#i do think he just wanted to tell that specific truth to someone

[affableramen]

Hiii! I love your writing, it has a nice flow to and fits together so beautifully. I was wondering if you would consider taking this request.

The reader and Pantalone are both in the Fatui. They aren’t exactly in a relationship, but their relationship status is definitely beyond just being acquaintances and even friends. So far beyond that like gossip began to spread around the Fatui and even the public. So basically after all that, the reader decides to distance from Pantalone(about like a month or so idk make however long you want). But then one day he comes to knock on the reader’s office door, and without wanting to cause any scene, the reader lets him in. And honestly from there you can write a range from fluff to nsfw content, either would be fine. Thank you!!!

(Preferably make the reader female)

You knew that sooner or later it would come to public that your and Pantalone’s relationship was not strictly businesslike. Although it started the most professional way, you two being comrades, despite the differences in rank, age and power, still had a potential to bloom into something less conservative and more intimate. Dating a Harbinger obviously had its positive impact, for instance being constantly protected and secured from outer threats. No one would dare to lift their finger at someone who’s standing in a Harbinger’s shadow. Unfortunately the negative sides showed themselves eventually, too. Despite feeling secured and confident in your physical safety, you started having minor inconveniences. Such minor inconveniences only seemed so at first flance, and later they started to grow more and more irritating, causing not only anxiety to you but big distress to the Fatui organisation in general. Not to Pantalone, though – he didn't care.

“Do you spread your legs for every rich businessman or is it only Regrator?” female employees inquired with sardonic smiles. The amount of inappropriate comments like that would only grow with each passing day, and honestly, it slowly became unbearable. 

“I saw them walk together late at night. Can you imagine? Unmarried woman walking with a Harbinger at dark times alone.”

The most infuriating thing about all this was not just their comment, but the truth. In all your relationship period with Pantalone you have never been involved with him sexually! But those fools just wanted to humiliate you in front of everyone. You didn't even know if it had reached Pantalone’s ears, and hopefully it didn't – otherwise you’d die of embarrassment.

One day you lost all your patience and headed to his office. It was time when you’d tell him you wanted a break. “Just a month or two”, you think, “it won’t be forever.”

When you entered his private room and closed the door with a soft click, you already noticed a slight frown on Pantalone’s face as if he already knew what you were going to tell.

“Sit”, he demanded you. You took a sit in front of his desk, while Pantalone was finishing some of his paperwork. With his free hand he pushed a cup of tea in your direction, one that’s specifically prepared for you. 

“Thanks”, that hot cup of tea was soothing and could definitely make a difference to this cold day. But unfortunately it couldn't influence the tension bulding between you two. Pantalone suspected your fears long before and subconsciously he knew that this relationship would harm you and your honour. 

He put his pen and ink away and turned his gaze at you.

“You really can’t just ignore those comments, hm? I knew you’re too caring for taking risks like that. After all, a Harbinger is a public personaa and is a subject to be discussed publicly. His private life, too.”

“You seem to not be affected.”

“I am hundreds years old, my dear. Surely you don’t think I worry about my reputation that much? Please, I have done so many things that would scare people much more than dating a mortal woman who has just recently joined Fatui.”

You took a sip from the cup not breaking an eye contact with him.

“Perhaps you’re right. Yet I fail to see how we’re going to solve this drama gathering around us. The only solution I could suggest you is to part for a while.”

“You want me to leave you alone?” The mere mention of the words would make him sick to the stomach yet he kept his composure quite well. You wouldn't lie and say you felt nothing. The sickness washed over you just at the thought of stopping any informal interaction with the Harbinger.

“Surely you don’t think it’s a good reason for us to take a pause, no?” A slight hint of possessiveness and unwillingness to separate himself from you appeared on his face.

“I know how it sounds, but Pantalone, we can’t possibly work when everyone around us just keeps plotting. Have you heard what they say about me? They just keep saying how I spread my legs for every Harbinger in 10 metre radius.”

“Darling, why’d you prefer listening to some…. randoms, instead of listening to your partner, hm? I really fail to understand you sometimes.”

You rubbed the bridge of your nose.

“Oh Pants, you really don’t get what it means to a woman? Especially to someone who just joined the ranks, and got immediately mixed with a sack of shit?”

“Enough.”

“Are you saying I’m stupid?”

“Not stupid. Just too empathetic and sensitive.”

“What are you, then? Super chill and indifferent? Or are you just too cool to think of my problems?”

At that moment something inside Pantalone finally cracked inside and he squeezed his fist. It only took him a few seconds to visually suppress his anger before he got back to his friendly, appealing self. 

“Alright. If that makes you happy. Remember, though, you can always come back to me. Once you’re done with your sensitive attitude, that is.”

It was a recurrent Pulcinella’s monthly speech. He would gather everyone around, not only Harbingers but also the newly appointed recruits. You were sure it was something important and you did listen to the half of it, if not certain someone who would constantly distract you. As much as you tried to concentrate on the Rooster, you couldn't help but be bothered by a malicious gaze on your back. You decided to take action. Slowly turning your head to the size, you caught Pantalone’s gaze. Per usual, he was standing in the furthest corner, his silhouette hardly lit and almost completely coverd in thick shadow, yet the glimpse of his glasses was in order.

Pantalone was staring at you with a look that suggested he was either watching your every move or waiting for you to finally admit his presence. It was always difficult to indicate what was going through this man’s mind. Two weeks passed since the two of you stopped talking outside of work, and it took its toll on you, too. So partially you could understand his frustration.

When Rooster finished his speech you left the HQ with everyone else, but upon walking through the corridor you felt someone grip your wrist tightly.

“Hey, you-”

It was Pantalone. He pulled you closer, but not flush, just the distance between you to let him see your face clearly.

“May I ask you something?”

You were stunned. It was so informal, unprofessional and blunt – you’d never ever expect something like that from Regrator. You calmed yourself down, sighed and attempted to respond, but right at that moment, as if by a disgusting twist of fate, Rooster was walking exactly in your direction wih a few recruits accompanying him. He was eagerly explaining them their duties, it seemed. 

“Shit. We can’t let them see us like this”, you said and looked into Pantalone’s eyes, but he remained still, no idea as to how escape awkwardness. Quickly, you looked around and -bingo- there was a storage room just to your right. 

“What are you doing?” His voice was as flat as it used to be, yet he followed you without futher bickering.

Hastily, you grasped the edge of Pantalone’s fur coat and pulled him inside, closing the storage room behind you. Throught the door whole, you saw Rooster stop right near that damn storage room.

“Oh no, he’s not going to leave soon, is he?” You whispered to Pantalone. In attempt to turn to face him, you accidentally stood on an empty glass bottle of vodka left on the floor and landed… on Pantalone's lap.

He was sitting at the wooden chair in the centre of the storage room, definitely not expecting you fall at him like that. Bumping into his neck, you almost immediately pulled away as if you saw a ghost.

“Oh my god.”

A futile attempt to raise from his thighs was crushed by Rooster’s sudden exclamation outside:

“Oh my Goodness! Did you hear that?”

Pantalone immediately grabbed your shoulder and told you to be silent only with his lips. You froze and kept still, waiting for the wave of curious Fatui outside to pass. After a few moments it was impossible to ignore the fact that you were, indeed, on his lap, and he was on a chair, not really comfortable. But he was a Harbinger, and previously a thug, obviously he could show great deal of stamina?

You carefully turned your head to catch a glimpse of the happening outside through the door hole but Pantalone gripped you tightly, almost gluing you to the current position.

“Don’t. You. Dare. Move.”

Only then, after his explicit remark, you finally realised the problem. You were sitting on his thighs. Quite literally!

Your eyes widened at the feel of something hard growing somewhere in the middle of his thigh.

“Oh my god. Really, oh my god”.

You looked down, and then raise your eyes back at him – his Adam’s apple shifted quite vividly, he most obviously swallowed impatiently. You suddenly felt heat spreading through your chest. Pantalone, caught in the storage room, hiding with you. And you, straddling him with your hips mercilessly. If anyone saw this, they would never believe the original story, they’d rather consider you two having an intimate affair right here, in such a closed space. And as a matter of fact, no one would blame them for that.

You looked back at Pantalone’s face, he licked his dry lips as an animal in heat. You could feel how he struggles having you so dangerously close, right on top of him, when the both of you decide to take a break. It was so infuriatingly ironic. Yet you stood still, trying to not make things worse for him… and yourself.

Eventually the voices outside got farther away. You carefully stood up from Pantalone, and he shut his eyes for a moment, letting out a soft sigh of relief, probably. He adjusted his clothes, and you pushed the storage room open. No one was in the corridor, safe territory, absolutely. You pushed a stray lock of hair behind your ear and asked:

“So, what did you want to ask before we… erm…”

Pantalone fixed his glasses and stood up from the chair too. 

“Initially I wanted to clarify if you still want to keep our break due, or if you had changed your mind”, he approached you closer and cornered you to the wall, all in a blink of an eye. 

“I don’t think this break will ever work”, he said, extending his arm and placing it against the wall, next to your ear. “If you want to break up with me, at least find a more solid reason than dirty gossip”, Regrator leaned at close proximity to your cheek and trailed a line with his lips from your cheekbone down to your neck and stopped right there. You placed your hand on his chest in return, his pulse rate wild. 

“Fine, fine, stop you”, you punched him in the shoulder lightheartedly. “Let’s go back to work until we’re wanted.”

“If we do, you ought to accompany me, I’m afraid”, he extended his arm.

You rolled his eyes, silly.

“You wouldn't have it any other way, jealous mister?” 

The familiar touch to his gloved hand was filled with warmth and longing. 

[demodraws0606]

I'll be honest people are being way too trusting of q!BBH right now simply because he said something that was mildly true to q!Tina.

I've seen so many people in chat saying "oh he trusts her, he isn't manipulating her"

Which like, by definition he very much is even if unintentionally.

He isn't telling her the whole truth of his plans and clearly has motivation to get her on his side. There might be a genuine desire for friendship and trusts there but it's tainted by his plan.

Most of what he revealed to her wasn't even that incriminating anyway, it's more of the same thing he told Fred and Tubbo. The whole "i'm grieving and i'm hurting so that's why i'm lashing out" shit.

Even if he's looking out for Tina, I do think he might have some underlying secondary motive behind this interaction.

[kindacreepy-kindaugly]

For the rare coherent, rational thought: it's pretty unlikely this is actually about him or even me. He's sure as fuck not helpin but it's just a smokescreen.

[erinwantstowrite]

Halloween AU!!!

hey so. i put SOOOOO much effort into this au and for what? at least it ended up looking cool? anyways Halloween is my favorite holiday and i just HAD to make something for them!

i had a LOT of ideas for what everyone would be, but i really wanted to stick to a certain theme cause it's based around Halloween. i knew i had to have a vampire, werewolf, and a witch. cause like... obviously. iconic Halloween stuff!! but i took some liberties with everyone else and i think they turned out pretty cool!!

Jason was originally a fox shifter (which i still love and might draw art for some day) but i went with a bear in the end. is that because i thought about tiny bear cub Jaybin and wanted to cry? yeah. yeah it is. i KNEW Steph was going to be my werewolf though i started doubting myself when i went to draw her. turned out to be my favorite drawing on here which makes sense cause she is my light my love my daughter my will to live and all that jazz

Tim was actually gonna be a harpy but thank god i didn't go for that in the end. Duke was the one that was a bitch and a half trying to figure out BUT!! comments on the post asking what y'all thought led me towards Psychic so THANK YOUUUU everybody that commented!! (specifically those who thought of ghost!! Duke and Tim ended up being a perfect duo in this au)

Babs was pretty easy to figure out what I wanted for her. I read somewhere that they are seen as protectors of forests/ are considered spiritual authority figures and also.... she looks cool as fuck. Did not expect how easy it was to find a ref for a deer in a wheelchair though? I can never find the right hand or face angle reference but that was super easy???

For Bruce there was literally no question he HAD to be human. it's literally so funny that everyone who knows Batman thinks he's a spooky vampire but he's human. his first son, however?????? THAT'S the vampire. I knew Dick had to be a vampire too. A little nod towards that one comic run but in my au nothing bad happens ever 🥰 Damian also being a bat shifter is very on purpose because how funny is it that he's a bat man. Literally not a single person in the League thinks that Bruce is telling the truth about being human. Bruce you are NOT beating the secretly a vampire allegations.

adding in Jay's hilarious joke it's so fucking funny:

Alfred is actually a demon. I CAN NOT remember who made this post so if someone can help me find it, it would be appreciated!! because this was inspired by them!!! but somewhere i saw someone talk about Alfred being a demon that Thomas and Martha made a deal with (i think it was for an au idea?) and I just HAD to put it here. Alfred looks so human and everyone expects it, but he's definitely not. I put the ??? because it's so fucking funny. see if you can spot the 1 hint i put on his drawing that something is amiss!!

Peter is from an alternate dimension still, but it is not a world of creatures like him, it's just the same as LoF canon except Peter grew some extra limbs and eyes. He finds that it's actually pretty easy to fit in with the Waynes. Hard to feel like a freak when a guy can turn into a fucking bear, or your dad is a vampire, and the teenagers in the family are trying to summon ghosts or make potions.

additional doodles for this au:

i am still debating whether i am going to draw something for this au or write a oneshot, but i DO want to do something with these for Halloween

[bhaalsdeepbat]

just to add:

Using Poe rather than any other Dark Romantic writer that was his contemporary to pull a quote from was such a good choice. Of his sotries, "The Tell-Tale Heart" was the perfect one for Astarion, but Poe very specifically believed stories should be written in a circular manner - like a snake biting its tail - which fits so perfectly with all the little ways Astarion's story and romance references itself.

Direct quote from my source:

Poe believed in “fashioning a tale like a kind of ouroboros, with its tail in its mouth, beginning with the final effect and working backwards to that the story’s beginning is a natural derivation of its conclusion.”

It's the setting up of the Romantic Astarion in act 1, finding out he's not as fine as he keeps insisting as the narrative swings into Dark Romantic territory, the paranoia starts to really come out (relating back to tell-tale heart), and then he is literally given a choice: continue the cycle or break free. The cycle of abuse is literally a circle here. He can take up Cazador's place in the ritual and step into his role entirely, reentering the ouroboros I mentioned earlier.

The "Thank you" when he first bites the player being referenced later when they see past his paranoia and how unreliable of a narrator he is about his own feelings and seeing that he doesn't want power. He wants safety in a world that he believes isn't capable of kindness or good.

I love how Astarion quotes The Tell-Tale Heart every once in a while. It's a rarer line, and initially I thought it was out of place (Neil is very well versed in theater, so I assumed it was a riff from him), but since reading an analysis of the work I think it was pretty purposeful.

The piece is all about fear and paranoia, things we know Astarion is plagued by despite how he might act. Similarly, the narrator of the story also tries to convince the reader that they are not as troubled as they seem. In the end, the narrator is consumed by the beating of the heart of the old man he killed and dismembered, the sound growing louder and louder until in a fit of rage he reveals the body to the police to absolve himself from the persistent beating.

Except the police never heard the heart beat, because it wasn't the old man's heart at all. The narrator was consumed by the sound of his own heart beating more and more rapidly in his chest from fear. He was the owner of the thing that forced him to reveal his true nature, he is the owner of the tell-tale heart.

And what happens with Astarion after you romance him? He realizes over time that, while he tried to deny his feelings and was initially only interested in manipulating you for his own means, he actually has grown to care for you. You have done something to his heart that hasn't happened in centuries, you have made it feel as if it has started beating again.

Therefore, his tell-tale heart leads him to admit his transgressions, which were committed out of fear and paranoia for his safety.

So the line is actually very, very apt. His confession during Act 2 is his own version of "Villains! Dissemble no more! I admit the deed! Tear up the planks! Here, here! It is the beating of his hideous heart!" Except, of course, it is his own heart that he is unearthing for us (and it's not so hideous, after all).

[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.

[mulloey]

hunted • yunho

it’s all a game, he says. you’re desperate to play.

yunho x fem!reader

words: 4.7k

warnings: extremely dark kinks, heavy consensual non consent (cnc), dubcon at some points though you have a safeword, internet hookups (don’t), unprotected sex (don’t), the word ‘rape’ is used, hard dom!yunho, fear play, glove kink, choking, impact play, knife play, under-negotiated kink, size kink, painful sex, sir kink, you’re referred to within the scene as a victim and a sex slave, explicit threats of bodily harm and death in the context of cnc, mind break possibly, aftercare, crying etc

you’ve been appropriately warned of the content ahead. click out if you are uncomfortable. this is not safe to do irl. hate is blocked.

-

You don’t know where else to turn.

It’s been on your mind for a while— this fantasy. This game. You don’t know why, or how, and you’d never, ever admit it, but it plagues your thoughts, day after day, haunting your dreams night after night without respite. You’re too ashamed to even say it.

You never told any of your previous partners; you’d hint, maybe, suggesting weaker, milder things to nudge them the right direction, but they always shied away, got scared about three miles south of what you actually wanted, and ran screaming. You know it’s wrong. If anything, the fact that they ran away should have been a green flag. But it wasn’t. Not to you.

You make the account around 3am. Your username is nondescript, profile photo grainy and blurred, showing just enough to attract someone who might be able to do this for you. You write the post with trembling hands; the words come easier to you than you’ll ever admit.

I want to be forced. I want to be raped. I want to be punished for resisting. I imagine a stranger, maybe one I’d only seen in passing. He can’t get enough of me. He needs me. He’ll have me. He follows me wherever I’m going, lying in wait. It doesn’t matter how much I resist. I’m going to be his. He. Will. Have. Me.

As expected, your phone is blown up by the time you check it. Hundreds of old, gross, sleazy men desperate to get a taste of your — shudder — young pussy, as one called it. You hadn’t given a specific age, just that you’re in your 20s, but they all seem content to run with the idea of you being on the lower end, rather than the higher. Perverts.

You scroll through the messages. each one confirming the rational part of your brain that says this is a stupid, dangerous idea and you should forget you ever even had it.

It’s the one at the bottom that stops you. Sent not long after you’d gone to sleep, but they’d liked the post almost instantly. The profile picture is like yours — grainy, blurred, but suggesting a toned, young-ish, large body — and he too is in his 20s, if he’s telling the truth. His message is short and respectful— a breath of fresh air.

youknowme: Nice post. Do you really want that, or do you just like imagining it?

You bite your lip. You don’t know why, but this person feels… different. Exciting. You want to know more.

rosedepths: i really want it. can you give it to me?

youknowme: I could. Would you take it all?

You chuckle— you know what he means, but you figure you’ll have some fun. See if he’s expecting a sweet, scared little doe who’ll be quick to submit; or if he’s expecting a fight. If he’s expecting you.

rosedepths: nope.

The typing button appears and disappears a few times. You assume he doesn’t like your response, and he’s not as exciting a match as you’d hoped, until his next message comes through.

youknowme: Yes, you will.

Oh, fuck. You feel yourself leaking as you read it over and over. You’re desperate to know more.

rosedepths: have you done this before? raping a stranger?

youknowme: I hope you’re talking about CNC, Rose. If you are, then yes. I have.

rosedepths: you any good at it?

youknowme: I’ve subdued much feistier things than you. I can give you what you’re asking for. Do you want it?

The need in your stomach is so profound you think you could keel over. You’ve never found it easier to type something out.

rosedepths: yes.

You talk until you sleep, and you’re optimistic about this guy. He’s careful and meticulous with your kinks and limits, guiding you through the details while still retaining the mystery and allure you’re craving. Despite your protests, he insists on a safeword, but assures you that that’s ‘the only thing in the world that will stop him.’

As you become more familiar with this site, designed solely for this purpose it seems, you see this man is… popular. To say the least. He even has what looks like a review section from other women he’s fucked and oh, there’s pictures. Not of him— but of the deep bruises and stinging cuts he’s left behind. You click through the reviews, pupils dilating the longer you stare the screen down.

He fucked me so good.

He put me in my place.

He’s brutal.

No one’s ever made me cry like that. Or cum.

When he proposes a meeting, you don’t think twice.

By the time next Friday rolls around, the knot in your stomach is a constant; it follows you around, heavy and aching as it trails behind every step. You know it’s just nerves, excitement, the thrill of knowing you’re about to do something very, very wrong. But some part of you does wonder if it’s doubt— are you being stupid? Is this a bad idea? Well, yes. You are and it is. But is it… too bad? You don’t know. As the clock ticks slowly towards your ‘appointment’, you feel more and more anxious to find out.

You clock out at 5, hurrying down the stairs of your office building to dash home. You’d prepared your bag already, shaved this morning and placed your fanciest, laciest set of lingerie under your work clothes. You take a second to freshen up, touch up your makeup and dump your work bag on your bed before you’re hurrying out the door again.

The hotel he’d booked is downtown, shiny and new and well beyond your price range. You wonder for a moment what this man does for work. Your knowledge of him is very, very limited— by design, of course. This whole game, this whole exercise hinges on him being a total stranger. But still, you can’t help but be curious. The one clue you have is the name the room was booked under— Yunho. You must have said it to yourself a thousand times; trying it out, the sound, the feeling. It tastes tantalising on your tongue and you’re bubbling with need by the time you make it to your room.

You hesitate when you reach the door. He’d told you he’d arrive later, at an undetermined time, but you can’t help but wonder. Is he in there, lying in wait? Will you open the door to find him sat on the bed, or hidden behind a corner, or, your heart races at the thought, right there on the other side? You breathe, in, out, in, out. You can do this. There’s nothing you could find on the other side of the door that you wouldn’t beg for another day.

You’re almost disappointed when you walk into the room to find it totally empty. You check the bathroom, the corners, the cupboards, half hoping to find him looming there, waiting to strike. But you don’t. You sigh, sitting down on the bed and sliding off your shoes. You’re not really sure what to do now. You suppose you could touch yourself, you doubt he’d blame you for being excited, but over the past few days, without realising you’ve found yourself almost saving yourself for him; each time your hands had wandered down there, you’d stopped yourself. He’ll take care of it.

Sighing, you decide to turn on the TV, flicking lazily through the channels until you find something that entertains you until he arrives.

With every unexplained noise, every creaking of a neighbour’s door, you look up eagerly, hoping to see Yunho looming in the doorway. But you don’t. Hours go by, your hope fading more and more, until you accept that he’s just not coming tonight. Tomorrow, maybe. You hope.

By the time you’re ready to sleep, you’ve passed several hours in front of the mindless reality show you ended up settling on. Trying to ignore the crushing disappointment that Yunho hasn’t shown up today, and the fear that he never will, you turn the TV off and settle into the sheets.

He’ll come tomorrow. He has to.

Eyes adjusting to the darkness, you make yourself comfortable in the cool, fresh sheets. The only sounds in the quiet room are your slow, steady breaths and the low hum of the air-conditioning. As your eyes begin to droop, you feel yourself relaxing into the memory foam, wondering and hoping he’ll be there when you wake up…

Click.

There’s a hand on your mouth. The lights are on.

Your eyes snap open and your body jolts, adrenaline flowing instantly. The hand is large, covering your mouth and nose and you can’t breathe.

As you adjust to the light you get a good look at him, and you’re so shocked that for a moment you forget you’re supposed to struggle. Yunho is gorgeous. Fading blue hair, dark enough to seem black from a distance; features gentle, eyes dangerous and all blending perfectly together. He’s wearing a white shirt and pinstripe waistcoat that struggles against a broad, toned chest that seems to be trying to escape and his large hands are covered by a pair of thick, leather gloves.

Fuck. You’d beg for this man any other day, happily and eagerly. But you can’t do that now. You have to fight. You thrash against him, legs flailing but his body holds you down, pinning you in place and oh, he’s large, too. He could incapacitate you now and be done with it, but it seems he wants to play.

“Well, aren’t you sweet.”

His voice is low and rough and addictive, dripping with want and danger. He stares you down, eyes narrowed, blank, burning.

“Gonna be a good girl for me?”

The pressure of his hand has eased enough for you to breathe and you lie still for a moment, gauging your next move. You nod, slowly. I’ll be good.

He smiles, not really believing you, and then his hands are off you. For one second, they’re off of you and you take your chance— you jump up and bolt out of the bed, dashing in the direction of the door. You hear him curse, but you know he’d chosen this room, large enough to practically count as a suite, specifically to give you more room to run. And run you do; you’re still half-asleep — you’re not quite sure if you did fall asleep, in the end, or if he got to you just as you were drifting off — but the adrenaline pumping through your veins is enough to carry your feet towards the exit.

You hear him on your tail but he’s not running— no, his steps are leisurely, like he knows he’s going to catch you and is merely amused by your idea that it would end any other way.

He lets you get to the door and pull it halfway open, just enough to think you’ll make it out into the hall, before it slams shut in your face, only just missing your fingers where they’d lingered in the doorway. Then there’s strong arms on your body, slamming you with full force, your body colliding painfully with the heavy wood. You struggle pitifully in his hold and as the lock clicks shut above you, you hear the barely restrained anger in his voice.

“And where the fuck are you going, bitch?” He growls. He grabs your hair and tugs your head backwards, sending a painful sting through your scalp then slams your head back against the door. “You tryna get away, pretty girl?”

You grunt, pushing back against him as hard as you can, but with his firm grip on you all you manage to do is push your ass back against his crotch. He groans, the grip on your hair tightening. “Fucking tease,” he mutters. “Bet you’re wet already.”

He spins you around, holding you by the neck against the door, his body caging you in as his other hand roams across your breasts, squeezing them just short of painfully. You struggle fruitlessly but you’re completely trapped and you know it.

You feel his knee nudging at your closed legs, clenched together to keep him away from your heat as if it’s not aching for him already. “Open,” he says.

“Never.”

“Fine.” His leg draws back and lands a kick between your knees and you yelp, legs forced apart; he shoves his thigh into the gap, holding your legs open and your pussy exposed as his hand runs up your bare thigh and slips beneath the silk slip you curse yourself for wearing to bed. Could you have made this any easier for him?

His fingers tease the edge of your cotton panties, pulling it back and slapping the elastic against your skin and all you can do is stay in place, held under his weight as he toys with you. But you’re not done and this isn’t over. You’re just biding your time. You just need an opportunity; a moment of carelessness for you to slip away.

He runs a finger softly across your covered pussy, and the smug expression on his face tells you exactly what he finds there.

“For someone who doesn’t want this,” he says, “you’re awfully fucking wet.”

“Fuck you,” you spit.

He’s quick to react; a heavy slap lands on your face, turning your head forcefully to the side and leaving a lingering ache.

“Wet and mouthy,” he says. “I wonder how quickly you’ll break.”

Your stomach twists but you give nothing away; you’re enjoying the back and forth, the game, too much to give up yet, no matter how desperately you want him to just fuck you alrady.

“I’ll never fucking break,” you snap.

“Oh, you’ll break.” He leans in closer, enough for you to feel his breath on your face as he speaks. “They always do.”

You can hear your heart beating wildly, pounding against your ribs and your breath stutters. “And if I don’t?”

“If you don’t…” He lets the words hang in the air, gaze flickering across your shivering form. His mouth curls into a thin smile. “I’ll just have to hurt you real, real bad.”

You swallow thickly, tension caught in your throat. You wish that didn’t sound so enticing.

“Now,” he says. “Open your mouth.”

You force yourself to laugh, amused despite your terror by the notion that you’d just give in and obey. You purse your lips, sealing your mouth shut— directly defiant. His eyes flash and his hand tightens around your throat, cutting off your airflow as he presses down on the sides of your neck. You manage to hold out for a few seconds until you feel your eyes bulge and you gasp, mouth opening in a desperate bid for air. He loosens his grip, grabbing your chin and pushing his thumb in just far enough to hold your mouth open for him to spit into it. The saliva lands on your tongue and he pushes your mouth closed, pressing his hand over your mouth and nose again. “Swallow.”

Knowing he won’t let you breathe until you do, you swallow the spit; it feels disgusting and degrading sliding down your throat but the humiliation burns with pleasure and you’re desperate for more.

“Good girl,” he smiles. “Not that hard to listen, is it?”

You scowl, squirming under his hold. Yes, it is that hard. You manage to wring your arms free enough to grab at his arm, trying to pull his hand off of your face. In the panic one of your nails digs into his forearm and he growls, pulling you forward just to slam you backwards again. Your ears are ringing and his hand is pressed even tighter across your mouth and nose.

“Disobedient little bitch,” he hisses, “you want me to fuck you up?”

Yes, fuck, please, your mind says. But you keep that on the inside, and instead of begging or submitting or doing any of the things your body is screaming and pleading for you to do, you bite down. You bite down hard.

The taste of blood is a small victory as he shouts, snatching his hand away from you but this time he doesn’t give you the chance to get away; you make it a few steps before he grabs your wrists, clutching them easily in his injured hand, forcing them behind you back and twisting them painfully to hold you in place so he can backhand you again— and again, and again. You scream in pain, but if he notices, he doesn’t care. His expression is livid, eyes black and burning with rage. “Fucking. Little. Bitch.” Each word is punctuated by a hard slap, knocking the wind out of you over and over.

“Someone needs to put you in your fucking place,” he growls. “Dumb little sex slave.”

The word hits you somewhere deep, stomach twisting into knots as wetness pools. Slave. Fuck.

“I’m not your fucking sex slave,” you bite back and he laughs.

“You don’t know what the fuck you are. Stop squirming.” He twists your arms a little further, teetering on the edge of too far. You whine, straining against him and he cooes. “Hurts, baby?”

“Yes it fucking hurts,” you snap.

He snorts, amused. His eyes darken again as he leans in closer. “Any more attitude and I’ll fucking break them.”

You can’t help the gasp that escapes you, fear pushing through your veins again. His grip on your arms is iron and you know he could snap them with ease. But would he really? You say nothing, staring up at him with wide, pleading eyes. He grins.

“Don’t think I won’t,” he laughs. “I’ll break every bone in your body if it’ll keep you pliant.”

“I’ll do it one by one,” he continues. His grip on your wrists tightens again but he doesn’t twist any further; still toeing the line. “Nice and slow so you feel it all,” he smiles, and you know he’s imagining it as he speaks. You wish you could say you weren’t. “Let you hear the crack of each bone snapping in half until you’re completely destroyed. You’d like that, wouldn’t you?”

You shake your head, voice quivering. “No.”

“Good.”

You scowl, squirming again to show your displeasure. “Let me go, Yunho.”

He hadn’t told you what to call him, but you decide to take a gamble that he doesn’t want you using his name and you’re right— he grabs your neck, pressing down hard enough to make you dizzy. “Call me that again,” he hisses, ��and I’ll slit your fucking throat. Got it?”

You catch the whimper before it leaves your throat but you can’t stop your pussy from leaking even more than it already was. You didn’t know you could be so terrified or so horny. But you’re not giving up yet.

“You call me sir,” he says, “is that clear?”

You smile thinly. “Yes, sir,” you say, so sweet and polite that he sees right through it. He raises an eyebrow, waiting for your next move and it comes in the form of a wad of spit, landing like a bullet between his eyes.

Then you’re on the bed. You’re landing on the bed, shoved down and he’s crawling over you, holding you down with his weight and— there’s a knife on your throat.

Your eyes widen, all your blood rushing to your head at once. A knife… he’d never mentioned a knife. On your profile you’d said you were open to knife play, but he was so meticulous when he went through all the kinks he was planning that you thought… Well, you didn’t think he’d have a knife.

“Oh, that got your attention, didn’t it?” He grins. There’s a fire, a dangerous gleam in his eyes that hadn’t been there before and you feel it in the deepest parts of your body. You feel something else, too, and it burns just as brightly as your arousal. As he presses the knife down just enough to sting, you realise you are genuinely, truly afraid of Yunho. And yet…

Yunho sees it too; “fucking gushing,” he spits. “You’re more sick than I am. Don’t act like a victim now.”

You whine, squirming slightly and he hums thoughtfully.

“Or do,” he decides. “Actually, I’m sort of hoping you don’t do what I tell you. I’d love to watch the light leave your eyes when you finally stop struggling.”

Your breath hitches, caught in your throat. You don’t… you don’t know how you feel about this. You knew he’d be intense; the reviews had painted a clear picture of just how much he feeds off of fear. But there’s a wild, uncontrolled look in his eyes as he threatens your life so casually, so smoothly, that makes you wonder…

No. You know it’s fake. It’s all fake. You know it’s just a game and you know he’d stop if you said the safe word he gave you. But the knife at your neck is real. The darkness in his eyes is real. The fear is real. And he sees it in your eyes, his lips twitching into a small smile as though he can tell the exact moment you accept it. “Good girl,” he purrs. “Are you ready to listen?”

You say nothing, glowering up at him. He smiles, tilting his head.

“Open your mouth.”

Fuck no. This isn’t over. You meet his eyes with your mouth firmly, resoundingly shut. You purse your lips for good measure, determined to disobey.

His hand collides with your face again; the back of it, this time, and the feeling of his knuckles against your cheek makes you cry out before you can stop yourself. He seizes the opportunity of your parted lips and plunges two gloved fingers into your mouth. You choke, spluttering and he tuts, looking disappointed. Even with fingers in your throat, you feel like a naughty, scolded child beneath his firm gaze.

“See,” he says, his voice low, “I could make this so much worse for you. It’s in your best interest to do what I tell you.”

His fingers push in deeper and you feel the bile rising; you thrash and panic in his hold and he snorts, finally easing up. As you gasp for breath, he pulls his fingers away, a string of drool following him from your mouth and coating his fingers. He wipes them down on his pressed pants, looking disgusted. “Fucking mutt,” he spits. “Let’s put you to good use.”

Before you can register what’s happening, his dick is pushing into your mouth and fuck he’s massive. You can hardly hold him in your throat and your vision blurs with tears even before he starts to move— when he does, he wastes no time starting slow; he goes straight to fucking your mouth with hard, deep thrusts and you feel your tears and saliva cascading down onto your chest. You must look disgusting, but you’ve never heard anyone sound as feral as he does.

Just as you’re getting used to the feeling, he pulls out. His cock slaps against your face before he flips you over, bending you painfully over the edge of the bed. He doesn’t waste time prepping you — not that he needs to with the way you’re dripping — before forcing himself into your tight hole. You scream, feeling yourself being torn apart and he laughs, pushing your head into the mattress. “Fucking bitch,” he growls. His low voice is barely heard above the slapping of his skin on yours and the lewd squelching of your sopping pussy. You burn with humiliation but you can hardly think of anything but the pain of being stretched open and the force of his thrusts. You sob into the sheets but he doesn’t care, only getting rougher each time you cry out.

“Take it,” he barks, “you’ve been waiting for this dick your entire fucking life. So fucking take it.”

“S-sir,” you gasp. You thrash as much as you can under his iron grip, dizzy with pain and pleasure.

He snarls, hand landing hard on your ass. “Drop the act, bitch,” he growls. “I know you fucking love this. Clench.”

Still sobbing, you do your best to obey, clenching your pussy around his dick and it sends a jolt of electricity through your body. He groans, movement stuttering slightly under the new pressure on his dick.

“Fuck,” he grunts. “Such a pretty little victim. With a tight fucking hole.”

You feel his orgasm approaching; all the pent-up energy and frustration of fighting and subduing you pulsing through his dick as it pounds against your walls. His grip tightens on your waist, other arm coming to wrap around your neck, holding you in a chokehold as he finally releases inside you.

He grunts and moans through his orgasm and you feel the warmth of his cum filling you up before he finally collapses on top of you, pulling out quickly.

“Good girl,” he breathes. “It’s over, baby.”

The dam breaks. Your low, desperate sobs give way to full blown weeping, your whole body shivering with each cry. A million emotions, previously drowned out by pain and fear and pleasure, are suddenly at the surface, pushing against your skin and desperate to break through. You couldn’t name or number them if you tried but you don’t have to, because Yunho is there— his hands are on your skin, voice in your ear as he soothes you with whispered words you can’t comprehend.

“I’ve got you,” you finally make out. He says it again and again, over and over. It forms a familiar rhythm you can follow and cling to as you come back down to earth.

I’ve got you.

I’ve got you.

I’ve got you.

He’s there when the fog clears, cradling your aching body in his arms. His smile is soft and fond but there’s a concern in his eyes as he looks you up and down. “How do you feel?” He asks.

You open your mouth but no words come; you make a soft, content-sounding noise, the best you can do for now, and he chuckles. “I’ll take that as ‘you’re fine’, then.”

He shifts slightly, adjusting you to hold you closer to his chest. You follow his heartbeat as it thuds lowly in his chest. You hadn’t expected this, really; he’d said aftercare was a non-negotiable for him, so you knew he wasn’t going to just fuck you and dip, but the care and tenderness with which he cradles and soothes you is almost as electric as the brutality of before. It’s as funny as it was, you suppose, inevitable— this man has violated you in every way, and yet you’ve never felt more safe than you do in his arms. Two separate faces; opposing but inseparable.

A while later, he asks if he can give you a bath and you nod. You’re strangely embarrassed as he lowers you into the hot water, quietly soothing you when you hiss as it touches the wounds on your ass and thighs; maybe it’s the tenderness of his care or the knowledge that every mark on your body was put there by him, but you feel oddly exposed.

Still, he’s careful as he holds you still, letting your aching joints soak as he cleanses you of the remnants of what he just did to you. When he lifts you out, wrapping you in a soft towel and carrying you back to bed, you feel like you’re floating on a cloud.

Your voice returns soon enough, and quickly something pushes through to the front of your mind. Still slightly in the haze of subspace as the last drops of adrenaline dissipate, it seems like a reasonable, if not pertinent question.

“Yunho,” you say. He makes a ‘hm?’ noise, squeezing your thigh in recognition. “Would you really have broken my bones?”

He laughs, and you feel his body shaking slightly. It feels… warm. Familiar. “No,” he says. “That’s just part of the game. My favourite part, actually.”

“What part?”

“Making you wonder if it’s really a game.”

Through the aching pain of your pussy, you feel a slight twinge, making you clench unconsciously. Oh.

“You had a safeword,” he says. “So I knew I could push you. But I didn’t do anything I wasn’t sure would make your little pussy throb.”

You can’t help but blush at his words, mewling slightly as you snuggle further into his hold. You could stay like this, wrapped in his strong arms and held securely against his chest, for a long, long time. You wonder if he could, too.

“Yunho,” you say softly.

“Will you stay?”

You glance at him nervously, afraid of his answer. He smiles, holding you closer. “As long as you need,” he says.

-

thank you for reading! comments/feedback/reblogs are appreciated! requests are open! love🖤🖤🖤

[gachagon]

Wolfgang's deceit and hypocrisy

A deconstruction and analysis of Wolfgang's behavior based on what he said and did during Chapter 1

I kept thinking about why Damon didn't exactly get along with Wolfgang because it seems obvious that he doesn't like him due to Wolfgang's somewhat pompous attitude towards the idea of Ultimates. Wolfgang contrasts Damon's view of Ultimates in that Wolfgang believes all talents are equally valuable to society, and Damon doesn't.

Wolfgang says he doesn't believe anyone there was capable of murdering their "friends" and that the killing game wouldn't even kick off because he believed in the inherent goodness of Ultimates as a whole.

Damon disagreed with this notion and believed everyone had the capacity for violence regardless of their Ultimate status or not. He also disagreed with the idea that all talents are equally valuable to society and that some are more frivolous in nature than others.

Wolfgang believed in a lot of "hopeful" ideals however, I don't think he was telling the truth when he said these things. His actions spoke louder than all of those inspiring speeches he gave to the rest of the class.

In fact, I think Wolfgang agreed with everything Damon said, but he didn't want to admit it for some reason. Wolfgang said he believed in a fair trial and letting people explain themselves, but when Eva claimed she was the Ultimate Liar he immediately resorted to turning the others against her by casting suspicion on her.

He said he believed that all talents are equal in value, but when Eva was revealed to be the Ultimate Mathlete, he didn't stop any of the others from mocking Eva over it. (I will also point out that while as hilarious as Cassidy's Bargain Bin joke is at Damon's expense, he doesn't tell her off for making said joke at all either.)

And Wolfgang said he didn't believe anyone there would kill anyone, but he was constantly taking "precautions" for the Killing Game. "Just in case" someone decided to do something. He agreed with Desmond's idea of bunking together, he at first doesn't want to investigate the pharmacy but decided it's a good idea to let everyone know what's inside anyways, and when he got the mysterious letter telling him to meet in the boiler room he brought a knife with him from the kitchen "for protection" supposedly.

Wolfgang says a lot of things that he clearly doesn't believe, him and Damon are exactly alike. But the difference is that Damon is honest in how he feels about the Killing Game and Wolfgang is not.

Where his hypocrisy comes in is how he judges Damon for his honesty, and makes it seem like he too isn't distrustful of others during the game. And I think the reason for why Damon specifically doesn't like Wolfgang is not just because he is a hypocrite but because he's purposeful about his hypocrisy. He isn't like the rest of the class in his hypocrisy in that he's not doing it by accident, he's doing it on purpose because it keeps him in control of the group.

And the funny thing about it is that it's kind of Damon's fault that the others adopted Wolfgang as their defacto leader. During the mock class trial, Damon was the one who defended Wolfgang's integrity and instinct as a lawyer to get the others to continue to believe in him so they could solve the murder.

But Damon didn't defend Wolfgang because he had some belief in the inherent goodness of Ultimates. He did it because Damon believed Wolfgang's *talent* as a lawyer is proof enough that he's well versed in situations like this. It wasn't about Wolfgang as a person, but his ability as a lawyer. And I think this is why when Damon just says what he thinks Wolfgang is confused by it because he thought Damon was like the rest of the class, hopeful and naive.

And obviously, later on Wolfgang states that he sees people, Ultimates, as more than just their talent. But I don't believe him. I think from the way he treated both Eva and Damon that he silently agreed on the idea of some talents being lesser than others. And he just puts himself in the position of not believing in what Damon says because it's unpopular with the rest of the class.

Wolfgang can subtly take all of the credit for solving Cara's murder, while Damon gets no recognition and because Damon has an unpopular opinion about Ultimates and Talents and the Killing Game, Wolfgang can become their leader very easily (which is exactly what happened)

But he doesn't truly believe in any of it, he's a biased person through and through who has his own selfish goals, and egotistical opinions just like Damon. I think he just didn't come out and be honest because being honest would've shafted him with the likes of Eva and Damon.

Wolfgang is leading them all with blind optimism, when he himself isn't that optimistic. I think this is why his Blackmail letter mentioned him having a Wolfish mind as well, because he is essentially a wolf in sheep's clothing leading a herd of sheep to their potential doom. Keeping them in the dark on purpose so he can continue to be seen as the leader and beacon of hope.

And if you think "Wolfgang wouldn't be that self centered to do this" I think he is, purely because of how he behaved during his death. Diana mentioned him saying things about being seen as great, trying to prove himself to someone, and not being able to measure up to another person.

I think Wolfgang is the exact type of person who would feed on other people's admiration in a situation like this. "It doesn't matter if they believe in me for a foolish and naive reason, because they believe in *me*. And as long as they have their faith in *me*, nothing else about this situation matters. Anyone who doesn't put their faith behind my ability to lead is irrelevant and isn't a part of the group."

(hence why Eva and Damon were constantly shafted by Wolfgang as outsiders)

[bunni-v1]

Lighter Relationship Headcannons

🍓Hi. I'm a liar. I sat down to write more of the alphabet requests and got possessed. This was the result. Anyway, he's so fucking everything to me. I hope the two zzz fans that follow me enjoy this because I'm going insane keeping all these thoughts in. Not putting this under the cut because I can't be bothered sorry gang. Gn.

Tw: NONE LIGHTER IS PERFECT!!!!

Info: Lighter x Reader; Headcannons; Fluff

-Lighter is, and I mean this with my entire being, the biggest walking green flag in the history of ever. Ironically, considering he’s the red scarf, but it’s the truth.

-He’s such a well-meaning guy, always considerate of others and incredibly caring to those he considers close. It’s hard not to imagine that he’d be a fantastic romantic partner, but like, how is he really in a relationship? (Lucky you, I’ve been obsessively fantasizing about it, so now you get to find out!)

-Lighter has most likely had a few partners, though none of them he would categorize as “serious”. Most of them were when he was significantly younger and way more stupid, and he cringes looking back at how he acted.

-He was a good-hearted and sweet kid, just… really fucking stupid about love. Most of his relationships either didn’t end well or were just nothingburgers that left him and his partner unsatisfied.

-As he got older, specifically after everything he went through, he didn’t want a relationship. Especially when he was still, you know, fighting because he quite literally wouldn’t have been able to maintain anything meaningful. (He’s well and convinced he would’ve been a miserable partner to have during that time, and he’s definitely right.)

-Even after joining the Sons of Calydon he’s not really looking for a relationship. The idea is nice, sure, someone to call your own. 

-Someone you can love and care for and who will do the same for you, it’s all lovely on paper, and Lighter would never say he wasn’t a romantic… but he’s gotta be realistic about it. When the hell is he gonna have time to maintain a relationship?

-He loves the girls, but they keep his ass busy – and that’s not mentioning everything else in his life that either gets in the way or would put a potential partner at risk.

-So, Lighter is okay just enjoying the thought of a relationship, not pursuing it.

-And… then he meets you.

-Meeting you felt like taking a punch to the gut, hard enough to knock the wind out of him.

-It’s not like it was love at first sight or anything, but it was definitely a whirlwind of something that Lighter had never experienced before, and it scared the shit out of him. He’s patient and reasonable, and he does his best not to let too many people in too quickly, but damn you were something weren’t you?

-It takes him a loooong time to feel comfortable feeling the way he does about you, and he’s really awkward around you – not that you can tell, because Lighter's “awkward” just makes him seem aloof, like the strong silent type. 

-You think that’s just how he is, but the girls know better, which only makes it worse for him. Expect lots and lots of forced alone time with Lighter because everyone ‘suddenly remembered’ they had something to do.

-You’re none the wiser about their scheming, but Lighter’s actually losing his mind because you are… really fucking cute to him.

-Now, regardless of how long it takes him (or you) to talk about how he feels about you, the relationship is going to be slow and steady. 

-He hasn’t been with anyone in a long time, he wants to do it right this time because he cannot – and I must emphasize this – he cannot lose another person. 

-This relationship is going at Lighter's pace, not yours, and if you don’t like that you’re probably not gonna last long with him. (So genuinely do not bother, for his sake.)

-It isn’t like he doesn’t value your thoughts and feelings, though. If you feel like you’re ready to move onto something else with him, he’s gonna sit and talk it out with you because he’s not a fucking prick. He just needs a partner who is willing to be patient, because he has been through a lot, and a long-term dedicated relationship is very new and very intimidating to him.

-It’s a series of slowly warming up to each other, getting comfortable with all kinds of affection, and learning what each other is and is not comfortable with.

-Once you learn about each other, everything is so incredibly smooth, and I promise on my life Lighter is the best partner you could ever ask for.

-His only issue and I say this very lightly (heh), is that he’s kinda bad at confronting issues he has head-on. 

-Normally he lets his fists do the talking but… he’s not really the biggest fan of socking you in the jaw sorry.

-He’s bad with words, and he’s only eloquent when he’s not trying to be, but he also knows that leaving an issue unresolved can be a death sentence so he will talk to you about things that bother him. Just give him a little time, even if you notice something is off. Patience is a virtue with him.

-Now, if you come to him with a problem he’s all for it. He’s clumsy about it, and he doesn’t know what to say depending on what it is, but he’s more than willing to change some things or work together to find solutions with you.

-Now, with that background established, let's talk about the fun stuff before I explode.

-Lighter is the best. Maybe I’m biased, but he’s so fantastic because he’s done a lot of work on himself as a person, and he values the relationships he has so much.

-To him, as your partner, you are his number one priority all the time no matter what. If you need him (and it’s an emergency (to him everything you need him for is an emergency)) he will be there, or he will ensure that someone will be there until he can be.

-No, this doesn’t mean his setting aside his responsibilities as Champion, and he isn’t going to set down every task he’s doing to answer your beck and call. He has a life outside you that’s important to him, but if something is wrong and you need him he’s going to be there. Always. Unless he physically cannot stop what he’s doing.

-Needless to say, Lighter is protective of you. Incredibly so. 

-He’s aware you can handle yourself and you’re not some feeble damsel in distress, but he worries a lot. He’s got a lot of targets on his back, and if a single one of those ever shifts to you he’d tear apart the entirety of the outback to ensure you were safe and sound.

-He can control his anger pretty well, but if anyone laid a hand on you I’m pretty sure it would take all of the Sons of Calydon and then some to pull him off whoever did that shit to you.

-He’s also the jealous type, believe it or not.

-He doesn’t care that much when mutual friends of yours are cuddly and cutesy with you. He knows those people, he knows you, there’s nothing to worry about. Someone he doesn’t know, though? Good luck.

-It doesn’t matter if they’re your friend, he doesn’t like it at all. He abandons his usual post of watching from the distance to be right up in your space. Constantly. 

-It’s so easy to tell when he’s jealous because suddenly there’s a gloved hand on you all the time and you can’t quite seem to get it off. How odd. Oh, there’s a pouty (intimidating) man attached to it, who would’ve thought.

-He doesn’t want to lose you, and he won’t apologize for that.

-He’s so cute, trying to keep the intimidating persona while clinging to his partner. (It’s really scary for anyone not in your close circle of friends).

-Speaking of, Lighter really struggles to keep up the cool guy look around you. He’s so incredibly weak to your whims and wants, he can’t help but let you cuddle up to him.

-All you have to do is bat your eyes at him a few times and usually, he crumbles like chalk. If this were a sport he’d be the champion of giving you whatever you wanted all the time.

-When he goes to the city to run errands for the girls or any other reason, he picks you up cute little trinkets or things that remind him of you. He does it without even thinking too. One second he’s on task, the next he’s buying you flowers and he doesn’t even realize it.

-You occupy a very big chunk of his everyday thoughts, he can’t help that you bleed into things.

-Speaking of, he sends you a ton of messages when you’re out. He likes keeping up with what you’re doing, where you’re at, who you’re with, etc.. He does the same for you, constantly telling you about what he’s up to and sending you little pictures of things he sees.

-He’s a helpless sap, okay.

-Unfortunately, though, he is at war about PDA. He likes it, obviously, but not too much, please?

-He has a reputation that he needs to upkeep, which means you can’t always hang off him, as cute as he finds it. Time and place.

-He’ll hold you at your waist if you’re just standing or walking around, sometimes an arm around the shoulder depending on what’s comfortable. If he’s just with the girls he’ll let you cuddle up to him as much as you please, but if there are a lot of people around he can’t do a ton of cutesy shit.

-Not that he dislikes doing it, but the embarrassment would actually kill him if anyone pointed out how weak the great “Red Scarf” was for his partner. (Everyone already knows this anyway, but it’s the principle).

-Genuinely the only exception is when he’s jealous because the only thing that crushes his pride more is having his relationship disrespected right in front of him.

-Behind closed doors though, Lighter is such a fucking idiot for you. He love love loves sappy romance films and he wants to recreate all those cringy moments that make you sick to your stomach with how sweet they are.

-Chasing you around his or your place, play fighting, twirling you around, or slow dancing in the kitchen to some oldies. He loves all of it, and he wants to do all of it with you, please indulge him. It’s not often he gets to be so free.

-He does the cutest thing when he tells you to get all dressed up packs up a picnic basket and takes you out on his bike to watch the sunset together. You lay there for hours after the sun has set just talking because his favorite thing is talking to you.

-He isn’t much of a talker himself, but he can listen and listen and never get bored of your voice. Just spew random bullshit at him, he’s fine with that, he just likes watching your lips move.

-If he gets tired of listening (which he never will) he’ll just kiss you until you shut up, so don’t worry too much about him.

-Also, I feel like this goes unsaid, but he takes you on plenty of rides on his bike. If you compliment it he’ll get all puffed up like a proud cat, it’s really cute.

-He stares a lot, by the way. Does this come as a surprise?

-He does a lot of standing around and watching, if you happen to be in the vicinity, he’s watching you most of the time. You’re just nice to look at. Lord help him if you turn and smile at him, or give him a wave.

-He allows you to play with his hair in private. He’ll lay his head down in your lap and let you rake your fingers through it, massaging his scalp and ruining his perfectly fluffy hair.

-He will also let you play with his sunglasses, so long as you’re careful with them. If you put them on your face and pretend to be him you’re in for some tickling though.

-Oh, please wear his clothes, pleaseeeeeeee wear them. If you walk out in his shirt he has to do a factory reset. You look so good in his clothes he can’t handle it.

The only thing that might be a little off-limits is the scarf, but even then he might wrap you up in it just to see you wearing the symbol of his strength. His two biggest prides in one? He likes the sight more than he’ll admit.

-Genuinely, he is such a good partner and I could go on and on and on about him, but this shit is like so long already so I have to put the breaks on.

-He’s just such a caring, loving, fun guy to be in love with and he will treat you like a goddamn king/queen all the time because he believes that's exactly what you deserve.

[klausysworld]

Can you do a story where reader has been bullied her whole life from Caroline and she’s always been the second choice, since klaus came into town she’s always had a crush on him and he knew about it , when the ball came around and klaus took Caroline instead of yn she was really upset and Caroline could see that and humiliates her infront of everyone including klaus and klaus goes after her and comforts her you can choose what happens after thank you sm!!

I Could Never Compete

Caroline had always made a point of being better than me.

Whether it was turning my friends against me, taking cheer captain from me or stealing Tyler, my boyfriend from me. The worst part wasn't even that she did those things but that she did them just so she could publicly make fun of me for them.

"I mean, what are you even gonna do during the summer? It's not like she have any friends left." She'd make sure to say loud enough for Elena and Bonnie to hear, making them stare right at me. She told Elena that I tried to make-out with Matt whilst they were together and she told Bonnie that I was making fun of her for being abandoned by her mother. Neither were true, at all but I couldn't exactly prove it and Caroline only had to tell the lie to a few other people before everyone was believing it.

"Please, you've let yourself go. That's why you can't be captain anymore, just look at yourself. The whole squad knows it." She'd tell me in front of all the girls on the team and trying out for the team. It made me angry because I knew I was actually better than her in this but she made everyone think I was useless. I had been training years more than her, a hundred times harder. My diet was to make sure I could compete in cheer and dance, ballet specifically which she also had to get into and when we were little she pushed me over so my ankle was hurt and she could do swan lake instead of me.

"You didn't really think that someone could love you? Even like you when I'm in the picture? Tyler's stupid but he's not that thick. He has eyes and he has a dick and he knows what's better for both. I bet he didn't even want to touch you, you ugly pig." She spat. We were at a party and Tyler had tried to apologise to me but she cut in. Everyone went silent and watched as my face went red and my eyes blurred with tears. It was Stefan that lead me away, it was at his house after all. But I think he was the first person to imply that he didn't believe all of the things said about me and he told me that Elena had questioned the rumours to him. I should have been relieved that someone believed me but the effects had already happened and the truth probably wouldn't make my life any easier at that point so I just thanked him and went home.

I don't really know why I thought Klaus would be different, maybe because she already had Tyler and that should've been enough? Of course not.

But I didn't expect it from Klaus. He's over a thousand and surely much more mature than a teenage boy tempted by another girl. It hurt me when Tyler cheated, obviously it did, however I could make sense of that. I couldn't make sense of what Caroline could have said or done to make Klaus switch up so easily.

Especially with how he'd been.

I hadn't really loved Tyler but I think that I had actually fallen for Klaus. It wasn't just the drawings and the priceless gifts, but it was the way he looked at me and the softness he spoke with that he never seemed to use with anyone else. His touch was always just right, even when he was getting rough he was never forceful like Tyler got. He still knew not to grab too harsh or push too hard. There was something natural about being with him which made everything seem so effortless.

I guess I noticed him being a little different when his family was undaggered and awake but that was expected with the amount of stress he was under. Still, he had mentioned me meeting his mother and even told me about the ball.

There was no reason I wouldn't have gone.

I didn't have as much money as Caroline and Elena and Bonnie with their lovely big houses and hundreds of outfits. I wasn't struggling as bad as Matt anymore but I wasn't exactly stable either.

Which meant that getting a dress to be able to go to the ball and feel comfortable was really difficult for me but I made sure I did it so that I wouldn't embarrass him or myself in front of his family. I made sure not to eat the day before and the day of so that there was zero chance of bloating and I spent hours making sure I was ready before paying a taxi to take me.

I think I probably should have known something wasn't quite right when Klaus didn't even offer me a dress. Not in an entitled way but just because it was unusual for him not to. He told me he enjoyed knowing he had provided those nice things for me and that he liked knowing he was the reason for the smile on my face.

Again, the entire situation was so huge for him that I didn't expect things like that.

But I also didn't expect to walk in through those double doors and see his hand cupping her face and her gloved hands in his chest.

I could feel the lump in my throat forming, my heart racing and the humiliation already hitting.

Caroline turned her head, the loose pieces of curled hair swaying beautifully beside her face as she looked right at me, cruel smile on her lips and sadistic glint in her eyes. Klaus was still looking at her, probably admiring how the blue of the dress complimented her hair and eyes.

It was in that moment that everything she had ever called me felt real. I felt ugly, I felt cheap, I felt fat. I wanted my skin to peel off and reveal a completely different person, someone who could actually compete with Caroline's beauty.

I took a step back, ready to retreat home but I bumped into someone with a tray of champagne making the glass smash everywhere. I felt a piece dig into my ankle and it prompted a tear that was already waiting in my eye to finally cascade down my face.

When I glanced back up Klaus was hurrying toward me, his eyes holding that softness as both his hands went to my shoulders. I caught feel my breathe catching in my throat, barely escaping my chest as he tried to say something.

Caroline's hand was on his arm, pulling his hand away from me as she let out an amused scoff. "God. You literally can't get any more pathetic Y/N." She told me, her eyes scanning me over making her raise an unimpressed brow. "Ew." She stated simply. "Could have at least made an effort, no wonder he wants me-"

"Don't listen to a word out of her. Come on, love, we'll go upstairs and-" He tried to cut in but Caroline wasn't having it.

"Don't hush me. You invited me here. You gave me everything I'm wearing and you practically promised to help me take it off later." Caroline spat and I couldn't stop the cry that bubbled from my mouth. It physically hurt.

"Y/N!" I heard him yell but I wasn't there, I was outside, my heels in my hands as I went barefoot whilst running down the concrete. My breathing was fast and I refused to look back but that didn't stop him from appearing in front of me, his arms holding my against his chest as I tried to shove him off. "Please, love, please." He whispered, his tight firm so I couldn't move making me relent and just cry in his hold instead. My legs went and he was knelt on the cold floor, holding my up so the soles of my feet weren't still pressed against the tiny stones and chunks of dirt.

"Why would you bring her and not me?" I sobbed into his chest and his hands gripped me firmly.

"My mother had me invite her...I didn't imply it being anything other than platonic-"

"You gave her a dress and you held her face. You want her!" I yelled at him but he just wouldn't admit it.

"We're going to your house and I'm going to fix this, love." He told me, standing up and adjusting his hold on me before we were inside my house a second or two later.

He put me down and I was heading up stairs immediately but he was pulling me back and pleading me to sit down.

"I want out of this stupid dress, Klaus. I want it off, I want to burn it." I sniffed, my hand messily wiping the tear from my face.

"It's a beautiful dress." He whispered, his hands holding my waist so I couldn't leave. I looked up at him, his eyes as sad as mine as he leaned down to kiss my cheek and the corner of my mouth. "I shouldn't have invited her, I should have told my mother no. I should have sent you a dress and I should have picked you up myself. I'm sorry, I promise you that I'm sorry." He uttered, his hands sliding up to my face.

"I don't care that you didn't spend your stupid money on me." I whimpered and he looked down for a second.

"I know...I know, but I was going to and I didn't. I know it wouldn't have been easy for you to-"

"I handled it just fine. I got a dress and I got there, all you had to do was be there for me and you weren't, you were there with and for her."

"I wasn't. I don't want her, I don't ever even talk to her. I love you, you have to know that." His head was shaking as he spoke and his eyes were flickering between blue and gold.

"I can't compete with Caroline, Klaus, you know that." I whispered and his hand rested on the back of my head, pulling me close so our foreheads were touching.

"There is no competition. There never was and there never will be. You're mine, and I'm yours. We're gonna go upstairs and lay down and we'll stay there until you feel better, okay?" He murmured, pulling me along with him making me stumble at the reminder of the splinters in my skin and the glass by my ankle. "Fuck. Okay, c'mere." He mumbled, picking me back up and taking me up the stairs and putting me down on the bed.

"Laying here isn't going to make anything better, Klaus." I sighed, trying to ignore the pain as he grabbed the tweezers from my drawer and cleaned me up.

"Then we'll go somewhere, we'll go to Europe and I'll take you to France and Greece and Spain- Italy!" He listed, clearly getting more and more stressed as he bit his hand and let the blood drip into a glass of water, his finger swirled it round before he was urging me to drink it, holding my legs in his hands to watch the wounds disappear.

"I don't care about those places, I just cared about you." I sniffled and he frowned, laying down beside me and pulling me onto him.

"You still care about me now. I know you do and some stupid girl isn't ruining that. I don't love often but I love you and you're not going anywhere." He stated, no room for argument as his tone got colder.

His eyes resoftened when he looked back at me and he just wouldn't let go of me until I told him it was okay.

I wondered if it had been any other girl, if I would have felt as bad as I did now. Was there something wrong with me? Or was Caroline just that perfect?

[ellestra]

The Voice from the Outer World

Dune is a story of failure. SPOILERS for Dune Part 2 below

Power corrupts and all of that. We all know this. So we would be able to avoid it, right? If you know what happens you can chose another option. You would be different.

And here's a story that shows that even when you know all of this and more and can literally see the future it's still not enough.

I get why people often think that to avoid this the person in power shouldn't want that power. That this would make them somehow immune. And this logic has multiple faults (like - how can you be good at doing something you hate?) and one of them is that just not wanting to abuse power doesn't mean you would do right things with it.

We are reminded multiple times in the film (and the books also aren't shy about it) that Fremen religious belief in a saviour is not something that arose naturally. It's a belief seeded by Bene Gesserit's Missionaria Protectiva. They seeded superstitions and myths in different cultures so they could use them in a future emergency. Everything Fremen believe about their Mahdi was created so their faith could be used by a Bene Gesserit in need. And both Jessica and Paul are aware of this even before they even set a foot on Arrakis.

It's specifically made for the saviour to be a foreign one (Lisan al-Gaib is The Voice from the Outer World) because the people who made and planned to use this prophecy were ones from an outsider culture. Paul doesn't hijack Fremen beliefs to insert himself as their white saviour. These beliefs was specifically created for someone like him to use.

It was made with purpose of hijacking Fremen religion into protecting the foreigners who know how this prophecy was constructed. This is a parasitic belief (cuckoo-like faith) and the truth doesn't set anyone free. We see why with Stilgar as he wants to believe so much that everything becomes a sign. Even when he's told this has been fabricated and he was manipulated he warps it into something that supports his beliefs not undermines them. I'm sure you've seen this in real life, in real politics if not religion.

Jessica and Chani got changed the most from their book versions. They've become opposite sides of the ideological divide. Not between religion and lack of it - Jessica obviously not a believer - but between using people and letting them decide their own future.

Book Jessica is more apprehensive of Paul's choices. She's often more worried he may not survive the trials than pushing for them for power. In here she becomes the driving force for using the messianic belief Bene Gesserit implanted for Paul's benefit. She makes sure Fremen believe he fits the story. She doesn't care about Paul's wishes to avoid this burden. She knows it doesn't matter when he tells the people the truth about Bene Gesserit, their abilities and their manipulation techniques. Belief is impervious to proof and confirmation bias makes you reject all evidence to the contrary.

But then, in the film, Jessica is kind of possessed. Stilgar warns Paul not to listen to the djinn but neither he nor his mother can stop listening to the voices. The film removes Alia's book doings but replaces them with foreshadowing of what she becomes. She whispers the truths about the future to her mother even before she is born. Funny, how this change makes her, not Paul, the first fully prescient Atreides. She is manipulating the events when Paul refuses to and that's a foreshadowing too. When Jessica took the Water of Life while pregnant she did it for the power this new position among the Fremen would give her. Alia never stood a chance. She was pre-born into this.

The only one trying to stand in the way of succumbing to the power corruption is movie version of Chani. She was never believer in a saviour. She wants her people to save themselves. They already have a plan for a better future that doesn't involve killing worlds for the Empire they never wanted anything to do with. They were not supposed to be warriors of the prophet. She sees this for what it is - a way to control her people. She understands this is just another form of enslavement. The only difference is that this one is embraced. No one listens to her when she tells them the truth. They only see what they want to see.

The power that comes from being close to the rule is just as blinding when you stand close to the throne as it is when you sit on it.

And the sad part is she knows she played a part in this happening to as she convinced Paul to give this a try. She didn't see the visions he saw so she hoped he can remain the person she fell in love with. When he submits to the way prescience shows him and takes over the faith we feel her heartbreak. She watches him becoming what he feared and everyone around him stops her from trying to save him because they get something out of it (not just the other Fremen or Jessica - Gurney puts atomic arsenal in Paul's hands).

Paul doesn't bring freedom. He just changes who holds the power but in the end the structures of power remain (the similarities between Saudarkar and Fremen are not accidental). And billions die so it can happen. But billions is a an abstract number. It's much easier to feel the consequences when they hit close and personal.

Everyone around Paul gets to gain something - Gurney gets revenge on Rabban, Jessica and Stilgar get to destroy the Harkonnens and the Emperor. They are on top now. The power corrupts before you even hold it. Just the promise of power is enough.

This film version of Chani doesn't let us forget that this is what we watch. That what is happening is not a good thing. We as humans have tendency to gloss over big numbers of deaths when it's some unseen people with whom we have no emotional connections. Through her eyes the loss is so much more personal. She loses her Usul to Paul Muad'Dib. And he takes her people and her planet too.

As Paul says - they are Harkonnens too. And they do what Harkonnens do too. The difference was always cosmetic.

And one more thing. A lot is said about Arabic and Muslim influences in Fremen culture and religion but they aren't the only ones. One other is the word used for the places where Fremen live - Sietch. It comes from Zaporozhian Cossack name for their fortified encampments - sich.

In the West the name Cossacks invokes the cruel Russian Imperial forces that tsars used to pacify conquered territories. But this is not what comes to my mind first. In the Polish-Lithuanian Commonwealth they were free people living in the borderlands of the Commonwealth on the territories often attacked by the Ottomans. The constant raids from the Turks meant they were warriors and constantly moving. But this also allowed for a lot of freedom as there wasn't a lot of direct control over these territories for the same reason. This meant that they were often joined by anyone wishing to have that freedom - from peasants escaping indenture to nobles escaping the law.

The dissatisfaction with the Polish rule eventually lead to an uprising and this part of Ukraine joined Russian Empire. That Empire destroyed all the freedoms Cossacks had and those independent warriors became just another enforcers of conformity for the Empire. They've become exactly what they fought against. I often wondered if Herbert chose the name Sietch intentionally to invoke this turn of events.

[shouts-into-the-void]

Just read screenshots of the Aaron extra chapter and I have so many thoughts, so here they are:

It's always so funny to me to be reminded of the fact that the animosity between Aaron and Neil is mostly one-sided. Like, Neil finds Aaron frustrating, but all the antagonistic stuff he does to him is ultimately in service of helping him in some way and while he's angry when Aaron provokes him, he otherwise regards him with disinterest and even expresses the desire to see what he's like when he's relaxed and enjoying himself during the party with the Vixens. Meanwhile Aaron just really hates that man.

I really appreciated Nora using this chapter to clear up some of the gripes a lot of the fandom has had with Aaron's character in the past and confirm that Aaron's comments to Nicky have to do with his cousin making graphic and unwanted sexual advances on their teammates, and his accusations towards Neil were from a place of concern for his brother. I also liked that it was pointed out that of course he would have at least some internalized homophobia due to being raised by religious zealots in a conservative area, but is unlearning it due to Nicky.

On a similar note, I'm glad that we were provided the context that Nicky's inappropriate behavior is a defense mechanism to weed out people who might hurt him rather than legitimate advances, because I think the fandom tends to forget that he is also a character with extreme trauma written outside of the "perfect victim" stereotype. His actions aren't okay, but the entire point is that they are the result of what he's had to endure just like every other member of the team

The implication that Andrew specifically signed with the Foxes so Aaron could go to college

Aaron and Andrew have the same nervous habit of picking at loose thread

It causes me physical pain to see Andrew clearly trying to open up to Aaron about his self-harm, but because his way of communicating is less straightforward (he doesn't lie, but he because he stuggles to confront and be open with his emotions, he presents the truth in flowery, vague language) and because the two dont really know or understand each other, Aaron can't fully grasp the implications of what he's saying

On the subject of things that cause me physical pain: baby Aaron telling his mom that he wanted to be a neurosurgeon like the people on TV and her laughing and saying he'd never make anything of himself. Fuck Tilda Minyard, all my homies hate Tilda.

Andrew is so uncomfortable, someone Get Him Out of There.

Going off that and his nervous habits (that Aaron mentions he did often enough to be noticable as a habit premedication), I am highkey wondering if the reason Sober Andrew doesn't talk to anyone outside Neil is because he's just. Socially Awkward.

We get a little bit of insight into Andrew's "misogyny" (I personally think distrusting certain people as a result of extreme personal trauma is a little bit different than just being sexist, in the same way women distrusting men because they're used to being harassed and belittled isn't misandry, but that's up to your personal opinion) and that his distain for Katelyn comes from the fact that he thinks she's stringing Aaron along and will turn out to be awful like his previous girlfriends (there's also a notable implication that Aaron has the same self-destructive tendencies as Andrew, and may be why he went out of his way to get him into college and on the straight-and-narrow) also see that this extends to Bee as well despite their close relationship, with him being so afraid that she'd reject him for being gay that he can't even look at her while talking about Neil, probably made worse by the fact that she's a maternal figure for him, which is where this trauma response originates.

Aaron is the only person on the team who's aware that Andrew hasn't slept with Neil, and the only one to grasp the significance of the fact that they've gotten close to that point already despite Andrew's trauma, outside of Renee

It was overall really interesting to see inside Aaron's head (I actually wouldn't mind a book from his perspective, he has a similar way of thinking to Neil but much more grounded) and to see Andrew through the lense of someone who just views him as Just A Guy

[vinylfoxbooks]

August 22 - Dare | @into-the-jeggyverse | wc: 860 Slightly suggestive

“Truth or dare, Reggie?” Barty asks, practically falling over his best friend with his intoxication.

“Truth.” 

“Oh come on!” Evan pushes, both figuratively and literally as he shoves Regulus’ shoulder, “You’ve said dare for the past several rounds.” 

Regulus, not nearly as drunk as his friends, rolls his eyes, “That’s because I know that you guys will have me do something stupid or shameful and I’d rather keep my dignity.”

“You’re just not drunk enough,” Barty pushes, “And that’s the entire point of dares. I’m gonna give you a dare.” Barty squints for a second while he’s thinking before he straightens up, “I know! I dare you to play seven minutes in heaven with Potter.” 

Regulus sneers at the idea, “I didn’t even choose dare.”

“And my question was a courtesy,” Barty replies, “I was gonna dare you no matter what. Now do it, lover boy.”

“I’m gonna fucking kill you.” Regulus murmurs to his best friend before reluctantly standing up and watching James with a glare as they stand up themselves. One of the Gryffindor girls lead them to an empty closet near the common room and shout that they’ve got seven minutes. Regulus leans against the wall nearest to the door while James crosses to the entire other end of the closet, and it sounds like they sink down to the floor. 

They don’t talk for a while, they have nothing to say, until James starts tapping his foot. 

Tap, tap, tap.

“Can you stop that?” Regulus snaps, “Merlin, can’t you sit still for even a couple minutes?” “Sorry that I have fucking issues.” James sneers back, “Can’t you learn to keep your mouth shut for five fucking minutes instead of being an arse?”

“Oh, I’m the arse? And what about the way that you fucking act around me and my friends.”

“I. Don’t. Like. You.” James says, slowing down their words, “I’m nice to everyone else around me, but I don’t like you or your stupid ass boyfriends. The only reason that I put up with you is because Sirius likes you, though I don’t see why.” 

“I’d rather you hate me than be all over me the way that you were Evans. I’m honestly shocked at how she ended up wanting to spend time around you in the end. You’re a fucking twat.”

“At least I have friends, oh and I can apologize and take accountability for the shit that I do.”

“Oh get off your high horse.” 

“Says the person that thinks they’re better than everyone because they dress formally and do well in school.”

“I am better than you. At least I can sit still and do schoolwork on time.”

James scoffs, “I’m mentally ill, I literally can’t do that sometimes. I literally can’t stop moving sometimes, it’s called mental illness, medically. Despite that, I do just fine in school, just not in the same way as you.”

“Oh,” Regulus falters. He may be an asshole, specifically to one James Potter, but he’s not going to make fun of someone for something that they can’t help but he also didn’t know this. Nonetheless, he doesn’t back down, only changes his approach, “Doesn’t give your massive fucking ego an excuse. You think you’re so hot and that no one can touch you.”

“Oh, so you think that about me?” James asks, and it sounds like they’re standing up, “I sure don’t think that about myself, I just go about my day, as the person that I am. It’s wildly telling that you think that.”

“Please,” Regulus scoffs in an attempt to recover from the counterargument. He can feel his cheeks warming and he forces himself to believe that it’s anger -- not the fact that James is getting closer to him in a dark, enclosed space away from everyone, their voice growing more… 

It’s hatred, it’s anger that makes Regulus’ cheeks hot, and James can’t see it anyway, “You’d be stupid to not realise how everyone looks at you, I’m just relaying popular word to your arrogant arse.”

James laughs cruelly before they’re standing chest to chest with Regulus and one of them is surging forward to connect their lips, but Regulus doesn’t know who it was that made the initial move.

The kiss is… intense but in the way that only two people who hate each other’s guts can be intense, fiery and constantly fighting for control of the kiss, they’re grappling at each other but with nails and digging into skin to hurt instead of to cause any form of pleasure -- although Regulus takes a minor note of the way that James groans at one particular spot that Regulus digs his nails into, purely for… blackmail.

Yeah.

The door swings open before either of them are able to pull away and Sirius is the one that’s standing just outside the closet, “I fucking knew it!” He shouts, “I knew that you two were head over heels for each other!”Regulus pulls away, cheeks flushed in a way that he can’t deny it being because of James, and shoves out of the room, but not before he hears James hiss, “We’re fucking what?” To Sirius.

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[vorestarr]

i love when Astarion is mean, and i mean like genuinely mean, saying shitty things and lashing out specifically to hurt someone or push them away. i think it really says so much about him and about the specific situations when he feels the need to lash out. i love seeing it with Durge/Tav, but i'm playing a Karlach origin to romance him right now and he's so mean during his first romance scene when he can't even kiss Karlach.

after playing it, i went to look at the parsed dialogue for that scene because i wanted to see if there were any dev notes, and oh boy are there dev notes. walk with me here while i go through them all. (i didn't add alt text to the images below, but i did transcribe the lines i'm referencing in the images below, so all the important information is in the text of the post itself.)

it's the typical Astarion scene, but after his "i've been waiting to taste you" line, he diverges with: "Although your condition means tasting you could be a risky proposition. You're quite the forbidden fruit, aren't you?"

the player (as Karlach) has a few choices in reply at that point, but as long as they pick one that progresses the scene (i.e., not the one where you reject him last minute), he goes down the same dialogue tree. this tree starts with:

Astarion: All denied to us because of what Zariel did to you. [devnote: subtext, thinking about Cazador]

so right off the bat he's upset because Karlach's situation is reminding him of his own with Cazador.

but then his next line is:

Astarion: I - you know, I have no idea what to do with you now. [devnote: Astarion's mask as the flippant libertine is cracking a bit here. He's frustrated but vulnerable here. Because he can't physically seduce or touch Karlach, his usual means of interacting with a person is punctured. He's faced with the reality that he might not know how to handle a situation where he can't bite or seduce his way to the finish line.]

wow. that's a lot in that dev note.

at this point, the player has the option of a few responses, but two options to continue the encounter. the choices to continue it are: "You don't have to 'do' anything. We can just be." or "After the life you've led, I'm not surprised."

if you choose the first option, Astarion is frustrated but less mean. he says:

Astarion: 'Just be' what, exactly? Frustrated? Bored? What do we do, if not... that?

if you choose the second option, he's a little meaner. understandably so, since the player just poked at his painful past:

Astarion: You think you know the life I've led? The experiences I've had? You've no idea the stories I could tell, sweet Karlach. But you - you're just -

then, both the paths converge to the same final statement, which is mean no matter what Karlach has said to this point:

Astarion: Urgh! Why is this so difficult? I'd have already bedded you twice if you were normal.

importantly, there are dev notes for all of his lines here, but the notes are all the same:

devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.

again, at this point the player has two choices to continue the encounter, and one to end it. i'll go down each continue path separately, since they can diverge quite a bit.

path 1

the first choice is to say: "Twice in this short space of time? Doesn't sound very satisfying."

he gets mad. and mean.

Astarion: Karlach! You know what I mean. [devnote: Frustrated] Astarion: Or maybe you don't. Astarion: There may be an inferno in you, Karlach, but at the end of the day you've been frigid for a decade, isn't that right? [devnote: Being mean-spirited in an attempt to drive Karlach away, even though he doesn't actually want to do that.]

the player again has two response options to continue the encounter, and one to end it.

the first choice to continue the encounter is: "You want to try that again? Without being a jackass, maybe?"

in response he says:

Astarion: This is impossible - you're impossible! [devnote: Masking defensiveness with offensiveness. In truth he really does want what Karlach is offering (to just hang out without having sex) but now that it's within grasp he's floundering.]

(at this point, the path diverts to merge with the dialogue tree from the previous branch where Astarion complains about Karlach not being normal. so we'll pause here, and continue down that dialogue tree with the path 2 header below.)

the second choice to continue the encounter after Astarion says that Karlach has been frigid for a decade is to say: "What's really going on here, Astarion? Suddenly you're so vicious."

he replies:

Astarion: Suddenly? Darling, you haven't been paying attention. [devnote: Seething and mean.] Astarion: Listen, it's just - ... I'm sorry, all right? Is that what you want?

again, at this point, he diverts to the same shared dialogue tree as the other response option. that merges with path 2, so we'll continue there:

path 2

to go BACK to the previous branch we went down, where Astarion said he would have bedded Karlach twice already if she was just normal, the other response option for the player is: "I am normal. 'Fucked up' is the height of normalcy."

instead of being mean, Astarion immediately apologizes:

Astarion: Oh no - don't you tar me with your 'normal' brush. My demons keep me extraordinary. [devnote: Karlach has punctured Astarion's bad mood with a joke.]

and then he apologizes, like he does in the other paths, saying he doesn't know what to do without being able to touch her.

Astarion: I - ...I'm sorry, Karlach. It's just, not being able to touch you - having to slow down, it's... I'm just not used to it. [devnote: subtext here is on the slowing down. That IS what he wants. But it's hard for him to see that clearly.]

Astarion: So, can you -... I don't know. Help? Show me what to do? [devnote: First breakthrough. He's asking for help knowing what to do when you can't jump into bed with someone.]

again, at this point, the player has two options to continue the encounter or one to end it.

for the first response to continue, the player can say: "We can just talk. As long as we want. Then we can sleep. Near, but not too near."

Astarion responds to this one pretty positively. he's still a little mean, but it's in his fond teasing way, and not his biting, cruel way:

Astarion: Karlach, champion of the Hells, wants to talk and then fall asleep? [devnote: Incredulous] My dear, you're much more boring than I gave you credit for. [devnote: Teasing] All right, Karlach. Let's try it your way. [devnote: Gently. He's feeling vulnerable, but sees that this might be a chance to feel safe.]

the second response option from the player is: "I don't know either. This is all just as new for me as it is for you."

he doesn't respond quite as well to this one, and goes back to being mean:

Astarion: Well. To quote you: 'Fuck.' Astarion: Why don't we put ourselves out of this misery and just sleep? If I can at least look at you, I won't have wasted my whole evening. [devnote: Peak of Astarion sexy toxicity.]

then, the scene fades to black and it transitions to the morning-after scene with Astarion, where the player first sees his scars.

i also think as a whole, this scene is just so representative of Astarion's early-game state of mind. he's following a comfortable script with all his interactions, but when he's confronted with something new, he flounders.

especially when it comes to sex, which is a touchy subject for him, his first reaction to any vulnerability is to lash out and hurt people. in this scene:

if Karlach brings up his past experiences, he lashes out. ("You think you know the life I've led?")

he blames Karlach for the situation because that's easier than addressing that he doesn't know what to do without his script. ("if you were normal")

if Karlach jokes about him ("Doesn't sound very satisfying") he lashes out even further, calling her frigid and impossible and then even doubling down if she calls him out ("you haven't been paying attention").

but if Karlach jokes about HERSELF ("'Fucked up' is the height of normalcy"), it snaps him out of his toxic bullshit and he's able to take a step back and apologize to her.

then regardless, he's also able to recognize that this is an opportunity to get what he wants without having sex, and recognize that he wants that too.

and then to me, Astarion being mean in that last response choice ("I don't know either") makes perfect sense, given the context of his other lashing out earlier in the conversation. even if the player didn't make those previous choices where he lashed out at them, he can still get mean and toxic on this choice.

crucially, with this choice, he's taken that step of hopeful vulnerability where he recognizes that maybe he does want to just spend time with Karlach without having sex, but he doesn't know how to do it. he asks for help.

if the player says they don't know how to do that either, he immediately puts those defensive walls back up. he doesn't want to flounder around, he wants an answer. he wants to know that it's actually possible to have a positive experience with someone without the script he's always used. the player saying they don't have that answer just pisses him off.

wow okay this post got really long, but i really vibed with the dev notes for this scene, and i think you can see exactly these toxic behaviors from Astarion in other scenes and in romances with other characters as well, but it's just so so clear with the Karlach scene and the dev notes just really highlight that.

[redeyeyuna]

WHEN THE CAMS ARE OFF

So, Nandor and Guillermo are canonically doing some things when when they're not being filmed. With knowing this, I wanted to recap a few things from the season.

This post will mainly focus on how Nandor in particular handled himself subliminally towards the camera in certain situations. Also, that Guillermo faked to leave the vampires in E11 just for the documentary got me thinking which other things could be made up too. Giving a false view of facts just to make the audience think otherwise or to distract them from something specific... This specific thing they wanted to keep private, and didn't want it to be anyone else's business. Cause they wanted to solve and figure it out for themselves without having it exploited to the full in front of the camera. And this is the relationship development (secret affair) between Nandor and Guillermo that ran its course and has been cooked in the background during the sixth season.

[Sorry in advance for grammar mistakes and typos. English is not my first language]

The first hint is alreay in the first episode!

Nandor necessarily has to emphasize that he hasn’t seen Guillermo since he left, and Guillermo immediately throws in that he is telling the truth. But Nadja seems already to know what’s going on between these two idiots.

Also, Nandor trying to help Guillermo by searching for a flat and then suggest him to move into the VERY NEAR garden shed… A practical temporary solution if you don't want to be disturbed by the other housemates. I can well imagine that Nandor already thought of a better place for the two of them at this time. *Caugh* Secret underground lair *Caugh*

/|\ ^._.^ /|\

What about Nandor having a crush on the Guide?

... did he really ever have that, though?😏 What if Nandor’s crush on the Guide was made up by himself just for the documentary to distract the crew/viewers from himself and Guillermo, so that they don't keep following them to catch some shots? Yes, I know Nandor’s sudden crush on the Guide was at first caused by the sleep hypnosis… But for Nadja, the hypnosis seemed like a dream… Perhaps Nandor also thought he had dreamt that he suddenly had a crush on the Guide (or maybe Guillermo just told him) and Nandor was like: “You know what? That’s perfect! I use this to distract the doc crew and viewers from me and Guillermo!”

Nandor had one or more love interest in almost every season that he had a crush on. Why should it be any different now?

Due to this the film crew weren’t focussed on following them and wouldn’t wondering if Nandor could actually have something going on with Guillermo. Nandor’s crush on the Guide in general seemed very odd and just pretended for the camera/viewers. Over time, it seemed to appear more and more obviously and artificially.

In E4 "The Railroad" before Nandor said goodbye to the Guide, he looked suspiciously over his shoulder before making his flirtatious move towards her. It seemed as if he was aiming at it. Shouldn't he have been eyeing up his crush instead of making sure he was filmed flirting?

In E7 "March Mandess" Nandor looked very obviously into the camera during the scene used for the flashback, while Nandor is talking to Charmaine about the guide.

I also wonder why it was so important to Nandor that Charmaine would keep the thing of him and the guide to herself. Cause it’s made up and he just mentioned that he would has a crush on someone so that the film crew could add flashback? Generally, threatening to kill her in her sleep just because of that felt a bit too excessive, doesn’t it?

When the Guide finally rejects him perfectly in E9 “Come Out and Play” (you go, Girl!), Nandor seemed to fully ignore her destruction she has thrown at him.

He purposely ignored what she said. Even though he is normally so easily outraged. Especially after these true words that his supposedly "big love" said to him, he should’ve been at least a bit upset.  

Just remember how devastated he was, when Gail rejects him, and she had rejected him way more nicely.

And please just directly compare Nandor’s “look of love” towards the Guide with how he looked at Guillermo in E3…

And the Oscar-worthy performance, in which Nandor fell on his knees saying overdramatically that the Baron should take his life instead of the Guide seemed totally forced.

Also, Nandor knew very well that the Baron wouldn't have killed anyone…

In E11 “The Finale” Nandor and the Guide is only a short topic at the beginning of the episode, when Nadja asked him if Laszlo could use some parts of the Guide for the Monster. Nandor didn't seem to be listening anyway with his mind somewhere else.

After it was announced that the film crew wanted to end the documentary, he didn't even flirt or interact more intensely with the guide in the entire episode.  As if he no longer needed to fool anyone now that he knew the movie crew was leaving.

/|\ ^._.^ /|\

What about Nandor still saying mean things towards Guillermo?

I also want to cover up the thing of Nandor remaining to say mean things towards Guillermo and wiping his hand on him after the intense hand clasp cause it was a bit clamy.

I I have read criticism of it in some WWDITS negatively posts. And this opinion is valid, no question. But I could imagine that Nandor only continued to do this for the camera, or it is just a normal thing between them cause they are a very fucked up toxic couple anyway ;)

Look at the slightly unsettled grin on Nandor's face when he gave towards the camera. As if he was worried that this very unusually long-lasting hand clasp could lead to more while the camera is still rolling. So, he had to come up with a quick excuse to end it. This facial expression from Nandor looking directly into the camera is so different from the looks he gave to the camera while interacting with the guide. It is just a short glace towards the lens before he puts his eyes back to Guillermo.

Guillermo looked as if he was sad not to express his gratitude to Nandor the way he would like to (cause of cameras as well maybe?)

/|\ ^._.^ /|\

The Finale

Nandor was so obviously happy that the documentary crew were going to leave. He was excited to shoot B-roll footage all the time and he sassily said this when Nadja told him about Guillermo being sad about the end of the documentary:

Looks like someone was really excited to no longer be constantly followed by the camera so that they could continue to focus on "other things"... Also, this reference to the will they/won’t they dynamic of Nandermo is insane.

Colin and Nadja suspecting Guillermo of having a secret relationship with one of the crew members could be an indirectly hint of a secret relationship with Nandor as well. @barren-heart already did this post about it which has made me to create this summary (hope you don't mind me mentioning you here :3).

Nadja possibly saw Guillermo making out with someone who looks like Nandor and maybe it was actually just Nandor!

She just don’t recognised it that fast cause they might quickly disappeared somewhere OR it was just another hint from Nadja, because she knew. She had become a bit of a nandermo shipper this season ;)

In the last speech of Nandor for the documentary it was so clearly to notice that the lair is only a metaphor for Nandor’s private life with Guillermo after the film crew would be gone...

This directly glance into the camera during the speech pause... As if he explicit wanted to make clear that he wanted to say something different when the cameras would be off.

And Guillermo’s reaction during that scene is so fucking funny. He seemed to have a moment of hope that Nandor would actually reveal their affair, but no it is the superhero lair again.

/|\ ^._.^ /|\

The Final Scene

In the background, there was played the same song that was used in the pilot episode for the post-credits. I like that really much!

🎶“Tonight in the Moonlight” (Morrie Morrison Orchestra)🎶 Tonight in the moonlight When silver blends with blue We'll do the thing all lovers do Lingering on till dawn breaks through Tonight in the moonlight with you

And again that offensive look into the camera from Nandor in the middle of his speech and Guillermo trying to get something specific out of him...

If, by this time, someone still does not consider Nandermo to be canon, then I can no longer help them xD

Subtext is their thing! That's always been the case throughout all the seasons! And in such a way that it was already too subtle to be subtext.

However, even Guillermos love sick puppy eyes and his cute “What about one… one of the other reasons?" didn't caused Nandor to spit it out. He bravely continued to avoid eye contact and was trying very hard not to become weak.

When Guillermo said that he won’t be here anymore after Nandor would wake up, Nandor’s description of their secret lair feels forced, which again supports the thesis of an actual love cave: “But what about us joining forces and fighting crime in a coequal partnership? Operating out of a hidden underground lair accessible exclusively by a top-secret coffin elevator.”

Of course, Nandor believed that Guillermo wouldn't leave and was just putting on a show for the camera. He knows his Guillermo better than anyone else...

And THIS look of Nandor’s face when he wanted Guillermo to sit with him inside his coffin comparing with a confirming deep voicing “Mm-hmm”

Oh boy, as if they are going to do very spicy things in that lair...

Then finally the relevation of Nandor’s masterpiece...

During the whole season Guillermo had a problem with sexual things in front of the camera while Nandor had a problem with expressing deep and meaningful feelings while the crew was filming. And because of that they prefer do both things IN THE SHADOWS!

/|\ ^._.^ /|\

So, this my view of Season 6 and the Finale and also my special tribute to my most favorute show! 🦇♥️

It has become longer than expected. Thank’s to everyone who has taken the time to read it this far!