Love Bites: A Tale of Indulgent Preternatural Fuckery
I was going to wait until morning to post this, but fuck it. I make my own rules. Please enjoy some poncy ass fetish fuckery between 324 year old French vampire Lucian d'Alarie and his far more modern 82 year old, tattooed werewolf lover, Marrok Rafe.
Guess which one has "the thing."
*This story already has multiple parts that I may or not post. It depends on a few factors.
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“Lucian?? Lucian!! Where are you hiding??”
Somewhere from the other side of the ridiculous estate, his beloved is bellowing in a manner that would wake the dead. Or, in Lucian’s case, the undead.
- I am not hiding. You are simply blinded by whatever rage has a hold upon you. -
He bursts through the door. The balcony door. From outside of it. Marrok never did appreciate the simplicity and ease a door offered.
“Get out of my head.” Marrok’s voice is a flat growl, a rumble far too low to be human.
Because he is not.
“And how else would you hear me, hmm? With all of your grandiose nonsense. Mon dieu, Marrok. I realize that we have no neighbors, but–”
“What. Happened.” Again, not a question. A demand of sorts.
Lucian does not grant him an answer at his impatient behest. Instead, he takes a moment to appreciate the feral being before him. Lean and well-muscled with shoulders even broader than his own, skin bronzed from the sun, and adorned with a myriad of tattoos, Marrok looks every bit the part of the apex predator that he truly is. The topmost portion of his rather absurd length of jagged jet black hair is pulled tight by some manner of elastic, revealing the tips of his pointed ears and the shaved sides of his head beneath.
There was a time when Lucian found such a thing appalling. But it suited Marrok on many levels.
“I am not certain.” Lucian sinks down into one of the wingback chairs near the now flung-open balcony doors, just beyond the reach of the sun’s rays. “I feel . . . strange. Like a mortal does when nursing the beginnings of an illness.”
Marrok folds his arms with a disgruntled frown, the permanent artwork that resides there flexing with the movement. “That doesn’t happen to your kind or mine.”
“Not necessarily. We do not know everything, you and I. Perhaps–”
“No.” Marrok cuts him off. “It’s not fucking possible.”
Lucian pinches the bridge of his nose between two fingers with a wince. Not only is his head pounding like a drum, but an incessant prickle also resides there. The nuisance saw fit to surge to a burn at times, causing a far greater inconvenience, one that he rarely dealt with, unless too much sunlight were involved.
Which was not currently the issue at the moment. However, that knowledge did little to placate the persistent tingling itch. After several attempts at fending it off, Lucian resigns himself to his fate, tugging a handkerchief from the pocket of his trousers and making good use of it.
“HhhehISSSSHHIIU!”
“ExcusehhhISSCH! ISSCHHuh!---hhhuuh . . . ! Hhhh . . .!”
Ungodly, wretched misery of a—
He squeezes his eyes shut for a moment and exhales a slow, steadying breath. “Très désolée. I . . . have not the control to manage this.”
“This is bullshit!” Marrok looks as if he would rather cast himself in the confines of the fountain from the third story balcony than exist in this current shared space. “You can't be–” he gestures with an exasperated flurry of fingers “--that!”
Lucian arches an eyebrow. “Unwell?”
“Don’t.” Marrok tears away the band holding the layers of his thick hair with a snap of elastic.
Sprigs of haphazard darkness jut from his scalp in an almost comical defiance and Lucian morphs a laugh into a cough on purpose.
“This isn't funny, Lucian.” The words are more of a growl, rumbling and full of an intent to intimidate.
If anything actually served to intimidate Lucian.
“And yet, here we are.”
“No, there you are. We are not doing this.”
“You speak as if I had some choice in the matter.”
Marrok is two centimeters from his person in half as many seconds. “You did this to yourself. I don't know how you did it, but you did.”
Lucian rises to his feet with an almost bored aire. “Accusational hysteria does not suit you, mon cher.”
Clawed fingers snatch at the lapels of his shirt. “Don't patronize me, you French fuck.”
“Is that what you desire, then?” Lucian slides his hands to cup the snarling visage between his palms. “Some French fuck?”
He casts the other “man” a smirk that promises seduction, but not without a staggering dosage of smug upper handedness. And clearly, Marrok isn't entertaining anything of the sort.
“Get off me.” He gives Lucian a rough, but far lighter shove than anticipated.
The werewolf stalks over to the ornate bookcase, scans several titles, and swears when he realizes whatever he desires is near the topmost part of it. Not that this hinders him in any way. Marrok simply jumps, snatches his preferred literature from its resting place, and rebounds off of the wall to land effortlessly back onto his feet.
“Whatever are you doing?”
“Research,” Marrok grunts.
He flops down into the chair formerly occupied by Lucian and begins leafing through the text while Lucian has a seat upon the bed.
“Marrok.” Lucian gestures with one hand. “Come to me.”
The werewolf doesn't look up from his reading. “No.”
“S’il vous plaît, mon cher. I am so very cold.”
Marrok turns a page. “You're dead. Comes with the territory.”
“Do you not think that I am incapable of feeling a draft simply because I am no longer mortal?”
“That’s right,” Marrok says. “And you know that shit.”
Well. One had ways of changing that type of attitude, especially with the omnipresent twinge dwelling deep within his sinuses. The simple act of breathing would be enough. Not that one such as Lucian needed the trappings of this rather human inconvenience, but even the undead still functioned in a similar fashion, needed or not.
He allows his breathing to slow, for his breath to hitch, and makes a show of fumbling for his handkerchief as his expression dissolves into abject helplessness.
“Hhh-hiiih. . .! HiihhISSSSHU–ISSSCH! . . . HhIKGSSCH-UUH!”
He buries his nose in the crumpled fabric, shoulders shuddering, unbound hair curtaining his face.
The book snaps closed. Footsteps that are more of a marching stomp approach.
“You did that on purpose.”
Judging by how much of that sentence is coated in the most inhuman of growls, Marrok is more than merely ruffled. He is infuriated beyond measure.
“I assure you that I did n–”
Marrok is atop him, pinning him to the mattress.
“You did.” The werewolf snarls against his mouth and fangs graze his lips. “But I'm fresh out of fucks.”
“Mmm, are you?” Lucian reaches between his legs with a most uncouth clenching of fingers around Marrok’s most sensitive attributes. “What a shame that would be.” He snatches handfuls of the thin, black cotton shirt Marrok is so fond of and jerks him against his chest hard enough to elicit a grunt from his lover. “Je veux te baiser.”
“Hope you don't like these pants.” Marrok's nails slash the well-stitched fabric to indecent ribbons before Lucian can answer.
“Such violence in you.” Lucian flashes him a hint of his own fangs, different from that of a werewolf, but equally as lethal. “It is a quality I find most captivating.”
The dark yellow of Marrok’s eyes is near amber. “Stop talking.”
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(TBC or no?)
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Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
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Uh-oh! You are like, SOOO awkward!!
You're so awkward that it is occasionally mildly uncomfortable for people!
You're so awkward that sometimes people are confused by you and then there are awkward silences!
You're so awkward ...... that ultimately no one is harmed!!
Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!
Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!
So you better absolutely hate yourself for it.
Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!
You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.
Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!
Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.
Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.
Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*
Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...
Better not show yourself even a little kindness a little bit at a time.
Better not make a habit out of it after all that practice.
Better not get confident.
Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)
Better not be confident and awkward because then you might confuse and delight people
- you might accidentally end up making other people feel less shame for their social difficulties
- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations
- you might even make them feel they can be themselves around you
- you might start loving the effect you have on a room
- you might enjoy conversations more
- you might forgive yourself and bounce back from shame more easily and frequently
- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations
- you might stop apologizing so much.
- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.
Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!
Why, it would be carnage!!
In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!
If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:
- You might realize that it was never your fault that it took so long to like yourself.
- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.
- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.
- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.
You might discover that you were always deserving of kindness, first and foremost from yourself.
So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.
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