#how much an app costs to design

[nightmareonpeachstreet]

Social media apps really out here like “oh oopsie poopsie 🥺 you forgot to turn on notifications~ you wanna know what’s going on with me 24/7, right??? 🥴🥴🙈”

I want it to send a message to the ceo every time I say ‘see less often’ that says “no bitch she hates you specifically. Actually she tweeted last week that she hopes someone pisses in your egg salad sandwich every day”

[grocito]

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[harrywatson4u]

The average cost to develop a mobile application starts from $8000 to $25,000 on average. Nevertheless, the price can highly vary based on the price of the same. Discovering the cost to build a mobile app is crucial, and Dev Technosys provides valuable insights. Their expertise ensures a transparent and efficient development process, guiding businesses with precision and innovation.

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[cinnam0nic3girl]

How to Live Your Dream Life on a Budget

1. Define Your Dream Life

Clarify Your Priorities: Identify what truly matters to you. Is it travel, a peaceful home, pursuing a passion, or more time with loved ones?

Set Realistic Goals: Break your dream into achievable milestones. This helps make the process feel manageable and less overwhelming.

2. Focus on Experiences, Not Things

Prioritize meaningful experiences over material possessions. For example, a picnic with friends can be as fulfilling as dining at an expensive restaurant.

Look for free or low-cost activities in your area, such as community events, nature trails, or local museums.

3. Budget Strategically

Track Your Expenses: Use budgeting apps or spreadsheets to understand where your money goes and identify areas for savings.

Cut Unnecessary Costs: Reduce spending on non-essential items, such as subscription services you don’t use or frequent takeout meals.

Save Smartly: Allocate a portion of your income, no matter how small, to a "dream fund" for your long-term goals.

4. Leverage Resources and Skills

Learn for Free: Use free online resources like YouTube, Coursera, or local libraries to develop skills or hobbies that align with your dream life.

Barter or Trade Skills: Exchange your expertise for goods or services. For instance, offer graphic design in exchange for language lessons.

5. Maximize What You Have

Repurpose and Reuse: Upcycle old furniture, clothes, or decor to create a refreshed living space without spending much.

Enjoy Simple Pleasures: Appreciate small joys like reading a book, journaling, cooking, or spending time outdoors.

6. Pursue Low-Cost Travel

Take advantage of budget-friendly travel options like camping, house-sitting, or volunteering abroad (e.g., WWOOF or Workaway).

Use travel rewards or discounts to save on flights and accommodations.

7. Build a Support Network

Surround yourself with supportive people who share your values and inspire you.

Join communities (in-person or online) that focus on minimalism, frugal living, or achieving dreams on a budget.

8. Stay Positive and Flexible

Embrace Gratitude: Celebrate small wins and recognize the progress you’ve made toward your dream life.

Adapt Your Vision: Understand that your dream life may evolve over time, and that’s okay. Be open to new opportunities and adjustments.

Examples of Dream Lives on a Budget

A Creative Lifestyle: Pursue writing, painting, or photography with inexpensive tools and platforms to share your work.

An Adventurous Life: Explore local attractions, hike nearby trails, or road trip on a budget.

A Peaceful Home: Create a cozy, welcoming space using thrifted decor and DIY projects.

Pursuing Personal Growth: Dive into free or affordable online courses, read self-improvement books, or attend community workshops.

Your dream life isn’t about how much money you have—it’s about how you use your resources to align with your values and aspirations. With intention and creativity, even modest means can lead to extraordinary fulfillment.

[naamahdarling]

I'm probably going to piss some people off with this, but.

The use of AI and machine learning for harmful purposes is absolutely unacceptable.

But that isn't an innate part of what it does.

Apps or sites using AI to generate playlists or reading lists or a list of recipes based on a prompt you enter: absolutely fantastic, super helpful, so many new things to enjoy, takes jobs from no-one.

Apps or sites that use a biased algorithm (which is AI) which is not controllable by users or able to be turned off by them, to push some content and suppress others to maximize engagement and create compulsive behavior in users: unethical, bad, capitalism issue, human issue.

People employing genAI to create images for personal, non-profit use and amusement who would not have paid someone for the same service: neutral, (potential copyright and ethics issue if used for profit, which would be a human issue).

People incorporating genAI as part of their artistic process, where the medium of genAI is itself is a deliberate part of the artist's technique: valid, interesting.

Companies employing genAI to do the work of a graphic designer, and websites using genAI to replace the cost of stock photos: bad, shitty, no, capitalist and ethical human issue.

People attacking small artists who use it with death threats and unbelievable vitriol: bad, don't do that.

AI used for spell check and grammar assistance: really great.

AI employed by eBay sellers to cut down on the time it takes to make listings: good, very helpful, but might be a bad idea as it does make mistakes and that can cost them money, which would be a technical issue.

AI used to generate fake product photos: deceptive, lazy, bad, human ethical issue.

AI used to identify plagiarism: neutral; could be really helpful but the parameters are defined by unrealistic standards and not interrogated by those who employ it. Human ethical issue.

AI used to analyze data and draw up complex models allowing detection of things like cancer cells: good; humans doing this work take much longer, this gives results much faster and allows faster intervention, saving lives.

AI used to audit medical or criminal records and gatekeep coverage or profile people: straight-up evil. Societal issue, human ethical issue.

AI used to organize and classify your photos so you don't have to spend all that time doing it: helpful, good.

AI used to profile people or surveil people: bad and wrong. Societal issue, human issue, ethical issue.

I'm not going to cover the astonishingly bad misinformation that has been thrown out there about genAI, or break down thought distortions, or go into the dark side of copyright law, or dive into exactly how it uses the data it is fed to produce a result, or explain how it does have many valid uses in the arts if you have any imagination and curiosity, and I'm not holding anyone's hand and trying to walk them out of all the ableism and regurgitated capitalist arguments and the glorification of labor and suffering.

I just want to point out: you use machine learning (AI) all the time, you benefit from it all the time. You could probably identify many more examples that you use every day. Knee-jerk panicked hate reflects ignorance, not sound principles.

You don't have beef with AI, you have beef with human beings, how they train it, and how they use it. You have beef with capitalism and thoughtlessness. And so do I. I will ruthlessly mock or decry misuse or bad use of it. But there is literally nothing inherently bad in the technology.

I am aware of and hate its misuse just as much as you do. Possibly more, considering that I am aware of some pretty heinous ways it's being used that a lot of people are not. (APPRISS, which is with zero competition for the title the most evil use of machine learning I have ever seen, and which is probably being used on you right now.)

You need to stop and actually think about why people do bad things with it instead of falling for the red herring and going after the technology (as well as the weakest human target you can find) every time you see those two letters together.

You cannot protect yourself and other people against its misuse if you cannot separate that misuse against its neutral or helpful uses, or if you cannot even identify what AI and machine learning are.

[thoughtportal]

For those living in one of the 22 states where abortion is banned or heavily restricted, the internet can be a lifeline. It has essential information on where and how to access care, links to abortion funds, and guidance on ways to navigate potential legal risks. Activists use the internet to organize and build community, and reproductive healthcare organizations rely on it to provide valuable information and connect with people in need.

But both Republicans and Democrats in Congress are now actively pushing for federal legislation that could cut youth off from these vital healthcare resources and stifle online abortion information for adults and kids alike.

This summer, the U.S. Senate passed the Kids Online Safety Act (KOSA), a bill that would grant the federal government and state attorneys general the power to restrict online speech they find objectionable in a misguided and ineffective attempt to protect kids online. A number of organizations have already sounded the alarm on KOSA’s danger to online LGBTQ+ content, but the hazards of the bill don’t stop there.

KOSA puts abortion seekers at risk. It could easily lead to censorship of vital and potentially life-saving information about sexual and reproductive healthcare. And by age-gating the internet, it could result in websites requiring users to submit identification, undermining the ability to remain anonymous while searching for abortion information online.

Abortion Information Censored

As EFF has repeatedly warned, KOSA will stifle online speech. It gives government officials the dangerous and unconstitutional power to decide what types of content can be shared and read online. Under one of its key censorship provisions, KOSA would create what the bill calls a “duty of care.” This provision would require websites, apps, and online platforms to comply with a vague and overbroad mandate to prevent and mitigate “harm to minors” in all their “design features.”

KOSA contains a long list of harms that websites have a duty to protect against, including emotional disturbance, acts that lead to bodily harm, and online harassment, among others. The list of harms is open for interpretation. And many of the harms are so subjective that government officials could claim any number of issues fit the bill.

This opens the door for political weaponization of KOSA—including by anti-abortion officials. KOSA is ambiguous enough to allow officials to easily argue that its mandate includes sexual and reproductive healthcare information. They could, for example, claim that abortion information causes emotional disturbance or death, or could lead to “sexual exploitation and abuse.” This is especially concerning given the anti-abortion movement’s long history of justifying abortion restrictions by claiming that abortions cause mental health issues, including depression and self-harm (despite credible research to the contrary).

As a result, websites could be forced to filter and block such content for minors, despite the fact that minors can get pregnant and are part of the demographic most likely to get their news and information from social media platforms. By blocking this information, KOSA could cut off young people’s access to potentially life-saving sexual and reproductive health resources. So much for protecting kids.

KOSA’s expansive and vague censorship requirements will also affect adults. To avoid liability and the cost and hassle of litigation, websites and platforms are likely to over-censor potentially covered content, even if that content is otherwise legal. This could lead to the removal of important reproductive health information for all internet users, adults included.

A Tool For Anti-Choice Officials

It’s important to remember that KOSA’s “duty of care” provision would be defined and enforced by the presidential administration in charge, including any future administration that is hostile to reproductive rights. The bill grants the Federal Trade Commission, majority-controlled by the President’s party, the power to develop guidelines and to investigate or sue any websites or platforms that don’t comply. It also grants the Executive Branch the power to form a Kids Online Safety Council to further identify “emerging or current risks of harms to minors associated with online platforms.”

Meanwhile, KOSA gives state attorneys general, including those in abortion-restrictive states, the power to sue under its other provisions, many of which intersect with the “duty of care.” As EFF has argued, this gives state officials a back door to target and censor content they don’t like, including abortion information.

It’s also directly foreseeable that anti-abortion officials would use KOSA in this way. One of the bill’s co-sponsors, Senator Marsha Blackburn (R-TN), has touted KOSA as a way to censor online content on social issues, claiming that children are being “indoctrinated” online. The Heritage Foundation, a politically powerful organization that espouses anti-choice views, also has its eyes on KOSA. It has been lobbying lawmakers to pass the bill and suggesting that a future administration could fill the Kids Online Safety Council with “representatives who share pro-life values.”

This all comes at a time when efforts to censor abortion information online are at a fever pitch. In abortion-restrictive states, officials have already been eagerly attempting to erase abortion from the internet. Lawmakers in both South Carolina and Texas have introduced bills to censor online abortion information, though neither effort has yet to be successful. The National Right to Life Committee has also created a model abortion law aimed at restricting abortion rights in a variety of ways, including digital access to information.

KOSA Hurts Anonymity Online

KOSA will also push large and important parts of the internet behind age gates. In order to determine which users are minors, online services will likely impose age verification systems, which require everyone—both adults and minors—to verify their age by providing identifying information, oftentimes including government-issued ID or other personal records.

This is deeply problematic for maintaining access to reproductive care. Age verification undermines our First Amendment right to remain anonymous online by requiring users to confirm their identity before accessing webpages and information. It would chill users who do not wish to share their identity from accessing or sharing online abortion resources, and put others’ identities at increased risk of exposure.

In a post-Roe United States, in which states are increasingly banning, restricting, and prosecuting abortions, the ability to anonymously seek and share abortion information online is more important than ever. For people living in abortion-restrictive states, searching and sharing abortion information online can put you at risk. There have been multiple instances of law enforcement agencies using digital evidence, including internet history, in abortion-related criminal cases. We’ve also seen an increase in online harassment and doxxing of healthcare professionals, even in more abortion-protective states.

Because of this, many organizations, including EFF, have tried to help people take steps to protect privacy and anonymity online. KOSA would undercut those efforts. While it’s true that our online ecosystem is already rich with private surveillance, age verification adds another layer of mass data collection. Online ID checks require adults to upload data-rich, government-issued identifying documents to either the website or a third-party verifier, creating a potentially lasting record of their visit to the website.

For abortion seekers taking steps to protect their anonymity and avoid this pervasive surveillance, this would make things all the more difficult. Using a public computer or creating anonymous profiles on social networks won’t keep you safe if you have to upload ID to access the information you need.

We Can Still Stop KOSA From Passing

KOSA has not yet passed the House, so there’s still time to stop it. But the Senate vote means that the House could bring it up for a vote at any time, and the House has introduced its own similarly flawed version of KOSA. If we want to protect access to abortion information online, we must organize now to stop KOSA from passing.

[sheriffcupcake]

Some CaitVi headcanons for funsies:

- Can they use chopsticks?

Cait: been using them since she was a child. Tobias taught her when she could start handling a pencil

Vi: Cait taught her. Before, Vi used them to stab the seafood at Jericho's (Vi still prefers to eat with her hands)

- What do they do when they can't sleep?

Cait: goes over old case files in her office or reads a book

Vi: runs laps around the Kiramman property (neighbors are used to it), sometimes explores the library, or sketches designs for tattoos

- What would they impulse buy at the grocery store?

Cait: has never been to a grocery store, usually has people buy things for her, gets extremely overstimulated and panic buys a car air freshener and a pack of gum

Vi: ALL. THE. SNACKS. and a lil something for her cupcake (a pack of cupcakes for them to share ofc)

- What order do they wash things in the shower?

Cait: hair (shampoo, conditioner) then body (body wash), also gets in between her toes and washes behind her ears

Vi: hair sometimes but usually goes straight for whole body, shoulder to toes (on a good day)

- What's their coffee order?

Cait: Venti cold brew with caramel drizzle and oat milk. Her seasonal order is a pumpkin spice latte

Vi: black coffee but Cait introduced her to caramel machiattos and she's been hooked since

- What sort of apps would they have on their smartphone?

Cait: her iPhone 16 has the factory installed apps with only a few downloads like banking apps, Netflix, and Microsoft spreadsheets. Has a hidden folder for top secret Kirammen documents via the KiramanNet Cloud

Vi: has a Samsung s24 that Cait gifted her (she insisted Vi have a phone but Vi didn't want the fruit phone, so she compromised with a Samsung). Vi downloads her favourite games like Candy Crush, Whiteout Survival, and simulator games like The Sims. She has been quite active on Pokemon Go.

- What would they watch on TV when they're bored and nothing they like is on?

Cait: likes to watch the Price is Right to guess how much things cost (incorrectly guessed a toaster to be $755.87) and Maury for the drama

Vi: entertains the movie trailer channel to see what shows are gonna be in theatre and watches the ocassional cooking show to pass the time. Her fave is Chopped

[octosan]

No but when I say that the problem isn't that Veilguard is bad (when it is IMO) I'm specifically saying that I would have forgiven so much about this game in a vacuum.

In a vacuum, Veilguard feels like a genuine attempt to release a AAA game that isn't preying on its consumers with live service models, overpaid DLC that should have been in the main game, and obvious gamebreaking glitches that turn average players into unpaid beta-testers. And when I was playing it, in a lot of ways it felt like the most technically finished dragon age game of the series. It's the first dragon age game since Origins that doesn't need to be launched by the actually broken EA App! It actually has accessibility options!

But is it really less predatory to misrepresent the tone and content of the game to longtime fans? To not give so much as a warning that it, at the very least, would not be more in line with the writing and depth-of-lore of previous entries? To baldfacedly and repeatedly lie about the development cycle which shrewd players knew by heart already? Is it really okay, is it really acceptable, to wave our hands and go "well the devs probably signed an NDA that makes it so they can't openly address critique" for a game that is 70+ dollars USD and pushes merch that costs upwards of 150 dollars and is (in my understanding) even more expensive overseas? Should I, an average player, have been expected to research the ins and outs of game development language to read between the lines?

Like there's so many... greedy? decisions in this game. I have such a hard time believing that they redesigned the complex and terrifying red lyrium idol into a generic blue fantasy dagger (a redesign so half-assed they had to include a beat in the game where a character "recognizes it" for players to even know it was the same thing) for any reason other than making it easier to replicate as cosplay merch they can sell in their Rook's Coffers bundle which doesn't even include the game.

I mean the fact that they claimed, in the marketing, that the character designs in Inquisition and Veilguard were both made with cosplayers in mind should have been another red flag to me tbh.

Is this really okay?

Like,

I was (briefly) in the Bioware server, you know? I was surrounded by people who were so excited for this game and how it would follow up on previous installments. And every time someone had misgivings because of what they were seeing in the marketing, the general attitude was "everyone who worked on the game is so excited about releasing it, the writers and the devs and even the voice actors, so I will trust them that it is good." People pre-ordered the game even knowing it might not be good because "It's Dragon Age", to say nothing of people who pre-emptively bought that merch bundle.

I was one of those people. I thought "why would they bring attention to this stuff if it wasn't good? Why would they go on about how deep and rich the lore and characters are, how the story balances grim and light-hearted moments, how good the banter is, how much you can shape your Rook and their feelings on their own backstory in roleplay, how Veilguard is better written than all of the prior games, why would they say that this is the best DA game they've ever worked on, if they, at least, don't believe it? Even if in the end I'll find my tastes are different in regards to the narrative choices, it can't be worse than DA2--very flawed but which I loved--or even Inquisition--which I hated (or thought I did until now) but still get a lot of mileage out of. It will still feel like Dragon Age. So yeah, it'll be worth it to me to spend this money."

My sister dfkgkdfkgfdsk begged me to wait until the game was on sale before buying it, but the thought of waiting months and months for that made me feel depressed and again--I took the developers at their word that it would be good.

This is a joke I know the developers are not literally as bad as Gortash.

Now, though, I feel sick and embarrassed that I spent so much money on this game in a time of my life when money is increasingly becoming an issue. When I actively wish I hadn't played this game at all and had its lore and narrative decisions burned into my brain.

And it's taking me days and days to even unpack and articulate this, every time I think I'm done venting the worst of my grief I realize I have more to say.

I've seen that Jenny Nicholson quote going around lately and it's very poignant, but you know what Jenny Nicholson video reminds me of Veilguard the most?

The Star Wars Galactic Cruise video. If you haven't watched it yet, you really should click the link and check it out because it's a fantastic video, the best example of niche journalism I've personally ever seen.

I think about the ways that every point she makes in her video talking about this atrocious money-sucking Disney attraction reminds me of Veilguard. Right up to the very end where we see what we COULD have gotten and didn't because of corporate greed.

As well as the fact that there is a significant crowd of people who not only enjoy Veilguard (which again, is not an issue and I'm genuinely glad if the decisions the devs made made this a better experience for you than previous games because I would not wish this sheer level of buyer's remorse on anyone) but are claiming that the fans sitting here feeling scammed out of unreasonable amounts of money because of the misleading marketing just had "too high expectations" and "you get what you put into it" as if we don't have previous dragon age games with their shitty development cycles to point to in what we wanted out of this one and what the devs were capable of putting into it.

Exactly the same crowd claiming that people paying for an upwards $6,000 USD LARP experience are being "too nitpicky" when they point out various problems like the game breaks for some people and they didn't even make sure everyone can see the stage at the dinner show.

[solarpunkani]

hi would like to make this clear that this is gonna be an unhinged rant about my college classes.

For context, one of my classes is a semester-long group project (hell) and I pitched the idea of solar powered community fridges to my group and we rolled with it. Here's a post i made on it previously. We don't have to make the fridges themselves, basically just talk about the problem our concept addresses (food insecurity in this case) and how we think this concept would work and how, in a hypothetical reality where we made it real, we would test to see if it worked.

Anyways we had to post the rough draft of our presentations so people in other groups could see what we were doing and comment on them with their thoughts and all. Yknow. Classic 'college class discussion board have to reply to at least one project with quality feedback' stuff. And

Man.

I am so frustrated.

Highlights:

My group keeps insisting that we should have an app for the solar fridges. I don't know why they think app design needs to fit into community fridges but they put it into the draft posted to the forum.

In this case they proposed the app would be kinda like Instacart? Where people who want to donate to the fridges but don't have groceries on them and don't feel like going to get groceries can put in money and then people will then go buy the groceries to put in the fridge. Or use the funds to help with fridge maintenance. And the fridges would have 'QR codes, links, etc. to connect community members for the common cause of helping tackle food insecurity in the community.'

Lots of the comments were pretty good! People liked the idea. There were some concerns about insulation and keeping things cool with low energy cost (the program is online but the college itself is in Georgia USA so many people are in Georgia) but yknow.

But the frustrating part to me I guess is that a lot of people seem convinced that people would use the fridges 'unfairly' and that we'd need to find a way to restrict how much food people can take out or how many times they can use it or something. Which frankly in my opinion defeats the purpose of it being a community fridge. Here are some examples of things people have said so far (comments are due tomorrow evening but I'm mad now so I'm venting now):

One student said "How will you know if the pantry is being utilized fairly?" and "How will the app work? In a dream world, this might be a way to help with tracking and accountability. (Just a thought…) Maybe folks would need to sign up on the app, they get a code… and the fridge acts as a sort of vending machine to deliver what they need. This would give you data to measure success. :)"

Which. I just. This feels completely antithetical to the purpose of a community fridge??? Or a community anything???? Little free pantries and little free libraries don't operate on a 'you get a code to access it once' vending machine basis?? We even mentioned community farm stalls/community pantries in the draft write up! And showed examples!

Another student said "Great thoughts. I am concerned about one person taking all the food for themselves. It might be a great idea to have them in an enclosed area with access control through the app that would log and lock out people who are overusing the resource. Perhaps a barcode could be added to Apple Wallet to track each individual's arrival? Possibly having a mechanized lock and opening mechanism that would only allow each fridge to be open for a specific time before automatically closing and locking? Each scan would only allow access once each 24-48 hour period, preventing "password sharing.""

I cannot emphasize enough that this is the comment that has brought me here today because with all due respect what the flying fuck do you think is the point of a community fridge! I'm already prickly about the idea of limiting access to the fridge itself to only people with cellphones, but to this degree?! Like maybe its because I'm the one who came up with the concept and I care about terms like 'mutual aid' and 'community building' and 'judgement free accessibility to food' but have these people not heard of the concept of helping people?!?! With no strings attached?!? If someone takes all the contents of a community fridge or pantry--which, seriously, how likely is that--they're probably hungry and need it! The concept of putting community resources behind a lock and limiting accessibility is just repulsive to me???

Like someone else commented with this excellent point--"As several have addressed above, I am also wondering how would you monitor use? If you use the simplicity of the honor system, it could easily be taken advantage of. However, I feel like if you were to create some sort of access code, how is it to say that they people needing the use of the fridge will have access to the necessary technology to get the code? It's a tricky situation to think about." For the purposes of this hypothetical assignment where we'd need to track how many people are using the fridges? Yeah I guess we'd need to be able to track how many people use it and when. But in reality??? In real life reality where people are living and struggling and hungry??? I just don't really give a shit!! Helping five people is better than helping none, and locking access behind technology everyone pretends is universal but really isn't is not the way to help!

And of course one of my groupmates is already commenting on all these posts like 'oh! I really like the idea of restricting access to a code! :)' even when someone said 'hey my family struggled with food insecurity when I was a kid and I think this would be helpful but not if you could only access it with an app some of the most vulnerable citizens wouldn't be able to access it I wouldn't have been able to access it' my groupmate was still like 'oh but that wouldn't be a problem today now would it? :) Maybe we should make a way to get a code without downloading the app :)' like maybe there shouldn't be an access code in the first place?!?!

Like am I crazy or like. What the fuck. Again I am here so I don't blow up on a bunch of masters students in a discussion post but like UGH

"you gotta be able to gague if the people who're using it are the people who actually need it" food insecurity can look so many different ways for so many different reasons and you can't always judge by appearances and income levels who is struggling to feed themselves or their families!! There are people who have nice jobs who are struggling because they're caring for sick family members or kids or dealing with student loans or ANYTHING! There are people with nice clothes who are trying to decide between buying groceries and paying rent! There are people living in their cars or couch surfing looking for jobs who also happen to own an XBox or a Laptop!!! "Sorry you can't access the community fridge because you don't look poor and needy enough to me. but if you do, good news--you can only use it once every 48 hours so make it last!" Bullshit utter bullshit.

I talk to people in my life about things like community fridges and little free pantries and mutual aid and the like and people are always like 'ok but theres gotta be strings attatched' BUT ACTUALLY NO THERE DON'T GOTTA!!! Maybe we could change how we view our fellow human beings and stop assuming that everyone around you are greedy little demons looking to ruin everything good and that you are the only holy and righteous saint on the streets who understands the concept of 'community resources' and 'sharing' maybe??? It's like that post about community fruit trees where people are like 'oh but what if people steal all the fruit' like HELLO? how do you STEAL a PUBLICALLY ACCESSIBLE RESOURCE

I'm tired of this goddamn class I'm tired of this goddamn group project if anyone actually has the ability to make a solar powered community fridge you have to promise to keep it accessible and not put it behind locks and QR codes and limited access and facial tracking BS promise me promise me promise me

[mochayoubi]

hello!! how are you? i'm reaching out to you because you're the one i keep seeing my dashboard that's related to japanese learning.

i wanted to ask: how do you suggest a beginner should start studying? like, they're N5, and they know hiragana and katakana, but do not know how to move forward from there because it scares them? (it's me, btw, hi hello how are you how are the kids)

thank you so much!! have a good day!!

omg hi!!! im doing ok (im sick rn but it's fine lol) thanks sm for the ask! :3

i think the best thing you can do for yourself is follow your curiosity! at the early stages of learning curiosity will take you much farther than trying to set hard deadlines for yourself - especially when it sounds like moving forward is a bit intimidating at the moment.

so, i'm going to list out things that might be worth checking out. it takes a while for people to figure out what works for them, and since you mentioned you already know hiragana/katakana you're primed to get out there and really explore your options! embrace the feeling of possibility rather than the fear of the unknown :D i say this bc if you get too caught up in making the "right" choice it might just make learning too stressful to want to continue

anyway here's some things that beginners commonly go for when continuing with japanese learning (under the readmore)

find a textbook and work through it there's a bunch out there, I know Genki I is probably the most well-known, but i'm also familiar with Tobira I, Yookoso, and Minna no Nihongo. textbooks are nice because they're literally designed for learners and offer structure to what order you learn kanji, grammar, etc. and come with lots of practice questions. the difficult part is self-teaching through them since they tend to assume youre also using it with a teacher who can correct you and give advice. however they're still pretty good as references imo! if you google "[textbook name] pdf" they're pretty likely to come up

find an app you can use daily there are also a lot of these, and many of them are designed to be used daily so you can better enforce the habit of studying japanese every day. these tend to be simpler and gamefied to make it more appealing and easier to pick up as well. i would just stay away from duolingo as i've heard their japanese curriculum is bad. some other ones i've heard are helpful are Renshuu and Human Japanese.

find an online guide and follow it by "online guide" i mean websites people have compiled of their own guides to learning japanese, such as Tae Kim. these are more accessible and unlike textbooks tend to assume that you are self-studying, so it's easier to follow independently, but usually don't have any practice questions or ways to test yourself. still good as a reference. you can also check out this website that specifies their philosophy on what makes effective japanese learning and what steps to take as a beginner (imo it's very. long. and winds on for a while. but people have said it helps!)

download and use anki anki is an app (both phone and pc) that uses flashcards and that many learners use to retain vocab. their site has decks other people have created, and you can find decks of "core vocab" for example which has flashcards of common japanese vocab. you can also create your own flashcards of words you encounter in the wild to help practice them even after you've read it. i think anki is super useful, but i would probably suggest using it once you have more of a grasp on basic japanese concepts or else you'll just be rote-memorizing things that don't make sense to you yet. but i'm putting it here in case this appeals to you!

take a class or find an online tutor now this one will most likely cost you money, but it offers the most structure and guidance possible which can be extremely helpful starting out since you're able to ask questions and get feedback. you can look into nearby universities who might offer japanese classes, or you can try one of the many language-learning tutor websites out there. i've had some decent success with italki, and there's also JOI (japanese online institute) that i've heard is very helpful too.

watch japanese-learning videos these can be nice bc you can actually hear the japanese and how it's supposed to sound, and it's typically lower effort and easier to get into than actively starting a textbook or class. miku real japanese, japarrot, and 日本語の森 are channels i've watched before and like, but there's plenty others out there too. i'd just steer away from clickbait-y looking ones like "i learned japanese in 30 days and here's how!!" since they tend to not be that helpful.

read simple stories in japanese reading in japanese tends to be the most intimidating step for people, but there's sites that have stories made for beginners that are easy to follow and only use hiragana/katakana. my go-to for my students is usually tadoku since the stories are short, organized by level, and very beginner friendly. a while ago someone showed me natively which lets you look up japanese books, also by level. if you want some good beginner manga, yotsuba and teasing master takagi-san are what i've recommended before

misc. things you can try!

watch anime but intentionally - try to actively listen and pick up on words they say. a long time ago i used animelon, which puts japanese subtitles that you can adjust to show hiragana only

look up jlpt n5/n4 specific materials. they're geared for an exam so it might not be the most natural feeling, but they do tend to be convenient for lists of vocab and grammar. this website has some helpful resources for that

add an extension on your browser that will let you hover over japanese words and see its definition. i use firefox and have 10ten reader to do this, but rikaikun and yomichan are also similar extensions

when you learn the japanese word for something in your house, put a sticky note on it that has the japanse word. like, for "table" you can put a note on it that says 「テーブル」. i heard this can help with retention (i haven't done it myself tbf)

EDIT: ohh i can't believe i forgot this. but join a japanese-learning community! there's discord servers out there, and if you have a friend willing to study with you you can ask them to be your accountability buddy.

anyway, i know that was a lot but i hope that gives you some direction on where you'd like to go next in your japanese learning journey! ^_^ and again, absolutely no pressure to do all of these. the most important thing is letting curiosity be your guide and fostering a positive relationship with learning japanese rather than being afraid. if i can help out some more lmk!!

[magua-vida]

Ko-fi & Commissions~

New list. Here's how it'll go. If you'd like to help, reblogs and commissions are greatly appreciated!

DM me if you have any commissions to ask of me. It's preferrable that you already have specific directions, but we can brainstorm if we haven't yet.

For works that involve lineart or painterly, I will first show you the W.I.P. (work-in-progress). That way, we can discuss if you want any changes made before finalizing the product.

Difficulty multiplier is for how detailed the work will be. Do you want me to draw a background for your character? How many characters do you want to be drawn? In what style?

Payment will be through Paypal, PayMaya, or Gcash. Paymaya and Gcash are more preferrable as that means the multiplier won't go up more much due to paying me directly rather than me having to transfer the payment between apps and having to pay for it. Paypal is used more abroad and transferring money between apps cost vary, you see (like G-xchange Inc. taking convenience fees).

Pls. don't ask me to draw your idea for free or give a discount. It has happened before. I also need to monetarily pay and provide as like any other working adult in society.

I will not draw: floor plans, city planning art (even fictional), pedophilia, incest, explicit sexual content (I'm willing to draw suggestive kinda lewd stuff, but let's talk about details first), extreme gore (e.g. exposed innards) but okay with blood and certain forms of wounds.

Pls. do not redistribute my works or mass-produce them. Reblogs are welcome, though.

Some of the tags below are digital media that I'm currently most familiar with at the top of my head (may add more later), but I can draw others aside from the ones listed. Feel free to say if you want me to draw an OC or have a character design in your mind too~

[writingquestionsanswered]

I apologize if this has already been asked, but how does someone go about getting their novel published? Let’s say you’re got your story wrapped up in a nice pretty bow. But you don’t know the first steps to take in order to get it out into the world.

Publishing: Story's Done... Now What?

First, congratulations on finishing your novel! That, in and of itself, is a huge accomplishment!

If you want to get your book out into the world, the next step is to decide which publishing route you want to follow. There are three potential options, each with their own benefits, drawbacks, and pitfalls:

Online Publishing: Sites like Wattpad and Inkitt are online publishing platforms that allow writers to upload their novel and book cover so that it's available for readers to read online or via an app. Depending on what you write, this can be a great way to find readers and start building an audience. Both Wattpad and Inkitt offer the ability for the author to get paid.

Self-Publishing: Many writers choose to self-publish their books as e-books (and sometimes print books) using platforms like Kindle Direct Publishing, Draft2Digital, Barnes and Noble Press, Kobo Writing Life, Smashwords, and others. The benefit to self-publishing is that you maintain 100% control of everything, from rights to design to publishing timeline. You also get to keep a higher percentage of royalties and can get books out faster than you can with traditional publishing. The drawback to self-publishing is getting out a quality, polished book can take a lot of time and effort, and to do it really well you should hire a professional editor and cover designer.

Traditional Publishing: This is the route most people think of when they think of being a published author. Via this route, authors first query their manuscript to literary agents open to submissions. If in agent offers to represent you, they will find a publisher who is a good fit for your book. The interested publisher will offer you a book deal, and the agent helps with the whole process. Less often, writers query publishers directly, though few legitimate publishers accept manuscripts that aren't represented by an agent.

The main benefit of traditional publishing is there is no out-of-pocket cost to the writer, Everyone gets paid out of your book's sales. There's also a fairly good chance you'll receive an advance on royalties, meaning you'll get paid a small sum of money upfront, before your book is even published. You also have a whole team dedicated to helping you make your book the best it can be, and you're much more likely to see your book on bookstore shelves.

The drawbacks of pursuing traditional publishing are numerous. For one thing, it's a time consuming and often frustrating process. Most writers spend anywhere from a few months to a year "in the query trenches" before they find representation, if they ever do at all. The general estimate is that 1% to 2% of writers who pursue traditional publishing will end up with a book deal. Even if you do get a book deal, that doesn't mean your book will definitely be on bookstore shelves or that it will sell really well. There's a lot of competition for shelf space in bookstores, so many traditionally published books never see the inside of a bookstore. Regardless of whether or not a book is on bookstore shelves, only about 25% of traditionally published books sell well enough to earn out their advance, which means the advance is the only profit the author receives from the book. You will also still be responsible for doing the majority of your own marketing and promotion, so just as with self-publishing, how well your book sells can depend partly on how well you market it.

One thing that's true across the board... regardless of whether you choose online publishing, self-publishing, or traditional publishing, is that it's very unlikely to make you a living income. Most writers, whether they're self-published or traditionally published, have a "day job," a writing-related "side hustle" (like book editing, ghost writing, or hosting craft workshops), or they have an independent income such as being retired or having a spouse who supports them. So, don't choose a route because you think it's a fast-path to income or a surefire route to one.

How do you choose between the three? Before you choose a path, it's worth sitting down to take stock of what you want to get out of your publishing career. If you want full control over rights, content, cover design, and publishing timeline, self-publishing may be the best route for you. If you would prefer not to do anything other than write and revise, query, and some marketing, traditional publishing might be a good path. If you want full control over everything but don't want to do much other than write and revise, online publishing may be a good choice. Either way, there's tons of information out there about each option, so make sure to do more research into whichever paths interest you.

Older posts with added info:

Guide: A Quick Rundown on Publishing To Self-Publish or Traditionally Publish? 12 Sites for Sharing Original Fiction

Best wishes on whichever path you choose!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[dsmppinup]

DSMP Pin-Up Calendar - Details and FAQ

TIMELINE:

Applications Open: August 11

Applications close: August 25

Invites to artists sent: August 30

Printing: Late October DSMP Pin-Up Calendar is an artistic celebration of the characters of the DSMP, drawing inspiration from the creativity of the fandom community, "hot guy" calendars, action movie posters, classic pin-ups, vintage advertisements, art prints, and more, in the form of a 2024 calendar. FAQ:

Which characters are going to be in the calendar? There are 38 people on the DSMP, so we're not going to be able to fit them all. We're going to attempt to build a portfolio that covers as many characters as possible, but we're not deciding on which characters specifically until we know which artists we have and what ideas for images they have.

Are the characters played by minors involved? There are no current minors involved with the DSMP, but we understand that the creators being underage for much of the server's run puts a bit of a damper on enjoying more salacious images of the characters. In cases where artists decide they want to draw a character who was underage for a significant period of time of the DSMP, we'll ask that their images tend closer to "action movie poster" or "vintage advertisement" than "pin up".

Is NSFW allowed? We want this calendar to be fun and a bit cheeky, and we want to allow the artists creative liberty, but we also want you to be able to display this without your parents going "what the hell"? No actual NSFW will be part of the calendar.

I want to draw [x] character, can I draw them? During the application and planning process, we'll ask artists to indicate which characters they want to draw. We will then draw up a plan for the calendar, and artists will be assigned a character or characters based on the ones they selected.

Do the images have to stay canon-compliant? Can I draw my own design for a character? We encourage you to bring your own designs to the table, and feel free to set the characters within a canon setting OR an au.

How will I get the calendar? We will be printing a bound calendar through a central source, probably Mixbox, and we will also be making a PDF version that you can print yourself locally, if you have a different print source in mind or if the website doesn't ship to your country.

How much money are you making from this? We are not making any money from this project. If you buy the calendar through a source that asks you to pay for it, it will be priced at-cost, so you will only be paying for the cost of the printing and shipping. The mod team will see no profit from it.

How does the process work? We are going to open the calendar up to applications, and then we're going to go through the apps and select artists that can draw a wide variety of characters. Once in the discord, we're going to ask artists to pitch us a variety of ideas, and then the mod team is going to select pitches to make sure we, ideally, get a variety of different images and characters represented. We will then go through sketches, final, layout, and then release it for you all to buy or print!