what?”

You saw a smile creep on her face before a chuckle left her. “How to find contentment in the mundane.” You blink in surprise. “You think I ever sat and watched the rain with anyone else?”

You turn and feel the blush fill your cheeks as you watch the rain she was talking about. You hated when this happened; when you'd get flustered and grow acutely aware of every sensation. And fortunately so, Sevika did that to you.

Since the day she reeled you in on her horse to now in the early foggy morning on her porch swing.

God, it's a love-hate feeling.

You knew she was watching you, those perfect steel eyes swallowing you whole. She was waiting for you to say something.

‘Please say something you blundering fool.��

“I know the feeling,” You smile, your gaze meeting hers. Neither one of you looked away. “I hadn't known something like that until I met this girl.” Sevika grimaced at your words, the huff leaving her making you chuckle.

“The work I had to do was long, hard, and exhausting. Day in and day out, I did damn near the same things. Wake up, eat, feed the animals, do chores, sleep, repeat.” You saw the way her face softened. You'd be lying if you said it wasn't heartwarming. “I was bored of it all.”

She gripped your hand a little tighter, egging you on. She scooted in closer. Maybe a wrists length away from you now. If you weren't so desperate to kiss her, you wouldn't have calculated that so fast.

“Then there was this one night in the barn. We both got drunk as shit, and she told me all her secrets that night.” Sevika forgot about that. She thought you did too. You told her the day after you did. Liar. “I don't think I'll ever forget that night. The blush on her face, the open wrinkly shirt,” Your eyes trace around her lips. “the smeared lipstick on her lips.” You played a dangerous game there and Sevika chuckled at your bravery.

“Anyways, the night was boring. But, for the first time, I loved it.”

The rain picked up and so did Sevika's smile. You've never seen her so open with you, and the comfort that it brought you was better than any touch could ever give.

“I wanted to live in that night for the rest of my nights. I've never wanted to drink with anyone else but that country girl.”

The rain filled the silence the two of you didn't bother to disturb. What else more could be said? 3 years of feelings were just spat into the air. You couldn't feel simultaneously more uncomfortable and so proud of yourself.

Yet, you both still held the same distance. You feel the shaking in her hand as she forces her hand to still.

Why is she shaking? Why is she waiting?

Then it hit you.

She's waiting for permission.

“Kiss me? Please?” Your voice comes out in an embarrassing squeak. Her lips encapsulates yours before you can even think.

☆

Southern drawl soothes you, puffy lips infuse you, and Ms. Cowgirl can't take her eyes off of you. Nothing but you.

Sevika's too good to be true. You wish you could remember how many kisses were being exchanged, out of either happiness or lust, so you could possibly keep it somewhere in the back of your mind.

“You're smotherin’ me.” You joke as the dogs bark. Even they grew tired of your sappy shenanigans.

The sun peeked out now, the sunrises glow decorating itself on you and Sevika's complexion. It was beautiful seeing how the sun creeped on your figures.

Sevika didn't bother to say a thing, pressing one more quiet kiss to your collarbone. While you stared ahead, Sevika kept her gaze to you. Her laugh was mischievous, prying your gaze away for a moment.

You feel something being placed on your head, and as you felt the object, you realized what Sevika was missing.

Her hair was free now, a little ruffled with small fly-aways; and now she could hardly contain the smirk forming.

Ephemeral was this moment. In your mind, you took a million snapshots as she said her next words.

“You're mine beautiful. And I'm yours. Ain't nothin’ gon’ change that.”

☆

[the--highlanders]

Hii, I'm trying to think Jamie-related thoughts. And I guess I'm thinking about how he's often characterised by his limitations as a young 18th century man, but he travelled with the Doctor for so long. How much do you think he ever got used to technology?And what are some other things that he would've got used to in his travels or other time zones that he never thought he would?

oh I absolutely think he gets very used to technology!! he's probably never quite as fluent with really futuristic stuff as, say, zoe is, but I almost think he might take to it more easily than ben and polly do - because they're working with a 60s expectation of phones, computers, etc, whereas jamie has no expectations whatsoever. and also seems to be happy enough to press buttons until something works.

the writers' occasional insistence that he stays fairly oblivious to technology or things from other time periods, and so the implication that he's not very bright, is. a bit of canon I'm willing to handwave away honestly. it does him such an injustice. & it doesn't even hold up with other bits of canon! sure, the dominators write him off as having a 'simple brain' (which honestly feels more like it's because he's human than anything about him as an individual - they also complain he has only one heart. zoe might also have been dismissed as having a simple brain if she'd been in his place!), but they also say he shows signs of rapid learning.

we also see that he's very adaptable and good at figuring out /that/ things work, even if he doesn't know /how/ - for instance, he gets out of the krotons' machine by putting together what two and zoe must have done, even though he doesn't know the science behind it. he takes to the radio he's given in the invasion immediately, works the communications part of the rocket in the seeds of death, works the target training machine in tomb of the cybermen without anyone showing him how.

in the end I think he just winds up with a very patchwork knowledge depending on what he's been exposed to and what he's interested in. he doesn't know what a train is in evil of the daleks, but he can probably explain the engine of a specific spaceship to you because it was critical to some adventure they had last week. he likes recorded music and documentaries and things that make life easier.

in terms of other things he adapts to... jamie's interesting because he's very flexible and open but also still puts a lot of stock in his own culture and values. I think he'd be very open to different sorts of people and alien cultures and how they live, even if it confused him. again I think a lot of it sort of washes over him, and he carries that knowledge with him but otherwise nods along and just carries on being himself. but I also don't think anyone could travel for as long as he does and end up changed by it somehow!

food from different places and times is probably a big one - he may or may not like it, but he'll always give it a try, and the things he likes he probably winds up trying to cook for himself as well. (the food machine is something I don't think he ever adapts to, just on principle. maybe the tardis' milk detector was put there for him because he wanted the real deal.) again, music - it's such a big part of his life and identity and I think he'd be really interested in other people's music. he jams quite happily to whatever is playing on his radio in the invasion, and picks up the closest thing he can find to bagpipes in the wheel of ice. he probably winds up with a whole collection of different musical instruments he's picked up.

being able to read and write is probably something that takes him by surprise, once he's used to it - he would never have considered it a skill he's /missing/, just one he wouldn't expect to have or need, and I think it takes him a while to come around to actually wanting to learn. but once he does it obviously ends up being useful for him, but also I think he reads a lot in his spare time, just because he's a curious person. he still likes to get information by listening, hence the documentaries thing (he'd probably also like audiobooks even more than actual books!), but he'll quite happily read as well.

reading is probably the thing that comes most as a surprise to him, honestly! everything else I think he just sort of. takes in stride. it might be unexpected just because he never imagined it existing, but he'll give anything a shot.

[insanewaykathy]

I've heard that the writers chose to make Chakotay so desperate in Coda because it was a safe area to show his feelings for Kathryn, and that makes a lot of sense. Coda just boggles my mind, but here goes. What was real and what was Kathryn's imagination?

Real:

He's trying to revive her.

Then he uses a hypospray on her and she wakes up.

And this is also real, she really wakes up, first because there is no cut from one scene to another, he stops the resuscitation and then takes the hypospray, and she is not watching, she was unconscious at that time.

So this actually happened:

Chakotay tells her that he's going to get blankets and that they need to contact Voayger. See how this scene is rich in detail and emotion:

And then we have this shot of him running, but there's no one watching. If it were a hallucination, she would see him running, but the image is captured from above.

Hallucination:

When he comes back and talks about the burns in the case, she is already sitting down, this part is probably just in her head, because that is where she enters the cave and the time loops start afterwards.

And then we have them returning to Voyager and I believe that at that moment the alien started having trouble convincing her that everything was real, because the Doctor starts talking some nonsense, like for example, the fact that she contracted phagia, she ends up refuting everything, and the alien starts to get desperate and without options.

So the alien resorts to something more realistic. Back to the accident. And we have this scene:

Then we have a flash, clearly showing the change of scene.

And this scene is real:

The alien wants to make her believe that she is dead and is a spirit, so he shows her the real scene.

At this point, actual communication with Voyager occurs:

And there's a very important clue in this scene that gives it away as real. Tuvok says that the transports have crashed, and at the end of the episode, we see Tuvok and the Doctor on the planet trying to revive her, but they don't take her to Voyager because the previous statement was true. So that part can't be a hallucination.

Hallucination:

Honestly, this alien is not very smart. He shows her that the transports are down, the scene cuts and she is already on Voyager. Total inconsistency.

And then Chakotay just walks out of sickbay and he was super calm at her wake, whereas moments before he was desperate and crying.

And then we flash again, which cuts to a real scene:

And further ahead, another flash, showing another real scene:

One last flash and she finally wakes up, after literally sending the alien to hell:

And then she and Chakotay walk out hugging each other like this:

And then, you know, he gives her a flower and they go on a date on the holodeck:

THIS IS PLATONIC AS HELL!

[fidenciocryptidcreechur]

this rant is specifically because i saw some folks with some rather bad takes on a different platform.

I swear to fucking hell if twst fandom starts genuinely acting like Jamil is a woman hater because he didn't switch up his behavior and still had his overblot crash out with Yuuna I'm gonna lose sanity.

I have seen some joking memes on other platforms (not really here fortunately) but like I have also seen some of these joking takes spiral out of control. It's happened with Trey where folks started thinking Trey doesn't actually care about Riddle or his friends and secretly hates baking, happened with Leona (some still happens but mainly through misconstruing his burnout and depression with laziness but also it carried over when people said he hates men when really he gets aggravated anybody that bothers him which is most of nrc except yuus and his dormmates in general.), also happens with the octotrio (they don't hate each other and i don't know how that weird headcanon came around back then but i am glad it's dead) and with sebek (he has other interests besides malleus and i am so glad people are becoming more aware of this).

NRC has confirmed that the guys do not actually change up their behavior for anyone, they act themselves in every Yuuniverse, and mainly only react according to certain behaviors and personalities. For example, game canon Yuu doesn't have the same interactions as Yuuna, scarabia yuu, and that's because they have two very different types of personalities.

All the overblotters are equal opportunity crashouts, they both do their usual antics regardless. Plus an overblot is literally a magic-made physical manifestation produced from someone being crushed under the pressure of their stress and having a mental breakdown. They aren't exactly going to be accommodating to anyone in any way during this- we see this in all of the overblots and how they will do things they regret or would never do normally. The accumulation of long term stress and resentment over a lifetime isn't gonna be suddenly resolved by someone who has existed on campus for like maximum 6 months so it makes sense that Jamil still goes ahead with the original book 4 events. it cannot be overstated enough that shit was going down regardless and some one who has only been on that campus for maximum 4-6 months and who has likely interacted with the overblotter for less than that total amount of time (simply because they are not and cannot be by the overblotters side 24/7) isn't gonna suddenly undo years of resentment and stress. It's not like he suddenly undid his generational trauma of familial servitude. So while The physical magic manifestation can be attacked, sure, and you can snap the overblotter out of it this way, there was gonna be a blowout regardless.

Love Yuuna, will NOT accept hate for her, but i also will not stand for anyone making trash takes for Jamil who's going through it.

Thankfully I haven't really seen it happening on tumblr (hooray!!) but I have seen it cropping up on a couple other platforms but i am keenly aware of how those jokes can spiral away and how some people will seem to start genuinely taking off with it.

note: i do not particularly care how someone writes their au, their oc/yuusona, or their own writing/jokes- plus that isn't really up to me and it would be a monumentally jackass move to genuinely say or even try to enforce (let people live, don't harass writers you don't like, block and move on, etc). I am mostly talking about the canonical takes and interpretations. Canon is one of those things where one can take inspiration from and that is helpful for writing fiction and for writing the characters but that is ultimately not required for making au's. Can you make better headcanons and is it beneficial to look at canon to help with writing characters? yes, of course. Is it required? no, and often the addition of non-canon details and headcanons- especially ones formed from inspiration from canon- add a lot of life to fics and art. There are some wonderful au's and art in this community which have almost zero connection to the original dynamics or to the story AND THEY ARE AMAZING. This isn't about au's though. It's about some garbage interpretations i saw about the canonical characters and i don't wanna go through round 2 of wild outlandish misinterpretations....

ultimately Not arguing about people's takes, au's and headcanons in this so much as the actual canon and people's take away from it.

Jamil has never been shown to indicate that he's misogynistic or a woman hater and i think it's a garbage take is what i am ultimately saying.

[somuchbetterthanthat]

I think I appreciate Jon never fully giving in to the Corruption Arc that was laid on a red carpet at his feet in canon because, in part, I don't believe this was supposed to be the case.

If I'm considering the way characters react to Jon in latest seasons VS how Jon is actually acting, I'm seeing a world where characters are reacting to something that was supposed to happen, and didn't, because Jon the character fought the writer every step of the way.

What I personnally find it sad is that this wasn't acknowledged enough: Jon fought it. He loved it, he loved the horror and the fear and the ruined world at the end, everything about it was giving him extra dopamine/serotonine/whatever hormone is "happy hormone"; but he knew it was wrong to do so, and he CLUNG to that, the best he could, in a world that was literally shaped for him. In a world where there was the constant siren song of Jonah calling him back to him, calling him to his proper place as Pupil of the Eye.

What I would have liked to see is other people, people who haven't actually managed to resist it (Martin, with the Lonely, HELL, Basira with the Eye/hunt, Daisy a clear parallel to Jon, having tried to fought it and fell inevitably back to her more monstrous self in the end) genuinely fearing too much/not believing that this was an eternal thing Jon could do (if you could, of course, CONTRAST IT, with some more Jonah, from Jonah's perspective, of how /he/ fell into this, and how /similar/ he was to Jon in his younger years, all the more points for me) leading to them trying, and failing, and fearing, Jon's words and position at the end of the podcast, so much so that they tragically try to rob him of his agency again, just like Jonah and Annabelle did before.

On the other side of it, what would have been VERY interesting is Melanie and Georgie leaning more into Jon's side by the end. They wouldn't have had more Jonah InsightsTM that made Martin's fear so strong, nor Basira's defeat and dark pragmatism because of Daisy (and possibly some Jonah too). Melanie escaped the eye. She was given a chance to also fight against the Slaughter (against her will, yes, but she DID take the chance) and she succeeded. Georgie was touched by the end and managed, mostly, one might argue, to rise through it. So those two, especially in this horrible new context, might be more willing to listen to Jon. Melanie I'd say more so even than Georgie, if you think Georgie's history with Jon still blinds her too much.

At the very least I would have liked Melanie and Jon to argue about whether they can cut the tether by, like, removing Elias, then removing Jon in a way that might have of course horrified Martin (and possibly Georgie) but might have swayed Basira if Jon dying COULD choke to death the rest of the fears. If that makes sense. I dunno. I'm spitballing here. Like. Imagine a world where they create a new ritual, STILL with Jon as the core of it, but this time with it being Jon's choice, where they manage to pour so much fear into /Him/ that he becomes a Pandora box and the only way to end it is to burn it or seal it away or something else etc. etc.

Anyway. I just. I don't think Jon resisting the pull no matter how much he could have drink it all in is a bad thing. In fact, by god I love and adore Jon for it because it would have been SO easy for him to give in and he DIDN'T. My problem is more how i personally think the narrative failed him on that at the end.

[vidocqsociety]

every time i see someone bitching about how the last strike "made television the worst it ever was" i remember the absolute genius that was stephen colbert, jon stewart, and conan o'brien faking a weeks-long feud that culminated in a brawl just to fill time

[quantomeno]

I always feel mildly bemused when I read people post about stuff like systemic sexism in fandoms, particularly things like about how people complain more about female characters but ignore male characters with similar faults, or the fandoms loving gay ships but not making as much fanworks for lesbian ones.

Part of this is just because I like female characters (despite being male, I tend to prefer things with female leads etc) and I'm not that involved in a lot of fandom arguments nor do I read a lot of shipfics, so I only hear about a lot of the sexism when people complain about it. Which is kind of funny to me in the fact it must exist, but I'm just conveniently shielded from it.

The other reason is some of my earliest fandoms I got involved in were female-majority casts, so most people do ship the women. Like, I think Equestria Daily once put out an apology after they posted a Braeburn m/m fic (admittedly, the outrage from the bronies back then in 2012 or whenever was probably out of homophobia, which isn't nice either, but the point still stands that they were no issues with w/w shipfics and to this day they are the vast, vast majority of shipping fics (mostly because once you've shipped Braeburn, Sorin' and Big Mac together there aren't that many other guys left to ship, but nonetheless)). Or like Barbie with its vastly superior chemistry between the joint female leads over the threadbare male love interest they've thrown in. Even when the male leads are good, it's popular to ship the girls.

I don't think I have anything substantial to say. I just don't understand the issues other men (or indeed women) have with female characters (and women and femininity in general) (I mean I do understand I just find it bizarre it when like a friend of mine once said he wasn't really interested in stories with female leads. I don't know, maybe read more books with better female protags? I have a bookshelf's worth if you want suggestions) (also like when people suggest there needs to be more talk about good female characters like, most of my favourites are already females and I will gladly talk about them till the cows come home). But also that's just me.

Also I kind of do like m/m ships a fraction more but that's like 90% because I'm bi and so, you know, I like seeing guys together because I kind of would like to get together with a guy if the opportunity arose. But I mean other than that they're just ships. Like sure there can be a different vibe or flavour to w/w or m/m or straight ships, but I mean if they're good characters why should my interest depend on their genders? I read things to experience the lives of others, I don't want to just see stories that match my experience. And sometimes I empathise most with the female characters so like, you need to approach characters with an open mind. I don't know.

OK I'm rambling now. I think I made my point. I'm not sure what it was anymore but I guess it's that women in fiction are cool and I don't know what everyone else's problem is.

[asterdeer]

not vagueblogging in a mean way but in a "this is tangentially related to a post i saw but not nearly enough to leave it in the tags of the post", but it's like. so fucking incredibly important to me that the cemeteries of amalo is not a series where the main character loses their religious faith and finds new faith in a secular source. like of everything i care about in literature right this moment, at the very top of the list is "thara celehar not being beaten and bullied by the narrative out of his faith in ulis." this was not even a concern to me at first because it seemed unthinkable but the longer it takes the tomb of dragons to come out, the more the possibility scares the ever loving shit out of me. like no one is allowed to be religious in spec fic even though that's the easiest place to have religious characters, much less religious AND gay AND mentally ill and none of those things are like, canceling each other out -- they are all braided together and inform each other and build his character and like. to me the whole character falls apart if you take faith out of that braid. i know that people fall out of faith and that's valid and fine but can i please have one character. ONE. one character. who stays. pleeeeeease katherine addison i'm begging you. let me keep this one.

[gayofthefae]

Do you ever think about how Lucy said marriage and kids with Tim was a “long way off” but that’s also what she said about sleeping with him hmm

[jthepearlord]

On a lukewarm take.

I'll tell you right now, most adult mainstream media is not more "subtle" in is subtext than children's mainstream media.

Why is that? Children's entertainment can't get away with a lot of literal imagery.

Like queer rep, ND rep, and or most political issues.

So it requires the use of symbolism and subtext to get through it to it's audience with enough deniability to not upset the status quo.

Symbolism I've found to be much more powerful in a lot of all ages media than in adult and YA entertainment.

That is to say, all media should be consumed with our own biases in mind.

Instead of saying, X was bad and irredimible, people should be asking themselves, "why does this character make me FEEL this way about them, how much of that is intentional and how much of it is my own interpretation, why Y character forgave them so easily, what reasons do they have".

I consume all sorts of media, and most adult media I enjoy is adult media produced by artists mostly known for children's entertainment, they more often understand nuance and earnestness that a lot of newer adult guested media does not.

Do you think kid shows are black and white? Boy, I have bad news about cop thrillers.

I jest tho it's easier to extrapolate character from simplicity and earnestness than from media that is constantly embarrassed of being "too weird and unserious".

Some people consume only adult media, (not cartoon adult media like, just in general mainstream media) and have the media literacy of a fish.

I do think is important to watch everything you find mildly interesting, wether or not it's withing your preferred générés, demographics, and styles.

But I find it iffy to imply that all ages media is mostly not nuanced, because "they have to appeal to children black and white mentality" when that's just a big misconception.

Any weird vibes check my tags

[gothamphantomgoat]

[horrendoushag]

I think you have an amazing point OP, though I don't think it's right to say that Dan isn't Danny. I do agree that he is majority Vlad, and that this should be addressed more often within the phandom (that would be super cool honestly), but as far as the writing in TUE goes he is definitely intended to be a future version of Danny and Plasmius.

To quote Dan when he returned to the past, speaking to Tucker: "In my weaker moments I sometimes miss your droll sense of humor." In that one line you can see both Danny, missing his friends, and Vlad, talking like a drama queen.

So what I would say is that while Phantom and Plasmius combined to create a new ghost, Dan as a person is not "new", he's not a different person, he's a future version of both Danny and Plasmius simultaneously.

Anyway good post. Team Dan-is-also-made-from-Vlad-guys-don't-you-remember-that-bit? ftw

About Dan

Something I would like to see addressed more in Danny Phantom fanworks, especially crossovers, is that Dan is not Danny.

Just to be clear, I don't mean that in a "Danny didn't take that path and didn't become that person" way. A lot of stories tend to refer to Dan as an evil version of Danny from another timeline, but that's not what he is.

Dan is not Danny.

He never was.

Dan is not Danny's evil future self. He is not Danny from an alternate Timeline. He is not Danny at all.

In Dan's timeline, Danny and Vlad both got split in half. The ghost halves of both merged and became Dan. Dan is a new entity who was made from half of Danny and half of Vlad. He is not a version of Danny any more than he's a version of Vlad.

Dan actually has more in common with Vlad both physically and personality-wise. Physically, Dan has Danny's hair color and face shape, but he has Vlad's eye color, skin tone, fangs, ear shape, and hair texture. Personality wise, Dan got Vlad's cruelty, ego, lack of empathy, some of his manipulative tendencies, and his flair for the dramatic. He got Danny's impulsiveness.

There are similarities between Dan's origin and the "evil future self from a bad future" plot that is so common in superhero stories, but that's not what Dan is. Danny doesn't exist in Dan's timeline. His human half is dead and his ghost half was part of the materials used to make Dan. This is spelled out pretty explicitly in the show. The Boo-merang doesn't track Dan because it's locked onto Danny's ecto-signature, not Dan's.

You could compare Dan to an offspring of Danny and Vlad. It would certainly be closer than calling him a version of Danny. That said, I think the better description would be that, whatever Frankenstein's creation was to the people whose graves Frankenstein robbed to make him, that's what Dan is to Danny and Vlad.

Danny's fears regarding the Dan timeline would not be about his own potential to go bad, but about Danny's friends and family dying, Danny being left at Vlad's mercy with no support system, and Vlad experimenting on him until the incident that results in Danny's death and Dan's creation.

I noticed that a lot of Danny Phantom and DC crossovers especially tend to simplify Dan into an alternate Danny who had a villain arc, and it occurred to me that a lot of people approaching from the DC side of things probably never watched The Ultimate Enemy and don't know the actual story behind Dan.

It's really too bad, because I think there's a lot to be done with it.