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linkspooky · 4 months

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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.

With Great Power… You know the rest.

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.

Now I’m going to drastically oversimplify what a character arc is.

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.

Should I save the villain?

Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.

#mha meta #ygo meta #mha 423 #bnha 423 #mha 423 spoilers #bnha 423 spoilers #izuku midoriya #deku #shigaraki tomura #tenko shimura #judai yuki #yubel #soulshipping #yu gi oh gx #yu gi oh

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sugawhaaa · 2 months

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ATEEZ SMUT REACTION *ੈ✩‧₊˚

☆~[You hurt yourself trying to deep throat]~☆

Warnings:: SMUT, Gagging/choking...yeahh

Pairing:: reader is written to have some female features

A/N:: this is like one of my biggest insecurities bc my gag reflex is so bad to the point I struggle to eat sometimes 😬 its embarrassing

Ateez h/c masterlist: ‧͙⁺˚*･༓☾

Taglist:: @mingisbbg @lezleeferguson-120 @minihong99

Hongjoong

Hongjoong had kept reminding you to take it slow and you had all night to try this new activity but you couldn't wait. Despite his voice being so gentle and warm you couldn't listen. You take him further into your mouth, feeling his tip push down to your throat. You whimper softly and Hongjoong gently rubs the back of your head in comfort.

"Go slow baby, it's okay," he speaks in a low but soft voice, his breathing shaking. You then push all the way down his shaft and Hongjoong gasps. You gag hard and slip off of him coughing softly. "Oh baby come here," he brings his arms out to you and lifts you up into a hug. You continue to cough and he rubs your back. "Would you like some water?" He asks softly and you nod.

He grabs the water from the nightstand and hands it to you. "There you go. You did so good I'm so proud of you," he kisses your shoulder softly. "Such a good job," he continues to rub your back and you smile softly at his words.

"You think so?" You blush and look down.

"Yes my love," he kisses your cheek. "Blow jobs aren't all about taking it all in your mouth and gagging shit. You can take it slow and steady and it will still feel like heaven," he explained with a warm smile.

Seonghwa

Your jaw was exhausted. Seonghwa and you were trying a new little game or some people would call role-play. Basically Seonghwa was torturing you all night but not with toys and edging. He was using his own cock to torture you. He started with facials, like three in a row, before tit-fucking, and now he was fucking your face.

At first it was fine and you kinda loved the idea of him rocking his hips into your face but eventually you felt your throat starting to weaken and the sense of pleasure was fading away. You squint your eyes shut and Seonghwa's grip on your hair falters. He continued to move your head to the rhythm of his hips but once he saw your eyes watering he instantly let go.

"Hey baby, are you okay?" He bent down a little to check on you. You wipe away a tear and nod. "Are you sure?" He pets your head softly as he kneels down to your level. You pout softly and you find yourself crying more. Seonghwa's heart shatters and he pulls you into a hug. "My love, come here," he plays with your hair as he holds you against his chest. "What are the water works for?" He asks with concern etched in his voice.

"I'm just tired," you sigh in his arms and he smiles softly, glad to hear he didn't hurt you.

"I understand baby. You tried a lot of new things tonight," he kisses your forehead before sweeping you up bridal style. "Do you want to rest for the night or do you need some attention?" He asks as he sets you down on the bed.

"Relaxed sex..." you say softly and he chuckles.

"Alright darling" he kisses your forehead again.

Yunho

Yunho was always up for challenges and something more during sex. If you asked to try anything he would happily give it to you or let you have your way with him. That's how you got here.

Your head was up against the wall, a pillow situated behind it, and Yunho's cock stood in front of you, twitching slightly. You opened your mouth nice and wide and he eased his cock into your mouth. He slowly began to thrust into your mouth and at first, it felt strangely erotic, pleasurable. But after a while you felt the gagging starting to get to you. Yunho didn't pick up on this however.

He knew you were also up for a bit of challenge so he pushed you a little bit but when he saw you starting to not just physically cry from gagging but emotionally crying he pulled out of your mouth and crouched down to you. "Baby, baby, look at me. What's wrong?" He held your face as you cried softly. "Come here," he pulled you into a hug and you hid your face in his shoulder. "Why are you upset my love? Did it hurt?" He rubs your back.

"A little...I just wish I could do better," you look at the ground and Yunho shakes his head.

"No baby don't say that," he holds your face to look up at him. "Listen to me. You are so fucking amazing and gorgeous. You are the best partner in the entire world I could've asked for," he rubs your cheek softly. "You are amazing," he kisses your forehead and holds you against his chest again. "Let's stop this. What do you want to do tonight?"

Yeosang

Yeosang lazily holds your head as you bob up and down his length. Low distorted groans escaped his lips as he watched you through hooded eyes. This morning you decided to wake him up with a little blow job as a "Good morning" and to help with his nearly constant morning wood. However, he was still groggy and not fully awake yet.

"Fuck baby, keep going~" he moaned in his low morning voice that made you get excited yourself. The sounds of you slurping and sucking sounded like heaven to his ears. He fell back against the bed as his hand lazily rested on the back of your head. He wasn't even guiding you or moving you in any way, he was just resting there.

As he started to wake a bit more you decided to test a little something. You began to deep throat him, taking him all the way down before moving your lips back up just to his tip before repeating. Every time you went down again his whole body jerked forward and you would gag on him. "Baby-I fuck," any sentence he tried to form only became a slur of words and you soon found out why.

As you plummeted back down again you felt his hot seed shoot to the top of your throat. He held your head down as his body shuddered. You squinted your eyes shut before choking on the warm liquid.

Yeosang didn't realize it at first but when you started whimpering and hitting his thigh he looked down at you and let your head go. You sat up coughing and Yeosang lunged forward. "Y/N," he put his hand on your shoulder as you coughed. "I'm sorry baby," he moved his hand down to rub your back. "Shh, it's okay," he put his head down to the side of yours. You take a few deep breaths before relaxing again. He smiles up at you softly.

"Sorry I didn't mean for it to go like that," you look down and Yeosang shakes his head.

"No, no baby none of that," he kisses your forehead. "I am the one who is sorry. I should've realized," he kisses you on your lips softly. "I love you baby, I'm sorry for hurting you,"

San

San wasn't usually one to press for things but rough blow jobs were something he always loved. As of right now, he was trying to hold back smashing your face into his hips. Like it was driving him crazy. Eventually he caved in, tightening his grip around your hair and guiding your head a bit more forcefully.

"That's it, relax your throat," he said between low groans of pleasure. The wetness of your mouth drove him wild, the way he could feel the back of your throat tightening everytime he pushed deeper. He found himself falling deeper into the pleasure to the point he just started forcing your head down his shaft.

It wasn't until cum was pouring from the side of your lips that he came back from his rush of pleasure. He looked down and saw your pathetic state. Tears rolled down your cheeks as you looked up at him with an expression that said "Please stop" San instantly let you go and as you gasped for air the guilt set in. "Baby, I'm so sorry, I didn't even realize," he says as he scoops his arms around you. "I'll never do that again," he promised as he held you close.

He showers you with kisses as he holds you. "How about you ride my face in return? As an apology?" He looks up at you eagerly.

"No San, it's okay I promise," you chuckle softly but San is already lying down urging you to come over.

"Cmon, just for a minute,"

Mingi

Mingi knew he had a bigger cock than the average person but he couldn't stop himself. You just looked so good with his cock stuffed into your mouth, tears poking at your eyes, ugh it got him so good.

He grabbed a fist full of your hair as he pushed your head down. "That's it, take it all," he moans loudly as you fit him all in your mouth. You whimper softly but refuse to use your safe action. "Oh you are being so fucking good, yeah," he groans as he begins to buck his hips against your face. The sound of you gagging on his size made a shiver run down his spine that basically possessed him.

He grabs the sides of your head and begins to thrust into it, your throat squelching as he did so. "Yes baby, relax your throat," he groans before holding your head right against his stomach as he cums. You hit his thigh a few times rapidly, using your safe action and he lets your head go. You slip him out of your mouth and cough harshly, gasping for air in between.

The guilt then hits Mingi like a tidal wave. "Oh baby," he kneels down next to you on the floor. "Come here my darling. I'm so sorry," he rubs your back as you cough harshly. His face shows visible pain at the sound of your coughing. "I'm sorry, I'm so so sorry," he pulls you into his lap. "I won't do that again I promise," he said as he wiped away some cum and drool slipping your lips and down your chin. "Shh, your okay," he pats the back of your head comfortingly. "Never again baby,"

"It's okay Mingi...I'll get used to it," you reassure him and he shakes his head.

"No baby. I never wanna see you like this again,"

Wooyoung

Wooyoung was the biggest fan of blow jobs in probably the entire world so of course he would never say no to his baby wanting to try deep throating.

You were casually sucking him off as he curled up in his blankets and pillows. This intimate moment was calm and relaxed. Most of the time you and Wooyoung were freaky as hell. Saying dirty things, forcing the other to spit on their genitals, hair pulling, bed creaking it was all there. But tonight Wooyoung laid back and let you have his way with him. Things were calm and sweet until you stuffed him down your throat abruptly.

Wooyoung jumps and moans softly. "B-Baby," he whimpered as you swayed your head back and forth, his tip rubbing against the very back of your throat. It made you gag softly but you pulled through. You carefully slipped him out of your mouth and he sighed softly. You coughed quietly, trying to cover up your discomfort but Wooyoung noticed.

He gave you a certain look that you couldn't describe with words. It was just a look that told you that he was okay with whatever you could handle, don't push yourself. You still did the opposite. You took him in your mouth again and bobbed your head, gagging continuously and Wooyoung gritted his teeth. "Ah, baby, don't-" he got cut off by his own moans. "Don't push yourself," he rubs your head as he feels your throat flex around him.

Wooyoung couldn't take it anymore and pulled back his hips while forcibly lifting your head up. You cough harshly as tears pour down your cheeks and Wooyoung shakes his head before bringing your head down to his chest. "Don't do that baby, don't hurt yourself," he pets your head as he hushes you.

"I wanted to make you feel good," you whimper softly and Wooyoung's heart sinks.

"Oh my baby, there are so many other better ways to make me feel good. You can still stay in control or not, there are hundreds of ways," he holds the sides of your face as he speaks. He brushes his thumb over your cheek, wiping away the tear. "Come on now my love," he kisses your neck tenderly.

Jongho

Messy sex with Jongho was nothing new in your relationship. He always loved lots of spit, cum, and other bodily fluids all over the place. Whether it be sweat or tears the two of you had seen it on each other countless times so when you were taking him in your mouth he wasn't surprised to see tears rolling down your cheeks.

It was a natural human response to gagging so to him, as long as you were still going he trusted you. He held your head softly but allowed you to do as you pleased. That was until he was nearing the edge. He couldn't hold himself back as he slammed your head down against the base of his cock, your throat milking his cock. His cum spurts out down your throat and you choke on it as well as gagging from the length of his cock.

Jongho noticed your distress and pulled back. You turned to the side and coughed harshly, cum dripping down your chin. Jongho honestly didn't know what to do. He hurt you so bad and he didn't mean to. He put his hand on your back and just let you cough. "Let it out baby, you're okay," he soothed you softly as you coughed. You found yourself calming down and you sighed. You lay back against the bed sheets and Jongho follows you. "I'm so sorry my love I didn't mean to hurt you. I just got so caught up in everything," he strokes your face softly.

"Did you feel good?" You ask softly and he hesitates.

"Yes baby, but it wasn't worth it," he explains. "You did such a good job but I don't want to see you like this again. We're not doing this again," he shakes his head and you sigh softly. He pulls you into his arms. "You did so good," he kisses the top of your head and holds you tight against him.

#ateez x reader #ateez scenarios #ateez #ateez fanfic #ateez hard hours #ateez hard thoughts #ateez smut #ateez fic #ateez ot8 #ateez headcanons #ateez yunho #atee #ateez yeosang #ateez mingi #ateez seonghwa #ateez hongjoong #ateez jongho #ateez wooyoung #san ateez

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honeytonedhottie · 9 months

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getting it together⋆.ೃ࿔*:･🍡

it feels GOOD to have all ur assignments done. to actively pursue ur dreams and goals. to be consistent and in turn -> see results. it feels good to give meaning to ur time and experience sustained satisfaction. this post will give an overview/guide of the BASICS of getting it together. that way whenever u get off track (cuz we're all human) u can easily reference this and get it TOGETHER.

SLEEP SCHEDULE - how does ur sleep schedule look? is it all over the place? fix it. the plan is to get between the range of 8-10 hours of sleep every single night (yes even on the weekends) and to wake up no later than 8 in the morning.

i recommend formulating a "get ready for bed" routine. mine is set with a soothing playlist, a cup of tea, and copious time for self care and meditating on my manifestations. ur night time routine is customizable to YOU, however the goal is to get away from screens or anything that'll tempt you to stay up at unhealthy hours.

THE MORNING ROUTINE - i think that the most influential and important time of the day is the morning. bcuz for me that sets the mood of my whole entire day, so i take my mornings SERIOUSLY and i think you should too.

for me in the morning, i do a light pilates workout/stretch to get my blood pumping, and i feel like it gives me such a boost of energy and sets the mood for the whole day so if u haven't tried i rly recommend working out in the morning. however since this post is for when you've gotten off track start SMALL. a short 5-10 minute stretch or pilates routine is more than enough.

THE IMPORTANCE OF GETTING READY - and i'll STAND ON THIS. even if ur not going anywhere at all that day, make an effort to get ready. make casual glamor a HABIT. getting ready is like, the best part of my day. its so therapeutic, something about the meticulous attention and the amount of time that i pour into myself it feels AMAZING. when u look good -> you feel good

A TO DO LIST - plan out ur week, plan out ur day, ur month. make a super cute calendar or agenda so that way you can get ur tasks done. im someone who needs super detailed instructions of what TO do, so when ik what im supposed to do i can get it done and i can get it done well. and instead of thinking of it as a to-do list, think of it as like a quest or something. tasks that u need to do and then -> you get something in return

ik it sounds rly dumb but sometimes when theres a mundane task that i know i must do, i imagine that im like a SIMS character who has no choice. or i imagine myself as a video game character who is doing it as a task cuz its part of the game. the point of me sharing that hot tip is to make it FUN for yourself. give urself something to look forward to afterwards too. like an episode of ur favorite drama, or a sweet treat.

CLEAN UP - a cluttered space = a cluttered mind. take 20 minutes aside everyday to tidy up so that then u can avoid the day-long cleaning on the weekend and actually enjoy it. when ur space is neat and organized, so is ur mind and it translates to how u view/respect urself. u show that you respect urself when u dwell in a place that it is neat and tidy.

PROPEL YOURSELF - when i've been rotting for a couple days, my go-to routine to propel myself back into my usual swing is : shower (an everything shower is a bit ambitious so go for it if u want) -> drink a COLDDD large glass of water -> do the process of getting ready and then do at least 3 tasks and 2 smaller tasks)

#self concept #it girl #becoming that girl #self care #self love #that girl #it girl energy #honeytonedhottie #dream life #dream girl #dream girl tips #self development #wellness girlie #girl blogger #girly #dolly #pink pilates princess #green juice girl #put together

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aurora-starwars · 7 months

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When Something Gets Broken, It Can Be Fixed

Pairing: Clarisse La Rue x Hecate daughter!reader

Summary: When Clarisse breaks her spear, your there to fix it

Word Count: 1.4k

Warnings: Not proof read, not very good, oh well. Just fluff and very slight angst.

Request by @magicalengineerdonut:

I have a request for Clarisse. The reader could be a daughter of Hecate and it takes place during capture the flag and clarisse’s spear breaks and reader comforts her and the next day she comes back to clarisse with her spear that reader fixed and it ends with a cute moment between them

A/n: Thank you for requesting! I hope you like it! I am very excited to be getting into the PJO fandom. My friends have been raving about if for years! I am on the third book right now and I love the series so far. And I love Dior. Anyway, I would love to write more for this girl! So please request!

Masterlist

As the sun rose, it cast a soft, golden glow over Camp Half-Blood, signalling the start of another bustling day. The day of 'capture the flag' always stirred up excitement and anticipation among the campers, transforming the usually tranquil camp into a hive of activity.

It was a day that held great significance within the camp's traditions, and the palpable hustle and bustle was a testament to its importance. [Name] walked from her cabin to the training grounds in hopes to get a few more minutes to go over some defensive positions.

However, her contemplative silence was abruptly shattered by the commanding bark of instructions echoing from a voice she recognized all too well. The words were harsh, direct, and specific, as the head of the Ares cabin usually was. [Name] smiled at the sound of Clarisse La Rue’s pointed yelling, her direct and impersonal insults at the red team were a sign of her good mood.

If that was not enough of a sign, Clarisse looked over at [Name] when she finished speaking and smiled. It was a slight smile, [Name] will admit, but she saw it.

[Name] knew Clarisse very well. There was little that [Name] didn’t know about the girl at this point. And [Name] knew Clarisse had a plan.

“Where are you off to?” Clarisse asked, sauntering over as her hair, in a ponytail, swung behind her. [Name] always thought she was a sight to behold.

“Just on my way to the training grounds, care to join?” [Name] asked, already starting to make her way to the grounds, Clarisse falling into step beside her.

[Name] watched Clarisse face closely as they walked, hoping the girl might give up what she was thinking about. What she was planning.

When she didn’t say anything, [Name] took matters into her own hands.

“What are you planning?” [Name] smirked, her voice playful as watched Clarisse’s mouth twitch, the corners of her mouth turning upward ever so slightly. It looked like she was trying not to smile.

“Nothing.”

“Nothing?”

“Nothing, just planning on winning,” Clarisse smiled but it didn’t reach her eyes. Something twinkled in them though, something like mischief…

“And this could have nothing to do with our new camper? The one kicked your ass in the washroom?” There was a careful teasing in [Name]’s voice, she was determined to get her point across but she was not willing to feel the force of Clarisse La Rue’s rage.

Clarisse only rolls her eyes. She scoffs and looks away. [Name] sniffles a giggle at vision of Clarisse, soaked in toilet water, running out of the washroom like a wet puppy. Clarisse abruptly stops and turns to [Name], bringing her thoughts from Clarisse to the reason she was there, the defensive positions. ”You know your job. I know you will do well,” Clarisse puts simply, her face remaining stoic, but her eyes betray her, conveying the fondness she tries so hard to hide.

[Name] nods as she walks away.

The game started as usual, the only difference was the direction Clarisse and some of her siblings ran, which [Name] thought was strange but knew not to question Clarisse about these things. The game moved quickly at the start, everyone running off into a different direction, [Name] doing the same. But after running a little further in the forest, she found her spot not far from the Red flag. There were only a few Ares kids protecting the Flag a few metres away but other than that, the forest was surprisingly empty. A stark contrast to a few minutes prior. There, [Name] took her stand, waiting for the blue team to come barreling in. The young Athena girl on the blue team had a brilliant plan for her to just run in with her invisibility cap and just take the flag. A plan she has used before, Clarisse was hoping that this time [Name]’s magic could somehow make it so the red team could actually see the young girl.

[Name] figured she could just make a small spell to not let magical items/gifts go past a barrier. It wasn’t strong and it would only work once, but it was better than nothing. Unfortunately, the spell could only protect the front of the flag, which left the back completely defenceless.

And, of course, Annabeth Chase would know that.

[Name] breaks out into a run after the floating red flag watching as the blue team breaks out into cheers as they see the flag floating quickly in their direction. [Name] slows down to a jog, knowing that if the Are’s kids couldn’t keep up with them, they had already won. And a well-deserved win at that. She could almost smile at the fact but as she comes up to the beach she hears the ear piercing scream of Clarisse. [Name] rushes in as Clarisse attempts to take the head off the new twelve year old. Grabbing her shoulders, [Name] pulls her away from the terrified boy. [Name]’s eyes lock on the broken spear on the floor as she walks Clarisse out and tries not to wince.

Her spear, her gift from her dad.

Turning Clarisse, [Name] gets a good look at her face. Clarisse’s face is rigid with anger, unmoving and unsurprisingly shocked, her eyes lock with [Name]’s. With her hands on Clarisse’s shoulders, she could feel the heavy breaths Clarisse was trying to take.

“Clarisse.”

“M-m…” She started quietly, her brows shifting from turned down to turned up and back again. Her eyes looking just past the daughter of Hecate in front of her, unfocused.

“Clarisse,” [Name] calls again.

“My… My spear,” Clarisse pants, her fists tightening around nothing.

“Clarisse!” [Name] calls louder, moving her hands from the Are’s girl’s shoulders to cup her face.

Clarisse finally snaps out of it, her eyes falling on the girl in front of her, her shoulders fall and she takes a deep breath.

“Oh Clarisse, I am so sorry,” [Name] brings her into a hug, one arm wrapped around the bigger girl and one holding her head, being careful of her curls.

She tucks her head into [Name]’s neck and takes a deep breath, when she lets it out her grip on the Hecate girl tightens, but her shoulders relax.

“Okay, love. Let’s get you back to your cabin,” [Name] whispers, gently caressing the strong girl’s face, finding that her hand comes back slightly damp, and [Name] knows its not from sweat.

The next afternoon, Clarisse was simmering moping on a bench by the training grounds when she felt a tap on her shoulder.

Clarisse whipped around, standing up quickly, arms crossed, “What?! Oh, it’s just you.”

“Just me,” [Name] repeats, smile on her face.

Her smile causes Clarisse to drop her accusatory glare in favour of a curious head tilt.

“Where were you all day?”

[Name] shrugs, “Around, why? Missed me?”

Clarisse just pouts, brows furrowed, her face somewhere between annoyed and amused.

“Aww, was spending last night in my arms not enough for big, strong, Clarisse?” [Name] giggles, eyes watching the girl before her with fondness. Clarisse was always easy to read.

Clarisse remained silent, but her eyes screamed, ‘yes, it was not enough’.

“Well, don’t you worry. I am here now, and I brought a gift. Hopefully this makes you feel better,” [Name] pulls out Clarisse’s spear—completely fixed as if it hadn’t been broken to begin with— from behind her back, that she was somehow able to conceal.

Clarisse’s eyes blow wide, her arms dropping along with her jaw. She quickly takes the spear from [Name]’s hands, examining it. Feeling how the weight feels in her hands.

“How did you do this,” She questions, still looking at the spear with amazement.

[Name] shrugs, “I may not be a daughter of Hephaestus, but being the daughter of Goddess of witchcraft and sorcery has its benefits when it comes to magical artifacts.”

Clarisse puts the spear on the bench carefully before turning her attention to [Name], taking her face into her hands.

“You are the most beautiful, wonderful, talented, gorgeous,” she kisses [Name] passionately, pulling her closer, before parting again. “-adorable, skilled girl I have ever met.”

She connects their lips again, this time softer, gentler, lovingly.

“You know that?” she questions, looking into [Name]’s eyes.

[Name] giggles, “So, you like it?”

“Yes, dummy,” she kisses her again, a big smile evident as she presses her lips to [Name].

“Now it is time to wave my hot girl and my awesome spear in that little twerps face.”

Master-list

A/N: Thank you so much for reading! I love you! <3333 Feel free to request! Check out my request guidelines, it might make it easier! <333333

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clanwarrior-tumbly · 1 year

Note

can we get soft angst hcs of caine comforting a reader who entered the circus but found solace in escaping their old life?

Dang it didn't take long for the requests to come in haha, but yessss I'm eager to write for TADC now!! (just note my hcs/interpretations of the characters will change as more episodes come out).

.......

When you first arrived to the circus not long after Pomni, Caine was worried that you were going to freak out over trying to find an exit (that definitely does NOT exist).

So he just cuts to the chase and states you're stuck here forever. There's no exit doors or hidden portals or secret keys, so you can just give up on returning to your old life altogether.

But you don't look scared in the slightest.

Confused? Yes. Certainly.

However once you've taken in all this information, you just stand there with a smile and a relaxed posture--a display that concerns Caine a lot.

"They seem happy, boss.." Bubble whispers. "Is that a good sign?"

"Not sure. Never seen anybody react this way. Maybe they're just holding it all in and pretending to be fine when they're really no--WOAH, stop the presses!!!" His eyes bulge out of his head/mouth(?) as he sees the tears running down your cheeks. "You're crying more than Gangle does on Tuesday! Is it true that you were masking your emotions????"

"..huh? What..oh no!" You laugh and wipe away the tears, before explaining to the ringmaster that you were indeed very happy.

You spoke of how sad and dull your life was outside of this game.

It was your escape, a comfort, and you've been a huge supporter of its development over the years.

Even in your sleep, you never stopped thinking about it--you always had dreams of being in this very circus, having loads of fun with the other characters and joining their wacky adventures.

So to learn that (somehow) you became a permanent part of the game is literally a dream come true!

Of course, you weren't expecting the presence of the Abstracted and Pomni's constant freakouts, but you couldn't be happier.

Caine was surprised that you remembered so much of your old life (whereas poor Pomni couldn't even recall her own name).

But he sees you're content with starting a new life here in the Digital Circus and grins, eager to plan some exciting fun and games for you to enjoy.

He will, however, make a point to pair you with Pomni so you could help her calm down and show her that being in this virtual world wasn't so bad.

It's probably not the best idea, though, as nothing you say comforts her.

"I mean, your old life could've been really bad and-"

"But what if it was good? What if I had tons of friends and a great family and a successful job and.....oh god..what if I had PETS?!!!" She wails. "Who's gonna take care of them?!!!"

Had she remembered at least one little bad detail from her old life....persuasion would come a lot easier.

But Caine encourages you to keep trying anyways.

#clanask #anonymous #tadc x reader #the amazing digital circus x reader #tadc caine #tadc caine x reader #caine x reader #platonic #angst #headcanons

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blueskittlesart · 24 days

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did u not like totk?

i LOVED totk. i think it was well-written and did its job as a sequel to botw very well. HOWEVER. i do think it suffered slightly from the commercial success of botw. as i mentioned in my last post, nintendo does this. thing. when one of their games gets popular where every game after it has to be Exactly The Same so they can make all the money in the world via comparison marketing. (and this is a problem with the wider game industry in general but also a very observable pattern in loz specifically.) I know it's been a pretty long time since botw came out, but before (and immediately following) its release there was some pushback from longtime fans who worried that the open-world and lack of traditional dungeons meant that the game had strayed too far from the classic formula that makes a game a "zelda game." this is to say, botw was EXPERIMENTAL. and the devs had no idea if what they were doing was going to be successful or not. the open-world of botw wasn't a gimmick, and it wasn't the devs jumping on the open-world bandwagon. it was what CREATED that bandwagon. the open-world was a deliberate choice made specifically for botw because it reinforced the story that botw was designed to tell. the game is about exploring a desolate world, about making connections, and rebuilding both the broken kingdom and the player character's shattered sense of self by traveling and learning and building relationships. a large open-world map with only minor quest guidelines and lots of collectibles and side quests lends itself perfectly to this specific story, which is specifically about exploration and rebirth.

the problem is, botw was. almost TOO good. it was so good that every other game company on the planet started scrambling to build giant open-world maps into their next release, regardless of how much sense that actually made narratively. and because of that, when it came time to release a sequel to botw, the devs had a lot to think about. they had HUGE shoes to fill in terms of fan reception, but they were ALSO being asked to follow up one of the best-performing games of all time, commercially. totk needed to SELL as well as botw. And, likely because nintendo was worried about that potential commercial value, totk needed to keep people comfortable. I don't know for certain, but I definitely get the feeling playing totk that the devs were specifically told not to stray too far from what made botw marketable and successful--that being the open world and the versatility of gameplay. so in order to follow that up, they made... 2 more huge open maps, and new gimmick gameplay which was explicitly super-versatile.

do i think that the extra maps and ultrahand were BAD choices? no. however, i don't think they necessarily ADDED anything to the game as a narrative whole. one of my favorite things about botw was how everything seemed to be designed AROUND the narrative, with gameplay elements slotting neatly into the story thematically. totk just. didn't really have that, imo. there wasn't a huge narrative benefit to the gigantic, completely unpopulated depths and sky maps. ultrahand was cool, but within the context of the story it meant basically nothing. in some ways, i almost think totk could have benefitted from a much more linear approach to its storytelling, a la skyward sword, because there are a lot of story beats that have to be found in chronological order in order to have the right emotional impact, but because of the nonlinear open-world it kind of became a struggle to hit all the important story points in the right order. an easy example of this is the dragon's tears in comparison to the memories--the dragon tears have a very specific set order in which they happen, and finding them out of order can make the story you're seeing in them feel confusing and disjointed. the order in which they should be found is technically displayed on the temple wall, but most players aren't going to pick up on that or follow it--more likely, they're just going to explore the geoglyphs as they come across them organically, and therefore will likely witness the story in a completely disjointed way. compare this to the botw memories, which ALSO technically have a set order--the order in which they're displayed on the sheikah slate. however, because they're largely just small moments in time, and not one continuous story, finding them out of order has a lot less of an impact on how you as the player experience the narrative, and it's not hugely detrimental to your experience of the story if you find them naturally as you explore rather than explicitly seeking them out in order. If TOTK had been allowed to deviate from the botw formula a bit, i think we may have ended up with a more cohesive game in terms of narrative beats like that. as it is, i just think the game is torn slightly between wanting to be its own new game with new gameplay and needing to be botw, if that makes sense.

#again. love the game. have played it several times in its entirety. story is great. i just think the gameplay itself could have been better #yk?#asks #zelda analysis

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badkitty3000 · 7 months

Text

Weak

Even Five Hargreeves is no stranger to temptation. He tries so hard to stay away. He wants to do the right thing for once in his life. If not for himself, then for her. But every man has his breaking point.

Five Hargreeves x Reader Smut

This one shot is an accompaniment to my other work "Addicted". This can be read on its own, but is a different side of the story, as told from Five's point of view.

My Master List Of Number Five Fanfiction

Weak:

I never meant to take it this far. I never meant to be cruel. That’s not who I am, or at least I didn’t think I was. I also thought I was strong and had will power. But I guess I was wrong about that, too. Because as much as I try to stay away, I don’t.

I know who I am and what I’m made of. The terrible things I’ve done. That’s not a secret and I’ve never lied to myself about that. My morals can’t even be called a gray area anymore; they’re more like an indistinct blur. But in this one tiny part of my soul, I was trying to be better. For her, at least.

I have failed miserably.

She knows what I am. When things got too comfortable and too familiar, I told her as a way to push her away and to scare her. It didn’t work, though. In fact, it had the opposite effect. She fucking loved it…and I didn’t know how to say no to that.

How could I say no when she was tearing at my clothes, practically panting with desire, and shoving her hand down my pants? All over a bloody stain on a shirt collar and the feel of my Glock against her skin. I’m sure there’s a way to resist that, but fuck if I know what it is. I’m not smart enough or strong enough to figure that one out.

I don’t particularly like all of the killing. But I’m pretty fucking good at it and someone has to do it, I suppose. I certainly never considered it sexy in any way. Then, after that first time, when she begged me to tell her all of the gruesome details, and I watched her skin start to flush and her pupils dilate…well, fuck, that put a new spin on everything.

I still don’t like it, that part hasn’t changed. I get no pleasure from pulling that trigger and watching their skull break open like a fucking pinata, spraying the contents of their brains all over the floor like the world’s worst party game. Now, however, there is a sick little spark that will ignite in me after it’s done. Because I know how it will turn her on.

And, fuck, I am weak.

That’s what this all boils down to. Weakness. For most people that meet me or know me in any way, weak is probably the last word they would use to describe me. Cold; bitter; sarcastic; asshole. Those adjectives are much more likely to be used. But weak? Doubtful.

I know the truth, though. Deep down, that is what I am. Because when you continue to break someone’s heart time and time again, just because you can’t control your own basic urges…that’s weakness. Pure and simple.

She has told me how much I’ve hurt her, and how much I am ruining her life. She has screamed and cried and told me all of the things I know I deserve to hear. She has called me an asshole more times than I can remember, and I have never disputed it. So, I stay away, like I know I should. Until she inevitably calls again. And I slip right back into it without another thought. Like the absolute fucking bastard that I am.

Weak.

Because even though I know it’s wrong and I’m slowly poisoning her with my selfishness, each time I think maybe it will be different. Maybe this time will be the time when I stay. When I will finally be the person I should be and really want to be.

All the way up until the early morning, I will convince myself that this is it. I’ve finally seen the light and I can be the man she deserves; it will be so easy. Because when it’s just the two of us, in our own little cocoon, hidden away from the outside world, the idea is magical. I would give anything to stay there, tucked away, fucking like animals until we’re both too exhausted to talk anymore. I want to stay there and listen to her voice, and her laugh, and feel her hands on my touch-starved body. And I think, yes, this is it. This is what I want.

Then morning comes and the spell is broken.

Once that first peek of dawn starts to light up the sky, all of my anxieties come rushing back, and I remember why I can’t stay. Morning brings back the real world, and with it all of its problems.

I will freeze up, practically paralyzed with fear, as she sleeps next to me, an arm draped over my chest. I will remember what kind of person I really am, and how that just doesn’t translate to boyfriend material. And it’s not just the little fact that I am a hired assassin, although that does put a slight snag in any future meetings with parents and the like.

It’s the mixing bowl of fucked up thoughts and feelings and history that lives inside my brain. Guilt. Regret. Sadness. Rage. Take your pick, none of them are great. And I can mask them for a night or two, while I’m pretending to be someone I’m not. But they will come back again, and that’s just not something anyone needs. Especially someone you care about.

So, I do the worst, shittiest thing in the world, and leave while she’s asleep. No kiss goodbye. No note. Not even a quick morning fuck. I grab my shit and leave in a flash of blue light, like the weak coward I am. Can’t even bother to use the god damn door.

I will stay away after that. At least for a while. I will ignore the incoming texts and voice mails that sometimes will follow, and sometimes don’t. I’ll pretend I don’t care about the lectures and pleas and rightly-deserved insults. But I do care. And that’s why I won’t answer.

A month might go past, maybe more. Just enough time for me to start thinking she really is done with me. Then the call will come through, late at night, and I won’t ignore it. Because, as we’ve determined…I am weak.

She is the only one, although I’ve never told her that and I bet she thinks she’s not. I’m not interested in anyone else. I don’t need anyone else. And when she stops calling for good, which one day I know will happen, that will be it. It’s either her or nobody. And it’s barely even her.

Our paths almost never cross outside of our little midnight meetings. After that first night when all of this started, I’ve never seen her anywhere else besides her apartment. I assume it’s because the types of bars and clubs I frequent are not anywhere a normal, sane person would want to spend their free evenings. But tonight, as fate would have it, I do see her. After I grab my drink off the cracked and peeling bar top and turn to look at the room behind me, I see her. And she’s not alone.

With my glass half way to my mouth, our eyes meet, and for a second neither of us move. It’s not a big place, so we aren’t that far away from one another. But it’s loud and crowded, and the guy is leaning in close to her ear, talking loudly to be heard over the constant bass thumping through the shitty speakers on the walls. Who the fuck is this guy?

It’s not fair, I know that. Believe me, I know that. And I try to give myself a stern talking-to inside my head. She is not yours. Not even remotely. You are an asshole and she deserves better. Leave her the fuck alone.

I take a drink. And then I see his hand disappear under the table, and I can see everything from where I’m standing. He’s squeezing her thigh, leaving his hand there to rest on her leg, rubbing his thumb across the bare skin that isn’t covered by her short skirt. A skirt I know I’ve had my face under before.

Fuck. I hate this guy.

In the thirty seconds that it takes for all of this to happen, she is watching me. Reading me. A faint smile plays on her lips and I know I’m caught. My thoughts must be written all over my face like a fucking billboard, and it’s too late to pretend I haven’t seen or that I don’t care. She’s got me.

If I were stronger, or a better person, I would leave. Pay my tab, collect my coat, and get the fuck out of there without another glance in her direction. Leave her be. Let her live her fucking life. But I am not. And I’m pissed.

My first instinct is to reach behind me, grab the Glock that’s hidden in the waistband of my pants and covered up by my suit jacket, and take care of this asshole right then and there. That would probably be the nicer thing to do, honestly. Then she’d finally see what a fucking psycho I am and that would end things once and for all. But I’m also not that stupid. Or that nice.

Instead, I stay and watch. I let her see me watching, too. I lean with my back against the bar, casually sipping my drink, and my eyes never leave her. I want her to know, even if it makes me more of a giant dick than I already am. I want her to know I am not pleased.

I have no idea who this guy is, and I don’t care. Maybe it’s their first date; maybe it’s their tenth. It doesn’t matter, I want him dead. And now that she knows that, because it’s pretty fucking obvious by the way I’m coiled like a cobra ready to strike right now, it’s quickly become a game. If she had feelings for him before, that seems to have been forgotten now. Because everything she is doing is for me.

Her eyes leave mine and she returns to what I can only imagine is a very dull conversation with the Neanderthal sitting next to her. She smiles and laughs, and moves her leg closer to his so that they are touching. She reaches up and fixes his hair, tucking a stray piece of it over his ear. She rests her chin on her hand and stares at him like he’s the most interesting person she’s ever encountered. And he’s eating this shit up; kicking his game up a notch with even more inane talk and rubbing her thigh up and down with his whole hand. He thinks she’s into him. Fucking dumbass.

That’s the only thing keeping me slightly calm at the moment. Knowing it’s all a play. She is a really good actress, I’ll give her that, but I’ve paid more attention to her than she realizes. I know her tells. I know the difference between her fake laugh and her real one. I can tell when she’s actively engaged in the conversation or she is just waiting for you to shut up. I know how she touches her face when she’s nervous and I know what she looks like when she wants to fuck you.

And, buddy…I got bad news for you.

The corner of my mouth lifts in an arrogant smirk as I take another drink. I shouldn’t be proud of this; I should be appalled. How dare I think I have any right to any of her little traits and quirks? I haven’t earned that. That kind of thing is reserved for boyfriends and husbands and people that can stand to stick around for more than a few hours.

When she runs her tongue over her lips in an obvious gesture meant only for me, I actually laugh out loud. Fuck, she knows what she’s doing. And it’s one hundred percent working.

As I order my second drink, feeling the calming buzz of the booze fill my brain, I start to care less and less. I don’t care if this is not fair. I don’t care that I’m being a complete and utter shit head. I don’t care if I’m weak. I’ll deal with all of that later.

I take out my phone and type out a quick text.

Enjoying yourself?

I watch as she glances to her phone on the table as it lights up. She picks it up, angling it away from Caveman Cliff, and reads it. It’s subtle, but I saw it. A brief twitch of her mouth and a quick flit of her eyes in my direction. I see her type out a quick reply and then she is back to him, completely enrapt in his droning.

Immensely, thank you

Not able to resist, I counter with:

Even I can tell from way over here that your panties are as dry as the desert

She holds in a smile as she responds back.

Too bad you’re not going to find out

Honey, if that pussy of yours is even slightly wet, it’s only because you’re thinking of me bending you over that table you’re sitting at right now

I see her legs shift and she crosses one over the other, squeezing them together as a faint blush covers her cheeks.

And why would I be thinking that?

Because that dipshit you’re with isn’t going to give you what I know you want

I watch as she swallows and then glances at the idiot to her left that is oblivious to all of this, the poor bastard. Her response is short.

Fuck you

She puts her phone away to end this exchange, but I see the small smile she is trying to hide and the way she touches her hand to her face. I can see her chest expand as she sucks in a deep breath, biting at the inside of her cheek.

I give a short snort of satisfaction and put my phone back in my inside jacket pocket. I got what I wanted. I throw back the rest of my drink, leave a few dollars for a tip, and head for the door without another look in her direction. But I know she saw me leave.

As I wait there in the dark, I think about how awful I’m being; what a shit bag move this is. I’m using her, that’s what it boils down to. Using her for her warmth and her openness, and to temporarily calm my mind. Also, for her body and her touch. She sees something in me that isn’t there; or at least something I can’t see. But I can’t or won’t give her what she needs, and I’m also not letting her move on.

Fuck, I’m an asshole.

I hear their voices coming down the hall, the rattle of keys in her hand. As they near the door, I can hear her made up excuses. She’s tired; she had too much to drink; she has a headache. Maybe next time. She’ll call him tomorrow. Then she slips inside her darkened apartment and the door closes behind her.

I’m on her before she has a chance to turn the light on, pressing her against the door as she drops her keys on the floor. Since I’ve been waiting, the anticipation has already made me fully hard and I push my groin into her while I circle my hand lightly around her neck.

“What’s the matter, sweetheart? No love connection tonight?” I growl next to her ear.

She never even screams or fights back. She knew I would be there. But her hands grab my forearm and I hear her suck in a loud breath.

“I never knew you were the jealous type,” she smarts back.

“Only when I see someone try to take what’s mine,” I hiss hotly against her neck, drawing my lips and then my tongue across her skin.

“I’m not your fucking property,” she snarls, but I can hear the break in her voice and she swallows hard against my hand.

I laugh cynically. “Well, then I can go and you can let him fuck you instead. Is that what you want?”

There’s a long pause and it’s just our loud breathing in the dark of the room. Then I feel her head move slowly from side to side.

“No,” she whispers.

As I crash my mouth onto hers, my hands in her hair and on her face, and down to her tits, she is reaching for the front of my pants. I had already removed my jacket and belt when I got there, as well as the pistol that I always carry with me. Our little act back at the bar was already enough foreplay and our bodies are screaming for each other.

Our hands can’t work fast enough as she is shoving my pants down my legs and tearing my shirt open while I rip her top off and yank her skirt up. My fingers are already pushing her panties to the side and entering her, sliding right in with no resistance.

I smile proudly against her neck. “I knew you were wet for me.”

As she moans and throws her head back, she is reaching down to stroke my cock, her warm hand tight and firm as she drags it slowly over my shaft.

My hips are already jerking into her and I want to be inside of her so badly I can’t think straight.

“Get these panties off so I can fuck you,” I snarl.

I pull my fingers out, pushing her underwear down roughly and she quickly steps out of them. With one pull of her hips into me, her arms clutching tightly to my shoulders, I lift her up and start fucking her against the door.

I tip my head back and groan loudly as she whines and pulls her legs tighter around my waist.

“Can he make you feel this good?” I ask between clenched teeth as I ram into her harder and the door rattles in its frame.

“No!” she cries out.

“Do you think about him when you’re alone and fingering yourself?”

Her moans are punctuated by the slamming of my body against hers and her fingers press deeper into my skin.

“No,” she breathes out. “No.”

“You think about me, don’t you?” I say with a sneer. When she doesn’t answer fast enough, I ask again, louder. “Don’t you?”

“Yes,” she whimpers pitifully, her nails digging sharply into my shoulder blades.

I can’t believe what I’m saying and what I’m doing. But she’s loving it and so I continue.

“I’m going to fuck you until you forget all about him, and then I’m going to fuck you some more. And if I ever see you with him again, I will kill him.”

“You wanted to kill him, didn’t you?” she asks, and that knowing smile starts to form as she closes her eyes and bites her lip. “When you saw him with me?”

“Fuck yes I did,” I groan loudly into her neck.

She’s almost there, I can tell. So am I, but I’m going to make her finish first. I pick up the pace, thrusting into her as hard as I can, her back and head slamming against the door, my fingers digging deeper into the flesh of her thighs and ass. I’m practically ripping into the side of her neck, latching on with my mouth and teeth, desperate to mark her as my own.

I listen as she repeats my name over and over in gasps and moans and I can’t hold back anymore.

“That’s it, sweetheart. You are all mine.”

She is falling apart in my arms, violently shaking against me as I penetrate her one last time, letting out a loud, guttural moan. I’m as deep inside of her as I can be, and I fill her up with so much cum, I know it will start sliding out; dripping down her legs and onto the floor. Somewhere deep inside, in the primordial part of my brain, I take satisfaction in knowing that it’s my seed, and only mine, that is coating her insides.

Once the last spasm has left my body, I let her down and she falls back against the door, breathing hard. Her bra is still on, but the straps have fallen down, and her skirt is bunched up around her waist. I look at the painful looking purple bruise I left on her neck, which is large enough and obvious enough that she won’t be able to cover it. Her eye makeup is smeared and her lips are swollen and red. She looks completely ravished. And then she starts to cry.

It’s because of me, I know it is. Because of the things I said and the things I did, and the way I needed her so desperately. She had been trying to break away from me and I reeled her back in. And I did it knowingly and deliberately, just to feed my ego and maybe not feel so alone. I could have found anyone for that. But, like the prick I am, I only wanted her.

“I’m sorry,” I say quietly, my lungs still working hard to get air in and out.

She just nods silently, wiping her face with her hand, and pulls down her skirt. She picks her shirt and underwear off the floor and heads to the bathroom without a word. I’m left standing there with a softening dick and my pants around my ankles.

Fuck.

I could leave now, while she’s in there, and maybe I should. That feels wrong, though. But then again, so does staying. I feel like shit and I’m so full of shame that I want to punch my fist through the wall. Instead, I zip my pants back up and walk over to her couch to wait. I turn on the table lamp and even though it’s dim, it feels blaringly bright and I have to squint my eyes.

When she comes out, she has changed into some soft shorts and a t-shirt. Her face is cleaned up and I assume her thighs and the area between them are too. She is no longer crying, but I can still see the tell-tale signs of red-rimmed eyes and flushed cheeks. I’m surprised when she comes and sits down next to me, laying her head on my shoulder.

“I’m sorry,” I say again, because I can’t think of anything better to say.

“I know. Me too,” she says and she leans her body against mine.

She has nothing to be sorry for and I’m not sure what to do, so I put my arm around her and hug her to me. I kiss her forehead and she closes her eyes. I don’t know why she’s letting me do this, but it feels good and I like it. Just like every other time, I tell myself that maybe this time will be different. I can do this; I can be that person. I don’t want to be that other jealous, callous, hurtful person. I don’t want to be the asshole.

“Just don’t go yet, ok?” she says quietly with her cheek resting against my chest.

I smooth her hair and run my hand down her back. I don’t want to go. She feels good and warm and soft against my tension-filled body. She feels right. I want to tell her all of that, too. I want to say I’m sorry a million times over and beg for her forgiveness. I want to wake up with her next to me every day.

“You’re so beautiful, you know that?” I murmur into her hair as I brush my chin across the top of her head.

“Don’t do that,” she pleads, her voice soft. “Please.”

I decide I’m going to tell her how I really feel. Before the night is over, I’ll come clean. And then I’ll stay. If she’ll still have me.

“You are, though. I mean it.”

She doesn’t respond, but sighs and nestles in, holding me around my waist. Fuck, I have craved this. More than the dirty talk and the biting and the ferocious fucking. I want this. I want her. And I’m going to tell her.

The rest of the night goes by in a blur. It’s there, on the tip of my tongue the whole time. All I have to do is say it. But I don’t.

We fuck again, rough and hard, on the couch and on the floor. I leave more marks on her chest, branding her as my own. I tell her she’s mine, and I make her scream my name again, but I don’t say what I really mean.

We fuck in her bed, while we’re both tired and slightly drunk. I pump lazily into her while she lies underneath me and moans softly. I kiss her lips and tell her how gorgeous she is, and it’s not a lie because she is. I worship her body, running my tongue over every part of it, tasting her skin and her delicious arousal. I can taste my own cum as I lick into her soft folds and inside her pussy that’s been stretched and abused by my cock several times over.

There are so many opportunities and I don’t take any of them. I let her fold her body into mine as I hold her in the dark and I can say it right now. It would be easy and it would be the truth.

I want to be with you.

I want to be yours.

I want you to be mine and mine alone.

I want to stay.

But I am weak, and so I don’t.

She sleeps against me and I listen to her rhythmic breathing while I lie there wide awake. I think about all of the things I should have said. Everything I should have done and should not have done. I hate myself for all of it.

When the sun creeps in, and the faintest light is leaking through the curtains and cutting through the safety of the darkness, it all comes crashing back. I remember why I can’t stay and why those words just wouldn’t come out. The reality of the real world is glaringly obvious in the light of day and I remember all of it.

The real world is filled with everyday things like jobs and homes and bills to pay. Coworkers and families that want to meet you. Graduation and birthday parties. Movie and dinner dates, holidays and vacations. Marriage. Children. Normalcy.

There’s just no way any of that would work. I can’t fit into that life, even though I want to. I think of all of the things holding me back and they keep piling up until they are crushing me and I feel like I can’t breathe.

I am an assassin. A killer. A murderer. I have seen the end of the world and survived the most horrific things. I have PTSD and crippling anxiety. There are nightmares and paranoia and episodes of manic rage. I am old and I am tired. There is nothing left of me and nothing left to give. I am not meant for normalcy.

As I slowly remove her arm from across my chest, she stirs but she doesn’t wake. I take a moment to look at her. Her mind isn’t betraying her with vivid dreams of the world collapsing around her in a fiery blaze or sprays of bullets piercing her body. She is at peace and I am envious of that.

I am not good for her, I know that. I need to go and stay gone. She deserves stability and happiness and a million other things I cannot give her. So, I will be the asshole that leaves in the morning before she wakes, just like I always do. She will hate me and curse me and cry for me. And I will stay away this time. I have to.

I chance it by leaning in and brushing my lips across her forehead. Her face wrinkles up and then relaxes again, but she doesn’t wake. I slip out of the bed and out of the room, following the trail of discarded clothes and put them back on one by one. Then I am gone in the same flash of light that allowed me to enter there in the first place. A convenient exit that I have misused way too many times.

Outside, the sun is bright and the world is waking up. I can feel my resolve growing stronger as the new day builds. That was it, I am done. It was awful and I shouldn’t have done it, but it’s over now and I will not be repeating it. I am a pillar of inner strength. That was the last time and she is finally free of me. I am doing the right thing.

My strength is impressive, both inside and out. But it is not impenetrable, especially when darkness falls and the world around me grows quiet. When I am alone with nothing but my thoughts, and I just need to feel something good again.

Everyone has a weakness.

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nitrowyverine · 4 months

Text

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

#obscura vn #rotten raccoons #obscura cirrus #obscura keir #obscura francesco #obscura oleander #i've been writing this post for weeks and i just keep editing it. going to hit send now

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caligvlasaqvarivm · 6 months

Text

Love is Stored in the Cat: A Nepeta Leijon Character Study

I guess these are a series now! I also have a request for Feferi in my inbox that I'll get around to eventually.

SO! Dear, sweet Nepeta.

Nepeta is the troll that is most against the existence of the hemocaste.

I believe the Ultimate Self speech was originally going to be from her, not Davepetasprite^2.

She's bad at shipping.

These all make her extremely impurrtant!!!

So furst of all, I'm going to start with the same disclaimer as my Eridan essay (go read that first!!! It sets up a lot of ideas that I'm expanding on here), which is that the things Hussie says are going to be lowered in value, because he likes to play coy about plot stuff. I'm also not counting anything but the actual text as canon, and even with in that text, I'm counting everything after GAME OVER as soft canon - a suggestion of what would have been, often truncated for time, often a deliberate middle finger to the shitty fandom.

Okay, so with that squared away!

Nepeta Says Fuck The Hemocaste

I'm not going to bother doing a deep dive on Nepeta's characterization, because fur the most part, I think the fandom more or less gets her right - she wears her heart (h33h33) on her sl33ve, after all! She's a very sweet little catgirl who loves roleplay and shipping, who is also a vicious hunter of wild beasts and lives in a cave. She's very nice and friendly, but has a tough streak and a spine.

She also says fuck the hemocaste, why does that even exist:

CT: D --> Your fraternization with the base classes have 100sened your morals, can't you see this AC: :33 < no! i dont care, they are fun AC: :33 < and i dont know anything about classes or bases or blood color, it doesn't matter! AC: :33 < what does gr33n blood even mean! it doesnt mean anything to me and it shouldnt mean anything to anyone else!

This is a radical stance not outright shared by any of the other trolls. Aradia calls highbloods "hateful sn0bs" that she and Tavros shouldn't have "ever had anything t0 d0 with", the highbloods are, of course, all casteist to varying degrees, and even Karkat seems fairly accepting of the class divide, at one point taunting Vriska that her rejection from the blue team is "ANOTHER INFURIATING VICTORY FOR GUTTER BLOOD OVER ARISTOCRACY". Not to mention his long-held dream of becoming a threshecutioner.

Even Feferi, despite saying to Eridan that "W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!!", is actually perfectly comfortable with the caste system's existence, comparing having to stop using her royal typing quirk to "peasant-IFICATING" herself - and let's not forget that a Beforus under her rule had its caste system 100% intact.

This means that Nepeta is the ONLY troll who has said, in no uncertain terms, that the caste system should not exist. It's stupid, it's bad, and it doesn't meowtter!

AND SHE'S RIGHT.

But she's never able to fully express this opinion, which brings us to:

A COMPLICKATED RELATIONSHIP WITH EQUIUS

Now, before I say anything, I must insist that I do believe these two work as good moirails. That does not, however, stop them from being 13, and therefore, being poor to each other the way 13-year-olds sometimes are. I don't think they should break up; I think they should re-examine certain dynamics, and I think they need some space to breathe apart from each other.

Equius has a lot of problems, which I won't get into overmuch here, because... that's a whole essay on its own (are you people seeing a trend yet). But with regards to Nepeta specifically, he's extremely controlling and protective, to the point where she's a little scared of him before the game begins:

AC: :33 < well it does sound like it will be a lot of fun but i think i should get purrmission first GC: BL4R!!!!! GC: TH4TS SO STUP1D GC: H3S NOT TH3 BOSS OF YOU AC: :33 < i know! AC: :33 < but still im kind of scared of him and i think purrhaps its best to just run it by him first so there isnt a kerfuffle about it or anything

She's also afraid to tell him about her crush on Karkat, since she knows he doesn't like Karkat:

AC: :33 < well AC: :33 < i have never told anybody this not even my moirail AC: :33 < heh, actually hes the LAST guy i might tell, he so wouldnt appurrve X33 AC: :33 < but yes i have liked somebody for quite some time, but alas he doesnt know it

By the time they end their game, she's gotten over this fear, seeing as she spends many hours curled up with Equius in a pile of robotics parts, but it still must be noted that they have some issues in their relationship that were never resolved, primarily on Equius's end. What this means for Nepeta, however, is that in addition to setting her up as the most outright anti-classism troll, the comic sets her up to be socially isolated due to her moirail's paranoia about letting her associate with both lowbloods (seeing them as bad influences) OR other highbloods, seeing them as dangerous.

He's not entirely wrong - his refusal to allow her to participate in FLARP kept her from winding up entangled in the horrible chain of revenge, as Tavros alludes:

AT: iT'S PROBABLY FOR THE BEST, AT: tHAT YOU LISTEN TO HIM, AC: :33 < i dont know AC: :33 < you think so? AT: wELL, AT: iF YOU DIDN'T LISTEN TO HIM BEFORE, AT: yOU MIGHT HAVE PLAYED GAMES WITH US BEFORE, AT: aND SOMETHING BAD MIGHT HAVE HAPPENED TO YOU, AC: :33 < hmm purrhaps

But he's still wrong. And it's probably an uncontrolled manifestation of his Heir of Void abilities - he's both consciously and unconsciously hiding her from other people.

This isn't to say she doesn't stand up for herself! Many of her discussions with Equius are pseudo-arguments, and she does get her way often enough, managing to get him to roleplay with her, and managing to get him back in the roboti% pile to talk about his feelings about Aradia. She also talks to the humans explicitly against Equius's orders, although she's keeping it a sneakret from him:

NEPETA: :33 < but equius already furbid me from doing that :(( NEPETA: :33 < not that i am listening to him, but shhhhh! :33 KARKAT: WAIT, HE DID? KARKAT: OK, THEN AS YOUR LEADER I ORDER YOU TO RP WITH THEM AS MUCH AS POSSIBLE. BE AS OBNOXIOUS ABOUT IT AS YOU CAN. NEPETA: :33 < yaaaaaaaaaaaaaaay!

But the fact that she has to tiptoe around him like this speaks to them having issues in their relationship that go unexamined and unresolved, especially since it's clear that Nepeta really would like to be friends with more people, were Equius not getting in her way. So, even though I do think they are good moirails for each other - they clearly genuinely, deeply care about one another. But they could use some relationship counselling.

In fact, Jasprosesprite^2 outright calls her lonely:

JASPROSESPRITE^2: Or the girl who likes ships! Cause they made her less lonely. ;3

So, she's anti-hemocaste and lonely, two character traits that were set up and never resolved. And beclaws this is Nepeta, in her honor, I'm going to talk about a third:

Her Unrequited Crush On Karcat

She has the BIGGEST flushed crush on Karkat. It's seen on her shipping wall twice, once with the word OTP on it.

And, despite never discussing it with her moirail, Nepeta mentions it once to Jaspersprite, and once to Jasprosesprite^2.

Now, I'm not really here to debate on the validity of KatNep - I think it's fine, even if I don't personally ship it, and don't personally think it would work out (there are lots of indications that they wouldn't work out, including Jasprosesprite^2 outright saying so). However, her crush on Karkat is both complicated and creates some interesting setups for her character. I am going to discuss it fairly critically either way, so KatNep shippers have been warned.

A lot of her feelings about Karkat - and about shipping in general - wind up being heavily interlinked with her status as a Hero of Heart, so I'm going to expand on it more there. But what I will note in this section is the fact that, despite Nepeta insisting twice that she doesn't think Karkat knows about her crush on her:

NEPETASPRITE: :33 < it was karkat NEPETASPRITE: :33 < but i never told him and im pretty sure he never found out how i felt!

He tooootally did:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK?

Interpret that how you will for shipping purposes, but I want to propose that this is a reflection of their statuses as Heart and Blood players. Heart, despite its players' obsessions with romance, is not the romance aspect, Blood is. Karkat displays this very same romantic acumen when he tells Dave that he's known Terezi and Gamzee were a thing for a long time, despite everyone else on the meteor trying to keep it a secret from him. Heart is, instead, about identity, feelings, motivations, souls, and self. In other words:

Nepeta Is Kind Of Bad At Shipping

Let's take a look at those shipping walls.

Let's break this down a little. Nepeta's ships are not entirely wrong, but even the successful ones are kind of wrong. Here's what I mean. We've already discussed how Equius and Nepeta's moirallegiance has some... issues in it. If we go down her list of ships that actually do happen, most of them have some issues in them!

Aradia expresses her regret for getting together with Equius in the Ministrife. Kanaya and Rose suffer some major relationship problems when Rose starts drinking, to the point Karkat feels a need to step in as an auspice. Karkat and Gamzee fail, as Karkat is not calmed by Gamzee, and Gamzee stops listening to Karkat. And while Sollux and Feferi seem to be fairly healthy, after they both wind up in the Furthest Ring, he's pretty much always next to Aradia - he and Feferi don't even get to exchange words with each other once they're in the Furthest Ring. Purrsonally, I think he and Feferi are meant to end up as moirails, but shhhh.

So what's happening here? Well, this goes back to her identity as a Heart player. Heart is concerned with feelings and motivations.

They simply want to understand the one thing we all are stuck with for our entire lives, i.e. our own minds. Forging an identity is extremely important to the Heart-bound, and every decision and action goes toward building a coherent narrative of their own story. That isn't to say Heart-bound don't care deeply for their friends and allies; they just have a tendency to assume that everyone is as concerned with identity as they are.

Nepeta's shipping has also been associated with her isolation and loneliness. When you put this together, it implies that Nepeta's shipping is about her desire to understand others, and much of her ships are based on one of the parties having feelings, regardless of compatibility, feasibility, or broader implications. After all, despite the fact that she has pretty terrible romantic acumen, she IS able to instinctively identify that Eridan's advances toward her were insincere:

NEPETASPRITE: :33 < well ok i guess eridan hit on me a few times NEPETASPRITE: :33 < but his advances always struck me as cr33py and insincere

And that Karkat secretly LOVES and RESPECTS his friends:

JASPROSESPRITE^2: On the contrary Nepeta. You deserve someone who will RESPECT and ADORE you. NEPETASPRITE: :33 < well... yes NEPETASPRITE: :33 < i always hoped to find someone like that some day NEPETASPRITE: :33 < i dunno maybe youre right but in spite of whatever problems he might have i always felt like i saw something in him that made me think he could be that purrson!

Or knowing that Equius loves to play games, and still feels sad about Aradia exploding:

AC: :33 < i s33 right through your stupid act, who are you trying to kid! AC: :33 < look how you go out of your way to use words that have x's in them so that you can use your silly purrcent signs AC: :33 < or use these absurd words that you can shoehorn a '100' into, even if its not strictly replacing 'loo'!!! AC: :33 < you are so transpurrent AC: :33 < i can tell you like to play games, d33p down you are a guy who likes to play games! AC: :33 < i can smell a guy who likes to play games from so fur away with this nose, you have no idea X33

NEPETA: :33 < she was so happy, just like she used to be, and she said she would s33 you soon! EQUIUS: D --> That's a nice thought, and thank you for sharing it EQUIUS: D --> But it was only a dream, and will surely have no consequence in reality NEPETA: :33 < equius? NEPETA: :33 < are those f33lings i an detecting with my wiggly whiskery nose? EQUIUS: D --> Maybe

Because feelings, and not relationships, are her actual domain.

And speaking of Heart powers...

Nepeta and the Ultimate Self

So from this point forward, I'm going to assume you're more or less agreeing with my take that at some point after Game Over, Hussie - for whatever reason - gave up on his original ending, and wound up truncating his ideas so he could finish the comic faster. I go more into detail about that here.

So, in this hypothetical original ending, I firmly believe that the speech about the Ultimate Self would have come from Nepeta. First, let's take a look at what the "Ultimate Self" entails, as it appears within the comic:

DAVEPETASPRITE^2: B33 < everything that ever happens to every version of you is an important part of your ultimate self... like a superceding bodyless and timeless persona that crosses the boundaries of paradox space and unlike god tiers or bubble ghosts or whatever, it really IS immortal DAVEPETASPRITE^2: B33 < but in your physical form there are all these partitions in your mind that prevent you from remembering any of that which makes your existence f33l totally linear DAVEPETASPRITE^2: B33 < which is probably for the best! DAVEPETASPRITE^2: B33 < in a regular body s33ing all that would be too overwhelming ... DAVEPETASPRITE^2: B33 < and after it sinks in for a while you start coming to this understanding of a greater self DAVEPETASPRITE^2: B33 < maybe i "got it" quicker though because of the two people i was and their aspects DAVEPETASPRITE^2: B33 < understanding heart is all about the nuances of a distributed self DAVEPETASPRITE^2: B33 < nepeta never got to make much headway with her aspect but shes finally gettin the chance DAVEPETASPRITE^2: B33 < the time aspect is all about running into different versions of yourself so you kinda get confronted with it in a really literal way that can be disturbing DAVEPETASPRITE^2: B33 < obviously davesprite stuggled with that too, but now its fine DAVEPETASPRITE^2: B33 < hes fr33 from worrying about it all and what it means for his place in reality DAVEPETASPRITE^2: B33 < because he can s33 now all his selves have relevance in painting the full picture of who he truly is DAVEPETASPRITE^2: B33 < im not COMPLETELY sure because im not like some sort of ASPECT MASTER but DAVEPETASPRITE^2: B33 < my avian slash feline intuition tells me that all roads will lead you here eventually DAVEPETASPRITE^2: B33 < gaining the d33pest possible understanding of any aspect will bring you to the same final conclusion about your ultimate self

Now, I believe - and I hope you'll agree - that it's kind of lame, narratively, for Davesprite to have been set up with so much angst about not being the "real Dave," and for Nepeta to have all her issues with loneliness and shyness, and for these two specific iterations of each other to have never interacted, but suddenly getting double-prototyped fixes all of their problems, and they achieve Ultimate Selfhood despite being two total strangers to each other. So let's instead break down the more salient points about what Ultimate Selfhood entails, divorced from the fact that it's Davepetasprite^2 doing the narrating:

Every player in the game possesses an "Ultimate Self," an ultimate culmination of all their experiences and memories, specifically referred to as a "persona"

Normally, people are not aware of this, because it would be too overwhelming to deal with so many memories and iterations of each other.

Everyone will achieve Ultimate Selfhood eventually as the final culmination of their understanding of their aspect.

Heart is all about the nuances of a distributed self.

Let's talk about that last one some more, and by that I mean, let's see what Calliope has to say about it:

TT: I don't know why it had to be this way for me. Juggling these two waking selves at once. TT: I guess I'm used to it, but it still makes for a pretty intense existence. TT: Do you even know what the deal with that is? Like is there any precedent in your readings? UU: i don't know aboUt precedent, bUt it makes plenty of sense to me as the type of path one might expect for a hero of heart. UU: a path rUled by the heart aspect can be a joUrney of splintered self. UU: that is, the player's being may exhibit the same kind of fragmentation which certain classes coUld caUse in others. UU: i think this is what has triggered yoUr dUal-awareness between waking and dream selves, thoUgh it woUld not sUrprise me if the symptoms manifested in even more ways than this.

Now, Dirk has a clawmplicated relationship with his alternate selves, given that he's a Prince, but Nepeta wouldn't have the same struggles, or at least, not to the same degree. The problem is, hampered by Equius and her own shyness about discussing her thoughts and feelings with others:

NEPETASPRITE: :33 < i get so shy and worried what people might think of me if i say how i f33l NEPETASPRITE: :33 < im always so scared that they wont f33l the same way or just think im stupid or pathetic or something

She never actually gets to explore this part of herself.

But What If... She Did?

The way I imagine the original ending going is that each troll that gets saved by John's interference in the timeline then asks John to help them fix their own mistakes, thereby saving somebody else. Each successive trip through the meteor brings new character development, and also riddles the comic with progressively more password pages, which I think would be really funny. And throughout all this the Game Over team is searching for Vriska, Meenah, and the treasure, and resolving their arcs that way, so it's not like they would be replaced - they're the ones who get to kill LE. The process, in my mind, goes like this:

Terezi asks John to save Vriska, and prevent her from getting too spades with Gamzee, as these are her two greatest regrets.

Vriska obviously had great regrets about killing Tavros, both pre- and post-retcon, so she asks for his death to be prevented.

Tavros staying alive means that he and Gamzee wind up hashing out some stuff - Gamzee mentions that he feels "So aT ChIlL WiTh yOu" while talking to Tavros, and Tavros reciprocates the friendship and also - interestingly - acknowledges Gamzee's religion, calling it beautiful even if he doesn't necessarily believe in it. This is interesting because Karkat's inability to do so is explicitly one of the reasons their moirallegiance broke down. So having Tavros back, alive, means that he and Gamzee would likely end up in some sort of relationship, probably pale despite flushed leanings, and would bring Gamzee back into the fold.

Gamzee would then be like, yeah, wow, that time I killed Nepeta and Equius was pretty bad, huh? Especially since his decision to hang onto his friends' bodies and prototype them is often interpreted as him genuinely feeling bad about his dead friends (he tells Kurloz to shut up when Kurloz mentions all the dead friends, and his religion seems to be about a paradise he wants to share with his friends anyway). So he'd ask John to prevent him from killing them, resulting in the two of them getting to live.

Things get much more hypothetical from here, since so much of the character dynamics would have changed, but I think by this point, Equius might command ask John to let him say goodbye to Aradiabot before she explodes, which he expresses feeling very sad about. However, in doing so, John and Aradiabot end up in the same room, and when she realizes that he has the ability to change the timeline without repercussions, she'd seize him by the arm and demand that he take her back in time, to before she died. After all, she expresses regrets about her reckless actions, and how she always felt like it was all one big setup.

She would take Aradia's place in the Vriska revenge chain, being once more freed of her robot chassis, and from there, would trick Doc Scratch and the Handmaiden into thinking everything was still going according to their designs. Meanwhile, Alive!Aradia would be hanging out at Equius's place, borrowing his void powers to avoid notice, coordinating a new timeline that keeps the beats of the original (too much deviation causes unpredictability, and an paradox'd timeline offshoot without John's direct interference would still become doomed), but allows them greater freedom and the ability to overcome the machinations of Doc Scratch and associates.

This would also prevent Sollux from becoming so self-loathing, since it's no longer "his fault" that Aradia dies, although he winds up in that hole again after Feferi gets killed. Now that his Aradia is alive, he wouldn't feel like he might as well stay in the bubbles because his closest companions are there, so he'd make it to the end, and would ask John to prevent Feferi's death.

Eridan still dies; he's so disconnected and isolated from all his friends that his course of actions is largely unaffected even by everybody else's timeline tweaks. But before Feferi can suggest bringing him back, Karkat would butt in.

The Friendship Troll should be the one to demand that ALL of their friends be revived, especially if they had everyone except only one guy, and Karkat and Eridan are heavily implied to be moirails anyway. The course of Karkat's fixes are so comprehensive, and primarily romance-based, that the end result of this final loop is everybody not only being alive, but god-tiered, with appropriate character development.

Now, where Nepeta's Heart powers would play into all of this is that she would start to notice something going on. After all, Heart players are sensitive to their splintered selves, and (Nepeta) is probably much closer to Nepeta than regular doomed timeline offshoots. As the loops continue, and Nepeta has more and more time to talk to people, and meets her dead alternate selves, and even meets (Nepeta), she starts to awaken to her Ultimate Self - to come into possession of alternate memories.

And if the Ultimate Self is a very soul-y kind of concept, such that Heart players have a natural advantage in coming to understand it, then isn't it a natural fit that a Rogue of Heart - one who steals from Heart or steals Heart for others - would be naturally inclined to share the wisdom of her alternate selves, and even the very concept of the Ultimate Self, with her friends?

Because the Ultimate Self is actually, in my opinion, a pretty good narrative device. It turns the sadness of the dead and doomed timelines into something littersweet instead, and makes it so any weirdness regarding time travel and not really knowing your friends anymore will eventually be resolved, even if off-screen.

It's not really narratively satisfying when Davepetasprite^2 suddenly comes into being and reaches enlightenment, but imagine if instead it's a post-character development Nepeta comforting Davesprite on his relevance, or Jade on her loneliness, or John on not really knowing these new post-retcon versions of his friends? It would feel a lot better, since in this hypothetical, she would have reached that point after on-screen character development. Being able to share her true self with her friends on the meteor - by necessity, since what else are they going to be doing for three years - leads to her finally being able to fulfill her role as a Rogue of Heart.

Also, at some point during these repeated meteor trips, she dates Karkat (whether that's successful or not, I'll leave to reader interpretation - you already know where I stand), fulfilling Jaspersprite's musing that she might only be able to date Karkat after she dies.

So that's two out of thr33 of her outstanding plot hooks resolved... okay. So, I try not to make these essays into ship propaganda, but hear me out:

Hate Is Stored In The FefNep

Okay, so, remember that thing about how Feferi is actually a huge casteist hypocrite? Well, let's also note that the comic, post-Murderstuck, seems to put Nepeta and Feferi together a lot - they're a Commodore and Rear Admiral in the ghost pirate army, respectively, and they also wind up as Fefetasprite. So I think it's not entirely out of left field to say that these two were implied to have SOMETHING going on.

And that something... is a difference in political views.

I mean, let's be real, there's a reason Fefetasprite is the most explode-prone after Tavrisprite. Miss "The Hemocaste is Stupid and Shouldn't Matter" vs. Miss "I Love Being A Princess And Call Jade Hornless and Finless (Derogatory)"? Come on, tell me you don't see it.

Without getting too much into Feferi, this hypocrisy, and unwillingness to check her privilege (so glad I found an excuse to use that term unironically), are probably her greatest character flaws - ie, the things you would expect the story to address about her. Meanwhile, one of Nepeta's flaws, which she laments to Jasproseprite^2, is that she feels too shy to talk about her feelings to other people, leading to her having never expressed her views on the hemocaste to anyone but Equius.

I think that they initially think they'd be friends. Each one of them would go "oh man, this other girl is soooo cute, I wish I could talk to her more often!"

And then, once they do, they realize they fucking hate each other. Nepeta would go "X00 < you are such a hypocrite who f33ls like youre better than all of us!!!" and Feferi would go "You're suc)( an uneducated glubbing P-EASANT! 3X0" and then they'd claw each others' eyes out. It would be so funny, and if a homestuck ship isn't extremely fucking funny, then why are we even here.

But more importantly, this would further them along into resolving each others' arcs - Feferi would be forced to grapple with the greater implications of classism, and Nepeta - who is shown having a spine the most in defiance of somebody else - would grow more aggressive about being open about her feelings in defiance of Feferi. Even Equius would get roped into it in a positive way - you can just imagine him going "D --> Can I really believe my auricular sponge clots D --> Nepeta, you are finally taking interest in politi%" and be 100% on board with teaching her so Feferi won't be able to call her uneducated.

And then for flushed, I dunno! Karkat's an option, and Jade and Jake also both love the fuck out of furries, and Tavros seems nice. But yeah I'll die on the fefnep hate ship. Guys it would be so funny.

Thank you as always for reading! Let me know if there's a troll you want to hear me ramble about next.

#homestuck #nepeta leijon #feferi peixes #equius zahhak

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