#i actually highly recommend exactly this.

[keferon]

“I've done something wrong again. It's not moving.”

There was a lot of stuff spread out in front of him. Old spare parts, pieces of armor, tools. Lots of warped plates.

And his creation. A real golem. An entity woven of metal and magic.

Shockwave walked around the table and stopped right above the head of the figure lying on it

“Golems exist to serve, my friend. It won't move unless you ask it to.”

Orion clutched his servos. The figure remained stone still. There was no ventilation noise, no engine sound, not even the barely audible spinning of a spark. It could just as easily have been a long-cooled dead body lying in front of him.

“Wake up.”

___________________

Magical Golem Prowl anyone? ‘,:) This story exists in the same universe as Spellbound au. and Monster hunter au and ties them together so I highly recommend you read all of them.

The fic under the cut⤵️

He seemed to be nothing.

The emptiness that infinitely defined his nonexistent self bounced off the metal plates and glinted in the droplets of still-warm energon. He was nothing, but there was so much around him that the space was like an infinite buzz of cluttered noise. The voices above him sounded excited. The metal slab beneath him was cold and hard.

“Good. Now you need to put a piece of your armor on this. Somewhere it will be in plain sight and easily reachable.”

“Oh...wouldn't it make more sense to hide it under the armor? I mean, it's an obvious weak point.”

He idly thought, his hands felt numb.

“No no, that's the whole point. You're using an artifact you haven't fully studied and you don't know exactly how it's going to turn out. If it goes crazy and becomes dangerous, you should have an easy way to destroy it. Where's the artifact by the way?”

The tinkling of metal.

The sound of a crystal clattering against armor.

Warm hands on his head.

“Here.”

“Excellent. Now. This will be the base on which the entire spell will be held, so you want to hide this artifact very well and secure it carefully so it doesn't break by mistake.”

Did he have hands too? He was nothing, why did he have hands? It didn't make sense.

Orion took a couple steps away from the table and stood pensively.

“I've done something wrong again. It's not moving.”

There was a lot of stuff spread out in front of him. Old spare parts, pieces of armor, tools. Lots of warped plates.

And his creation. A real golem. An entity woven of metal and magic.

Shockwave, hitherto distracted by an almost invisible spot on his shoulderplate, glanced leisurely over Orion's shoulder

“Golems don't need much to function. You made a good shell. The magical structure is strong as well, I see.”

Orion hesitantly pointed to the golem's forehead, decorated with a neat sharp chevron.

“I added some things that weren't in your instructions and I think I made a mistake somewhere.”

“Golem making is a complex skill, don't give up if it doesn't work right awa...you know what, actually no, you did everything right.”

Orion shrugged in frustration.

“Then why won't it move?”

Shockwave walked around the table and stopped right above the head of the figure lying on it

“ Golems exist to serve, my friend. It won't move unless you ask it to.”

Orion walked back over to the table with a quiet “oh” and nervously clutched his servos. The figure remained stone still. There was no ventilation noise, no engine sound, not even the barely audible spinning of a spark. It could just as easily have been a long-cooled dead body lying in front of him.

“Wake up.”

The emptiness that forever defined his nonexistent self stammered. He wasn't nothing. He had a purpose and that purpose shaped him, put strength into his numb limbs and molded his lack of thought into naked intent.

He wasn't nothing. He was a void, but suddenly that void had a direction, no matter how meaningless it sounded.

He stopped being just nothing. He became his purpose. And it felt so right that it was unclear how he could ever have been anything else before.

He opened his optics.

Orion, who apparently hadn't expected that the thing he'd made specifically for it to move would move, jerked back with a funny sound.

On the opposite side, Shockwave nodded proudly, returning to the spot on his armor that even in the bright lights of the workshop only he could see.

“I believed in you.”

_________

“Oh my god! How do you sneak up on me so quietly every time?”

He wasn't nothing anymore. He was a whole long list of instructions and rules. His creator sat him down at a table and meticulously listed everything he could and could not do. Handed him many books and ordered him to attend a huge number of lectures. He now knew who to bow to if he passed them in the hallway and who to avoid. He had learned hundreds of names and thousands of titles. Learned how to pretend to be a real Mech, even though he wasn't.

The world around him was complex and confusing, but he found that this complexity had its own patterns, linked together in a bizarre web of systems and sequences. It was worth pulling on the right end, and the meaningless facts organized themselves into something much more manageable.

Everything made sense. The planet revolved around a star. Mechs rejoiced when they got something that improved their quality of life. Energon burned, producing energy. Big things tended to be heavier than small things.

The world was divided into Mechs and monsters...and him.

He was inclined to be...quiet.

His creator - he'd asked to be called Orion - twitched when he found his creation standing right behind him.

He was very talented at finding Orion wherever he was. And very light compared to most things his size. Like everything else it made sense. He wasn't a Mech, he was just an empty shell. An armor summoned to life by magic. His footsteps were as quiet as a mini bot's. Whatever Orion called it, he wasn't 'sneaking' on purpose.

A few cycles later, Orion accidentally bent one of its finals when he turned around too quickly, startled by the quiet footsteps behind him.

He named him Prowl. It was...not exactly logical, but there was a certain sense to it. Prowl nodded and agreed. He always agreed with everything Orion said, even if it didn't make sense at all. Orion's opinion took a higher priority than anything else.

Until it didn't.

Until Orion gave him a focused look and told him that he should argue if he thought it was necessary.

Until Orion put the servo on his shoulder and said something along the lines of....

“You can disagree with me if you think my opinion is wrong. I'm not asking you to go against me. I'm not perfect and I can't be the one absolute point of reference for everything. You can and I'm sure will be smarter than me about many things. I want you to tell me if I'm wrong and what I should do about it.”

Like…well….like an absolute fool.

This concept was new. Prowl wasn't built to argue. He was made to obey orders and to serve a function.

Orion smiled slyly. At least it was probably a smile behind his mask that made the corners of his optics lift.

“It wouldn't be considered a disobedience of my order if I ordered you to disobey it. Don't you think?”

Prowl opened his mouth to agree out of habit, but then changed his mind mid-motion and closed it back. It...it didn't make sense. It made sense that was breaking under its own weight. It was mercilessly mixing up all of his pre-learned patterns for talking to Orion. If he agreed with that logic now, it would mean accepting its use. If he protested, it would also mean accepting it, but in a bit more embarrassing way. Just when he was thinking of simply retreating silently to the nearest shadow and banging his head against the wall, he heard a quiet chuckle and realized that Orion had been amusing himself for some time now, watching him struggle.

Prowl decided that verbal responses might be overrated and frowned his face in the most believable expression of displeasure he could portray.

Orion broke out into laughter.

________

“What exactly is my goal?”

Orion looks. Curious. He stops talking to Shockwave and leans back on the bench.

“Right now, to study these journals. I already told you.”

Prowl nods to indicate he heard him and continues

“Studying serves a future purpose. Studying for the sake of studying would be meaningless to me. What is my final goal?”

“To assist me” Orion says slightly confused. ”Within the best of your ability of course.“”

“Аh. Assist in the fulfillment of your goal.”

“Well. I'd say so, yes.”

Prowl nods

“And what is your goal?”

Shockwave, who has been sitting next to them the whole time looks like they're a couple of previously unknown to science species he's just personally discovered.

Prowl ignores him.

“I...you remember the separation between Mechs and monsters, right?” asks Orion cautiously.

“Yes.”

“Mechs...are unfair to monsters. Monsters are cruel to Mechs. It's a needlessly violent situation that I want to...try to. Fix.”

Prowl frowns to indicate that the information isn't completely clear.

“You're a member of the order of hunters. And...” he shakes his head toward the nearest window ”...you have a considerable number of hunters under your command. Your job involves destroying monsters.”

Shockwave makes some sort of quiet amused sound and props his chin up with his hand.

Prowl ignores him harder.

“My job is to bring peace.” says Orion “You don't have to kill monsters to do that. You can negotiate with them. Find a compromise. Coexist. I...I guess basically, I'm trying to make the world a little better?”

Prowl doesn't look impressed. He's actually making a special effort to not let Orion think in any way that he might be intrigued by the whole endeavor.

“You do realize that's a disproportionately large goal for just one Mech, right?”

Orion shrugs awkwardly

“That's why I made you.”

__________

Ratchet puts aside his tools and critically examines his work.

“Don't touch that and it will heal normally.”

Orion smiles gratefully

“Thank you.”

Ratchet is important to Orion. They are close and very valuable friends to each other. The two of them look peaceful now, despite the fact that Ratchet threatened Orion when he first showed up in Sick Bay, so Prowl decides it would be a socially acceptable moment to start talking

“Orion, you're wanted at the Council.”

The second half of his line is drowned helplessly in two startled exclamations at once. Orion, to his honor, calms down almost immediately, but Ratchet continues cursing for a while.

Prowl doesn't wait for him to finish. The Council meeting is earlier than usual today and Orion has already had a few occasions of misbehavior. It's in his best interest to at least show up on time this time.

“Shockwave asked me to tell you to hurry. I will add that showing up at the last minute will not be good for your reputation if you are still hoping to convince the council to let you take more units.”

Ratchet .....stares.

“Primus' rusty hinges, Orion, who's that? Did they assign a nanny to you?”

Orion twitches his finals playfully and immediately crinkles in pain, remembering that one of them should have been left to heal.

“Remember when I wanted to find an assistant? Well...”

Ratchet casts an increasingly more suspicious look at Prowl. Prowl decides that friendliness is overrated and limits his expression to a barely perceptible tilt of his head in response.

“...Shockwave recently helped me figure out how to create golems and I figured if I couldn't find anyone I could trust, I might as well...make one. So. Ratchet meet Prowl.” finishes Orion awkwardly.

Ratchet glares at Prowl for a while longer. Then he turns away and starts tidying up Sick Bay.

“I'm not buying it. I don't know where you found this guy, but you're not playing me. Nice poker face by the way.”

One of Prowl's wings twitches

“He wasn't lying.”

Ratchet snorts grumpily.

“Those...” he waves toward the next room ”...are golems.

There, behind the wall, several golems scurry around. They have medical staff symbols painted on their shoulders, and there is not a trace of thought in their eyes. Two are scrubbing the floors, another wiping the shelves and window sills clean of dust. They occasionally mumble softly under their noses or utter an inane “excuse me” every time they accidentally bump into each other. Prowl knows that if you ask any of them a question with more than one variable, they start babbling guiltily and shrugging their shoulders. They're stupid, but they themselves don't seem to care about that at all. They are their purpose. And their purpose is to keep things clean. They are pride because they are good at their job.

Prowl frowns. He's a headache. Because his "purpose" has been distracted by his conversation with Ratchet and will probably add another tardy to his list in the near future.

Orion begins (thank goodness) to move toward the door

“I've made improvements. There might have been...some not exactly allowed artifacts.”

Ratchet rubs the bridge of his nose tiredly. Prowl can see that his face is already starting to wrinkle in that spot. Patient antics probably age Ratchet far more effectively than the passage of time itself.

“I...you know what...go before the Council sends a search party to look for you.”

Orion sighs and without further distraction finally walks out the door.

Prowl decides that Ratchet might be a good ally when it comes to managing Orion.

He nods politely goodbye before leaving.

______________

“I am different from them. Why?”

Orion puts down the document he's been working on and looks first at Prowl and then, over his head, at the other golems scurrying down the hallway with brooms and rags. He doesn't need to interject exactly who he thinks Prowl is different from.

“Do you want a philosophical answer or a technical one?”

Prowl reaches out and pokes somewhere in Orion's document

“ You missed a comma. Both.”

Orion obediently puts the comma in and folds up the document. His finals are twitching faintly. It could be a sign of concentration as well as distraction. Prowl has already figured out that Orion's body language is a double-bottom trap. For a Mech with this level of expressiveness, Orion is surprisingly difficult to read.

“Sometime quite a while ago during one of my expeditions, I found a unique artifact. A fascinating item, granting wisdom to anyone brave enough to use it.”

“I have a feeling a ‘but’ is coming.”

“You're right. The artifact's unique gift was also its curse. It fed so much information through the Mech's heads that it literally caused the processors of its owners to melt.”

“Oh. Good thing I don't have a processor then.”

Orion laughs quietly

“Indeed. You won't have that problem. And about the other part....Think of all the Mechs you know who are savvy enough about politics and available to work together at the moment.”

Orion gives him a moment before continuing.

“ What is the likelihood that the most trustworthy of them would betray me, for their own gain or out of fear?”

“ Twenty-eight percent,” Prowl informs.

And then hesitates a moment.

Orion is obviously a smart Mech. Not smart enough to single-handedly dominate the political arena, definitely not with his ideals and ideas of what's right. But smart enough to realize it. He knows what he wants and he also knows he can't achieve it alone.

Prowl looks at Orion, who just stands there, eyeing him, without in any way trying to continue the conversation.

Orion is idealistic, and therefore often mistaken for stupid. He isn't. Orion doesn't just know that he can't succeed alone, he knows that everyone else knows it too. He thinks this knowledge will be used against him when the opportunity arises. He's right. By Prowl's count, at least three suspiciously clever Mechs were going to sweet-talk their way into becoming Orion's assistant one way or another before... he appeared.

One of the janitor golems runs past them down the corridor. He doesn't turn around, doesn't even slow down or cast a curious glance. His only goal, his only interest is cleaning. The rest of the world might as well not exist at all.

Prowl thinks he's not that different.

Orion apparently reads the understanding from his face, because he nods contentedly and starts walking further down the hall.

“You didn't take yourself into account when you made the statistics, did you?”

Prowl follows him silently on his heels. Not close enough to be familiar, but not so far away that the conversation stops being private.

“The sampling condition was all mechs. I am not one.”

“That's true” Orion shrugs “You have no loved ones that the Council could use to influence you. You have no desires to be bought by their fulfillment. And while I cannot say with absolute certainty that you will never be capable of going against me...” Prowl starts to open his mouth to object but Orion gestures him to stop, “...no no no no, let me finish. And while I can't be sure you'll never betray me, I at least know for sure that before you met me you had no reason to do so. Do you understand?”

Prowl understands. It makes sense. He still feels the need to argue back, because it is part of his function to do that.

“I would never betray you. I'm not capable of it.”

Orion twitches his finals. Without seeing his face Prowl assumes it is a sign of doubt.

“You are a creature of intellect, Prowl. I am a Mech of ideals. Those two things don't always combine well.”

______

“Foolish and presumptuous.”

Prowl ponders that his function could be much easier if he didn't have to constantly try to balance what is right and what is right in Orion's eyes.

“If you were spotted, the Council would have good reason to assume this isn't the first time you've done something like this.”

“No one noticed,” Orion tries, but Prowl doesn't let him finish that thought

“No one has seen you, because you're lucky. You can't count on it being a permanent occurrence! You undermine your own position by giving the Council grounds for suspicion, you...”

Prowl stops, still pointing his finger accusingly somewhere on Orion's chin. Shockwave, who has witnessed the scene, makes an impressed face and steps closer.

“I swear, you're probably the most capable golem maker I've ever had the pleasure of teaching, Orion. If I hadn't seen that guy on your assembly table, I would never know.”

Prowl takes the statement as a compliment, but doesn't feel the need to show it outwardly. Shockwave, as one of the few who knows about him not being a real Mech, doesn't take offense to it in any way.

“Did I interrupt something dramatic?”

Prowl snorts, because the gesture maintains just the right amount of judgment for his situation.

“Orion is once again harboring a monster instead of killing it or letting it escape.”

This news immediately enlivens Shockwave's posture. Prowl knows he's an even bigger fan of collecting suspicious side projects than Orion. Their friendship, frankly, will one day bury either one or both of them. Prowl just hopes his presence will be enough to sway the percentages when that happens.

Orion doesn't try to deny anything.

“One of my squads encountered a ghost near the northern border. I couldn't... listen Shockwave, he's a good guy. He just needs to be given a chance to show it.”

“Can he talk?” there's almost visible stars in Shockwave's eyes..

Prowl slumps his shoulders helplessly, already knowing what's coming next. These two have done this dance a hundred times before. One of Shockwave's favorite side projects was a school for, as they called them, magically gifted and extraordinary Mechs. In fact, it was the largest den of various monsters that Prowl had ever seen. Every time Orion's hunting squads found a monster that could even remotely resemble a normal Mech, Orion would rush with happy optics to hand it over to Shockwave for care. There, the monsters were taught everything they needed to fit into the society of normal Mechs, but more importantly, they were given documents. Precious pieces of paper that granted their holders rights, freedoms, and protections as Shockwave's apprentices.

Prowl could appreciate the noble endeavor. He could also see clearly that with each addition, this school would become more and more of an inconvenient thorn in the Council's side. Just like Orion, Shockwave was happy to paint a brighter and brighter target on his own back for many cycles.

Orion, insensitive to danger that is not immediate, cheerfully begins to recite

“Can read, write, speak, even makes music.”

Shockwave nods happily

“Introduce us?”

Prowl wonders how far Shockwave can stretch the definition of “magically gifted Mech”. One day Orion will pick up a Kraken on the street and then they'll both probably have to do a lot of mental gymnastics to make it's documents. Ugh.

When Orion had asked him to calculate the probability of betrayal, the most reliable mech he was evaluating at the time was Shockwave.

Twenty-eight percent...

Prowl wonders how many students must be on the opposite side of the scale from Orion for Shockwave to choose in their favor. Speculation is actually useless. If the Council decides to nail Shockwave, they will of course use his entire school at once.

In fact, they probably won't even have to force Shockwave to choose between the school and Orion, because Orion himself will choose a bunch of monsters over himself.

This ridiculously dangerous social construct they call friendship rests entirely on their reputation as honest and honorable mechs. Prowl stares at Shockwave's back and wonders how one mech could have so much charisma, that he gets away with keeping a huge number of Council enemies right under the noses of that same Council.

_________________

Orion gently lifts the now graying shell of what was once a monster from the ground

He doesn't even turn toward Prowl.

"Did you kill him?"

Killing...it's a stretch. Does the act of helping a murderer qualify as murder? Or the lack of action that could have saved the now murdered person? In most cultures and languages, “murder” refers to the act of ending someone else's life, but the context implies a physical act. Did you put a knife in his back? Did you push him off a cliff? Did you cut him with a sword?

By those criteria. Well. Prowl never killed anyone. Nor is he likely to, for he has neither the skill nor the strength to do so.

Did he cause death? Absolutely.

Orion's always had this heroic streak that wouldn't let him just pass by the distressed and disadvantaged. Orion has always had a great spark of kindness and principles as strong as titanium alloy as to what is right and what is wrong.

In Orion's world view, murder is wrong. And murder in conditions where it was possible to solve everything by peace is immoral and unacceptable.

Prowl's worldview tells him that Orion could do much better if he stopped wasting his potential on helping those who will only drag him down in the long run. Orion's life depends entirely on the Council's opinion of him. A Council that has been watching him closely lately. Even if Orion doesn't like it, it's Prowl's job to make sure they like what they see.

Orion turns to him, shaking him out of his thoughts.

"Prowl. That mech tried to escape. Past you. And now he's dead. Were you the one who killed him?"

"No," says Prowl, "he ran into one of the patrols."

That statement is missing a good half of the details. Like mentioning that the patrol wouldn't have been there in the first place if Prowl hadn't sent them an anonymous lead.

Orion doesn't need to know that. Orion lives under the idea that every life is precious and, even more inconveniently, equal.

Prowl sometimes feels like yelling at him for it. Because that shiny perfect picture is simply unsustainable outside of Orion's head. The monster, whose graying body now lies on the ground, would be of little use to society. Likely left free, he would have simply continued to attack and kill travelers.

Whereas Orion spends his life making the world a better place. This is an objective fact confirmed by numerous observations.

They are not equals. And they probably never will be. Orion's life is much. Much heavier on the imaginary scales of statistics.

Orion squints at him suspiciously. He's clearly hesitant.

"You could have just let him go instead of killing him."

The trap is honestly too obvious.

"I didn't kill him" Prowl repeats "he ran into a patrol. You can't blame the hunters for doing their job."

Orion places a hand on the dead creature's forehead in a respectful gesture of regret while simultaneously averting his gaze. It's a habit by now.

Look the other way, don't let the council know what you're doing. Sympathize but not in plain sight, help but in secret.

"They had no right to attack him.This is neutral territory. He has the right to run wherever he wants."

Prowl's mouth is twisting with the urge to argue. To say that according to existing information, this monster would have just continued the attacks if he'd stayed free.

He says nothing. Orion is clearly in no mood to argue right now, and he's already questioning Prowl's claim. It's not worth pushing any further.

Prowl only nods, showing that he's heard Orion's point of view.

__________________

He is surprisingly good at lying.

Of course the skill doesn't just come naturally, but he's been known for his straightforwardness. Mechs automatically expect him to either remain silent or tell the unpleasant truth.

All he has to do is give only certain bits and pieces instead of coherent information without changing his usual behavior in any way and the mechs won't be inclined to verify it, filling in the gaps themselves. As a golem, he can't lie, but he can get others to lie to themselves.

He exploits this a lot. Probably more often than Orion would approve, but Prowl doesn't ask him to confirm. Conversations with Orion tend to narrow down his list of options. Because Orion is a real living mech. With a spark. With feelings. And his complex moral code revolves entirely around what he feels to be right.

Prowl has no spark. Prowl has an empty armor that he considers his body and a wisdom artifact that he considers his worth. Both his and Orion's understandings of what is right...overlap...sometimes.

Not always.

______________

"I saw a demon in person for the first time today."

Prowl politely shifts his posture to show he's listening

"A …demon?"

"Demon" Orion repeats "When...when a mech commits especially terrible crimes against the will of Primus, the very magic of their spark rises up against them and turns them into a demon. And I just learned today what a...demon looks like."

Prowl remains silent, waiting for a continuation that never comes. Orion seems gone in his thoughts....

"And what does it look like?" prompts Prowl.

"Creepy. It looks creepy and unnatural and terrifying. Primus' wrath has a very ugly shape..."

"Ah...I see...what did that mech do to be met with such punishment?"

Orion frowns

"I'm not sure. But what we're doing can't go against Primus' will, right? I mean, all beings are his creations! He can't condemn us for trying to make peace between mechs and monsters..."

Prowl is familiar with the concept of punishment for wrongdoing. But something about the very idea...the idea that punishment will find you no matter how well you hide because you can’t run away from your own spark...he has to admit it's disturbing.

"I hope he doesn't."

——————————

Thoughts?👁

Ahsjfjfj

This is the first half of the fic btw because I don’t have enough time to translate the whole thing in one day. I’ll try to post the second half tomorrow🤞

[aroaceleovaldez]

tbh my latest biggest theory for why HoO and onwards is such a dramatic drop in quality and consistency is just. Rick stopped making teaching guides.

Like, the Lightning Thief teacher's guide is SUPER in-depth with even stuff like sources about middle grade child psychology and exact specifications of where he's applying that, explaining what different character's goals/motivations are, their dynamics with each other and their environments, etc etc. Even specifying which specific myths certain plot elements are supposed to reference or be about.

That stuff just doesn't exist for later books. There's activity guides and smaller, significantly more simple teacher guides for later books but they don't go into anywhere NEAR the same level of depth. The TLT one is a full lesson plan that breaks down the book at every level and explains what's going on and more or less why Rick did that. The others are all basically just glossaries of terminology and some simple question guides.

And they didn't even use the TLT teacher's guide for the Disney+ show because they clearly aren't adhering to any of what's discussed in that breakdown of the book.

By creating a teaching guide alongside writing the actual book, that's forcing you to document what you're doing, why, your sources, and information about your characters and the story they're in. It's like an even more in-depth version of a series bible. But that's lacking for later books (and etc) and it shows because that level of thought and depth and attention just isn't there anymore.

[eligobrrrrr]

Me @ Netflix rn

[mlchaelwheeler]

btw when i say "miwi" i mean this:

gifs by @emblazons here and here

[stevethehairington]

first book of 2024 = finished woooohoooo!!!!

[funsizedcrow]

i finished spirit tracks!!!!

[goatsandgangsters]

enjoyed some plants today 🥀

[just-a-simple-dyke]

The director of D.P. is also the general producer of weak hero i KNEW there was a connection between those two!!

[bmpmp3]

there are ten million billion trillion movies i want to watch and so little time on this earth and this suffering predicament of mine is only exasperated by the fact that i can only watch 1 movie a day at most because i need time after to stare at a wall and think about. themes. and motifs

[tiiimezombie]

Escape: Curse of the Temple RPG

Explorers! Abandon your hubris, avert your doom, Escape the Temple!

Setup:

Pen/Paper or Escape board game pieces

GM: 1d6, Values [BlackMask, Torch, Adventurer, Adventurer, Key, GoldMask]

Players: 5d6, [ " ]

Give your Explorer a Power and a Doom. Personalize. Power: Peerless authority or skill, mechanically demonstrated during dice rolls. Post-roll, isolate favored values, and roll remainder*. Doom: Power begets Hubris. The Temple seems indiscriminate until true crisis. What's your breaking point, that you'd give up your Power or 1d6 to ensure Escape? I.e. Doctor, monocled: Heal all player's BlackMasks | End a heal roll with 5+ BlackMasks.

* BlackMasks exept. GoldMasks heal 2 BlackMasks.

Play:

GM rolls, selects preferred value. Duplicates raise difficulty. Describe: 1: A Horror, the Temple leaves its mark. 2: A Trial, of mettle and bone. Demand Character, Dexterity, and Luck. 3,4: A Path, dangerous but true. Contrast Powers and Weaknesses. Unravel and Reweave. 5: A Treasure, worth any cost. Tempt Wagers, Bribes and Sacrifices 6: A Respite, however brief. Share stories, build morale.

Repeat for Players x5 Chambers. Escape!

GM advice:

Ration Respites

Horrors - futures prevented, pasts stolen, perversions of other chambers

Treasures - gems, temporary boons, favors

Curses - handicaps, delusions, losses

Spooky Jungle Temple vibes

----

Archive OK!

Tumblr 200-Word RPGs 2023

Last November, we did an informal game jam for folks who wanted to write something for Writing Month, but would prefer to write fewer than fifty thousand words of it. You can find the complete list of participants for that event in this post here. There's also an off-Tumblr archive of entries whose authors gave permission for them to be preserved here, if any of those links turn out to be broken.

Last year's collaboration went over well enough that I thought we might dust it off again this year. To be clear, this is just for fun – it's not a curated jam, and nobody's judging winners or handing out prizes..

If you'd like to throw your hat in, just follow these steps:

Step 1: If you're unfamiliar with 200-word RPGs, read a bunch of last year's entries (linked above) or browse the 200 Word RPG Challege archives at https://200wordrpg.github.io/ to get your brain-meats properly configured.

Step 2: Write your own 200-word RPG. If you're not sure whether you have 200 words or not (and with RPGs it can genuinely be difficult to tell!), you can use the word counter at https://200wordrpg.github.io/wordcount to check.

Step 3: Reblog this post and append your 200-word RPG.

Step 4 (optional): Please indicate in your post whether you're okay with having your 200-word RPG archived off-site for posterity – if you don't say anything one way or the other, I'll assume the answer is "no".

(As before, as a courtesy to anyone who's creeping the notes, please restrict non-200-word-RPG commentary to replies and tags until November 2023 is over – let's make the actual games easy to find!)

[crioon]

My favorite is playing shitty mobile games and then reviewing them in a specific, informational, and concise manner.

[phoebelovingcare]

THE NEXT PERSON WHO SAYS IT DOESN'T WORK GETS PUBLICLY EXECUTED VIA HAMMERCAR (check reblogs for further info)

"what's it like to use nightshade/glaze?"

so based on my own experience I thought I'd make this more transparent since I know a lot of people hesitate to take action on some things if they do not know Exactly what happens. it's me i'm people. So;

Nightshade takes about 30 minutes on its fastest setting. The end result tends to look like mild jpeg artifacting, very slightly creased paper, or just brush texturing. Looking at it normally, it is undetectable. Glaze is very visually similar, given the strategy, except that Glaze's longest time setting is 5 minutes.

You put in a file, select how much you want it affected and for how long you want it to render. For Nightshade, you also attach a tag to it, that way AI finds what it's looking for with an associated word. You select a folder for the final result to save to, then hit run.

It takes a lot of GPU/CPU. The fans on my laptop sound a bit like I'm running Minecraft, and it refuses to run if you have too many programs open. I could run Youtube and Nightshade at the same time, but Youtube did Not like it. Best to just take a break while you let it do its thing. Run Nightshade before you go out or something.

It does NOT like transparent png backgrounds. Makes me wonder how AI does with 'em. Anyways, running a backgroundless drawing through Glaze and Nightshade respectively makes it turn out like this:

creasing effect is more noticeable, and it adds strange blocky black and white backgrounds to it. If you want good results for your time, be that less than 1 minute or 180 minutes, consider getting rid of the transparency.

I would post a before and after picture of a Nightshaded piece but of course, I would like to post exclusively poison on this site.

As one last note, it took me a lot of effort to find where you're actually supposed to download these tools, so Glaze is here and Nightshade is here. Overall I highly recommend using them if you can. Don't let AI run you off of your sites: run the AI out yourself.

[bunnygirllover45]

— THE THRILL OF THE HUNT.

♱ TRIGGER WARNINGS: Johann literally hunts down the reader, Small outburst at the end, and a lot of bullshit talk about hunting because I like it, DEAD DOVE. No violence was used.

Synopsis: You escape from Johann, he has to track you down. WORD COUNT: 1.6k

Johann wasn't exactly the thrill-seeking kind. He always preferred a slow-paced life, not filled with many excitements or tragedies. He wasn’t an adventurous spirit or a fiery soul in search of greater meaning. In his head, the only thing he needed was you.

And maybe that’s why this exact moment made his blood boil with newfound rapture, he could swear for a moment his skin bumped at the feeling of his heart throbbing so quickly against his ribcage. The thrill of the hunt, like his father used to say, made mere men become beasts, some because it was vital for their survival, others because of the rush of power it gave them.

But he couldn’t quite understand it until now. For him, hunts weren’t that exciting. The game was always too easy to track down, the footsteps effortlessly concealed. The gun didn’t feel heavy enough. His breath didn’t quicken at the mere chance of letting his prey slip away; he’ll always find a way to reach them again, after all. Animals have their habits; they’re easy to decipher once you know their true nature.

This is the type of hunt he’s been craving for so long. Johann had to press a hand against his mouth to prevent a low chuckle from escaping. Oh, how right his father was. This was truly trilling to the core, the kind of thrill that made a foreign heat rise towards his head and seep into his very brain tissue.

Humans aren’t like animals, their behavior is a little more erratic, animals can be divided between highly intelligent beings and straight-up dumb ones, but humans? All of them had their quirks, you couldn’t easily guess how prepared someone could be under certain circumstances. “Isn’t that so fucking interesting?”��

Lowering himself to the ground Johann reached to touch the freshly shaped footstep that his precious prey left behind. If they’re leaving such a pretty trail behind they’re expecting me to find them, what a tease.

“You know what kind of animals roam these types of terrains?” His voice was loud enough to carry its sound through the extremely quiet, when the hunt begins, the forest goes quiet, no need to scream. “Bears, moose, sometimes even wolves. Had to detangle a lot of ‘em from traps before, not without properly securing they won’t be able to bite, ‘course.” 

His heavy boots made the rotten wood and debris scattered around the forest soil yield under their weight, no need to change onto more quiet shoes, his bunny wouldn’t be able to hear him coming, surely their heartbeat was the only thing resounding inside their ears. Reaching into his pocket he took out his watch, starting a countdown. “I’ll give you two minutes to gain distance, cover your tracks, you can try hiding if you want, but I wouldn’t recommend staying still, it makes you easier to spot.” 

“Once the two minutes are done I’ll begin searching, I'll make a bird calling each 45 seconds, and once three minutes pass by, I’ll stop making bird callings and hunt in earnest, ‘kay? Just want to make the game easier for you, it isn’t fun if I’m the one with the upper hand all the time even if this is my subject.” 

With a deep sigh, he crouched down again, his hands fidgeting inside his pocket until he found a cigarette, the last one actually. Grabbing his lighter he lit up the tip, taking a slow inhale before letting the smoke escape from his lips. 

His free hand reached to grab the gun he always had with him, it was an old friend of sorts, stuck by his side in all the worst situations, a lot of people meeting their death at the end of this same barrel. Maybe it should have your name, after all, people do name their guns sometimes.

The forest grew more eerily quiet, the sun setting down in the distance while Johann quietly awaited the starting gunshot of the race, he didn’t really need to put the time on his watch, he could already count the time down to the millisecond inside his head. “Forty-eight, forty-nine…” His gloved fingers tapped against his lips, hands tightly clad in leather gloves, perfect for the harsh Austrian winter. 

A part of him wished you didn’t even make the effort to run away, maybe finding you curled up against a rock or a tree just waiting for him to find you was more exciting than actually pursuing you, after all, that meant you truly gave up on the idea of leaving him behind—still, another part of his brain screamed for you to run, so he could find you and make sure you won’t try pulling up bullshit like this again.

Slowly he stood up, the watch making a low beeping sound before he began to walk, settling the gun back onto the strap around his thigh. Holding the cigarette in between his lips he began to prepare the clothes you were going to use once he caught you, after all, little you decided to escape both barefoot and barely dressed, the worst thing in this forest beside him was the cold. Holding the spare jacket he always brought with him inside his bag and a blanket he continued to walk nonchalantly, not even sparing a single stare in any direction that wasn’t just dead front and center. 

Johann's stare drifted onto the floor, a little disappointed that you didn’t take his recommendation into account, there, clear as day, were your pretty little marks for him to follow like a bloodhound. Johann even took the time to carefully make sure he didn’t accidentally step into any of them, not wanting to overshadow the loving tracks you left behind for him with his heavy boots.

He knew very well he was taking all of this too lightly, this was a high gamble where he could lose everything or gain all, but still the elated sense of happiness and bubbling excitement made him more self-confident, too sure you wouldn’t get away too far, and even if you did, he’d stay in the damn forest all the time necessary for you to realize you need to go back onto his loving arms.

Stopping dead in his tracks he turned around as he heard a small sound coming from behind a fallen stump, dead bark peeling off the tree’s corpse. There you are.

And there you were indeed, curled up in a ball, back pressing against the rough bark as you held your arms around your torso, bracing yourself from the harsh winter cold, from the shiver that ran down your shoulders towards your legs or the sight you so pathetically defenseless made him smile, a blush creeping up onto his features.

“You didn’t even run far enough to let me do any bird calls, are you that tired, baby?” He kneeled down in front of you, but as soon as you jolted up in surprise Johann’s hand shot to grab your wrist with unnerving quickness. His dark eyes bore into you, a small smile gracing his lips, but there was no emotion behind that expression of his. “That’s okay, next time I’ll give you some proper equipment, some shoes wouldn’t hurt.” 

His thumb caressed the skin of your wrist, while his other hand threw away the now almost half-smoked cigarette that Johann held in between his lips. Eventually he reached to grab your head in between them, rubbing your cheeks with such tenderness that it could be even soothing in a different situation. “There, you did good. Not good enough to grant you a reward, but you did have me a little scared back there.” His smile widened as he lied through his teeth. You frowned, tired, freezing cold and also breathless, but still with enough energy to try and pry his hand away from your wrist, it was useless, he was latched onto you like a handcuff. “Fuck yo—” Before you could even finish he reached to clasp his free hand onto your mouth, the sudden movement making you stumble backward, head pressing against the tree. “Fuckin’ language.” He whispered between his teeth, staring at you dead in the eyes. “You should be grateful I didn’t put a damn bullet in between those pretty eyes of yours. Runnin’ away from me like that? After all I did for you? I let you away from my sight for just a second and you go jolting away like a fucking rabbit.” 

Taking a deep breath he lowered his head, slowly pushing his hand away from your mouth, his face leaning closer to you, the only warm feeling gracing your warm body being his hot breath against your face. “Sorry ‘bout that.” He pushed your lower lip with his thumb, pressing a soft kiss onto your flesh as some sick and twisted kind of apology.

“I won’t be as lenient next time, ‘kay? You know I care about you a lot, meine Liebe, don’t want you getting hurt.” He forced a smile, leaning his forehead against yours, but again his voice was masked by the thumping sound of your heart against your ears. “Let’s get you back to the car, I’ll get you all warmed up and cozy.” 

You just let him grab you, his hands effortlessly grabbing you and carrying you bridal style as both of you made your way back toward the car, you stole a few glances at Johann’s face, finding a small smile and that darn blush in his cheeks that showed how much he enjoyed himself, maybe a twisted part of him was truly pleased by all of this, even if it just started as a rebellious act of trying to escape from your part.

“Hear that? It’s a White-tailed eagle. Birds of prey, always hunted them with my father as a child.” Suddenly the forest wasn’t so quiet anymore, the hunt has ended.

[fjeldmouse]

[mesetacadre]

I think it's fair to say there is interest in an explanation of trotskyism from a marxist-leninist perspective. Information on what exactly Trotsky did and what trotskyism is nowadays is complicated to come by unless you know a trotskyist willing to be straightforward or someone involved in organizing with these types of communists. So instead of answering these asks without much prior research or preparation, I decided to wait until I was freer, without too many academic and political responsibilities. Full disclosure, the portion of this post on Trotsky himself is essentially (though not completely) a summary of Moissaye J. Olgin's Trotskysim: Counter-revolution in Disguise, which gets into the basics of trotskyism as well as Trotsky's actual position on his contemporary issues, such as the Chinese revolution, or the CPUSA which I don't get into here but I highly recommend reading. The second portion, about modern trotskyism and how it got to be present in the countries that it is, is shorter and more based on my own experiences organizing with trotskyists as well as reading what they have to say, and conversations with much more knowledgeable comrades of mine.

What is trotskyism?

Succinctly, it is the form of left opposition to marxism-leninism that has enjoyed the most spread, spearheaded by Leon Trotsky and his criticisms of the USSR.

Trotsky himself, despite what his self-aggrandizing History of the Russian Revolution leads one to believe, was never a bolshevik, much less a leninist. The second Congress of the Russian Social-Democratic Labor Party¹ (RSDLP) of 1903, which sought to establish the bases of what would become the bolshevik party and the CPSU, saw the start of the menshevik-bolshevik split, on the issue of what the party should become and how it should be organized.

The bolsheviks, already lead by Lenin, defended the principles of organization that were later systematized into democratic-centralism. These principles were the freedom of discussion until the party decided by a majority vote during a Congress, Conference or other organ for discussion, a position on any issue. After this, unity of action should follow, and the comrades who held the minority opinion, even if they still disagree, should submit to the collectively agreed-upon position, and act on that line an all party matters. This is to ensure that the party of the proletariat, representing the interests of one class, is not divided, and is able to express that single will. Otherwise, its action is crippled by unending debates kept alive by a minority. Consequently, these principles also lead to the intolerance towards fractions within the party.

Trotsky, who aligned himself with the mensheviks, opposed these principles, instead advocating for a complete liberty of individual action of comrades in the party. He called Lenin "the great disorganizer of the party" over this. This is the first great pillar of trotskyism, a rejection of democratic-centralism in favor of the creation of endless cliques and fractions within the party, which he did multiple times within the CPSU until his expulsion.

The second great pillar of the trotskyist opposition that arose before the October Revolution was of defeatism regarding the peasantry. Especially after the defeat of the 1905 revolution, Trotsky was convinced that a successful revolution in a country such as the Russian Empire, where the peasantry was a majority and usually held reactionary positions due to various economic determinations², was impossible because these reactionary elements would inevitably overthrow a worker's dictatorship. While already an excessively defeatist position among other communists, and certainly not a bolshevik position, this belief did not change whether it was 1905, 1915, or 1935. Up to the end, even once the USSR had beaten the armed intervention of 14 armies and had transformed the peasantry by eliminating the class of kulaks and collectivizing agriculture, Trotsky's opposition to socialism in one country relied on the perception of an insurmountable reactionary class constantly on the edge of an overthrow. This is what the "permanent revolution", a term that when used by trotsky has nothing to do with the same term used by Marx and Engels, actually means. A defeatism so deep, that only the practically simultaneous and global victory of the proletariat is possible, all without party unity!

This also negates other leninist positions such as the weakest chain theory, crucial to understanding imperialism, or the necessity of a communist party altogether. Since socialism in one country will inevitably fail, Trotsky told workers that an armed insurrection once the conditions was right was pointless, and that they should instead work for a "worldwide revolution", something that's in practice impossible because it would necessitate a synchronization of the conditions necessary for a revolution in every single imperialist country at once. Unequal development is an unbreakable rule of the imperialist stage of capitalism, and the notion of a worldwide revolution or even a revolution among a significant portion of imperialist countries was already refuted by Lenin in 1915.

So how did Trotsky reconcile his defeatist dogmatism with a living and thriving proof against it in the form of the USSR? As the third great pillar of trotskyism, he insisted by every possible avenue that the USSR wasn't actually socialist, the reasons for which changed constantly. Some issues were already recognized by the CPSU and worked against, and Trotsky exaggerated them. He expressed concern about the Central Committee replacing the party itself, he expressed concern about bureaucratization, the NEP and its lack of collectivization, the excessive speed of collectivization in the 30s, and other criticisms which, when taken together, show only contradiction and a single consistent position: that any attack against the USSR was legitimate.

And it's not like he was being ignored in the USSR, he simply always chose the most incendiary and anti-leninist methods for criticism. In the 13th Congress of the RCP(b) of 1924, among other things, the resolution that was approved recognized many flaws in the party coming out of the NEP, but that these issues weren't actively dangerous and could be solved: bureaucratization in some areas, excessive departmentalization, some influence of bourgeois elements. This resolution was passed unanimously, which included Trotsky. Immediately after the Congress, he published a pamphlet called The New Course, in which he lambasts this Congress and the entire party as having degenerated. In this pamphlet he also places students as the "barometer of the revolution", instead of workers themselves. His only proposal to that Congress was one to allow "freedom of groupings", meaning the freedom to form fractions. Once again he pulled the same stunt in the 15th Congress of 1926; he publicly subscribed to a resolution that explicitly banned such fractions, and directly afterwards published more pamphlets that directly opposed the resolution that he subscribed to! This is not a man who levied fair criticisms and was shut down, he was someone who held minority positions, anti-leninist ones, and refused to admit it, to the point of plotting against the USSR.

But how come Trotsky, during his better known times in exile, claimed he was the true Leninist and that he opposed the Stalinist degeneration? This is the greatest example of a tactic he used constantly. To always seem like the rational critic, and to pass his opposition as one coming from another bolshevik, he always shifted the perspective of his criticisms. In the times of Lenin, Lenin was the "great disorganizer", and the "leader of the reactionary wing of the party"³. But once Lenin died, he became the most loyal foot-soldier of Leninism, crusading against the Stalinist corruption. Then it was Stalin who became Trotsky's devil, effortlessly transposing his criticisms of Lenin to Stalin, and shifting his perspective from that of a menshevik, to that of a true "bolshevik-leninist".

This tactic was used constantly. For instance. when he was still within the ranks of the party, he completely opposed the principles of democratic-centralism, but once he was in exile and had to criticize the Communist International, his issue suddenly became only that the bolshevik form of organization was being hastily applied to different contexts. Then, he really had no issue with democratic-centralism. When he talked of the possibility of a revolution in the US, then all his worries of an insurmountable reaction dissolved, instead becoming an optimist who believed that, actually, there would be no real significant class who would oppose a revolution in the US, and that therefore the USamerican workers should carry out a revolution "without compulsion". The very same person who over the course of decades insisted on the dangers of a counter-revolution apparently believed the workers of the USA had no opposition to fear. This was, rather, simply an opposition to the Communist International's analysis of imperialism, as Trotsky placed the most revolutionary potential in the countries where capitalism was most developed, the imperial core, the very same mistake Marx and Engels committed, except only 70 years prior and with no good framework with which to analyze imperialism. If Trotsky was truly a leninist, then he utterly failed at even beginning to understand anything about the theory regarding imperialism.

I think this is a good enough place to leave Trotsky be, and talk now about trotskyism beyond Trotsky.

Trotskyism, especially in its analysis of imperialism, is very attractive to the imperial core communist. It appeals to multiple sensibilities like individualism, an aversion to revolutionary discipline and work, and impatience. By putting the emphasis away from the party of our class and onto the group of individual ideologues, each with their own cliques and mini-parties, by completely disregarding the possibility of a revolution outside the top of the imperialist pyramid, and by also disregarding the possibility of a revolution until the instance of a total global victory, it is no wonder most trotskyists nowadays are found in the imperial core. This is, with the exception of a portion of Latin-American countries, which I think deserves its own explanation.

Latin America in the 20s and 30s was a continent⁴ of very differing levels of development of capitalism and the proletariat. When many European trotskyists left to Latin America for various reasons, it's no coincidence that they ended up mostly in the urban centers of the most developed countries, such as Argentina and México, where Trotsky himself ended his emigrations after exile. It was exported to places that had a significantly developed proletariat, places which up to that point lacked a culture of multiple communist parties, like Europe had, and places with a strong unionist movement. Other countries like Colombia, Ecuador or Perú, whose worker movements were more significantly indigenist and/or decolonial, along with not meeting the other conditions like Argentina and México, were less ripe for trotskyism.

The condition for a lack of a multi-party environment was important because the trotskyist opposition to the USSR collected all the "orphaned" communists who opposed the sections of the Communist International in each of their countries, especially after the Moscow trials of the late 30s which expanded the opposition to marxism-leninism internationally, as well as with other events like the Hungarian intervention after WW2. But besides this very specific phenomenon, product of a set of very specific conditions which, outside of the imperial core, were only met in these specific countries, the basis of trotskyism as an imperial core opposition to marxism-leninism remains.

So nowadays, trotskyists are mostly located in the imperial core, with those exceptions I've explained. And this leads me to the last part of this post, which is about organizing with trotskyists as a marxist-leninist. In short, it's not impossible but also not an extraordinary situation. Organizing in the imperial core varies from country to country, that much is clear, but the fragmentation into countless groups and sects, as well as the competition with social-democrats, is broadly consistent. These conditions, again generally, mean marxist-leninist parties in the imperial core have to collaborate with a myriad of communist offshoots, anarchists, and ill-defined "leftists" to achieve a broader reach. This includes trotskyists. What makes them in particular uniquely annoying to organize with is that they continue to pretend to be leninists despite all the discrepancies, so they tend to constitute competitors in agitation and rhetoric, while their internal organization usually resembles that of an anarchist group more than anything else. From this, other symptoms like a reliance on assemblyism (especially in the students' movement) and extreme levels of voluntarism naturally follow.

The IMT (International Marxist Tendency), or whichever acronym it is that they're using now, has a relevant presence in just the US and UK with a nominal one in most other imperial core countries. In all cases they're not much more than newspaper vendors who sometimes gives talks at best, and mere reading clubs or financially-extorting sects at worst. There is another international grouping of trotskyist parties that I've come across led by the PTA (Partido del Trabajo Argentino, Argentinian Labor Party), mostly linked via their news broadcast Izquierda Diario, although from what I've heard, the PTA finances their international "children" parties too. Of course, these groups all have different names in each country which in turn tend to change every few years.

Before the split of the Second International during WWI, communists called themselves social-democrats

The mode of production of the peasantry was very individualized, since each peasant or group of peasants lived partly from the fruits of their own labor, they didn't sell it in its entirety. This stands in contrast with the proletariat's completely socialized mode of production; every worker sells the entirety of their labor-power and sustains themself by purchasing commodities with their salary. The pre-existing socialization of production in capitalism was identified by Marx and Engels already in the Manifesto as one of the reasons for the proletariat being the revolutionary class by excellence. The reactionary tendencies of the peasantry wasn't wholly determined by this, it also depended on various historical and contextual reasons, but this should be better expanded on a dedicated post to social alliances.

These are all real insults thrown at Lenin by Trotsky when he disagreed about party discipline. The "true leninist", ladies and gentlemen

Using "continent" in a very loose way here. It's not like the common definitions of continent are very determined either. But you get what I mean

[valeriehalla]

I have gotten a lot of messages saying that they really love the presentation of CURSE/KISS/CUTE. Often the commenter in question can’t say what exactly it is about the formatting that they appreciate, but that it just reads well and looks good. Well!!! Allow me to bare my wealth of secret knowledge for you once and for all:

I sorta just did some research into book typography...?

Here’s something you should know about web development, alright: typography on the web is really, really bad. The tools we have at our disposal—HTML and CSS—are incredibly powerful, but they are set up to fight you every step of the way towards Good Typography. When you know what you’re looking for, you can fix all the common issues quickly and easily. But it’s not easy to know what to look for, because

problematic typography is overwhelmingly the norm on the web, and

good typography is invisible.

Here’s a screenshot from CURSE/KISS/CUTE episode 0:

Now, I don’t want this post to come across as prescriptive. It is not my intention to tell you, “This is what good typography looks like, so follow my lead exactly.” I made a lot of choices with the typography of my web novel: many of those choices would not make sense in other contexts. What I want to convey to you is what those choices are, so that you will know they’re available to be made.

I mentioned that the web “fights you” when it comes to good typography. What do I mean by that? Well, check this out:

This is how that passage of text renders “by default.” In other words, this is how a web browser would render that text without any input from me about what styles to apply. It kind of sucks ass! But it also looks pretty familiar, right? This is not that far off from how a lot of websites—even websites full of prose (looking at you, AO3)—render text.

I think the most illustrative thing to do here would be to walk you through my thought process and show you, step by step, what decisions I made to turn this unstyled text into the styled version you see in the novel.

So, first things first:

1. We have got to shrink that text column.

Computer monitors... are wide. They are wider than they are tall. They are so wide, and they have so many pixels. This means you can fit a lot of characters on them. If you wanted, you could just have a wall of characters from the left side of the screen all the way to the right side. Talk about efficient!!

You should never, ever, ever do this.

This is one choice that I actually will make a prescriptive statement about, because it’s supported by quite a lot of research: fairly narrow text columns are more legible. Specifically, research seems to support the idea that a width in the range of 50 to 70 characters per line is the most comfortable for people to read*. Every font is different, so it takes a little doing to turn that “characters” figure into a pixel measurement; I went with 512 CSS pixels for the maximum width of my text column:

Isn’t that just so much nicer to read already?

*A commenter reminds me that I’d be remiss not to point out that the research on column width legibility isn’t completely conclusive. You do want to limit the width of your text columns, but going over the 70 character-per-line recommendation isn’t necessarily the end of the world, and you might have good reasons to do so. I did not: as mentioned, one of my goals was to mimic book-style typography, and books by nature have fairly restrained column widths, on account of they’re books.

2. Picking a font.

I’m not going to give you the blow-by-blow on how I decided what font to use. The short story is that I asked some designers, and one of the recommendations I got was the free font Crimson Pro, which I took a liking to immediately:

It’s just an all-around attractive serif font, but one thing I really like about it for use in a novel is its highly-visible quotation marks. They’re just kinda jumbo! They’re real big! Easy to see! In a novel, those things aren’t just ornamentation. It makes a great deal of practical sense for them to stand out just a bit. It also has a fairly large x-height, unlike a lot of the more traditional options, which is good for legibility on a computer screen.

3. Adjusting the line-height

Web browsers default to a line-height of about 1.2em, which, as you can probably tell, is quite cramped. If you go and Google “optimal line height for legibility”, you’ll get a number of results right off the bat suggesting 1.5em. Sounds good! Let’s do that:

Well... hmm. That’s definitely an improvement, but between you and me, it actually looks a bit too spacey to my eyes. I wonder why?

I’ll cut to the chase: the 1.5em recommendation makes some assumptions about the font you’re using. In Arial, the letter “A” is about 0.6em tall; in Crimson Pro, it’s about 0.5em. That means that there’s no one-size-fits-all solution to spacing your lines, because different fonts have different amounts of empty space baked in. How annoying!

Let me tell you something about the kind of nerd I am. When I had this realization, I grabbed some books off my shelf and pulled out a literal micrometer. I started measuring the line-heights against various font features to see if there were any patterns I could spot in professional typesetting. Here’s what I found:

Almost every book on my shelf spaces lines such that the distance between one baseline and the next is about three times the x-height. How cool is that? I clapped my hands like a seal when I put this together.

Adjusting the line-height to match what I observed in the wild gives us this:

It’s a subtle difference, but to my eyes it feels just right. It’s almost like magic!

4. Paragraph spacing...

Let’s address the elephant in the room. Probably the most controversial choice I made with CURSE/KISS/CUTE’s typography was to opt for book-style paragraph indentation rather than web-style paragraph spacing—like so:

I did this for a few reasons:

It’s what I’m used to. I’ve read a lot of books, and this is just the way that books are formatted. I think for something aspiring to the title of “novel”, there’s value in making it look the way a reader probably expects a novel to look.

A novel has a lot of paragraph breaks in it. A paragraph in, say, an encyclopedia entry might go on for half a page or more; whereas it is unusual for a paragraph in a modern work of narrative prose to run for more than a handful of sentences, especially in any scene with dialogue. Because paragraph breaks are so common, spacing between paragraphs in a novel results in a lot of wasted space. Also, subjectively speaking, the additional space seems to me to lend an undue amount of weight to paragraph breaks. I’m just starting a new thought; there’s no need for a 21-gun salute, you know?

Having said that, here are some good reasons you might decide not to do paragraph indentation anyway:

Doing it right requires a bit of extra legwork. Notice how the very first paragraph in the image above has no indentation. That’s because it’s the start of a new section, and the first paragraph in a section traditionally goes unindented. This is an easy detail to miss, and it can be difficult to wrangle CSS into doing it for you automatically.

Web users don’t expect it. For the first decade of the web’s existence, there was no good way to do paragraph indentation; by the time CSS rolled around and made it easy, paragraph spacing had already become the norm. And while CURSE/KISS/CUTE may be a novel, it is also, specifically, a web novel!

But it’s my house and I get to make the rules, so I went with indentation. Incidentally, there seems to be a dire lack of research into the question of whether indentation or spacing is more legible for readers—but the data that does exist appears inconclusive at best. So, the choice really does come down to vibes.

5. The tragedy of justification.

You’ll note that one way in which I did not make my web novel look like a paper novel is the text alignment. It’s un-justified: the right margin is ripsaw-ragged.

This is because it is not possible to justify text on the web.

Oh, you can try. Look right here: there’s a CSS property for it and everything. Just turn on “text-align: justify” and...

Nightmare! The interword spacing on that first line is almost as wide as the indentation!

Reader, I’m afraid that your web browser is simply too dumb. That’s not the browser’s fault: robust algorithms for justifying text without creating these distractingly huge gaps between words have existed for many decades, and modern computers are powerful enough to run them in real time with little performance impact. It’s just, uh—nobody has ever bothered to implement them into web browsers. It is the damnedest thing.

I tried, I really did. You can mitigate this problem a bit if you enable automatic hyphenation, but browsers are unfortunately also kind of dumb at hyphenating. Firefox, for example, will refuse to hyphenate any word containing a capital letter, so any sentence with a lot of proper nouns in it is a lost cause. I tried manually inserting soft hyphens with a text preprocessor I wrote myself, but still these overjustified lines plagued me: when the text column narrows, for example on a phone, even hyphens can’t save you. The line-breaking algorithm is simply too naïve to optimize for well-justified text, and that’s not something you can fix as a web developer.

As a result, my heavy-hearted recommendation is to never use text justification. It’s just too distracting.

6. And then some extra stuff just for me

I added drop-caps because it looks neat and I made the ellipses spacier because I think it looks good when it, uh, when they are spacier. I think that looks pretty good that’s just my opinion though.

That’s all! Hope you learned something bye!!!