#i cant look at this anymore my brain hurts

[artttho]

burned hand. whuh. I bet it hurt. and got burnt. anyway this isn't finished i am just Done With It

[secretly-of-course]

please think twice before you point out an innocuous mistake in someone’s art, you could end up ruining an entire piece they spent hours on for them.

[the-trans-dragon]

It *does* hurt that I got let go without any warning (even if I knew it was a possibility, especially since it's the slow season now and they're specifically replacing half of my department with other stuff) *because* I've been looking for other jobs with the plan to do a full two-weeks notice when I found one, and I've been secretly planning this entire time to eventually leave, making things as neat and easy as possible for whoever ends up overseeing my department. I didn't want any of the extra work to fall on my coworkers, the other department managers who have their own workloads. So it really sucks that higher-ups decided that I didn't deserve any warning, and neither did any of my teammates who will now have to pick up all the slack without any guidance from me.

[nightfallsystem-moved]

i hate my stupid life everytime i look up did / osdd symptoms i have a LOT of them but if i get diagnosed what if my mother abuses me for it. she doesnt like when im mentally unwell. like really. really doesnt like. like threatens me when im unwell. what then. then ill like. die. THEN ITLL GET WORSE .

[inkedlove]

so frustrating when you wanna be someone's friend and they just are not cooperating. I'M INTERESTED IN YOU AS A PERSON. PLEASE INTERACT WITH ME.

[wollfling]

.

[kresnikcest]

I am once again thinking about how accurate Fractured Ludger and that Fractured anthology Ludger are to Prime Ludger... Julius what do you want

[todayisafridaynight]

The bookmark tag was #holder until i think of a tag for these asks but To Be Real even I forgot what it was...

BUT YEAH thanks so much for reading and I'm glad it's :] Intelligible At Least :] obviously I would be up for reading anything that came to mind after putting you and your followers through All That but understandable... A lot of people I've shown the checklist items or pointed out specific behaviors to have actually said similar [i.e. I'm In This Picture And I Don't Like It], so I totally get what you mean, too!

I think a lot of my picks wound up being generalized trauma responses/aftereffects of abuse or neglect [hence I meandered off into just talking about Jo's father half the time], so I guess it's to be expected a lot of them don't read as being CSA-specific or are broadly relatable; it's not like he's supposed to be read that way, after all. I just wasn't able to zero in on many of the more specific ones because I've Never Seen Jo In This Situation Chief I Don't Know What He Thinks About His Name Or His Body Or Mirrors Or Sex Or Affection I Don't Know How Well Or Poorly He Sleeps [Presumably Poorly Though He Has The Second-Reddest Eyes In The Whole Game]

I don't really think I'll have anything to add though unless Infinite Wealth goes off the rails or I actually continue reading the book... so that will have to do... I originally was just riffing on RGGJo's attachment issues, self-destructiveness, and specific entwinement of sexuality/aggression/romance, and his portrayal in my fic lined up pretty closely, so I thought it'd be interesting to apply the same lens to Y7Jo...

But Yeah x2 thank you for the opportunity to talk about it and I'm Glad It's Intelligible At Least x2

THANK YOU i really should change that tag to something better... <- i will immediately forget to do so like a jackass

BUT YA OF COURSE OF COURSE i was truthful when i said it was a real good read (but once again. i have -5 speech skills so i can't properly word SHIT) and was a thorough examination of jo's trauma and how it manifests in him and how it's exhibited through his actions. ALWAYS a big fan of that :)

[lunatea]

ive had a migraine since mid january. just kill me, it would be a mercy at this point

[shadow-bender]

.

[the-kipsabian]

oh good late night wembley sadness nice

[mxfitmatrix]

.

[tokyoteddywolf]

...I'm not as sad as I probably should be.

It hurts, its understandable, but it's resignation too.

I won't cry over it.

I'll just accept what I'm dealt and move on.

That's all I can do.

[dog-girl-zezora]

.

[gods-perfect-idiots]

Agreed! I am def taking some liberties by assuming a detail-oriented intentionality that I cannot be sure was present here (no shade to the creators of the film, they had a lot to balance and squeeze in and I can't say I would've done any better), but given how little they gave Vanessa/Morena Baccarin to do in the script I think she gave a lot of depth to the character! It's easy to brush her off as incidental or unimportant or underwritten (I know I did the first couple watch throughs since the Vanessa stuff felt kinda shoehorned in and forced, especially without having recently seen the first two movies) but given the context of dp1 and 2, I think they did a good job of giving us just enough to make it make narrative sense in a background arc way that didn't detract from the larger story.

I have been looking for the screenshot from the memory when she says "your crazy matches my crazy" because the more I think about it the more gutted I am by her delivery. (EDIT: shoutout to my pal @gossippool for sending this along! god I'm about to cry she looks so broken) She's clearly on the verge of tears - she LOVES him, she MISSES him, she can't even begin to grasp what has changed in him and she doesn't know what to do about it except to say "I love you" in their specific sweet way that harkens back to the beginning, but in that moment I think you can see that she realizes it's not enough. And damn, if that doesn't hit hard. Because sometimes you love someone so so much and it isn't enough.

More ramblings below the cut

It also makes me wonder when that memory took place, because I think it could have been the actual moment they broke up. We don't see the actual way the memory ended after all. If Cassandra was able to grab that memory immediately out of all of Wade's memories, it must have been an important moment to him so it makes me think that was the catalyst for them finally breaking up, hence why she picks it out of all the memories he has of Vanessa. And that scene does a very good job of encapsulating how much Vanessa loves him and wants to help him, makes it feel like she's been reaching out to him for ages trying to bring him back to her. It's gut-wrenching honestly the more I think about it, especially when you consider that his last thought before he thinks he's about to be torn apart atom by atom is "I want to see Vanessa". I feel like in that moment he really realizes what she wanted from him, and why he wasn't able to give it to her, and that he would save the universe for her anyway because he would do anything for her, even if they've grown apart and can't be together anymore. She still gave his life meaning when he had no one, she still stuck with him when he had cancer, she stayed with him and wanted to have a family even after he got his powers, and for better or for worse he became Deadpool *because* he couldn't bear to die and leave her.

Which is why right after he has that thought he turns to look at Logan. I think in that moment he does begin to realize the real weight of the sacrifice they are both making, and that that's what matters - not being an Avenger, not getting revenge, not getting the girl, not saving the world, not even proving that you matter. Underneath all the jokes and all the pain, what matters is loving and being loved, even though it hurts and can end at any time, it's still worth it.

idk sorry just so many big feelings about this movie at all times bursting out of me

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imp given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief over losing her. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, almost excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family.

Now, my first couple times watching dp3 I was frustrated by the kinda trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled very lightly by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here).

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) lead to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that Vanessa doesn't have any recollection of dying I don't think, and of course cannot fully fathom what Wade went through grieving her and their life together and their potential family for however long he spent between her death and bringing her back with Cable's device.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with. But not only does he not understand what she's really asking for (he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc). And he's not the Wade Wilson she met anymore. He watched her die and grieved her and brought her back believing it would make everything go back to normal, but he has been fundamentally changed in a way that she can't grasp, even if he was good at externally processing honestly and openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before but he's different now.

It's an interesting scene because it's obviously a memory, but you can see how Wade is misunderstanding what she's saying - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating to witness as a pretty simple misunderstanding, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even.

I think off-screen Vanessa probably really tried to reach him, maybe for years, trying to get her Wade back, but that Wade is gone and he struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin was criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is enormous. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them. The moment he gained his powers he was already starting to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends, who comes home with him at the end of the movie, who has also experienced unimaginable grief and trauma, who not only matches his crazy but matches his FREAK and also cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively).

Anyway. Poolverine forever. Nothing against Vanessa but I think their relationship was sadly doomed from the start because Wade becomes this traumatized superhuman and Vanessa would always be at risk but also always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags. I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[keferon]

I should be asleep but this is consuming me.

So have this poorly thought out fic drabble idea of mine:

Prowl is in pain, hurt and agony, physically and emotionally. He shouldn't have let Jazz convince him, he should have listened to that tingly uncertain feeling on his spark about this

But dammit was Jazz so...so convincing. It pained him to realise how much he wanted to trust the organic.

What didn't help was that bastard in front of him giving him mock grief. Prowl knew he did not care at all about how he feels, he knew there was some sort of sick enjoyment to all of this.

"Sorry, he couldn't come visit again. He actually had to help out with the newest mech, in fact, this prototype had one of your own parts in it!" Prowl wanted to sob, twisted asshole.

Suddenly, something seemed to have caught the organic's attention. Prowl didn't hear it at first, but once the man in front of him turned around in confusion, he heard it, there was some sort of commotion on the other side of the door.

Suddenly, before any of them could question what was going on, the doors burst out open with an explosion, causing many tools to clatter to the ground as the ground shook.

"GET AWAY FROM MY PARTNER!" Prowl, in a weak yet desperate attempt, turned his head to look at the direction of the voice. He recognised it-

"Jazz?" He spoke weakly. That seemed to have crushed the organic's soul, his face crumbling from his previous rage, before, in a blink of an eye, it turned back to fury. Fury so strong it could kill whoever dared look.

"Jazz?!" The twisted man standing in front of Prowl's face looked offended if not straight out annoyed at the other's presence. "What are you-?" He couldn't even finish his sentence before the other dropped whatever it was he had been holding and jumped on top of him. The two fought for a while, Jazz punching the guy a few times on the face before grabbing him by the neck of his shirt and throwing him to the other side of the room.

Jazz huffed, making sure to keep his eyes on his target for a second to see if that was enough to have knocked him out. It was. And once he was sure the guy wouldn't come back at him, he turned to look at Prowl, who so far, has only made move to watch the whole thing go down.

It took a while for the mech to properly process how Jazz looked, how he looked at him. Guilt, pain, sadness, exasperation even. It almost seemed like he was...crying?

"Prowl!" His partner? Ex-partner? (He wasn't sure anymore), ran to grasp his face, and he let him, to weak to fight back like he wanted to. Then he felt it, small droplets of water fall down his faceplates, 'Oh, so he was crying'. "I'm so sorry, i shouldn't have brought you here- we, we need to get you out-" as he moved, Prowl took notice of how dishevelled the other looked, the sudden smell of iron making him realise that he seemed to be covered in blood, if it was his own or not, Prowl wasn't sure, perhaps it was both. Taking a closer look, he started to notice all the small bruises and scratches on Jazz's face, in fact he took notice of a limp on his left leg too.

The other just seemed to be mumbling to himself as he tried to free Prowl, who so far has not spoken all that much, he felt too weak and tired, and he really had nothing to say other than a simple reply to what Jazz said before but he didn’t process it till now

"You really shouldn't have..."

---

Ok that's all i have rn, bc I'm not much of a writer and idk how to write these characters so they might be a bit OOC sorry ^^;;

But feel free to like add and/or fix anything to this.

Just wanna add the note that maybe, the reason Jazz found out is bc he recognised Prowl's plating on the new mech thing they built ;)

OH MY GOD I CANT EVEN

RAAAAHHHHHHHHHH THIS IS. OH FUCK. THI s. SO GOOD AND PAINFUL IM ASCENDING TO SOME NEW UNDISCOVERED DIMENSIONS

ALSO. oh my fucking god you have galaxy brain for this. imagine the horror Jazz feels when he sees this random new robot his boss wants to test. And it’s plating is so freaking familiar. He runs his hands along the panels. And he recognises them, even repainted. Because he spent so much time sitting on them, repairing them, crawling on them with his magnets. Sleeping on them even. He sees the “scar” from the time he helped Prowl to fix his armor and welded some cracks in it.

And now the fucking plates are here but Prowl isn’t.