#i can put something in the actual tags for once

[horse-girl-anthy]

The City and the Self: Or, the Uses of Lesbianism

someone in my server recently asked why Ikuhara seems so hung up on lesbians. I gave a short answer which in hindsight doesn't satisfy me. even this post won't touch on everything, there's plenty more that could be said, but here's a stab at a more complete answer, drawing from RGU specifically, though I think these points generalize to YKA as well.

a long time ago--around 2017, I believe--I posted in the RGU tag, asking about differences between how the western and Japanese fanbases see the show. the answer I got surprised me: I was told a popular fan theory held that Utena and Anthy were the same person. this is confirmed in the interview Ikuhara did with Mari Kotani:

Kotani: How did you think about relationships between two women, like the relationships between Utena and Anthy, Juri Arisugawa and Shiori Takatsuki, and so on? Sometimes it is thought of as one girl and her alter ego. Ikuhara: Yes, that's true of course.

at the time, this didn't make sense to me. now, though I don't take the "alter ego" concept literally, I certainly see where these theorists were coming from.

the very first impression the audience gets of the show, the opening seconds of the theme song, depict Utena and Anthy as mirror images of one another. I can't find the post now, but I once saw someone do a face swap of Utena and Anthy... and there was almost no difference in the final result aside from their eye color. yes, the show has somewhat same-y character designs (pointy chins, noses, etc.), and yes, Utena and Anthy are differentiated by coloring and height. however, there are differences in the facial features of the other characters, including other female characters like Juri and Nanami, meaning that you wouldn't get the same result from face swapping them that you do from face swapping Utena and Anthy.

visually, the show is trying to tell you something: Utena and Anthy are counterparts; not "the same person," in that there are clear contrasts between them, but perhaps different aspects of a single self. to put it another way, they cannot be separated from one another; what happens to one of them will affect the other, and how they relate to each other tells you a lot about how they relate to themselves.

RGU is not the first story to have this premise. I just watched Ingmar Bergman's Persona, which uses two women to tell the story of one woman, and that came out all the way back in 1966. I think that it's possible to do this kind of story with characters of different genders--however, it's most often done with homosexual/homosocial pairings because two people of the same gender are seen as better mirrors to one another.

when I initially gave my response as to why Ikuhara writes a lot of lesbians, I cited the influence of shoujo manga. however, I didn't detail how homosexuality was featured in those manga.

Ikuhara once said that the core theme of shoujo is "self-revelation." he wanted to capture that in RGU, and it seems to have come across. consider Takemiya Keiko's reading of RGU as "A story about independence, about finding oneself. It feels like a story about a girl defining 'what is myself?'"

this journey of self-discovery must involve encounter with the other. part of romance is other-longing, the desire to meet the unknown; love requires a separate entity which is not merely an extension of the self (this is why I don't believe that Utena and Anthy actually are "the same person"). through encountering the other, one can find one's own self, and further, through this encounter, the selves which meet can be transformed.

while plenty of 20th century shoujo did center heterosexual couples, I believe that homosexual and homosocial relations were so prevalent because they facilitated this romance more effectively. on a visual level, a homosexual pairing can create a clearer parallel, as discussed above. for a more thematic angle, RGU's lead writer Enokido has mused that homosexuality removes the issue of "genetic advantage" from the equation; since there is not a clear "survival and reproduction" benefit to homosexuality, it is easier to see it as "pure love." along the same lines, Ikuhara has said that "as soon as you see the destination point of producing children, sex becomes a social system." that's not to say that homosexual couples exist independently from social systems. the point is that writers who wish to pursue the idea of "self-discovery through the other" may wish to do so in the context where the norms of heterosexuality are not an issue, as they could muddy the water.

as an example, take Kaze to Ki no Uta, an influence on RGU. Gilbert and Serge, the lead couple, are very different people. often in conflict, their love ends tragically. that is precisely the power of the story: Serge, who is left alone after Gilbert's death, will live the rest of his life feeling incomplete, unwhole, because he has lost the "other self" by which he came to be defined. in Ikuhara's words, "It’s a story about that which forms the core of an artist - a starvation that can never be satiated."

when done properly, this kind of romance can be very moving, because it is not only a "love story" but also a story about the self and its relationship to the other. and even more potent are stories which are both about "finding one's other self" and about "the city":

Ikuhara: Out of your works, I particularly like the stories about cities... Stories of cities and “one’s other self” are enchanting aren’t they. There are a lot of shoujo mangaka who write about one’s other self, but there aren’t really any who write about cities. I think a story is weak if it only talks about relatives and neighbours and never about cities. In contrast, I think your stories which are simultaneously about cities really bring out their era. I think that allows you to mark out a line for the story of the other self. Takemiya: Personally, I feel at a basic level that stories without a sense of daily life aren’t very interesting. If one thinks of each person as a single cell, then the city becomes the “body”, and one cannot create a world without both. Based on where they live, some people become more modern or more provincial - the environment really plays a role. For me, it is a necessary component.

I agree with this exchange: the best stories about "one's other self" aren't solely about love between two people, but instead love between two people placed in a particular social context. it is that social context which gives the relationship flavor.

this brings us to the other reason that lesbianism (and homosexuality more broadly) is used in Ikuhara's works. not only does it allow him to tell stories about "one's other self," but also to tell stories about social systems. homosexuality is "deviant" within the social system that is set up to produce children in the nuclear family; thus, homosexual couples will face resistence and prejudice. as Ikuhara discussed in this interview, he is not necessarily trying to capture "the lesbian experience" in his works, but rather using lesbianism as an allegory for the sense of being a minority; a person outcast for standing out from the crowd. homosexuality thus allows for a marriage between the themes of "the self" and "the city" which are central to the telling of a great romance.

bringing it full circle, let's take a look at how this plays out in Utena and Anthy's dynamic, specifically the climax of the first arc. in the build up to it, Utena has been insisting that Anthy behave like a "normal girl," and believes she's succeeding in this venture. however, her illusions are crushed when Touga defeats her in the duel called Conviction. Anthy, now his bride, tells Utena that she likes being the Rose Bride and doesn't mind being alone.

Utena's reaction to this is interesting. suddenly, she is obsessed with being a "normal girl" herself, deftly signaling that all along, she was projecting her own conceptions onto Anthy. though she comes to realize this, Utena ultimately decides to duel again; in the episode 11 preview, she says, "Himemiya, wait! I have to try to get the real you and the real me back!" their selves are linked, tied; Utena cannot be herself without Anthy. what's more, the "false self" that Utena presents is linked to Anthy's "false self"--for, despite her words, it is quite difficult to believe that she "enjoys" being the Rose Bride, any more than Utena "enjoys" wearing girl's clothes. after Utena wins the duel called Self, she and Anthy meet again, paralleling the end of the first episode, but when Anthy tries to impart the rules of the rose crest, Utena tells her, "never mind all that, let's just go home." the two share a moment of authenticity, their "false selves" blown away like petals in the wind. they've drawn closer to each other and to who they truly are, while simultaneously gaining a level of independence from the system which seeks to define them by their gender. the rest of the show will play out in the same manner.

----

side note: I don't think that Ikuhara is more fixated on lesbianism than he is on male homosexuality; however, I'm not sure if he's focused on "mirroring" between homosexual males the same way he has between females, despite the fact that his cited inspiration for the way he wrote relationships between girls in RGU is yaoi.

[quantum1mmortality]

oooooo I have so many ideas…

If you have a kid with curly, how does he react as a father? He gives me SUCH STRONG girl dad energy and I can’t tell you why. This man is a GIRL DAD. How is he as a parent? Does he cook? Can he help his kid with math homework? Is he a family man? I’m so curious to see your thoughts on this.

Prob like the 7th request I've gotten for dad/dilf Curly 😭😭 also to my very special anon who has been in my asks for a very special Jimmy request, give me a few days, it'll be out love 🪽(I'm busy asf rn)

Tw/cw; none!! All sfw this time :) see guys I can be family friendly when I want to be

Not proofread

I've actually gone over this in the tags of a different post, I do think Curly would be a girl dad. He'd want twin girls and you guys canNOT tell me different.

After you come home from the hospital, Curly would do literally everything for you and the new babies. He'd prepare healthy meals for you, he'd help clean and feed the babies, if one of them started crying in the middle of the night he'd insist on being the one to take care of it, etc.

Basically the bare minimum but is still praised because the bare minimum is hard to come by now.

I see Curly as the type of man to be raised by a single mom and having no father figure. Morbid? A bit, but it helped shape him into the super awesome sauce girl dad he is today.

Because of having an absent father, Curly would go above and beyond to make sure he's present in his children's lives. Any days he has off, he's spending time with you and your new baby girls. Oh, his daughter's are in a school play? He's calling off work and showing up with flowers and chocolates for both of them. Shit like that

Curly would come into work late or just take the day off completely if you needed extra help with the kids. He'd leave work early to pick them up from school if you couldn't. He WANTS to be there. And just remember guys, if he wanted to, he would.

Curly would also try to be home early so he could read them bedtime stories. Idk I just think that's cute.

Once they start growing up, he's getting more into their interests. Curly would be the type of dad to let his daughters put makeup on him and have them do his nails. He would happily walk into pony express as a well known captain and have nail polish everywhere on his hands BUT his nails.

And yes, he would help his kids with their homework. Something about Curly makes me think he took mathematics in college, and I can safely say he is breaking every generational curse by not making your children cry over their math homework.

BONUS CONTENT!!!; Curly would want older twin daughters (obviously, we just went over that) and a younger boy. He would want to name the boy Dallas, but I can't think of any names for the girls. He'd like the name Phoebe a lot, so probably that and maybe a name like Sophia for the other twin.

A/N; too many curly fics, must make master list

[darkficsyouneveraskedfor]

Unwanted 5

Warnings: non/dubcon, bullying, insults, body insecurity, perversion, and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Summary: You’re used to being unwanted, but a strange man might just convince you that’s a good thing.

Note: this is a sequel to Unsolicited/Unexpected, but with a different reader. This is Lloyd’s sequel. Peaches is flourishing somewhere else.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

You run away from the uber and nearly crash into the front door. You scramble to get the keys in the lock as you refuse to look back at the car idling at the curb. You shake as you twist so hard your wrist throbs. You swing inside and just as quickly turn the lock. 

You heave and turn your back to the door. You can't believe what just happened. What he did with you right there in the back seat. Your eyes tinge with hot tears and your nose tingles. 

“What’s it this time?” Derrick scoffs as he appears in a pair of loose grey sweats and oversized hoodie. You can’t tell that he’s been sleeping all day. “You’re such a cry baby.” 

“Nothing,” you turn and drop your bag on the side table. “It’s cold, that’s it.” 

“Sure,” he peels open the bag of chips in his hands. 

You shrug. He doesn’t care. He just likes an easy target. 

You unzip your coat and hang it. You leave your boots on the mat and swipe up your bag. You tramp past him and up to your room. 

You shut the door and throw your bag on the end of your bed. You’re restless. Unsettled by that strange man. Why is he bothering you? Of all people. How did he tack onto you. You’re nothing. You’re insignificant. Maybe that’s why. Just like Derrick, he knows you’re weak. 

Your phone vibrates in your back pocket. You flinch. It’s probably your mom ready to bitch you out about the dishes or dinner. You slip the cell free and check it. Private number. 

You answer, it could be your manager. 

“Hello?” You quaver into the speaker. 

“Mmm, there’s that caked-up cutie,” the gravely purr makes you shudder. “I was just thinking of you. Again.” 

“No,” you exclaim and hang up. You throw your phone and pace around. Why? Oh, maybe it’s all your own fault. 

You’re used to being unnoticed. Being the forgotten one. And for so long, you just wanted to be seen. You dreamed of some guy way out of your league picking you out of the crowd and telling you you’re special. But not like this. No, never this. That man is a creep. 

But who are you to be picky? 

No! No. Don’t do that. You’d rather be alone. The way he talks about you, the way he looks at you, even you can see that he’s no good. He’s just a pervert and you’ve seen enough Tiktoks to know better. 

Your phone vibrates again. You ignore it. That’s your only option. 

You leave your room and your cell. You go down and start on dinner. At least your mom won’t have anything to rant about, but you’re sure she’ll think of something. 

You glaze the chicken breast and put it in the oven. You start on the potatoes, seasoning them and adding lemon wedges to the pan. You slide those on the middle rack and rinse asparagus. The front door opens and closes as you focus on the simple tasks over the complicated thoughts nipping at your ears. 

“Smells good,” your father chimes as he enters, then clears his throat, “oh, your mother isn’t home?” 

“Not yet,” you look at the time. You know she had her office holiday party but it is getting late. 

“Hm, well, put some aside for her,” he says. “Is it almost done? I’m starving.” 

“Yeah, twenty minutes,” you answer. 

He doesn’t say anything else before he leaves. You hear him upstairs as he gets changed then comes back down to flip on the television. Your brother’s surround speakers blare through the other wall as he games on his PC. 

The front door opens again. Your mother’s shrill voice carries through with a gust. 

“Oh, that’s so wonderful,” she preens. “How sweet of you.” 

You put the asparagus in the pan and pause. Who is she talking to? You turn with the spatula in hand and near the doorway. You peer down the hall and see a broad set of shoulders. Wait, you know the back of that head. 

“I mean, much more considerate than my own daughter. She’s never mentioned you,” she touches his chest as you see the smirk on her face. You grimace. 

“I think I spoiled the surprise,” Lloyd says. “We were just talking earlier and she told me to come for dinner.” 

“She did? Well, isn’t that spontaneous. So unlike her,” your mom muses wryly. “Just like having a secret boyfriend. Older too.” 

“What’s going on?” Your dad’s growl wafts through and you shrunk back behind the doorframe and listen with dread. 

How are they not freaking out? This weirdo forty-year-old is just waltzing right into your house. This isn’t happening. 

“Hello, sir,” Lloyd says before he gives his name, “I’m here to see your daughter.” 

“That would explain the flowers.” 

“Scotch for you and wine for the missus, of course,” Lloyd explains. 

“Hm, that’s... top shelf,” you dad comments. Of course, he would care more about the fancy bottle than his own daughter. “Mitch,” he introduces himself. 

Your mom hollers your name, “you have companyyyyyy.” 

You cringe into yourself. How did he do it? How has he escalated everything so quickly? And why? Because you hung up on him? Because you closed your eyes when he-- 

Ew! 

She calls you again. You put your head back and gather what little courage you have. You turn and step into the hallway. 

“I’m just cooking dinner,” you say. 

“Get over here,” your dad demands. You know better than to disobey. 

“So when were you going to tell us?” Your mother prompts. 

“Tell you what?” You look at Lloyd sheepishly as he spins to face you and grins. 

“About us, sweetie,” he holds out a bouquet of pink roses, “oh, shoot, did I get the wrong day? I’m always forgetting these things, you know? I’m an executive and I have a pretty full calendar--” 

“Executive?” Your father echoes. 

Your mother hums, impressed. 

“We didn’t...” you try to summon a lie but you’re speechless. “Ummmm.” 

“I don’t know why you felt you had to hide us,” your mom challenges. 

“I didn’t? What?” 

“Well, it is about time, isn’t it, Enid?” Your dad intones. 

You gape at Lloyd as he shoves the flowers towards you, “these will need some water, sweetie.” 

You reach for them and look between your parents. You plead silently for help. Aren’t they supposed to protect you? Shouldn’t they be concerned that there’s an old man bringing you gifts? 

“Oh, dear,” your mom says, “do put them in crystal. They are so pretty.” 

“Just like her mother,” Lloyd adds. 

“Eh,” your father grunts playfully, “you could at least pour me a drink before you start flirting with my wife.” 

[thornheartfelt]

Sometimes you just need to sprinkle a bit of angst in your selfship, for enrichment

[nyxi-pixie]

fake ass queers you dont even WANT to rearrange the traditional understanding of relationships

[itty-bitty-sunshine]

I know this is random but reading your blog and seeing your art made me so motivated I made my 1st animation ever (not counting pixel art ones), after not drawing digitally in months and it looks kinda basic and it isn't colored but I made it and I'm really happy with it so I guess what I'm trying to say is thank you for motivating me to make digital art again! I hope you have a wonderful day/night :)

MKJSJWJW HI!!! THANK YOU SO MUCH FOR TELLING ME THATS GREAT!!! Animatics need time and patience so the fact you went straight for it is so cool!!!! I bet it looks lovely!

Hope you have the greatest day/night too!

[cuteniaarts]

2 hour rough drawing of Ehuang, my precious Green Opal child who I don’t draw nearly enough <3

[socksandbuttons]

In the "a day in the life of eclipse" it wasn't the first time Solar's Moon treated him badly. Remember when Lunar first showed up in Solar's dimension, Solar told Moon that there's a dimensional traveler and he'll deal with it. And his Moon responded with "good because I don't care!" it looks like his Moon has been aggressive/treated him badly to him from the start. Sorry, I just didn't understand what you meant by you ignoring the lore from a day in the life of eclipse because it is part of the lore now

You're new on my blog which i frequently ignore things in my headcanons from time to time. And that canon changes from how its interpreted. Anyway, stems from Solar's explaining his moons situation. The lore SLIGHTLY changed. In terms of Moon, being slightly Glitched due to killcodes removal/memory loss. He never mentioned Moon being mean before that (at least not on the terms before he left his dimension). Not unlike things to be slightly aggressive from Moon tho, just it wasnt PERCIEVED moon was a jerk to Solar UNTIL Solar reveals this later on (after Lunars death). They didn't really develop his story until later a little more. So I'm sticking to my previous headcanon of Moon having a glitch, which is canon to s degree? SOLAR himself has mentioned he wanted to fix his MOON AND SUN. Which was forgotten/changed and turned into just sun then into Solar leaving forever.

[dawnthefluffyduck]

Sunday doodles

[necrotic-nephilim]

I’m here to bother you again!!!

You don’t have to if you don’t want to but maybe dark ship bingo with timjay or brudick????

hELLO i love being bothered by you this is delightful omg thank you, i would love to

Here is JayTim, I can't believe I only got one bingo for them. Ironically I genuinely don't view Jason and Tim as family, even when I'm not shipping them, I think they're tentative allies at best and you can only brother-ify them if you're doing very generously OOC fluff, a la WFA-style. They're absolutely toxic and codependent on each other's existence, Tim wouldn't exist without Jason and Jason is Undeniably Weird about Tim, but not brothers so I can't check off the familial squares. Also, I have no idea if I've been blocked by 10+ people, but it'd be funny if I am. And funnily enough, I don't think Tim or Jason are vanilla in any capacity even when they're not fucking. Especially not Tim, that boy is Certified Weird.

and ofc BruDick I nearly blacked out the whole board because they absolutely are weird and unwell. Some of these only apply to certain AUs of BruDick (like an idea I have rattling in my skull rn with Talon!Dick) but most of it applies to them all the time. I really need to write some fucked up BruDick, it's tragic I haven't yet. Right now the two fics I'm working on are a weird JayDick and a more fluffy DamiDick, but I have Plans™ for BruDick too. They are the OG and deserve their flowers for being the most toxic mess you've ever seen.

[icewindandboringhorror]

Misc. photos from the past year or so ~

[knighteclipsed]

when children go to war.

a drabble: following round 1 of boel this year. word count: 353 words

Valter didn’t stick around after his victory.

There was no point—to waste time on waiting, on watching when he could be out there in the brawl. Already, this year’s bout was turning out better for him than the last: he’d even had the chance to avenge himself, in part, about his prior loss to the Golden Deer. (He would not be satisfied, of course, until he brought the Lions to victory as well.) The task was a simple one, really, and he would continue this road until the end.

Lance shatters the grass, crunching dirt; an odd angle. (It’s mostly the result of the suddenness with which he sent it flying.) Iron stood not too far away, easily within hand’s reach if he dashed, but for now–

‘You know, I still treasure that flower crown.’ (A self-absorbed scoff.)

For what was the purpose of such an asinine comment? To remark to a stranger that you ‘cherished’ something from them—really, it only spoke of her more than anything. (To value it to begin with was a foolish thing, but to bring it up as they were opponents, combatants, enemies–)

A crunch from a near distance. Head jerks around, spotting pink—flames conjured to descend; the Moonstone steps back, using the magic as cover. The crackle becomes footsteps, the light casting shadows—he always had thoughts on forests, but for now, it was the sight of an attempted ambush. Hand draws the new weapon acquired from the Golden Deer.

Click.

And the student falls—not dead though, importantly. (It didn’t take much analysis though for Valter to recognize the ease with which it could happen.) Instead, they are only disarmed; rendered incapable of fighting but not of committing the long trek back to camp. It is not the priestess, of course, for he had already defeated her. (The thought isn’t even worth having, to be frank—that somehow, he had not succeeded.) Eyes widen in the shadows, locking for but a moment before Valter smiles, stepping back.

Because in the end, the fight is all that matters. (Sentimentality could find a place in the heart of a weaker man.)

Imitation Dakka acquired!

[thatone-churro]

okay. i know it’s a very bad idea to seek mental health advice from the internet, especially tumblr of all places, but i have a genuine question about this.

actually, before i get too far, i guess i should add some context about myself:

i’m fairly talkative in a certain sense. i like talking. if i start talking about something i like, or if i get excited while talking, i can talk a lot. when i’m alone, i tend to talk to myself a lot. just verbalizing thoughts, mostly; talking myself through a strategy, just voicing my thoughts as i play through a video game, or sometimes just babbling as though i’m talking to someone else. this is a frequent thing and not the root of my concern.

course, sometimes i talk a little less in public or in certain social situations if i’m not “invited” to speak too (more than just being spoken to first, but that’s another explanation i don’t want to go into right now), but i’ve always been like that; something, something, i know it’s more about social anxiety or something that i know i inherited and is a different discussion for a different day.

so, every now and then i have these days where, for lack of a better description, talking feels like it takes too much energy. even that doesn’t feel like it explains it properly but. like the same struggle to get out of bed on a rough day. like somehow speaking, the act of opening my mouth and forcing words out of my throat, takes too many spoons. the same way it feels like taking a shower or brushing your teeth has too many steps despite it being a simple process when your depression’s acting up (we’ll get back to this comparison in a minute).

i can tell when these days come on before i even have to speak to someone; it feels like my words are stuck in my throat. i mean that physically; there’s not actually something in my throat, but there’s a weight of some sort.

i’ve taken to calling these days “quiet days,” since this feeling affects just about everything associated with talking; making myself talk is a struggle; i can’t even talk to myself and all those monologues and discussions happen inside my head instead, but i can’t verbalize them; i don’t want people to talk to me on these days, as in there’s a deliberate, subconscious feeling already there on those days, not that i’m not wanting to talk because of the other feelings; actively listening to and comprehending things people say is also an effort to do, and i tend to tune out my music or whatever background noise i set for myself more than usual; i’ve recently discovered that this same feeling is applied to singing, much to my dismay, because i found this out on a day i kinda wanted to sing.

it’s not that i can’t speak on these days, i can physically make myself if i have to, it just takes more conscious effort sometimes than something like speaking should.

now, i used to chalk this up to being standard nonverbal bouts. i’d heard those were common among neurodivergents, and while i’m not officially diagnosed with anything (classic “everyone does that”/“that’s just something you got from me” type childhood), a lot of symptoms for both ADHD and autism (that i’ve heard of/looked into) match up pretty sharply with me.

however, no accounts from actually autistic people that i’ve read who go nonverbal at times really match up with my experiences. for me, it’s never a response to stress, anxiety, or overstimulation; it’s just something that happens on any given day and sometimes ebbs and flows throughout the day (as in sometimes it’s easier in some parts of the day, but not others, without any particular cue), and it’s never me going absolutely nonverbal, just a preference not to speak from it feeling like it’s too much to do sometimes.

remember that comparison i made to having to speak on “quiet days” feeling like trying to do basic things on bad depression days? yeah, i noticed on a day it hit that it felt very much like that, because i did feel it earlier that day; i found trying to make myself sing or even talk to myself out loud somehow felt like a process with too many steps and i didn’t have enough energy, just like trying to get out of bed that morning (to the point that i didn’t “get up” until that afternoon).

so, all that text and explanation leads to my one question: are these bouts and “quiet days” more from “going nonverbal” as a “symptom” of autism, or simply a symptom of my depression? or can it be chalked up to anything else at all? i’ve never seen or read anything about this on either side, and if it’s something from my depression, then that’s gonna make me take it much more seriously than i have been in the past. or like, is it just me and not anything at all?

any advice appreciated 🙏

[glambots]

how do you think moon would react to a drawing though? like we know he's just as feral but he probably wouldn't put it in a shredder. maybe he'd eat it.

Honestly, I think it's like...programmed into them, that they're supposed to put the art into the shredder as a like "copyright" protection thing. So, I could see him doing the same thing that Sun did, while spouting the same: "all works created in the Daycare are property of Fazbear Entertainment blah blah blah..." but while giggling maniacally and staring you straight in the eyes. Kind of rubbing salt in the wound there.

[crossbackpoke-check]

re last answer: please don't stop, being very unhinged about these two pretty white boys is helping distract me from the sharks losing streak rn so bring it on

https://www.tumblr.com/bondedpairs/764566430180147200?source=share

(sideblog woes but there's the link for you) anyway in the vid they talk about going over to each other's houses to have dinner and things and while that is a delicious example of their codependence i love it bc through an rpf lens there is definitely some old man ******* going on. they can have the dilfs and each other.

(someone else mentioned kept boys which i could write an essay on but i fear being Perceived™️)

anyway if you have anything to add to this please do, if not ignore me and i will hide under a rock until the stress-related insanity has worn off and i am a functioning member of society once more 😂

- @bondedpairs

ty for the video!!! and please, WRITE THE KEPT BOYS ESSAYYYY i promise i will read it with my hands over my eyes if you don’t want to be perceived. do it scared!! do it anyway!! we’ll all love you for it!!!

[sheliesshattered]

my 7 yards of silk-rayon burgundy velvet has been handwashed, dried, and properly hung up so it won't get creased before I get around to cutting out my pattern pieces