#i always loved her work

[the-jedi-ninja]

The PJO tv series has got me thinking about @burdge and hope that whatever she's doing rn she's enjoying life and also enjoying the tv series

[chloesimaginationthings]

The FNAF Mikes talk about their extended family..

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[alpacacare-archive]

day twoe ah haha

[nataliescatorccio]

"I always used to get a lot of impostor syndrome, and feel like I was a bad actor, because I don’t do actor-y things like [using emotional memory]. It’s kind of like a last resort for me. I have more of a technical approach to acting, where research is the bulk of it. Making sure that I understand every single thing that’s on the page, every word. I know what my character’s favourite colour is, I know how she sounds, I know how she walks. I know what her fucking middle name is." - ELLA PURNELL

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[spinaart]

hey leader!!!

[diamondcitydarlin]

lol also this moment went by too fast to really see but are they not giving 'kick his ass babe i got yo flower' energy??! Someone pissed Lydia the fuck OFF and Beetlejuice is just here to support her revenge arc lmao I am so here for Lydia/Beetlejuice team up FINALLY

[transsophiedevereaux]

hardison is such a homemaker... always getting them fully furnished new bases, always getting them ID's and plane tickets. is it any wonder that parker is so attracted to someone who always makes others just that bit more comfortable, who cares so obviously, who will make you a home that you can go to and leave from unconditionally, even if you never had a home like that before.

[certaintylikelightning]

thinking about riz and how his mom and his weird romance partner both think the bad kids are bad friends to him… thinking about how riz took on every single stress token for his friends… thinking about how riz always puts his everything into helping his friends and being there for them. and the bad kids aren’t Bad Friends but sometimes they take/need a lot, and they’d be fine if he pushed back, but he never pushes back? thinking about fig’s one nice note made riz break down and send gorgug WALLS of text about how much it meant to him

[demigods-posts]

me whenever i see people write off annabeth as an annoying and controlling and crazily jealous girlfriend with anger issues. understanding that the foundation of the rhetoric is based off of annabeth's behavior toward percy and rachel is tbotl and tlo. except annabeth's behavior in those books is soley due to the surplus amount of traumatic experiences she's had. ranging from her parents neglecting to care for her well-being when spiders attacked her in the middle of the night as a seven-year-old. to watching everyone she's ever dared to care for die, abandon, or leave her for a better option. so it's much more likely than annabeth was expressing great mental and emotional distress during a period of her life where it was uncertain if the boy she loved would drop dead on his sixteenth birthday. on top of having to uphold a reputation as the best strategist at camp half-blood and devise a plan to fight in a war and save the world before she's a sophomore in high school. so the notion that annabeth is an abusive and toxic individual lacks the consideration that maybe she was just a child forced to carry the weight of the world on her shoulders at all times.

[choccy-milky]

painted over this pic of dakota fanning for fun to try and make a realistic ver of clora / how i imagine her👼

[rosalie-starfall]

Saturday Night - 2024

October 11th 1975

Gilda: "You get to be the hot one." Laraine: "Jane's the hot one." Jane: "I'm the mom... The still fuckable mom."

[percexe]

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this