#i do like del toro really

[weaver-of-fantasies-and-fables]

Coming back to Tumblr after a really busy and difficult month to find everyone talking about Del Toro's Pinocchio really is something.

I have never in seven years participated in the Discourse but ooh the disrespect for the original novel is testing me.

Anyhow I'm back!! I have lots of writing updates to share (including a new WIP) and I can't wait to catch up on everything!

[willowwormwood]

I started thinking of cool creature designs and that made me think of the Faun from Pan's Labyrinth and...anyway I'll take inspiration in an art block slog where I can and Guillermo del Toro's work is a pretty good place to look I think

[thewritehag]

It's still Valentine's Day in my heart, so I'm watching Hellboy (2004) on the 15th at almost 1am and I just have to think that the props and costume departments must have had so much fun on this movie

(animatronic heads were used for closeups of Sammael)

The special fx makeup team probably had fun, too, but I can't imagine it wasn't also really frustrating at times, like a 60/40 split of blissful joy and migraines

(Edit to change the last gif)

[yanderespamton78]

please reblog for bigger sample size ^^/nf

[norasghost]

can we please stop fucking around and just let guillermo del toro do his justice league dark live action movie???? come on?????????

[bikananjarrus]

i finished guillermo del toro’s pinocchio

[mu-laohu]

If I have to live my life time without tigress and po becoming canon I will literally go insane, like they have fantastic chemistry compared to hiccup and Astrid like imma have to talk to JYN myself

[bmpmp3]

i consider myself a bit of a connoisseur of besties-turned-lovers stories but one thing that has always bothered me a little is when the besties actually become lovers and then the relationship loses all bestie-itude LIKE correct me if im wrong but i feel like these things aren’t usually mutually exclusive... i see it more often with m/f besties but i see it with same gender, etc besties on occasion too and like. YES its realistic that friendships change their dynamics over time (even without turning into lovers) but i always see this thing where these two besties get together and then are immediately like “but i CANT dick around with my bestie anymore because theyre also my significant other” you could if you werent a coward. can’t u dick around with ur bestie romantically. can’t you dick around with ur partner bestie-ly. what am i not getting here

[ravenkings]

unpopular opinion: i don’t think crimson peak is a very good movie

[homunculusalphonse]

honestly at this point i just gave up on new year resolutions. i'm not expecting anything. i'm not motivated to do anything. i'm not confident this will be the year i'll get a job or i'll have more friends or even a romantic connection. i'm just... done.

[theskyexists]

I've messed up my day and night and tomorrow and the rest of the week and i hate work because I can't keep up because I hate work and it's not even that bad it's just there's no perspective. No perspective for a happier life

[angstandhappiness]

INTERESTING

Guillermo out here with the good takes about AI art

[tentacle-therapissed]

I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:

-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.

-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)

-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.

-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.

-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.

-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”

-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)

-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.

I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.

[pervyxxcurvy]

.

[meadowlarkx]

But can it not be about both things? Is it not also a movie about emotion? There is a lot going on in the movie and it operates on multiple levels. Did the romantic side of the story or the haunting final shots of the ghosts lingering (the way del Toro chose to end the film!) leave you unaffected? Were we JUST cheering for the downfall of an insular and exploitative aristocratic family? It seems disingenuous to pretend we were.

okay I was googling the runtime for Crimson Peak and for some reason it suggested an article called "why Crimson Peak is one of Guillermo del Toro's most underrated films" and—

"the moral lesson that del Toro wants us to understand from his narrative: that love can make people go mad"

THAT'S your take away from Crimson Peak????? that's what you think the moral lesson is? REALLY?!

[flanaganfilm]

Do you have any “don’t meet your heroes” stories from working in Hollywood?

Absolutely. Hollywood really is a place like no other. If you grow up loving cinema, certain people can take on mythic status in your imagination. Actors, filmmakers; they are larger than life. They become idols in the truest sense - an image that is actually worshipped. But Hollywood is actually full of very weird human beings who have been lucky enough to make their living in a world of make-believe. A huge percentage of the people who work in this industry are strange birds, unsuited for working anywhere else.

Some of our biggest stars wouldn't last ten minutes working a real job; some of our most exalted filmmakers collapse inward if they're in a crowded room. They can have unusual talents, or beauty, or unique perspectives and abilities that have propelled them to various levels of success, or even stardom, but they're just normal, neurotic people.

And success, fame, and money can really twist people. It can be like radiation. They can go full Gollum from it.

But most people who work in Hollywood are not stars at all. The vast majority of people who work here are not rich, not famous. Most are hardworking craftsmen and craftswomen who are fighting every day to make a living, scraping by the best they can in an industry that is brutal, impersonal, and impenetrable. But every single person in this business - whether they are superstars or not - are just ordinary people. They're insecure, anxious, and prone to all of the failings we mortals are prone to. Some of them are awesome; some of them are assholes. But most of the people here (even the superstars) quietly feel like they don't belong, or that they don't deserve it, or that their sheer ordinariness will be discovered any minute. In fact, it's the people who seem to feel the opposite - those rare people who feel that they DO belong here, and deserve the lifestyle this industry can afford, who are inevitably the least likable ones I've met.

As I've been lucky enough to keep working in this business, I've met a lot of the people who I idolized along the way. Filmmakers and actors who I admire so much, whose work has shaped the trajectory of my life without them knowing it. I've been starstruck every time, and I am still am - I stammer, I freeze, and I kick myself for what I say, or don't say, or how I said it. I'm not good at it. I have acute social anxiety, and when you throw me at someone I admire, I turn into a blubbering idiot. They say "don't meet your heroes" because you may (likely will) be disappointed by just how ordinary they truly are. Or worse, they may even turn out to be people you wouldn't want to interact with in normal circumstances - your heroes might be people you wouldn't want to invite to coffee. The persona you have admired is a product in itself, something you bought, something you have taken home and displayed proudly in your imagination... but the human being behind that persona is full of all the ordinary failings. That can be really hard to reconcile. So yeah, a long-winded way of saying that I've had the experience of meeting people I admired a great deal only to be disappointed, or worse. I've got some nightmare stories in there where the actual person violently shattered the idol I'd built in my imagination. I won't share those stories, there's little point in that, but instead I'll talk about the rare exceptions - the few heroes I've met who were every bit as awesome as I'd hoped they'd be. They may say "never meet your heroes," but they haven't met Mark Hamill. I worked with Mark on The Fall of the House of Usher, and he is one of my favorite people. Kind, generous, humble, and so, so funny. I was nervous and excited to meet Mark for the obvious reasons, because of the hero he was in my imagination - but I got to meet Mark the actor, the father, the husband, the humanitarian, and the friend. Guillermo Del Toro - one of my biggest heroes, his work has meant so much to me. And I was terrified to meet him. But he is one of the most joyful, honest, sweet-natured people I've met in the business, and his love for movies is infectious. For me, the man himself exceeded the myth.

I've been lucky to meet other exceptions to this rule, heroes of mine who exceeded my expectations - Ewan McGregor, Mick Garris, Brian Henson, Heather Langenkamp, Henry Thomas - and yeah, I've had the other experience too. But I try to focus on the exceptions. It can be unhealthy to idolize people - unhealthy for you, and unhealthy for them. But it's truly awesome when someone is even more amazing than you imagined.