#i can add stories to these characters

[erigold13261]

Yooo! You know what I just realized!

Sayu would be practically BEGGING Cyril for mer to meet his mom lol! Ze has never seen a real, biological siren before and wants to meet what ze is based on!

I do feel like they would be pretty rare, and not exactly how we see sirens in myths. Just people with naturally beautiful voices and maybe some fish parts to them.

Joust isn't a siren, but he is part shark, so think of him and you kinda got an image. Though his shark side isn't as pronounced as Hibiki's is. She has fin ears (or at least I hope I remember to give her fin ears) and probably has fin-like hair (think of the hair from the fish in Shark Tale lol).

But oh yeah, would Sayu be doing anything ze can to meet an actual siren. Mer and the rest of the club would be so excited and some of them would go to Purl or West to try and convince Cyril to bring her over (Sayu even pulling out the "we should meet her because she's gonna be a part of Purl's life when you guys get married!" causing Purl to spit their drink out of shock and West to fall out of his chair).

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[menlove]

that one poll about if you'd be friends w someone who cheated and the comments/tags were an all out blood bath got me thinking so

[freaky-flawless]

The De Nile sisters!

[monicaeidolith]

it's been 8 years and she's still down bad for her neighbor (who wouldn't)

and so there she is: Step 3 Athena! 🌙✨

Step 1 & Step 2 here

(Infos about Athena in every steps except 4 below if you're interested)

(watch out it's long.)

Step 1 -

At 10, Athena is a very curious girl, somewhat nosey and a bit clumsy (main reason why she often has bandages). She likes puzzles, creepy stuff and drawing (but nothing that serious about that hobby yet). While she isn't very shy, she's still uneasy around people she doesn't know and moving to a new town isn't helping. She has trouble accepting changes, and this whole situation is a way too big change.

Athena is very close to her mom during step 1. Unfortunately for her, she doesn't really look like her that much and she's kind of bothered by that, especially because the person she obviously looks like, her "dad", isn't there. Not having a dad isn't really a huge problem for her, but Athena fears a little bit people's opinion on that subject: "Is it weird that I don't have a dad...?".

She's feeling sad and scared about moving out, as she has to get used to a completely different world (in her eyes). "At least I have my mom", she thinks. But if moving in Golden Grove was scary at first, meeting Qiu and Tamarack was a huge help for Athena to feel included.

She thinks Qiu, aka "Autumn", is funny but also a huge show-off, haha. She LOVES to tease Qiu. But Athena's also genuinely worried about Qiu sometimes, because that kid is a huge people-pleaser.

When it comes to Tamarack, man... Athena totally puts this girl on a pedestal. She thinks Tamarack is amazing and pretty. And should Tamarack say anything positive about Athena, you can be certain the latter will go crazy internally. At 10, Athena doesn't realize she actually has a huge crush on Tamarack yet, though.

Step 2 -

At 14, Athena became a sort of troublemaker, she barely cares about rules. She's not mean but she grew to be more blunt and direct than she was as a 10-year-old, this and her current appearance make her seem unapproachable. However she kept her soft side, a side that she ironically doesn't even keep that much hidden but that you still have to deserve. If at 10 she would often have bandages because of her clumsiness, at 14, it's mostly because she's reckless. Some things that remained are her love for puzzles, creepy stuff and drawing, in fact, she started to get interested in visual arts.

In fact, the tough side of her personality grew when her first group friends with Qiu and Tamarack slowly fell apart. She couldn't do anything to prevent that from happening, so she felt like she had to toughen up. But to be honest, she's becoming tired of being the sole link between them, she's barely trying to now. Maybe Qiu and Tamarack won't become friends again. She has to accept it... but maybe Athena still has troubles accepting changes, no matter how old she is, after all.

Despite all that, Athena still treats both of them nicely. She still teases Qiu whenever she can (watch out Athena, the teasing could backfire on you). Her worries about them are still present too, but for different reasons than in step 1. Even 4 years later, Athena still retrieve Qiu's lost papers because they would NOT do it themselves. No matter what, Autumn remains her dear friend and the feeling is mutual.

Tamarack, aka "Tam", is her best friend! ... and the girl she has a crush on, Athena realized it now. Athena doesn't know if Tam feels the same way or not, though. Athena still thinks Tamarack is the most amazing and most talented person out there, she wishes Tam could see it too. She's highly worried about Tamarack potentially leaving Golden Grove at any moment but she tries to hide it from Tamarack. "Tam probably has enough of people walking on eggshells with her", she thinks. Athena dislikes Tamarack's parents for not only never being there for their daughter but also for making her situation so uncertain, only for their own interests (in her eyes).

Another feeling started to grow: jealousy. Athena will feel jealous of anyone who seems a bit too close to Tamarack. Does she think she's no match for Tamarack? Yes. Does that stop her from being jealous? No. She knows she has no right to be, Tamarack is a wonderful girl, it's impossible not to like her, but she can't help it.

Athena grew to be even more bothered by her lack of resemblance with her mother. Some times before turning 14, she started to dye her hair cranberry, just like her mom's hair color (let's say Opal didn't really like to see that her daughter started dyeing her hair at her young age, reaction Athena didn't appreciate, all she wanted was to look like her mom, what's the problem?). Ironically, while Athena wishes so hard to look like her mom, her relationship with her became somewhat strained. As if resembling a completely unknown guy wasn't enough. Living his best life nowhere to be found, uh? Resentment is the word here. Never towards her mom, even if their relationship is not that good at this point, but towards this guy who gave her his physical traits she never wanted and started to despise.

At least she became used to live in Golden Grove.

Step 3 -

At 18, Athena is not the rough troublemaker that she was at 14 anymore. Now she's more like a silly prankster, seemingly always up to something more stupid than before, although she remains reckless and blunt (but less on purpose and more out of habit). Of course, her interest in visual arts remained intact. Her liking for creepy stuff turned into a huge love for horror and its aesthetic.

Her relationship with her mom is getting better than it was 4 years ago. Athena grew out of the resentment she had for her "dad" during step 2 and learned to accept she may not look that much like her mom, but that it doesn't cancel the fact she's Opal's daughter no matter how she looks. Plus "some bits of [Opal] did end up in [her]" after all, right?

Athena's relationship with Autumn is what you could describe as "siblings by hearts", Athena does consider them as the sibling she never had.

Athena and Tamarack are still officially "besties for life", but little do they know that they both ended up falling in love with each other, plain and simple.

Her jealousy and resentment did tone down, but when she thinks back to her 14-year-old self, she feels bad, so bad. For being jealous of Tamarack's friends, for being resentful of a random donor and basically making many things about herself. "Man, I was such a prick. And for what?".

If when she was 14, Athena felt like she was no match for Tamarack because she put Tam on a pedestal, at 18, she now thinks she's simply not good enough as a person for Tamarack. She kind of "accepted" that if Tamarack only wants to be friends, then it's fine, she cannot force Tam to love her back. It's silly to think someone like her could be extra-special in Tam's heart anyway (girl if you knew.), it's nice enough to be her best friend.

Between step 2 and 3, Athena managed to put a label on herself: she's lesbian.

[thatswhatsushesaid]

psa that the day there are no jgy stans left on tumblr dot com is the day i am dead

but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open

[thebramblewood]

Exciting news: I now have a story page and a characters page! They're pretty basic at the moment, but I'm hoping to think of some fun stuff to add later. For now, you might find a few new nuggets of insight in the character bios! I just wanted a cute little hub for readers new and old to find everything they need in one place. Let me know if you think anything (or anyone) major is missing or if you notice any errors. Here are all the character portraits. Aren't they cute? And thanks to @buglaur for the incredibly easy to modify template!

[kwillow]

will theo ever be happy

Maybe in another life.

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[daisy-mooon]

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

[asfodeltide]

[poorly-drawn-mdzs]

Instruction on Courtship

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[natjennie]

i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.

[keepingmyoptionsfluid]

I don't know who needs to read this, but people who are pro Buck and Tommy having a healthy relationship with good representation on screen, whether it goes the distance or not, are not automatically against Eddie having a coming out arc.

Like guys chill the fuck out.

I would argue that 7x05 had too many storylines and felt rushed. I'd honestly rather have fewer stories an Episode and each is given proper time (so they don't skip over shit like Buck and Eddie talking post basket ball, or Chim and Buck talking post punch, or Bobby and Athena talking post ship disaster etc). They actually showed the Karen and Hen talks after the Eva storylines and that's so important and good.

Tommy isn't getting screen time without a main with him so stop pretending he is. He's a background character who is currently there to prop up other people's storylines. It's unlikely he will ever be a main as they already have 7 of them. Can you think if you've ever seen a Karen or a Ravi or a Lucy or a Taylor storyline that wasn't there to really be about one of the mains? No.

I am literally seeing BuckTommy enjoyers having to fucking preface their posts with the fact they obviously ship buddie too just so they don't get abused. It's genuinely disgusting that people are more fixated on their specific (and I would defo class it as fetishistic at this point with the obsession some people have with buddie) ship that they would actively damage other people's enjoyment of the show.

This accusation that people don't care bout buddie anymore because Tommy has kissed Buck and Tommy is white is fucking insane. This fandom regularly accuses anyone who says good things about Buck or Bobby of being racist. Maybe, and hear me out, people are happy that they are getting some bi representation? People who have been pro buddie since 2x01 are getting sent hate because they are happy that a character has come out, despite never turning against buddie.

It's literally normal to be watching a show and be like "yes, I want characters X & Y to end up together but currently they aren't and that's not an issue for me". It's a fictional show.

I want Eddie to get a coming out story line and I would not be upset if it didn't revolve around Buck because 1. Eddie is his own person, and 2. I KNOW that if it did revolve around Buck, you guys would immidiately say it's worthless because it's not an Eddie story but actually a story about the "white boy". Like you literally cannot have it both ways.

You can't beg for coming out story lines and then say "wait that's the wrong person they're kissing." It's a coming out story line. It's literally a gateway to a whole new world of stories in the show.

Chill out, go outside, maybe try to enjoy the show you claim to love instead of shitting on it, the actors and the other fans

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.