#i don't like getting negative especially about characters & media i enjoy

[alto-tenure]

So a couple days ago I had an epiphany about Katrielle -- she never pulls the "I will leave you behind to keep you safe" maneuver on Ernest and Sherl like Alfendi did with Lucy or her father did with Flora.

Professor Layton as a series has themes about breaking cycles.

Bronev loses Rachel and ends up becoming the very force that hurt him. Des lost most of the people he loved and in the process of getting revenge hurt a lot of people. Clive, driven by the explosion that killed his own parents, went on to cause a catastrophe that probably orphaned more children. In these cases, it is Layton who steps in and sees the cycle, and works towards either stopping it (with his own family) or helping the other person recognize what's wrong (with Clive).

What connection does the cycles and leaving others behind have? Well, in the case of Katrielle, in the Relics Treasure arc of the anime we see that Luke has inherited similar habits to his mentor -- he keeps Marina out of the loop (...and then she proceeded to get kidnapped). Layton establishes, Luke continues, and now Katrielle has come to break it.

But they never acknowledge that cycle the way they did with Bronev and Descole, or Clive. They do some work to acknowledge that it's not okay to leave Flora behind, and that Marina was definitely capable enough to help, but the writers don't acknowledge that this cycle exists. Bronev and Des are juxtaposed with each other as antagonists, and Clive almost starting a cycle of hurt and vengeance is pretty much acknowledged textually. But while they do have some moments where they talk about how Layton leaving Flora behind Isn't Cool, they still have Flora get kidnapped when she goes on adventures, inadvertently creating a ""justification"" for Layton to keep leaving her out. Marina was also kidnapped, but ended up going undercover in the group that kidnapped her to figure out how to safely free the two. (I like Marina a lot, can you tell?)

Katrielle may never leave Ernest or Sherl behind, but this isn't pointed out by anyone. She may not have inherited her father’s worst habit, but it isn't ever stated. And it's barely touched on -- because then they'd have to face the reality that Hershel Layton is an imperfect gentleman. They won't acknowledge that Katrielle has broken the cycle because they can't acknowledge the existence of said cycle.

Ernest has his own cycle to deal with that Katrielle pulls him out of. I appreciate the furthering of that theme with Ernest, the Richmond fortune, and the Seven Dragons. But there is a very strong case to be made for the cycle of leaving others behind, and it doesn't even approach recognition.

It's why the reunion at the end of LMDA feels...empty to me. What's the point? Did Layton and Luke learn anything from it? We'll never know.

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[myfandomrealitea]

okay, so- this is coming from someone who really hasn't engaged in fandom discourse, especially regarding shipping and such. I dearly hope this doesn't come across as bait or troll, I'm genuinely curious and want to learn. apologies for the possibly-dumb question, but I really just need to ask-

what is proshipping? and what are 'antis'?

you know how it is, when you ask around you always get a biased answer one way or another. "proshippers are pedos" "proshippers all condone incest" "proship Bad and if you interact You Are Bad" (i think these are 'anti' points of view? am i using that term right? that's the rhetoric ive mainly heard). but despite all of that, i don't know if ive ever actually gotten a straight answer as to just.. what it factually is. because it doesn't feel like the sort of thing that you can boil down to insults or accusations or whatnot. it's all just very confusing to me, especially because i come from a place that essentially just told me to avoid like the plague and never look back. sorry, this became a bit of a ramble, lol. thank you so much in advance, i hope i'm not being a bother or insulting with this ^^;

The modern term; 'proship' (s.a; 'proshipping' and 'profiction') is an evolution of an earlier fandom acronym known as: 'SALS.'

Ship And Let Ship

SALS was one of the earliest fandom adoptions and interpretations of the concept of not bullying others for what they shipped or their fandom interests, and not trying to control or dictate what was "allowed" to be shipped or enjoyed. The most notable origin of SALS was during the early years of accessible fandom via Star Trek, and the present homophobia and misogyny in a largely male-dominated community.

As woman became more involved in fandom spaces, the presence of 'other' ships and pairings began to increase. M/M, F/F that wasn't purely for sexual gratification, and M/O and F/O (where 'O' is Other) pairings were popular amongst women, much as they still are today.

Not only did the presence of women in a "male space" receive a not insignificantly negative reaction, so too did them filling the fandom space with their shipping content. Now; sexism and misogyny and homophobia were not entirely to blame. Again as is still very much present today, people simply Did Not Like Certain Ships or Characters. And as they still do today, they'd spread hate about them and to the people who did enjoy them.

Thus: the birth of SALS.

(In other words: I like what I like and it has fuck all to do with you. Shut up and move on.)

Back then, SALS was mostly contained to just that. Ships and characters. Since back in that era 'taboo topics' and 'sexual content' were still pretty covert, people weren't exactly arguing the merits of incest in public forums and at conventions.

However, as all things do, the internet evolved. Society evolved. Media evolved. And so too did 'SALS' evolve in keeping with the new culture and subjects present in fandom spaces.

Suddenly it wasn't just ships and characters to be advocated for. It was themes. Subjects. Kinks. Plots. The more things people found to enjoy, so too did the more things people found to hate.

'Proship' is actually grammatically pro-ship. As in; in support of shipping. This is why I always state that the modern conceptions of proshipping would more accurately be coined profiction. It is no longer just about ships, but fiction as a whole.

However; the core value and sole inherent point of being proship, SALS, profiction and so forth remains exactly the same:

[I/We] believe you have no right to harm others over the [ship/content] they create or consume and [I/we] do not have the right to dictate what is or is not allowed in fandom spaces.

That's it. Don't harass people for what they enjoy fictionally. Don't try to force them into not enjoying or being able to enjoy it.

Of course, the modern adaption varies wildly in terms of 'additional values' thanks to the evolution of the term and what it can encompass. However, there is certainly no obligation to:

Create or consume content you are uncomfortable with.

Create or consume content regarded as 'taboo' or 'triggering.' Such as incest.

Be involved with any aforementioned content beyond turning a blind eye if its not your thing.

Inherently, anyone who says they're 'neutral' on the matter but firmly believes in minding their own business is just a proshipper refusing to use the label if you're taking the term solely at its core value.

In terms of 'antis' they're just the antithesis of the above. Antis are people who generally believe that fiction is irrevocably tied in with who you are, what you believe/condone, and that real-life limitations and values should also apply to fiction.

Although, its is heavy debated and it wildly varies per individual to the degree this is taken.

(E.g: some 'antis' believe you should only write rape fic if you are a victim using it as catharsis or education. Other 'antis' believe there's absolutely no excuse or reason to write rape fic at all.)

Antis typically believe that enjoyment or being invested in content which is regarded as harmful or illegal in real life is morally unsound and reflects that you're a bad or morally unsound person.

Although I disagree, I can honestly say in some aspects I do understand this reasoning. I don't agree, but I do understand why people may come to that conclusion.

As with proshippers, antis vary from people who simply ignore and block content they don't agree with to radicals.

'Anti' is again a prefix. Although modern adoption of the term uses it as a singular signifier, it would grammatically be anti-[fandom], anti-[character], ect. As was commonly used in the past.

The rhetoric that all proshippers are pedophiles or support incest is common-spread and effective 'anti' propaganda. Similar to how so many people believe 'proship' inherently signifies that you must create and/or consume taboo or darker content.

It doesn't.

¹ Proship may also be accurately termed as simply: 'anti-harassment.' ² Its important to note the 'definition' of these terms may vary wildly depending on the individual. However, detailed above is the most historical use and evolution of the terms and their definitions.

[cosmereplay]

If you are having strong negative emotions about Wind and Truth after you finish it, and you're having a hard time expressing why, consider: maybe you are sad about the stuff around the book.

Let me explain, because this happened to me over the last week.

Sanderson's books are known to be emotionally pretty rough, and it's hard to read my favourite characters going through it. The ending is the end of an arc, not the whole story, so many things are left open-ended. On top of that, the characters grow and change, so the characters I have grown to love are different now! AUGH CHANGE!!

On top of that, for me personally I have relied a lot on the Stormlight fandom to help me laugh and distract from my shitty life, so to go through a month minimum where people are avoiding social media for spoilers purposes, or not posting, or have info that they can't share yet, is isolating and frustrating. Even though it's not anyone's fault, it's just change! (More change. Fuck)

Change brings its own grief. Many people will be moving on to other fandoms after this, or thinking about characters in different ways than I might want to. I might have to rebuild my community a little as people develop different obsessions or ideas. It's normal, and it's okay to be sad about it!

Anyway so after I finished reading the book I had a real depressive low for a bit. It's commonly known as post-vacation blues, the time after the thing you looked forward to, when you have to go back to regular life. That just by itself is a well known cause of temporary sadness/depression. No wonder I was having trouble getting out of bed 😅

There can be a temptation, especially for those of us who like to project our feelings onto characters, to take umbrage at this or that characterization, or pick the book apart to find things to be upset about. But if the critique is based off projecting emotions, then it won't be a solid argument and you'll probably end up having a bad time in a conversation with someone who is enjoying the literary critique.

I just started coming out of it today and realized hey, maybe the book isn't bad. Maybe I was just sad, for all these reasons. It'll still take months for me to digest it but that's just me, I'm a slow learner for literary stuff. At least now (after a couple good mopes) I can start thinking about my true opinions not clouded by grief.

So I thought I'd pass it on in case others might relate! If you don't relate that's fine. (ie This is a mental health post, this is not the place to tell me what you didn't like about the book, that's not what this post is about.)

[martialartslover7]

Why I think Kishimoto isn't sexist, but just VERY tonedeaf and an idiot

Boy, will I have some venting to do today. I mean, at this point, it's not a secret, that Kishimoto has consistently stated that "he can't write women", to save his life. And to this day, for as long as I was a fan of the series, I am going to be absolutely real: This statement is so full of shit. Why? Simple. And allow me to express it in very big capital letters, so that even the last giant mental invalid can understand:

WOMEN ARE HUMAN-BEINGS WITH BREASTS AND A V BETWEEN THEIR LEGS. WHAT TYPE OF "NUANCES" IS THIS GUY TALKING ABOUT? THERE IS NOTHING "COMPLICATED" ABOUT THEM. WHAT NONSENSE IS THIS?

Like, this entire statement is bullshit for a completely reason altogether: Why even reduce his own point to the fact that the shinobi just so happen to be female? This just sounds like excuses on top of excuses, especially considering the competition like One Piece and Bleach, who all have badass, memorable and sometimes, quite well-written characters, that just so happen to be female.

Let's count up a few IPs that I am aware of, written or directed by males, that has some of the most badass, and most memorable females in all of media:

One Piece

Bleach

Soul Eater

Kill la Kill

Jujutsu Kaisen

Code Geass

Persona

Tekken

Street Fighter

SoulCalibur

Fire Emblem (not all of them, some of them, from what I have seen, can be insane jokes)

And so on, and so forth, the list goes on. And you know what all these IPs have in common, that make them stand out, compared to what Naruto does to its females?

THE FEMALES AREN'T GETTING BOGGED DOWN BY IRRITATING, REDUNDANT AND DOWNRIGHT OFFENSIVE TROPES, THAT FLAT-OUT RUIN THEIR POTENTIAL AND APPEAL AS STANDALONE CHARACTERS!

Like, allow me to list up all the tropes, that Kishimoto made use of, while writing the manga, or being involved in the process of writing / directing the anime, along with the movies.

1. Making the women overtly dependant on the male characters

This one, is not as egregious, but it's a good kickstarter. In the context of the world these characters operate in, to me, it does make sense to show that, like in the Edo period of Japan, women were always seen as second-class citizens, always needing to be tied to men somehow, otherwise they are "worthless". Considering the corrupt, militarized system that most of the girls work in, mostly operated by wrinkly, old farts, who enjoy playing god too much, it does remain understandable to me, that they would be hesistant to be 100% committed to the job, and just ask for normal lives...

...BUT...

...it does leave you asking: Why did they choose to be ninjas in the first place, then? To get smitten with the boys (not counting Hinata, by the way, because she was literally forced into this role)? Just applying as literal child soldiers in a war, that they didn't even start to begin with? And yes, I get it, kunoichis excel in areas that male shinobi struggle with, like silent reconnaisance, charming other men, or sometimes women, to tickle information out of them, being healers, but here is the thing: As the Naruto progressed as a story, this pattern kept repeating, every time a female character got introduced, it would fall back on the following checklist:

Is this woman a healer?

Is she obsessed with looking for a boyfriend / a husband?

Is she lacking in combat-based strength, to the point where she needs protection from either of the male characters?

Because, except for the healer bit, which is more of a specialized field, I just brought it up, because I felt it to be awfully noticeable how often the girls requested to be healers, as if they have to fit into such a mold, or they aren't capable as shinobi, the other two questions get repeatedly answered, for pretty much 98% of all female characters, especially by the end of Shippuden.

And don't get me wrong: This is NOT a negative, per se, that they desire a boyfriend, or someone to spend the rest of their days with, this is not what I am complaining about. In fact, a good chunk of ships in the series are hella cute, and I don't want them to go away. Because to an extent, the romance aspect feels genuine, especially between Naruto and Hinata, or Sasuke and Sakura (yeah, fight me on that, I will defend these two as a ship, until I die), or hell, especially Shikamaru and Temari, which are the GOLD standard, of what a good ship needs.

What I am complaining about though, is that, the series kind of uses this romance aspect as a shield, or excuse, to undermine the female characters, in the long run. Think about it, when was the last time when Sakura, in spite of all the grueling training she had to suffer through to become this strong in the first place, not wanting to be a hindrance to anyone, legitimately kicked ass, after killing Sasori? Not counting the war arc, because this arc is frankly, an inexcuseable mess, and Kishimoto should be ashamed of himself for making it suck this hard for how many asspulls this arc had. Nope, the moment Naruto goes berserk, and Sasuke just... appears... she is reduced to a whimpering mess, who can't stand on her own two feet, and has to be saved by someone. And this happens. ALL. THE. TIME. That's all that happens with her, sure, she heals countless ninjas during the war, but again, healing isn't the only specialty she got:

SHE IS A SHINOBI! SHINOBIS FIGHT! THEY DON'T JUST STAND AROUND LIKE IDIOTS, AND EXPOSING THEMSELVES TO ENEMY FIRE! GET! ON! WITH IT!

I swear, man, this just frustrates me beyond any reason, and the worst part, even someone as awesome as Hinata, who kicked so much ass in Part 1 (especially the filler arcs, don't get smart with me, I watched the anime, suck a small one on that), who had a whole, potential story arc hinted at with Neji, and the issues regarding their entire clan, was reduced to a simple Naruto #1 fangirl for the entire duration of Shippuden, not even the filler could salvage her in any way, and for someone like me, who relates to Hinata on a spiritual level, I find this just so damned pathetic. And whenever I watch The Last, all I could think about was this one coherent thought: You. Had. ONE JOB. Kishimoto. And you failed her. As a standalone character. Causing the entire movie to come off as if you were just shoehorning everything together, as if we only liked Hinata, because of the NaruHina ship. Well, newsflash, it couldn't be further from the truth. So, screw you, and the entire The Last movie.

Plus, I am sure I am speaking on everyone's behalf here: Anko Mitarashi and Tenten were done the MOST dirty by Kishimoto. Nuff' said.

On that note, that brings me to my next point:

2. The angry Karen housewife stereotype

I swear, this meme right here...

And Kushina's entire existence truly proves my point that, Kishimoto is really not doing himself any favors, whenever he says "I don't know how to write women". Oh, but then THIS is your answer? Is this how you see them all, the very second they get married and have kids?

So let me get this straight, the moment a woman, in the Naruto universe, gets married, has kids, and takes care of them, they become:

Aggressive, to the point of physically assaulting their own kids (Kushina definitely would have done so, let's not lie to ourselves, I love her, but this behavior of hers, combined with Sakura's general attitude towards Naruto, would have definitely made him suicidal after a while, if it weren't for the fact, he accepts it in his mom's case, because she doesn't know any better, considering her childhood)

Unpleasant to be around for their husbands (as if, we get guilt-tripped into thinking, the wives are the ones being selfish, wanting their lovers to be home with them, which, by the way, is a serious piece of shit way of thinking, because, they are married for a REASON, and not to stay apart all the time, THEY ARE FAMILY, at least, from how it gets painted as, in Boruto, from what I have seen so far)

Becoming total sociopaths, as if their genuine worries and concerns get painted as something so abnormal and "creepy"

...and this is how you see them all? THIS is your answer? Again, I know, we have ZERO evidence to prove that Kishimoto himself, is sexist in real life, it would be irresponsible of me to put that out there, because I just don't know the guy. I am just saying that, with how the housewives were all written thus far, and how, from Naruto's POV, he began having a fear of angry moms, calling them "scary", and how the females got seriously underrepresented in the course of the story...

...IT DOESN'T DO HIM ANY FAVORS.

I can't even believe I have to say this, because, newsflash, Kishimoto, and I will say it in caps: NOT ALL MOMS IN THE WORLD, ACT LIKE THIS!

They can get mad with us, they are fully in the right to whenever we do something stupid, no matter how old we get, because they will always view us as their babies that they cradled in their arms. But the problem here is: In Boruto, it gets painted as if the moms are the ones in the wrong here, just for being a tiny bit more concerned than others, because again, the world that they live in, is dangerous. And leaving the Otsu*redacted* aside, I can fully sympathize with them, so seeing someone like Boruto himself taking so many liberties being a spoiled, rotten brat, who never suffers serious repurcussions for his behavior (I know, he lost his headband for cheating, but for someone like him, who wished literal DEATH on his own father, just for him not being around enough, needed a way harsher punishment, you just don't say that your parents, dude, this doesn't take a genius to understand, especially since this is Naruto and Hinata we are talking about her), once again, it undermines the females, as if the kids ALWAYS "know better", and they "just suck, because moms are scary". Fuck off. Seriously. This is just disrespectful. No excuses. It shouldn't be written this way. Even more so, because the POV of the mothers gets never tackled, making this seem one-sided.

3. A few romances fall back on tropes, that disrespect not only the girls, but also the guys

OK, I will probably get some flack for saying this, but, regardless of the explainations in one of the Retsuden mangas, the InoSai ship, is perfectly encapsulating to me, how the romance in Naruto isn't without its flaws, and it mostly stems from how some of the characters just never get the privilege of gaining their own story sections about their own individual struggles as standalone characters.

I AM LOOKING RIGHT AT YOU, CHOJI AND KARUI! THEIR ROMANCE IS SO OUT OF LEFT FIELD, IT'S NOT EVEN WORTH JOKING ABOUT, EXCEPT, IT'S LITERALLY A JOKE, DUE TO THEIR NAMES BEING POLAR OPPOSITES TO ONE ANOTHER. HA. HA. HA.

Personally, to me, Sai is not that interesting of a character to me, I was never able to connect with him in any way, despite the importance he had in the story, alluding to the ROOT Anbu under Danzo's leadership.

But his "romance" with Ino, was seriously pushing it to me, not only because, it just regresses Ino's entire character, pushing her back into this mold that she is only interested in brooding, mentally ill edgelords like Sasuke, which paints her a shallow person, but it just paints Sai himself, as a stand-in for Sasuke, too, which undermines his own character, unintentionally. There are so many things wrong with their overall dynamic, I can't even put it properly into words.

And don't think, InoSai are the only exception to this rule. As much as it pains me to say this, NaruHina and SasuSaku are also affected by this, not as severe, but it's still pretty noticeable.

NaruHina

The fact that, with NaruHina, we needed an entire freaking movie, which, frankly, should have never happened, had they done a better job at utilizing Hinata as her own character, with Naruto present to help her out with her clan, and it all hinged on Naruto himself regressing as a character too, needing to be put in a fucking Genjutsu, just to see how he "truly felt" about Hinata... I am sorry, what is this? I mean, from a writing standpoint, this is just straight-up BAD. It's clichéd, it's painting Hinata as a damsel in distress, needing to be saved by Naruto, and Naruto himself being pardoned with "he is just dense", and overall, you can really tell, this is all just hamfisted into a single movie, because they needed to desperately convince us: Look, this is a thing. They are together now. Now play the emotional music, because that's all it needs.

Listen, I know Naruto never had a clear grasp on his own emotions, but the overall pay-off, to me, is just not there, no matter how hard I try. It just feels hollow, I don't feel happy with this. Because, for this to ship to work, they had to go through all these extra lengths to regress them both first, as individual characters, just so they can shut the lid on the whole thing. Made even worse by how this confession of Hinata during the Pain Invasion arc, was never brought up again to Naruto, until the freaking movie, and I still don't understand why. I know he didn't "ignore" her, but why does he fail to recognize Hinata's love confession, but the moment Sakura drops by to confess to him, too, he immediately calls it BS? Please. Make it make sense.

SasuSaku

Listen, nothing will stop me from loving these two as one, they deserve the peace amongst themselves, but the problem is, like InoSai, it falls back on the trope of, the girl bearing this mindset of "I can fix him", and while Sakura certainly did succeed... hear me out:

This is a purely universal thing now, this isn't just applying to SasuSaku. Otherwise, both ships have a solid foundation, ruined by shit writing. Nothing else to say.

That moment of Ino crying for Sasuke, really made me realize: Kishimoto really is clueless, not just about women, but men, too.

Because, again, for how often some of the girls bore this mindset of "I need me some brooding hunk of meat", essentially, desiring a man that knowingly treats them like crap, just so they can bear the delusion of "I can fix him", while downplaying and belittling the "uncool" guys like Choji, Rock Lee, or hell, even Naruto or Kiba, guys who, for the most part, have a solid grasp on their moral compass and their self-worth, denouncing their advances with "ew, no", is honestly disgusting to me. Like, come on, man, they aren't as cool as the edgelord teammates, but why downplay them so hard in the presence of the girls? Don't they deserve love too? Why belittle them for their eccentricities, it not only paints the girls in a bad light, but it straight up mocks the male "goofball" teammates for being the way they are. In short: NO ONE IS THE WINNER HERE.

Phew, OK, I hope, I made my point, loud and clear now. Because these points have been bothering me for a VERY long time now, and look, correct me if I am wrong. I am never 100% foolproof, so if I left out anything, feel free to correct me.

I needed to vent about this, because I felt so genuinely pissed off for how underpowered and underepresented the girls are, and how unkind and unforgiving the writing was to them, overall.

Peace.

[simplynims]

I remember awhile ago an anon over on audio roleplay confessions mentioned how in audio roleplays the audience seems to forget the 'roleplay' aspect of this type of media. As in you're playing a 'role' of a character in whatever series you're listening to and people tend to forget that when said listener character does something they deem as out of character for themselves.

It got me thinking and I've noticed that I really enjoy it when the listener characters have more defining personality traits and a bit of backstory! It's a much more engaging experience to listen to, especially if the listener character has a lot of their own flaws shown in the writing. I've also noticed that in this specific genre of content, a lot of creators are very hesitant to give any negative traits to the listener character other than faint sweetness and a blank slate that the audience can project their own characters on to.

I'm not going to bash anyone who likes this style of writing with what's supposed to be a self insert, but at some point it does get boring when their default actions in every other video falls back onto those same characteristics. I know it can be limiting especially since the listener is basically the y/n of audios and they want to be inclusive. But when creators realize that they don't need to confine themselves creatively with this, it's a much more fun experience for them AND the audience.

A great example of this type of listener character is Dennys from Escaped Audios. What I really liked about her is that she's a bit of a hot mess, an alcoholic, implusive, has lowkey anger issues, the type of girl that could absolutely give you a mean left hook and overall a character that 'says' and does INTERESTING! THINGS!! You don't know much about her but that's where you, the audience, can insert your own details in because you have the bases of her personality shown through out the My Greasefire Life series to use to blossom your own creativity!

Another example of this is Darlin' from Redacted Audios, you can tell right off the bat through the first few episodes what kind of person they are. They're hard headed, stubborn, distant, a fighter who cares heavily for the very few people they trust and love. Not only that, we're given a bit of backstory of WHY they're like this but it's vauge enough so that the audience can still put themselves in the shoes of Darlin'. It suits so well with the story line because they have depth!

A few more honorable mentions I'd like to also add in is Faithful from Good Boy Audios, Casper from YuuriVoice, the villain listener in Fall of Titans from Pebbles ASMR, etc etc. I know it can be difficult to pull this off without someone complaining that it's not immersive, but people are always going to have something to say whether that be negative or positive. Have fun with it and explore those options!

[vladdyissues]

Lately Ive seen some awful things about antis and haters making threats and getting artists banned from Tumblr and X. Im new to the Phandom and love pompep but Im scared i'll be targeted if I write and share pompep fics. How do you manage sharing your work so bravely?

Firstly, welcome to the Phandom—and especially Pompous Pep! I have a simple protocol for enjoying a drama-free Tumblr experience:

Preventative Action

1. Find your community. Follow other Pompep fans and supporters and reblog their things. Don't be afraid to leave nice tags; we love and welcome interactions :) You can also join the Pompep Discord server if you enjoy chatting (DM me for details).

2. Turn off anon asks. This will solve 99% of all potential problems, and you can turn it back on whenever you want. Antis are cowards who prefer to hide behind the mask of anonymity. They seldom have the courage to say something with their whole username.

3. Block the obvious haters. This is a big fandom, and at some point you're likely to come across people openly hating on pompep, either on their bio, pinned posts, or comments. Block them. For an added layer of protection, add their username to your Filtering Options.

4. Tag your work appropriately. When posting, make sure your work is tagged correctly (the #pompous pep tag is especially important) so people who like pompep can find it and those who want to avoid it can block the tag. Use Content Labels when applicable.

5. Try to avoid using the platonic tag (#badger cereal) and the romantic tag (#pompous pep) at the same time. Some fans are really touchy about this. I'm not, and I think there are legitimate cases where use of both is applicable, but if you want to minimize friction, just stick with one tag or the other.

If you're not sure which tag to use, ask yourself what your intentions are with your art or fic. Is the goal a romantic relationship? If so, use the pompep tag. If it's truly ambiguous and could be seen either way, use the platonic tag first. You can always add another tag like "okay to tag as pompep", just to let people know they can interpret it however they please.

Responsive Action

If the above guidelines aren't 100% effective, here's what you do:

1. Don't feed the trolls. If you receive any negative asks in your inbox, it's important to NOT engage with them. Delete them, ignore them, don't let them get to you. Antis thrive on attention, so let them starve. Eventually they'll move on when they realize they're not going to get a rise out of you.

The same goes for any negative comment left on your work. Just delete it, block the person who left it, and pretend it never happened.

These asks and comments may come in the form of questions. Example: "How can you ship Danny with Vlad? That's [insert gross accusation here]" Resist the urge to answer these questions. They are not made in good faith. This person just wants to start an argument.

2. Report any harassment. If by some chance you receive a seriously hateful ask, like threats of violence or abuse, take a screenshot for proof/safekeeping, then report the message and the user if they're not anonymous. If the ask is anonymous, use the meatball menu (•••) at the top right to report the message and block the anon.

Final Words

It takes time to develop a thick skin and Don't Give A Fuck attitude, but it can be done. You are a phan. You have every right to be here and enjoy this fandom in peace, just like everyone else. Anyone who believes in harassing others over silly things like which cartoon characters should be allowed to kiss clearly has nothing better to do with their life. The sooner you shut them out, the happier you'll be.

Regarding media: Artists attract a lot more negative attention than writers for reasons I won't get into right now, but if you're mainly a writer, you will enjoy a much quieter fandom experience. Wherever you post your stories—I recommend AO3; DM me if you need an invite—follow the same advice there as I've given here: make sure your work is tagged correctly; support your fellow Pompep fans by reading and commenting on their works, building that community; moderate comments if you're concerned about negativity; block and mute users if they give you any trouble, and you'll enjoy a much more positive fandom experience.

There is strength in community. When you start making new fandom friends, you'll feel a lot less lonely, and that will give you the confidence you need to really have a good time here.

Wishing you the best, anon!

[whateverisbeautiful]

Now that TOWL is over, what do you say is your top five favorite moments from the show and your not favorite top five moments from the show? From the start of their relationship, people were against this coupling, and some still are what do you have to say about that? Did TOWL exceed your expectations of what the show was going to be about, and what pulled you into liking this couple? Sorry for so many questions, and I love your breakdowns. I started to reread them all from the beginning. 😍💓

Hi! Thank you! I always enjoy answering so thanks for asking these questions and for rereading the breakdowns. 😊 I wrote out what drew me to this couple here. And for the rest of the questions I wrote out my response below. ⬇️💗

#1: Did TOWL exceed my expectations of what the show was going to be about?

TOWL for sure exceeded my expectations with the love story they promised. When they announced it was going to be a love story I figured we were going to get some pretty heartfelt scenes between them. What I didn't realize is that every scene of the show was going to be rooted in Richonne's love because their love was going to be central to each aspect of the plot. That was great and refreshing to see.

I appreciate how TOWL solidified that Rick and Michonne and the family they created are the most important in the world to them. Richonne's love and relationship have long been such a powerful thing and a massive motivator for these two characters and I love that TOWL didn't hold back in depicting how vital they are to each other. The passion and love displayed in TOWL felt very true to the characters. And allowing Rick and Michonne's relationship to take centerstage gave room to really explore the character's humanity in fresh and focused ways.

#2: Thoughts on people being against this coupling?

I think one of the great things about being a Richonne fan is that we really don't have to make anything up. The content speaks for itself. So while I have my thoughts on the people who hate on this couple and who have commented negative things about them for literal years, I feel like the TWD/TOWL content always ends up affirming what we know to be true and proving all the Richonne slander false.

People who are against this pairing can comment for years that Richonne came out of nowhere but there are seasons worth of pre-canon scenes that confirm the seeds of Rick and Michonne's attraction and love were planted long ago. They can say Richonne feels forced or like fan service but Gimple has said he was seeing the potential for Richonne when he was a writer crafting Clear long before any fan had even seen Rick and Michonne together on screen.

They can try to say that Rick's relationship with so many other characters is more important but TOWL especially set the record all the way straight on the person Rick prioritizes and loves most. They can try to knock the chemistry and say they just don't see it "for some reason," meanwhile it's on record that part of why the writers kept writing so many scenes for Rick and Michonne is because of their undeniable chemistry.

And especially after TOWL, which is Andy and Danai taking their chemistry to another level for six straight episodes, still not seeing the chemistry is certainly a choice. There's a reason many viewers said they tuned in to TOWL just from seeing the chemistry between these two actors and characters. What those two have is unparalleled and magnetic.

People don't have to like Richonne. We're all entitled to our opinions. But I have yet to see any substantial critique of the pairing, as people tend to just say they don't like it or buy it but never seem to pinpoint specifically why. (Although for many (not all) but many, we know why they don't see or like it.) The negative things said about Richonne are often either purely biased opinions or easily disproved. But again, it doesn't even have to be argued because the actual media shows, and has always shown, that Richonne is a beloved fact within fiction.

With 7 seasons of Richonne content on TWD and their closing TOWL chapter being heavily focused on the love they found with each other, it's clear that everyone behind these characters understands the absolute importance and value of Richonne. All these years later and Richonne being something special and meant to be is still proven true every time.

#3: TOP 5 Least Favorite Moments In TOWL

1. Jadis & Father Gabriel Scenes (1.05)

These are the most skippable scenes in TOWL to me. And I think there were a bit too many cuts back to their scenes which weakened the episode's pacing.

2. “If We Don’t Who Will?” “No One.” (1.06)

I was really not a fan of the writing for those two lines. 😅 It just didn't feel like how those two characters or any people would naturally speak. The visuals were beautiful tho.

3. Museum Scene & The Bumbling Trio in General (1.05)

There were a few decent moments in the museum scene but some of it felt a bit like clunky shenanigans. I also wasn't crazy about the bumbling trio of siblings in general. TOWL had done such a good job of making even small characters feel real and lived-in but those three siblings felt more like walking plot devices.

4. Final Fight Scene Dialogue (1.06)

This is another time where I didn't like the heavy-handed dialogue. It felt like they were saying things that should have just been left on a poster, like "In a dead world love is dead" and "love doesn't die."

5. More of an alternative opinion: Okafor should have lived & took Beale's place

It was sorta hard to think of a 5th thing I disliked since I loved so much of this show. So instead I figured I'd just say a personal change I would have been interested in seeing.

I think Terry O'Quinn is a great actor but he didn't really get screentime in TOWL. And so since they didn't give him more of an opportunity to show off his chops, I would have rather seen Beale be the one who dies in the helicopter with Rick in episode one and then have Okafor be TOWL's main antagonist.

Okafor was one of the most compelling characters to be added to the franchise in years and he played off Rick so well. They were great foils to each other. I think Okafor being the one left alive would have complicated things in a really interesting way both for Rick & Michonne and the CRM. Especially if they added some more layered villainous motives to his agenda, Okafor would have made a great and perhaps even stronger series antagonist.

#4: Top 5 Favorite TOWL Moments

Now this one is tough because there are so many scenes I love. Every episode of TOWL has some Top 10 worthy moments. One day I think I just might sit down and really try and see how I'd rank my favorite TOWL moments because I still don't know just yet where I'd rank certain scenes. Which is a great problem to have since it shows TOWL really did give us an abundance of riches. But until I have time to figure it out and elaborate on my top five, one thing I always know for sure is that the masterpiece Episode 4 features my favorite Richonne content of all time. 👌🏽

Thanks again for asking these questions and for your patience with me answering @theoneswholive32! 🫶🏽 I'd love to know yours and other people's least and most favorite moments from TOWL if any want to share! 😊

[sonamytrash]

People may relate to and find comfort in a character for a plethora of reasons that they don't necessarily feel comfortable sharing.

Just because you perceive their fondness for a character as shallow is your own opinion. I've seen so much negativity directed at Levi fans and self shippers recently, which is a real shame when for some of us the tag is a safe little space for us to enjoy our fics and headcanons. I see a lot of content I don't like or agree with related to characters I'm a fan of, but I just leave people well alone to enjoy what they enjoy. I don't know, maybe that comes with age and maturity.

People (commonly anons) may assume self shippers only like a character like Levi as an example because we see him as a sex object. Which is entirely false for so many reasons and not true for many of us. I couldn't tell you how much money and time I've invested into the AOT franchise over the past 14 years. I've also never seen so much love and appreciation for a character as I have within the Levi fanbase and particularly from self shippers.

Just because I (or someone) may write 18+ content doesn't mean that's all they associate with a character. Personally, I just enjoy writing it, and I want to create something for others to enjoy and visualise. It's statistically proven that women, for example, may find reading more stimulating compared to visual p×rnography. I started writing for myself as a creative outlet and was thrilled to see people enjoying it. Even if Levi or any character is just an object for someone to sexualise, who cares? He's fictional.

On a personal note, I had a very lonely and abusive childhood. For the longest time, many fandoms and characters have been a source of comfort and escape for me. I very quickly relate to many characters who have experienced hardship and pain. But I've been fortunate enough to come through the other end and build a life for myself. It just so happens that my writing strengths are of a more mature content. But it doesn't take away from my love and appreciation of complex characters. You can't assume you know everything about a person based on this small segment of their lives on a blog or social media platform. Judging people who self ship, especially some of us more placid ones that people want to attack, belittle and slut shame is just getting a bit stale.

Enjoy your characters and your ships, and heck, keep coming at us with your false assumptions because it isn't going to stop us, and you're only making yourselves look petty, cruel, and immature. You don't know a single thing about why people choose the characters that they do to enjoy.

And to all of the self shippers, keep posting your fantastic content. Your fics, your bots, your artwork. Keep enjoying what makes you happy. There's so many more of us who want to be supportive and create safe spaces and communities than there are negative individuals.

[readingtoinfinity]

Jelloapocaylpse and One Piece

So, there's this thought I've been having about gigantic franchises: any criticism against them needs to be taken with two specific grains of salt. First, people who dislike the franchise will be more annoyed by its flaws because of overexposure, and second, reactions to these criticisms will be overblown because there's so many more fans. I'm of the opinion that you shouldn't respond to criticisms of your favorite things if they're enormously popular, meaning I'll be more silent on negative reviews of things like Critical Role, One Piece and Brandon Sanderson's works than I would be for smaller things like Wayward Children, Grimm or The Craft Sequence.

But when these two grains of salt come together? Oh, boy. OOOOOOOH boy.

I love So This is Basically..., and have since I discovered the channel. A good chunk of my humor comes from the jokes in those videos, and even for something like Kingdom Hearts where it's negative, I still enjoy both the video and the franchise, so I've elected to let it be. But in his recent video on One Piece, while it was funny he got so many things seriously wrong about the series that I've struggled with whether or not to say something about it. I think the artistry on display in the video can get drowned out by the negativity being poured into it, and while I don't have much of a platform I can yell into the void like the best of them, and it's bothering me enough that I want to lay some things out.

So, for your discretion: a time-stamped review of Jelloapocaylpse's So This is Basically One Piece. I will endeavor to only time-stamp things I found wrong about the series. I understand jokes aren't meant to be taken seriously, but I think humor is revealing, and if we can dissect the jokes of the anti-woke crowd to find the ugly truth within, we can do the same to ourselves. And if I can shout out a more complicated thought about One Piece from a joke then I will, and even point out moments where Jello is right.

I will not talk about Brendan Blaber's personal life nor his anime work. I am aware of what happened with Lovely★Complex but find it immaterial to the video on his YouTube channel. Perhaps his motivations were dishonest, and that could explain his rampant dislike of the source material; at this time, I don't think it factors in, but if I'm proven wrong I will make an edit with the proper updated information. And, per a beef I have with the video itself, I also want to stress that you should not harass nor send death threats to people you dislike, especially about a piece of media. THIS INCLUDES ASSHOLES.

With that, let's begin. Video is included so you can follow along. There will be spoilers freely discussed; be forewarned. If I am wrong, chime in and correct me; I am not above mistakes.

0:08: This is a fun callback to the 4Kids dub of One Piece, which is widely reviled but for some small moments of genius.

0:11: an out-of-context, raving explanation of the worldbuilding, which is entirely correct.

0:38: Incorrect. The Grand Line is specifically written to be hard to get into and out of unless you have the tech for it. This is a big deal in both the manga and the anime and I don't know why/how he missed this.

0:50: This is a fan theory. I was willing to accept it but googling it turned out it wasn't correct. The following jokes require this to be true, however, so creative license applies.

1:06: Arguably true, and I say that because, while each of these characters technically has a different power, they're all used to manipulate the environment and stone like it's water. That's a thing and a theme in the series; Luffy even gets to fight Charlotte Katakuri, who has a similar Devil Fruit. Call it lazy, call it creative, it's debatable, and funny.

1:11-1:38: the following explanation is also true, but insulting. The boundaries between each Devil Fruit are more fluid than the initial system lets on, true, but as in real life aggressive categorization is usually incorrect and uninteresting.

1:43: The description of the fights applies less to One Piece than Shounen as a whole. You could be uncharitable and say it describes all fights, but I will restrain myself. A lot of fights do have an element of unpredictability to them; sometimes it's the randomness that feels realistic and other times it's Deus Ex Machina. You could argue the fights are more about the philosophical difference between the two (Sanji vs Wanze comes to mind) but it makes for long, drawn-out fights. I think most of the pacing problems come from the anime but I've been annoyed by the manga as well.

1:55: It is true that Robin doesn't get many fights, which is disappointing as a Robin fan. And I won't deny that sexism pervades the writing of One Piece when it runs unchecked. But I don't think the two are related; Robin's fights tend to be brutal and fast, and she deals more with grunts than generals. The exception is Robin vs Black Maria, which was Very Good.

But her focus in the story is less on fighting and more about archeology and history, and in that case she often reshapes the way we see the world with her investigations. Fighting ain't all there is to a Shounen series, and the wise reader remembers this. (this point copied wholesale from Anthony Gramuglia)

Obligatory "Yes One Piece is very long and I hope it ends well".

2:02: The espionage episodes are quite good. But I think this conclusion draws from the dislike of the adventure and action, so you need to agree with the first to reach the second, and I do not.

2:08: I had not realized how many islands were circles in One Piece so that criticism applies even if it doesn't mean anything for the quality of the series. But Punk Hazard isn't about stopping Smiley (who barely features) and I would argue that "natural disaster" doesn't apply to some of the threats the crew faces, and it's definitely not every arc.

2:24: only Punk Hazard was (half) on fire. Fires do happen a lot as a way to push tension but the arcs were flattened to make this point.

2:30: "from the jungle" is the best joke in this episode.

2:37: "Hit 'em with the poison that doesn't work!" happens a lot as well. It is often because the characters have to figure out a way around it, like other protagonists do during Good Fights.

2:46: This is a weird take. I know Zoro is an asshole but sexism was something he hated in his childhood and that disdain forms a big part of his personality. You could also call him Minority Hunter like the fanbase does, given he fights mostly black people.

2:52: Nami's not gay in the series, not explicitly, anyways. Alas.

2:56: God, to be a Sanji fan is to suffer. He has some of the best and worst moments in the series and the live-action series made him a bajillion times better.

3:15: good follow-up on a joke with a bad setup.

3:16: I'm annoyed Franky was removed from this. He's a lot of fun. And I'm also annoyed that you talk about Sanji's perversions but don't bring up Brook who is arguably worse in every way. These as well as Chopper and Jinbe get flattened for the sake of this video, and considering Chopper is my favorite Straw Hat this very much annoys me.

But he does make a point about these characters: Robin through Franky don't get to do as much throughout the series. They're often rendered as side characters who react to things instead of having their own arcs. For all that Thriller Bark was Not Great, Chopper was given an arc that ties very directly into who he is, and I'm saddened we didn't get something like that again until Wano.

3:21: The characters have personality, it is just now shown in this video. Usopp is not given a description and Nami is summarized as "lesbian" with nothing else of their character depths.

3:26: again, the best joke is the jungle joke.

3:39: I am not certain we're supposed to like Aokiji. He does some pretty heinous things throughout the series. Garp is a more-interesting case, in that his loyalty to the World Government is treated as his greatest flaw, but he's also an asshole. It's almost like he's a very complicated character or something.

3:47: This is the part that I kept coming back to, the part that's most insulting. I am bad with names so I admit I had to google this fish-man's name, but his name is Macro, he was a member of the Sun Pirates and he didn't keep slaves. The Sun Pirates especially freed any and all slaves they came across because they were also enslaved. Arlong did keep slaves but he was not enslaved himself, and the continuing stain of racism and slavery washes out over the rest of the series itself almost as if it were good or something. Out of all the things to get wrong, this one was the most egregious.

4:00: The Marineford arc was VERY LONG. A lot of stuff happened and it affected the pace quite a bit. The dig at the author is unwarranted.

4:07: FROM THE JUNGLE BA-

4:15: I'm torn on this complaint. On the one hand, subtle foreshadowing is usually the way to go when it comes to announcing what is going to happen. On the other hand, you can easily forget a lot of things that happen in a single narrative so sometimes twists come out of nowhere.

However! This complaint is mitigated by the fact that the series will readily bring you up to speed on context whenever it's necessary. Take that as you will.

4:20: Localization is a Thing™ that happens and translation hasn't always been the best. I first learned the word "nakama" from Japanese because of a fansub of this series that insisted it wasn't just "family". I am also annoyed by newer chapters that insist on calling the swordsman "Zolo", and these issues extend to the fan wikis. This has nothing to do with the show or manga, however.

4:33: There are a LOT of characters, true. Whether or not that is too much is debatable; they are drip fed to the reader over the course of all the chapters, and even if there are twice as many characters as chapters (there are not) that's two characters per chapter to introduce. That's not a lot for an audience to read; if you've gotten through Wheel of Time you will be fine, but this ties into a latter issue I'm about to bring up.

4:47: I'm almost certain these characters were chosen at random. On a whim, I decided to return the favor and pick a character at random to defend its inclusion. That turned out to be Pekoms.

Pekoms is a character in Big Mom's crew, loyal but deathly afraid of her. He's defined both by this bond to Big Mom as well as to his Mink heritage, and he takes pride in both. It's only when he learns of the Straw Hats' defense and salvation of the Mink Tribe that his courage starts to grow to outweigh his fear, and he eventually turns on her in response to the sacrifice of a friend of his, demonstrating the themes of the Whole Cake Island arc: a family bound through fear is a temporary measure, and it will fall apart when something better comes along.

I bet you could make a defense of just about any character he removed, even characters that are bit players. That's the thing, too: complaining about "too many characters" ignores the fact that sometimes, the guy who gets one line also gets a name. A stage play should be stripped down to pure essentials, not so much with mediums you can edit.

And fuck, he cuts out Yamato?! The best guy around?!!

5:07: It's very strange that he says the Straw Hats don't have any meaningful dynamic with each other when the #1 thing people keep asking for is downtime so these characters can hang out and interact almost as if their dynamics are what carry them through the arcs. I mean, it has been a while since some characters interacted, true, but remember: there are 10 Straw Hats on the crew. That's 45 different interactions that are possible. There's, sadly, not gonna be enough time for Robin and Jinbe to sit down to tea with everything else going on.

(Also I know that in Wheel of Time (the closest approximation in length) Rand, Mat and Perrin have a wonderful dynamic and then don't talk for several books. Sometimes the plot happens, but I don't know if people hate this part of the series so this might just be me; I stopped reading during The Path of Daggers or The Winter's Heart, I'm not certain. I remember being annoyed by Tuon a lot)

5:26: I'm going to divide this between the two questions people asked on SBS. None of what happens with Fuckass Joe in this question is relevant to One Piece as a whole because it doesn't happen in the story proper. But the way the video frames Oda's relationship with his editors is weird.

5:47: I'm gonna be honest this is a really weird question to include in SBS. Whoever sent it in definitely has some things going on, and while Oda wasn't responsible for it (and he answers the question with annoyance and confusion) the fact it was included at all speaks to the priorities of the people writing it. Again, this is about SBS and not really relevant to the manga as a whole but I think you can absolutely be critical of this with Oda.

5:54: There's three complaints in here in rapid succession, so I'm going to go through each:

"Breasts grow larger": absolutely a thing that happens. It's a well-documented annoyance in the fandom at this point, and hard to miss.

"Negative space grows rarer": I'll be honest, I didn't notice this as a problem. So I went back to the manga and re-read chapter 1, chapter 1133 and chapter 566 (about halfway through). In the first chapter, there is a lot more negative space in the panels so you focus more on the characters, and there's a lot more characters and background details in the latter chapters, but it's not hard to follow even still. So I'm not certain this is an issue, but it could be an eyesore; adding detail is not always to the good.

"Oda doesn't credit his assistants" I didn't find the names of his assistants through Google. The fact it is hard to find is telling, either for Oda or search engine optimization. In either case it's nothing to do with the manga. It should definitely be easier to find these names.

6:07: The sketchy art had a purpose in a flashback, showing someone losing memories (and on a more-meta level I think Oda had a health emergency... correct me if I'm wrong). I don't think the artwork has changed overmuch from the beginning, and there's a conversation to be had about the changing amount and quality of the details, but given it is shown that they're specifically referencing that kind of art I wanted to respond to that directly.

And the pot-shot at the anime is more deserved. The fact it's weekly means quality can vary wildly and characters are often drawn off-model in a way that's meant to be sexy but doesn't look very good. (I couldn't find it, but there's a specific part where Nami gets injured and scuffed up, and the anime adapted it more sexually than the manga made it. Not that it was nonexistent, mind you. This part is a "trust me bro" more than the others so please keep that in mind).

6:17: The pacing in the anime can be quite bad. The joke with the water slowly turning yellow is also quite funny.

6:38: This is debatable. The story has happy and sad moments like most good stories and it's an adventure story, with a focus on fun. But the story is also willing to leave you with strong negative emotions and just deal with them, the backstories being the most notable examples of characters dealing with trauma.

6:46: This criticism is overblown but not incorrect. Pell should have died from that explosion and I stand by that, but no consequences to anything? There are whole chapters where the balance of the powers of the worlds are shifting and these consequences play out. Whole arcs are built from the consequences of of the death of Whitebeard alone and, as Anthony Gramuglia pointed out in his stream (I'm still watching it to conclude its accuracy) if the manga has intense foreshadowing and knows where it's going that goes against the "no consequences" criticism. (again, thank you Anthony Gramuglia for this note)

6:54: Uta is from a movie that is non-canon, even if she exists in-story. It would be unreasonable to note any criticism of the story from One Piece: Film Red because it's unreliable as a foundation.

Yasopp leaving Usopp is something the fans have complained about for some time now. At this moment we don't know if he had a good reason for leaving beyond heeding the call to adventure, but I know I, personally, think it was a dick move.

7:03: I find this next part disingenuous, for all the potshots Jello takes against Oda before and after. It's also unrelated to the story as a whole (mostly) so I'll be skipping through it.

7:26: I think this criticism stands. Oda is very weird about women in the story and tends to draw them a specific way (thin waist, large bust, tall and lithe). This doesn't stop almost all of them from being interesting characters, mind you, but it's something to keep in mind as you read the story.

Also, if you were going to criticize Oda for Ephebophilia (sexual interest in mid-to-late adolescents, according to le Wikipedia) in his story, that's great, but if you're going to take potshots at him why don't you also mention his friendship and defense of Nobuhiro Watsuki, writer of Rurouni Kenshin and most-known for possession of child pornography? Why drag the family into this when they have nothing to do with Oda's behavior or predilections?

And that's that. I won't be doing this too often (I am a writer and a critic, not a drama channel) but that specifically left a bad taste in my mouth I wanted to get out. Again, if there are any mistakes I will be calling them out in the edit.

One Piece means a lot to me. I've been following it since I was a tween, and it was the first series I read without my parents' permission (oddly enough, my very conservative mother also though the women were too sexualized... on episode 92, before it got so much worse) because I loved it so much. And even now as an adult I find it an old reliable that makes me happy. I try not to be blind to its flaws; I can see the sexism for female characters and character design, the way Oda writes gay people has improved but isn't perfect, and his examination of racism is hampered by not having stories to draw from about it. But it's a long, wonderful series that I can heartily recommend to anyone who enjoys adventures and themes of freedom, family and fun.

So This is Basically... is a series that always manages to make me laugh, even in episodes I dislike. I say "Sora, become a beekeeper!" to myself all the time, and the specific way Jello says "garbage" in the RWBY video sticks with me. But if you engage with the media he talks about you can see the cracks; it's the CinemaSins problem, disguising criticism as jokes and jokes as criticism, never taking a firm stand on either.

I hope both these series improve. I hope we look back on this video as a fluke rather than the standard. I'd like to continue to enjoy Jelloapocalypse in its purest form. But this whole thing has been uncomfortably revelatory to me, and I will keep my eyes open and my mind sharp.

EDIT: I finished watching Anthony Gramuglia's video on the subject. I don't 100% agree with his takes (in particular the speakers' disdain the humor, which I enjoy quite a bit) but he and his guests go into more analysis than I do, at times coming up with ideas I hadn't considered (as mentioned in my previous notes) and at times reaching a bit. I still think it's quality analysis on why Jello is a terrible reviewer in a number of key ways.

EDIT2: I did eventually get a look into what all happened with Lovely★Complex, but in the process I also found a video that more formally breaks down the flaws of Jello's arguments, even before his video was controversially-received. I'm including it here for anyone who only has 30 minutes for this kind of thing.

[longing-for-rain]

Do you think that a lot of the kataang fans behavior has to do with the rise of puriteens online

Yes, I think it's definitely related to a lot of new fans' behavior.

I do want to say though, I really don't love the way "puriteens" are dunked on at times, because I think it is important to acknowledge the reason why this sentiment is so common. These kids are younger gen Z and older gen alpha kids that were raised in the age of social media. Speaking from experience a Zillenniel, I saw the beginnings of this when I was younger and just getting online.

Kids (especially girls, who make up the majority demographic of fandoms) are exposed to some pretty horrific things online from a young age. We are bombarded with sexual content, we are sexualized from a young age, we see ourselves talked about in dehumanizing ways, and when we get upset, we, even as children, are blamed for not "curating our experience" despite it being an open secret that this kind of content/sentiment pretty much unavoidable now. The people spreading it just don't want accountability. So I understand where they're coming from, I really do. They are tired of that kind of treatment, but they lack the maturity to understand the nuance, and that there is no black-and-white solution. There is space to talk about the problems in our culture without completely shutting down discussion of anything negative.

That being said, it's incredibly frustrating when they take it to extremes, especially when they're no longer teens and still act this way into adulthood. No, you can't hide from the world forever and pretend like problems don't exist. If you ignore it, it won't go away.

I see the sentiment a lot among the new wave of kataang fans (and similar groups of fans of other media) that "why does everyone hate the PURE couple" and "they are so sweet and innocent why do you want everything to be DARK instead?" It shows the harm in these kinds of mindsets, because while yes, kataang does have this cutesy aesthetic, it is very much a flawed relationship with challenges that both the show and fans sweep under the rug to maintain the illusion of its purity and cinnamon-roll-ness. The fans want a relationship devoid of conflict, so they pretend like the conflict that is already there and would arise in the relationship simply doesn't exist.

Meanwhile Zutara has an edgier aesthetic to it (despite actually being a sweet and wholesome relationship itself but that's another conversation) and comes with obvious challenges (like the characters beginning their story as enemies), but part of the beauty in that is the way the fans have interrogated those challenges and explored them in a meaningful way. Obviously not all fan content does this, but as someone who has enjoyed Zutara for...how long now? Almost 15 years? ...I generally see a very thoughtful approach to how both characters develop a strong relationship based on respect and understanding. Which is exactly what the show did with Zuko's arc. It's why he's such a loved character; yes, he is imperfect and flawed, but he confronted those flaws meaningfully and became a better person for it. It's what makes his story so memorable and inspiring. Zutara fans just apply the same logic to Zutara, and it's why the relationship is so memorable for us.

So yeah. I can understand where these kids are coming from, but they've got to grow up and recognize that they're only becoming their own worst enemies at this point.

[kirkwallguy]

I'd hate to sound pretentious or smth but I was watching a vid talking about media literacy when it comes to booktok and this idea with those girlies that thinking/engaging with something critically isn't fun and the only way to have fun is to turn off your brain... I don't think VG suffers from this as much as a lot of booktok shite but in comparison to the other games it rly does feel like you're not meant to be paying attention or thinking about your actions (cough not like you get to chose any of your actions COUGH), or the implications of anything? and I'm not trying to say VG fans are stupid or smth cause I think many Want something to think about, but I feel like I've seen a lot of people have to reach very far or just straight up make shit up to engage with the game? (Other games aren't perfect but I was immersed with the games enough to stop and think about how my choice will affect xyz, that didn't happen in VG) There's nothing to chew on in VG basically 😭

it's only pretentious if you don't mean it! but yeah i think there are a lot of parallels to be drawn here - i don't know how to say this without sounding like an annoying gamer bro, but now that gaming is more accessible, it feels like aaa companies do their best to cater to the widest possible demographic. market research probably shows that the majority of people don't want to be challenged or experience negative emotions, ask someone who plays games very casually whether they'd want to experience horrible consequences for picking evil actions in a game they'd probably say "um?? no? why would i want that?" but ask someone who plays a lot of rpgs and they'll probably at least understand the importance of those choices, even if they don't pick them personally. i don't think gaming is an old enough industry to have fully pinned down market research in the same way tv has - when you look at viewing figures, the most watched shows are soap operas and family sitcoms. that doesn't mean prestige tv doesn't have its place, it just means that the majority of people don't watch tv to experience the feelings shows like interview with the vampire want you to feel lol

dav doesn't actually ask any questions of the player. you're told what's wrong and what's right and not really asked to make any moral judgements. the bad guys that you kill are barely human so you don't feel bad about cutting them down (the antaam are dehumanised while the venatori are cartoon characters), the companion quests all end nicely no matter what choice you pick, the big act 1 choice is the closest you get to a negative consequence and it still feels very safe because you don't ever feel like you've done something wrong.

and yeah, it does feel like people writing analysis of vg are TRYING to chew on it, but so much of the enjoyment seems to be about coming up with your own fanon to play in a sandbox. which is fine. that's how i enjoy dai tbf. but it's sad to see after dao and da2, especially knowing how many other games there are that let you do this. SKYRIM is more complex than dav, and that's the game i always mention when talking about power fantasy sandboxes

the booktok stuff is kind of nuanced ofc, turn-your-brain-off rubbish has been available since the beginning of time and i feel like the real reason it's becoming more popular is self-publishing and people being more open about reading it on social media. i've written shitty 19th century porn and it was no better than whatever the mafia boss 50 shades ripoff writers are doing now. buuut also i think the way it spills out into other genres, and this increasing idea that fantasy/sci-fi should be about "escapism", is really fucking over people trying to get published while writing something complicated.

[dorkynerd23]

My Problem With Vanitymoth/My Thoughts.

Hello guys!! Hope you're all doing good and well and you've been having a good and wonderful day/night. Now, this will sorta be a mixture of a critical/rant post, as this is someone I've been wanting to talk about as they're someone who's been criticized and talked about (mostly negatively) In regardless to the Murder Drones Community and I wanted to give my thoughts and opinions on this dude, as I don't think he's a very good cartoon reviewer but before I start PLEASE DON'T SEND ANY HATE!! This isn't meant for me to bash and send hate towards this dude, please don't do that shit as it's not worth it and doesn't make you any better, I just wanted to give my thoughts and criticisms about Vanity and his content, your allowed to critique him but don't send any hate. Anyways, the one I'm gonna be talking about is Vanitymoth and if you're not familiar and haven't heard of him, Vanity is basically a cartoon reviewer with about 12.8K subscribers and his first video which was uploaded back in 2022 (around the same year his channel was created) and was about Panty And Stocking and his channel wasn't as popular when he first started out and I discovered him around this time and thought his videos were decent and fine enough at the time, especially as he had a small following around the time but I honestly think it wasn't until he made his first MD video is when he really started to get more popular and I subscribed to him once he started making MD reviews as I was a huge fan around the time.

In the beginning I thought Vanity was a fine and decent enough reviewer and he seemed valid and gave some interesting points in his videos, but I started to notice some changes once he started putting out some more negative videos with one of the ones being his trashfire of a review on Lackadaisy and most of the time for his review he's just complaining and nitpicking as some stuff, (even though I do think in some aspects he can be valid) being negative most of the time, the only thing he really praises in Lackadaisy is the animation but doesn't bother really giving any more positive thoughts even though there is so much to adore and love about Lackadaisy, even if you aren't 100% familiar with the source material I think you'd still be able to follow along fine and enjoy the Pilot. But with Vanitymoth, it seems just didn't seem to understand and get the Pilot or what even the concept of a Pilot Is..the whole point of a Pilot Is to introduced you to the world, the setting where the story is taking place in and introduce the characters we'll be following along, and although Lackadaisy isn't perfect at all, no piece of media is, but I think they did a good job. Another thing Vanitymoth is that in his reviews for most of the time he thinks his opinions are the definitive answers to the direction the show is going and bashes people who actually know to have fun with the show and sees his opinions as definite facts.

He also constantly whined and complains about TADC getting more attention than MD, like he's complained about it a lot, he mentions it at some points in his "The Slow Death Of Murder Drones Fandom" and it seems he had an issue of another Glitch having another show going on that was more popular, like...you don't have to enjoy and like TADC but you don't need to put one show down to praise the other, why not enjoy both shows?? Also, the thing about the MD fanbase dying after the show ends, which I don't think will happen as the fandom has gotten bigger and popular since the Pilot's release and the show will still be rewatched and beloved by fans and others even now the show's over and just because a fandom doesn't interact 24/7 doesn't mean it's dead, that's like saying the Gravity Falls fandom died after the show ended..like the show is still popular and the fandom is still huge even years after the show's finale, besides Glitch has expressed that they wanna do more with MD in the future so we'll probably be seeing more of these characters in the near future, so that doesn't make sense and it seems Vanity only wants Glitch to favor MD only and it's just frustrating.

Now, let's discuss his MD reviews..alright so first let me started off my saying that I'm fine with being critical and being criticism and there's many things you can critique about MD as it's NOT a perfect show but as I said the thing with Vanity is that he seems so damn negative in almost all his MD reviews even though some points can be valid, but most of the time to me..his criticisms just seems in bad faith, not valid and just him pulling stuff and random theories out of nowhere to fit his own narrative. Let's point out and start on how he just doesn't understand and gets the characters in the slightest, he doesn't shy away or even try to hide in the slightest that he's got hatred for both N and Uzi, Nuzi especially as a couple..but is totally fine and ships Cyn and N together and then got pissed at the fanbase and acted like a baby because nobody liked the ship, like jesus dude..

And he's also mischaracterized the characters like most in the fandom do unfortunately but he's done it the most to both N and Uzi especially, like I said he doesn't shy away that he hates them with a burning passion. He's shown his hatered for Uzi (not even surprised in the slightest as he commissioned some hate art of Uzi getting beat up by J) and mischaracterized her and saying how her whole character is only involved around N and is blaming her just like some haters of Uzi and it's just frustrating..like UZI DIDN'T do anything wrong at all and characters can be characters on their own and have a love interest, I'm really sick and tired of all the Uzi hate is annoying as hell and frustrating, even after the finale Uzi is still getting hated and it's just so unjustified, Vanity and others need to realize that Uzi has gone through something called..."CHARACTER DEVELOPMENT!!" ✨💜 Y'all seem to NOT understand and get it and just wanna say certain things to make characters look worse and awful and overall don't get these characters, oh and don't get me started on his video about N's character analysis..and similar to Uzi, he doesn't understand and get N and called him "obsessive" over Uzi and and killed "Tessa" without a second thought and seems to see N as some yandere or something. And he's doing this all because he hates Nuzi, like you don't have to like this ship but acting this way and getting this mad and acting the way you do over a FUCKING ship is childish as shit, and another thing is that he literally pulled something from non-canon and called it a "pattern" because of Liam Vickers or some stuff like that and reading Vanity's so-called theories and analysis just reminds me of "Analysis so bad you don't even know what it's talking about anymore" thread over on Twitter, his video and the way he analysis N's character by ignoring his feelings and trying to paint him as this savior lunatic that's so obsessed with Uzi that he'd sacrifice the universe and loved ones just to have her is just...mischaracterization is an understatement, a straight-up bastardization of his entire personality and arc, Vanity doesn't understand or get any of these characters and gives these bad takes to make them look worse.

He's currently working on his review on the finale and I'm not looking forward to it in the slightest like as I said, I'm all for giving criticisms and you're allowed to love and be a fan of show I'm the same way, and I'm sure others are the same and don't blindly praise whatever they like 24/7 and see them as perfect, you're allowed to feel how you feel and you're valid and allowed to not like the finale. But most of the time in Vanity's videos is that it's mostly negative and he complains about almost anything, even nitpicking the smallest things and he barely discusses the positives about he reviews and uses his opinions as definite facts. It sucks because I really did enjoy and liked Vanity as a reviewer in the beginning as he did bring up some valid points and was decent as a YouTuber but as he kept on putting out more videos, getting more popular he just seemed to get more and more negative and I saw a quality drop in his videos, he's barely positive in his videos and it just makes him unpleasant and boring to watch and hard to fully enjoy his stuff.

Really hope this little rant sounded fair and was okay, I don't really do these type of posts anymore and don't wanna be mean as the intension of this post was to give some opinions on this person. Once again, this isn't me trying to send any hate to Vanity and I'll say once more, please DON'T send any hate and bother him, I just wanted to give my thoughts and opinions about him and his content as I've had some issues with his content since 2023'ish and wish he could improve as an reviewer and just be more fairer when it comes to what he reviews, along with seeing that people are allowed to enjoy and love more than one show and just because one show is getting more popular doesn't make another show any lesser, both TADC and MD are great and incredible shows made by talented and amazing people, Meta Runner is also another good (very underrated, btw) show and I know Gaslight District will probably be a great too, nobody shouldn't be holding and putting these shows against each other, bashing and praising different shows, please support all shows and indie animation as a whole. ❤️

[h50europe]

When one side of the fandom lies bleeding while the other one is thriving or how I learned about fandom wars the hard way

This is a message from someone whose beloved ship rests forever in the depths of the ocean.

We had high hopes. It looked like our ship was afloat and ready to explore the seven seas for three seasons. Then, the show got a new showrunner who was very homophobic, and from that point on, the show and our favorite ship went downhill. Even though I'd been in different fandoms for about fifteen years and should have known better, I let myself get caught up in an unprecedented fandom war. Those who favored the Het couple were attacking one half of our ship, not just his character but the actor. Don't think they don't know what's going on just because an actor isn't on social media. We knew some crew members and learned that everyone knew about this fandom war.

The whole thing escalated until the show's final episode, which came to a more than undignified end after ten years. Knowing what he was doing, the showrunner wrote an ending that damaged the show and destroyed our ship. It was bad. There were words like, "Now we're dancing on your grave," and much worse. I was mentally at the end of my rope at that point. Then, the sets were immediately dismantled after the last scene was shot. It's something that happens very rarely when a show reaches some cult status. Our ship didn't even do a joint farewell interview for the fans because the actors left the set quickly and never looked back.

Why am I telling you this? Because I've learned to observe things from a certain distance.

We are fans of the same show but have different priorities and ships. As a multi-shipper, it's easier, I'd say. But those who are running amok right now because their ship is staying in the harbor while another is sailing away with flying colors brings back extremely unpleasant memories to me. But the same goes for those who are just as happy about what's happening and are starting to lose their grip. Please take it from someone badly burned: This is not a competition. This is not me winning and you losing. It's deceptive to think you're on the winning side and make fun of others for it. The tide can turn. We don't know what the showrunner has in mind. We don't even know that season eight might not be the last. Take what we have right now and be thankful for it. Enjoy it while it lasts. But don't be tempted to point fingers and mock others or say, "Your ship will never be canon. Mine already is. Your ship is crap. Mine is better." Also, do not be fooled by the fact that the haters in the fandom are a small group of people who only appear to be many because of their vocality and because some are playing the old sock puppet account game again to make it look like they are many.

I can only tell you from experience that we should treat each other respectfully. Not every Buddie fan is an enemy. Unfortunately, I also see another phenomenon that is becoming more and more common. Fans barely dare to post anything for fear of the crazies in the fandom (which unfortunately exist on both sides). Fans who have nothing to do with a fandom war want to have fun. And if they have a ship, they just want to interact with like-minded people. Which - especially on X - seems to turn into a gauntlet. Because suddenly, Your Rudeness sneaks into the conversation and starts pissing on the timeline. For clowns like this, the block button still works. Getting involved in any discussion is pointless. I also had to pay dearly for this realization.

"Never wrestle with a pig because you'll both get dirty, and the pig likes it." - Positive energy is much more powerful than negative energy. If you stay positive, negativity can't touch you. Oh, and I've wrestled a lot of pigs. Other than excessive blood pressure, gastritis, and countless sleepless nights, it didn't do me any good.

Stop participating in dick-measuring contests. Stop bragging about your favorite ship and how the others are nothing but losers. Stop saying we won because we didn't. Again, this is not a contest. We are on equal footing, and we can all coexist in peace. There is plenty of room. For everyone, for every ship, for every fan. Oliver made a single statement for those unhappy with Buck's journey and his current travel companion. He dropped it for good. And I couldn't agree more with the message and how he did it.

Of course, we would like to see more of our ship. Of course, we want the actors to have a relationship storyline to sink their teeth into, and hopefully, we get to see some domestic stuff and some hot scenes. But so far, that is fanon and not canon. So far, there is usually more going on off-screen than we see. We can only hope that this will change. Those who call themselves open-minded and tolerant while going on a witch hunt should think twice about what those words mean, and they should live them and not just throw shallow phrases around.

My wish for the future of this fandom is that it becomes a safe place. Safe as in a h*te-free zone. A place where no one has to be afraid to speak their mind. And a place where you can express (constructive) criticism without getting a shitstorm. Peace out.

[maxphilippa]

uggh. your little group is so negative, i just.. dont see how u could say ur fans if u hate it so much??

the worst thing a show can do to you is making you feel stupid for loving it and. everyone was reasonably upset over the writing of act 2. like it wasn't only my group it was most of the fandom from what i can gather. anon i get it but also have you seen the other things we've made of ii at all? have you seen how many posts i have defending it and the posts i have studying the characters? have you seen the love people genuinely had for it? you can be a fan of a media and still not like the direction of it, especially if it's the direction they took for the ending too. i don't hate ii. why would i be so hurt over something that i hate? why would anyone be hurt over something that they hate? people are allowed to complain over what they don't like. especially if they cared about the show like anyone else. you are more than allowed to enjoy the show, and you are more than welcome to surround you in a space that is comfortable for you as well. but people won't be happy with questionable writing choices and they'd want to make sense of it because. they care about the show.

that's. really it. it hurts because we cared and it's reasonable to be angry. it's reasonable to enjoy it. it's reasonable not to do it. it's okay

and for the record i don't hate ii. i love it genuinely. i'm just... disappointed at the writing choices now. because they directly contradict canon and hey! my favorite character got her arc messed up too. i apologize if i come across as mean but people have a lot of feelings and they're allowed to have those feelings, negative or not.