#i am here with you every step of the way

[oswlld]

#but its so so so important to note that it does show a real part of disability and it will resonate with disabled people still!#just because i dont like the representation doesnt mean its extremely nuanced to call it bad representation through and through#thank you op for sharing this

thank you soooo much @biolums for saying that. it's such a nuanced, difficult dialogue to navigate because the landscape of Disability is so complex.

i don't want to go into too much detail about my life and how i connected to LT, but just know i am not entirely comfortable with what i am seeing on my dash. a few years ago circumstances lead to me losing my hearing for majority of a year and then became hard hearing for a period of time before i regained my hearing back. its not fully where it used to be but that loss, that hope, and what you take with you on the other side stays with you long after the recovery. i know because i see it every time my mom is in remission.

and then a few months ago, i got a concussion which lead to me being momentarily unable to walk without an caregiver/walker/cane. i worked hard on my PT and now am able to manage on my own two feet again as of three weeks ago.

all i am saying is sure hating on part 4 is your opinion and might not be for you but there are people in your life and maybe on your dash that are reading what you think about people who were disabled at a time of their life, are on their way to recovery now, or got the treatment they've been waiting for. the hardships, the journey, even all the good that happened during allllll that still matters after recovery.

[daisyswift3]

So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.

What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she���s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”

“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.

I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.

And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[rxttenfish]

while aaravi remains firmly within "yeah miranda has a difficult personality and isn't very easy to get along with + has many rough edges which are slowly being worked on but still going to be an issue" after having been very much so within the camp that miranda is a Vexing Bitch upon first contact/getting to know her, she DOES go from "miranda is unpredictable and dangerous as a merfolk and large macropredator and her emotions are inscrutable and random" to "merfolk aren't very hard to understand or predict and it's very easy to stay on the safe side if you keep basic rules in mind and don't freak out the second something unexpected happens"

[yuckydraws]

(Click for better quality)

Healing & Growth

(gif made by my friend @robanilla-arts is below - slight warning for flashing! Thanks again, Rob!)

[aeolianblues]

I'm not an extrovert. At all. In everyday life, I'm a yapper, sure, but I need someone to first assure me I am okay to yap, so I don't start conversations, even when I really want to join in sometimes! It's just the social anxiety acting up. God knows where from and why I lose a lot of my inhibitions when it comes to talking to people about music. I don't know where the confidence has suddenly sprung from. I've made a crazy amount of friends in musical circles, either just talking to people about common music or (since it is after all in music circles) talking to bands about their own music. I let out a sigh of relief any time an interaction goes well, because in truth it's going against my every instinct. I wish I could do that in everyday life

[pardonmydelays]

i also think it's kinda cool how tyler makes me want to learn stuff

[spitblaze]

I have a crush on you and i know I'm technically your type from your sideblog but I'm not gonna be a bear for much longer now that I'm going to be transitioning from a fat bear into a fat dyke

I'll have you know that I am 1) bisexual so gender is not an issue and 2) an appreciator of big hairy dykes as well even if that may not necessarily be reflected on that sideblog, and would even go so far as to say that 'bear' is a genderless term though I may not be an authority here. Fat hairy women and butches and dykes and people are the glue that holds society together 💖

[milo-is-rambling]

I can’t even imagine living without anxiety. Like. How. What?

[gurorori]

i don't know, people can be trans in whatever way they wish and feel comfortable with, i just wish the people on the lower end of Actually Putting Work and Visible Effort Into It and Actually Experiencing Transphobia/Transmisogyny didn't feel like they automatically get a free pass to claim the same things we go through. if you do not share the experience of the vast majority of trans people, maybe you do not get to talk about it, or reclaim any part of it 😐

[hellogoodbyeitsme]

DCU fandom is so funny because everyone is always mad. Feels like living with my parents again 🥰 home sweet home 🥰

[uselessnbee]

sometimes i feel so petty i want to make a big post about all the times Will and El weren't that great towards Mike just to ..you know.. balance it out a bit

[our-lady-of-mcr]

everytime i think im done ranting i remember something else LMFAO this one is extra long i hit tag limit god mf damn

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[mastoi123]

✨ **Rise and Shine Beautiful Souls!** ✨

[acourtofquestions]

KINGDOM OF ASH (by SJM)

Chapter 48

THE FAMILY REUINION🥹😆😭🫶& MY SOULLL

But when they reached Princess Hasar's battle tent, when they had all gathered around a map of Anielle, they had only a few minutes of discussion before they were interrupted. By the person Chaol least expected to walk through the flaps.

A moment later, Chaol was glad he was sitting down.

Nesryn breathed, "Holy gods."

Chaol was inclined to agree as Aelin Galathynius, Rowan Whitethorn, and several others entered the tent.

They were mud-splattered, the Queen of Terrasen's braided hair far longer than Chaol had last seen. And her eyes ... Not the soft, yet fiery gaze. But something older. Wearier.

Chaol shot to his feet. "I thought you were in Terrasen," he blurted. All the reports had confirmed it. Yet here she stood, no army in sight.

Three Fae males-towering warriors as broad and muscled as Rowan—had entered, along with a delicate, dark-haired human woman.

But Aelin was only staring at him. Staring and staring at him.

No one spoke as tears began sliding down her face. Not at his being here, Chaol realized as he took up his cane and limped toward Aelin.

But at him. Standing. Walking.

The young queen let out a broken laugh of joy and flung her arms around his neck. Pain lanced down his spine at the impact, but Chaol held her right back, every question fading from his tongue.

Aelin was shaking as she pulled away. "I knew you would," she breathed, gazing down his body, to his feet, then up again. "I knew you'd do it."

"Not alone," he said thickly. Chaol swallowed, releasing Aelin to extend an arm behind him. To the woman he knew stood there, a hand over the locket at her neck.

Perhaps Aelin would not remember, perhaps their encounter years ago had meant nothing to her at all, but Chaol drew Yrene forward. "Aelin, allow me to introduce"

"Yrene Towers," the queen breathed as his wife stepped to his side.

The two women stared at each other.

Yrene's mouth quivered as she opened the silver locket and pulled out a piece of paper. Hands trembling, she extended it to the queen. Aelin's own hands shook as she accepted the scrap.

"Thank you," Yrene whispered.

Chaol supposed it was all that really needed to be said.

Aelin unfolded the paper, reading the note she'd written, seeing the lines from the hundreds of foldings and rereadings these past few years.

"I went to the Torre," Yrene said, her voice cracking. "I took the money you gave me, and went to the Torre. And I became the heir apparent to the Healer on High. And now I have come back, to do what I can. I taught every healer I could the lessons you showed me that night, about self-defense. I didn't waste it-not a coin you gave me, or a moment of the time, the life you bought me." Tears were rolling and rolling down Yrene's face. "I didn't waste any of it."

Aelin closed her eyes, smiling through her own tears, and when she opened them, she took Yrene's shaking hands. "Now it is my turn to thank you." But Aelin's gaze fell upon the wedding band on Yrene's finger, and when she glanced to Chaol, he grinned.

"No longer Yrene Towers," Chaol said softly, "but Yrene Westfall."

Aelin let out one of those choked, joyous laughs, and Rowan stepped up to her side.

Yrene's head tilted back to take in the warrior's full height, her eyes widening-not only at Rowan's size, but at the pointed ears, the slightly elongated canines and tattoo. Aelin said, "Then let me introduce you, Lady Westfall, to my own husband, Prince Rowan Whitethorn Galathynius."

For that was indeed a wedding band on the queen's finger, the emerald mud-splattered but bright. On Rowan's own hand, a gold-and-ruby ring gleamed.

"My mate," Aelin added, fluttering her lashes at the Fae male. Rowan rolled his eyes, yet couldn't entirely contain his smile as he inclined his head to Yrene.

Yrene bowed, but Aelin snorted. "None of that, please. It'll go right to his immortal head." Her grin softened as Yrene blushed, and Aelin held up the scrap of paper. "May I keep this?" She eyed Yrene's locket. "Or does it go in there?"

Yrene folded the queen's fingers around the paper. "It is yours, as it always was. A piece of your bravery that helped me find my own."

Aelin shook her head, as if to dismiss the claim.

But Yrene squeezed Aelin's closed hand. "It gave me courage, the words you wrote. Every mile I traveled, every long hour I studied and worked, it gave me courage. I thank you for that, too."

Aelin swallowed hard, and Chaol took that as excuse enough to sit again, his back giving a grateful tinge. He said to the queen, "There is another person responsible for this army being here." He gestured to Nesryn, the woman already smiling at the queen. "The rukhin you see, the army gathered, is as much because of Nesryn as it is because of me."

A spark lit Aelin's eyes, and both women met halfway in a tight embrace. "I want to hear the entire story," Aelin said. "Every word of it." Nesryn's subdued smile widened. "So you shall. But later." Aelin clapped her on the shoulder and turned to the two royals still by the desk. Tall and regal, but as mud-splattered as the queen.

Chaol blurted, "Dorian?"

Rowan answered, "Not with us." He glanced to the royals.

"They know everything," Nesryn said

"He's with Manon," Aelin said simply.

Chaol wasn't entirely sure whether to be relieved. "Hunting for something important."

The keys. Holy gods.

Aelin nodded. Later. He'd think on where Dorian might now be later. Aelin nodded again. The full story would come then too.

Nesryn said, "May I present Princess Hasar and Prince Sartaq."

Aelin bowed—low. "You have my eternal gratitude," Aelin said, and the voice that came out of her was indeed that of a queen. Any shock Sartaq and Hasar had shown upon the queen bowing so low was hidden as they bowed back, the portrait of courtly grace.

"My father," Sartaq said, "remained in the khaganate to oversee our lands, along with our siblings Duva and Arghun. But my brother Kashin sails with the rest of the army. He was not two weeks behind us when we left."

Aelin glanced to Chaol, and he nodded.

Something glittered in her eyes at the confirmation, but the queen jerked her chin at Hasar. "Did you get my letter?"

The letter that Aelin had sent months ago, begging for aid and promising only a better world in return. Hasar picked at her nails. "Perhaps. I get far too many letters from fellow princesses these days to possibly remember or answer all of them."

Aelin smirked, as if the two of them spoke a language no one else could understand, a special code between two equally arrogant and proud women. But she motioned to her companions, who stepped forward. "Allow me to introduce my friends. Lord Gavriel, of Doranelle." A nod toward the tawny-eyed and golden-haired warrior who bowed.

Tattoos covered his neck, his hands, but his every motion was graceful. "My uncle, of sorts," Aelin added with a smirk at Gavriel. At Chaol's narrowed brows, she explained, "He's Aedion's father."

"Well, that explains a few things," Nesryn muttered.

The hair, the broad-planed face ... yes, it was the same. But where Aedion was fire, Gavriel seemed to be stone. Indeed, his eyes were solemn as he said, "Aedion is my pride." Emotion rippled over Aelin's face, but she gestured to the dark-haired male. Not someone Chaol ever wanted to tangle with, he decided as he surveyed the granite-hewn features, the black eyes and unsmiling mouth.

"Lorcan Salvaterre, formerly of Doranelle, and now a blood-sworn member of my court." As if that weren't a shock enough, Aelin winked at the imposing male. Lorcan scowled. "We're still in the adjustment period," she loudly whispered, and Yrene chuckled.

Lorcan Salvaterre. Chaol hadn't met the male this spring in Rifthold, but he'd heard all about him. That he'd been Maeve's most trusted commander, her most loyal and fierce warrior.

That he'd wanted to kill Aelin, hated Aelin.

How this had come about, why she was not in Terrasen with her army ... "You, too, have a tale to tell," Chaol said.

"Indeed I do." Aelin's eyes guttered, and Rowan put a hand on her lower back. Bad— something terrible had occurred. Chaol scanned Aelin for any hint of it. He stopped when he noticed the smoothness of the skin at her neck. The lack of scars. The missing scars on her hands, her palms. "Later," Aelin said softly. She straightened her shoulders, and another golden-haired male came forward. Beautiful. That was the only way to describe him. "Fenrys ... You know, I don't actually know your family name."

Fenrys threw a roguish wink at the queen.

"Moonbeam."

"It is not," Aelin hissed, choking on a laugh.

Fenrys laid a hand on his heart. "I am blood-sworn to you. Would I lie?"

Another blood-sworn Fae male in her court.

Across the tent, Sartaq cursed in his own tongue. As if he'd heard of Lorcan, and Gavriel, and Fenrys.

Aelin gave Fenrys a vulgar gesture that set Hasar chuckling, and faced the royals. "They're barely housebroken. Hardly fit for your fine company." Even Sartaq smiled at that. But it was to the small, delicate woman that Aelin now gestured. "And the only civilized member of my court, Lady Elide Lochan of Perranth." Perranth. Chaol had combed through the family trees of Terrasen just this winter, had seen the lists of so many royal households crossed out, victim to the conquest ten years ago.

Elide's name had been among them.

Another Terrasen royal who had managed to evade Adarlan's butchers.

The pretty young woman took a limping step forward, and bobbed a curtsy to the royals. Her boots concealed any sign of the source of the injury, but Yrene's attention shot right to her leg. Her ankle. "It's an honor to meet all of you," Elide said, her voice low and steady. Her dark eyes swept over them, cunning and clear. Like she could see beneath their skin and bones, to the souls beneath.

Aelin wiped her hands. "Well, that's over and done with," she announced, and strode to the desk and map. "Shall we discuss where you all plan to march once we beat the living shit out of this army?"