#i believe in the power of duality

[gemmaisabelle]

𝑤ℎ𝑦 𝑡ℎ𝑎𝑛𝑘 𝑦𝑜𝑢 ❦

I haven’t been on tumblr for quite as long as a lot of people but over several years I’ve noticed this interesting gradual sorta,, shift in the general culture? that it went from this mostly depressed, nihilistic outlook where people would regularly joke about hating themselves and being hopeless and depressed, to a wave of vehemence of “STOP hating everything actually the world is Good and you deserve love!!!” type posts, to now, where those aggressive ‘PSAs’ have faded away and instead I regularly see people romanticizing simple things like stars and hot tea and rainy mornings, and waxing poetic about their friends, and just trying to put love out there. and I don’t know exactly what that means (someone who knows more than me could probably say something smart about generational expression and trauma or popular perception of mental health and whatnot), but I do know that it makes my heart very full to see people learn to love the world and themselves by extension, and a whole userbase adopting healthier coping mechanisms, and therefore teaching the younger users to do so as well. I might just be following different people, but I really do think we’ve grown. everyone has grown. five years ago it wasn’t unusual for the next post on my dash to be a scathing commentary on why nothing matters or an anon ripping into someone they barely knew or someone complaining about how pathetic their interests are. now I have mutuals who get excited and spam reblog art of cows and friends I see tagging each other in pictures of frogs and strangers writing paragraphs about how much I matter. it makes me happy. idk. just an observation I wanted to make. I think people are good and everyone’s just trying their best at the end of the day

[ninicaise]

"why don't we see laurent's schemes in kings rising? why does he act so helpless, like a puppet?" idk maybe because laurent & damen are no longer friends for the entire first half of kings rising so laurent is back to being completely alone and after prince's gambit he has no idea what to do without damen beside him. maybe bc laurent is not actually the domino master of the series. the regent is. maybe bc laurent is (canonically) behind in the game and the only reason he ever had a chance of winning is literally bc not him nor his uncle can ever predict wtf damen is going to do next. this is textual btw i am not making shit up. just as the "captive prince" is both damen and laurent, the "prince's gambit" is both laurent's and damen's gambit.

[ohsweetflips]

my jgy thoughts have been expanding and adapting and roiling and toiling etc etc etc and all of it is coming down to me affectionately marveling at this character. he’s cut-throat. he’s cunning. his kindness leaves lasting impressions. his mercy is what predates his demise. he’s one of the few cultivators who helps those in need. he will sacrifice them if it benefits him. he loved. it didn’t last. it killed him. it orchestrated his downfall. he’s a genius. he’s paranoid. he compartmentalizes. he splits the world into who he would sacrifice and who he would not. people he loves and people he would sacrifice are not mutually exclusive. he’s filial to a fault. it was all for his mother. he is a study in assimilating to survive. the results vary. he manipulates the herd mentality to his benefit. it is turned against him. he is killed for the one thing he didn’t do by the one person he wouldn’t sacrifice. it is still somehow better than what the hive-mind cultivation world would have done. i love this tragic kaleidoscope of a character.

[sunnykeysmash]

Ok so, the new trailers got me curious, especially here with the whole... trap thing.

Let's just go on a little chill journey about it together, no strings attached.

So... something I do casually to pass the time while deep in sunny fixation is keyword searching in episode transcripts, to see if there's fun connections I can do. So naturally, I look up "trap", to see where else it comes up outside of Gets Romantic and Flowers for Charlie (the first two episodes that come to my mind when talking about traps).

What I found was an interesting connection between three specific episodes:

Mac is a serial killer

Dennis looks like a registered sex offender

Flowers for Charlie

And I wanna go through it. Kind of in random order because I don't know how to structure this (lmao).

Now, these episodes obviously have come out in seasons throughout the years, with the earliest two on s3, and I'm gonna be talking about things I think might happen in relation to these episodes. Parallels, metatext, about things that haven't aired yet. So I may be wrong. Let's get that out of the way. Usual disclaimer, get out now if you don't like rambling, and I'm not responsible for building anyone's expectations, that is on you. This is how I have my own fun. Let's move on.

But talking about these episodes in such a way requires me to acknowledge macdennis as something that's been not only intended, but planted, am I gonna be arguing that this was all intentional the whole time? ...No. ...Yes? Maybe. This pains me to say more than it pains you to read, believe me.

Now by planted I don't mean they ever really planned to have it happen necessarily. I'm talking about the trap aspect of it all. The will they, won't they. The question, the mystery of what's inside the crate. You get me.

I wanna start from the fact that there's fifteen severed heads in the fridge. Severing heads being a metaphor very prevalent in season 15 as we've seen, but especially...

And that's the scene.

Yes, I'm aware.

I'm done. I was in character before, but I'm me now, so you can tell me how good I was.

Oh, okay. Well, you just cut in front of 15 other actresses.

You're welcome. I took a gander at 'em and... ( sever head gesture )

Plus, I do feel like that's what the character would have done, and I've been in character all day. As a matter of fact, don't want to brag, but I've been in character all week.

Fifteen, like the seasons? It could be they were hoping to reach that number to break the record, just like Charlie is shown doing at the start of DLLARSO, attempting to break a record to see how long he can hold his breath for.

Dee: What is going on in here?

Mac: Just laying low and breaking world records. Don't even think about breathing, b¡tch.

Dennis: All right, so here's the deal. Got rid of that child molester. The sеxual predator guy? Yeah, he's gone. He's out of the situation, so my problems are solved. You had a thing too, right?

Dee: Mac's dad. I want your dad out of the bar.

So three things, breaking records, the second Dennis leaving (you know, Dennis Double Life thing), and I do think Luther might be dying this season, as well. It seems to line up to me... we know Mac is going to "collect his inheritance", which he wouldn't really have unless a parent died like Charlie's. He also walked out, so.

But that's impossible, that's season 3. I thought so too.

So I want to bring another example of severed head onto the table... Chardee Macdennis 2. Season 11.

They're asked to sculpt "clues" for the game, and what does each of them sculpt?

Mac: "Cupid's arrow". Which Charlie keeps calling a penis, and which looks strikingly similar to a RPG missile to me, I'll add.

Frank: A heart. Like the heart shaped lock?

Dennis: A woman's head in a freezer, which he says, and I quote, represents "the preservation of love forever and ever".

Keep in mind, there was no theme given for the sculptures, the whole goal was for the teammates to guess what the other was sculpting. Now why are they... love themed?

I just want to say right out of the gate, I don't know what everything means, I'm more so here to draw parallels that I've noticed. I think it's interesting that everyone can draw their own conclusions too.

So, to summarize all three episodes:

In Mac is a Serial Killer, the gang see Mac acting weird, so they start suspecting he's a serial killer.

(I do want to point out Carmen scratches Mac (during sex), which is one parallel with Dennis, but not my overall point.)

Frank and Charlie scour for clues in Mac's apartment, while Dennis tries to use Dee as bait to catch the serial killer. Frank gets a confession out of Mac's mom, and then the gang starts to hatch a scheme (which they call a trap) to "catch" Mac about this, and drive a confession out of him. The truth though, is that Mac is dating Carmen, and doesn't want the gang to find out.

In Sex Offender, Luther is finally out of jail and is visiting a bunch of people. Mac and Charlie see that Luther has a list with their name on it, and panic thinking he's been killing these people and is gonna kill them next. What is really happening though, is that he was actually making amends with the people listed (something that comes back in S16!), and had a surprise prepared for Mac, who "ratted him out". The B plot has Frank moving out because he thinks he can do better than Charlie, so he gets with Bonnie, his "bang maid". Both Charlie and Mac hatch a plan (again called a trap here), a romantic dinner, with very different goals. Charlie wants Frank back and to expose his mom as a cheater (in a situation that actually reminds of the s15 dinner, with the turd in the soup), Mac wants to pair his parents back together so they can raise "happy boys". In the end, Luther gets with Bonnie, which coincidentally does drive Frank back into Charlie's arms, but in the end Luther gets carried away by police. Additionally as we've discussed, there's a second Dennis in this episode, a fake, who is threatened into leaving at the end of the episode.

In Flowers for Charlie, scientists are running an experiment on Charlie who becomes their lab rat, while Dee Mac and Dennis are dealing with a rat problem in the bar, discussing ways to catch and kill it. Charlie starts thinking he's too good for his friends and notices that "they've been using him", Frank enlists the help of the Waitress by setting up a dinner between them, hoping Charlie's deep infatuation with her will pull him away from his new life and the corner he's turned and back to Frank, and when that doesn't work, Frank tells Dee Dennis and Mac that he wants to "drag him back down into the sewer where he belongs". Dee thinks she's stuck to the rat glue trap, but after the rat eats the cheese and scurries away unaffected, thanks to Frank's help she finds that by letting go of the trap, she becomes unstuck. In the end we find the experiment didn't make Charlie smarter, only more arrogant, and perhaps more fascinatingly some other things, like he believes to be a mathematical genius, and writes:

X = 9 + 9 = Box... that's where the cat is.

(9 + 9, like 18? Like the seasons we have confirmed, 18?)

And more.

And in the space of an hour, the subject has lost all interest in a woman with whom he had been in love for years, because of a perceived upidity relative to himself. Perhaps the most interesting were the series of side effects that he believed himself to be having. Uh, debilitating aches and pains. It was all in his mind.

According to this, the more arrogant someone is, the more he forgets about the people he loves, and the more he suffers various pains. Therefore, you need to knock someone down a peg to remind them of their feelings, and make them feel better.

In Mac is a Serial Killer, at the end, Mac is also accused of being two people.

Charlie: I'm sorry, Mac. You can't keep running from this thing. You gotta face this head on! (whispers) I'm gonna get you off this. Don't be afraid to show me your ugly side. All right. Put that away, Frank. You don't need a chain saw. You're talking to an innocent man. All right, Mac. I'm gonna ask you now 'cause I'm tired and hungry. I want to go home. I want to wash my hands of this whole stinking mess. Did you or did you not snap into an alternate and distinct personality... causing you to go on a serial killing rampage?

Mac: What? No.

Charlie: What? Yes, you did. You... All right, Mac. You're crazy, right? You're a crazy person. Sometimes you're two people. Let's see the other guy. Let him out.

Mac: Let who out?

Charlie: The serial killer, Mac! Let the serial killer out!

Mac: I'm not a serial killer!

Frank: Then why all the shady behavior?

So, what is the trap... so far, we've seen that you trap someone either to set them up with someone else (the romantic dinner in DLLARSO, but also the trap in Gets Romantic, and also when Dee sets them up in Break Up by using a lady with giant breasts as bait!), or to draw a confession out of them (like in MIASK, but also Catches a Leprechaun). Perhaps both, at the same time, as there may be multiple people scheming the same thing with different end goals, or different things with the same end goal. Either way, that's the conflict of the trap.

Brief intermission to talk about another episode where the trap comes up. Charlie's Home Alone.

Charlie empathizes with a rat, and saves him from a trap.

'Cause I know what it's like to be caught in a trap now, and it's not okay. I won't let you get caught in a trap, okay?

Takes him in his hand, and eats him (DLLARSO also has talk about Luther looking like he eats people, but I don't have a thought on that yet aside from basic cat eat mouse type stuff, also not everything is Something, but I digress!).

Later a real trap is introduced as part of the rituals, and Charlie steps on it and must free himself. The release lever is at the bottom. He frees himself, but once Brady has the ball, he has to step right into the trap again.

This stepping in and out, again it reminds me of Dennis in Gets Romantic, but since it was a season 13 episode, it may also be Glenn about the show.

But here's something I think, just to spice it up, I think the trap may also be, more in general, a relationship. Right? Dennis has been in one (with Maureen), didn't like it, yada yada. Now Mac talking about banging, that's one thing. Mac getting in a relationship? Suddenly he's ruining everything, getting locked in, that's different. And the scene between him and Dennis in Flowers for Charlie, implies to me that we have two rats and one bait, that the trap involves two people. Like a relationship. Now am I married to this idea, pun not intended? Not really, but it's possible.

Either way, the trap is something that catches rats. Thanks to Flowers for Charlie, both Mac and Dennis can be rats, due to said dancing scene...

Dennis: He scurried away.

Mac: All right, well, when he comes back, I'm gonna smash him up good. Dennis: No, no, Mac, come on. We're smarter than that. That's just gonna spread rat blood and disease all over the place. It's not about brute force. It's about seduction. See, I'm gonna place some enticing tunes for the little guy. And then I'm gonna bait this glue trap with some Brie cheese.

Frank: Because drawing a confession out of someone... is like doing a beautiful dance... a beautiful dance with a chain saw.

When Charlie is framed as the rat in Flowers for Charlie at the beginning, he's dead set on getting the cheese he can't have, and has no interest in the one under the green light. Which reflects the chase. Like cat and mouse.

This experiment, that's being talked about as groundbreaking and that will revolutionize the field, is all about making the subject feel smart due to the constant encouragement, but the subject really isn't.

Mac is not the serial killer. He's not smart enough. He's a dumb person. And dumb people are not capable of serial killing.

In Chokes, it's said that Dennis will see through the ruse, because he's smart, but the truth is that he didn't, because he isn't. It's Mac that heightens his confidence, and it always has been.

And in the sideplot of Flowers for Charlie, Dee Dennis and Mac end up watching "cat and mouse" cartoons to understand how to solve this rat problem. But... a cat was never introduced in the episode prior to this?

The mouse always wins. There's... there's, like, no winning with mices. Cat keeps getting hurt. He gets hurt. Well, it's dangerous, yeah. What the hell are you guys doing? We're trying to watch cat and mouse cartoons to find out how kitty cats deal with their rat issues.

But historically, the cat has always been Dennis... the cat in the wall (through framing and dialogue), and then ongoing with like the painting in s15 and the dead cat in the room and so on. This cat may get out of the wall, or he may die in there. That duality belongs to Dennis. But how can he both be a cat and a mouse? No, I don't have an answer, but perhaps it's up to confidence. If you bring it down low enough for both Dennis and Mac, they're finally both little mouses, and you can catch them in your trap. Not that the trap ever works? In all episodes where it comes up, it either fails (Flowers for Charlie), is painful (Charlie's Home Alone), complicates things (Gets Romantic), or a combination of those (Serial Killer and Catches a Leprechaun).

It's also about method.

How do we lower this guy's confidence, how do we reach rock bottom.

In Flowers for Charlie, Mac's solution is to bash the rat.

In Mac is a Serial Killer, they want to draw a confession out of Mac by torture when they catch him. Using a chainsaw even.

And in Dennis Looks Like a Registered Sex Offender, Dennis takes a good beating because he's mistaken for an awful man that looks like him, as per Dee's plan.

And this in Mac is a Serial Killer:

Dennis: This is the fun part, Dee. This is the part that we've been working up to. This is what all the work has been for. We're gonna follow our victim. And then we're gonna jump her. And then I'm gonna strangle her and you're gonna chop her into pieces.

Dee: Okay, but what are we really gonna do?

Dennis: Huh?

Dee: We're not really gonna kill her. What are we gonna do?

Dennis: Oh, yeah. Oh, shit. That's a bummer. Yeah, you're right.

Dee: Let's just follow her for a little. We'll throw a good scare into her. Figure out what to do later.

Plus, in Charlie Catches a Leprechaun, which is another episode in which a man gets captured with the goal of driving a confession out of him...

Mac: Nasty little son of a b¡tch, isn't he?

Charlie: There's, like, a real bite to him.

Mac: You know what I think we should do? We just rough him up a little bit. You know, just get the truth out of him, just a little bit.

Charlie: It's a great idea.

Mac: We don't want to bruise him up, I just wish we had, like, a hose or something. You know, we could blast the truth out of him. Right?

Charlie: That'd be good...

Setting aside the episode insisting a lot about ancient authentic irish traditions and other parallels I don't have time to get into, this ALL reminds me of course of the plan from the castle about the irish doctor in S15, you know, pour scalding liquid from the murder hole (a predecessor to the glory hole!) and char him.

Dennis: Yeah, so you'll lure him under the hole, where I will, uh, douse him with boiling oil or hot tar or really any scalding substance.

Frank: Wait, you're gonna char the guy? Gonna char him up?

Dennis: Yeah. I'm not gonna kill him or anything, but it's got to be hot enough to be annoying as shit, right? You know what I mean?

Frank: Yeah. Burn him.

Dennis: Uh, he's gonna get burned. But, I mean, Charlie's got to see him lose his cool, so we can expose him as the child-abandoning monster that he really is.

In s15 later, Dennis talks about that incident as "taking care of him". We all giggled at the gay implication of that, but the thing is, Mac is a Serial Killer and Dennis Looks Like a Registered Sex Offender both play with that duality of meaning, as well.

Dee: Could you come take care of me?

Charlie: I'll allow it.

Mac: Uh, yeah. Yeah, I can take care of you.

Dennis: What were you planning on doing to Sandy?

Mac: What do you think, dude?

Dennis: Well, according to this phone transcript, Mac... you were going to "take care of her"?

Mac: Yeah. Take care of her.

Mac: He told me these are people from his past, and he's got to take care of them. And once he takes care of them, he's gonna take care of me.

And it really is like that sick extended metaphor where on one side we have Mac and Dennis, on the other we have death. Same as Dennis' Double Life. You know, "give me dong or give me death". That you can either love someone, or kill them. It reflect the concept of the trap, I think.

But speaking of which...

Frank: Stay away from my bang maid.

Charlie: Damn it, Frank! This isn't about them... Charlie... or Mac or anyone else... this is about you and me, bro. This is about dudes living together, hanging out, sharing their bed and their life...

Mac: No. That's not what this is about! This is about people meeting back up after many years and sparks flying... and families getting back together and raising little boys so they can be happy again!

Much like Clip Show, that same duality. On one side living with Mac (dudes living together, plus Charlie and Frank are often a parallel for Mac and Dennis), on the other, raising Brian Jr (families getting together and raising little boys).

Charlie: Shut up, Frank. You don't know what she wants any more than she knows what you want. You know who knows what you want? I do. I've always known what you want. And I can give you want you want. Just let me give you what you want.

I don't like jumping into specific event predictions because I always get them wrong, and I don't find any fun in that. And while the trap and rats meta is real, I may be completely off with it here. I just like drawing connections.

But speaking of traps and ruses, here's another bit of dialogue that comes to me, in times of need.

Charlie: I see you all fell for my ruse.

Dee: What ruse? You asking us to go on a hike with your dad, and us saying "yes"?

Charlie: Oldest trick in the book.

Dennis: Asking someone to do something?

Charlie: Exactly.

Dee: And then, them doing it?

Charlie: Precisely, yes.

I think traps usually are something you hatch to uncover a ruse.

That's why in all of these examples, the goal of capturing someone is to draw a confession out of them. But they don't work that way, because what the capturer and the captured hold as truth doesn't align. Mac is a serial killer, they expect him to confess to serial killing, but he was just dating Carmen. Catches a leprechaun, they expect him to admit that he is, but he really isn't. Even in Worst Bar in Philly, another ep where they kidnap a guy, they are trying to extort a fake review from the journalist.

So if the trap succeeds, it'll have a different result than intended by who hatched it, and uncover a truth that wasn't the expected one. Just based on statistics, I guess...

If the intended goal is really to hatch a plan to humiliate Dennis, char him or whatever, then what it may actually do is break his cold, calculated shell. But I don't know...

Frank, I am thinking on the physical level, the metaphysical level, the pataphysical level.

So we've all talked about meta and that's fun, but let's talk pataphysical too since Flowers for Charlie mentions it.

That's difficult, as there are over one hundred definitions of pataphysics according to wikipedia.

A few are:

"Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one"

"Pataphysics is patient; 'Pataphysics is benign; 'Pataphysics envies nothing, is never distracted, never puffed up, it has neither aspirations nor seeks not its own, it is even-tempered, and thinks not evil; it mocks not iniquity: It is enraptured with scientific truth; it supports everything, believes everything, has faith in everything, and upholds everything that is."

"Pataphysics "the science of the particular" does not, therefore, study the rules governing the general recurrence of a periodic incident (the expected case) so much as study the games governing the special occurrence of a sporadic accident (the excepted case). Jarry performs humorously on behalf of literature what Nietzsche performs seriously on behalf of philosophy. Both thinkers in effect attempt to dream up a "gay science" whose joie de vivre thrives wherever the tyranny of truth has increased our esteem for the lie and wherever the tyranny of reason has increased our esteem for the mad."

"Pataphysics is science, albeit one with an aesthetic sensibility; it regards “humor” and “the serious” with the same imperturbable gaze. "

"Pataphysics is simply an awareness that everything, including our very selves - is what we pretend it to be."

In other words, truth is not what's actually real, what we do or our past, truth is what we believe it is. Much like identity.

One more.

"You have seen that far from regretting the past I would simply suggest that we improve it…’Pataphysics will always be plunging ahead, precisely because it is static in time, and because time, itself, is retrograde by definition."

So if one is dissatisfied with their past, they can simply change it... by going there. This concept is played around plenty in Clip Show, but I want to talk about something else. I want to talk about Dee Day.

That is the episode where we take off Dennis' make up, but there's something else too.

This is where Dee talks about wanting to do a "retrospective" of her characters.

And the plan to make the ordinance pass, includes the gang stealing the councilwoman keys and setting her clocks back so she would miss the vote.

And look, we do have one flashback promised to us, in the bowling episode if I recall correctly.

"But is there any other canonical way of viewing the future (whether one calls oneself serious, in the profane or pataphysical sense of the word), than as a bouquet of imaginary Solutions – that is, potentialities?"

I forget if I've talked about potential in sunny. The seeds, the puppies, the eggs... always about the potential of life. I think it's fascinating. Like there is an infinite branch of ways in which macdennis could happen, right? And that's the potential. And by bringing it into the text, you're effectively killing it.

But are you, really?

The first time round is a bitter pill

But the second chance is better still

And then we find new seeds to sow

To grow our love we didn't know

There's always new seeds to plant...

But I'm not done with the pataphysical. Oh no, there's more.

There's also the fact that Flowers for Charlie talks about the structure and the foundation. When asked where the foundation is, they respond "on top", but Frank corrects them, on the bottom.

I have a feeling both answers are correct, just like both of Dennis' lives are true, and here's why.

Concepts that embody pataphysical include:

Antimony: An antinomy is the mutually incompatible. It represents the duality of things, the echo or symmetry, the good and the evil at the same time.

Clinamen: A clinamen is the unpredictable swerve of atoms that poet Christian Bök calls "... the smallest possible aberration that can make the greatest possible difference". An example is Jarry's merdre, a swerve of French: merde ("shit").

Syzygy: The syzygy originally comes from astronomy and denotes the alignment of three celestial bodies in a straight line. In a pataphysical context it is the pun. It usually describes a conjunction of things, something unexpected and surprising. Serendipity is a simple chance encounter but the syzygy has a more scientific purpose.

Absolute: The absolute is the idea of a transcended reality.

Anomaly: An anomaly represents the exception. Jarry said that, "Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one." Bök calls it "... the repressed part of a rule which ensures that the rule does not work".

Pataphor: The pataphor is a term for an unusually extended metaphor based on Alfred Jarry's "science" of 'pataphysics'. Whereas a metaphor compares a real object or event to a seemingly unrelated subject to emphasize their similarities, the pataphor uses the newly created metaphorical similarity as a reality on which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect has taken on a life of its own.

Once again this rings true for Clip Show in general, as a concept, but I would maybe dare say this applies to macdennis regarding many associated concepts such as the trap or the crate. In particular, Macdennis as a concept has been morphing and evolving separate to the textual plots, due to heavy metaphor use.

In particular, they're always placed in the role of married couple, in multiple episodes. Break up, Suburbs, Gets Romantic, Mortgage Crisis. It doesn't just say "you are like a married couple", it shows them behaving as one. Therefore, if looked at under a pataphysical lense, that's what they are. That's the reality of it.

Of course, since this whole spiel is born from one word in a single episode from season 9, there's no telling how much it actually matters. It may be a happy coincidence. Does it really matter? (Not in pataphysics).

In a similar sense, we spoke Mac into coming out as audience, because we believed in it as our reality.

And another thing, since I'm riffing a lil bit at this point.

But since Dennis has been intentionally led to portray two separate and apparently opposing realities, the audience is equally divided on him, and as a result both realities keep appearing as true.

So in DLLARSO Mac is stealing Dennis' car and using it without him knowing. If we go with the whole "Dennis' car is his identity" which is very dear and near to me and I basically think of as true at least since Misses The Boat (and this is a s3 ep, which is why I'm saying IF), I'm wondering how this extends in season 16.

Well for starters, we see Mac behind the counter twice just in trailers. That has been, typically, Dennis' spot as the bartender. Very rarely does Mac cross behind, even less so on his own. Notably, it happens in Mac Fights Gay Marriage AND Dennis Gets Divorced (which btw, these two parter titles make it sound like they're the two that got divorced lmao, but um).

Another way in which we see him possibly take Dennis' place (or walk in his shoes! wear his skin, whatever you want to call it), is by the fact Dennis is teaching him the DENNIS system (an altered version I assume?), like passing the torch on to him (and Dee, who wants that place in the gang hierarchy as well...).

Finally, something that may not be a thing at all, but he meets Chase in S16, only Chase thinks he already met Mac. Because Dennis gave him Mac's name in Stranded. I'm expecting some name shenanigans of some kind. (perhaps Mac will use Dennis' name? I'm not banking on that, but how's he gonna explain? that is, unless someone else already did, in his pursue to make amends... well, who knows. you know what they say about assuming)

It's funny because Stranded is an episode all about how saying no brings you misfortune, while saying yes brings you luck. And money. 10.000$ of them specifically, both in Stranded and, casually, the original amount won by Mac with the scratcher.

The amount that... after all the bills, ends up being only 14$ dollars. (like the seasons?)

Stranded is also interesting on its own... Frank avoiding the main road because he doesn't want to pay the toll... Okay, that's enough. Getting off track.

So, final notes, since this is a more speculative and rambly post, and I'm under the impression the metaphors discussed (rats, traps, severed heads...) aren't complete (meaning they're gonna expand on these more in S16), I'm very much hoping everyone chimes in with their thoughts and speculations... perhaps other episodes that you think may fit this... let's throw away the oars and get into it, like, who cares if it ends up wrong, you know? I may come back to this too after the season airs to see what else there was...

[sofiatarot]

Pick a card: Let me describe you...

Your energy, the way you might come across to others, and how I personally would feel if I met you

Leave a tip🌙

1.2

3.4

Group 1

Cards: king of wands, 2 of cups, ace of pentacles (reversed), king of cups, page of cups (reversed)

You radiate confidence and ambition, with an undeniable spark of leadership that naturally draws people toward you. The king of wands and king of cups suggest a unique balance of fiery determination and emotional depth, making you both bold and compassionate. You inspire trust and admiration, often becoming the go-to person for advice or leadership in your circles. People likely see you as a visionary, someone who isn't afraid to take risks and pursue what truly matters to you.

Yet there’s a vulnerability beneath your strength. The reversed ace of pentacles and page of cups hint at moments where self-doubt or fear of failure might hold you back. You may occasionally struggle to believe in the value of your ideas or hesitate to fully invest in opportunities that align with your passions. This duality adds complexity to your character, making you both relatable and admirable.

If I met you, I would feel deeply inspired by your energy. Being around you would feel like sitting by a warm fire, energizing and comforting at the same time. However, your intensity might be a little intimidating, and I’d feel a need to rise to your level of passion and ambition. You seem like someone who would push me to grow, not by demanding it, but simply by being yourself.

At your core, you crave genuine connection, as shown by the 2 of cups. You’re someone who values partnership and mutual understanding, but you might not always show it openly. If we crossed paths, I would feel like I’d met a kindred spirit, someone who challenges me intellectually and emotionally while still offering unwavering support.

Group 2

Cards: Ace of cups, 4 of cups, ace of swords, death, queen of pentacles.

Your energy is both deep and transformative. The ace of cups suggests you have a beautiful, open heart, capable of immense love and emotional depth. However, the 4 of cups hints at moments where you might feel disconnected or uninspired, as if you’re waiting for something (or someone)to reignite your spark. You’re introspective, often searching for meaning in life, and this self-awareness gives you a profound emotional intelligence.

The combination of the death card and the queen of pentacles shows that you are no stranger to transformation. You’ve likely experienced significant changes in your life, which have shaped you into a resilient and grounded individual. You have the ability to let go of what no longer serves you, even when it’s difficult, and this makes you a source of quiet strength for those around you. People admire your ability to reinvent yourself and find stability amidst chaos.

If I met you, I think I’d feel a sense of calm but also curiosity. You carry a wisdom that would make me want to sit and listen to your stories, to understand the lessons life has taught you. At the same time, your energy might feel challenging—pushing me to question my own comfort zones and to grow emotionally and spiritually.

You seem like someone who values depth and authenticity in relationships. While you may not easily let people into your inner world, those who earn your trust are met with unwavering loyalty and care. I would likely feel deeply connected to you, appreciating the way you balance nurturing energy with a sense of quiet, transformative power.

Group 3

Cards: page of swords, the hierophant, the sun, king of cups (reversed), the moon (reversed), 10 of pentacles

Your energy is curious, vibrant, and deeply intellectual. You have a sharp mind and a thirst for knowledge, always eager to learn and explore new ideas. The page of swords shows your inquisitive nature, while The hierophant reflects your respect for tradition and a desire to find structure or meaning in life. You balance this intellectual pursuit with a natural joy and optimism, as shown by the sun, making you a beacon of light for others.

However, the reversed king of cups and moon suggest that beneath your bright exterior lies a more complex emotional world. You may sometimes struggle to fully understand or articulate your emotions, leaving you feeling vulnerable or misunderstood. Despite this, your energy remains grounded, and you’re someone who values honesty and clarity in both yourself and others.

If I met you, I think I’d feel like I was stepping into a world of endless possibilities. Your curiosity and enthusiasm would be contagious, making me want to explore new ideas and embrace life more fully. At the same time, I might sense your hidden emotional struggles, feeling a desire to support you and help you uncover your true feelings. You seem like someone who would bring both light and depth into my life.

Your connection to the 10 of pentacles suggests a deep appreciation for family, legacy, and building something lasting. You’re someone who dreams big and works hard to create a stable and fulfilling life, not just for yourself but for those you love. I would feel both inspired and grounded in your presence, appreciating the way you blend intellect, joy, and a deep sense of purpose.

Group 4

Cards: the hanged man, 2 of swords, 7 of cups (reversed), 8 of Pentacles, ace of cups (reversed), queen of pentacles

Your energy is introspective, patient, and highly grounded. The hanged man suggests that you have a unique perspective on life, often taking the time to reflect deeply before making decisions. While the 2 of swords hints at occasional indecision or hesitation, the reversed 7 of cups shows that you have a clear sense of your priorities and are focused on what truly matters. You’re someone who works hard, as shown by the 8 of pentacles, and your dedication inspires those around you.

However, the reversed ace of cups indicates that you might sometimes struggle to open up emotionally. You could be protective of your heart, preferring to show love through actions rather than words. The queen of pentacles highlights your nurturing and practical side, making you a reliable and comforting presence in any relationship. People likely turn to you for guidance and support, knowing that you’ll provide both wisdom and stability.

If I met you, I think I’d feel at ease in your presence. You’d make me feel safe and supported, like I could share my thoughts without fear of judgment. At the same time, your introspective nature might make me curious about the layers beneath your calm exterior. I’d feel drawn to your quiet strength and inspired by your commitment to your goals and values.

You seem like someone who values simplicity and authenticity, preferring meaningful connections over superficial interactions. Your energy is grounding and healing, and I think I’d walk away from our meeting feeling more centered and focused. You have a way of reminding people of what’s truly important in life, and that’s a gift not everyone possesses.

xoxo💕

[sodomit]

TRANSUNITY

Transunity is a political theory that was actively talked about on Tumblr a couple of years ago, but has since fallen out of the public spotlight. And this is unfortunate, because it could have really improved a lot of the discourse around gender.

There exists a blog under that name ( @transunity ), but it has been inactive for a year. I am not affiliated with that blog anyhow, I never had any personal contacts with its mods, but I want to get their general ideas to circulate again, so I'm trying to bring this back up in a semi organized fashion. My take on transunity is just my take, if you're one of the original coiners, and you disagree, I encourage you to talk about it, because we still have much more in common with each other than different.

GENERAL VIEWS

I believe that one of the fundamental ideas more trans people need to understand is that we're all more or less in the same place in the eyes of the society (when other factors, such as ethnicity or disability, are considered). To be trans is to fail the gender role system, from the point of view of cis people we can no longer be proper men or women. All kinds of trans people regardless of identity are affected by misogyny and misandry (not a type of marginalization by itself, but turns into a vector of oppression when overlapping with a different marginalization), which forms the foundation of transmisogyny, transandrophobia, and exorsexism*. These types of bigotry are not exclusive and unique to specific gender identities either and may be applied to any trans person for as long as it's convenient to the oppressor.

Trans people do not have gendered power over each other, and intra community bigotry is better conceptualized as a form of lateral aggression.

Gender assignment and sex are never strictly binary (especially with inclusion of intersex people, who belong in gender conversations even if they don't identify as trans) and need to be understood as much more fluid and not strictly correlating with one's actual position in life.

WHAT WE NEED TO REDUCE

The following things should be discussed more critically:

- "Powerjacketing" - implying someone has gendered privilege as a means of delegitimizing their words, while in reality they do not have this privilege;

- Malgendering - forcing trans people to choose between being gendered correctly and speaking up about their mistreatment (e.g. questioning trans women's womanhood on the basis of them aggressively defending themselves or trans men's manhood on the basis of them asking for help) or implying there's something wrong with them in a way that reinforces gender stereotypes;

- Assuming that some trans people are exempt from some forms of oppression on the basis of gender assignment/sex (e.g. by calling all trans people who were assigned female "tme"** or claiming trans people who were assigned male are inherently incapable of understanding fear of sexual assault);

- Assuming that oppression of trans people is rooted in gender assignment/sex (such as, calling reproductive oppression "sex based oppression"***);

- Gatekeeping certain identities, such as "transmasc", "transbian", "femboy" as exclusive to any gender assignment/sex;

- Creating a duality out of "transsexual" and "cissexual", where not medically transitioning trans people are assumed to have some kind of a gendered privilege, or to not be trans in any meaningful material way. Various transmed ideas about dysphoria and transition go there too;

- Accusing trans people who take inspiration from each other of appropriation (trans headcanons, kinks, drag culture, etc).

SYMBOL

The following image is the official transunity symbol developed by the original transunity bloggers. Sorry about the glitch effect, I wasn't able to find one without it.

* Transmisogyny, transandrophobia, and exorsexism are not exclusive to specific identities, although they do primarily target traits associated with these identities. They can be conceptualized as bigotry and oppression towards people who are recognized as incorrectly entering respectively womanhood, manhood, and a status beyond gender binary (for the latter no normative form exists****). However, it's not wrong to use them to mean "oppression of trans women" and so forth, for as long as you're not claiming it's exclusive.

** Labels like "tma" and "tme" still may be used, but solely in a self assigned manner. I believe that an individual trans person is capable of evaluating whether they're affected by transmisogyny and in what way, and they should be trusted on this. However, no gender assignment and no current gender identity makes anyone inherently tme.

*** "Sex based oppression" instead of "reproductive oppression" reinforces the idea that people who share a specific body part (e.g. an uterus in context of conversations about abortion) are inherently of the same sex. This type of essentialism is desperately needed by terfs in this discussion, as they're trying to sell the ideas of "sex based oppression" and "sex based privilege" to people they want to recruit in their ideology. Invoking the idea of "sex" as something trans men and some nonbinary people are oppressed through is not the correct way to respond to people who say we don't experience any gendered violence besides "just transphobia", it has shitty implications and helps shitty people.

**** Lack of existence of normative nonbinary gender does not mean that these genders are not recognized by the society as a deviant, marginalized identity, and that binary people cannot be pushed into this zone.

[amazingwriter101]

🎀Random Astrology Notes🎀

Hiii! It's been so long since the last time I posted (I was so busy at uni) I hope everyone is doing fine! 💙 Here's my random astro notes/observation 💋

🎀 Venus in Aquarius are likely attracted to someone who is intellectually stimulating, unconventional, and values independence. This placement desires a partner who embraces uniqueness, is open-minded, and engages in deep, thoughtful conversations. So someone who respects personal freedom and enjoys exploring new ideas will appeal to this placement.

🎀 Someone with Juno in Sagittarius seeks a lifelong/long-term partner who is adventurous, optimistic, and growth-oriented. Someone who shares a passion for travel, learning, and expanding horizons would be ideal. They value truth, honesty, freedom,and a relationship filled with excitement and exploration.

🎀 People with Water Rising + Earth Sun (especially Scorpio Risings) can leave a strong first impression. They will most likely come across as someone who is intense, ambitious, and confident with a hint of rebelliousness. Their aura feels like a combination of mystery, authority, charisma, and boldness.

🎀 Moon in Virgo is probably the perfectionist of the zodiac who can't relax until everything is labeled, organized, and sanitized. Your idea of emotional security? A perfectly curated to-do list and color-coded spreadsheets for feelings and activities. One of the best people to give constructive criticism (unless you're very sensitive, believe me their words can hurt even tho most of the time they don't mean to hurt you.) They see emotions are just puzzles waiting to be solved.

🎀 Leo Moon + Scorpio Rising = walking contradiction. Their duality is wild. Enigmatic, mysterious, private mask with the scorpio rising while the leo moon screams for applause, admiration and center of attention. it's like "Hey, notice me but don't make it obvious." "look but don't touch." such a power play.

🎀 Venus in Pisces is the hopeless romantic that probably see red flags as a beautiful shade of crimson and admire it. Stop saying you can fix someone, you can't! Please stop falling for potentials and trying to save individuals who doesn't even want to be saved. Forget the "Love is sacrifice", you're not their therapist, and martyrdom isn't sexy.

🎀 Venus in Leo folks love to make an entrance—they’re like DIVA of relationships. They expect their partners to shower them with attention, affection, and maybe a red carpet once in a while. If they’re not getting enough adoration, they might just start singing “Single Ladies” to themselves.

🎀 Moon in Aquarius person feels more at home in a group chat about physics than on a cozy night in with a romantic partner. They’re super into ideas, innovation, and making a difference—but don't ask them to express their feelings too much. You might get a "let's analyze this emotionally" instead of a hug. Might not work with someone who wants a lovey-dovey affectionate relationship.

🎀 Saturn in Taurus is the person who buys the most reliable, sturdy chair at the furniture store... and then waits 20 years to get a new one because "it’s perfectly fine." They have an unshakable commitment to stability and material comfort, but they might be a little too attached to their "favorite" blanket—don’t even think about touching it.

🎀 Venus Conjunct Mars in natal chart is like the romantic-comedy genre. The chemistry is palpable, and there’s a lot of flirtation, passion, and energy flying around. They’re the kind of person who can turn a quick coffee date into a whirlwind romance—and probably end up with matching tattoos by the end of the week.

🎀 Venus in Aquarius is the quirky, "I’m not like other people" type of lover. They’re attracted to what’s unique, eccentric, or revolutionary. Their idea of a perfect date might involve a debate about the future of technology or attending an avant-garde art exhibit. Forget the traditional romantic gestures—they’d rather build a robot together.

🎀 Venus in Taurus is the ultimate “Netflix and chill” person—literally. If you know the tiktoker that lives the fancy life, eating steak, travelling and enjoying? That's a good definition of Taurus and their ideal life. They value comfort, stability, and all the luxuries of life, especially good food and soft blankets. They’ll adore you with cuddles, gifts, and the finest chocolate—because who wouldn’t want to spoil their lover with cozy indulgences? But if you try to rush them, you might find yourself in a battle of wills. They prefer slow, steady love that’s built to last… with a side of gourmet snacks.

🎀 Venus in Cancer is a cuddly, emotional romantic 🦀 who wants to build a cozy home with their partner—and maybe a family of cats while they’re at it. They’re deeply sentimental and love making their loved ones feel cared for with homemade meals and personalized gestures. If you can make them feel safe, you’ll have their heart forever. Just don’t mess with their emotional boundaries, because they’re like a fortress when it comes to protecting their feelings.

🎀 Venus in Aries is like the spark that lights the fire of romance. They fall fast and love fiercely, but their attention span can be as short as a Snapchat story. The thrill of the chase is their thing—so, if you're playing hard to get, you're already ahead of the game. Once they're in a relationship, expect passionate moments, spontaneous adventures, and lots of energy.

🎀 Mars in Taurus is like the bulldozer of the zodiac—slow and steady, but extremely determined. They have an impressive amount of stamina and will stick with a task until it’s done right. Unlike the fiery Aries, Taurus likes to take their time and get things done with quality. Want them to rush? Good luck! They’ll just give you the side-eye and continue on at their own pace. But if you need someone reliable who’s not going to give up, this is your person.

🎀 Mars in Virgo is like a military general with a perfectly organized schedule. These folks are action-oriented, but they’re not impulsive—they want to make sure that every detail is sorted before they go charging ahead. They’re fantastic at problem-solving, and they approach challenges with a calm, methodical attitude. They’re not about drama—they’re about efficiency. But be warned: they might become slightly perfectionistic and a little too focused on the fine print, which could slow things down.

[hwnglx]

pick a pile - what makes you beautiful? (detailed)

hello dear reader! let's take a look into what makes you so uniquely beautiful. breathe slowly, take your time and use your intuition to go with the pile that speaks to you the most. this is a very specific reading, so it's likely that not every message will speak to everyone. remember to take what resonates, and leave what doesn't. 𓆩♡𓆪

✰ pile 1 ✰

so, this pile definitely gave me the biggest boss vibes. you have very strong energy, with so much major arcana in my spread. i can tell you are not someone to be messed with. (also kinda feel like you might parent or coddle the other piles lmao)

your beauty lies not only within your immense strength, but also in your ability to stand over situations which can appear very dark and difficult on the outside. i do believe you come with your own struggles, insecurities, doubts and fears which don't seem to always find their way to the surface; but you deal with them in such a graceful and impressive way. i can feel some people being in genuine awe of how you handle trials and tribulations. i do think you've been through certain things which have given you thicker skin. now, you know what you want and need in life, you're aware of your potential and what you can do, so even if a situation presents itself in which you find yourself in self-doubt, you believe in the power of hard work and consistency.

you don't seem like the type to dwell on your problems for too long or allow yourself to drown in self-pity, but moreso like a person who feels this desire to work on whatever troubles you. let's say if a situation presents itself to you, in which circumstances seem unfavourable; rather than complaining or remaining stuck in this hopeless place, you'll likely be the type to think about how you can change and work on your own attitude and mindset instead, in order to come out the other side in a stronger manner. you put a lot of importance into remaining confident and keeping a grip on your self-belief. since you see that as the best version of yourself. you appear to be very mature; even if your age is still young, you seem to have a wise soul and an impressingly reliable, as well as responsible nature. maybe you had to grow up quickly, you just give off this energy of someone who had to learn how to be responsible in life very early on.

considering i got both, the emperor and the empress for you, i think a lot of your beauty also lies in your duality. you're likely to have this balance of both feminine and masculine qualities inside of you. you seem to be the type of person who can be assertive, more self-centered and individualistic in some ways, like you do think it's important to focus on yourself in order to find fulfilment in this world. however this doesn't distinguish the compassionate heart you carry for other people. you're someone with an empathetic and kind nature, someone who wants to take care of the people you love.

you could make a very good parent, actually. i think you balance this sense of responsibility, dependability and solidity, with a nurturing heart, a soft and gentle core. you might be the case of someone with a hard shell but soft interior. i feel like you're the type to root for the underdog. someone who takes people under their wing, protects them from external influences. like you'd take a bullet for the people you cherish. (i do think you might be more selective in that aspect though, like you do have your boundaries straight, and wouldn't just throw your hand in the fire for anyone)

this is a random message i got; some of you also might be on the curvier side when it comes to your bodily built, and it makes you very very beautiful. like i can tell that some of pile 1's bodies are bangin! like yes sir or ma'am, go rock that bod with confidence!

another very beautiful thing about you; you do not fear getting your hands dirty. meaning, you're willing to put in the necessary hard work in life. like “if i have to personally run up this hill for several hours straight, then so be it, as long as i finally get to the top!” you aren't someone who will shy away from bearing burdens and heavy weights on your back, you understand the need to hustle in order to succeed. you can feel this need to improve yourself, put in the required effort to keep getting better at everything you do in life. not just for yourself, but also the people around you. you want to be a comfortable and stable figure in your loved one's lives.

i keep feeling like you're just this person people can lean on with no second thought; someone who will have their back no matter what. very loyal, dedicated and passionate energy within you. i'd personally love to be your friend, like i'd feel pretty lucky! i feel like you're the friend who keeps their promises, who's okay with running errands for others. you'd get things done for someone if they're unable to do so; like e.g. picking your friends up and driving them random places. maybe you're the friend at the party who holds themselves back from drinking in order to be the responsible one making sure everyone gets back home safely. you just seem to have this devotion to the ones you love, and wanting to make them feel safe, as well as cared for. you might also be a huge hype man in their lives, always cheering them on and lighting up any dark place they find themselves in. you have such bright and inspirational energy!

you carry this beautiful balance of; focusing on your own interests, ambitions, desires and goals, but also remaining considerate and caring towards the special people in your life.

✰ pile 2 ✰

oh my gawd, this pile is super cute. so, you immediately strike me as someone very independent and freedom-loving. you love to have your own space, and being able to just do whatever you want, whenever you want. i feel like you just have this very contagious and bright energy, where people might trust you to make the best out of every situation you're in. you seem like a big risk-taker, someone who doesn't fear the concept of change, and isn't afraid of starting all over again if you feel like that's necessary. you're so beautiful, in the way of just being down and ready to do things others might shy away from. you might be the person who will drag your friend out the dark and quiet room and tell them to get out, enjoy the beautiful sun on your skin, connect with mother nature, appreciate the smaller things in life and find happiness in them, because that's where true fulfilment lies. there is this very philosophical and poetic side to you. i keep feeling like you might have significant neptune/jupiter/mercury aspects.. i can just see you running through the blooming fields in this almost movie-like way. (random but do you like ghibli movies? you just give me ghibli character vibes, especially kiki's delivery service 🥹 i love that movie, it's so comforting)

you're beautiful in the way where.. you easily see beauty in the world. you seem so easily excitable, and count all the blessings you have in life. i feel like you're the type to find something positive in everything and everyone. random, but you might love photography, and taking pictures of almost everything around you, just because you can see art in anything or any place. you love exploring new places, new cultures, understanding and learning about people or things completely different to what you're used to. you might like to travel, because you enjoy this thought of getting insight into entirely new lifestyles. you're very open-minded.

you aren't worried about leaving toxic people or situations behind if you feel like they just keep you in a negative place. it's kinda giving been there done that. i think you consciously reject negativity now because you're not at that same place anymore, and especially don't want to be anymore. you're so overly protective of your peace now, because you had to deal with so many tribulations, and took so much on the chin from life in order to get to this place of inner peace. you don't allow anyone to take it away from you anymore.

you also don't seem afraid to completely transform. maybe you even enjoy transforming yourself physically, like you love reinventing yourself and can find your identity in things like your fashion. you enjoy expressing your unique nature in that way. i also just feel like you're such a pleasure to be around, people likely just enjoy your presence because it makes them feel like everything will be okay. did anyone ever tell you about how your presence is therapeutic to them? if not, some people might think that without openly expressing it.

i do think you can be very emotional too, which is another beautiful trait of yours. you might be the type to tear up rather easily, i think your interior is very squishy and sweet. you wear your heart on your sleeve in this beautiful and special way. you not being afraid to express your emotions (although sometimes they can just take over you unintentionally lmao dw i relate..) makes you so extraordinary, it gives you this unique light and glow. don't ever lose grip on this wonderful side of you. don't ever feel ashamed of it, and don't allow anyone to make you think you're anything but beautiful for your passion! i feel like you genuinely care about the world, and everything that it involves. your energy is just so pure and innocent in a way, even if you yourself don't see yourself that way. your intentions and heart read as very sweet.

in addition, your beauty lies in your ability to see opportunity of growth in whatever life throws at you. like pile 1, i do believe you have had to deal with your fair share of challenges in life, but this lead to you being able to see how.. even situations that might look awful from an outsiders perspective, can serve you as a learning lesson. “what doesn't kill you, makes you stronger.”

again, you're just so philosophical! i feel like we could just sit down together and discuss life for hours, in such a deep and intriguing manner. you seem to have a lot of understanding of the different complexities of life, just because you've experienced a lot of situations in which you had to adapt or adjust. so there's this natural know-how here, it's almost like you're not scared of life's upheavals anymore. you didn't let it discourage you at the time, so best believe it will not bring you down at this point in time. you're so youthful and almost childlike in spirit, but carry a deep sense of knowledge about life. like some other people might turn all bitter if they went through what you have been through, but you remained soft and sweet in this harsh world, which is such a beautiful trait to have! i sincerely applaud you, and hope you can never lose this truly wonderful spark inside of you.

✰ pile 3 ✰

oh, this pile seems so genuinely nice, but i can sense some struggle here too.. first of all, you read as a very humble and down to earth person. like i truly can't sense a single ounce of arrogance inside of you. you feel like you're an eternal student of life, continuously learning with every experience, and growing endlessly. you give off this energy of someone who's always so eager to expand your skills and knowledge on things. especially if you get hooked on something like a fun hobby, you're just so ambitious and approach the learning process with this modest, but determined attitude. you seem quite capable of dealing with constructive criticism, and take it as a way to further better yourself. like yes tell me what i did wrong, so i can improve. definitely a very hard-working and earnest energy within you.

you're so beautiful, because you live and lead with this sense of compassion and acceptance inside of you. you seem to have high emotional intelligence; as well as a lot of empathy for others. you're the type of person to.. hold this cup filled with love, in a crowd full of people fighting each other. while other people are overly competitive and at each other's throats to win over the other, you seem like the one who prefers seeing everyone as equally worthy of praise, equally lovable, equally deserving of respect. i truly don't see you enjoying to put yourself above others, simply because you don't see why you would want to. like i don't think you fully understand this need to argue and cause problems with others, it irks you.

you even might put other people's needs above yours almost naturally, it seems to come very easy to you. (did some of you grow up with a lot of siblings? i feel like there's this natural tendency to supress not only your own desires, but also your own emotions a lot.. i feel like you might've found yourself in plenty of situations where you needed to swallow your pride, bite your tongue, ignore your own emotions or grant others chances you yourself might've wanted.) you might be the type to politely hold the door open for people even though your arm hurts, offer the seat to the elderly even though you yourself are exhausted, allow your friend to grab the opportunity although you might need it just as much.

i do feel like you're quite peace-loving, and don't enjoy arguments at all. you seem excellent at approaching conflicts and problems in, not only this calm and collected manner, but also with this diplomatic and tender sense of understanding towards all parties. do you have any major libra placements? i can sense this beautifully non-judgemental energy in you, where you always seek harmony, no matter what situation you find yourself in. you also just seem balanced in general, and like not much can tick you off. some people might even ask you “how are you always so calm?” although i feel like you can experience feelings quite intensely once they take over you (i feel like you might cry a lot when you're on your own..) you just don't enjoy openly displaying your emotions, and might have problems expressing them outwardly. again, i keep feeling like this likely stems from a deeply rooted place, maybe you've just naturally aquired this mechanism within you, where you shut off your emotions and internalize them a lot.

you might put a lot of thought into how others view you, might dislike the thought of anyone looking at you as overly dramatic. you also seem pretty perfectionistic, especially in closely managing the way you're perceived by people, or the way you treat people. you might often fear doing them wrong, or overstepping any boundaries. i can sense an avoidance of expressing or asserting yourself strongly again here, because you just don't want anyone to feel like you're doing too much. (i know this is a reading that focuses more on positives, but spirit is telling me this selflessness in you makes you immensely beautiful.. maybe you even have a lot of egocentric people around you, therefore your kindness just stands out even more. don't lose that sincere heart you have for others, however; you need to listen to what you yourself want more as well <3 learn to balance these two sides in you out, because if not, others might take advantage of you)

i do think though, that a lot of this calmness might be a result of your maturity. it's interesting because on the one hand you can feel like the young student who still believes they have so much to learn from life, but at the same time, you do have a lot of valuable advice to give to people, just because you might relate to a lot of the things others go through. you seem amazing at putting yourself in someone else's shoes, i can feel people thinking you're a great listener.

i just feel like your unique beauty lies in this gentle, pleasant and mild energy you bring to the table. you'd be the type of person i could tell my deepest darkest secrets to comfortably, and i feel like you wouldn't mutter a word to anybody. like your friends probably can tell you the wildest sht they've done, without any embarrassment. or call you at any given moment, and you'd be there to listen to their angry rants or rages, and just take it all in quietly.

[turbo-virgins]

Sorry, but I just don’t buy the whole “actually Mythal decided after centuries of wandering Thedas as Flemeth that modern people deserve a chance” thing. Because the fragment of Mythal we’re talking about is the jaded old swamp witch who

-Inhabited the body of a woman betrayed by her lover(s) because they found common ground in their suffering and the injustices done to them. (“Once I was but a woman, crying out in the lonely darkness for justice.” - DAI)

-Resents that betrayal to the point she views men as disposable playthings that she can lure back to her hut, have her way with, and then… murder? I think? (Based on Morrigan’s own account in DAO)

-Abused her daughter under the guise of tough love in an attempt to prepare her for a cruel uncaring world. (Again, Morrigan’s account, DAO)

-Says during her appearance in Inquisition that she will have her reckoning.

-Spent centuries consolidating her power as well as cycling through different human women’s bodies via questionable means for the sake of bringing about said reckoning. (“I have carried Mythal through the ages ever since, seeking the justice denied to her.” and about the Inquisitor: “A Herald indeed. Shouting to the heavens, harbinger of a new age.” - DAI)

-During her scene with Solas at the end of Inquisition does NOT say ANYTHING about disagreeing with Solas’s plans, just that she considers him and old friend and is sorry things are going the way they are. (Seriously, is the dialogue in that regret scene in Veilguard supposed to be from a mental connection they had? Because that dialogue just isn’t in the Inquisition scene.)

And I’m supposed to believe that in her last moments, Flemythal backed off and went “actually I think we need to maintain the status quo”????

None of this paints a picture of someone who has gone soft over time. At least not to the degree that is presented in that regret scene in Veilguard. Sure Flemeth wasn’t all bad, she had some tenderness to her. She shows some genuine care for Morrigan and Kieran (if present) and seems hurt when Morrigan implies she was trying not to be the kind of mother Flemeth was to her.

At the end of Inquisition, we can’t tell for certain to what degree she approves of Solas’s methods. But it seems like a step in said methods was to absorb her power and doom her, an embodiment of Justice, to take a passive role once more. And we know what happens when a spirit is denied its purpose. Justice denied its purpose could turn to Vengeance. Which, to me, feels like it would better echo the themes of Solas’s pride/wisdom duality, inquisition’s themes around what it means to become a god-like force of nature, DA2’s question of whether violence is necessary for revolution (which literally has the Justice/Vengeance duality in it with Anders), and DAO’s theme of sacrifice for the greater good.

[syluslnd]

Hello I'm sorry if you're not taking requests. But please please if you are can you make the part 2 of Sylus as an online sugar daddy meeting with his sugar baby.

But please ignore it if you don't take requests and your writing is SOOO GOODD. Have a nice day!!

Sylus meeting with his online sugar baby

(note-you sent this a while back when I first started posting so I hope you’re still around lol I’m sorry for taking so long🤍)

Tags • virgin reader,sugar daddy sylus,verbal teasing,fingering,climaxing

5k word count (I got carried away sorry)

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Sylus himself couldn't even believe he was doing this. It wasn’t just a waste of time for him; he never thought he’d be the type to seek out a woman, especially in a place like this but something about you intrigued him in a way he couldn't ignore.

As he leaned against his sleek black car outside the arcade the neon lights flickered, illuminating the faces of the young couples and friends inside. He felt out of place the leader of Onychinus waiting in a childish venue a stark contrast to his usual world of power and control.

He glanced at his watch, the minutes stretching painfully. He was serious about this arrangement, after all. He had his reasons, practical ones—companionship, a distraction from the relentless pressure of his life. But he couldn't deny the thrill of meeting you, the allure of stepping into a world so different from his own.

The sound of laughter drew his attention, and then he saw you approaching. Your smile was bright, a refreshing contrast to the shadows that usually loomed around him. You looked confident almost carefree as you made your way toward him.

“Hi! sorry if I kept you waiting,” you said your voice light and cheerful,opposite of how he’s used to people greeting him.

“It’s fine,” Sylus replied, maintaining his serious demeanor. “I’m just getting used to this.”

“This?” you asked, gesturing around the arcade. “I get it,It’s not exactly your usual scene.”

He finally met your gaze, feeling a flicker of something unexpected—curiosity, perhaps. “I’m not here for the games sweetie”.

You smiled at his straightforwardness, your cheerful demeanor undeterred by his serious tone. “I figured,but the games are kind of fun! You should try one!”

Sylus raised an eyebrow, intrigued but unwilling to show it. “I doubt I’d find much enjoyment in... this.” He gestured around, feeling a mix of irritation and fascination at how different your world was.

You chuckled softly, the sound warming the chilly air between you. “You might be surprised,It’s nice to escape sometimes.” There was a glimmer in your eyes that caught him off guard.

“Escape?” he echoed, feeling the weight of his own reality settle back over him. “I’m not sure that’s possible for me.”

Your expression shifted slightly, the playful light dimming as you regarded him more seriously. “I didn’t mean to pry. I just thought—”

“It’s fine,” he interrupted, his voice sharper than intended. He didn’t want to scare you away, but vulnerability was foreign territory for him.

You looked at him, studying his chiseled features and the tension that pulled at the corners of his mouth. “You’re not like anyone I’ve ever met,” you said softly, as if sensing the walls he’d erected around himself.

“Maybe that’s for the best,” he replied, a hint of angst creeping into his tone. It was a reminder of the danger he lived in, the enemies lurking in shadows,never being able to be off guard . “You don’t know what you’re getting into.”

Your gaze remained steady, unwavering. “and yet here I am,Isn’t that the thrill of it? To step outside our comfort zones?”

“Thrill,” he muttered, a bitter smile playing on his lips. “More like recklessness.” But even as he said it, he couldn’t shake the instinct to protect you, to shield your brightness from his dark world.

You tilted your head, curiosity gleaming in your eyes. “You’re so serious sylus,what are you afraid of?”

He hesitated, the weight of his duality pressing down. “That I’ll lose you, kitten.” The admission surprised even him. He didn’t know you well, yet there was something about you that ignited an urgency within him.

Your smile returned, softer now, disarming his cold demeanor. “I’m not going anywhere,not yet at least.”

For the first time, Sylus felt a crack in his armor. Perhaps this sugar daddy arrangement was about more than just companionship; it was a chance to explore a connection that was both terrifying and exhilarating.

As you took a step closer, he felt an instinctive need to draw you nearer, to keep you safe. “Let’s get out of here,” he said abruptly, surprising even himself with the sudden protective urge.

You blinked, a mix of confusion and excitement dancing across your face. “Where to?”

“Somewhere... away from all this.”

And with that, the tension shifted. Sylus realized he was no longer just a mafia boss seeking distraction; he was a man drawn to someone who could bring light into his otherwise shadowed existence.

As sylus drove you to the hotel, the tension in the car was palpable, a mix of excitement and uncertainty. The neon lights outside blurred by, but all he could focus on was the way you shifted in your seat, a nervous smile playing on your lips.

Once inside the hotel, he led you to a private suite, the door clicking shut behind you with a sense of finality. The room was elegantly furnished, dim lighting casting a warm glow. You looked around, your earlier cheerfulness tempered by a hint of shyness.

“What happened to the lively little kitten I met at the arcade?” Sylus teased, leaning against the doorframe with a smirk. “You seemed so confident, and now...”

You bit your lip, glancing at the floor. “I don’t know! It’s just… different, you know?”

“Different,how so kitten?” He stepped closer, his eyes gleaming with playful mischief. “You’re not worried about me, are you?”

“No, it’s not that” you replied, trying to maintain your composure. “It’s just... you’re a bit intimidating.”

He chuckled, clearly enjoying your flustered state. “Intimidating? Sweetie, I promise I’m just a guy, a guy who’s curious about why you’re suddenly so shy.”

You took a breath, trying to regain some confidence. “I guess I just didn’t expect to be here, with you, like this.”

“Is that so?” He leaned against the edge of the bed, arms crossed, the teasing glint in his eyes intensifying. “I would’ve thought you’d be eager to explore every aspect of this arrangement.”

“Explore?” you echoed, feeling your cheeks heat.

“Yeah, you know,” he said, a playful smirk on his lips. “Try out all the fun things you can’t do over the phone .”

Your heart raced and you glanced away, flustered. “I—”

“Come on, kitten,” he coaxed, stepping closer again, his voice dropping to a whisper. “Are you a little more innocent than you let on? Is that what this is about?”

You froze, your mind racing. “Um, well, I—”

“Are you a virgin, sweetie?” His words hung in the air, a teasing challenge that made you blush even deeper.

Your eyes widened, caught off guard. “I… maybe?” The admission slipped out before you could stop it, and you felt utterly exposed.

Sylus raised an eyebrow, a mischievous grin spreading across his face. “Well, that explains the shyness,but it’s cute,” he said, leaning in closer a playful glint in his eye. “I didn’t realize I was dealing with such an innocent little thing.”

You shifted your weight, heart pounding. “Stop it!” you protested, half-laughing, half-embarrassed. “You’re making me feel like a kid!”

“Maybe you are,” he teased, his tone light but his gaze serious. “But don’t worry, kitten. I’ll make sure you’re taken care of.”

Your stomach fluttered at his words, a mix of excitement and nervousness washing over you. “You’re such a meanie!” you said, trying to sound indignant but failing miserably.

“I’m just having a little fun, sweetie,” he replied, his voice low and inviting. “You’re adorable when you blush like that. I could get used to this.”

The playful banter hung in the air, creating an electric atmosphere. You couldn’t help but smile, feeling the walls you’d built around yourself slowly crumbling. “Maybe I’ll show you more of my personality if you promise to be nice,” you offered, your voice teasing back.

“Oh, I’ll be nice,” he promised, stepping back slightly to give you space. “But I can’t make any guarantees about being gentle.”

You bit your lip, trying to suppress the thrill that raced through you at his words. “I guess I’ll have to hold you to that.”

And in that moment, amidst the teasing and the laughter, something shifted between you, a connection deepening beneath the playful facade. Sylus felt a flicker of something he hadn’t anticipated—an urge to protect not just your innocence, but also to cherish the light you brought into his dark world.

Sylus moved towards you, the teasing smile on his lips fading just enough for his expression to darken, a serious intensity taking over. He crossed the room slowly, closing the space between the two of you, and before you could react, his hands were on your waist. With a firm but gentle grip, he lifted you effortlessly and plopped you onto the bed. The air left your lungs in a quiet gasp and for a moment, you were caught off guard by how swiftly he moved.

“Sweetie,” he murmured, his voice dipping into something lower, something that made the room feel smaller. His gaze locked on yours, the playfulness still there but laced with a seriousness that hadn’t been present before. “You have no idea what you’ve gotten yourself into, do you?”

You swallowed hard, the nervousness creeping back in as he loomed over you. “I… I think I do.”

He smirked, but there was something almost sad in it. “You think, huh?” His thumb brushed lightly against your waist as he knelt onto the bed, his hands still holding you in place. “Kitten, I’ve been playing this game for a long time. I know when someone’s out of their depth.”

The teasing edge in his tone made your heart race, but there was a weight behind his words that made you shift beneath him, uneasy but drawn in all the same.

“You’re a sweet little thing,” he said, his voice almost tender, though his words held a darker undertone. “Too sweet for someone like me. This isn’t like those playful messages online, sweetheart. I live in a world that’s... far from innocent.”

Your breath caught as his fingers trailed up your side, the motion almost soothing despite the tension in the air. “But you… you still want me here, don’t you?”

He leaned closer, his lips brushing the shell of your ear as he whispered, “I want you, kitten. More than I should,but I worry about what happens if you stay in my world too long.”

You blinked, trying to steady yourself, your mind spinning. “What do you mean?”

Sylus pulled back slightly, his face hovering just inches from yours. The smirk returned, but his eyes were shadowed, conflicted. “You see, I’ve got my fun little games, but outside of this room? My life isn’t soft. It’s sharp edges and shadows..and you” he said, brushing a thumb over your cheek, “you’re too innocent,you don’t belong in that darkness.”

Your stomach tightened, the weight of his words sinking in. “I can handle it. I’m not a kid.”

He chuckled softly, though there was no humor in it this time. “You’re not a kid, but you’re pure, and I’m not.” His hand found its way to your chin, tilting your head so your eyes met his. “You think being my sugar baby is all fun and games. But in person? It’s different. You’re not just playing with me anymore, sweetheart. You’re playing with fire.”

Your pulse quickened as he shifted his weight, pinning you gently beneath him. “And what if I want to get burned?” you whispered, feeling bolder in the heat of the moment.

For a second, his expression softened, and his fingers threaded through your hair as he gazed down at you with a mix of affection and regret. “Careful what you wish for, sweetie,” he murmured. “I might just give it to you.”

Despite the teasing, there was an undeniable protectiveness in the way he spoke, as if he wasn’t sure if he wanted to pull you closer or keep you at arm’s length. It was as if he feared that pulling you too far into his world would extinguish the light you carried—something that had begun to matter to him in ways he wasn’t prepared to admit.

And in that moment, you realized Sylus wasn’t just worried about what he could do to you. He was worried about what his world could do to someone like you.

Sylus hovered above you, his eyes flickering between restraint and desire, that teasing smirk playing on his lips as if he was holding himself back. You could feel the tension in the air, thick and electric, his fingers still gently grazing your cheek. Despite all his playful words and sly smirks, you could see it—he was hesitating, his dark world swirling in his mind, wondering if pulling you closer would be a mistake.

For a moment, you bit your lip, considering what to do. But something inside you shifted. If Sylus wasn’t going to make the move, you would.

With a sudden burst of boldness, you reached up and cupped the back of his neck, feeling the warmth of his skin beneath your fingertips. His eyes widened in surprise, the smirk faltering just slightly as you pulled him closer, your lips hovering inches from his.

“I’m not as fragile as you think, Sylus,” you whispered, your voice steady even though your heart pounded in your chest. “I can handle whatever you throw at me.”

For a moment, he simply stared at you, as if caught completely off guard by your sudden boldness. Then, a slow grin spread across his face, his eyes gleaming with amusement and something darker, something hungry.

“Oh, kitten,” he murmured, his voice low and velvety, “you think you’re being serious, don’t you?”

You kept your grip firm on the back of his neck, refusing to back down. “I am serious.”

The way his eyes softened at your determined expression made your stomach flip. He found you adorable—your attempt at taking control only seemed to amuse him more. “Look at you,” he said, voice dripping with affection and a hint of that ever-present teasing. “So tough, huh?”

Before you could say anything else, Sylus closed the distance, his lips crashing against yours in a kiss that stole the breath from your lungs. His hands, which had been holding you so delicately, tightened their grip, pulling you flush against him.

Your boldness evaporated as quickly as it had appeared, replaced by a wave of flustered heat. The intensity of his kiss left you dizzy and though you had initiated this, you quickly realized you were in over your head. Your heart pounded in your ears, and you felt your face burning with embarrassment.

He broke the kiss just long enough to chuckle against your lips, his breath warm as he whispered, “What’s the matter, sweetie? You’re the one who made the move.”

You could barely respond, too flustered to form words. He loved it—he could see it in your wide eyes, the way your chest rose and fell with shallow breaths. You’d been so bold just moments before, but now? Now, you were back to being the adorable, innocent girl that had him wrapped around her finger.

Sylus leaned in again, this time brushing his lips over your cheek, down to your jaw, his voice a low, teasing rumble. “So cute when you’re all shy like this.”

Your hands trembled slightly, but you held onto him, trying not to completely melt under his touch. “I’m not… shy” you mumbled, but the words came out weak, betraying how flustered you really were.

“Oh, sure” he teased, his lips ghosting over the sensitive skin of your neck, sending a shiver down your spine. “Is that why you can’t even look me in the eyes right now?”

You wanted to protest, to regain some sense of composure but before you could, his hand slid down from your waist, trailing over your hip, slow and deliberate. His touch sent a shock of heat through you, and you instinctively arched toward him, though the movement only made you feel more embarrassed.

Sylus grinned against your skin, clearly enjoying the way you responded to him. “What happened to handling everything, kitten? Still think you’re in control?”

The way he spoke, his voice thick with amusement and a teasing edge, made it clear he was fully aware of the effect he had on you. He wanted to push you, see how far he could take it.

His hand slid lower, his fingers brushing over the curve of your thigh, teasing you just enough to leave you breathless. He pulled back just slightly, his face hovering above yours, his eyes scanning your flushed expression with a mixture of fondness and wicked delight.

“You look so cute when you’re flustered,” he murmured, his tone soft but with that same edge. “But you’re not ready for the things I want to do to you, are you?”

Your breath caught in your throat, but you met his gaze, determined not to back down completely. “Try me,” you whispered, though your voice was shaky.

Sylus chuckled again, leaning down to kiss you once more, slower this time, savoring the moment. “Oh, kitten,” he whispered between kisses, “you’re going to be so much fun.”

Sylus hovered over you, his lips barely leaving yours as he deepened the kiss, drawing out every flustered breath and soft sound you made. His hand, still trailing over your thigh, paused, fingers curling just enough to make you squirm beneath him. He pulled back, only an inch, enough to look at you with that knowing smirk—the one that told you he had complete control of the situation, no matter how much you’d tried to take charge.

“You really think you’re ready for this?” he asked, voice low, dark, but still teasing. His hand slid higher, resting on the bare skin just beneath the hem of your dress, his thumb brushing in soft circles that made it impossible to focus.

You swallowed hard, your heart hammering in your chest, but you managed to meet his gaze with more boldness than you felt. “Yea,I can handle it.”

For a second, he just stared at you, his expression unreadable. Then, his smirk softened into something more, something almost affectionate. “You’re adorable,” he whispered, brushing a strand of hair from your face. “Trying so hard to be brave.”

Before you could respond, his hand gripped your thigh a little tighter, drawing a soft gasp from you. He leaned in close, his breath hot against your neck. “But you don’t have to pretend with me, kitten. I know exactly how to get under your skin.”

The teasing lilt in his voice sent a thrill through you, and though you wanted to hold onto that boldness, the way his fingers danced across your skin made it impossible to keep up the act. Your breath quickened, and you could feel the heat rising in your face as his touch became more deliberate, more confident.

“See?” he murmured, his lips brushing over your collarbone, leaving a trail of warmth in their wake. “You’re already trembling, sweetie. I told you… you’re not ready for this.”

His words were a challenge, but they weren’t mocking. It was as if he was genuinely testing you, seeing how far you’d go before backing down. And despite the way he was unraveling you, you weren’t ready to surrender just yet.

“I can handle you,” you whispered, though the quiver in your voice betrayed your confidence.

Sylus chuckled softly, his lips moving up to your ear, the sound of his voice sending a shiver through you. “Is that right?” His hand slid even higher, fingers brushing dangerously close to places that made you gasp. “Then why do you sound so nervous, kitten?”

Your face burned, and you instinctively bit your lip to stop the soft whimper threatening to escape. But Sylus wasn’t about to let you off the hook that easily. His lips were back at your neck, pressing a lingering kiss there before whispering, “I love how quiet you get when you’re flustered. It’s like you don’t know what to do with yourself.”

You could feel the warmth of his smile against your skin and it made your pulse race even faster. His hand moved deliberately now, tracing the edge of your inner thigh, teasing but not giving you what you secretly craved. It was maddening how in control he was, how effortlessly he played with your reactions.

“You’re so easy to read, sweetie,” he said, pulling back just enough to look into your eyes, his expression both amused and intense. “I could keep this up all night, just watching you squirm.”

You couldn’t help it—your face flushed a deep red and you looked away, embarrassed by how easily he was getting to you. But Sylus wouldn’t let you escape that easily. He caught your chin between his thumb and forefinger, gently turning your face back to his.

“Don’t hide from me,” he whispered, his voice softer now, though no less intense. “I want to see every expression, every little blush. It’s too cute to miss.”

The tenderness in his words made your chest tighten, but there was still a darkness to them, a possessiveness that left you breathless. You were caught between the soft affection he was showing you and the overwhelming heat of his touch and you were losing, fast.

“I can’t…” you started, but the words fell apart as he leaned down, capturing your lips in another heated kiss. His hand slid higher, fingers teasing the edge of your underwear, and you gasped into his mouth, your body arching involuntarily toward him.

He broke the kiss just to smirk against your lips, clearly loving the way you were reacting. “Can’t what, sweetie?” he teased, his breath mingling with yours. “You were so sure you could handle it.”

Your mind was spinning, and though you’d started this, it was clear that Sylus had taken control completely. But despite how flustered you were, you didn’t want him to stop. You wanted more, even if you could barely keep up with him.

“I can handle it,” you whispered, more determined now, though your voice shook.

Sylus smiled, the kind of smile that made your heart skip a beat. He leaned down again, this time his lips brushing just beneath your ear. “You’re so stubborn, kitten. I like that about you.”

Then, his hand slid down, tracing a slow, torturous path along your inner thigh. His touch was light, teasing, just enough to leave you aching for more but never giving in completely.

“But you still have so much to learn.”

Sylus’s smirk deepened as he watched your breath hitch, every little movement you made betraying just how much he was affecting you. His fingers, still tracing delicate patterns along your inner thigh, were slow, deliberate, and maddeningly teasing. Every time he got close enough to make your heart race, he’d pull back just a little, dragging out your anticipation until it felt unbearable.

“Look at you,” he murmured, his lips brushing against your ear as his voice dropped lower, sending a thrill down your spine. “You’re trembling already, kitten. You’re not used to this, are you? No one’s touched you like this before.”

You didn’t trust yourself to respond, but that only made his smile grow. He pressed a slow, lingering kiss to your neck, letting the heat from his lips sink into your skin. His free hand slid up to your waist, gripping just firm enough to make you arch toward him instinctively. He knew exactly how to play with your body, how to drive you wild without even giving you what you wanted.

Sylus pulled back just slightly, his eyes locking with yours, and the intensity in them made your stomach flip. He tilted his head, watching every flustered expression cross your face, drinking in the way your lips parted, the soft, breathless sounds that escaped you.

“Still think you can handle me?” he whispered, his voice rich with amusement, but his touch told a different story—it was heavier now, more intent.

You bit your lip, trying to steady your breath, but it was impossible with him this close. His fingers trailed back up your thigh, higher this time, slipping just beneath the edge of your underwear, the movement slow, teasing.

The sensation made you gasp, your body instinctively pushing closer to his. That small, desperate movement wasn’t lost on Sylus. He grinned, clearly loving how much you were craving his touch now.

“You’re not as innocent as you act, are you, kitten?” he teased, his breath warm against your skin. “Look at how you’re moving for me. You’re not shy now, are you?”

His words sent a wave of heat through you, and though you wanted to hold onto that boldness from earlier, you couldn’t deny how flustered you were under his control. Your body was betraying you, responding to every touch, every low whisper and Sylus was enjoying every second of it.

He leaned in, his lips brushing against yours, but he didn’t kiss you—not yet. He stayed there, close enough that you could feel his breath, the teasing proximity making your pulse quicken.

“You’re going to have to ask for it,” he whispered, his voice dark and tempting. “If you want more, sweetie, you’re going to have to tell me.”

Your mind was spinning, but the heat of the moment made it impossible to think clearly. Sylus’s hand was still tormenting you, fingers barely brushing over the sensitive skin between your legs, teasing you in a way that made it hard to form words.

“I—” you started, but the words caught in your throat as his touch grew more deliberate, his fingers moving in slow, torturous circles that left you breathless.

“Come on, kitten,” he coaxed, his lips grazing your jaw, his voice dripping with amusement. “I know you want it. Just say it.”

You could barely breathe, let alone speak, but the way he was looking at you, the way his touch had you completely at his mercy, left you no choice. “Please,” you whispered, your voice shaky.

“Please what?” he asked, his tone smug, but his touch never faltered. “You have to tell me exactly what you want.”

Your heart raced as the words hovered on the tip of your tongue, but Sylus wasn’t going to give you any relief until you said it. He waited, his touch slow and deliberate, every movement sending shocks through your body.

“I want… more,” you finally breathed out, your voice barely above a whisper.

His smirk grew, clearly satisfied with your answer. “That’s a good girl” he murmured, and without warning, his fingers slid fully beneath the fabric, pressing against the heat of your body.

The sensation made you gasp, your back arching off the bed as a wave of pleasure shot through you. Sylus’s hand moved with deliberate precision, his touch confident and unrelenting. He watched your reaction with a dark, predatory gleam in his eyes, clearly reveling in the way you responded to him.

“You’re so sensitive, kitten,” he whispered, his voice low and husky as his fingers moved in slow, torturous circles. “I could make you come just like this, couldn’t I? Just by playing with you a little.”

Your breath hitched, your body trembling beneath him, and you hated how much truth there was in his words. The heat was building inside you and the way Sylus’s fingers moved—slow but intentional, pushing you closer and closer to the edge—had you desperate for release.

But he wasn’t going to make it that easy for you.

Just when you were about to lose yourself completely, Sylus’s hand stilled, pulling back just enough to leave you breathless and aching. You let out a soft, frustrated whimper, but Sylus only smiled, leaning down to press a teasing kiss to your lips.

“Oh, sweetie,” he whispered against your mouth, his voice filled with dark amusement. “I told you, I’m not going to be gentle. I want to see just how far I can push you.”

Sylus watched you squirm beneath him, clearly enjoying the way you were unraveling under his touch. His lips ghosted over your neck, sending shivers through your body, while his hand lingered just out of reach, keeping you on edge. Your breath was coming in short, shallow gasps, your body aching for him to push you further.

“Look at you, kitten,” he murmured, his voice soft but laced with wicked intent. “So desperate already… all from a little teasing.”

You whimpered in frustration, your hips moving involuntarily toward his hand, silently begging him for more. But Sylus wasn’t going to give in that easily. He smirked against your skin, his fingers brushing lightly over the sensitive spot between your legs, but not applying enough pressure to give you what you wanted.

“I could keep you like this all night,” he whispered, his breath hot against your ear. “Just on the edge, begging for more. But…” His hand slid back into place, pressing more firmly now, drawing a gasp from you as he began moving again, slow and deliberate, each touch pushing you closer to the edge. “…I want to hear you scream my name.”

His fingers worked with maddening precision, moving in slow, rhythmic circles that sent jolts of pleasure through your body. Every touch, every stroke, was pushing you higher, closer to the point of no return. Your back arched off the bed, your breath coming in ragged gasps as the heat coiled tight inside you, ready to snap.

“That's it, sweetie,” Sylus whispered, his voice dark and enticing. “I can feel it. You’re so close, aren’t you?”

You could barely respond, too caught up in the overwhelming sensation building inside you. Your fingers gripped the sheets, your body trembling beneath him as his pace quickened, his touch becoming more relentless, more intense.

“Sylus…” you gasped, your voice trembling with need.

“Say it again,” he demanded, his tone both commanding and teasing. “I want to hear you say my name when you come.”

His words sent a thrill through you, and before you knew it, the wave hit you. Your body tensed, then shattered, pleasure crashing through you in overwhelming waves. You cried out his name, your voice shaky, breathless, as your body gave in to the intense release.

Sylus didn’t stop. His fingers kept moving, drawing out every last bit of pleasure until you were trembling and gasping for breath, completely undone beneath him. Only then did he slow, pulling back just enough to leave you sensitive and spent, but still aching for more.

As your body came down from the high, Sylus grinned down at you, clearly pleased with the way he had unraveled you so completely. His eyes were dark with satisfaction, and that familiar teasing smirk was back on his lips.

“You look so cute when you’re a mess like this,” he said, his voice dripping with amusement. He leaned in close, his lips brushing against your ear as he whispered, “Was that what you wanted, kitten? Or did I push you too far?”

You could barely speak, still trying to catch your breath, but Sylus didn’t need a response. He chuckled softly, his hand trailing lazily down your thigh as he watched your flushed, exhausted expression.

“Don’t worry,” he murmured, his tone both affectionate and mocking. “I’ll take it easy on you… next time.”

He pulled back slightly, his fingers still brushing over your skin in slow, teasing strokes that made you shudder even in your sensitive state. “But you’ve got a lot to learn if you think you can keep up with me.”

You looked up at him, still dazed from the intensity of your climax, and Sylus’s smirk only deepened. He leaned down, kissing the corner of your mouth before whispering against your lips, “You’re mine now, kitten. And I’m not done with you yet.”

Before you could respond, he slid his hand away completely, leaving you breathless and aching, his eyes gleaming with wicked intent

“We’re just getting started,” he teased, a satisfied chuckle escaping his lips as he watched the lingering need in your eyes. “And I’m going to enjoy every second of it.”

[meglosthegreat]

So... everyone pretty much hated Veilguard's "secret ending", right? Beyond speculation about the Executors themselves, I haven't exactly seen anyone excited about its presence, and for that matter, haven't seen many people talking about it at all.

The closest way I can describe my initial reaction to it was an immediate, visceral disgust. I think I remember uttering at my screen something along the lines of "Fuck off! What the fuck?! Are you fucking kidding me???" and ever since then I've wanted to put into words exactly why it made me feel that way.

For the 88% of you (according to Steam achievement statistics) who didn't see this ending due to not picking up three very specific codex entries by complete chance, you can watch it here. In short, the clip depicts a mysterious voice who sounds suspiciously like Matt Mercer talking about how a group of shadowy figures has "balanced, guided, and whispered" over scenes of villains from the previous DA games, implying that these shadowy figures have been at least partially responsible for all of the bad things happening in Thedas, towards some unknown nefarious purpose.

Now obviously, this sucks. This is hamfisted, unimaginative writing that simultaneously retcons and re-contextualizes elements from DA's past that absolutely no one thought needed further explanation, as well as being exactly the kind of irritating sequel-bait tactics that people have largely grown tired of these days. But why does it suck so much? Why did I feel such palpable distaste for this scene?

For starters, it simply reeks of entitlement, and a lack of respect towards Bioware's own past games. Remember those villains you loved and thought were compelling? Well, their own personal, very complex and thought-out motivations were really just the Executors whispering in their ears the whole time! Loghain making a difficult and calculated decision at great personal cost for a greater good he truly believed in? Executors. Bartrand succumbing to his own greed to the point that he betrays his only family and devolves into a tragic husk of himself? Executors. Corypheus and the Magisters breaching the Golden fucking City??? Executors.

Ignore the infuriating lore ramifications for a second and consider: what do all of these things have in common? They're all instances of complex character motivation; of people in this world doing things for their own reasons that ended up having massive ramifications. In short, they're not events that can be explained easily in terms of black and white morality. And from what we've seen in Veilguard, the current dev team has a serious inability to work with any story elements that do not have absolute moral clarity: the Venatori and the Antaam are Evil. The Shadow Dragons and the Crows are Good. Any nuance; any potential questioning of this duality is quickly explained away or snuffed out.

And that's exactly what they're trying to do, retroactively, with the rest of the series. Having a hard time deciding whether Loghain was right or wrong? Well, worry not, the Executors are Evil and if they were guiding him the whole time, then what he did must have been Evil too! Grappling with how the plot of DA2 was about the inevitable tragedy of a series of oppressive systems reaching their natural breaking point? Well, wrestle no further, for if the Executors were involved then Meredith and Bartrand must've been Evil, no question! What the Magisters did was definitely Not Great, and what do you know, there were consequences for it that they and the whole world very much did pay for. But if the Executors were behind it all, then it was someone else's fault, some Evil power reaching in and making them do what they did, rather than their actions being the result of a horrific series of power abuses done by actual people.

Which leads me to where my initial disgust comes in. Because in a world which has always had core themes of power and its many abuses, actions that have consequences, and the idea that there are no true higher beings; every horrible thing that has ever been done was done by people, the simple act of putting shadowy figures behind key moments in history completely debases and neuters all of those themes. The whole point of Dragon Age as a series up until this point has been to illustrate the complex relationships people and societies have with power, choice, and morality. To remove that link - to place an external force between those characters and their choices - is to rob the series of any meaning whatsoever.

There is a staggering difference between the messaging of a game that tells you ordinary people are to blame for society's wrongs and a game that tells you a secret shadowy faction of evil forces are to blame for them. The former invites thought about one's own society; it has the potential to be uncomfortable and difficult to reconcile with. The latter assures its audience of the fantasy it is couched in. It gives the audience a boogeyman to be angry at, and in so doing deflects any potential for introspection. And that, I think, is the real point of the scene in question.

In a time where our media has become inundated with bland, unchallenging liberal politics, the idea of "cozy" stories have become a growing trend. These types of stories often sport a broad rejection of complicated themes, painful emotions, and nuance, preferring instead to provide a "safe" place to escape to. And with that "safe" space comes a directive not to engage in critical thinking about a work, and not to draw any message from that work and apply it to the real world. Yet this is exactly where Bioware seems to be heading nowadays.

Veilguard has already been faced with heavy criticism about playing things overly safe; removing anything that might be potentially uncomfortable for the player. And the end credits scene is no different. Don't think about things too hard, it whispers to you seductively, in Matt Mercer's soothingly Evil voice. See? The Bad Guys were behind everything, all along.

[creature-wizard]

How the "divine feminine" and the "divine masculine" perpetuate patriarchy - and what we can do about it

One thing the occult is very good at is coming up with systems to categorize and conceptualize things. These can be incredibly useful to us in various ways. But we also have to remember that these systems we come up with are mere constructs, and the actual world itself probably doesn't conform to them as we might like. As the saying goes, all maps are wrong. But as the saying also goes, some maps are useful, and some are more useful than others.

One thing that often comes up in esoteric and occult systems are various forms of binaries or polarities. This often makes sense; for example, without light, you have dark. Without heat, you have cold. One party gives, the other takes. Creatures are born, and eventually they die.

But we can run into problems when we start trying to lump all apparent forms of polarities and dualities together. Here's an example: Life/Death, Masculine/Feminine. In doing this, we create an association that might lead us toward some terrible ways of thinking about real people. If we associate masculinity with death, we can find ourselves thinking that waging war and inventing weapons of death is just what men and masc people do, but women can always be counted on to be diplomats and peacekeepers. Or if we associate femininity with death, we might find ourselves more inclined to think that women and femmes have a natural desire to commit infanticide and tear apart societies, and they must be carefully watched and their freedoms limited so they don't upend civilization and endanger the human race.

These are of course extreme examples, but they are real ways that some people think. And you might think to yourself, "well, I don't polarize genders this way, I think people should try to be a healthy balance of masculine and feminine." And if this is you, I want you to ask yourself why you're so attached to categorizing traits as "masculine" and "feminine" at all.

If you're like most people, you probably just came across this in some form of occult or spiritual literature and just adopted it without really asking yourself too many questions about it. When we see something framed as ancient or higher wisdom, it's pretty easy to take it fairly uncritically, especially if it aligns with our unconscious biases in some way. It often doesn't cross our minds to ask where these terms really come from, and what they signified in their original contexts.

You may have heard that male/female stuff has roots in alchemy, which is true. But the thing with alchemy is that it was using familiar terms and concepts to describe chemical processes and reactions. Think of it a little bit like how we use terms like "male plugs" and "female plugs." While old-time alchemy did have a spiritual component to it, it was more about believing that you had to be spiritually pure to make your desired alchemical reactions happen. When alchemy gave way to chemistry, and people began to realize that your spiritual condition had nothing to do with your ability to make things happen in the lab, certain people began to seek more mystical meanings in the works of alchemists, and this idea of masculinity and femininity as transcendent mystical forces unto themselves really started to emerge. It was an incredibly easy concept to project on all kinds of mythologies, because a lot of myths have male and female figures interacting in various ways.

Now the thing is, having myths with male and female figures doesn't mean seeing masculinity and femininity as discrete forces or powers unto themselves. It can mean that they simply personified various figures as male or female depending on what their own experiences and cultural biases suggested to them. For example, straight men tend to think of love and lust as something they experience when they see a beautiful woman. In a patriarchal society, where men are calling most of the shots in conceptualizing the divine, a love deity is thus likely to be personified as a beautiful woman. Straight men can also see beautiful women as a source of discord and strife, so it makes sense that love goddesses would have war aspects to them.

A society where men are sent to war while wives are left behind to raise the children and tend the farm is going to produce an association with men and violence, while the act of nurturing will be associated with women. Men who deny higher education to women are going to produce a society where intellectual pursuits and higher abstract reasoning are associated with masculinity, and intuition and practical knowledge are associated with women. A society where men are seen as bringers of social order and upholders of civilization while women are viewed more like forces of nature than rational actors will associate men with civilization and women with natural, wild spaces.

In continuing to associate these characteristics with the "divine feminine" and the "divine masculine," we preserve and perpetuate the implicit biases created by these patriarchal societies. And while there is absolutely value in saying, "hey, these 'feminine' things are actually valuable and worth respect actually," framing them as intrinsically feminine in any sense - physically, psychologically, or metaphysically - will undermine any effort to dismantle patriarchy and bring true equality.

So what can you do? I would suggest being more specific.

Do you mean passive/active? Then just say it.

Do you mean giver/receiver? Then just say it.

Do you mean harmonizing/disrupting? Then just say it.

Whatever you have filed under boxes labeled "masculine" and "feminine," you can simply take them out of those boxes and find better categories for them.

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

[sadseungmin]

♡ sex with psychotic hyung-line ♡

psychotic hyung-line x reader | gender neutral | dead dove | nsfw (MDNI)

⚠︎ Bang Chan ⚠︎

✧･ﾟ: psychotic!chan is possessive & intensely passionate during sex *✧･ﾟ:*

During sex, Chan's possessiveness translates into an intense, almost primal passion. He wants to mark your skin--his territory--with dark love bites and bruises, ensuring you know that you belong to him and only him. Expect a lot of eye contact, biting, and gripping hands as if he's afraid you might disappear. Chan's intensity borders on roughness, but it's all driven by a deep, obsessive love.

✧･ﾟ: psychotic!chan is obsessively devoted & tender during sex *✧･ﾟ:*

Chan believes sex is an act of worship. He lavishes attention on every part of your body, wanting to memorize and own every inch. His touches are gentle but possessive, his kisses long and lingering. He whispers sweet nothings and reassurances, reminding you constantly of his undying love and your irreplaceable place in his life.

✧･ﾟ: psychotic!chan is dominating & controlling during sex *✧･ﾟ:*

Chan craves control, and this desire extends to the bedroom. He takes on a dominant role, orchestrating the entire experience to his liking. His commands are firm but laced with a dark, seductive tone that makes obedience almost irresistible. Chan enjoys teasing, edging you until you're begging for release, savoring the power he holds. Despite the control, there's a twisted care in his action, ensuring your pleasure is paramount, albeit on his terms.

"Face down, ass up--I don't care if you're tired. I need to fuck you until your insides are in the shape of my cock. Do you understand, baby? Be good for me, yeah?"

⚠︎ Lee Minho ⚠︎

✧･ﾟ: psychotic!minho is manipulative & teasing during sex *✧･ﾟ:*

Minho enjoys having complete control over your pleasure, playing with you until you're pleading and crying for release. His teasing is relentless and borderline cruel, pushing you to the edge again and again without allowing you to climax until he decides. This control satisfies his darker impulses, making him feel powerful and in command. You will be left in a state of heightened desire, completely at his mercy.

✧･ﾟ: psychotic!minho is protective & intense during sex *✧･ﾟ:*

Minho wants to ensure you feel safe and cherished, albeit in his own intense way. His touches are both possessive and tender, a mix of roughness and gentleness. He's vocal about his need to protect you, whispering assurances and praises a he brings you pleasure. This duality of protectiveness and intensity makes the experience deeply emotional and physically overwhelming.

✧･ﾟ: psychotic!minho aims to fulfill his dark fantasies during sex *✧･ﾟ:*

Minho wants to explore darker fantasies with you. He enjoys pushing boundaries, indulging in role-play and scenarios that are as thrilling as they are intense. You are the center of these unconventional fantasies, and Minho ensures your experiences are as immersive as possible. This could involve sex toys, blindfolds, restraints, and detailed role-play scenarios that feed his darker desires while ensuring you are always a willing participant, fully immersed in the shared fantasy.

"Awe, my poor little kitten. Did I put the vibrator on the highest setting? Be careful, thrashing about will only make the restraints tighter! You just gotta take it like the good kitty I trained you to be. And don't you dare fucking cum."

⚠︎ Seo Changbin ⚠︎

✧･ﾟ: psychotic!changbin is overwhelmingly dominant during sex *✧･ﾟ:*

Changbin's psychotic tendencies amplify his need for dominance, resulting in overwhelming and commanding sexual encounters. Changbin takes full control, ensuring you know who is in charge. His dominant nature means he likes to assert his power physically, using his strength to pin you down or lift you effortlessly. His intensity is matched by his deep desire to see you submit completely, finding pleasure in your surrender and the raw power he holds over you.

✧･ﾟ: psychotic!changbin is fiercely passionate & obsessive during sex *✧･ﾟ:*

Changbin is intensely focused on you during sex, handling you with rough and tender touches. His passion is overwhelming, driven by an obsessive need to make you feel pleasure like never before. He's quite loud while fucking you, expressing his love and desire with a mix of growls and whispered confessions, ensuring you know just how deeply obsessed he is with you.

✧･ﾟ: psychotic!changbin is sadistic & controlling during sex *✧･ﾟ:*

Changbin's psychotic nature includes a sadistic streak, taking pleasure in the control he has over your pleasure and pain. He enjoys mixing pleasure with a hint of pain, such as using light bondage or impact play, always ensuring it's pleasurable. Your reactions to this mix of sensations drive him feral, and he takes careful note of what brings you to the edge, pushing boundaries to keep things exciting and intense.

"See, sweetie? I told you I'd make it fit! Doesn't it feel good to be split open on my cock like this? Oh, don't mind the blood, sweetie; it just means your hole is adjusting to become my perfect fleshlight. Fuck, I'm so in love with you!"

⚠︎ Hwang Hyunjin ⚠︎

✧･ﾟ: psychotic!hyunjin is unpredictable & wild during sex *✧･ﾟ:*

Sex with Hyunjin would be wild and spontaneous. Hyunjin is driven by sudden impulses and desires, making each encounter different from the last. One moment, he's gentle and sweet, and the next, he's rough and demanding. This unpredictability keeps you on edge, never quite knowing what to expect but always thrillingly intense. During sex, his actions are driven by a chaotic mix of love and obsession.

✧･ﾟ: psychotic!hyunjin is obsessively attentive to detail during sex *✧･ﾟ:*

Hyunjin is fixated on every reaction you make, memorizing every gasp and moan. His goal is to drive you to the brink of ecstasy and back, learning exactly what makes you tick. This can mean prolonged foreplay, where he explores every inch of your body with a meticulous, almost clinical precision, ensuring they're completely overwhelmed by pleasure.

✧･ﾟ: psychotic!hyunjin is darkly & possessively affectionate during sex *✧･ﾟ:*

Hyunjin's affection is dark and possessive, and during sex, this manifests in thrilling, yet terrifying way. He likes to remind you that you're his and his alone, using a mix of physical restraint and verbal affirmation. Hyunjin will bind your hands, whispering in your ear about how no else can have you, all while driving you to the heights of pleasure. His touch is a mix of rough and tender, balancing his darker impulses with genuine care.

"Your body is my favorite canvas, angel. Every inch of you is mine and mine alone. Every mark I leave on your skin, every drop of my cum that paints the inside of your walls is just a testament to that."

[just-a-ghost00]

Who is your secret admirer? 👀

If you feel like someone’s been eying you and you would like to check if your intuition about them is right, then this reading is for you. There will be a part two covering whether you know them or not and what this person admires about you.

There will be three sections for each group :

1. Their physical traits

2. Their personality

3. Complementary info using key words based on the letters you get

Group 1 🌹

Their appearance - 10 of wands, The Sun, 9 of pentacles, 2 of swords, Queen of cups, The Fool, Strength, Death, Movement, with a special appearance of the 7 of swords

This person is a busy bee. They look really tired or like they’re constantly in a rush. This person tends to avoid your gaze. They are quite charming and cute, their body has a good balance. They are rather slender and slim. They look strong though. Like they lift weights or something. This person can be quite intense if they want to, especially because they are so athletic and well off financially. But they are super humble so even though they know they look good, they do their best not to brag about it. So this person tends to dress casually, they wear clothes that don’t always fit them or bring the best out of their looks. They wear sporty clothes often like some kind of camper’s bag or running shoes. Their eyes is a key feature of their looks. They’re sweet yet bold. A fair mix of flirty and shy. This person could be really versatile in how they look around you. They are the sexy cute type, the type of person that attracts people with their brains more than their body. Though they look like a snack in this case. This person could be a swimmer so their arms and torso/back could be something that stands out compared to the rest of their body. They look like they would give the best hugs ever. 🤩

Their personality - The Tower, 4 of cups, The Hierophant, The High Priestess, The Lovers, 8 of wands, The Sovereign, Dare to dream, Transmute

Let me tell you, this person is hot AF. There is a stark contrast between their looks and their personality. This person looks so innocent but deep down they are soooo horny and dominant. No wonder this person wouldn’t look you in the eyes : they were too busy looking at your chest. They love it to a fault! They fantasize about you a whole lot. When it comes to who they are on a more general basis, they are very confident. They are a leader. They are wise, they know their worth. This person is a loner and they have strong boundaries. They don’t lose their time with what they’re not interested in. Same goes for people. They only engage in conversations with people that can match their intensity or bring something to the table. If they deem you unworthy, they would have no problem cutting ties. This person is very clever. They are constantly thinking. They are also super intuitive. Like the Hierophant and the High Priestess combo is super connected. This person definitely believes in a higher power, no matter how they label it. With the lovers and the 8 of wands, this person is quick to fall in love and very passionate once they know where they stand with you. They enjoy the banter a lot. They’re a sapiosexual. Not only are they excited by your looks but they also love your sassy and witty nature. The Hierophant / High Priestess / Lovers combo makes me think that this person is engaged but would gladly have a sneaky link with you anytime. The Tower and 4 of cups combo tells me that they like to challenge perceptions of others but don’t like theirs to be challenged. Let me tell you this person was not mentally prepared to meet you. You have put their world upside down to say the least. They can’t control their desire but they try really hard to repress it.

Complementary info - G I E A T Z I C R Y D A P L U

Words I’m picking up on : gay, guy, crazy, day care, guitar, cry, play date, icy gaze, player, age, gap, duty, large, diaper, price, duality, cage, pirate, trail, page, trace, guard, place, Italy, palace, rule, party, lace, Gael, Gail, Gaelic, Zac, Celia, Alice, Alicia, Ciel, Dalia, Ali, Lyra, Lydia, Craig, Giulia, Caty, Zara, Algeria, cute, cutie, prize, prude, girly

Group 2 ❣️❣️

Their appearance - Two of wands, White Numen, 7 of cups, King of cups, four of pentacles, 9 of wands, Power, Fate, Get creative

Okay this can be quite specific but for some this person is a farmer or someone that creates with their hands in a more general sense. Their hands, arms and upper body area are key features of this person’s look. They look intimidating, a bit stern, guarded for sure. Like the type of person that shouldn’t be messed with. Everything about them is meaty and juicy, even the D / the C. Their sense of style is pretty flowy. They like oversized clothes. Things that are practical and that they wouldn’t mind getting dirty 😉😉 They have a daddy / mommy vibe to them. They look like they’ve been through a lot and they can’t be bothered. Like you can’t fool them. They look mature. We got some DILFs and MILFs here lmao If they’re a man they got the full beard and grey hair sticking out here and there, if they’re a woman they got the long lucious hair and flowy sundresses that enhances their beautiful clivage. I’m specifically picturing for women their beautiful fuppa born from the birthing of beautiful children. This person is very sensual. And their sensuality comes from years of experience and knowledge, of working on themselves and providing for their family. They look very trustworthy and clean. Very healthy. Those are the type of people that are active on a daily basis, either because of their job or because they indulge in a lot of outdoor activities. They could like running or gardening. We also have artists here. Painters, musicians, sculptors, writers even. They kind of have an other worldly appearance. Like a Greek god/goddess that would have decided to walk among the mortals.

Their personality - knight of cups, queen of cups, Hierophant, page of swords, king of swords, page of pentacles, Love, The Sage

This person is very sweet. They are understanding, kind, patient. They love everyone. They are very contemplative. They like to make their own mind when doing something for the first time or meeting new people. They aren't the kind to gossip or take gossip seriously. They value traditions and respect more than anything else. They were educated quite strictly but it has done this person good. If they're a man, they were taught how to treat women fairly and consider them as their equal. If they're a woman, they were taught to support and uplift other women. They have a lot of knowledge and like to learn. They like to be challenged and mentally stimulated. They enjoy psychology, reading, writing. They know how to set boundaries and be ruthless in certain situations but they're also empathetic, able to compromise and find solutions that are beneficial to everyone. They feel very feminine. They take after the feminine figures in their life, especially their mother. They are nurturing and protective. They like to value others but also inspire and be inspired. They aren't afraid of being vulnerable, of making mistakes or stepping into the unknown. They have a lot of love to give. They are very romantic, even idealistic and naive at times. This person coul be a teacher or a healer of some kind. They were taught never to judge nor to belittle, never to think of themselves as superior to anyone, never to deny anyone of their love, respect or help. They gladly share what they have, help people out, show the way when needed. They are a chosen leader. They don't aspire to be one but people end up following them because of their sincere and pure nature. They have a lot of charisma and natural charm that doesn't feel forceful. They're in tune with their emotions and understand others' well. I'm getting that for some of you, this person enjoys poetry and/or romance novels.

Extra info - S E L I M A T A I I T U I R A

Words I picked up on : Selim, Selima, Rituals, trials, meat, Islam, rate, mates, teams, salute, émirats (French for emirates), emails, Italie (Italy), sutra, tiramisu, restau ( short for restaurant in French), amitié (French for friendship), Mauri (people from Mauritania), militaire (French for military), Mistral, Australia, Lisa, Asia, Israel, serial, laser, taser, Semirat, Rasul (Arabic for Prophet/messenger), Sami, Sam, Salima, Salim, Salem, Salam, Ismail, Smail, Islem, Tiamat, Tiamut, Mali

Group 3 👑♥️

Their looks - queen of pentacles, 6 of swords, 10 of wands, ace of pentacles, Death, The Lovers, Get Curious, The Sovereign

They look athletic and agile, a bit like a monkey. I thought of pirates for this group. I'm kinda picturing Monkey D. Luffy. This person could be a One Piece fan. They may have some similarities with this character. For those of you that don't know who this is, here's a GIF of the character to kinda get an idea (it's the guy in red).

Their limbs could be super stretchy lmao They just appear very trustworthy but also a bit reckless. But more than that, they look like they've been through a lot of stuff. Despite that, they're still pretty optimistic and want to believe in humanity. Just like the character, I guess. They look like the world's weight relies on their shoulders. They could have dark hair and eyes. They also look really young and unique. Their style can be a bit surprising. Like maybe they wear stuff that's not considered typical for people like them. They like rather flowy clothes that make them feel at ease. They also like contrast. They experiment a lot with their clothing style. So they can switch from one extreme to the other depending on their mood. It's like everything suits them. There's always something regal about them. They have a long neck or the way they stand and carry themselves makes them look like they come from a noble family. They always walk or talk slowly, they have an intense gaze. Key features of this person could be arms and eyes. They have this mischievous glint in their eyes, one that says "life is fun and if you don't think like that then I'm gonna make sure you do when you're with me". Honestly they're mostly a goofball and people might not take them very seriously based on their looks.

Their personality - 4 of pentacles, king of pentacles, Death, 2 of swords, Wheel of fortune, King of cups, The Pillar, Compassion

This person is deep. What they show is nothing compared to who they are. They are so mature and wise people would be shocked once they know them. They hide a lot of their scars, their doubts, their wealth and abundance. They don't trust people easily. They have to make sure you're worthy first. But once they trust you they give you their all. They have a happy go lucky personality with the people they trust the most. But they are ruthless with the ones they don't like. They have a strong moral compass and support their loved ones whole heartedly. This really matches Luffy's energy. If they feel like someone was unfairly treated, they would do anything in their power to get retribution for them. They may have a savior complex. They think rationally and take everything seriously, even the little things. They are dedicated to their work and their loved ones. They are an example for people around them. They like to take under their wing people that have been hurt, left behind or misjudged because they know what it feels like to be rejected or misunderstood. Their mind can get a bit negative sometimes. They tend to be harsh on themselves but extremely kind toward others.

Extra info - M U R R A K E A A Z E Y O N B

Words I picked up on : bronze, key, year, Amazon, bear, aroma, Kobe, Azurro, Manabu, bee, Roza, Zakary, Zakarya, Ryuk, Ruben, Roy, Akon, Marzo(March), May, Bron, Ryan, Marny, Zayn, karma, Roma, mabrouk (Arabic for blessed/lucky/prosperous), amaze, amen (either the Latin expression to end prayers), aman (Kabyle for water), Mary, Mauro, Amano, Arman, Armen, Korea, Zara, armor, amore, Kenya, Keny, Mokran, Yen, Ben, zen, yakuza, Kurama, Yan

[vesora]

there is no past

ive been avoiding making posts because all the info u need is already posted but i saw making this post in a 'dream' so might as well

so what exactly is the past? it is an event or experience that precedes the present time.

however if you have been in the loa community for long you may have realised that the only time that exists is now. i had mentioned this briefly in a previous post but i will expand.

the past and the future are concepts made up of thought and false identification. there is essentially no proof of your past existing except from in your mind. therefore how can we be extremely sure that the past actually exists and it's not something we made up?

there is no difference between an 'imagined' past and a past you think you experienced. they both exist in the mind. it is your false identification with an illusory past that makes you believe that what you see in the '3D' is real, when in fact if you choose your 'past' to be different, the '3D' will 'change' accordingly. this is why neville introduced the topic of revision. everything in this world is malleable. the only reason you see the world as solid is because you assume it's solid. if you believed it was liquid, then it would be liquid. there are no objective facts in this world, only what YOU as the creator deems to be true.

isn't this incredibly liberating? nothing from your past holds you back, because it doesn't exist except in your mind! and guess what? YOU are in control of your mind so you can have your desired past where you experience the things you want to and which reflect on the present day.

every moment is a moment you can start afresh. every new moment is a moment you are liberated from your subconscious habits. destroy what you do not want to experience and let it be destroyed. do not come back to it, it does not exist. maybe your ego wants you to revisit it and you become trapped in the clutches of your own mind and your reality becomes a prison, but how silly is that for a God? when you wish to paint, you gather acrylics or watercolours and buy some brushes but without the action of you painting, the canvas remains empty. it remains as it was before because you did not decide to paint. you just stared at the canvas just wishing, hoping, it would change. there is no such thing as 'inspired' action or any of that law of attraction BS. what i am talking about is the act of DECIDING and ACCEPTING that YOU are the painter and the world is your canvas.

don't fall into the trap of just reading posts and understanding it intellectually, apply it. there is literally nothing holding you back, NOTHING. the human body cannot manifest but YOU can. the habits, memories, and thoughts of the mind are illusory. YOU have the power to choose what you want to experience by consciously identifying yourself as the person you wish to be and identify yourself as the life you wish to live. there is no duality, you ARE it now.

although we have said it countless times, leave the world alone. it only listens to your command. it does not exist without you being aware of it, so why not choose to be aware of something you desire? why not choose to be aware of a different past?

there is nothing to do except realise that the human body-mind is illusory. it cannot hold you back. it cannot MAKE you experience something you, as the creator, do not want to.

be free! you are in control. there is nothing outside of you. all is happening within you. you have an abundance of joy and resources within you, access it. live a life you deserve. take life easy. have fun with the human experience. be your own anchor and be grounded in your own power as god.