#however its a good starting point i think for all my games

[mooshedts]

traitors s3 ep6 thoughts massive rant

- I NEED TO STOP SAYING THINGS ON THIS APP ITS A CURSE AT THIS POINT. DAN. MY QUEEN. THE BEST FAITHFUL. THEY DIDNT EVEN VOTE HIM OFF BECAUSE THEY THOUGHT WE WAS A TRAITOR IT WAS JUST BECAUSE THEY DIDNT TRUST HIM.

- they 100% did NOT go off of logic on this one everyone was just pissed off at him about the mission even though there were much more obvious traitors with actual evidence for why they're traitors.

- as much as i like(??) linda she really should've been voted today but props to minah for protecting her i suppose.

- i'm also incredibly disappointed that the minah and dan duo didn't even make it to another episode they would've been such a good team.

- also dan's sass when someone (i actually can't remember who) said that he should've told the truth about the mission and he immediately snapped back with “well, i didn't”. absolute icon he will be missed. by me. dearly.

- the mission today was something else, people were taking it way too personally in my opinion. and poor anna she really got the brunt of the gunge/goat blood/molasses i really don't think they realised how gross it would be at first.

- also claudia in her yeti coat on the shoulders of two cloaked figures was iconic.

- linda's crocodile tears at the breakfast table. it was so funny when everyone started judging her instead of being sympathetic.

- poison chalice the sequellll except they did a much better job this time i fear. however still not as iconic as the fizzy rosé.

- hoping fozia makes it out of this one, it was really nice of her to give anna safety she's possibly the only fair player left that was ever in this game at all. also alexander's constant expression of pure panic was absolute gold.

[aikoiya]

Oh, don't even get me started! It was so good! Though, my mom also made a sort of mocha bundt cake with chopped pecans & walnuts. It wasn't as chocolatey or moist as my aunt’s Texas sheet cake, but goodness if it didn’t get close! (I actually got the recipe for that one & thought of 1 or 2 ways to improve it! 😃)

You know what? Fair. Totally understandable. I do love the whole happy Zelink ending. It's always nice when we get that.

True, the tragic end very much isn't SS’ intended vibe, but in a way, that makes the idea even more tragic. Though, I feel like bringing up the unfairness of the situation is a bit moot because life's never really been fair. It sure as heck wasn't fair that Sky & Sun had to deal with so much. Likewise, it also wasn't fair that Hylia had to sacrifice so much, die, & give up her godhood in the process. It's also not fair that most of the time that Impa got to spend with Sun was so hecktic.

Still, when you view it from the perspective of the player, I can see why you say it. At the same time, this all takes place behind the scenes as subtext. Similarly, I think it's not quite right that this other Zelda wouldn’t have a happy ending, just that she wouldn't have the one she'd wanted, making it more bittersweet than the ending in the game. Which is pretty endemic of life, in-general, I think. Not to mention, could be a very good lesson to players that not everything is going to work out how you hoped, but that doesn't mean that you can't find happiness.

It's entirely possible that Sun ended up living a good life. Possibly marrying a nice Sheikah gentleman (heck, reaincarnation is still a thing, so he might've even be Sky's previous incarnation; 2000+ years is a pretty long time), having kiddos, spending real time with Impa until they form a sisterhood. And, honestly, maybe that's the point? Look at things from this other Sun's perspective & keep in mind her tendency towards martyrdom. Not only that, the fact that she seems to love just being Link's Zelda, herself.

So, if there were 2 Suns & 1 not only wasn't aware of the other, but also had a chance at that happy ending they both wanted, what do you suppose the other Sun would do? Because in this case, there was really only 2 options: Reveal herself to the pair, thereby complicating things for all 3 of them, embittering their ending unnecessarily, & making things awkward or hiding herself from them so that at least one Zelda gets her happy ending.

I mean, true. But it's confirmed that Farore is the Goddess of Wind in WW & I'm pretty sure that in the OoT beta, the statue of the Goddess of the Sand was Din (however, the Zelda encyclopedia instead calls the statue of an evil deity, but both the statue being Din & the statue being of an evil deity, should be taken with a grain of salt). Though, even if that weren't the case, I feel like it's a bit strange to try & limit a fictional deity to a singular domain, besides what is time if not giving order to events so that they make sense?

It's possible that Hylia is the Goddess of Time, but I'll go over the points, too.

True! Though, I wasn't so much meaning the Gate of Time (that is very clearly related to Hylia), but instead the giant blue blocks from OoT that you use the Song of Time to get rid of. And the light that shows up when you use the song on them. Both are very blue. So, I dunno… I guess it's complicated, ya know?

True, can't argue with that. Though, it's very possible that the Ocarina of Time & the hilt of the Master Sword are both made of Timeshift Stones, which, similarly, also shines blue. Something to also keep in mind is that those stones showed up in the Lanayru region, which was where Nayru's Flame & its dragon guardian had been. Not to mention, the gears that showed up to turn the Gate of Time were also blue & so was the inside of the Gate.

Mmm… But what does “from the edge of time” even mean? Like, I know what it says, but it seems just vague enough that she could either be literal… Or poetic. And considering… Just… the flipping Isle of Songs… Yeah, girl was a theater kid, just sayin’. So, I'd legit give it 50/50 odds for either.

True.

Ah… Question. Could you explain more what you mean by a new timeline? Do you mean, literally creating a new timeline or just… placing a pebble in the stream to create a new path? Because, I was always under the impression that Lullaby just sent Time back in time to some vague point before having obtained the Zora Sapphire using the Song of Time. If so, then that’s not necessarily sending him to a new timeline until Link, himself, then changed the course of events of his own accord. Like, to me, that’s a lot more simple than sending him to a literal new timeline, much less creating a new one. Like… how would that work? Making a copy of a timeline or something? Wouldn't that essentially be the same as recreating reality from its very foundation on her own & controlling the events up to the point she wanted him to go back to? But without the aid of the other goddesses, thereby suggesting that she's more powerful than the Golden Three combined? I mean, she could've probably done it had she used the Triforce, but you'd think there'd be an indication of it had she done so. It just seems easier to simply send Link a bit further back in time, but that's just me.

Again, true & I can’t find an argument for the complexity of Hylia's plans.

See, now, I actually think it wouldn’t be very restrictive at all as it very much depends on what you consider “order” & “time” to be. For one, it’s never really specified what sort of time, so she could be the goddess of cyclical time, linear time, opportune time, foresight, ect. Or, perhaps all are under her domain & Hylia could’ve been a goddess of foresight or history. For example, Greek mythology has 3 different time deities: Aion, Cronus, & Kairos. All three are time deities. However, they each represent different sorts of time. Aion was the manifestation of cyclical time; the phenomenon of history repeating itself. Cronus was a god of linear time; a progression of events from point a to point b & then c. Finally, Kairos was a god of opportune time or simply timing. So,

Something of specific interest, Tingle once states in Wind Waker that Farore is the Goddess of Wind, so in my mind, this means that the Golden Goddesses all likely have other domains besides the ones associated with the Triforce. Which would absolutely make sense considering that the same is true IRL.

And you're fine! I don’t mind.

Well, to be fair, we don't know if Talon was always so lazy. It's possible that he'd been more Sonic lazy in that he loved to relax & laze about & may even have had a tendency to procrastinate, but when it was actually time to work, buddy WORKED!! (Which is a lot like my own dad. That man knows how to work & work hard, especially at his job, but when he's at home, he's fairly lazy.) Who knows? Maybe losing his wife caused him to lose a part of himself?

Though, I do think that Talon probably inherited the ranch.

Sidenote: Something I recently learned, “Mabe” is the name of a type of Japanese freshwater pearl. I just found that interesting. I'm also renaming the Hylian villages to fall more in-line with the local languages I have for them. So, they'll have 2 names: 1 in their native tongue & one in Hyrulean Common. Like how the local Italian name for Venice is Venezia. I haven't finished them all yet, but I'm liking it so far.

Right?! If nothing else, I'd imagine that a Roc's Feather would at least give their flaps more lift.

Ooo! You're right! Different races of Researchers would be a cool idea! I wonder what sort of tech would be brought in? And, to be honest, having more scientists would allow them to work on more things even without the main Researchers paying attention!

Fair. I guess that you just said, “assassins” & my lizard brain automatically went: assassins → ninjas → Sheikah, so my bad. But dang, that sounds cool! It'd also be a good idea to send in the Sheikah warriors when a Yiga Base is especially fortified. So, they'd be used as undercover agents or something.

Thank you!!

And I know, right?? I am still bent outta shape over not getting legit pirates! Like, it wasn't just Lurelin that teased the idea, either. There was also that one lady at the East Akkala Stable, I think, who was super worried over it & the pirates on Eventide Island. Like... The ideas were interesting, but I would've loved to see some actual brigands!

Hmmm! This is an interesting idea! Though, the problem is that I can't really call a baybed a “yard,” now can I? (Or is the literal translation of vignoble supposed to mean "noble vine?") Clos might work. As, from what I understand, a clos is a walled vineyard, so I could approximate the fields that the sea-grapes grow on as an aquatic clos or “aquaticlos” if that isn't too terribly horrible of an idea. Because, one of the problems with building up a fantasy culture that isn't like our own is that you suddenly need to put yourself in their shoes.

For instance, I’ve recently begun to look up a lot in regards to algaes & halophytic crops in order to workshop a realistic agriculture for the Zora. So, to me, this would indicate that for the Sea Zora, sea-grapes likely came before the terrestrial vine grapes that we tend to automatically think of when we hear the word “grapes.” As a result, I think the word "raisins” would more naturally be used in reference to sea-grapes & like how, IRL, “raisins de mer,” refers to sea-grapes, I wouldn't be surprised if a more realistic depiction of the Zora would have them calling Refreshing Grapes, “Raisins de Terre Potentio” or “Terraisins Potentio” rather than just “Raisins Potentio.”

That, or the word for grapes that they use is “Raizins” & “Raisins” would be a newer term coined specifically for the grapes that grow ashore.

(Sorry, I'm always worried about butchering another culture's language. Because while a bit of linguistic difference is very plausible when talking about a different universe, I still want to remain faithful to the spirit of that language. So, my apologies if it feels like I'm taking advantage. 😥)

And, you’re welcome! But, don’t think it’s just outta the goodness of my heart. I also actually enjoy helping people iron out these sorts of things.

@aikoiya The post was getting too long so I’m replying here, hope that’s okay! If anyone is looking for the beginning of this discussion, it's here.

Your extended pantheon is amazing! I just knew that Gàlondo would end up being Demise haha. I'd say I prefer not to associate Demise with any race in particular (and the Gerudo already have quite a heavy burden with Ganondorf), but otherwise I like that backstory you came up with. So what's Hylia's role in your version then if he’s the guardian of the Triforce? I'm curious ^^

I'd say my reasoning isn't so much "I hate this" but rather "this doesn't make sense/contradicts something else" or "previous games did this better". I also want to show that it's still possible to create stories without ignoring everything that was established previously because to me this idea that the timeline is too restrictive doesn't stand. In fact I tend to believe being a bit restricted and working inside a frame can trigger more creativity (after all they did wild stuff like flooding Hyrule before and it fits perfectly in the timeline). I also would prefer to see the existing lore extended or clarified instead of them adding new confusing stuff and leaving it extremely vague.

Oh I LOVE your Outset Timeline!! Though the ending is indeed very bittersweet. It always makes me so happy when someone else points out the inconsistencies in Skyward Sword's story. That's exactly my reasoning for my fourth timeline, it exists because of Ghirahim and Link's victory over Demise in the distant past. Though you are right, adding a timeline split while keeping the Master Sword in the official timeline requires some gymnastics! At the moment I'm going with a lazy theory about the Sealed Temple being the future Temple of Time, so the Temple's magic somehow allows the Master Sword to exist in both timelines (I said it was lazy haha). Impa’s bracelet is another story though. In my timeline the Goddess Sword is also left untouched in Skyloft because Skyward Sword doesn't happen, which could be useful in case someone accidentally broke the actual Master Sword 😁 It's very intriguing to me that Sky left the sword in the past when he had no reason to (and it shouldn't even be possible since it's in the exact same spot as Zelda's crystal). It's probably just a mistake on Nintendo's part but I like to think there could be something else there, and that Fi had a reason to stay in the past.

About the DLC items the thing is that most sets are found in the Depths in random Zonai chests if I remember correctly, or in the coliseums, and there was no explanation as to how they got there. In Misko's little shrines we find the Fierce Deity set and the LA set, but also the barbarian armor, the shock-resistant outfit and the climbing gear. I can understand building shrines for the Fierce Deity or LA Link following what you said, but then for three random armor sets? Not to mention that Link already owned them in BotW, so making us look for them a second time was kind of a joke. I like this shintai/yorishiro idea, but I think it would work a lot better if there were only a few items to collect and not… the outfits of all the Links ever INCLUDING WILD'S (how!!). It feels really meaningless and more like a catalogue for you to choose from so you can look like your favorite Link (which is a bit insulting to Wild, you can just replace him at this point and go as far as changing his hair or even his entire appearance with the LA set). I also didn't really believe they were the actual items from past games, it made no sense (the same way Link wouldn't actually wear a red Nintendo Switch t-shirt or something from Xenoblade). It just really felt like fanservice.

The dictionary thing might help, but I think the story should be explicit enough on its own and I don't really want to study Buddhism/Shintoism in depth so that I can play Zelda games and understand what's happening haha. I mean of course it's fine if knowing a bit about it adds new context and all, but if you can't understand things like malice vs. gloom without it then I think it's a bit of a problem. Speaking of Fujibayashi I feel like this wasn't really an issue before he was in charge.

Yes the French translation for Demise is very misleading, that's another problem: depending on your language things are sometimes interpreted very differently.

I really like the English names for the three dragons, I think they're so much better than what we got in French. Nedrac, Ordrac and Rhordrac, really?? At first I didn't even understand the link with the Goddesses, and then the last two sound way too similar. Btw I remember from my very basic Japanese courses that it's common in Japanese to create new words by mixing a few syllables of other words together. For example "rimokon" means remote controller (remo + con), or there's the well known Pokemon = pocket monsters. So naturally we end up with stuff like Ordinn + dragon etc.

I thought as well about the dragons going by names given to them by mortals instead of their true names. The thing is, I don't really want to create new names because I'm already changing so many things and my timeline stuff can be a bit complicated, so I need to keep at least a few things familiar. And I really like Dinraal, Farosh and Naydra :D

I agree about Farore being more associated to wind and plants than thunder (I mean she's kind of Link's patron goddess and he has nothing to do with thunder). What's even more confusing in BotW/TotK is that the Gerudo are now also related to thunder for some reason, but they're definitely more Din than Farore in my mind.

Maybe I should give you some context about my dragons haha. The beginning of my story is quite similar to TotK, though I still made some changes. Ganondorf completely destroys the Master Sword, Link looses his arm (except here Rauru isn't there to replace it), and Zelda still travels through time (but not because of a Secret Stone since I got rid of everything Zonai). She arrives in ancient Hyrule one century after Sky killed Demise (because this is set in my alternate timeline), and she's stuck there so she needs to find a way back home. Before that she learns a lot about SS, the Triforce, the timeline split and Hyrule's past. After meeting various characters and most importantly Sonia (who's still a priestess, the Sage of Time and her ancestor), Zelda learns that this era has two Master Swords: the one left by Sky in the Sealed Temple, and the Goddess Sword that is still somewhere above the clouds. She understands then that she needs to retrieve the Goddess Sword in Skyloft and forge a second Master Sword in order to help her Link in the future, and to do so she needs the three Sacred Flames. Where are the flames? The dragons "swallowed" them since they weren't needed anymore after Sky left his own Master Sword, which turned them into the giant immortal dragons we see in BotW/TotK. So that's Zelda's quest: find a way to go to Skyloft and then get the dragons to lend her their power. Along the way she'll also meet the ancient Sages, who can help her return to her own time by using the Triforce (but of course this won't work because of Ganondorf, and Link will have to fight him in the present and bring her back himself).

I'm trying to make this both a story I could adapt in comic form and something that could work as a game. The idea is that Zelda's memories would be playable sequences with places to explore, fights and maybe even mini-dungeons and bosses. And of course there's an entire story for Link as well. At the moment I'm trying to come up with interesting arcs and quests for each race/Sage, both in the past and the present.

Anyway, that's why I'm so focused on the dragons. Zelda (and Link) will need their help and they will talk this time. And since they will remember being apointed by Hylia and they're supposed to absorb their respective sacred flames, I need things to make sense. This is also a timeline without climate change in Lanayru (here it's the same province as in BotW with the addition of Mount Lanayru and a good part of central Hyrule), so the thunder dragon has no business being up there. That's why the swap would make sense.

No need to apologise! I appreciate your perspective and that you're interested enough to share your own ideas! :D

I agree on Zelda's magic being her own and what you said makes sense! Love the part about her only thinking about how she's a failure (though I guess it's only natural if she's been trying for 10 years without result). I don't know if she would have had the same reaction had she witnessed her father's death though. AoC isn't canon but Zelda doesn't unlock her power when Rhoam "dies" in front of her and Link forces her to run. The memory where's she's crying in Link's arms in BotW also shows that she knows everyone is dead, it's even possible that she saw some of it happen (maybe in the same way as AoC for Rhoam, or they saw what happened to the Divine Beasts from afar). I guess they must also have seen some terrible things on the roads, so she could have unlocked her power trying to save her people. But it only happened when Link was about to die.

Haha yes, I'm probably one of the most obsessed Zelink shipper there is and even I can't stand that power of love trope. It really has no place in a LoZ game. In my headcanon Zelda wouldn't access her power only because of her love for Link, though it definitely helps, but rather because the Hero dying is kind of an emergency situation and would trigger her divine magic even if the necessary conditions were not met. I don't know if that makes sense to anyone but me though 😆

Yeah I'm okay with the women of the royal family having some sort of power though not as powerful as Zelda. I think some part of it could also be attributed to their Sage of Time abilities. And the gift of prophecy being inherited from Sky is such a cute idea!!

I don't know about Terrako, I only remember that Zelda built it when she was just a child?

I'd send you an ask to rant about TotK but I'm not sure about the character limit and I fear it would just turn into a second wall of text haha! Here are some thoughts:

– I could live with new lore that contradicts older games, if only things made sense and were sufficiently fleshed out. Then I could just enjoy the story and accept that this is a different continuity. But here everything is so vague and sometimes even confusing. Like if we're going to meet the Zonai and make them such central figures in Hyrule's history, then I want to know more about them and learn about their culture. What's the point if we're only going to see two of them and have no clue about how they created all that technology, mined the Depth, lived with the Hylians, and then disappeared? Same for ancient Hyrule: if the different tribes were at war, I want to see it, and I want to learn more about them. Ganondorf also had so much potential for an interesting backstory. What kind of king is he? How did the Gerudo feel about him becoming the Demon King? What about the Gerudo Sage? And so on. It feels like this could be so much more.

– Other things I would love to see explained: where is the Master Sword in ancient Hyrule and why does no one seem to know anything about it or the Hero? How does it travel through time to reach Zelda? What about Rauru and Sonia's descendants? Also what was the point of the fake Zelda, and why did Ganondorf stay in his bathtub the entire game instead of rehydrating himself right away and getting stuff done? There's also everything I said about the secret stones the other day, but I know you don't see it as a problem ^^ (Also I just rewatched the memories and I had completely forgotten what Rauru tells Zelda in front of Sonia's grave: "Remember, that was a future where you never appeared in this world". So does this mean this is a new timeline that kind of retcons BotW? If not then where did all the Sheikah tech go and how were the shrines replaced by the Zonai ones? I really need an explanation for all of that!!)

– The game also barely mentions what happened in BotW, except for the history class about the Calamity in Hateno, the statues in Zora's Domain, and the memorials left by Zelda to honor the dead. I wanted to see Hyrule starting to rebuild and to get some sort of follow-up on the story. Did Link regain all his memories? Was Zelda planning to take the throne? Does she have some sort of trauma after her century-long battle against Ganon at Hyrule Castle? Why does she react to Ganondorf's name, but doesn't link him to Calamity Ganon? Why did the Sheikah tech that was so central in BotW disappear, especially the Divine Beasts? I care about this world and its characters, I want it to feel like a real place and to see it evolve. But then stuff like this really reminds you that this is just a video game world, and that Nintendo doesn't really seem to care. And if things can be retconned any moment even in a direct sequel, then… why should I feel invested?

– There was a real waste of potential with the Light Dragon and Zelda just transforming back thanks to Rauru and Sonia (btw couldn't they have helped if they could appear anytime and still had that kind of power?). I find it so disappointing that Link doesn't have to do anything to help Zelda, it almost happens by accident. Mineru also said it was irreversible, but in the end it's no big deal (they shouldn't establish something and then ignore it like that). If only Link had to use the Triforce or something. I didn't want Zelda to stay a dragon but sometimes I wonder if it wouldn't have been a better ending.

– It also really doesn't help that Link feels so disconnected from the main story. In BotW he was also experimenting the story through flashbacks but at least they were his own memories and they fleshed out his relationship with Zelda and the other Champions. Here Zelda is the one experimenting the best part of the story, and to make it worse you can find the memories in any order and get badly spoiled. It could have been so cool if Link also time traveled at some point and could explore ancient Hyrule (and they could have done something crazy like Link and Zelda being the ones to seal Ganondorf in the past, which would lead to his transformation into Calamity Ganon). Link is also so expressionless (except when cooking and all) that I find it hard to care when he doesn't seem to. Imagine how different Zelda sealing herself would feel in Skyward Sword if Sky didn't act so distraught. In the same way TotK would hit a lot harder if Link did stuff like falling to his knees after seeing Zelda's last memory.

– I also think that the hands/cooperation theme the devs talked about in interviews is a bit weak and cliché (with characters reminding Link and Rauru that they don't have to do things alone and that they're stronger together, stuff like that). First I don't find it very interesting compared to what games such as OoT, MM or Wind Waker did, and then Link being able to fight Ganondorf alone from the start kind of throws it out the window (and Rauru also ends up sealing Ganondorf on his own). The Sages are not even with Link outside of the dungeons, they just create creepy copies of themselves (and I found them so annoying I never activated them, except for Tulin when flying). But yeah sure they shake hands and vow to help Link. I still think him being accompanied by the Champion's spirits in BotW worked a lot better, and their powers were also more useful. I guess seeing everyone working together to rebuild Hyrule would have made that theme more meaningful. The thing I really liked about this though was Link finally catching Zelda in the end after failing at the beginning of the game, that was a really beautiful scene.

– Also I said it above but I don’t want everything to be explained by Buddhism/Shintoism parallels, especially if the game just expects you to get it without providing context. Let Hyrule be it’s own thing.

So I know this isn't only about lore, but these are the main reasons why I'm not very interested in TotK. To sum up I'd say that the game lacks some kind of depth and has a lot of wasted potential, and it also makes it clear that it's pointless to care about continuity. BotW Hyrule was interesting and I think a lot of things could have been done about existing races instead of adding a new one but not bothering to do much with it. Just bringing Ganondorf back in this version of Hyrule and see how the Gerudo react to him could be so interesting!! Some concepts were also excellent but didn't really go anywhere, like the Depths and the Sky Islands.

Honestly I haven't thought about all these side quests and minor characters yet, I'm still trying to sort things out with the main story ^^ But I don't think I'll touch the ones you mentioned, they were fine. I liked the thing with the Eighth Heroine as well, I've seen a lot of people complaining about it but it's one of the only things in the game I actually found interesting. I just can't unsee the parallel with Link and the Seven Sages (of course).

What I'll be doing for sure is making some of the quests and events more serious, I'm kind of aiming for a darker tone. Most of the quests are quite fun (especially the "potential princess sightings" ones), but I feel like this game really lacks some sense of danger and urgency. For example couldn't the people in Hateno have more pressing problems than making cheese or choosing between Cece and Reede? Or was it really a good idea to make lighthearted little quests about misanderstandings with Zelda when her disappearance should be driving Link mad? (I should have included that in my little rant above haha)

I'd also love to make the pirates in Lurelin something more interesting than just a bunch of Bokoblins, but I'm not there yet. And rebuilding the exact same village was kind of meh.

About the Gerudo questioning their traditions, I'm actually planning for my Ganondorf to be a lot more active and go to Gerudo Town in order to meet his people (I want him to care about them, so he wouldn't attack them the same way he targets the others). I don't have all the details yet but I'm pretty sure there will be a conflict between Riju's supporters and other Gerudo who believe he's their rightful ruler (at first they wouldn't know he's actually that one king who turned into Calamity Ganon). So that's another tradition for them to question.

The consequences of Ganondorf being the only Gerudo male are something I've been wondering about as well. Add to that the fact that he's raised to be king because he's male (and maybe even kind of worshiped by his people) and you get something that can turn nasty real quick. Though I also wonder if Gerudo aren't different from Hylians. You said you hc that the Gerudo are only women because they were cursed so it makes sense that you would view it this way, but on my part I believe that's just how they were created. For that reason I think this is natural for them, so it's possible that it doesn't cause exactly the same problems it would for us or for Hylians.

About Demise, yes of course Ganondorf is more than just Demise's hatred. But in this game it doesn't seem to matter, he kind of turns into a second Demise as soon as he gets his secret stone and his motivations instantly go from conquering/ruling to destroying everything and everyone. They could have done something a lot more nuanced or at least shown a more gradual transition, with him being more and more consumed by his hatred and loosing control for example. I don't know, anything that would look less like a comically caricatural villain riding a demon unicorn.

Also about Demise's curse, I always thought it sounded more like a warning than an actual curse, and I remember reading somewhere that this was the intention in the original Japanese text. In French Demise even says something like "you must never forget, history will repeat itself" instead of "I will rise again", and he and speaks of the curse of the demon tribe (implying that it existed before). Even in English it doesn't sound like Demise himself is casting a curse: "Those like you… Those who share the blood of the Goddess and the spirit of the Hero… They are eternally bound to this curse". He doesn't say "I curse you" or "I bound you to this curse". I feel like this makes a difference (the curse already exists). This is why I interpret it as him basically saying that evil will not die with him and that Link and Zelda/the Hylians as a whole will always have to fight the demon tribe, but not necessarily his reincarnation. So I don't even believe that Demise himself is influencing Ganondorf in any way.

About the Zonai Zelda explains she studied them at the beginning of TotK and recognizes what's depicted on the murals, so it seems strange that sky beings could get mixed with a tribe of barbarians living in the woods. But yeah history getting lost and mixed is the only explanation for this.

Oh you're completely right about the Mogma, I got the same vibe from them! And a Mogma mafia sounds hilarious ^^ I love the Rocktato, Link would definitely eat something like that 😆

I need to take some time to read through your master list, it all looks very promising!

[notebooks-and-laptops]

Origins Timeline

Origins is epic in scale, and we know it takes place over the course of about a year (Ostagar happens in 9:30, the Archdemon is killed in 9:31).

I wanted a good reference for how long my Hero had been on the road at each part of the game (partly because this would inform their relationships to companions, partly just for reference because I'm a nerd).

So, without further ado:

(click to see the pictures in better detail)

So I've estimated that the whole journey from the moment you leave Flemeths Hut to the moment you reach Denerim and begin preparing for the landsmeet to take about 9 months and two weeks. That's accouting for a total of 6 months of travel (you're on the road a LOT in origins, I think way more than the game can accurately give you a sense of) and 3 months and two weeks doing the various quests you actually play through in the game (with about a month and a half spent in Orzammar).

I used the following resources to help me work things out, as well as focusing on the gameplay and lore (it doesn't make a lot of sense that you'd be spending days and days in Honnleath, for example).

Lavalampelfchild's timeline

Grogblogging Origins Travel Times

myrandacousland's Ferelden Travel Distance and times

Please be aware you may need to make your own maps and timelines to get an accurate idea as the way you go will definitely affect how long it takes your warden (if you cluster activities to one region or if you go back and forth loads). But I would say 9 months and two weeks is a good rough estimate for how long that part of the game takes.

I would then say a further two months are spent on the Landsmeet and everything running up to it/you being captured/the Alienage/everything in Denerium.

I would then reckon the end of the game would take a further month-ish from there, considering you have to travel to and from Redcliffe.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]

[princessbrunette]

sometimes, bunny!reader had very little self awareness. even less when she was with rafe.

you’re at the nail salon, waiting for the lady that worked there to fetch the card machine so rafe could pay for the mani pedi you just received. he’d been running errands all day, but had made that little window of time so he could pick you up and pay for you himself — he was thoughtful like that, for you anyway.

“taking her time, jesus.” rafe complains under his breath, hands stuffed in his pockets as he looks around the salon, straight faced. you tsk, gently smacking the arm of his that you clung to.

“they’re having a busy day, rafey! don’t be rude.” you inform through a glossy pout, adjusting your grip on him when he shrugs carelessly.

“yeah well, i got shit to do. what time is it, anyway?”

you lift your phone, tapping the screen with one taloned nail to awaken it. rafe looks over your shoulder too, like he subconsciously didn’t even trust you to tell him the right time. sometimes you did that, telling him it was earlier than it was when he’d ask so that he’d spend longer with you, thinking he had more time. whilst you were on the well behaved side, it was one of your more sneaky habits.

however, the kook boys attention is stolen from the clock at the top of your screen nearly immediately when you carelessly display his own dick on the lockscreen. the worst part is how you’re not even trying to hide it, practically waving it around for the salon to see. you turn the screen towards him, bracelets jangling as you shake the screen a little.

“see, m’not lying about the time toda—”

rafe snatches the phone from your hand, wide eyed as he glances around. “the hell is this, huh? why is my dick your lockscreen? don’t need people seein’ what i’m working with kid, jesus— change that shit. now.” he scolds and you pout.

“but, daddy i like seeing it.” you put on the innocent act— one you do all too well as you bat your eyelashes up at him, clasping your freshly manicured hands at your front, thinking the ‘daddy’ nickname will win you some points.

“do you like sitting down? ‘cos you’re not gonna be able to do that either if you start talkin’ back. change it.”

you stare him down for a second, resisting a foot thump before yielding, sulkily taking your phone back and opening up your camera roll to find a better picture to use as your lockscreen.

“good. play stupid games win stupid prizes alright i don’t need you parading my—” his lecture his cut short by the salon assistant returning, asking if he’d like to pay with cash or card.

you continue to sulk once you’re in the passenger seat to his car, choosing to inspect your nails over interacting with him. as he concentrates on pulling out of his spot, he glances at you quickly. “hey, cheer up.” it’s more of a command and your pout only deepens.

“i liked my lockscreen rafey. i changed it because i missed you.”

surprisingly, he huffs out a quiet laugh.

“and — and a picture of just me wouldn’t have sufficed? nah, you missed my dick.” he shakes his head, squinting out at the road ahead.

“missed both.” its quiet, but he hears anyway— glancing at you once more.

“yeah? well guess where we’re headed now?”

your interest is piqued and you peer over at him, eyeing the handsome cameron.

“home. so once again, you’re gettin’ what you want. so… so stop looking so heartbroken, alright? you’ll get your fix.”

like that, all is forgotten, leaning over the console to smear a glossy kiss to his cheek and grab him through his pants — usual behaviour back in tact.

[multific]

A Bump in the Road

Mattheo Riddle x Reader

Summary: You two were perfect for each other, but there are bound to be bumps in every road.

Everyone in Hogwarts was aware of the power couple that was you and Mattheo.

You had been inseparable since you first met in their first class, your chemistry was undeniable from the start.

Your relationship was the envy of all your friends, as you seemed to be the perfect match in every way.

However, as time went on, jealousy began to rear its ugly head in your relationship.

You started to notice that Mattheo was spending more and more time with a fellow student, Patsy.

They would work on projects together, go out for coffee, and even get out of the school without inviting you along.

At first, you tried to brush off these feelings of jealousy, telling yourself that Mattheo was just being a good friend to Patsy.

But as the weeks went by, your suspicions grew stronger.

You couldn't shake the feeling that there was something more than just friendship between the two.

And then, you decided to confront Mattheo about your suspicions.

You poured your heart out to him, telling him how you felt neglected and insecure in this relationship.

"It's like you don't even care about me anymore." you said and Mattheo was taken aback by your honesty, but reassured you that his friendship with Patsy was purely platonic.

He promised to make more time for you and to include you in everything.

"It's not that I don't want you to only be with me Matty, but-"

"I get it. I really do. You don't have to explain." he smiled and you kissed him.

However, despite his reassurances, you couldn't shake the feeling of jealousy that had taken hold of your heart.

He said he got it, but he changed nothing. And again, he was away with Patsy.

You let out a long sigh as you sat down to have dinner.

"Trouble in paradise? What did Riddle do this time?" you looked up at Blaise. You rolled your eyes and pointed at Mattheo who was talking with Patsy. "Oh, lover boy found a new toy?"

"Fuck off."

"Only joking. Stupid idiot probably got used to having you around way too much."

"Tell me more. And he had the balls to reassure me that he will stop."

"If it is anything, I don't think he is like that with her. He is an idiot, yes but he does love you."

"I hope you are right Blaise, or else there will be blood."

"I have no doubt about that. But I think two can play his game." he leaned in and you looked at him with a face that said "Continue". "The new guy, Black, has a little crush on you. Maybe... you could play a little?"

"Regulus Black?" Blaise nodded and you had a wicked smile. You turned and watched your boyfriend laugh with Patsy, oh boy if Mattheo wanted to fight, you would bring war to him.

----

Regulus was actually very kind and funny.

You genuinely liked him. But he wasn't Mattheo.

And it looked like your actions piqued his interest to the point where he actually left Patsy and joined you and Regulus when he helped you with your homework.

You were thankful to Blaise for the amazing plan as it has worked beautifully.

Patsy was soon no one but a long forgotten memory.

"Oh? Where's your girlfriend?" you asked Mattheo and he looked confused. "Patsy." you explained and he rolled his eyes.

"Apparently, Gryffendale thought it would be a good idea to have a bet. Patsy was sent to get us to brake up."

"Really? And it took you that long to realize that you played into their hands? We almost did break up." you laughed.

"No, we didn't. But it was rather suspicious for a girl to be interested in the stuff that I like to this degree."

"Should I call the doctor or will you survive?"

"I'm fine, since I have my girl." he pulled you close and you shook your head. "So you can start to avoid Black. I'm not letting you leave."

"Sorry, I do have a study session with him later today, but you can join us." you smirked.

This was the moment where you understood that life is going to throw a lot your way. But since you two were perfect for each other, no matter what will come, you two will be fine.

Taglist: 

@castellandiangelo @imagines-by-a-typical-fangirl @manduse @jacalineiscomingforyou 

@mandoloriancookie @deliciousfestsalad @lilliumrorum

@asgards-princess-of-mischief @fallout-girl219 @dracaryxzs @snowtargaryen 

~Masterlist~

ˇAO3ˇ

/YOU DO NOT HAVE PERMISSION TO TRANSLATE, OR TO STEAL ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[bisexualiteaa]

I’d let the world burn for you

Silco x fem reader (ANGST!)

Synopsis: When Jinx undergoes shimmer surgery to save her life, but what if it was his lover instead of Jinx?

CW: season 1 spoilers, established relationship, reader sustains a near fatal injury, heavy talk of needles, shimmer and its effects, brief mentions of bl00d, brief mentions of a knïfe, talk of drügs, surgery, angst with good ending, possible grammar/spelling errors, proofread

A few great songs that I listened to while writing this incase yall are interested! I truly can’t recommend this soundtrack enough, it’s so perfect ♥️

AN: this idea came to me spontaneously and I kind of just wanted to see where my mind could take it! It is 1am however as I post this so please be kind. 😭 Also felt like changing it up a little bit with some angst thrown into the mix, I’m enjoying writing for Silco but of course, asks are open if yall want anything in particular! As always, I hope you all enjoy! ♥️

Where did it all go wrong? It was the question he’d been asking himself for far too long now, wondering what he could have possibly done, how this unspeakable act could have been avoided. Yet through all the possibilities there wasn’t an answer he’d come to that satisfied him enough. No answer that brought him enough peace.

One moment he was in his chair, leaned over his desk with a drink in hand as he looked over the papers that sat in front of him. The next, Sevika was carrying your limp body that sat unmoving in her arms. Now here you were, coldly strapped to a surgical table, making you look more like a test subject for something horrific rather than a patient seeking care, your breathing so faint that he couldn’t tear his eyes away from you, afraid that if he did you may stop breathing all together. “How did this happen?!” Silco asked, hands gripping the edge of the table so tight that his knuckles were turning white, anger heavily entwined in his tone as he looked to Sevika. He needed answers and hated that he didn’t have a single one. “I don’t know, I was inside when it happened. I’d heard what sounded like a scuffle from not too far but I didn’t think anything of it at the time. Figured maybe a topsider had tread into the wrong territory, or was a deal gone bad. Then when I stepped outside I just saw her lying there” Sevika answered, looking to you as your body lay bound to the table uncaringly, a pang of sympathy in her gaze as she looked upon you in such a tragic state. As much as she didn’t understand your dynamic with Silco, she couldn’t deny the fact that she’d started to warm up to you a little over time. Seeing Silco happy because of you gave her a semblance of peace, and everyone took notice of the way that you seemed to brighten up the place a bit whenever you were around. She admired the way that he was willing to burn the world to cinders and ash for you, how you were the calm to his raging storm. You complimented one another perfectly. Despite her lack of understanding of your relationship, you didn’t deserve what had been done to you, and they both had a feeling it was likely a strategic hit. One meant to rattle Silco, throw him off his game and distract him, yet all it seemed to do was fuel his already raging fire. “And you didn’t even think to check?!” He asked, blind rage flowing through him like the very blood in his veins. “How was I supposed to know it was her? You can’t expect me to keep my ear out every time there’s a fight! For fucks sake, they happen too often here!” She defended, making him sigh heavily with agitation. She was right, it was rather unreasonable of him to expect such a thing but he felt so helpless in this moment, he couldn’t stop himself from lashing out. Seeing you hurt to such a point as this made him angry. Ultimately he was out of control in this situation, and it left him seeing red.

He smoothed his hands through his hair as he looked up at the ceiling to the bright lights, trying to collect himself the best he could for the time being. “Find who did this” he ordered, ready to give whoever did this to you as taste of his wrath. “Are you sure you want to stay here for this? I can watch over her if you’d rather. I can’t imagine this is going to be easy on either of you, especially her” she offered, knowing this would be hard for him to watch, and even harder on you to have to go through it. “No, I need to be here. I can handle it, I need to know she’s okay” he replied before looking to you, grabbing your hand gently in his, touching you so softly and carefully as if you were made of glass and could shatter at any moment. He wasn’t there to aid you when you’d gotten hurt, the guilt of it ate away at him, forcing him to stay here with you now, even if the sight of you in such pain tore him apart inside. “Who could do such a thing as awful as this to someone this kind?” He asked, his question rhetorical but gods how he wished he had an answer. Perhaps it was better if he didn’t, but it baffled him nonetheless. “When you find who did this, be sure to send them to me. An act this egregious will suffer a great consequence” he finished, watching her nod her head silently in acknowledgment before walking out to find who did this to you.

“This process will be…demanding. Sometimes death is a far greater mercy” Singe spoke as he walked over to his tools, ensuring everything was prepped for your procedure. “She can take it. I know she can” Silco replied, looking to the scarred man as he pulled out a syringe and a vial, filling it with a yellowish-green liquid. “Before I begin, I must know; are you prepared to lose her?” Singe asked, a question that made Silco furrow his brows in confusion as he looked to the doctor. What kind of question is that? It was a preposterous question, one he couldn’t possibly think of any other response to than the one he was about to give. As he was about to speak, he heard you sputter into a short coughing fit, blood splattering along your lower lip and chin as you winced and groaned in pain, writhing beneath the binds that held you to the table. Silco’s eyes widened with a gasp as you did, all but hurling himself toward you to check and see if you were okay. He leaned over you, hand cupping your cheek as a look of concern flashed across his face, trying to read your expression and watching your breathing as he called your name in the hopes it would get you to look at him. He wasn’t looking for a sign, anything to show him that you were okay. Yet your eyes were too heavy to open, body too weak to respond the way he wanted you to.

“She won’t die, doctor. She can’t” he finally responded, placing a gentle kiss to your cheek as his hand smoothed through your hair, sweeping it from your face in attempts to keep it out of your eyes should they open again before the process began. He hovered over you protectively, thumb caressing your skin in a soothing manner. It was a soft gesture you’d always done to him, a gesture he’d adopted from you after the countless times you’d done it to him. From wiping the tear from his eye after his injections, to simply doing so to grab his attention, it was something so soft, so gentle, so you. It only felt right to return the gesture. “I understand” the doctor replied, pulling out a chair, the hiss of the metal scratching against the floor a vile sound that filled the air for thankfully only a moment before he trailed over to the table and behind Silco. “But please understand, this is for your own sanity” Singe said as he injected half of the syringe of liquid into Silco’s neck, helping him fall to the chair he had pulled out. The dizziness and weakness had already begun to set in, the world moving around him slower and more blurry than normal. Everything was slightly muffled as if he were underwater, finally making it click what he had injected him with. It was a sedative.

You gasped for air as your eyes opened, coughs sputtering from your throat that felt dry as sandpaper. Your eyes scanned your surroundings, fear evident in your gaze as you looked to the bright lights then searched your surroundings, panic striking you as you fought against the straps holding you against the table. You yelped in pain as an injection was soon pushed into your veins, causing you to look down at what was happening. The bright purple liquid shining beneath your skin told you that it was Shimmer coursing through you now. It left trails up your arm from the injection site, purple and black trails that looked as if it were reviving your cells and killing them at the same time. It was terrifying, and the pain was insurmountable, leaving you to groan in pain and muscles tensed as you squirmed on the cold, metal table.

For a moment, the pain seemed to let up long enough for you to turn your head to the other side of the room to see Silco in a chair, slumped over. He looked tired, but something wasn’t quite right, he wouldn’t be so tired as to sleep while this was happening. Your breathing was harsh, ragged even as you tried to focus on his expression but the ebbing pain, mixed with the effects of the shimmer as it reached your blood stream and found its way through every vein and artery now made it nearly impossible. “Sil…” you called out for him weakly, attempting to reach out towards him but your hands were bound to the table, leaving you to lie there helplessly. You felt so cold, so sore, but above all else, you felt so alone. Was this death? Rebirth maybe? You weren’t sure, all you knew was that it was extremely unpleasant, your body and mind screaming for it to be over. Unfortunately your painless moment had quickly come to an end as more of the iridescent liquid seared through your veins once more, only serving to turn the veins within your arm more and more angry as you winced in pain. You gasped and sputtered as it climbed up your arm, past your shoulder into your neck before spilling from your tear ducts and mouth as you coughed, desperate for air to fill your lungs. You felt as if you were nearly drowning, as if you were being given far too much for your body to be able to withstand. A shrill, excruciating scream escaped you as you begged for it to stop, detesting cries leaving your lips as agony consumed you whole. It felt like torture and all you could do was endure it. “I understand this must be painful. I’m afraid it will only get worse” the doctor spoke, his apathetic words doing nothing to soothe your pain or calm you as he brought another needle to your cheek. “No! No, please no…stop!” You yelled, trying your hardest to jerk away from the needle but it was no use, like a caged animal, there was no escape from this. You closed your eyes as he pricked you again, making you cry out once more in pain as your body was shocked and overwhelmed from the sheer amount of trauma being done to it. He only seemed to smile as he did all this to you, watching you writhe in agony and cry out in pain only seemed to bring him joy in a way that you loathed. Everything around you was getting fuzzy at the edges, you couldn’t tell what was real and what was not. From there, it was all a blur. Your mind blacking out from the immense amount of pain in such a concentrated period of time. It had felt like an eternity before it all was finally over.

Silco opened his eye to see his hands resting against his thighs, the world spinning around him as he did his best to shake the effects of the drug he was injected with, trying to ground himself to reality. How much time had passed? Was the procedure done? Had he healed you? All questions that he again, did not have the answers to, but at least they were easier to access being that he was here in the room with you. He looked up from the floor to the table, seeing you were no longer bound in those awful straps, but that your eyes were still closed, not looking much different than when he first brought you in here. He groaned with confusion as he fought to catch his breath that seemed a little harder to obtain than normal, stumbling to his feet and towards the doctor who was currently washing a blade with his back turned to Silco. He turned momentarily when Silco pushed him against the sink, grasping him with all the energy and strength he could muster, looking upon him angrily with a fire raging in his eyes. “What have you done?” He rasped out, voice laced with vexation and eyes filled with malice as he waited for the doctor to answer him. “I saved her life” he responded matter-of-factly, making him only scowl deeper as he quickly snatched the knife from the sink and pointed it at Singe, not believing him.

“Sil…?” You called out weakly, voice hoarse from all your coughing, screaming and crying but just loud enough for him to catch. His eyes widened with surprise as he heard you, head turning to look at you reaching out for him. Your eyes searched around the room for him as you’d only just returned to consciousness. In a moment’s notice the knife came clambering to the ground as he stumbled over to you, doing the best he could to get there quickly despite the effects of the drug still weighing pretty heavy in his system. He grabbed your hand as he made it, resting his other against the table and using it to hold him up as he hovered over you protectively again. Silco felt you weakly squeeze his hand back, prompting him to pull you up into a hug so fast you could hardly recognize it had happened. “Thank gods you’re here” you spoke. He was so overcome with joy and relief to see that you were okay, or at least responsive, which compared to how you were before, was already a massive improvement. “I’m here, darling. I’m here, I’ll always be here” he assured, his hand smoothing over the back of your head as he held you protectively in his arms. He nearly cried as he felt you wrap your arms around him in return, kissing your head gently as his heart raced, pounding harshly within his chest from all the adrenaline coursing through him.

His heart broke as he saw the effects the procedure had done to your body, looking to the purple and black streaks running up your arms, tainting your perfect skin. He’d recognized those effects from anywhere. Shimmer. Rage overtook him once more as he turned to the doctor upon his realization. “You used Shimmer on her?!” He asked, voice raised in disbelief that he would use such a harsh, untamed chemical on you under the guise of trying to help you. “It saved her, didn’t it?” The doctor replied, making him seethe with exasperation. “It could have KILLED her!” Silco spat, not taking kindly to Singe’s apathetic tone, but your soft touch brought him back to reality. Your hand cupped his cheek, turning him to face you in the hopes that you could soothe his anger, and you managed to do so with ease. His eyes fell to yours as he turned, that wicked, violent look in his gaze beginning to fade away as he looked at you, seeing a new shade residing in your irises than before. He was doing his best to not allow the scars that had climbed up your arm to your neck to break this tender moment, but he couldn’t help but feel a pang of guilt that he caused you this pain, he caused these scars, these changes. Yet you continued to smile at him as if he hung the stars in the sky above. The atrocities he would commit for you to see that smile stay stretched across your sweet lips. To keep you safe and happy. He would kill for you, die for you. “It’s okay, I’m here love. There is no need for such violence, I promise” you spoke, your kind voice so strained, but you were right, he had saved you, something he was thankful for, he just wished it could have been brought about any other way. He fought so long and so hard to keep you as far away from it as possible, yet here you stand, saved by it. It was a conflicting feeling. Now all that was left was to find the vile person caused all of this to come about, but perhaps that was better suited for another time, another day. For now, all he wanted was to get you home safe, to enjoy the time he has with you now that he wasn’t sure he would have when he and Sevika had first brought you here. You needed the rest, your body was tired and so sore. Your recovery was his top priority, so for now his vengeance would have to come another day, but he could rest easy for now knowing that you were still here with him. The world would live to survive another day, but make no mistake, he would burn it all to the ground for you if you asked him to.

[evermore-fashion]

Did I make a mistake?

As you're all well aware of I said goodbye to my blogs and Tumblr thinking my decision was final. However after reading all your wonderful messages I started to have doubts about my decision. So for the last few weeks I've been trying to pinpoint why I thought I had fallen out of love with high end fashion as well as Tumblr itself and the answer has been in front of my face for the best part of four years. A broken down friendship that has been plaguing my mental health… until recently and I'm going to finally explain why. I had a best friend for the best part of 15 years that went downhill both slowly and unexpectedly. We met on a forum back in 2005 and hit it off instantly. We then met up and went on various holidays, attended concerts together, did mini weekend breaks away and got to know each other's families really well. More importantly they were the only person in my life who knew about this blog and shared my love for high end fashion. Like most friendships though it had its ups and downs but no matter what we always gravitated back towards one another, until March 2020. A week or so before COVID and lockdown took hold of our lives they told me they had met someone. I was genuinely happy for them, except for the fact they had let slip that I was the last person to know. This broke my heart and their trust as they continued to let slip more details that indicated that I was being pushed out in favour of a new crowd (aka university friends who they had told me they disliked a few months beforehand) alongside their new partner. They stayed with their partner on and off throughout COVID and I was either pushed out the door or let back in depending on their relationship status. The relationship came to an end for good towards the end of 2022 and as always I was let back into their life with plans for 2023 being made. However I held back knowing the hurt it would cause me if things suddenly changed again. This was also my breaking point with them as I wanted to protect my heart from anymore hurt, and I believe this is where my love for creativity began to faulter. Whilst I found my love for gaming I felt this mental block around Evermore-Fashion and Evermore-Grimoire which I thought was down to my passions changing. I was clearly wrong. The friendship was up and down for another six months, until last summer. They had got back in contact with me despite the fact they had started acting cold towards me which manifested in a crap Christmas and Birthday. Yet I was still willing to hear their side of the story, but it never came as they ghosted me and I haven't spoken to them since which hasn't been fun to deal with both mentally and emotionally. Although I now fully believe this is what was killing my spirit and everything I had loved for so long. Anyway fast forward to January 2024, I've said goodbye to my blogs and Tumblr when lo and behold I come across a social media post that changed everything. The ex friend had written something personal that contradicted everything they had told me (over their relationship break up) which not only angered me but it lit a fire under my butt to stop stewing in the "what ifs?" as well as holding on to a small bit of hope that they'd finally apologise for treating me like a piece of shit on the back of their shoe for so long. Not only that but I started to miss why I enjoyed being online in the first place. I checked out Vogue to see what was occurring during Paris Fashion Week and I yearned to share the Spring 2024 Couture collections on Tumblr (even though I still think it's still a toxic cesspit). Yes I could easily start this up on Wordpress or Instagram but let's face it, Tumblr is still the easiest place to start blogging creatively. So here I am. The fog surrounding my love for fashion has lifted alongside the mental and emotional baggage I've been holding on to for far too long. There's just one thing I'm still wondering though… do you guys forgive me (as I feel like I've messed you all around ) and is it okay to come back? 🥹

[visionsofmagic]

day 17: jason todd [thigh riding]

࿓ synopsis • while begging jason to start fuck you, you discover how you can get the pleasure you seek from riding his thigh.

―❦ nsfw, f!reader, brat!reader, pet names, begging, clothes on, red hood!jason, punishment, watching, jerking off, good girl/bad girl dynamic, ‘is all I guess? • 0.7k • who didn’t think about riding jason’s thigh whenever you see his MASSIVE thighs. mmh, delicious. enjoy! [kinktober m.] + the last work for the second week of kinktober 2023, yaaay! feel so good to come this far & the last week of it is close to the gates – open your horny sides for the rest of ‘em – see you in the last week/the week of games! *kiss* & thank you for all!

“really?” he mocks you, a smirk on his attractive face, eyes full of entertainment, understanding what you try to do after he declines the offer of fucking you – he gives you a punishment for being a brat, calling him here, having only a tiny dress on you, exposing every part of your delicate and soft body to his eyes to make him want to bend you over, starting fuck your greedy clit – he indeed has the desire to do that. however, you need to learn your lesson for making him worry about you in a way you should not.

“jay –“ his name leaves your mouth as a pray, so sweetly that his cock twitches with pleasure inside his pants as you sit on one of his thighs, palms on his well-built abdomen with muscle, holding them dearly as a source of steadiness. “please – please – I need you!”

he doesn’t say anything, only watching you while leaning to the chair he’s sitting on – eyes darting between your soaking pussy on his thigh and half-closed eyes as you roll your hips forth and back, holding him tight, biting your lips to keep your loud moans escaping.

“need me? you’re looking you’re having what you need pretty,” his long fingers hold you by the chin, making you look down at the mess you’re making on his massive thigh, the hips moving on their own – the warm feeling is coming because of both his clothed thigh and your naked pussy rubbing it. the painful motion makes the pleasure you receive get higher and higher until you begin to bounce on him like a mad girl, rubbing still from time to time.

the edge’s closeness comes sooner than you expected it to be – it feels so different to fuck you on his thigh while jason has his fisted hand under his chin, the elbow on the side of the chair, looking at you with a smirk on his face – his clothes make you go shy suddenly, making you feel so exposed – so weak.

for him – you will always be weak, and this is known by both of you. the knowledge makes jason put his free hand on your hip, moving it in sync with your movement – cock getting harder because of seeing you trying to make yourself cum – and only by using his thigh without even getting permission.

he chuckles deeply, voice huskier than ever, eyes on your face – bouncing breasts with hardened nipples, pussy clenching and soaking wet, dark circle on his pants, and your moving ass cheeks from sides. “what a mess you’re making out of yourself on my thigh baby,” he hold you by neck now, closing the gap between your bodies as he pulls you into himself, smirk is still there, burning you alive. “and only by riding my thigh, huh? always a brat, greedy slut for me, aren’t you princess?”

nodding, you close your eyes, breaths hitting your face, sending another source of warmness into your core, making the climax you seek to reach its highest point.

harder you ride his thigh, the more his cock grows bigger inside his pants – a bulge appears visibly, and he can’t hold himself back from jerking himself off above the clothes – hand moving up and down rapidly, same pace as your hips.

and when you look at it, you moan his name loudest, coming undone at the exact moment he holds your hand and makes you hold his bulge, his dripping precum creates a darker color on his pants.

“fuccck – jason!”

he doesn’t wait for you – to get yourself together, get the power to open your blurry eyes, and witness the great amount of wetness you created – your cum drips from his pants onto the floor, chest raising up and down, hot breathes hit his chest you put your forehead on.

by holding your hair gently, he makes you look at him – a pride blooms in his face, sending chills, “what a bad girl,” he remarks, “ride herself on my thigh and cum shamelessly while I was trying to teach her a lesson. even though I like how you look right now, I don’t want my girl to stay ignorant. so, do you want to be my good girl again, slut?” he asks, the grip on your hair getting tighter.

nodding mindlessly, you let him pick your body up – with bridal style, he holds you, walking to the bed you share. “then, you will lie down and take my cock inside your warm pussy princess. you are the reason why my dick is dripping now after all.”

❦ tagging: @lilvampirina & @snowprincesa1 & @dookiemeshibear & @chloee0x0 & @marmar-c *lots of kisses!*

[linkspooky]

SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 

With Great Power… You know the rest. 

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 

Now I’m going to drastically oversimplify what a character arc is. 

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn��t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 

Should I save the villain?

Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 

[honeytonedhottie]

getting it together⋆.ೃ࿔*:･🍡

it feels GOOD to have all ur assignments done. to actively pursue ur dreams and goals. to be consistent and in turn -> see results. it feels good to give meaning to ur time and experience sustained satisfaction. this post will give an overview/guide of the BASICS of getting it together. that way whenever u get off track (cuz we're all human) u can easily reference this and get it TOGETHER.

SLEEP SCHEDULE - how does ur sleep schedule look? is it all over the place? fix it. the plan is to get between the range of 8-10 hours of sleep every single night (yes even on the weekends) and to wake up no later than 8 in the morning.

i recommend formulating a "get ready for bed" routine. mine is set with a soothing playlist, a cup of tea, and copious time for self care and meditating on my manifestations. ur night time routine is customizable to YOU, however the goal is to get away from screens or anything that'll tempt you to stay up at unhealthy hours.

THE MORNING ROUTINE - i think that the most influential and important time of the day is the morning. bcuz for me that sets the mood of my whole entire day, so i take my mornings SERIOUSLY and i think you should too.

for me in the morning, i do a light pilates workout/stretch to get my blood pumping, and i feel like it gives me such a boost of energy and sets the mood for the whole day so if u haven't tried i rly recommend working out in the morning. however since this post is for when you've gotten off track start SMALL. a short 5-10 minute stretch or pilates routine is more than enough.

THE IMPORTANCE OF GETTING READY - and i'll STAND ON THIS. even if ur not going anywhere at all that day, make an effort to get ready. make casual glamor a HABIT. getting ready is like, the best part of my day. its so therapeutic, something about the meticulous attention and the amount of time that i pour into myself it feels AMAZING. when u look good -> you feel good

A TO DO LIST - plan out ur week, plan out ur day, ur month. make a super cute calendar or agenda so that way you can get ur tasks done. im someone who needs super detailed instructions of what TO do, so when ik what im supposed to do i can get it done and i can get it done well. and instead of thinking of it as a to-do list, think of it as like a quest or something. tasks that u need to do and then -> you get something in return

ik it sounds rly dumb but sometimes when theres a mundane task that i know i must do, i imagine that im like a SIMS character who has no choice. or i imagine myself as a video game character who is doing it as a task cuz its part of the game. the point of me sharing that hot tip is to make it FUN for yourself. give urself something to look forward to afterwards too. like an episode of ur favorite drama, or a sweet treat.

CLEAN UP - a cluttered space = a cluttered mind. take 20 minutes aside everyday to tidy up so that then u can avoid the day-long cleaning on the weekend and actually enjoy it. when ur space is neat and organized, so is ur mind and it translates to how u view/respect urself. u show that you respect urself when u dwell in a place that it is neat and tidy.

PROPEL YOURSELF - when i've been rotting for a couple days, my go-to routine to propel myself back into my usual swing is : shower (an everything shower is a bit ambitious so go for it if u want) -> drink a COLDDD large glass of water -> do the process of getting ready and then do at least 3 tasks and 2 smaller tasks)

[buttsmasher]

Heard You were Talking Shit

Warnings/Tags: Gay Face Farting, Forced Face Farting, Face Farting, Fart Torture, Multiple uses of the F slur, Asphyxiation by Farts, Passing out from Farts, Eproctophilia, Face humping, Bully cums, Pisses self

Last Monday I opened my locker to find a note waiting for me. It falls to the ground and I quickly squat down to grab the note. When I pick up the note, I see that there’s a lipstick mark and just a phone number. I’m a bit confused, but I text the number anyway.

Hey? Got ur note… Who dis?

Hi cutie xx… Jalissa

Hell yeah, Jalissa is awesome. We went to high school together and I knew we were going to the same college but haven’t run into her yet. I briefly found it weird that she approached me this way but I don’t think too much of it.

We end up talking for like a week before deciding to meet up. She wanted to meet up at the gymnasium at 9:00 PM when it’s close. She has a key to the gym since she works there and I’m game.

However, when I get there, the gymnasium is quiet and the lights are dimmed.

“Hello?” I call out as I walk towards the center of the gym. “Jalissa?” When I reach about half court, all the lights flip on. 

I hear footsteps and turn around expecting Jalissa but end up seeing someone else. “Tristen? Tristen Moretti? What are you doing here?” I look around, maybe he had the same idea as Jalissa.

“Heard you were talking shit.” This moves my attention back to Tristen and I watch as he saunters closer to me. 

“What?” He’s at arms length now. “I don’t know-” He gives me a firm push and I trip slightly backwards but stay on my feet.

“Called the whole wrestling team a bunch of fags.” 

“I mean, the whole sport is a bit faggy.” I comment back. “The whole tight singlet and holding another man and rolling around on the mat. It’s all a bit…faggy.”

He pushes me harder, this time I lose my balance. “The only fag I see around here is you.” 

“Fuck off!” I go to get back up, but Tristen quickly pins me down against the floor. He does some maneuvering and I’m unable to get a good grip on him. The echoes of me and him struggling in the gymnasium is the only sound I can hear until he has my face pinned against his ass.

“I’ll fucking show you faggot.” 

PFFFFFFFFFFFFFFBBRRFFFFFFFFFFFFFFFTTT

A rumbling six second fart hits my face. It’s rotten, smelling of garbage and eggs. I start to struggle again, but he pins my arms down to my sides and grinds his sweatpant clad ass against my face. “Eat my fucking gas, faggot!” I try to move my face away from his ass but I have nowhere to go.

PFFFFFFFFBRBRBFFFF PFFFFFFFFFFF

More vile gas hits my face and I do my best to hold my breath. Even with doing that, it’s not enough, fumes are still invading my nose.

“Bro, get off!” I grab his hips and try to buck him off, but he uses the opportunity to switch his position. He gets me into a scissor lock and uses his heels to push my head into his ass.

PFFFFFFFFFFBBRFFFFFFFFFFFF

“Fuck!” I yell out as my nose is pressed firmly against his ass. I can’t help the dry cough that escapes my lips. The rotten smell has burned its way into my sinuses and I’m starting to worry. 

PBRBRBRBRBBRRRRRR

“Fuck, that was fucking wet.” He comments above me. “How’s that smell faggot?” He releases the pressure of his heels against my head, only to slam my head against his ass over and over again. “Smell it faggot! Smell my fucking ass.”

PFFFFFFFFF PFFFFF PFFFFBBRFFFFFTTT PFFFFF

He slams my face hitting his ass with each fart bomb hitting my face. My eyes are watering and I don’t know if I’m breathing correctly. My nose hurts from the repeated slamming and the toxic fumes that I’m being exposed to.

“Dude,” PFFFFFFFFFFTTTT “Stop, please!” BBBRRRRRRFFFFFFF PFFFFFFFFFTTTTT

“Not happening dude.” PFFFFFFFBBRBRFFFFFFFFTTT “This is what happens when you fuck with the wrestling team.” 

PFFFFFFBBRRFFFFFFFFFTTTTTT

I feel so physically weak at this point, I lose the ability to even try and fight back against Tristen. “Please.” I manage between hacking.

“You want more? Cool, I can indulge faggot.” He loosens his grip on me slightly only to pull his sweatpants down under his ass. He’s wearing a jockstrap that frames his ass. 

“No, no, god no!” I begin to scream as he pulls me back against his ass.

“This is why you don’t talk shit!” He roughly bounces my face in between his ass cheeks as he shakes his. PFFFFFBBRBRBFFFFFFFTTTT His naked ass is much worse than before. His gas burns my nostrils as he keeps ripping noxious fumes. 

“Please...I-I...Can’t breathe.” He doesn’t budge any, instead he pushes harder against my face.

“Good, I wantchu to suffocate in my fat ass.” 

PFFFFFBRBBRFFFFFFFTTTTTTTTT

If he keeps this up, I’m definitely going to start suffocating. I already feel dizzy from all these butt bombs obliterating my nose.

“Gonna make you regret ever talking shit.” He’s already done that. “Eat this faggot!”

PFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFTTTTTT

A loud trumpeting 15 second fart hits my face without any filter. Pure garbage gets spewed into my lungs and I start convulsing against him. “Yeah let the gas in. Breathe me faggot!”

PFFFFFFBBRRFFFFFFFTTTT 

He doesn’t let me recover and continues to blast me with his gas. How is anyone even this gassy? “I'm sorry! Please, I’ll do anything!” I try groveling with the little bit of air I have left. 

“Sorry faggot, I can’t hear you. You’ll have to beg louder.”

“Ple-” PBRBRBRBRBRRRRRFFFFFFFFFFFFFF He manages to fart directly into my mouth as I start talking. It’s absolutely rotten and I begin hacking up my lungs again and I feel like I’m going to throw up. “Oh god.” I don’t learn from my past mistake and he manages to fart in my mouth again, this time pushing his ass and pulling my head as hard as possible.

I feel my cheeks inflating as he keeps spewing a 15 second silent but deadly fart into my mouth. I can’t move and my whole body is shaking against him.

“Fuuuuuuck, that feels so good.” Tristen moans above me as he’s grinding his ass against my face. “You still breathing faggot?” Barely, I think to myself as everything starts to spin. I give one last attempt to fight back and push him off me, and to my surprise I get away.

I’m scrambling to get away when I feel him grab me around my waist and pull me back to the ground. “Where you going faggot? I’m not done with you?” I’m seeing triple as he twists me around and forces me back on the ground. 

He pulls his dick out of his jockstrap and starts slapping my face with his cock. I try twisting away but he grabs my head and holds me into place putting his dick under my nose. He starts humping my face and I can feel his dick harden on me.

“I’ll make sure you’ll never forget about this.” He keeps humping me and all I can smell is his natural musk and the lingering scent of his ass on my face. “This is what fucking happens when you mess with me faggot.” 

He forces my mouth open and he starts to spurt cum into my mouth. I go to spit the cum out, but then he sits back down on my face again. “Open up faggot.” 

PFFFFFFFFFFFFFBRBRBFFFFFFFFFFFFFFTTT

His cum gets blown right back in my mouth and I’m forced to swallow his cum and nasty fart. It’s the most vile thing I’ve ever tasted and I can’t stop from gagging.

PFFFFFFFFBRBRBFFFFFFFFFFTTTTTTT PFFFFFFFFFFFFFFFFTTTTT

PFFBBRFFFFFFFFFFF PFFFFFFFFFFFFF

PFFFFFFFFFFFBBRBFFFFFFFFFFFFFFFTTT

Barrage after barrage of fart is being forced down my throat and it’s at this moment I fear for my life. I can’t even speak anymore to try and beg for my life and I feel myself spasming. I think I may have pissed myself, I can’t even tell anymore.

All I hear is him laughing, grunting, and his trumpeting farts. I’m going to die like this.

PFFFFFFFFFFFBBBRRFFFFFFFFFFFFFFFFTTTTTT

PFFBBRBRFFFFFFFFFFFFTTTTTTTTTT PFFFFFFBBRFFFFFFFFFFFTTTTTTT

My legs fall slack against the gym floor.

PFFBBRBFFFFFFFFFFFFFFFFFFFFFTTT PFFFFFFFFFFFFFFFFF PFFFFFFFFFTTBRBFFFFFFFFF

Next my arms fall.

PFFFFFFFFBRBRBFFFFFFFFFFFF

“Nighty night faggot.”

PFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFTTTTTTTTTTTTT

I lose consciousness and my head falls against the gym floor.

Minutes or maybe hours later, I awake alone. Lights completely turned off in the gym. 

“Help.” I try to yell, but my voice is hoarse. I struggle to get to my feet and all I can smell and taste is Tristen’s ass. I end up throwing up on the gym floor. 

At least I’m not dead, I think to myself as I make my way to what I assume are the doors. I open a door to find myself in a small bathroom. I look at myself in the mirror and see the state I’m in.

Jeans drenched in piss and my face is splotchy and red. Everything smells bad and I go to the sink to try and scrub my face. As I’m about to go another round of scrubbing, I feel my phone buzz.

Jalissa: Hope you had fun tonight faggot xx

I stare at my phone for a bit before throwing it full force against the wall. 

~~~Fin

Author’s Note: Another old story that I found and decided to revamp. I pretty much rewrote the whole thing at this point and changed it from 2nd person to 1st person. I also think I created a new kink for myself? Forcing cum in someone’s mouth and then immediately farting in their mouth? Hello? Has that been done before? Anyways, hope you enjoyed :3

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[clanwarrior-tumbly]

can we get soft angst hcs of caine comforting a reader who entered the circus but found solace in escaping their old life?

Dang it didn't take long for the requests to come in haha, but yessss I'm eager to write for TADC now!! (just note my hcs/interpretations of the characters will change as more episodes come out).

.......

When you first arrived to the circus not long after Pomni, Caine was worried that you were going to freak out over trying to find an exit (that definitely does NOT exist).

So he just cuts to the chase and states you're stuck here forever. There's no exit doors or hidden portals or secret keys, so you can just give up on returning to your old life altogether.

But you don't look scared in the slightest.

Confused? Yes. Certainly.

However once you've taken in all this information, you just stand there with a smile and a relaxed posture--a display that concerns Caine a lot.

"They seem happy, boss.." Bubble whispers. "Is that a good sign?"

"Not sure. Never seen anybody react this way. Maybe they're just holding it all in and pretending to be fine when they're really no--WOAH, stop the presses!!!" His eyes bulge out of his head/mouth(?) as he sees the tears running down your cheeks. "You're crying more than Gangle does on Tuesday! Is it true that you were masking your emotions????"

"..huh? What..oh no!" You laugh and wipe away the tears, before explaining to the ringmaster that you were indeed very happy.

You spoke of how sad and dull your life was outside of this game.

It was your escape, a comfort, and you've been a huge supporter of its development over the years.

Even in your sleep, you never stopped thinking about it--you always had dreams of being in this very circus, having loads of fun with the other characters and joining their wacky adventures.

So to learn that (somehow) you became a permanent part of the game is literally a dream come true!

Of course, you weren't expecting the presence of the Abstracted and Pomni's constant freakouts, but you couldn't be happier.

Caine was surprised that you remembered so much of your old life (whereas poor Pomni couldn't even recall her own name).

But he sees you're content with starting a new life here in the Digital Circus and grins, eager to plan some exciting fun and games for you to enjoy.

He will, however, make a point to pair you with Pomni so you could help her calm down and show her that being in this virtual world wasn't so bad.

It's probably not the best idea, though, as nothing you say comforts her.

"I mean, your old life could've been really bad and-"

"But what if it was good? What if I had tons of friends and a great family and a successful job and.....oh god..what if I had PETS?!!!" She wails. "Who's gonna take care of them?!!!"

Had she remembered at least one little bad detail from her old life....persuasion would come a lot easier.

But Caine encourages you to keep trying anyways.

[blueskittlesart]

did u not like totk?

i LOVED totk. i think it was well-written and did its job as a sequel to botw very well. HOWEVER. i do think it suffered slightly from the commercial success of botw. as i mentioned in my last post, nintendo does this. thing. when one of their games gets popular where every game after it has to be Exactly The Same so they can make all the money in the world via comparison marketing. (and this is a problem with the wider game industry in general but also a very observable pattern in loz specifically.) I know it's been a pretty long time since botw came out, but before (and immediately following) its release there was some pushback from longtime fans who worried that the open-world and lack of traditional dungeons meant that the game had strayed too far from the classic formula that makes a game a "zelda game." this is to say, botw was EXPERIMENTAL. and the devs had no idea if what they were doing was going to be successful or not. the open-world of botw wasn't a gimmick, and it wasn't the devs jumping on the open-world bandwagon. it was what CREATED that bandwagon. the open-world was a deliberate choice made specifically for botw because it reinforced the story that botw was designed to tell. the game is about exploring a desolate world, about making connections, and rebuilding both the broken kingdom and the player character's shattered sense of self by traveling and learning and building relationships. a large open-world map with only minor quest guidelines and lots of collectibles and side quests lends itself perfectly to this specific story, which is specifically about exploration and rebirth.

the problem is, botw was. almost TOO good. it was so good that every other game company on the planet started scrambling to build giant open-world maps into their next release, regardless of how much sense that actually made narratively. and because of that, when it came time to release a sequel to botw, the devs had a lot to think about. they had HUGE shoes to fill in terms of fan reception, but they were ALSO being asked to follow up one of the best-performing games of all time, commercially. totk needed to SELL as well as botw. And, likely because nintendo was worried about that potential commercial value, totk needed to keep people comfortable. I don't know for certain, but I definitely get the feeling playing totk that the devs were specifically told not to stray too far from what made botw marketable and successful--that being the open world and the versatility of gameplay. so in order to follow that up, they made... 2 more huge open maps, and new gimmick gameplay which was explicitly super-versatile.

do i think that the extra maps and ultrahand were BAD choices? no. however, i don't think they necessarily ADDED anything to the game as a narrative whole. one of my favorite things about botw was how everything seemed to be designed AROUND the narrative, with gameplay elements slotting neatly into the story thematically. totk just. didn't really have that, imo. there wasn't a huge narrative benefit to the gigantic, completely unpopulated depths and sky maps. ultrahand was cool, but within the context of the story it meant basically nothing. in some ways, i almost think totk could have benefitted from a much more linear approach to its storytelling, a la skyward sword, because there are a lot of story beats that have to be found in chronological order in order to have the right emotional impact, but because of the nonlinear open-world it kind of became a struggle to hit all the important story points in the right order. an easy example of this is the dragon's tears in comparison to the memories--the dragon tears have a very specific set order in which they happen, and finding them out of order can make the story you're seeing in them feel confusing and disjointed. the order in which they should be found is technically displayed on the temple wall, but most players aren't going to pick up on that or follow it--more likely, they're just going to explore the geoglyphs as they come across them organically, and therefore will likely witness the story in a completely disjointed way. compare this to the botw memories, which ALSO technically have a set order--the order in which they're displayed on the sheikah slate. however, because they're largely just small moments in time, and not one continuous story, finding them out of order has a lot less of an impact on how you as the player experience the narrative, and it's not hugely detrimental to your experience of the story if you find them naturally as you explore rather than explicitly seeking them out in order. If TOTK had been allowed to deviate from the botw formula a bit, i think we may have ended up with a more cohesive game in terms of narrative beats like that. as it is, i just think the game is torn slightly between wanting to be its own new game with new gameplay and needing to be botw, if that makes sense.

[lie-lacdreams]

Thermodynamics and Turmoil (Curly x Reader pt. 1)

Hello! I'm putting out my very first piece ever and I'm so excited to feed the masses as much Mouthwashing content as they deserve :) This game has a lot of sensitive topics to it and as such I'll try my best to bring them up as appropriately as possible. The story is gonna start off slow and elaborative because I love all of the Tulpar crew so much (except for Jollof rice, Jimneva convention) and they all have such interesting personalities that I couldn't help but to explore their wants and aspirations. This story will feature an alternative ending to the game because I cannot stomach sad things they make me very sad </3

Next

engineer! reader x curly TW: a bad word or two, I think word count ~ 1.9K

Curly was back in the medical bay for his routine psychological evaluation with Anya. With all of the questions answered and out of the way, the both of them were just chatting before he had to go back to the cockpit and finish up his duties for the afternoon.

“You’re all good to go, Captain. Seems like there isn’t much change from your answers like last time, as usual.” Anya let out a tired sigh. 

“That should be a good thing, given we’ve already been on this trip for almost two months now. We should all be used to the routine around here at this point. Has everybody else been adjusting alright?” Curly stood up from his chair, Anya following suit as they moved towards the door. 

“For the most part, everyone’s been well but I wish they would open up or take the assessment seriously. I mean, at least Daisuke has been making my job a little easier – he just talks and talks.” she mused. Curly gave a little chuckle in response, thinking about the last-minute intern that the Pony Express decided to add on board to their journey. He wasn’t exactly the most helpful – at least according to Swansea – but he brought an air of lightheartedness that they all needed in a cut-corners, shitty working environment like the Tulpar. “Oh, actually, have you seen (Y/N) lately?”

Curly thought for a moment. Along with Daisuke, (Y/N) was another late addition to the crew. The Tulpar has started showing its age and as such, there were increasingly consistent problems with the water pipes, life support, and fuel usage. However, instead of giving the crew a new ship, they handed the responsibility of keeping the ship up and running to the passengers. After their previous trip, Swansea went straight to the higher-ups and ripped them a new one, stating that “he couldn’t be expected to perform miracles”. When the crew was assigned this trip, they were all surprised that corporate had listened to Swansea’s complaints and granted them with another engineer. (Y/N) was self-sufficient, only really needing to work with Swansea to consult him on how best to move forward and with Daisuke when Swansea needed a break from his overzealousness. As a result, Curly saw and knew very little about her. “No, I’m afraid I haven’t. Why?”

“She’s due for her check-in as well but I haven’t seen her these past two days to tell her that. Go figure. We share a room yet recently she’s been waking up earlier and sleeping later than I have. When I went to ask Swansea and Daisuke if they’d seen her, they said that they haven’t seen her at all today.” 

“Huh. She’ll show up eventually. This ship only has so many places a person can be. If I see her, I’ll let her know to go straight to you. Thanks, Anya.” He patted her shoulder lightly before heading out, making his way back to the cockpit to fulfill his duties. 

In the evening, the crew convened at the table for dinner. Curly always looked forward to this time of day, where everyone had finished all of their tasks and could open up with light hearted banter. With only the six of them on the ship for over a year, all they had were each other, and he cherished all of his crew members. Anya and Swansea were chatting to the left of him about Swansea’s kids back on Earth. To his right, he saw Jimmy get increasingly agitated as Daisuke tried convincing him to swap dinners with him. That’s when he spotted the empty chair across from him and realized that (Y/N) was still missing. 

No one was concerned by her absence; it was a common occurrence, and he trusted Daisuke and Swansea to be in the loop about what she was up to and would report to him if anything happened. During the work day, everyone was so consumed with their jobs and couldn’t afford to worry about the whereabouts of the others, unless they needed to lend a hand. Curly wasn’t an exception to this. As the captain it was his responsibility to make sure his crew members were okay and that things were moving along nicely, and so far there wasn’t anything out of the ordinary that indicated otherwise. With everyone finishing up their dinner, clean up began before people bid each other goodnight. 

In the middle of the night, he woke up parched. Debating whether or not to get a glass of water, he finally got out of bed and made his way to the lounge where the kitchen was. Leaving his room, he could hear a faint clacking noise grow slightly louder the closer he got to the lounge entrance. Opening the door to the lounge, he was finally met with the sixth crew member whom no one had seen all day. Sitting at the dining table, (Y/N) rested her feet on the seat of her chair and had her knees drawn up to her chest. All around her were books and loose papers scattered about. Her hair was messed up, likely a direct cause of the hand she kept on her head, fingernails digging into her scalp. Curly gently cleared his throat, trying to make her aware of his presence. Shooting a tired glance his way, her eyes widened a bit before immediately sitting up straight and tidying her hair. She looked guilty, like she was caught in the middle of doing something she wasn’t supposed to be doing. 

“Finally, we get to see her. Where have you been, Miss Absentee?” He sent a small smile her way, walking over to her.

“C-Captain! What are you doing up? It’s quite late.” (Y/N) nervously fidgeted.

“Just up for a glass of water. What are you doing up so late is the real question.” He crossed his arms. 

“Just doing a bit of work. Can’t get enough of it.” She joked dryly. Curly frowned and pulled the chair next to her to take a seat. She sighed and leaned back, finally relaxing from tensing up after seeing Curly enter the room. (Y/N) didn’t know her captain well, and as such she always tried her best to save face and remain professional with him, but at this hour of the night, she was too tired to keep up with decorum. 

He leaned on the table, facing her. “I know we may not be as close as you are with Swansea and Daisuke, or even Anya, but as your captain I care about how you’re doing and I want you to open up to me.” Her expression became hesitant as she shifted in her seat. “We’re all busy and even though it’s common for you to go missing during meal times, seeing you like this now is making me worried about how you’re doing.”

(Y/N) kept quiet for a second, looking like she was mulling something over before picking up the object right in front of her.  “Do you know what this is?” 

“An abacus. Interesting that you have one.” he said. 

“Yeah.” she sighed. She moved her gaze from Curly to the plastic Polle statue in the corner of the room. “Before I got on the Tulpar, they had given me all of the supplies I needed to fulfill my duties and do what they asked of me. I had met Swansea only briefly before so he could give me manuals and maps of the ship’s layout. I got the uniform, the steel-toed boots, notebooks, writing utensils, and a solar-powered calculator.” (Y/N) shook her head. “You’d think that would be enough to prepare me to be here, but no . If only there was a way to have a bit of sunlight in outer space in a ship with no windows. They gave me something so crucial but useless out here. I had brought the abacus on board with me for sentimental reasons, but ironically enough it’s the only thing here that allows me to do my job.” She glanced back at him. “I’m not sure if you were aware, but Pony Express lied and said this was an internship for graduate students. Little did I know I’d be thrown into something I wasn’t going to have much guidance in. I needed a break from my PhD and even though the pay wasn’t that great, I was desperate for some sort of escape from academia.  I thought going to space would give me that, but every day I wake up is a constant reminder that I’m so underqualified. Swansea is an expert with the mechanical side of the ship and he’s helped me a great deal, but the fluid mechanics and thermodynamics of it all are things he knows nothing about. So I’m here, trying my best to play catch-up and praying that I figure out a solution so that this ship has enough fuel, enough air to last us an entire year, and that the Tulpar doesn’t pop like a pressurized soda bottle while we’re out here.” 

“(Y/N)...” Curly’s voice died at her name, shocked at this revelation and disappointed he somehow didn’t know about her struggle sooner. “I had no idea what you were going through. You always seemed to have a grasp on your tasks and Swansea always praised the work you did, so I just assumed you weren’t having a hard time adjusting. Have you told any of this to Anya during your evaluations?”

“No… I really wanted to believe that I could do it and stick it out, and so far, thank God, I’ve just barely made it every time. I really wanted you and the rest of the crew to believe I was capable and worthy of being here.” He cautiously put a hand on her shoulder, testing the waters on how he should comfort her. 

“You are worthy of being here. The fact that we’ve been having such a smooth trip with no complications so far makes that obvious. I really appreciate you opening up to me now. I want to do everything I can to make sure you aren’t stressed about your work. You need to get rest and eat like the rest of us. Sure, none of us are a chemical engineering smarty pants like you, but you can always ask for help, even if it’s just for something like bringing you food or running errands around the ship.” He smiled at her, and she weakly reciprocated the gesture.

“I’ll keep that in mind for next time. Thank you, Curly.” Too tired to remember formalities, (Y/N) let out a big yawn, much to his amusement. 

“So are you gonna go to bed?” He asked. She threw her head back and groaned in defeat, murmuring a “yes”. “Good! I hope I get to see more of you around now that you’ll be asking for help, yes?”

“Yes, of course, Captain. I’ll see you tomorrow.” The both of them stood up, (Y/N) to head to her quarters and Curly to finally get his glass of water. Before completely leaving, she paused and turned back. “Oh, and Captain?” 

“Hmm?” He raised his head up to look at her again.

“I know you have a lot of responsibility on your shoulders looking after all of us. Please, rely on me too.” She smiled gently.

“Goodnight, (Y/N).” He called after her as she slipped through the door. He felt content that he was making good progress to gaining the trust of the crew member he knew the least. It always made him feel good to be the reliable captain he hoped everyone viewed him as. Having that conversation with (Y/N) made him a little more relaxed now that she had opened up to him for the first time.