#how is that allowed to be true?

[barefootbaltimore]

9am on the first day of the year and I just sat on the couch sobbing over the cats I've lost and how time keeps taking me farther from them and how ill never be able to go back and be a better mom to them or make better choices that may have saved their lives.

[radicalposture]

‘how did disney let them make andor omg!’ ‘lol netflix let them make blockbuster that’s so funny’

[luckyblackcatxiii]

Two separate occasions but both bringing out a rare intense emotion from Saverio! Sometimes I like to think I make up cool lines on the fly when playing as him 🤔

I'd like to draw scenes to explain how he got to these points, but for now, enjoy an angry Sav~

[egophiliac]

So how’s ride kamens going for you as I just pulled my self together long enough to read the other half of the current main story

I've been working on catching up on the event stories since they announced the upcoming main story update! (I totally bombed the last few events...they're so fast-paced and I just didn't have time...😭)

and then of course they went and dropped THIS on us today

(you don't understand, I LOVE Tajador and I already love the two blurry frames they've given us of non-silhouetted Kelka, I'm ready to absolutely lose my shit come the announcement/reveal(?) stream on Thursday --)

[morsmortish]

when regulus complains about ‘walking in on’ barty and evan, he’s not talking about discovering them fucking in their room (although that does happen a fair amount). he talking about the times he’s entered their dorm to see evan stood over his boyfriend with his fingers probing around in barty’s mouth, whilst the latter sits on his own hands on a wooden chair in order to stop himself from squirming. he’s talking about having to witness, on multiple occasions, barty lying down on the floor, shirtless and flushed whilst evan’s traces over the key parts of his anatomy with a permanent marker, explaining each label in a monotone voice as barty blushes more and more. he’s talking about being subjected to the sight of barty lying in an ice bath, shivering but grinning ear to ear as evan lazily flicks through a book on his bed as he waits for barty’s body temperature to drop low enough to resemble a corpse. the worst part about living with these two freaks is not their disturbing sex life, but their disturbing everyday life.

[officialspec]

ill be honest as much as i love to criticise the use of fatphobia for comedy ill never be able to hold the fatphobic jokes in kung fu panda against it

like yea those movies are guilty of dipping into The Usual Tropes for a cheap laugh but not only is the character writing for the fat characters the strongest and most sympathetic ive Ever seen literally just the character designs of the pandas in the 3rd movie get me choked up sometimes. theyre all so appealing and clearly treated with the same care and attention as everyone else without copping out and making them Barely Fat. po is already a size that doesnt exist in film protags and hes still the thinnest person in that whole village and that meant a lot to me

[doctorsiren]

I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.

So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)

Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[ekingston]

What do you think would be lena's courage gaunlet test

therapy

[xanderscollection]

"Growing up is realising a (random ship) you loved is actually weird and bad"

Yeah? Is it? Great, I love it even more. The worse it is the Better.

[kita-shinsukes-hand-holder]

I hate you mfs that don't like Gwen after across the spider verse it smells like misogyny

[brw]

"but hamas is getting funded by extremist islamic hate groups!" do you think the U.S. government and military giving funding for israeli's war efforts against palestinians is a morally neutral and inherently righteous body that had no influence in the politics of southwest asia as a global colonial superpower. do you really think anything you can say about the people resisting oppression can't be said about the oppressors.

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[batsplat]

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

[bookshelfdreams]

hey do y'all ever think about the fact that Charles probably has told Edwin about being beaten as a child at some point during their 34 years of friendship? And that Edwin likely never found it remarkable enough to ask further questions because back when he was alive, beating children was completely normal

[sleepynegress]

A COMPREHENSIVE & AUTHENTIC UHURA LOVE/HISTORY POST

The above is where Roddenberry 1st employed Nichelle Nichols [click to watch the full clip]. It was a military show based on Roddenberry's own experiences, the episode is called To Set it Right (I highly suggest reading the wiki article about it).

You should note two other actors, whom he later pegged for Star Trek are in the episode.

They dated briefly and then became good friends way before Trek came about.

Miss Nichols was already an accomplished singer and dancer who performed regularly w/ Billy Eckstine and Duke Ellington

Roddenberry's 1st show, The Lieutenant, was canceled/pulled from the air before these scenes bluntly dealing with racism could air (there's blackface as punishment for the racists at the end of the show, in a case of 'he 'a little confused but got the spirit' for the times, so tw)

He created Star Trek to try to soften the blow of all the social messaging he wanted to insert from his military experience. Star Trek was basically, a submarine drama placed in a sci-fi setting. He made it diverse on purpose because the military helped him travel and serve with all kinds of people. Roddenberry was inspired by that.

Uhura was the first person to read for Spock and in fact, helped to shape the character with her reading and based many of the traits of Uhura (formerly Uhuru) on Spock.

She was basically a glorified secretary. She played the part with poise, joy, and the 60's style womanism she got to play out for those times... Everything from her mini-skirt (which Nichelle herself called very comfortable) to her smile, and teasing lines, and quips were about her playing "big" in a small role. She made every moment, every look, every line, and movement count:

Roddenberry cracked jokes about the fact that the network never figured out that Uhura was fourth in command.

Nichelle was the only main cast member who was not salaried. She was paid by the hour. This attempt at marginalization actually resulted in her being the highest paid at times, because of the long hours.

Nichelle was not let in the front entrance at times, her fan-mail was kept from her, and she grew frustrated with the constant cutting of her scenes, lines and storylines. This is why she justifiably attempted to leave. The bigots in production did not like her being there (and if we're being real, were it not for Janice Rand's actress Grace Lee Whitney having gone through so much and thus losing her job in the 1st season...Uhura might have had even LESS presence)

The lost context in MLK convincing her to stay was that YES she was minimized and could make more money and be more fulfilled on broadway, but her symbolism and presence meant so much at a time when Black women weren't on TV unless as a racist caricature cleaning a house, and even that was rare...that she stayed.

One of her best allies was DeForest Kelly, who threatened to quit if they fired Nichelle. George Takei was her absolute best friend on the show and in life (she served as his Best Woman at his wedding).

There was an unfilmed episode in which Uhura and Deforest would have played reverse roles in "racial dynamics" on a planet they visit

Spock and Uhura were originally supposed to kiss in the alien mind control episode, but Shatner demanded to do so for the publiicity.

Her work to recruit marginalized people as astronauts, as in personally going to colleges and talking to candidates after the show is a staggering achievement that arguably is the most potent of any castmember in any of the Trek series post-show. Sally Ride, Guy Bluford (she personally recruited the 1st woman and 1st black astronaut), Mae Jemison (the 1st black woman credits her for inspiring her to become an astronaut).

Uhura did finally command the ship in the animated series. She would not have gotten to voice the role, but for Leonard Nimoy making it an obligation that all the original actors voice their parts for him to come on.

Scotty and Uhura in the film was definitely a pair the spares situation, in which both were the leftover senior citizens with the writers just going "why not?"

it was beyond insulting and she did protest about the scene where she's bumbling through a giant translation book to speak to klingons for laughs in trek 5 ...but her best moment IMO is her pulling a gun on the young ensign in the transporter room in Trek 3...sadly her ONLY scene in the damn movie.

Miss Saldana got to play to MANY corrections in JJ Abrams rebooted Trek, from being amazing at languages to having an actual life & love, to confidently turning down Kirk at every turn.

FUN FACT!! Both JJ and Bob Orci both expressed disappointed shock that the love story between Spock & Uhura got more hatred from fans than BLOWING UP PLANET VULCAN.

another FUN FACT!! The love story between Spock & Uhura is what grabbed the old school Star Wars fan (JJ Abrams) enough to come aboard to direct. Yep. JJ ships Spock & Uhura.

Zoe's iteration became the 1st version of Uhura to speak confidently in Klingon

Celia Rose Gooding becoming Uhura brings around a lot of Uhura's qualities full circle, IMO. As she is also from theatre (like Nichelle) and has a beautiful singing voice as well as the charm. Zoe's iteration was sharper, and much more protective, professional, & mature, about her life and love.

Celia Rose has the youthful curiousity and stars in her eyes and had vulnerability from her first intro... I loved the eagerness the crew showed to being in her orbit, seeing the glow of her talent and being drawn to that, to have a part in nurturing that.

As I've said... Celia IMO has the most dazzling smile, giant warm brown eyes, fantastic curves, and an energy that feels essentially Uhura, & that is all light, joy, a bit of uncertainty, -from the light singing (!) and the growth to her joy in discovery... I'd love to see her writing move away from serving and be more about her wants needs and growing in friendships/loves.

But Celia is a gift and is perfectly cast.

Essentially Uhura = femininity, graceful carriage, gorgeous smile, excellence in engineering and translation (canon!), ability to sing and play the Vulcan lyre, sharp womanist wit, love for her U.S. of African-Kenyan culture and being beloved by all crew...

When Miss Celia hummed those gorgeous notes to the alien entity on that comet?? That Solidified that she IS Uhura IMO.

I 100% think they fucked up by killing Hemmer, because that mentor-mentee relationship was giving marginalized coming together and bonding over everybody else's bullshit and I was here for it...it was giving me Data and Geordi updated...and since then, IMO they've lost track and given us the same kinda backwards wingwoman role BS, that people who like to pretend to be her fan shoehorn her into.

...but I have high hopes that they'll course-correct.

All this to say ALL OF THE ABOVE is Uhura and anyone calling her ugly, bossy, pushy, annoying, whatever is just sad little hater who doesn't know wtf they are talking about.