#i actually draw her all the time i have always been obsessed with her design!!! i am not immune to pretty lady

[the-main-daine]

Life Series Character Renders:

Featuring Martyn, Mumbo and Pearl

(I actually have quite a lot to say about two of these this time.)

Martyn:

Human.... ish. Hear me out on this one:

So Martyn has this fascinating background lore to the Life Series called Watcher/Eyes and Ears Lore. I'm quietly obsessed with this.

I love watching his lore streams after every series, and have come up with a few theories on my own: His thumbnails are always fully illustrated, so his character has a canon 'look' for every season, which I think is just, deeply cool.

But in his lore, there's also this space between SMPs, where the Watchers kind of... hold people until they can be used again. And since Martyn is the protagonist of the very cool story he's writing, I got it in my head that in this space between, Martyn isn't QUITE human. Maybe he was at one point.

Maybe he never was, I don't know.

But alongside all the cracks and stuff that have started to show up on his body; there's seams along the joints, and light shining within, as he starts to become more befitting as a vessel.

A vessel for what? No idea. I probably won't be drawing all those seams in any fanart comics of the series themselves - I imagine they get covered up when he's sent out into the world to interact with others in various SMPs - but I thought the idea was too cool not to draw at least once.

As a past winner, he gets his crown, and the burning eye of Mars by his name.

Mumbo:

Vampire Mumbo!

I know he doesn't have the grey streak in his life series skin but I love it too much I'm keeping it forever.

It makes him look so much more threatening and serious than he is.

Poor Mumbo. I was really rooting for you buddy. Better luck next series!

At least he still does damage with those End Crystals.

Pearl:

A lunar moth

As a winner, she gets her crown, and she gets her moon.

I'm not going to lie I want that lunar moth hoodie more than anything.

I had a lot of fun with Pearl: Her skin design is so simple (Well, maybe not this season, but usually) that it leaves so much room to interpret it. She's always going around with dogs, making her wolfish would've been really easy, but I think Moth suits her more.

There's a lot of mythology with moths being a little off kilter, mad, or leading people to madness that I think fits with Pearl's tendency to be a little bit of a loose canon, wild and unpredictable. Like a moth's flight patterns.

Red Hood Pearl had to put in an appearance here, especially with how it's sort of creeping to overtake her in Wild Life this season, and she just gets so earnestly threatening when she's on a red life despite still being all smiles and all laughs.

Unlike Gem or Cleo, I think there's an edge to Pearlie Pop on red that just reminds me of a horror monster, in the best, best, best way.

I haven't figured out heights but she's also the tallest.

[midnightechoes]

Five years ago today, She-Ra and the Princesses of Power premiered on Netflix. I had seen a few preview articles about it, and liked what I saw. Those articles mostly focused on She-Ra’s, Adora’s, Glimmer’s, Bow’s, and Catra’s redesigns, and I thought they were fabulous. I loved Adora’s new red jacket and bouffant hair style. Glimmer’s entire redesign was inspired, and I loved that they made Bow black so we could have more diversity in the main cast.

It was She-Ra’s and Catra’s redesigns that caught my eyes the most, though. They made Catra an actual catgirl, and not just in the anime sense where she's just a cute girl with cat ears and maybe a cat tail. She was a full-on furry. It was a brilliant design choice. Honestly it’s no wonder that so many were instantly drawn to her.

And of course, She-Ra herself. I loved her new look, and her huge ass new Sword of Protection. In fact, I loved it so much that I drew this picture of her before the show even came out:

Then the show came out, and needless to say, I fell in love. And honestly, it changed my life.

I know, I know. That sounds very hyperbolic, and to an extent it is, but in a lot of ways, I’m absolutely serious.

Alright, I have to back up a little. Back when I was in college, and for a few years after, a couple of friends and I tried to make a webcomic called The Devil’s Gate. It was minorly successful but eventually floundered. Then I met some people and we tried to make a video game, which also failed. After those few years, I found myself on my own and trying to rework the concept of my webcomic. Making comics, creating stories, those have always been my dream, and I was desperately trying to figure out a story I could make work, something that I believed in. But it never truly got off the ground. By the end of 2015 I had given up on the comic, realizing that after working on it for years in different forms that I needed to step away from it.

I didn’t really know what to do after that. I was still doing my quick daily doodles, but I wasn’t writing, I wasn’t drawing anything of note. I felt emotionally and physically drained of my creativity. I was honestly getting to the point where I thought it might be time for me to give up on trying to be creative or making things all together.

She-Ra and the Princesses of Power came out on November 13, 2018, but despite looking forward to it, I didn’t actually watch it when it came out. It wasn’t until that weekend that I decided to check it out.

I was instantly hooked. I binged through the entire season in two days, and did plenty of crying and cheering. And then rewatched it immediately. I was in love. I was obsessed. It had been a long time since anything grabbed me like SPOP did. I loved the characters. I loved the colorful, sci-fi-fairy tale world of Etheria. I loved how unapologetically feminine it was. And most of all, I loved how queer it was.

I hadn’t done a ton of shipping before SPOP. I’ve been down bad for harlivy for what feels like my whole life, and I was angry when Mika and HG didn’t get together in Warehouse 13, but more often than not I had just been conditioned not to look for queer things in mainstream culture, and even barely in subculture.

That is to say, when I was smashed in the face with Catradora I was surprised how much I glommed onto it immediately. I was absolutely taken with Adora and Catra and their relationship. Both characters were so relatable, and despite not quite being text (although the subtext was so loud and obvious it might as well have been text), it was impossible to not read their feelings for each other as romantic.

It wasn’t just Catradora, even if that was a lot of it. Spinnerella and Netossa being canon from the start was wonderful. How much Glimmer and Bow screamed “BISEXUAL DISASTERS” from the start was adorable. Scorpia’s crush on Catra was as cute as it was sad in its one-sidedness.

I had never really been in a fandom. That is, yeah I’ve liked things, loved things even, but I never found other people to talk about it at length, never found discords just for that thing, never read or wrote fanfic, barely ever drew fanart. 

But, I watched SPOP, and then I watched it again. And then I drew Catra. And then I drew Adora. And then I drew them again. And suddenly I was on AO3, a site I never frequented, reading Catradora fics. And then I had an AO3 account. That December I participated in Catradora Week 2018 (I’d never heard of this kind of thing) and drew two pictures for it and wrote my first fanfic.

By the end of February I had drawn more in the three months since the show had premiered than I had in the previous year. I was working furiously on a long, multi-chapter fanfic, and writing more words than I had in the previous couple of years combined.

I was inspired again.

In the 18 months that SPOP ran for, I drew more than I had in years, I wrote hundreds of thousands of words. I felt so rejuvenated and happy about my creativity and free for the first time in years.

It’s hard to put into words exactly how it felt. I was so close to giving up my art and writing, which honestly, would have been giving up a part of myself. An important part of myself. It’s not overstating that SPOP saved me, or at least my creative spirit.

I also learned about the wonders of being in a fandom and fandom things like fan weeks, big bangs, zines. And I made some wonderful friends that I cherish to this day.

Even as I inevitably moved onto other hyperfixations, my love for She-Ra hasn’t diminished. Plushie Catra and Adora sit next to me on my desk every day. Catradora art still hangs on my wall.

The inspiration that SPOP ignited in me hasn’t died either. It’s carried me through a tremendous level of creativity that I’ve been riding since the premiere. It let me create a ton of fan art for SPOP, and then RWBY and then the Witch From Mercury, and I’ve written a ton of fanfics for RWBY and Supergirl. And perhaps the best, that inspiration has helped me create more OC stuff in the last couple years than I had in a long time.

I owe She-Ra and The Princesses of Power so much. I am so happy that it exists and that it happened when it did. I’ll always cherish it.

And for real, Netflix, SPOP spin-off movies WHEN?!

[spookberry]

Shadow High series 3 my new beloved

I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood

Random list of information cuz ive been plotting out friend dynamics and background lore

-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO

-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.

-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).

-The two made Pinkie's vtuber model together!

-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess

-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha

-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.

-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.

-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.

-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.

-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.

-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.

-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.

-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.

-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.

[beannary]

OK so I dont really like this but this 2012 tmnt mermaid au has been driving me INSANE so here are some mermaid designs for the boys (which I might change if I draw more stuff for this au) and some lore for the au under the cut!

also Donnie is ftm and Leo is mtf and those are the facts! (Donnie did do top surgery on himself, do NOT ask me how he did that underwater safely)

(just a quick note: I am using some japanese mythos for the mermaid part but I'm also being loosey goosey with it alskjdfh)

ALSO slight tw for cannibalism? or like cannibalism adjacent behavior

There is a yokai described in Japanese literature called the ningyo, a creature that is half human and half fish. Legend says that if you capture a ningyo and eat its flesh, that you will be granted eternal life. Hamato Yoshi and Oroku Saki were familiar with these legends, though Saki always believed in them more than Yoshi. Saki believed in the legends so much that he became obsessed with finding the legendary ningyo and becoming immortal after consuming its flesh. Yoshi accompanied his brother on these ventures, more out of a sense of familiar duty and a need to watch out for his younger brother than an actual belief in the ningyo.

And of course, it just so happens that the brother who does not at all believe in the existence of yokai would be the one to find one. Yoshi encounters Tang Shen, a ningyo who has been living throughout the local freshwater river system. And suddenly Yoshi realizes that Saki's quest for murder might actually come true since apparently these ningyo are very much real. So now whenever he accompanies Saki on his hunting quests, he does everything in his ability to try to dissuade Saki from his plan, and when he realizes that isn't going to work, he starts to sabotage Saki's efforts. And Yoshi does this because well he kept in contact with Tang Shen, and the two became close friends, and son fell in love, bridging the gap between yokai and human.

They can't get married, obviously, Tang Shen is fully a yokai, but they build their lives together and eventually Tang Shen falls pregnant with their daughter Miwa. The two weren't entirely sure what to expect of their child, but Miwa turns out to be a completely normal human child.

Over the years as Yoshi and Tang Shen's love and family grew, Yoshi started pulling away from his birth family, and more noticeably, from Saki, who was you know pretty angry with Yoshi who seemingly disappeared on him with no explanation. Saki channels his anger into his search for the ningyo, and it takes three years but eventually he does finally find one.

Around three years after Miwa was born, Tang Shen and Yoshi welcome in four new kids! Quadruplets! Three boys and a girl. And these four, unlike Miwa, seem to all be fully ningyo, which very much surprised Yoshi and Tang Shen (both the fact that there were four kids and those four kids are all mermaids) but hey, they knew their genetic situation would be weird and they were fully ready to hop into raising these four.

It's only a few days after the birth of their quadruplets, so soon after that they haven't even given them names, that Saki stumbles upon the home of Yoshi and Tang Shen. And He Is Pissed. Not only did his BROTHER ABANDON him but he abandon him to start a family with this yokai? The yokai that he's been hunting all this time? And Saki, like in canon, kills Tang Shen and Miwa. (Or well you know, he kidnaps Miwa and renames her Karai but Yoshi thinks Miwa is dead)

Yoshi manages to get away with the quadruplets in the chaos, and he tries so hard to establish a new life for himself in Japan, but no matter where he goes, Saki manages to find him. Eventually Yoshi gets desperate enough to flee the country, and he finds himself in New York City!

But meanwhile back in Japan, Saki did in fact end up eating Tang Shen but idk how he realizes it but he figures out that he didnt get immortality, and so he concludes that oh, Tang Shen must have been tainted somehow by her relationship with Yoshi, which sucks because now he has to find a whole other ningyo to get immortality. Luckily he happens to know of four ningyo that he would be more than happy to kill, which is basically Saki's drive to finding and killing the Hamatos.

Anyways that's all I have so far!!!! I'm trying to think about how they would live in NYC, if they can somehow become human (in maybe like an H2O just add water situation) or if they are stuck in the water all the time.

I'm leaning towards them being able to shed their fish tails if even only for a small amount of time, just so they can still be ninjas and train on land, since I think Yoshi would still want to train them to defend themselves. I think that if they can be human for a bit, they still get dried out really easily so they can't stay out of the water for very long, probably not long enough for them to go to school full time, so they still live super isolated lives. Or maybe Yoshi figures out a way to train them to fight in the water? Idk suggestions are appreciated!

They do eventually meet April and Casey, I think April is gonna be on the swim team and so she's a fairly strong swimmer (for a human) and so she spends a lot of time in the water with the hamatos which they appreciate a lot! I think maybe Yoshi isn't a super strong swimmer so as much as he tries to spend time with his kids he can't really.

Casey is still on the hockey team and he can't swim, the hamatos try to teach him but they fully dont know how to swim with legs and so they are Bad tm swimming teachers salkdjfh.

[marciaillust]

How long does it take for you to finish drawing?

I'm an artist (beginner) and i unconsciously set unrealistic goals for myself and need a reminder of how long it takes to complete a drawing, Thanks.

Hi! In the context you presented it in, that is a really interesting question, so I'll try to approach it thoroughly. I hope I won't make you roll your eyes too much.

Where to start, where to start... I guess the first thing I should say is that there is a difference between time I spend preforming the action of <drawing>, and the time I spent <working> on a particular piece. The first would be counted in hours, the second one - days. I'm a big believer in slowing things down, and giving things time - going through options, gathering research and references, taking breaks every 1h of sitting and drawing - and seeing things through until I achieve the goal I set at the beginning of the process.

The goals are usually different each time: "quick design", "character exploration", "analysis of an artist's linework and experimenting with the knowledge gained", "creating an aesthetically pleasing image", and so on and so forth. Of course I don't write these down like it's a school assignment, but knowing in the back of my head what I'm actually doing helps me manage my expectations. I also enjoy being conscious of why I create - when I was younger regardless of what I was doing I had the thought "AND IT MUST LOOK GOOD AND PRESENTABLE! BECAUSE PEOPLE WILL LOOK!" ...and I think that obsession is the cancer of creative process.

Since the goals for each picture are different, the time I'll spent on achieving each one will be different as well, because the "satisfactory results" lay in different places. For example, the Marcile sketchpage was created in one afternoon, and took approximately 3 hours. The goal was to play around with a brush that has no opacity forcing my lines to be more decisive. I did that and so it is "finished". There's nothing else I want from it.

On the other hand, the cover of Asterism took about 10 days to create, the goal of which was to make "an aesthetically pleasing cover picture taking colour inspiration from the works of (specific list of artists)". I took my time designing it so that it looks aesthetically pleasing, made sure the anatomy is "correct" (a nebulous statement when it comes to stylised humans), took my time masking, and picking colours, and shading. I wanted it to "look good" to my own eyes so if something was not working I would go back, change it, alter it, move it around... that's the wonderful thing about personal art, you can take as long as you like making something satisfactory.

The funny thing is, with what the Asterism cover actually is (a cellshaded image), it could have been done probably in 4 days by the me 4 years ago. But that person was willing to sit 8-10 hours a day to draw with no breaks, she had little social life, and treated herself as a little circus seal performing tricks so that people clap around her, and the clapping was soooo nice because it meant that people remembered her and she mattered. And it worked for her! For long 10 years! Until her arm gave out, and the reality of never being able to draw again became more tangible than ever, and it's been following her like a fog ever since for the past 4 years. The me today works about 4 hours a day and every hour I take about a 30 minute break. I also don't post half the stuff I draw. There is also another aspect that dictates the speed of creating and that is familiarity with the subject matter. The less you know something, the fast you'll draw it! But as you get to know the intricacies of the process, and see all the building blocks, it will start taking *longer* because you will start accounting for every block. But then you'll eventually get familiar with the blocks and so the time spent on a picture will go down again! The cool yet overwhelming thing about art is that, there are always hundreds of building blocks. Form, composition, ambient occlusion, saturation, hue, light balance, line form...... and those are just the *some* of the generalised *categories*. And each category will have it's own subsection of building blocks! And then those blocks will interact with each other to create completely new area of expertise! This is crazy! Marcille sketch page took me only 3 hours to create because I am already quite familiar with linework - I have drawn 3-4 comicbooks worth of linework. This also means I am familiar with believable anatomy, more or less, which got utilised in the Asterism cover - the main bulk of linework got created during a 3h livestream. So.... what's the answer.... "It's all relative" is so unsatisfactory and probably not what you looked for. But you can draw something in 3 days and kill your body over it. Or you can become an expert in a field and dish the same picture out effortlessly in 8 hours. You can also split that 8h block over multiple days bringing you back up to 3 days. You could even add a whole day of visual research which might make your picture only marginally better. And even if we calculate it in terms of raw working time, pen-to-paper, like a self-inflicted capitalist tumor, that time can fluctuate still due to personal visual library and knowledge base. If I asked Tom Fox how long it takes for him to create his sketch pages his answer would probably be downward of 30 minutes. Yet I need whole 3 hours to create something *less* anatomically correct than him. And so here we are at the end of this perhaps unnecessary essay. And all we learned is this: it depends. Dry, not nuanced tl;dr, my personal timings: single sketch - 30mins; single linework pic 1-2h; Cellshaded illust - 16h; Rendered illust: 20-25h.

[burnin0akleaves]

Here's the draw six fanarts meme I decided to participate in 4 years late

In true burnin0akleaves spirit I didn't ask anyone for requests and just went ahead with all of the characters that have been the most impactful/important to me, so there is a high chance you've seen me draw these guys before.

By the way, unlike the rest of the blorbos here Siyra is an original character and belongs to @nineteen-rats!

Close-ups and rambles under the cut because it's my blog

Ohh the Dark Urge. My latest obsession. I love his design so much, I'm a slut for white/red color schemes, but I feel like it's a double edged sword that takes you out of the horrors he's commiting at the same time?

Durge is supposed to be murder incarnate, someone that does every fucked up thing related to death imaginable; but when you see a giant lizard eating babies or humping corpses, it dulls the effect a bit since you automatically view it as an animalistic act. Dragonborns are obviously a fully sentient humanoid race in-universe; but when the violence you're seeing is already toeing the line between horrifying and hilarious, seeing a scalie doing it just pushes it over the line. I still think it works really well most of the time and I'm very glad that this is the default durge we get! It's just funny to me that when you choose to play as the giant lizard, the dark and disgusting horror story turns into the hilariously edgy bloodfest.

Reminding everyone again that Siyra belongs to @nineteen-rats! I love this man so so so much. I am the Siyra fandom. I am the number one Siyra fanartist. He did nothing wrong and I will defend his every decision. I also hope terrible horrors befall him and that his actions keep him awake for the rest of his life. Pookie bear xoxo

COMING IN WITH THE STEEL CHAIR IT'S WILL TREATY

He is on my mind, always. I don't talk about him as much but he's probably still the fictional character who had the most impact on me as a person.

PATROCLUS! PATROCLUS!!! SIR I'M YOUR NUMBER ONE FAN!!

I got into patrochilles and the Illiad in general thanks to "The Song of Achilles". It was one of the first queer books I got to have in real life and the prose captivated me instantly, I still have it on my shelf. After reading the Illiad itself however, I hate that book so much. I'm sorry it's genuinely beautiful and I get why people like it but I can never forgive that horrible Patroclus characterization after seeing what he was originally like. Achilles too for that matter.

Hades swooped me up into its arms like I was a sick baby bird and nursed me back to health with its portrayal of the two though and for that I am forever grateful. I can't wait for Hades 2, death to Chronos.

God Half-Life is such an important series for me. My dad would let me play through a few levels since I was a child, he grew up with the games, but I REALLY played through the entire series one summer shortly before dad moved out. He was there watching me play most of it and getting to enjoy someone actually translate the game's dialogue for him for the first time.

Gordon may not speak once but I like the hints of his personality we get throughout the games, most importantly from the way Alyx talks to/about him. I have my own characterization of him obviously but I do really think you can get a good understanding of the kind of man he is meant to be in-universe just by paying attention to his surroundings. Also another reason the games were so immersive for me is that I'm just as in love with Alyx as Gordon is. I must have let her get hit only once or twice the entire time just out of how protective I was over her. I'd topple the entire Combine empire just for her hand in marriage. I rewatched the ending of Half Life Alyx recently and cried.

I read the entirety of LOTR in one week in 11th grade, carrying that damn brick of a book everyday to school and back. I'm so glad I did honestly. Frodo and Sam are my important little guys and I find myself going back to them when I need something to calm me down in a way no other series except LOTR can. I've read most of Tolkien's work at this point, but nothing captivated me like those two little hobbits. Everytime I read a bad take about their relationship I sketch them making out.

People liked seeing my drawing process before so here's the original sketch and the little notes I wrote to myself trying to set the mood. I followed like half of them.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 3

Continuing from my previous two posts, this will be my last post discussing the English version of the SxF manga guidebook "EYES ONLY." I'll discuss some of Endo's and Lin's comments on specific chapters, some of the included concept art for the series, all the Twiyor tidbits the book has to offer, and conclude with a couple things the English version of the book omits.

Endo's and Lin's comments on specific chapters

There's at least one comment from Endo and/or Lin on every chapter of the manga from when the book was originally published (up to chapter 61). Unfortunately I can't cover every single comment, but I did want to highlight a few (more will be covered in the Twiyor tidbits later on).

So Bond wouldn't have actually died from Yor's cooking then? Good to know her cooking isn't that bad, lol. Also that's a good question, Lin, maybe you should ask Endo? 😅

Lots of great info about the cruise arc. Makes sense that they had to plan it out many months in advance and keep revising it to patch up plot holes. All that work definitely paid off! Interesting that they almost considered not having Loid on the ship at all. Glad they didn't because otherwise we wouldn't have gotten one of his best outfits! 🤣 (can't wait to see this piece of work in color in the anime!)

Incidentally, the scene Endo mentions where he "managed to make Yor look pretty cute" is this one (she does look pretty cute here).

My favorite comment of Endo's about any chapter has to be this one for chapter 56. Never change, Endo 😂

And lastly, some good comments about chapter 59 (Becky visits the Forgers).

This is one of my favorite stand-alone chapters so I'm glad it was well received. Funny how they kept going with the joke instead of ending it "normally"...but when you have such great characters and setups, good comedy writes itself!

Below is Endo's commentary about Henderson, not a specific chapter, but thought I'd point it out since he mentions Henderson is the only character he's done a shower scene for...not anymore!

Also, while not related to a specific chapter, I do like what Endo says below about Loid and Yor's "dark sides."

He enjoys drawing them this way, which is cool, but he's also cautious about not overdoing it and saving those expressions for important situations.

Concept art

Most of the pre-serialization character designs included in this book were also in the exhibition pamphlet, which I already discussed thoroughly here (wish I had remembered these were in the fanbook so I wouldn't have put so much effort into trying to read Endo's scribble notes). So I'll just mention a few of the most notable things.

As I discussed in my post about the pamphlet, Franky was at some point intended to be the uncle of the family. Though I do think it would have been fitting to make him the uncle, I also like the main focus being on just the "nuclear" family, with the uncle and other characters having supportive roles.

An interesting note about the beta version of Yor is that she seemed to be more like Fiona - she was in love with Loid right from the start, to the point of trying to eliminate Anya! I doubt this is something she would be doing all the time as it would have been difficult to make her a likable main character if she was always trying to kill her daughter...in all likelihood, she would have tried to kill Anya at first before eventually learning to love her as a daughter. While I see how this could work for an intriguing character arc, I'm glad Endo decided to make Yor a loving mother to Anya right away, and not make her feelings for Loid an obsessive "love at first sight" kind of thing.

Twiyor tidbits

Being the shipper that I am, I tried to see if I could pinpoint any Twiyor subtleties throughout the book, as vague as they may be! 😂

Below are excerpts from Loid and Yor's character pages where we're given info on their current stance about each other.

Love the emphasis on their bond of trust ❤️

Below are excerpts from chapters 14 and 35, probably the most Twiyor-heavy chapter pages in the book.

This confirms that Loid did indeed interpret Yor's kick as her not having any romantic feelings for him.

Below are comments by Endo and Lin for chapter 30, where Fiona is introduced.

Endo's line is a little ambiguous here, but I think he's saying how people sympathize with Fiona because she's "doomed to lose," which is...telling 😅 (does Fiona's loss automatically mean a Twiyor win?)

Endo says he likes the "You're strong, Yor" conversation, one of the most Twiyor-ish scenes in the series so far! 😊 Lin also mentioned how they got to use that theme again during the Becky chapter.

Weird that he chose to highlight this line of all things as Loid's "Family Comment" for chapter 10. Could this and chapter 79 be more foreshadowing for an eventual "Twilight vs Thorn Princess" showdown? 👀 Or maybe he just likes teasing fans because he knows it's something they fantasize about.

English version omissions

There's an additional Endo interview that's missing from the English version of the book: an interview with him and Kazumi Takayama, a former idol of the group Nogizaka46.

At first it seemed very odd that they would leave out just this interview, but after discussing it with others on Discord, I realized it's because it has to do with an idol. Apparently getting licensing rights for anything that has to do with a Japanese idol group is very difficult, which is further hindered by the fact that Takayama isn't even part of that idol group anymore, which makes getting the content green lit for official release overseas even more taxing. So probably Viz decided it wasn't worth the trouble and just left out that interview. But thankfully u/Nemshi on Reddit posted a fan translation of it, which you can read here. They talk a bit about SxF, but most of it is just general questions they ask each other.

And the other thing missing from the English version that I really can't understand is the inside cover! Another great 4th-wall breaking joke from Endo (I added a quick translation of the Japanese version below).

Unlike the Takayama interview, I have no idea why they didn't include this. They include the inside cover as an extra page in all the English volumes, so why not here? Very weird.

---

And that's all I'm going to share for the "EYES ONLY" fanbook! Honestly, there's so much great content in the book that I didn't touch on, like info about East/West relations, about Eden Academy, Endo's comments on all the designer chairs for the volume covers...and lots more. So definitely get a copy yourself if you can! It's a must-have for any SxF fan 😁 Books like this aren't officially released in English very often, so the fact that Viz thought it was worthwhile to make this proves how much of a hit SxF is!

<- Return to Part 2

[spotaus]

Hi guys!! This was a wild impulse series of drawings that I had no intention of finishing and yet here we are- uhhh. I'm also finally moving so to my mutuals: I am VERY sorry if I am m.i.a most of this week 🫡

Quick oc Ramble before I finish up with my plans for today!

Favorite Oc: Ichor! I've posted about him before, but he's *technically* also my very first utmv oc. (I decided there were no repeats-) Ichor has been here since the start of my obsession and still haunts me today. He's a Diety of Punishment after death, but was chained in shackles that restrict his powers, so instead of a God of Punishment, he's the self-proclaimed God or Puns!

First OC: I'm almost 90% sure his name isn't actually Scada but we're rolling with it. This was my 2nd-ish oc for utmv! In his universe, instead of Dusting monsters turn into a weird soul-goop. He's always had weak HP so when he almost died to something stupid one day as a kid, he expended a lot of magic to keep himself alive. His father, Gaster, wasn't very happy that his son was now half-dead so Scada was heavily separated from busy places like the capital and the whole family picked up and moved to Snowdin!

Latest OC: Phishbone. Phishbone was a Papyrus from a universe where Gaster (his father) took both him and Sans to the lab. Gaster trained Sans in the soul studies, but taught Papyrus how to weird concentrated human souls. Because Paps loved puzzles, Gaster constructed a rubix-cuve to contain soul essence for Paps to use in emergencies. When the universe corrupted, Core Frisk was only able to salvage Phishbone. He saw turmoil in the multiverse and decided that he'd set some things right! He has a pocket dimension where he can control anything about it, and usually pulls fueding people into it to force them to play games and use teamwork to overcome their frustration and escape!

Easiest to Draw OC: B.G. Sans (Bubble Gum Sans). She was a skeleton monster who just barely survived the war on the surface. Having been blinded by humans, Gaster took her in and helped her to live underground. She was the "Royal Seer", and was only able to see visions of the future (ex. The freedom of monsterkind). Her brother Gaster had two sons, Sans (who was named after her) and Papyrus. One day a human cornered BG and her nephews in the lab, and she was killed protecting them. Her soul was taken to The Void, and everyone but her family forgot her. Now she and Gaster control the void together, and 1 by 1 all the monsters underground escape the resets and join the Void!

Hardest to Draw OC: Ec-4o.Verse Ink. This guy is a menace. I designed him to have several robotic body parts to resemble a chimera, but I forget where they are at all times. + I always hate his outfit design??? He's on my list to fix his outfit.

[knight-a3]

TFA: misc Decepticons

Knockout and Nightbird

Commentary under the cut

I did Knockout because I enjoy him and sorta wish he was in tfa too. One of the all spark almanacs has a head design for him, but figuring out how to draw it consistently was driving me nuts. And I had to figure out the rest of the body, which... was sorta difficult. It doesn't seem the TFP characters' designs were made with the transforming ability of the toys in mind. There's a lot of kibble to look like mechanical parts that don't actually do anything. In short, the robot mode only kind of represents pieces of the vehicle mode. Ultimately, the design elements had to be simplified and stylized to fit the TFA style. Not to mention that tfa has an obsession with big chins for some reason.

Nightbird was a one off character from G1. In that, she was created by a human and hacked by the decepticons or something like that. I didn't pay a whole lot of attention. She didn't have an alt mode.

I wasn't fond of that backstory for one of the only female transformers at that time. And the only female decepticon(even if she technically wasn't even a transformer).

I didn't exactly think too hard about a backstory, but she's a Nighthawk F-117 stealth jet, and is ninja themed. She's got little energon weapon hilts on her belt that turn into various ninja weapons. Like a kunai or katana or whatever. Either she's a ninja bot gone decepticon, or she's always been a decepticon, or she was a jet brought to life by an allspark fragment and joined the decepticons. I haven't decided. I just wanted to design her, tbh

I may not have thought much about her backstory, but I put a lot into her design. I tried so hard to arrange all the kibble in a believable way. I hope it worked out well. Oh, and she's probably painted either black, purple, or blue.

[bronzeageyuri]

Today marks three years of Dianthus existing! I made my first concept sketches for her on 11/20/23 💖 this also means it's been three years of Diathesterius! I sometimes use the date I uploaded Dia to toyhouse, the 21st, as the anniversary date just in case I'm late... but I managed to finish colouring this <3 I had actually wanted to do something for this earlier in the month, I even made some very elaborate plans for it... but it ended up not happening! Which is okay 💞 but I still wanted to draw a little wedding piece... so I did! I'll make something fancier when I have more time later on... 💝 I used my own handwriting here for authenticity, but at some point... I'd like to be able to rewrite in Greek for More authenticity <3 Uncropped version (and long rambling post) under the cut 💕 I get a little Vulnerable so don't read it if you're gonna be mean or else I'll like Get You or something

I've made posts in the past talking about why Theseus and Asterius mean so much to me, but I don't think I've made one on why Dianthus herself means so much to me.. so for her own third year anniversary, I'll do that here! before I begin...! the fruit in dia's hair here are from the strawberry tree, arbutus unedo. I associate the tree and its fruit with Theseus but... it's honestly been so long, I don't remember exactly why! Just that, for some reason, I imagine thathis childhood home had a tree of these fruit blossoming just outside his mother's room, and thus he has fond memories of it. Lady Dianthus... she who loves all things pink, actively hates celery, and still has a job at the library despite being so fogetful and clumsy... she who met Theseus and immediately became obsessed because it was the first interesting thing to happen to her- not a parent or someone she's close to, but herself! her first time feeling as if she had a true purpose. She who didn't understand Theseus' obsession with Asterius until meeting he Minotaur, and promptly decided "he's not scary? he's not scary at all! he's just a cow!" I've made sona and the likes before Dia of course, but she was the first in a long time who was truly meant to resemble me in all ways (except for the setting, of course...). I made her design simple so I would easily be able to redraw her, and gave her one of my favourite palettes pink and green and cream and gold. At first I really didn't expect to get that attached to her... I went months without drawing her after her initial creation. but the more I drew her the more I realized how much fun I was having with her...! It's funny looking back on it... originally I had a much more comedic idea for her story, and di not intend to ship her with Theseus in any serious way. It was going to be a completely one-sided love (with Dianthus taking the role of "crazed fangirl" - which she still is, in a way). I'm sure it isn't a surprise but it didn't take me long at all to start drawing ship art of them, creating artworks and writing of Theseus and Asterius was a self indulgent joy for me, so why not selfship art too? I ended up invested, of course. Using Dia I put a lot of my own feelings into a story; a sense of otherness, her loneliness, feeling lost and out of place. I had removed it later on because I felt uneasy with how vulnerable it was, but at one put I had placed one of the most traumatic events of my life into Dia's story- sometimes I think about adding it back, because I know giving her an oppurtunity to open up about it with her beloveds would be something beneficial to Me irl(!). But that's besides the point here... she's a stubborn girl, sweet but arrogant is my usual go-to descriptor for her; that's how I think of myself too, just based on what I've been told (I have a hard time thinking of myself as nice, though others always say so to me...). That may be part of why I tend to look for those features in (fictional!) lovers... something feels good to me about being able to butt heads due to this shared traits, but still coming together and making amends despite it. I do think it's a little funny that the sonas I've gotten the most attached to so far- Dianthus, and now Nerine- have some sort of theme of death with them. Dianthus is literally a ghost, and Nerine is metaphorically one (and maybe liteally, if I ever make up my mind...). Maybe that's just fitting for me, though... hmm... I'm not sure what else I want to say here... I think of Dianthus as "Me but in Hades Game / Ancient Greek context." Of course some events that happen in her life didn't happen to me, or, sometimes, I dramatize it (Dia's mother leaving her and her father to become the wife of a god was inspired by the fact that for the first few yers of my life, my parents were separated... but they always had a positive relationship with one another! Unlike Dia's parents), but she's become a big par

t of me all the same. Just as I am happy and hoping to spend many more years with Theseus and Asterius, I hope to spend many more years with her as well. i think that's all I'll write for now <3 if you read this thank you for being curious enough about me to be interested in all this 😭

btw, here's the first ever post of her... (yes thats my priv </3 i briefly unlocked it to search for this... don't try and follow me over there though it's crazy over there)

[otomegrandma]

Just so you know this isn't hate, i'm GENUINELY askin' because i want to understand

Why do you ship togafuka ? Because i can don't really understand the appeal ?

You're free to ignore this text, you don't own me anything, i just want to know (It's kinda my goal to understand everyship i don't ship)

Hello! I don't mind you asking.

from an older curiouscat answer:

I’ve always understood why many people don’t like togafuka or dismiss it outright, and I don’t really take issue with this point of view. I obviously like them, but these are two characters with a lot of issues, and so the way they interact with eachother (or with anyone) is going to be bound up in all that until they change. Actually, in a way I think this is part of why I like the ship - it’s hard to see Byakuya interacting with, for example, Chihiro without feeling bad for Chihiro, and when Makoto is trying to befriend Byakuya I can tell it takes a lot out of him just to be around him, and I want to think Makoto deserves to spend time with someone who respects him more. But because Touko and Byakuya are both nasty people, having them spend time together is kind of like a quarantine, haha. We see in DR1 that both Touko and Byakuya often exclude themselves from the rest of the class, and so they end up “excluded together”

While I like Touko and Byakuya’s interactions during the killing game, the way they are during this period is clearly not conducive to an actual relationship. Even though they seem very different on the surface, however, I think they actually have a lot in common - having difficult childhoods, preferring a blunt way of speaking rather than delicacy, you know. As they change as people independently, I imagine that their relationship to eachother could change as they may begin to see eachother in a different light. I think Touko already sees and thinks of Byakuya a bit differently by DRAE, and as Byakuya becomes better at forming sincere connections with people (which he is incapable of in DR1) he may begin to admire things in her he previously dismissed. (<-this does not necessarily mean he has to return her feelings - they could just be friends, or two people who are otherwise mature enough to exist in eachother's lives without it being a problem. but i think its cooler if he wants to kiss her grossly) To be honest, I also just find them really funny. I like that Touko gets to be a funny female character, and I like that in their dynamic it reveals a bit of Byakuya's gap moe ignorance and he can get flustered. Its fun (and endearing in a mean way) to imagine them bonding over insulting and gossiping about the rest of the cast together.

I also find them to be aesthetically pleasing to draw together; I like the contrast in their designs and mannerisms, and independently they're both the kind of character I find fun to draw (Togami, being a cool, mean, princely guy and Fukawa being a loud, pathetic woman.) "They're my type" wouldn't be enough to explain why I've been obsessed with them for 7 years straight but they're also appealing to me in a way that is kind of obvious in my mind. It didn't take 'digging deep' to make me like them!

[pyjamaart]

A looming presence... (A piece of fan art for Episode 11 of the Christmas Comeback Crisis)

Read more for an essay on all the memes and references ;)

So here it is. Finally. Only one month too late: This piece of CCC fan art I've worked on since the episode came out.

Sorry for the delay, but I just started at my new job this week and it's been a little stressful, so I didn't have much time to work on this. But now it's finally here!!! I gotta say, the hardest part by far was the background, lol. I didn't mean for it to escalate that much. At the end I was honestly running out of memes to draw.

I bet we can all agree that episode 11 of the Christmas Comeback Crisis was so worth the wait, right???? My god. Peak entertainment. I still can't believe I'm getting all this awesome lore and music for free, feels kinda criminal.

I'm so invested in this story, it's unreal. I can't wait to see how it will end. I can already tell it's gonna be pretty emotional. (And not to alarm anyone, but I have a slight feeling that the Voice is not gonna make it out of this story arc alive. I mean, after everything he's done, it's safe to say that he kinda deserves it. Of course I really don't want him to die, cause that would mean…….. Woodman would also have to die??? Otherwise the Voice will just keep coming back again and again because Woodman is keeping his memory alive…….. Oh man wait a moment….. I don't even want to think about that. Forget I said anything about this.)

Anyway, let's talk about this piece of art for a moment.

In the foreground, we have our brave protagonists. I really really like how Nozomi turned out, so I decided to make her my new icon from now on. Don't get me wrong, I love my old icon, but it's kinda zoomed out and you can't really make out any details when it's really small. So Nozomi it is. Meta Knights sword was shockingly difficult to draw, especially because I had to figure out how to draw it when he's holding it at an angle like that. Otherwise, drawing him was actually one of the easiest things about this whole thing. His design is really just two circles with some arms and armor. Figuring out how the circle tool in Gimp works has never felt this good. (Kinda crazy I can just draw him like this now, considering how obsessed with him I was when I was about 12-13 years old. Back then you had to download official renders of your favorite characters onto your computer, then print them out and hang them on your walls all around your room. Yeah I've always been like this.) Drawing Santa was really fun too, just his right hand was a little difficult. But that's just because I still can't draw hands in general. Maybe I should practice drawing hands more. (Naaaaaah I'm just kidding, I'll never do that.) Now that I'm looking at him again, he's also longingly staring at President Haltmann in the background. Doomed yaoi fr.

Speaking of the background, let's talk about that next. There's obviously the title-giving "looming presence" the Voice. I had his hands completely in the background at first, but I thought it looked cooler when they were hanging threateningly around Santa's shoulders. (You may ask yourself, 'man these hands look kinda alright for my usual hand drawing standards', and that is because I traced over pictures of my own hands. I love "cheating" at art.) I also gave him his stupid little bow tie and the colored buttons on his suit sleeves. Not only is that kinda my trademark for drawing him at this point, it's also supposed to show, that under all the threats and the evil villain persona, he's just kind of a loser. A real (male equivalent of a) girlfailure. That's why I made sure that half of the things shown in the background are there to make fun of him a little. I love the Voice dearly, but that's just what felt right.

And now let's get to the actual main course of this essay. I probably spent half the time working on this on the freaking background. I'm just gonna start in the top left corner and then go down each column and explain what each of these mean or what they reference. (Since there are some quite obscure ones in there.)

Let's start with the two ponies in the very top left. They're actually ponysonas of Nozomi Tojo (left) and Takane Shijou (right). Nozomi is an earth pony and has a tarot card as her cutie mark, specifically the ace of cups. Takane on the other hand is a unicorn and has some musical notes as her cutie mark, which you can't really see. I don't know enough about the Idolmaster to think of something more meaningful for her, sorry. ;)

Under that are Susie Haltmann and her father, President Haltmann. They were (after Woodman) the first characters I wanted to draw into the background. Susie has this black bar covering her face, since she was never really there to begin with. The whole story line with her father wanting to bring her back was actually so freaking sad. And when the Voice killed him in episode 11 and that image of Susie flashed on screen as the last thing he saw before he died….. Oof……… That's also why I drew that cursor looming next to her "window" about to click on the closing button. Haltmann himself is also the only character in the background to actually leave his little window, wanting to reach his daughter. He's also glaring at the Voice for causing him all of this grief and anger in the first place with his false promises.

Then there's…. ahem, "Hot robots in your area". With drawings of a random unnamed robot and Mettaton from Undertale. Which the Voice has apparently bookmarked. This is just a head canon, but I like to think he has a thing for robots, lol. ;)

Oh and on the left next to that on the very first column is Simpleflips' logo. Shoutouts to Simpleflips indeed.

Onto the next column. At the very top is Haruka Amami (also from the Idolmaster), who played a pretty huge role in the CCC, especially in the latest episode. That moment at the very end where she saved Grand Dad from certain death was just fantastic. Absolutely goated scene. She's kinda pressing her face against the window she's trapped in. I hope you can even see that from far away, haha.

Under that is one of the more obscure references. It's from a King for Another Day video, specifically one titled "The Hobart Hootenanny - SiIvaGunner: King for Another Day". It's a slideshow made of beautiful Hobart pictures. One that struck me personally the most was a little family picture of Hobart and the rapper Eminem, who was also a contestant in the KfAD tournament, looking lovingly over their son sitting in a cradle. Eminem is seen saying "Our son is beutiful". A truly touching photograph indeed. In that same slideshow is also another scene of Hobart together with the Voice, but we'll talk about that one later.

The next one is a reference to the CCC side story "I wanna thank me" and shows a pie chart with the election results that were discussed in that episode. Under the pie chart itself is a little box containing all the different parties and showing their respective percentages. On the left is a poster for the "Poké Poké Literature Party", showing Monika's head with the words "Just vote Monika" at the top of the poster. The words (and Misha.) are scribbled on the bottom, lest we forget that she's not running this party alone. This side story was first featured in the Christmas Comeback Crisis Watchalong in 2020, which was actually the first time I watched the CCC in its entirety. It all went downhill from there. ;)

Then there's the Voice's… thing? Object? Weird apparatus where no one really knows what it does or what its purpose is? Every time we see the Voice sitting in his office, this thing is sitting on his desk right next to him. There's been loads of jokes about its purpose. They've all been made before. I'm not going to repeat them. Only the Voice himself truly knows what this thing does. Probably. Could just be a decorative piece of art.

Then we have something veeeery self indulgent on the next column. It's Aquaman from Megaman 8 (With a not so subtle skull right next to him). You should all know by now that I'm the founding father of the Aquawood ship. And I also have the head canon that Woodman and the Voice are very divorced. Interpret into this whatever you want.

Next to Aquaman is the internets' favorite panel from the web comic Tails Gets Trolled. I fucking love that comic. If you haven't read it in its entirety, I highly recommend doing it. (Though be warned that it contains some pretty heavy topics, many many slurs and a plethora of gore.) Okay, maybe I don't recommend reading it. (Just read it with all of that in mind.)

Under that is a personal favorite joke of mine. It's supposed to be Spotify, with a playlist open that I created some time ago. I called it "Die Pizza Playlist" (Remember that die in German is just "the") which I always listen to when I'm baking my own pizza. Highlights include "Pizza" by Antilopen Gang, "Pizza Heroes" by Lemon Demon (You can actually see the album art for Spirit Phone on the left of the playlist.), "Pizza Pizza Pizza" from the Ratatouille musical and so on and so on. The first song in the playlist is obviously "We like pizza" by the Pizza kids, which is even playing in the image. On the side are two more music artists, at the bottom is the image for the Veggie Tales soundtrack, which also featured a song called "Pizza Angel". And over that is Mitski. I just feel like the Voice would listen to her music. Do not question me on this.

The audience laughs at the funny 7.

On the Voice's left shoulder sits a single green bean. It's flashing you a cheeky grin and a peace sign. While I didn't intend for this to happen, I accidentally referenced my own Woodman birthday gallery art from two years ago, where the bean also sits atop the Voice's shoulder. I know that next to "Yankin'", the bean is one of the most hated memes on SiIva, but I think he's just a silly little guy! :D

Let's head on over to the next column. Seems like the Voice has an incoming call from one of his guards, but he's ignoring it as he has more important things to do, like hovering intimidatingly over Santa Claus.

Next to that window on the right are the Voice's messages. I almost wrote "messanges". That would have been embarrassing, thank god I caught that in time. This is also (yet again) a little self indulgent, since the Voice apparently has the last message he sent Woodman pinned to the very top of his messenger app. His big triangular head is blocking most of it, but since I'm the artist, I can tell you exactly what it says: "Please call me back", which was sent on February 1st 2023, the day "The Disappearance of Woodman" was released. Yeah, I'm still very upset, how could you tell? :( Under that is a message to his trusty pizza guy asking for a pizza with extra cheese.

Next we have two of my favorite memes on the SiIvagunner channel (My absolute favorite being "Funny budots", since I never wrote that down anywhere.), one being Frisk Undertale becoming uncanny and the other one being the goat. I don't really know how to describe the goat, but apparently it was crafted by the same artist who made the stoned fox that's also very popular online?? I may just be stupid, but I didn't know about that until I looked up a reference for the goat. Since it often appears alongside Undertale and Deltarune, many have made the assumption that this is what Asriel would look like in real life. That's why Flowey is there next to it with an equal sign. Whoever drew up that calculation wasn't really sure of their work, which is why they drew a question mark right next to it. Between Frisk and the goat is a little Soul, also from Undertale/Deltarune.

Onto the next column, where I'm dropping very subtle hints that a specific character in this image might like pizza. Or might even be a little obsessed with it. On the left is a list with the contact details of three well known pizza chains, on the very top is Sonic the Hedgehog who just recently became a brand ambassador for Totino's and on the bottom right of this section is a flyer for some kind of pizza sale.

The next window contains my favorite joke of any rip on the entire SiIvaGunner Youtube Channel. "Peepoona 5. Let us shart the pants." Just typing this out is making me die of laughter yet again. (The rip in question is "Our Beginning - Persona 5".) But as you all know, I am very into toilet humor. That's why Aquaman is one of my favorite robot masters. And why I'm such a big fan of Youtube Poop. And why I watch Minion fart gun religiously. But enough of that, you get what I'm trying to say. I love funny poop jokes. That's why this is here.

Oh man. This next one is why I wanted to write this very detailed essay in the first place. A reference so obscure, even I can't find its origin anymore. And believe me, I tried. Thankfully, I took a screenshot of the original comment thread this was based on. A user called "The New Guy" commented on a SiIvaGunner rip, something along the lines about how much they enjoyed this specific rip. At the time, the comment had 920 likes, so I'm guessing it must have been a pretty popular video. (The comment should also be about 4 years old now?) Anyway, under that comment, someone asks them what their profile picture was from. They simply answered "wagon", since that was exactly what their profile picture showed. Someone on the SiIvaGunner team must have found this exchange so funny that they commented "wagon" as well. And that's the origin of this joke. If anyone knows which rip this is from pleeeeaaaase tell me. I need to know.

I don't think I need to explain who the next guy is. Just the love of my life. I specifically drew Woodman in his getup from the Nuclear Winter Festival, since that was the last time he appeared on the channel. He's looking kinda concerned in the general direction of the viewer, for obvious reasons. And right under him is his trademarked >:] emoji.

And last but certainly not least, the final column! Now I finally get to talk about this other scene from the Hobart Hootenanny. It shows Hobart and the Voice having a romantic stroll at a beautiful beach, while the sun is slowly setting in the background, making the water shimmer with its breathtaking colors. Okay, the last thing didn't really happen, since it's a shitty MS Paint drawing, but I like to imagine it did. Maybe I should draw a remake of this image one day. Now I'd like to quote the video in question: "A man and Hobart were walking together on the beach. He looked back and saw that in his times of sadness and need, there was only one set of footprints. He asked Hobart why he would leave him in his time of most need. Hobart simply turned to the man and said, VVVVVRRRRR SRRRRR RRRRGGGHHHH--" (Thank you SiIva Wiki for the transcription.) Now I don't think I need to explain why I drew Hobart in a bikini top and fishnets. The question answers itself.

The next image is actually quite easy to explain. It's mm5charge and smol Maki. In another universe, Chargeman and Maki might have been integral to the SiIvaGunner lore. This specific image is just stolen from my piece of fan art called "Megaman 5 Brainrot (featuring Acidman)", which I posted in 2022. I still head canon that Megaman and Love Live take place in the same universe. Just because I think it's funny. And because I want to see funny robot masters interact with the girlies from Love Live. How do I explain this? It's like…. balancing out the world? The robot masters are almost all male (with a few exceptions) and the characters shown in Love Live are all female. How would Thanos say? "Perfectly balanced, as all things should be." Don't question my cool head canons, okay?

After that we have a poster featuring the Jazz Cats! I really really love the little animations that showed their backstory when KfAD2 first came out. I don't know if it's okay for me to say this, but I also really really enjoy the song "But Not You" written (in universe) by Doge and Naxx. The text is veeeeeeery questionable, but man, does it sound good regardless… And shoutouts to wolfman1405 for the heavenly vocals.

On the right of that is a missing poster for Wade L.D.. Nothing much to explain here I guess.

Left of that is the Voices shopping list, which lists flour, oil, yeast… Wait a minute…. All of these are ingredients for pizza dough! Guys, I'm beginning to think that this guy might like pizza.

On the very bottom of this column is Mario 7 Grand Dad himself, who has his hostile gaze directed at the Voice. I would be pissed off too if someone kept me locked in a glass tube for 7 years.

The last little window just shows the Vineshroom with the words "fecal funny" written under it.

And with that, it is done. The entire background thoroughly explained. (I may have gone a little overboard this time.)

It's been a while since I posted new art, huh? In the meantime, a lot has happened. As I said before, I started a new job, got a tattoo of Woodman on my leg (best idea I've ever had btw) and I also started watching MLP, which explains the Love Live / Idolmaster ponysonas, lol.

And that's all I wanted to say. I hope that the next piece of art isn't that far off. Jenny out. (I think this might have been the longest essay I've ever written here. I'm so sorry. By which I mean, I'm not sorry at all. I'm not forcing anyone to read this.)

[ageravena]

I redesigned Cosmo and Wanda for my FOP: Missionaries of Eden AU

Greetings ladies with gentle hands. I'm back with another batch of epic art now that I'm finally able to draw something other than the same two characters over and over again (read more at the end)

Just so you know, these were just quick sketches I made when I was supposed to sleep and these might not be their final designs.

Here's Cosmo:

Out of the two, Cosmo probably changed the most.

I tried to incorporate elements of his original design into the new one, like his tie, sleeves and umm... his hair? The hair-strands are supposed to be like flames coming out of his inner core (the weird ball I drew next to him that has an arrow pointing at the floating onion rings), if you understand what I'm trying to say.

I originally made him a twink until I remembered that he gave birth that one time. I suppose people can get back into shape after such an event, though I like this version of him better (plus it's show accurate!)

I know real thrones (types of angels) don’t have wings but he looked kinda silly without them. Also the wings make him have a star-shaped silhouette which I think is cute.

Also instead of a wand he has a staff

And then here's Wanda:

Maybe, since now that she has a sword instead of a wand, she should be called Sworda!... please never call her that.

It was a bit harder to incorporate original design elements into this one, so I mostly just went with what seemed fitting.

She also turned into a girlboss. Not that she wasn't already! I just thought it would make sense for her to be physically strong considering she's a power (type of angel).

Her wings also look like a sword... kinda. Her wand is also a sword now!

I didn't feel like drawing her face. It's always a struggle for me to come up with them since my art style is semi-realistic and all. Pick your battles as they say.

I also created some sigils 3 months ago

As per usual, all the mystical creatures in my AU have their own sigils for summoning purposes (inspired by real demon sigils. Look them up, they're super cool). That's why I created a bunch of them for a few important +a few miscellaneous characters, and only now did I realize that I had never posted them anywhere, so here you go:

I'll probably tweak some of these (especially Wanda's and Anti-Wanda's sigils). I'll most likely make more of these since now the vespids (pixies) have kinda important roles, too.

Btw they aren't symmetrical or anything. I just quickly sketched them on MS Paint lmao. Also the light grey lines are just guides and not actually a part of the design.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

(I tried to make a divider. Idk what it will look like on other devices)

Quick behind the scenes update: After three months of screaming in agony (or five if you include my two previous fixations), I have finally been freed from the chains of being way too obsessed with certain characters without my will... *cough cough*.

Though this might seem sad, worry not, for I persist by literally not caring about what my brain says. I believe it is my duty to continue this legacy I have created and continue drawing wholesome Peri x Dale ship art (+ AU stuff). It is what the fandom really needs during these trying times!

Anyway. Until next time, losertown!

[planet-poptropica]

⋆ So....I was scrolling through Instagram the other day and I saw one those fav character charts, and I thought it would be fun to make my own! ⋆

⋆ Poptropica mutuals, tell me about your favs, not just your main favs, your side favs! I will include the transparent version below, and my explanation to my choices down below if you are interested! I'm interested to see your choices. ⋆

⋆ Tada! Have fun! ⋆

⋆ Now, an explanation to my choices: ⋆

⋆ Your Favorite: Director D ⋆

I think it's no surprise to ANYONE that knows me that Director D has always been my favorite, since day 1. There was a moment where he was almost replaced by Binary Bard, but he is a close second. Director D is my favorite because he is associated to my nostalgia of a time when I was obsessed with being a spy or ninja when I was a kid. (Spy kids may have played a BIG role in that.) Playing as an agent in that island was so exciting for me, but I do remember having trouble with certain parts like the decoder. (In hindsight I probably would be horrible spy XD.) Now that I'm older, his island is still one of my favs for that reason, but it's not my number one. I wish we could have gotten a bit more backstory for him, but, what can you do. (But create a backstory for him and I have.)

⋆ You Relate To: Black Widow ⋆

Black widow is a character I don't really talk about or draw like....ever, which is crazy because she's probably the character I relate to the most, just like many other artist do too I'm sure. I relate to her in the way of being jealous of other people's art success, and the constantly comparing yourself to others. They say you are your worst critic after all. I don't so much anymore. I'm actually proud of where I am in my art journey, but I used to do that a lot when I was younger, especially when I just started doing digital art.

You won't catch me stealing or ruining other people's art though... girl what-

⋆ Your Favorite Design: Ringmaster Raven ⋆

Look at him, 'nuff said. His design is amazing. I love the color palette, the mask used to cover his true look, the raven theme with the wings and mask, the hat with eyes, everything. His design is the best because it matches with the overall theme of the island, it being a MONSTER CARNIVAL, and he is the Ringmaster. I remember how hipped I was when his island trailer released. One of the best islands for sure.

⋆ Is Underrated: Count Bram⋆

Yeah, remember when I was constantly drawing him for a short period of time? It's for a reason. I love my vampire peepaw who's confused about everything. I'm curious, do people consider him a villain? I kind of don't for the reason that he kidnapped Katya because he thought she was Anabelle, and once he was cured and was bought back to reality, he apologized for it because he didn't know. You want to talk about villain? Christopher is the real villain, you can't change my mind. Anyway, I was looking at the old art I drew of him, and he looked familiar to me. Then it all came together. You know who he reminds of? Exactly? Simon Petrikov, you know, Ice King from Adventure Time? Not only do they have the same hair style and would have the same personality, but they were both humans at some point with a partner, and once they became what they became, all they thought about was their partner, aka Anabelle and Betty.

Poof, mind blown. Vampire peepaw deserves more love.

⋆ You'd get along with IRL: Amelia ⋆

Amelia is another character I don't really talk about or draw, mainly because I associate her with the new era of Poptropica. But, I don't think that's fair. Amelia is actually a very sweet character that I think little me would have appreciated if she came to the game sooner. I would probably get along with her really well, considering how silly, and nice she is. Not to mention, her love for cute stuff. Imagine her unicorn bedroom but replaced with bunnies. That's my room right now. I think that even traveling with her would be really fun. She would have gotten under the "you relate to" category too but I didn't want Amelia on here twice. XD

⋆ And finally...Your Favorite Side Character: Dr. Spyglass ⋆

I... do not know how to explain this one. Dr. Spyglass only gets a few words of dialog, and we know nothing about him in canon, besides him working for HQ, and being an eye doctor. I won't lie, I actually had a crush on this guy years ago, hence why I shipped him with Muddy. (I cringe at that ship now. XD) Probably because...he looks like Director D...with a lab coat. >_> Look at both of them and TELL ME they are not related, I dare you. My version of them are. I love the idea of this silly scientist being hired by his brother after failing the entry agent exam, not because he pitted him, but because he understood how incredibly smart he was and is. Constantly being compared to his brother and what he could have been. So, you can say I like MY version of him... a lot.

I should dedicate a post to him some day, eh?

[booksandchainmail]

oniisama e, episode 16

Sainte-Juste getting on the phone and then just pulling the blanket back over her head is a big mood

I think it would be fun to make a modern basketball sports anime and see how long it would take audiences to realize the leads were Kaoru and Sainte-Juste

Rei: "I am no longer depressed :) Time to chase Kaoru's fangirls through the woods :) For funsies :)"

I want Sainte-Juste and Mariko to hang out... the unparalleled levels of melodrama that could be unlocked

this is what happens when you study together with a girl, Kaoru, they fall in love with you

gonna be honest I do not get what Mariko is seeing in basketball. Now if they were playing soccer or hockey... but to be fair I think these character designs would snap like a twig

"You're really hot on Kaoru-no-Kimi!" Tomoko is way more observant than Nanako

Mariko's only defense about her crush is that she isn't into butches

oh WOW that is some nudity. Marcille DungeonMeshi voice: woAH HEY

based Kaoru! "I don't accept that [the Sorority] is a valid part of Seiran in the least"! hell yeah!

oh, so Miya is keeping Rei off the team? Just for general isolating her reasons?

watching Rei play like this... she looks so much more alive. I don't know what's up with her and Miya, but it does seem like she's been artificially starved into tragicness

aww, instrumental version of the OP

now, what to think about Kaoru and Mariko? I was going to say this has come on quite rapidly, bu that actually isn't true: the obvious inciting incident is studying together recently, but they're been interacting since the early episodes, and at the very least they see each other all the time in class.

I get what Mariko sees in Kaoru: she's the class heartthrob, handsome and popular, but also kind, loyal, and patient. And I think Kaoru would be good for her: at the very least she's practiced in being a stabilizing influence.

Less sure about what would draw Kaoru to this, though actually I had noted that Mariko is similar to Sainte-Juste: pretty, dramatic, clever, funny in a biting way, prone to self-destruction. I wonder how Kaoru would feel about the kind of obsessive devotion we've seen from Mariko in the past being turned on her?

I think the real stumbling point would be (as always) Miya: Mariko is a member in good-ish standing of the Sorority Kaoru despises. And since I don't see Kaoru compromising her morals on that one, Mariko would have to choose at some point.

[quohotos]

I present to you, my Magnum Opus. The Underland Chronicles rendered in the style of an early 2000s flash based point and click adventure game (the MNOG)

I have spent so long on this. Inkscape doesn't log total project time the way Krita does, but it's the most time I've spent on any single piece of vector art. Even then there's still a million things I want to go in and change but... aaaaaa you have to cut it off somewhere. I have been copy pasting rats for hours, and don't even get me started on the shadows. The shadows look good, they are not physically accurate. I tried.

Here are some bonus features!

No text overlay. Clean if you want to print it or make it a desktop background.

Close up on Solovet and Ajax I've never actually drawn Solovet, or any underlanders really. I definitely am phoning it in by framing her from behind. When it came to designing what kind of armor they'd wear I took inspiration from both Greek and Roman designs. Ajax was originally much more saturated red until @paksenarrion-dorthansdotter corrected me. The books describe him as dried blood colored. (please don't look too close at the rats they don't hold up to scrutiny)

Close up on Ripred. He looks just a little bit small and fat in this one, but that's just because he's slouching. When he stands up it all stays in his hips and ass. I always draw Ripred like he appeared on my cover of Code of Claw. The scar on his face isn't really visible from this angle because it cuts left to right and he's looking left.

Lastly, here's Gregor and Ares. There is an official design for his armor as seen on the cover of my copy of Code of Claw. I redesigned it because I thought that version looked kinda pants, tbh. Little goofy and hard to take seriously.

The great thing about vector art is you can zoom in and obsess over tiny little details that end up only being like 4 pixels wide in the final export. Case in point, these rando flyers. Such minute detail that gets flattened out to a single pixel in some cases.

Sidenote: I always imagined the flyers as more microbat inspired, which is why I draw them with tails... but these ones end up looking very flying fox-like and have also some megabat proportions. This isn't really an intentional artistic choice, it's just a compromise I had to strike to make them look decent. I need to practice drawing microbats more.

Oh well. The author isn't that descriptive about their proportions so I guess it's up to interpretation.

Lastly, here's the original sketch that I traced over. A lot of features ultimately got cut, as well as the dimensions to the side being changed. Solovet originally was going to have a braid but then I remembered that line from the first book where Luxa explains that you have to cut your hair to go to war. Ripred also looked a lot more teddy bear like in the sketch, so I ended up not even tracing him. Bane was a redraw, and I actually did trace part of Ajax and then just frehanded the rest.

If anyone is reading this far and hasn't read the underland Chronicles, now is a great time to go to your local library and pick it up. These books slap and this tiny community would love to suffer our brainrot welcome you into our fold.

Fly You High