#i am emotional about them sorry

[wehadabondingmoment]

@anna-scribbles you are right and you should say it. Their dynamic is being two dumbasses who love each other. How are they not more popular??

It's like "Oh, I love her and I actually know her because I am Chat Noir and I trust her with my life." But it's also "In Ladybug's eyes I am random civilian #3574790416 and thus, I need to pretend like she hasn't scratched me behind the ears and called my abs fine af"

And to the unknown public it just comes off as "The fragrance guy jumped off a skyscraper with a huge ass smile on his face? Maybe we should be concerned about this?"

Meanwhile, Ladybug is all like "Omg I go to school with you and I need. To. Be. Careful. about sharing details because what if you realize it's me, Marinette?? Or WORSE. What if you think I'm some crazy fan? I mean, I am a fan but not like that and oh my god, he's smiling, I wanna melt-"

And they're celebrity x celebrity but also celebrity x "normal" person because they are famous in such different ways?? P h e n o m e n a l. They're mutually pining idiots who can't think straight around the other and Ladrien has such comedic potential that I could write essays about it.

I've seen people being like "Marinette fell first but Adrien fell harder." NOT Ladrien. No. They're the epitome of "They both fell fast and they both fall harder"

They have this kind of dynamic where Adrien could say the most random shit like "My game avatar reminded me of a Capri Sun and I feel like Capri Sun could be a super cool hero name? Like Sailor Moon and Capri Sun against the world!" (Sorry, I feel rly drunk right now, don't take me seriously) and Ladybug would help him design an outfit?

Like one of them would cry at a movie and seeing them cry would instantly make the other one cry too? Like it's raining and they both have umbrellas but they share one anyway to be closer to each other. Except that they try to make sure the other stays dry and push the umbrella towards them and away from themselves and it turns into a subtle battle of 'how can I make sure the other stays dry?', causing them to arrive at home soaked. They're the "lovey dovey sticky notes on the mirror" type of couple. The "we are trying to have a sleepover but both of us are too flustered at the idea that the other is next to me and I can't sleep a wink" type. They are so fluffy.

But also the "I love you so much but dating you feels wrong because I am keeping secrets." The "You don't love the other me and it terrifies me." The "I have seen you die countless times and it still haunts my dreams." The "My boyfriend's father is my enemy and I can't tell him and break his heart." The "Both of us have jealous fans and dating will put us and our loved ones in danger." They are so angsty.

They have tooth-rotting fluff and heart-shattering angst and Ladrien crack one shots are the funniest thing you have ever read and I love them for it with an intensity you would not believe. They add something to the lovesquare that affects its very core and I am so incredibly fond of them.

sometimes i remember there are people who don’t like ladrien and i find i cannot relate to anyone less

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[ollylotl]

they are friends :^)

[amanitacurses]

Sparkler

[nthflower]

One thing I think you guys get wrong is sky was not telling Viktor he was not going to miss their talks because it was meant nothing to him and he didn't even care about him.

It was because he was completely giving up his humanity and in the future he will have no emotions to miss sky even if he want to. He would be incapable of missing him not that he didn't even care about her????

Like am I misunderstanding or no because that was not a you don't care about me moment for me???

Sky understood what Viktor was giving up better than him to me. And let him go while reminding him what that means?

[inkly-heart]

please don’t be sad little sprout, you are loved 🌱 🖤

🌱

[s2pdoktopus]

I gave him a girlfriend.

(this scene starts with them kissing, actually. I just didn't want to draw people kissing. Jiang Cheng pulls back because he doesn't want to ruin their friendship, nevermind that she initiated. He apologizes for how inappropriate that was. Meihua, undeterred, asks him if it's inappropriate because they aren't exactly courting each other. Jiang Cheng doesn't answer so she took that as a yes and then the comic happens.)

[saltyysnails]

got upset about the finale so i drew dev in a glue trap

[gen4grl]

you would think after all the yapping i do about these losers i would have a plethora of art uploaded … no… so here is my first kantrio post lol

i did these over the last month while watching the olympic weightlifting and jamming to kpop (stan red velvet and kiss of life BTW!!!)

[beanghostprincess]

I want Shanks to apologize to Buggy, not because of not chasing the One Piece right away, but for not reaching out to him when Buggy ran away.

There are so many things involved in their separation and Buggy resents him (unfairly, sometimes, but validly enough if you think about his situation) for stuff other than not stopping him. But that's the one thing Shanks could do to save them and he didn't because he viewed Buggy's rejection as plain hatred and he didn't want to get in the way of his decision.

But! His decision was to be with Shanks, and idiotically enough, Shanks didn't see it. Because they were both stupid impulsive teenagers with so much grief to deal with and nobody to tell them what they were supposed to do.

Buggy ran away despite wanting to stay by Shanks' side because he didn't fully understand his decision and jumped to conclusions. And Shanks didn't stop him because he thought Buggy wanted him to respect his decision.

So yes, I want Shanks to apologize to Buggy for not seeing what was right in front of him but I'm sure that even if Buggy doesn't apologize for his impulsive behavior and unfair resentment (he's too proud for that) just making amends with Shanks would be enough for both.

[cherry-bomb-ships]

Aaaaaah I know I've been talking abt this art for like 3 days but I FINISHED IT HEEHEE 💖💘💖💘💖💘💖 The thought behind this was Cherry was getting mugged during their walk back to her apartment cuz Townsville be like that, and this is the moment Mojo swooped in to her rescue (How did he know it was happening? He deeeefinitely wasnt spying on them lol) ANYWAYS ENJOY If you want more thoughts look at my tags!! 💖💖💖💖💖💖

[[🧡 Reblogs and comments are all seen and very appreciated!! 🥺 Tag list below the cut, check out my pinned for my taglist form! 💙]]

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[uncanny-tranny]

If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀